{"title":"Midas","description":null,"products":[{"product_id":"dl371pro9","title":"Midas DL371PRO9 Audio Mixer","description":"\u003ch3\u003ePRO SERIES DL371PRO9\u003c\/h3\u003e\n\nThe MIDAS PRO Series has become established as the industry standard on live concert tours and the road-proven DL371PRO9 audio system engine has provided the superior audio processing heard at many of the most prestigious live events held worldwide. The DL371PRO9 features managed latency and 40 bit floating point processing precision. DL371PRO9 sets the standard of performance in high-profile live sound applications and is a truly impressive audio system engine for the engineer whose very livelihood depends on both unparalleled functionality and reliability. DL371PRO9’s powerful DSPs and high-performance FPGA (Field-Programmable Gate Array) technology, coupled with a highly efficient MIMD (Multiple Instruction, Multiple Data) architecture, delivers 31.6 Gigaflops of real-time audio processing. With the capability to handle up to 88 simultaneous input channels and 35 time-aligned and phase-coherent output mix buses, DL371PRO9 is a powerhouse of digital audio mixing technology. HyperMAC and AES50 audio networking technologies allow up to 288 inputs and 294 outputs at 96 kHz sampling frequency combined with 40 bit floating point processing precision, which can be dynamically assigned to the PRO9’s input channels and bus outputs on a dynamic scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, make the PRO9 and DL371PRO9 equally at home in theatres and symphony halls as it is in live concert touring, outside broadcast and music festivals.\n\n\u003ch3\u003eDigital Audio Networking\u003c\/h3\u003e\n\nSuperMAC (AES50-Compliant) and HyperMAC digital audio networking technologies from KLARK TEKNIK simultaneously provide high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring. The DL371PRO9 HyperMAC router provides a dual redundant snake connection to the PRO9 Control Centre over optical fibre or copper with a bandwidth of 192 bidirectional channels of 96 kHz 24 bit digital audio, up to a distance of 500 m with optical fibre or 100 m with CAT5\/5e cable. DL371PRO9 is compatible with all MIDAS PRO Series digital I\/O units, as well as with any other 96 kHz-enabled AES50-equipped devices. Multiple PRO Series consoles can be connected together to create either larger mixing systems, or multiple discrete mixing consoles can share a common resource of networked and distributed I\/O interfaces.\n\n\u003ch3\u003e40 Bit Floating Point Processing\u003c\/h3\u003e\n\nDL371PRO9 can simultaneously process up to 8 internal multi-channel effects and its 40 bit floating-point audio processing hosts a wide choice of virtual effects devices, which range from dual-mono delay units, stereo modulation and numerous diverse reverberation simulations, multi-band compression, dynamic EQ and multi-channel dual-function dynamics processing. Up to 36 1⁄3 octave KLARK TEKNIK DN370 Graphic Equalisers (GEQs) are provided, which can be patched into any output. The oversampled digital signal processing algorithms, combined with the fully interpolated and touch sensitive user controls, result in the smooth continuous response and immediacy of working on an analogue console. Parameter adjustment becomes fast and easy, and the continuous phase shift of a swept frequency control is heard without the quantisation artefacts exhibited by competing digital consoles. DL371PRO9 provides comprehensive automatic latency management of all internal routing and processing delays – and also includes compensation for external analogue inserts. All audio samples are synchronised before summing, resulting in absolute phase coherence at the outputs, without the comb filtering effects of competing products that often result in specific frequencies being cancelled out completely. All effects processors and GEQs are custom-designed to function within this automatic latency compensation system. This ensures a phase-coherent, sample-accurate mix regardless of whether the devices are used as channel inserts or on auxiliary buses.\n\n\u003ch3\u003eExpandable DSP Processing\u003c\/h3\u003e\n\nDL371PRO9 is fitted with 6 DL371A DSP cards as standard. Provision for an additional DL371A DSP card allows upgrading to N+1 redundant operation. In the very rare event that one of the DSP cards should experience an execution fault, this optional redundant card is loaded with that card’s profile under the control of the PRO 9 Control Centre.\n\n\u003ch3\u003eBuilt for the Road\u003c\/h3\u003e\n\nFeaturing a rugged steel 7U rackmount enclosure, DL371PRO9 is designed for the rigours of live concert touring. Premium industry-standard connectors are used to ensure reliable network connections, night after night.\n\n\u003ch3\u003eRedundancy - For Peace of Mind\u003c\/h3\u003e\n\nDL371PRO9 features three removable power supplies - only two of which are required for operation. The power supplies, which are interchangeable with those in the PRO9 Control Centre, are auto-voltage sensing for use on a worldwide basis and provide seamless switchover in the unlikely event of a loss of one of the three power supplies. Combined with the dual-redundant HyperMAC snake and the redundant AES50 networking, plus the N+1 redundancy offered by the optional additional DSP card, no other console system goes further in providing peace of mind. This means that during a show the user can focus on what is most important - treating the audience to a flawless sonic experience.\n\n\u003ch3\u003eArchitecture and Engineering Specifications\u003c\/h3\u003e\n\nThe audio system engine shall be designed for digital audio mixing applications and be optimised for use in live performance. It shall feature 88 simultaneous input channels and 35 time-aligned and phase-coherent output mix buses and operate at 96 kHz sampling rate. The audio system engine shall include Gigabit and 100 Mbit\/s Ethernet frame-based digital audio networking with a total network channel count capability of 288 inputs and 294 outputs at 96 kHz sampling rate. A Gigabit Ethernet frame-based digital audio network router shall be included with 192 bidirectional channels operating over optical fi bre up to 500 m and CAT5\/5E cable up to 100 m, and provide a dual redundant digital snake connection to the associated control centre. The Gigabit digital audio network shall operate on a time-division multiplex basis, and shall provide accurate phase-aligned low-jitter clock distribution using embedded timing markers in the data streams to allow transmission over either Cat5\/5E copper cable up to a distance of 100 m as specified by the IEEE 802.3 Ethernet standard, or up to distances of 500 m using 50\/125 μm multimode optical fibre. It shall provide two levels of cyclic redundancy check (CRC) error detection - a checksum sent with the associated Ethernet frame and an additional checksum for audio data. A dedicated 200 Mbit\/s auxiliary data channel shall be provided for control data. The Gigabit digital audio network shall have an individual link latency of 62.5 μs at 96 kHz sampling rate and support dual redundant operation. The 100 Megabit Ethernet frame-based digital audio network shall off er N+1 cable redundancy and be compliant with the Audio Engineering Society AES50-2011 standard. In conjunction with the associated digital console control centre, the audio system engine shall provide up to 36 assignable digital audio emulations of industry standard one-third octave proportional-Q response graphic equalisers and up to 8 simultaneous multi-channel digital audio effects. There shall be automatic latency management of all internal routing, external analogue insert and digital signal processing delays. This latency management system shall synchronise audio samples when summing to mix buses to ensure phase alignment of the summed signals. The audio system engine shall be equipped with 6 digital signal processing cards as standard. Provision shall be made for an additional card to support N+1 redundant operation. The audio system engine shall include three auto-ranging universal switch-mode power supplies with N+1 redundancy for use on a worldwide basis. The power supply modules shall be externally removable and interchangeable with those in the associated digital console control centre. The audio system engine shall be 483 mm wide x 414 mm deep x 310 mm high (19.0\" x 16.3\" x 12.2\"), with nominal weight 26.7 kg (58.7 lbs). The audio system engine shall be installed in a rack frame or road case capable of safely supporting its weight. Input, output, and power connections shall be made at the rear panel of the audio system engine. Installers shall allow adequate space at the rear for connection and disconnection of input, output, and power connections. The power requirements shall be 100 to 240 VAC, 50 to 60 Hz. The audio system engine shall be the MIDAS DL371PRO9 and no other alternative shall be acceptable.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269618376959,"sku":"0603-ABZ","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_5ebad5f2-2532-43cb-b38d-c5a4c5f4996f.jpg?v=1790013055"},{"product_id":"as80","title":"Midas AS80 Converter","description":"\u003ch3\u003eAS 80\u003c\/h3\u003e\n\nThe Midas AS 80 is designed to seamlessly convert a single, high-bitrate HyperMac connection into two redundant 1GBit connections and vice versa, whilst ensuring ultra-fast audio switching. Additionally, it can also run up to 192 bidirectional channels at 96 kHz.\n\n\u003ch3\u003eReliable Redundancy\u003c\/h3\u003e\n\nUsing AS 80 with our flagship HD96 console allows both console Snake ports to be made redundant providing greater potential channel count. Furthermore, AS 80’s utilisation of FPGA-based switching technology ensures dependable HMAC failover to a redundant connection.\n\n\u003ch3\u003eTough and Dependable\u003c\/h3\u003e\n\nThanks to its 1U rackmountable design, AS 80 can be easily integrated into any touring or live portable sound setup without taking up too much space and can withstand the demands of life on tour.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269618442495,"sku":"0606-ADF","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_4be57722-764e-4a6e-b18c-6ff2d3e3ed53.jpg?v=1790013056"},{"product_id":"hd96-24-cc-ip","title":"Midas HD96-24-CC-IP Audio Mixer","description":"\u003ch3\u003eHeritage History\u003c\/h3\u003e\n\nThe Heritage 3000 (H3K) was first introduced in 1999. Its famous purple colour and features made it so distinctly Midas. It soon established itself as the world wide industry standard for live sound applications. The H3K proved to be a huge winner from day one. The striking colour scheme wasn’t the only thing that made waves within the industry. With a new pre-amp design bettering that of the iconic XL4, large channel and aux counts plus the flexible aux switching system, it’s no wonder the H3K appeared on everyone’s spec as the console of choice. Living up to the reputation of the H3K is undeniably a hard task; the H3K set a new standard in live mixing. Naming the Heritage D after such an iconic mixing console was indeed a bold move. However, this product is bold and visionary whilst keeping the legendary sound quality and raising the bar on what a digital mixing console can achieve. Building on the prolific history of the H3K and PRO Series consoles, the new Heritage D now reinvents the workflow of the sound engineer. Finally, a Midas you can touch. Featuring a powerful 21” HD touch screen and formidable ultramodern Graphic User Interface (GUI) control all at your fingertips. Heritage D is a vision of the future with thought provoking new features such as Channel AI (yes, Artificial Intelligence). This platform is designed for the future and will continue to grow and develop over many years with an impressive Midas team that are eager to improve and constantly add new features. Your investment in the Heritage D is safe.\n\n\u003ch3\u003eThe Graviton Mk 2 Processing Engine\u003c\/h3\u003e\n\nAt the heart of every mixing console is the most important part – Audio. Overlooked by other manufacturers, we have always put sound at the top of our priority list. It was hard, almost impossible, but we improved on the legendary Midas digital sound with our new 64-bit summing mix engine with increased dynamic range. Driving a Midas has never been easier. The key to the Midas sound is in giving ultimate flexibility while still being delay compensated. Avoiding the dreaded comb filtering effect is so very important. Many other consoles simply ignore this crucial part of the audio signal path.\n\n\u003ch3\u003eFlexi-Aux\u003c\/h3\u003e\n\nThe Flexi-Aux system gives the ability to send aux to aux for group or stem style mixing. Now you can smash a whole drum kit with parallel compression and feed it to an artists in ear mix.\n\n\u003ch3\u003eVariable Channel Phase\u003c\/h3\u003e\n\nThe new, intuitive, easy to use Variable Phase per channel allows sound sources to be blended together seamlessly, with high or low phase changes to mix signals together in ways never achievable before.\n\n\u003ch3\u003eTap Off Points\u003c\/h3\u003e\n\nNew tap off points on channels have been introduced to allow signals to be sent from any point in the signal path. This gives greater flexibility for sending signals to stage before any element of processing has been performed. All this without affecting what Midas magic is needed for the main mix. For the first time on a Midas, post insert fader points are available plus all processing options orders can be changed by simply dragging and dropping in the order you desire.\n\n\u003ch3\u003eWith Great Power Comes… More Chips\u003c\/h3\u003e\n\nWith 18 Sharc DSPs, 14 layer boards, 5 Eighth Generation FPGAs and 2 GPU co-processors there has never been such a technologically advanced board in the world. True Innovation Channel AI™ True Preview™ True Audition™ Console Connected A true plethora of Effects with Music Tribe's unparalleled sister companies including TC Electronic, we have the world’s best effects emulations. Up to 96 effects can be used to craft a beautiful sounding mix including: TC 6000 (VSS4) TC 3000 (VSS3) TC Electronic 2290 HD2A HD670 KT1176 R-Comp KT Bus compressor Mteq Program EQ-HD M6 compressor HD Stressor compressor Ultra-Dualistic Voice Doubler Rack-Amp (guitar amp and cab emulation) Glow (harmonic mix glue) Rotor Motor (Leslie cabinet emulation) Enlightenment Bass XL4 EQ M Harmonics Uncl HD Distortion Prime Input Expander Wave Designer\n\n\u003ch3\u003eMidas Touch\u003c\/h3\u003e\n\nThe first Midas full HD multitouch screen with up to 10 faders being controlled at once, unseen on a mixing console. Mixing never looked so good.\n\n\u003ch3\u003eShout Mixer\u003c\/h3\u003e\n\nThe Shout Mixer allows complex communication groups to be easily created and stored. 16 shout inputs (independent of the input and output channel count) can be used to create multifarious talk systems with 12 dedicated outputs. Instant recall allows you to use different settings for soundcheck and the all-important big show.\n\n\u003ch3\u003eChannel AI ™\u003c\/h3\u003e\n\nNever before has a console been able to listen to your source, tell you what it is, suggest Gain, EQ, Compression and Gate settings if required. All this presented in an easy user interface that lets you decide which parts of suggested settings you wish to use. Adaptive presets let you pick the style of sound you want and the Channel AI ™ does the rest. You’ll wonder how you ever lived without it. The development of the HD96-24 can be summed up with one phrase “We Listened”.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269618475263,"sku":"0603-AEE","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_3efdafdb-883f-4545-9d6c-9b638075476b.jpg?v=1790013056"},{"product_id":"v-480-8-tp","title":"Midas V-480-8-TP","description":"\u003ch3\u003eV-480-8-TP — Touring-Grade Verona. 64 Channels. 48 Midas Preamps. Cased.\u003c\/h3\u003e\u003cp\u003eThe full Verona statement, shipped ready for the road. The V-480-8-TP packed 48 Midas microphone preamplifiers into a 64-channel live surface and pre-paired it with the touring-grade road case that protects it tour after tour. Designed and built in the U.K. for engineers who couldn’t compromise on either the sound or the logistics.\u003c\/p\u003e\u003ch3\u003eForty-Eight Midas Preamps. XL Lineage.\u003c\/h3\u003e\u003cp\u003eForty-eight mono input channels each carry an award-winning Midas microphone preamplifier — the same circuit family that defined front-of-house sound at the world’s largest tours and broadcast events. Eight electronically balanced stereo line inputs on 1\/4-inch TRS extend the channel count to 64, with the industry-acclaimed Midas 4-band swept-channel EQ on every input.\u003c\/p\u003e\u003ch3\u003eEight Mix Buses. Spatial Imaging. Built to Move.\u003c\/h3\u003e\u003cp\u003eEight mix buses with aux changeover for subgroups, 8 aux sends with pre\/post-fade switching, a 12 x 4 matrix with stereo split, and the Midas Spatial Imaging System for centre-cluster panning gave engineers a full live toolkit. 100 mm monorail faders with self-cleaning action keep working tour after tour. Dual redundant auto-ranging power supplies remove single-point-of-failure risk. The marine-grade plywood road case with aluminium extrusions and composite-density protective foam means it survives the truck.\u003c\/p\u003e\u003ch3\u003eSpecification Highlights\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e64 input channels (48 mono + 8 stereo line)\u003c\/li\u003e\n\u003cli\u003e48 Midas microphone preamplifiers\u003c\/li\u003e\n\u003cli\u003eMidas 4-band swept-channel EQ\u003c\/li\u003e\n\u003cli\u003e8 mix buses with aux\/subgroup changeover\u003c\/li\u003e\n\u003cli\u003e8 aux sends, pre\/post-fade switchable\u003c\/li\u003e\n\u003cli\u003e12 x 4 matrix with stereo split\u003c\/li\u003e\n\u003cli\u003eSpatial Imaging System for centre-cluster panning\u003c\/li\u003e\n\u003cli\u003e100 mm monorail faders, self-cleaning\u003c\/li\u003e\n\u003cli\u003eDual redundant universal switch-mode PSUs\u003c\/li\u003e\n\u003cli\u003eTouring-grade road case included (marine-grade ply, aluminium extrusions, composite foam)\u003c\/li\u003e\n\u003cli\u003eDesigned and engineered in the U.K.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eWho It's For\u003c\/h3\u003e\u003cp\u003eThis product is obsolete. Original V-480-8-TP units remain in touring inventories and rental fleets. For active equivalents, reference current Midas digital consoles.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269618409727,"sku":"0601-AEB","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_ebd51b32-4ac3-4872-88b1-6e18d0a8731d.jpg?v=1790013055"},{"product_id":"neutron-nb","title":"Midas NEUTRON-NB Audio Interface","description":"\u003ch3\u003eNEUTRON-NB\u003c\/h3\u003e\n\nThe NEUTRON-NB Network Bridge expansion module compatible with the  MIDAS NEUTRON  audio system engine provides a multichannel interface between two third party digital audio networks and point-to-point interfaces. The third party interfaces operate in separate clock domains and are connected by a bidirectional asynchronous sample rate converter (ASRC). This unique  Klark Teknik  technology allows the interfacing of up to 64 bidirectional channels between the two independently clocked domains, which can also operate at different sample rates. Compatible with the  Klark Teknik  KT-AES50, KT-DANTE64, KT-MADI and KT-USB network modules, NEUTRON-NB is future-proofed in the evolving world of digital audio networking technology by being able to support new and emerging protocols via its two industry-standard expansion slots, which are compatible with the Cirrus CM-1 * format.\n\n\u003ch3\u003eAsynchronous Sample Rate Converter\u003c\/h3\u003e\n\nThe multichannel bidirectional Asynchronous Sample Rate Converter (ASRC) allows the two third party domains to function independently. This means that a clock failure or loss of synchronisation in one domain will not affect the operation of the other. In addition the two third party modules are clocked independently of the main Neutron-NB Module, again preventing a loss of synchronisation in the module affecting the main units operation. Furthermore, the modules will mute the audio streams when a loss of synchronisation is detected.\n\n\u003ch3\u003eDigital Audio Networking\u003c\/h3\u003e\n\nSuperMAC (AES50-Compliant) digital audio networking technology from  Klark Teknik  simultaneously provides high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring.\n\n\u003ch3\u003e10 Port AES50 interface\u003c\/h3\u003e\n\nNEUTRON-NB features an 10 port AES50 interface to provide an additional 240 bidirectional channels at 96 kHz sample rate. These AES50 ports can be freely routed to provide further network expansion for the  NEUTRON  audio system engine. Industry-standard RJ45 AES50 connectors are used to ensure reliable connections, night after night.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269618639103,"sku":"0603-AEK","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_aca88c45-ba88-4f6d-a142-0b953594cd06.jpg?v=1790013056"},{"product_id":"dl431","title":"Midas DL431 Audio Interface","description":"\u003ch3\u003ePRO SERIES DL431\u003c\/h3\u003e\n\nDL431 is a 6U 19\" fixed-configuration rack I\/O unit designed for microphone signal splitting applications with 24 mic\/line level inputs and 72 line level outputs, and delivers legendary Midas sound quality utilising our time-tested and roadproven technologies. Featuring two independent Midas microphone preamplifiers with 2.5 dB gain steps plus a third fixed gain Midas Microphone preamplifier per input channel, two dual redundant AES50 network interfaces, dual redundant Ethernet control ports and a MIDI Interface (In, Out, Thru), the DL431 is the ideal partner to the Midas PRO3, PRO6, PRO9, XL8 and PRO X digital consoles, enabling a digital snake connection from Front of House to stage.\n\n\u003ch3\u003eAward-Winning Midas Microphone Preamplifier\u003c\/h3\u003e\n\nThe Midas microphone preamplifier is considered by leading live sound and recording engineers to be the very essence of the famous Midas sound. More than 40 years of design experience paired with the finest choice of premium-grade components lead to the acclaimed warmth and depth - bringing out subtle ambience, maintaining spatial positioning and more effectively capturing a precise sound image. The acclaimed sound of the award-winning Midas microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic panoramas that have captivated audiences worldwide. Since pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, DL431 features the latest generation of Midas microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design. Over the years many mix engineers have found this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concert goers and recorded for posterity on countless live albums over the years.\n\n\u003ch3\u003eDigital Audio Networking\u003c\/h3\u003e\n\nSuperMAC (AES50-Compliant) digital audio networking technology from Klark Teknik simultaneously provides high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring. DL431 is compatible with all Midas PRO Series and XL8 digital consoles and audio system engines, as well as with any other 96 kHz-enabled AES50-equipped devices.\n\n\u003ch3\u003eMicrophone Splitter\u003c\/h3\u003e\n\nEach input connector on the DL431 feeds three separate Midas microphone preamplifiers, two with independent remote gain control and +48V phantom power switching, and a third with fixed gain to drive the front panel transformer-balanced analogue output for interfacing to third party recording or outside broadcast equipment. The two independent variable gain microphone preamplifiers can be remotely controlled from two separate locations, such as the Front of House and Monitor mix positions. Each remotely controlled microphone preamplifier also has a dedicated analogue split output on the DL431 rear panel. A local channel monitoring facility with an integral headphone amplifier and separate line output allows incoming signals to be checked at source, an essential aid for system set-up and confirming signal integrity.\n\n\u003ch3\u003eRemote Console or Front Panel Control\u003c\/h3\u003e\n\nAll configuration settings for DL431 can be set either remotely from the mixing console, or directly via the intuitive and easy to understand front panel. DL431 features a front panel LCD display with intuitive menu navigation for all configuration options with LED status indicators, which provide clear feedback of operational status over wide viewing angles and distances. Clear indication is provided showing power supply output rail condition and AES50 and Ethernet network connection status and activity. Each input channel has dedicated selection switch and LED bar graph metering, plus indicators for phantom power and high pass filter status.\n\n\u003ch3\u003eBuilt for the Road\u003c\/h3\u003e\n\nFeaturing a rugged steel 6U rackmount enclosure, the DL431 is designed for the rigours of live concert touring. Premium industry-standard connectors are used for reliable audio and network connections, night after night.\n\n\u003ch3\u003eAuto-ranging universal switch-mode power supply\u003c\/h3\u003e\n\nDL431 features dual-redundant power supplies, which are auto-voltage sensing for use on a worldwide basis and provide seamless switchover in the unlikely event of a loss of one power supply.\n\nArchitecture \u0026amp; Engineering SpecificationsThe interface unit shall be designed for digital audio mixing applications and be optimised for use in live performance. It shall feature 24 input channels with three microphone preamplifiers per input channel - two independent remotely-controlled variable gain microphone preamplifiers with 2.5 dB gain steps and one fixed gain microphone preamplifier. Each variable gain preamplifier shall feed a rear panel servo-balanced electronic output and each fixed gain preamplifier shall feed a front panel transformer-isolated output  all on industry-standard XLR connectors  for a total of 72 outputs. The interface unit shall be capable of opera-ting at 96 kHz sampling rate. The interface unit shall support a 100 Megabit Ethernet frame-based digital audio network that shall offer dual redundancy and be compliant with the Audio Engineering Society AES50-2011 standard. Two dual redundant digital network audio interfaces with independent phase-locked loop synchronisation shall be provided. Two dual redundant Ethernet control ports and an industry-standard MIDI Interface (In  Out  Thru) shall also be provided. The interface unit shall provide both front panel and remote network configuration of operational settings and provide an alphanumeric LCD display with associated menu navigation buttons  and LED status indication of power supply output rail condition and digital audio and control network connection status and activity. Each input channel shall have a selection switch  LED signal metering bargraph and LED indication for +48V phantom power and high pass filter status. A local channel monitoring facility with an integral headphone amplifier and separate line output shall be provided for monitoring input channel signals. The interface unit shall include two auto-ranging universal switch-mode power supplies with dual redundancy for use on a worldwide basis. The interface unit shall be housed in a standard 6U 19\" rackmount chassis  and shall be 483 mm wide x 402 mm deep x 266 mm high (19.0\" x 15.8\" x 10.5\")  with nominal weight 21.5 kg (47.3 lbs). The interface unit shall be installed in a rack frame or road case capable of safely supporting its weight. Input  output  and power connections shall be made at the rear panel of the interface unit. Installers shall allow adequate space at the rear for connection and disconnection of input  output  and power connections. The power requirements shall be 100 to 240 VAC  50 to 60 Hz. The interface unit shall be the MIDAS DL431 and no other alternative shall be acceptable.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269618966783,"sku":"0606-AAT","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_d39dcda9-ee3d-4f1e-bd93-ba23a6f6ddc6.jpg?v=1790013057"},{"product_id":"v160","title":"Midas V160 16-Channel Analog Mixing Console","description":"\u003ch3\u003eV160 — 16-Channel Analog Mixing Console\u003c\/h3\u003e\u003cp\u003eA compact Venice-Series analogue console built around the Midas signal-path philosophy: clean preamps, musical EQ, road-worthy chassis. The V160 served small-format live and installed applications where the Midas sound was the priority and the channel count was modest.\u003c\/p\u003e\u003ch3\u003eSpecification Highlights\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e16 input channels\u003c\/li\u003e\n\u003cli\u003eAnalogue signal path with Midas preamp lineage\u003c\/li\u003e\n\u003cli\u003eVenice-Series chassis construction\u003c\/li\u003e\n\u003cli\u003eDesigned and engineered in the U.K.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eWho It's For\u003c\/h3\u003e\u003cp\u003eThis product is obsolete. Reference current Midas analogue mixers or the digital DM\/MR ranges for active equivalents. Original V160 units remain in service across clubs, theatres and houses of worship worldwide.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269618934015,"sku":"0601-ADO","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_14817726-c93c-4d23-957f-b7b82b9d1e90.jpg?v=1790013057"},{"product_id":"as88","title":"Midas AS88 Converter","description":"\u003ch3\u003eAS88\u003c\/h3\u003e\n\nThe Midas AS88 is designed to seamlessly convert a two, high-bitrate HyperMAC connections into eight fully redundant AES50 connections, and vice versa, whilst ensuring ultra-fast audio switching. Built for speed and reliability, AS88 also supports up to 192 bidirectional channels at 96 kHz.\n\n\u003ch3\u003eReliable Redundancy\u003c\/h3\u003e\n\nUsing the AS88 with our flagship HD96 console enables full redundancy across both console Snake ports – unlocking greater channel capacity and enhanced system reliability. Furthermore, AS88’s utilisation of advanced FPGA-based switching technology ensures dependable HyperMAC failover to a redundant connection when needed.\n\n\u003ch3\u003eSeamless Integration\u003c\/h3\u003e\n\nEquipped with rugged industry standard RJ45 and optical connectors, the AS88 ensures seamless system integration and reliable, high-performance audio transmission over long distances. Engineered for professionals who demand rock-solid stability and uncompromising audio quality, it’s the trusted solution for touring and live sound environments.\n\n\u003ch3\u003eTough and Dependable\u003c\/h3\u003e\n\nThe AS88 features a rugged 2U rackmountable chassis that fits seamlessly into any live or portable sound setup. Its compact size maximises space, while its durablility ensures it can withstand the physical demands and the high-pressure environments of life on the road.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269618999551,"sku":"0606-ADE","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_4da4230e-e49e-4fdd-8c77-8ae3c32323dd.jpg?v=1790013058"},{"product_id":"parametric-equaliser-512","title":"Midas PARAMETRIC EQUALISER 512 Audio Interface","description":"\u003ch3\u003e500 SERIES PARAMETRIC EQUALISER 512\u003c\/h3\u003e\n\nThe PARAMETRIC EQUALISER 512 is a compact 500 Series 4 band fully parametric equaliser based on channel strip originally provided in the legendary MIDAS HERITAGE 3000 mixing console. When used in conjunction with the LEGEND L10, L6, or other standard 500 Series rackmount chassis, the 512 provides the ideal EQ solution for users seeking MIDAS performance in a modular format that boasts upgraded, premium-quality performance.\n\n\u003ch3\u003eClass Leading EQ\u003c\/h3\u003e\n\nA parametric equaliser allows the operator to address multiple parameters with high precision when applying filters to an audio signal, i.e., a specific frequency can be cut or boosted by an exact amount across an adjustable bandwidth or “Q”. Such surgical-level equalisation enables fine tuning the filter to reduce the gain at frequencies that are prone to feedback, or remove undesirable tonal qualities and their overtones. Conversely, the ability to increase (boost) the gain at certain frequencies provides the ideal way to add punch to bass and kick drum signals, or to add presence to vocal or solo instrument tonalities. The PARAMETRIC EQUALISER 512 utilises 4 overlapping frequency bands to easily and expertly craft professional-grade output signals – both in the studio and during live performance. And when it comes to sound quality, MIDAS products are recognized by engineers the world over as the class leader for their warm and responsive delivery\n\n\u003ch3\u003ePrecision Dual Concentric Controls\u003c\/h3\u003e\n\nBuilt from the bottom up, the 512 EQ strip operates across 4 overlapping frequency bands: Bass (20 Hz to 400 Hz); Lo Mid (100 Hz to 2 kHz); Hi Mid (400 Hz to 8 kHz); and Treble (1 kHz to 20 kHz). The Frequency and Gain (-15 dB to +15 dB) adjustments are provided in the form of stacked dual concentric controls, with Gain on the knob and Frequency on the outer ring. All give instant access to fully variable gain and frequency settings in their respective operating bands.\n\n\u003ch3\u003eBass and Treble Bell Switches\u003c\/h3\u003e\n\n512’s Bass and Treble Width controls (Q) are non-functional while in traditional MIDAS shelving mode, which is the default (Bell switches disengaged). When the Bell switches are pressed and illuminated, the Bass and Treble Width controls provide parametric operation. The Lo Mid and Hi Mid frequency bands are always in parametric operating mode – so when both Bell switches are engaged, all 4 Width controls provide fully variable parametric equalisation.\n\n\u003ch3\u003eHigh Performance Balanced Input Stage\u003c\/h3\u003e\n\nDecades of experience, paired with the premium-grade components that make up every input stage we build, ensures the ultimate in signal integrity that is the very foundation of our design process. That warm and organic MIDAS sound has been heard by millions of concert goers – and recorded for posterity on countless live albums. The input stage of the 512 is second to none with its low noise performance, which boasts an enviable Common Mode Rejection Ratio (CMRR) of -70 dB @ 1 kHz\n\n\u003ch3\u003eTransistor Driven Transformer Balanced Output\u003c\/h3\u003e\n\nThe output stage of any audio processor is the most critical when it comes to maintaining signal integrity, so the 512 utilises discrete bipolar transistors for both their low distortion and noise characteristics. To finalise the balanced output, a premium-quality transformer is employed in order to minimize distortion and maximize clean headroom. 512’s transformer also provides galvanic isolation, generates a more vintage sound, and becomes saturated at lower frequencies to add colour when driven hard.\n\n\u003ch3\u003eUltra Low Noise Design\u003c\/h3\u003e\n\nAs with all MIDAS consoles and processors, we use only premium quality components throughout our design and manufacturing process, including the ultra low noise op-amps to ensure -97 dBu performance at unity gain from 22 Hz to 22 kHz.\n\n\u003ch3\u003eTrue Hardware Bypass \u0026amp; Power Up Mute\u003c\/h3\u003e\n\nFor those occasions when equalisation is not needed, 512’s IN switch can be disengaged to remove all circuitry from the signal path via true hardware relay bypass. Additionally, true bypass mode engages should the chassis become accidentally powered down.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269619032319,"sku":"0821-ACA","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_91968531-0e53-4d34-ac61-2aee88ba3b7b.jpg?v=1790013057"},{"product_id":"hd96-24-cc-tp","title":"Midas HD96-24-CC-TP Audio Mixer","description":"\u003ch3\u003eHeritage History\u003c\/h3\u003e\n\nThe Heritage 3000 (H3K) was first introduced in 1999. Its famous purple colour and features made it so distinctly Midas. It soon established itself as the world wide industry standard for live sound applications. The H3K proved to be a huge winner from day one. The striking colour scheme wasn’t the only thing that made waves within the industry. With a new pre-amp design bettering that of the iconic XL4, large channel and aux counts plus the flexible aux switching system, it’s no wonder the H3K appeared on everyone’s spec as the console of choice. Living up to the reputation of the H3K is undeniably a hard task; the H3K set a new standard in live mixing. Naming the Heritage D after such an iconic mixing console was indeed a bold move. However, this product is bold and visionary whilst keeping the legendary sound quality and raising the bar on what a digital mixing console can achieve. Building on the prolific history of the H3K and PRO Series consoles, the new Heritage D now reinvents the workflow of the sound engineer. Finally, a Midas you can touch. Featuring a powerful 21” HD touch screen and formidable ultramodern Graphic User Interface (GUI) control all at your fingertips. Heritage D is a vision of the future with thought provoking new features such as Channel AI (yes, Artificial Intelligence). This platform is designed for the future and will continue to grow and develop over many years with an impressive Midas team that are eager to improve and constantly add new features. Your investment in the Heritage D is safe.\n\n\u003ch3\u003eThe Graviton Mk 2 Processing Engine\u003c\/h3\u003e\n\nAt the heart of every mixing console is the most important part – Audio. Overlooked by other manufacturers, we have always put sound at the top of our priority list. It was hard, almost impossible, but we improved on the legendary Midas digital sound with our new 64-bit summing mix engine with increased dynamic range. Driving a Midas has never been easier. The key to the Midas sound is in giving ultimate flexibility while still being delay compensated. Avoiding the dreaded comb filtering effect is so very important. Many other consoles simply ignore this crucial part of the audio signal path.  \n\n\u003ch3\u003eFlexi-Aux\u003c\/h3\u003e\n\nThe Flexi-Aux system gives the ability to send aux to aux for group or stem style mixing. Now you can smash a whole drum kit with parallel compression and feed it to an artists in ear mix.\n\n\u003ch3\u003eVariable Channel Phase\u003c\/h3\u003e\n\nThe new, intuitive, easy to use Variable Phase per channel allows sound sources to be blended together seamlessly, with high or low phase changes to mix signals together in ways never achievable before.\n\n\u003ch3\u003eTap Off Points\u003c\/h3\u003e\n\nNew tap off points on channels have been introduced to allow signals to be sent from any point in the signal path. This gives greater flexibility for sending signals to stage before any element of processing has been performed. All this without affecting what Midas magic is needed for the main mix. For the first time on a Midas, post insert fader points are available plus all processing options orders can be changed by simply dragging and dropping in the order you desire.\n\n\u003ch3\u003eWith Great Power Comes… More Chips\u003c\/h3\u003e\n\nWith 18 Sharc DSPs, 14 layer boards, 5 Eighth Generation FPGAs and 2 GPU co-processors there has never been such a technologically advanced board in the world. True Innovation Channel AI™ True Preview™ True Audition™ Console Connected A true plethora of Effects with Music Tribe's unparalleled sister companies including TC Electronic, we have the world’s best effects emulations. Up to 96 effects can be used to craft a beautiful sounding mix including: TC 6000 (VSS4) TC 3000 (VSS3) TC Electronic 2290 HD2A HD670 KT1176 R-Comp KT Bus compressor Mteq Program EQ-HD M6 compressor HD Stressor compressor Ultra-Dualistic Voice Doubler Rack-Amp (guitar amp and cab emulation) Glow (harmonic mix glue) Rotor Motor (Leslie cabinet emulation) Enlightenment Bass XL4 EQ M Harmonics Uncl HD Distortion Prime Input Expander Wave Designer\n\n\u003ch3\u003eMidas Touch\u003c\/h3\u003e\n\nThe first Midas full HD multitouch screen with up to 10 faders being controlled at once, unseen on a mixing console. Mixing never looked so good.\n\n\u003ch3\u003eShout Mixer\u003c\/h3\u003e\n\nThe Shout Mixer allows complex communication groups to be easily created and stored. 16 shout inputs (independent of the input and output channel count) can be used to create multifarious talk systems with 12 dedicated outputs. Instant recall allows you to use different settings for soundcheck and the all-important big show.\n\n\u003ch3\u003eChannel AI ™\u003c\/h3\u003e\n\nNever before has a console been able to listen to your source, tell you what it is, suggest Gain, EQ, Compression and Gate settings if required. All this presented in an easy user interface that lets you decide which parts of suggested settings you wish to use. Adaptive presets let you pick the style of sound you want and the Channel AI ™ does the rest. You’ll wonder how you ever lived without it. The development of the HD96-24 can be summed up with one phrase “We Listened”.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269619065087,"sku":"0603-AED","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_96eed804-519a-4b58-9d8d-495c82964a55.jpg?v=1790013058"},{"product_id":"v190","title":"Midas V190","description":"\u003ch3\u003eV190 — External Power Supply for Verona \u0026amp; Siena Consoles\u003c\/h3\u003e\u003cp\u003eThe V190 is the dedicated 19-inch rack-mount external power supply for the Midas Verona and Siena analogue console ranges. Linear topology, 2U chassis, designed to provide either primary power or dual-PSU redundancy for the 24- and 64-channel Verona variants.\u003c\/p\u003e\u003ch3\u003eSpecification Highlights\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e2U 19-inch rack-mount linear power supply\u003c\/li\u003e\n\u003cli\u003eCompatible with Verona and Siena consoles\u003c\/li\u003e\n\u003cli\u003eProvides PSU redundancy for 24- and 64-channel Verona variants\u003c\/li\u003e\n\u003cli\u003eFront-panel illuminated power switch, rail-status LEDs, low-mains warning\u003c\/li\u003e\n\u003cli\u003eParallel outputs front and rear for multi-PSU linking (no external switching required)\u003c\/li\u003e\n\u003cli\u003e100-240 V AC selectable input\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eWho It's For\u003c\/h3\u003e\u003cp\u003eThis product is obsolete. Service spare for installed and touring Verona\/Siena fleets.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269619163391,"sku":"0601-AEL","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_79c3e9d5-e307-4b22-ae9e-ac69781cfae7.jpg?v=1790013058"},{"product_id":"dl441","title":"Midas DL441 Audio Interface","description":"\u003ch3\u003ePRO SERIES DL441\u003c\/h3\u003e\n\nDL441 is a modular 8 analogue mic\/line input card for MIDAS PRO Series control centres and modular I\/O boxes, and features award-winning MIDAS microphone preamplifiers with switchable +48 V phantom power. Premium low latency 24 bit 96 kHz ADC converters are used to minimise distortion and noise artefacts, and the preamplifier gain, phantom power and high pass filter settings can be remotely configured from the PRO Series control centre.\n\nAward-Winning MIDAS Microphone PreamplifierThe MIDAS microphone preamplifier is considered by leading live sound and recording engineers to be the very essence of the famous MIDAS sound. More than 40 years of design experience paired with the finest choice of premium-grade components lead to the acclaimed warmth and depth - bringing out subtle ambience, maintaining spatial positioning and more effectively capturing a precise sound image. The acclaimed sound of the award-winning MIDAS microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic panoramas that have captivated audiences worldwide. Since pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, DL441 features the latest generation of MIDAS microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design. Over the years many mix engineers have found this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concert goers and recorded for posterity on countless live albums over the years.\n\nStatus IndicationEach input channel on DL441 has LED indicators for +48 V phantom power and a channel check function that allows the console operator to remotely indicate a particular channel, an essential aid to communication in high SPL environments, as well as saving valuable time during set-up.\n\nPRO Series CompatibilityDL441 is compatible with the MIDAS PRO3, PRO6, PRO9 and PRO X Control Centres, and the DL351 and DL451 Modular I\/O Stage Boxes.\n\nBuilt for the RoadDL441 is designed for the rigours of live concert touring. Premium industry-standard XLR connectors are used for reliable audio connections, night after night.\n\nArchitecture \u0026amp; Engineering SpecificationsThe interface card shall be designed for digital audio mixing applications and be optimised for use in live performance. The interface card shall feature 8 input channels with one remotely-controlled variable gain microphone preamplifier with switchable +48 V phantom power for each input channel. The interface card shall provide analogue to digital conversion with 24 bit resolution at 96 kHz sampling rate. The interface card shall have LED indication for +48V phantom power and a remotely set channel check function for each input channel. The interface card shall be compatible with MIDAS PRO3, PRO6, PRO9 and PRO X Control Centres and DL351 and DL451 Modular I\/O Stage Boxes. The interface card shall be 350 mm wide x 310 mm deep x 29 mm high (13.8\" x 12.2\" x 1.1\"), with nominal weight 0.8 kg (1.8 lbs). The interface card shall be the MIDAS DL441 and no other alternative shall be acceptable.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269619196159,"sku":"0606-AAK","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_a99d8b1f-9d0b-4614-b702-e48a0df5880a.jpg?v=1790013058"},{"product_id":"cat5e-100m","title":"Midas CAT5E-100M Cable","description":"\u003ch3\u003ePRO SERIES CAT5E-100M\u003c\/h3\u003e\n\nThe CAT5E-100M ruggedised CAT5E cable provides a bidirectional digital audio network data link and features industry-standard RJ45 connector carriers with an integral O-ring gasket to achieve IP54 water protection for high reliability, especially desirable in concert touring and festival applications. When used with  Midas  PRO and M Series and  Klark Teknik  products equipped with HyperMAC and copper snake interfaces, the CAT5E-100M cable can transmit up to 192 bidirectional channels of 24 bit digital audio at 96 kHz sample rate. CAT5E-100M also supports 24 bidirectional channels and 48 bidirectional channels at 96 kHz and 48 kHz sample rates respectively for AES50 connections. CAT5E-100M can also be used for standard Ethernet applications, and is suitable for both 100 Mbit\/s and Gigabit networks. The CAT5E-100M cable uses highly durable upjacketed Belden 1305A unscreened cable with a nominal 7.6 mm diameter. The 1305A cable features 24 AWG bonded-pair stranded (7\/32) copper conductors with polyolefin insulation and both inner and outer PVC protective jackets. The CAT5E-100M cable is supplied on a reel with heavy duty steel frame and integral carrying handle for ease of transport, deployment and respooling.\n\n\u003ch3\u003eArchitecture and Engineering Specifications\u003c\/h3\u003e\n\nThe network cable shall be intended for use to provide digital audio multi-channel network data link and snake connections and be capable of bidirectional operation. The network cable shall provide transmission of up to 192 bidirectional channels of 24 bit digital audio at 96 kHz sample rate. The network cable shall also be suitable for standard Ethernet applications and meet the requirements for a Cat5e cable, and shall be suitable for use in both 100 Mbit\/s and Gigabit networks. The network cable shall be 100 metres in length. The network cable shall use Belden 1305A cable. The network cable shall be fitted with industry-standard RJ45 connector carriers. The network cable connector carriers shall be protected to the IP54 standard for water protection by an integral O-ring seal. The network cable shall be supplied on a reel with frame dimensions 330 mm diameter x 220 mm deep x 410 mm high (13.0\" x 8.7\" x 16.1\") and nominal weight 8.0 kg (17.6 lbs). The network cable shall be the  Midas  CAT5E-100M and no other alternative shall be acceptable.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269619228927,"sku":"0012-AAA","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_d303d327-da53-4fb6-9b74-887a7722a1b6.jpg?v=1790013059"},{"product_id":"parametric-equaliser-512-v2","title":"Midas PARAMETRIC EQUALISER 512 V2 Audio Interface","description":"\u003ch3\u003e500 SERIES PARAMETRIC EQUALISER 512\u003c\/h3\u003e\n\nThe PARAMETRIC EQUALISER 512 is a compact 500 Series 4 band fully parametric equaliser based on channel strip originally provided in the legendary Midas HERITAGE 3000 mixing console. When used in conjunction with the LEGEND L10, L6, or other standard 500 Series rackmount chassis, the 512 provides the ideal EQ solution for users seeking Midas performance in a modular format that boasts upgraded, premium-quality performance.\n\n\u003ch3\u003eClass Leading EQ\u003c\/h3\u003e\n\nA parametric equaliser allows the operator to address multiple parameters with high precision when applying filters to an audio signal, i.e., a specific frequency can be cut or boosted by an exact amount across an adjustable bandwidth or “Q”. Such surgical-level equalisation enables fine tuning the filter to reduce the gain at frequencies that are prone to feedback, or remove undesirable tonal qualities and their overtones. Conversely, the ability to increase (boost) the gain at certain frequencies provides the ideal way to add punch to bass and kick drum signals, or to add presence to vocal or solo instrument tonalities. The PARAMETRIC EQUALISER 512 utilises 4 overlapping frequency bands to easily and expertly craft professional-grade output signals – both in the studio and during live performance. And when it comes to sound quality, Midas products are recognized by engineers the world over as the class leader for their warm and responsive delivery.\n\n\u003ch3\u003ePrecision Dual Concentric Controls\u003c\/h3\u003e\n\nBuilt from the bottom up, the 512 EQ strip operates across 4 overlapping frequency bands: Bass (20 Hz to 400 Hz); Lo Mid (100 Hz to 2 kHz); Hi Mid (400 Hz to 8 kHz); and Treble (1 kHz to 20 kHz). The Frequency and Gain (-15 dB to +15 dB) adjustments are provided in the form of stacked dual concentric controls, with Gain on the knob and Frequency on the outer ring. All give instant access to fully variable gain and frequency settings in their respective operating bands.\n\n\u003ch3\u003eBass and Treble Bell Switches\u003c\/h3\u003e\n\n512’s Bass and Treble Width controls (Q) are non-functional while in traditional Midas shelving mode, which is the default (Bell switches disengaged). When the Bell switches are pressed and illuminated, the Bass and Treble Width controls provide parametric operation. The Lo Mid and Hi Mid frequency bands are always in parametric operating mode – so when both Bell switches are engaged, all 4 Width controls provide fully variable parametric equalisation.\n\n\u003ch3\u003eHigh Performance Balanced Input Stage\u003c\/h3\u003e\n\nDecades of experience, paired with the premium-grade components that make up every input stage we build, ensures the ultimate in signal integrity that is the very foundation of our design process. That warm and organic Midas sound has been heard by millions of concert goers – and recorded for posterity on countless live albums. The input stage of the 512 is second to none with its low noise performance, which boasts an enviable Common Mode Rejection Ratio (CMRR) of -70 dB @ 1 kHz.\n\n\u003ch3\u003eUltra Low Noise Design\u003c\/h3\u003e\n\nAs with all Midas consoles and processors, we use only premium quality components throughout our design and manufacturing process, including the ultra low noise op-amps to ensure -97 dBu performance at unity gain from 22 Hz to 22 kHz.\n\n\u003ch3\u003eTrue Hardware Bypass \u0026amp; Power Up Mute\u003c\/h3\u003e\n\nFor those occasions when equalisation is not needed, 512’s IN switch can be disengaged to remove all circuitry from the signal path via true hardware relay bypass. Additionally, true bypass mode engages should the chassis become accidentally powered down.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269619261695,"sku":"0821-ACG","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_8e3103b9-cafa-4722-9d84-ada06f6c0acc.jpg?v=1790013058"},{"product_id":"hd96-air-cc-ip","title":"Midas HD96-AIR-CC-IP Audio Mixer","description":"\u003ch3\u003eHD96-AIR\u003c\/h3\u003e\n\nMidas’ HD96-AIR takes the next leap in digital console evolution — fusing the iconic sound of the H3K and engineering precision of the Heritage D Series with breakthrough portability. Finally, a Midas you can take anywhere. Designed for engineers who demand power without compromise, HD96-AIR features a stunning 21” high-brightness touchscreen with multi-gesture control, unlocking an ultra-intuitive workflow in a hyper-lightweight form factor. All the speed. All the detail. Now within arm’s reach.\n\n\u003ch3\u003eLightweight and Built to Perform\u003c\/h3\u003e\n\nThe HD96 platform was built with the future in mind — and HD96-AIR is just the beginning of that vision in action. Engineered for total control and maximum portability, it features a fully adjustable 21” full HD multi-touchscreen that puts every parameter — from faders to control groups to individual channels — right at your fingertips. The layout places user-assignable buttons exactly where you need them, enhancing speed and precision on the fly. And thanks to a smart, space-conscious design, HD96-AIR delivers all the power of the Heritage D Series in an ultra-lightweight chassis. Even with the flight case (sold separately), the full package weighs in at under 30 KG — ready for anywhere the show takes you.\n\n\u003ch3\u003eThe Graviton Mk 2 Processing Engine\u003c\/h3\u003e\n\nAt the heart of every Midas console is what matters most — sound. While others compromise, we’ve never wavered in our commitment to audio excellence. With the Heritage D series, we’ve taken the legendary Midas sound even further, with a next-generation 64-bit summing engine that delivers greater dynamic range, depth, and clarity than ever before.  The key to the Midas sound is in giving ultimate flexibility while still being delay compensated. Delivering a mix that breathes with natural warmth and stunning precision. No comb filtering. No inconsistencies. Just pristine audio, everywhere, all the time — whether you're pushing the mix to its limits or riding the smallest detail. Driving a Midas has never been easier.\n\n\u003ch3\u003eFlexi-Aux\u003c\/h3\u003e\n\nThe Flexi-Aux system opens up powerful routing possibilities — including aux-to-aux sends for advanced group and stem-style mixing. Need to smash a drum kit with parallel compression and feed that exact sound to an artist’s in-ears? Now you can. Flexi-Aux gives you the tools to mix the way you hear it — fast, flexible, and fully under your control.\n\n\u003ch3\u003eVariable Channel Phase\u003c\/h3\u003e\n\nThe new intuitive, easy to use Variable Phase per channel is a powerful tool that allows sound sources to be blended seamlessly with high or low phase changes to mix signals together in ways never achievable before. From subtle alignment tweaks to bold creative shifts, you can now seamlessly blend sound sources with precision, clarity, and control.\n\n\u003ch3\u003eTap Off Points\u003c\/h3\u003e\n\nNew tap off points on channels have been introduced – giving you the freedom to route audio from any stage in the signal chain. Perfect for sending raw signals to stage without affecting your main mix. It's all about precision control without compromise.  As per the HD96-24, AIR features post-insert fader tap points alongside fully customisable processing chains. Just drag, drop, and reorder your signal flow exactly how you want it. It's all about precision control without compromise.\n\n\u003ch3\u003eShout Mixer\u003c\/h3\u003e\n\nThe Shout Mixer allows complex communication groups to be effortlessly created and stored. With 16 independent shout inputs and 12 dedicated outputs, you can build flexible, powerful talkback systems that operate entirely outside your main I\/O count.  Whether you’re in soundcheck or mid-show, instant recall lets you switch between shout configurations in a heartbeat — so your comms are always as sharp as your mix.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269619294463,"sku":"0603-AEQ","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_06a6a063-bc73-46bf-8e1e-21c165fa0390.jpg?v=1790013059"},{"product_id":"vf16","title":"Midas VF16 Audio Mixer","description":"\u003ch3\u003eVF16 — DIGI-LOG Console. 16 Midas Preamps. FireWire Out.\u003c\/h3\u003e\u003cp\u003eThe VF16 took the touring-grade Midas signal path and made it portable. Sixteen award-winning Midas microphone preamplifiers in a compact analogue surface, married to a 24-bit FireWire audio interface — the Venice approach to bridging the live stage and the recording session in one chassis.\u003c\/p\u003e\u003ch3\u003eSixteen Midas Preamps. Classic XL3 EQ.\u003c\/h3\u003e\u003cp\u003eEight mono and four stereo input channels feed 16 award-winning Midas mic preamps — the same family of circuits found on the consoles that have headlined every major touring rig. Each channel runs the industry-acclaimed Midas XL3 4-band swept-channel EQ, the curve that defined a generation of front-of-house sound.\u003c\/p\u003e\u003ch3\u003eVirtual Soundcheck, Built In\u003c\/h3\u003e\u003cp\u003eA 24-bit FireWire interface streams up to 16 inputs and 16 outputs to a DAW. Analogue or FireWire input selection on every channel makes virtual soundchecks a one-switch operation — record the show, rehearse the mix the next morning on the same desk. Six aux sends with pre\/post-fade switching, four audio subgroups and a 7 x 2 matrix all route to FireWire outputs for stem capture.\u003c\/p\u003e\u003ch3\u003eSpecification Highlights\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e16 input channels (8 mono + 4 stereo)\u003c\/li\u003e\n\u003cli\u003e16 Midas microphone preamplifiers\u003c\/li\u003e\n\u003cli\u003eMidas XL3 4-band swept-channel EQ\u003c\/li\u003e\n\u003cli\u003e24-bit FireWire interface, 16 in \/ 16 out\u003c\/li\u003e\n\u003cli\u003eAnalogue or FireWire input select for virtual soundcheck\u003c\/li\u003e\n\u003cli\u003e6 aux sends, 4 subgroups, 7 x 2 matrix — all FireWire-routable\u003c\/li\u003e\n\u003cli\u003eAnalogue and FireWire direct outputs, pre\/post-EQ switchable\u003c\/li\u003e\n\u003cli\u003eAuto-ranging universal switch-mode power supply\u003c\/li\u003e\n\u003cli\u003eDesigned and engineered in the U.K.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eWho It's For\u003c\/h3\u003e\u003cp\u003eLive engineers running small-to-mid venues, theatre productions, houses of worship and project studios that want Midas preamp sound with DAW integration. This product is obsolete; check current Midas digital consoles for active equivalents.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269619327231,"sku":"0601-ADK","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_c8afca55-c734-4cb1-b814-7ce1616629d6.jpg?v=1790013060"},{"product_id":"dl442","title":"Midas DL442 Audio Mixer","description":"\u003ch3\u003ePRO SERIES DL442\u003c\/h3\u003e\n\nDL442 is a modular 8 analogue line level output card for MIDAS PRO Series control centres and modular I\/O boxes, and features servo-balanced electronic outputs with high output current drive capability for long cable runs. Premium low latency 24 bit 96 kHz DAC converters are used to minimise distortion and noise artefacts and DL442 features an automatic output mute facility if the audio signal path is muted via the PRO Series control centre.\n\nStatus IndicationEach output channel on DL442 has LED indicators for output mute and a channel check function that allows the console operator to remotely indicate a particular channel, an essential aid to communication in high SPL environments, as well as saving valuable time during set-up.\n\nPRO Series CompatibilityDL442 is compatible with the MIDAS PRO3, PRO6, PRO9 and PRO X Control Centres, and the DL351 and DL451 Modular I\/O Stage Boxes.\n\nBuilt for the RoadDL442 is designed for the rigours of live concert touring. Premium industry-standard XLR connectors are used for reliable audio connections, night after night.\n\nArchitecture \u0026amp; Engineering SpecificationsThe interface card shall be designed for digital audio mixing applications and be optimised for use in live performance. The interface card shall feature 8 line level servo-balanced electronic outputs. The interface card shall provide digital to analogue conversion with 24 bit resolution at 96 kHz sampling rate. The interface card shall include an automatic output mute function if the audio signal path is muted via the control centre. The interface card shall have LED indication for output mute and a remotely set channel check function for each output channel. The interface card shall be compatible with MIDAS PRO3, PRO6, PRO9 and PRO X Control Centres and DL351 and DL451 Modular I\/O Stage Boxes. The interface card shall be 350 mm wide x 310 mm deep x 29 mm high (13.8\" x 12.2\" x 1.1\"), with nominal weight 0.6 kg (1.3 lbs). The interface card shall be the MIDAS DL442 and no other alternative shall be acceptable.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269619359999,"sku":"0606-AAL","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_a26e99f0-f2dc-4bc6-88e0-856ed69b33e3.jpg?v=1790013059"},{"product_id":"cat5e-10m","title":"Midas CAT5E-10M Cable","description":"\u003ch3\u003ePRO SERIES CAT5E-10M\u003c\/h3\u003e\n\nThe CAT5E-10M ruggedised Cat5e cable provides a bidirectional digital audio network data link and features industry-standard RJ45 connector carriers with an integral O-ring gasket to achieve IP54 water protection for high reliability, especially desirable in concert touring and festival applications. When used with  Midas  PRO and M Series and  Klark Teknik  products equipped with HyperMAC and copper snake interfaces, the CAT5E-10M cable can transmit up to 192 bidirectional channels of 24 bit digital audio at 96 kHz sample rate. CAT5E-10M also supports 24 bidirectional channels and 48 bidirectional channels at 96 kHz and 48 kHz sample rates respectively for AES50 connections. CAT5E-10M can also be used for standard Ethernet applications, and is suitable for both 100 Mbit\/s and Gigabit networks. The CAT5E-10M cable uses highly durable upjacketed Belden 1305A unscreened cable with a nominal 7.6 mm diameter. The 1305A cable features 24 AWG bonded-pair stranded (7\/32) copper conductors with polyolefin insulation and both inner and outer PVC protective jackets.\n\n\u003ch3\u003eArchitecture and Engineering Specifications\u003c\/h3\u003e\n\nThe network cable shall be intended for use to provide digital audio multi-channel network data link and snake connections and be capable of bidirectional operation. The network cable shall provide transmission of up to 192 bidirectional channels of 24 bit digital audio at 96 kHz sample rate. The network cable shall also be suitable for standard Ethernet applications and meet the requirements for a Cat5e cable, and shall be suitable for use in both 100 Mbit\/s and Gigabit networks. The network cable shall be 10 metres in length. The network cable shall use Belden 1305A cable. The network cable shall be fitted with industry-standard RJ45 connector carriers. The network cable connector carriers shall be protected to the IP54 standard for water protection by an integral O-ring seal. The network cable shall be the  Midas  CAT5E-10M and no other alternative shall be acceptable.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269619523839,"sku":"0012-AAF","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_0e81181a-ddf4-4d6f-8d17-34ba02fa8589.jpg?v=1790013059"},{"product_id":"pro-x-cc-ip","title":"Midas PRO X-CC-IP Audio Mixer","description":"\u003ch3\u003ePRO SERIES PRO X-CC-IP\u003c\/h3\u003e\n\nThe Midas PRO Series family moves up a gear with the PRO X control centre and the industry-changing NEUTRON Audio System Engine. Featuring 168 simultaneous input channels and 99 time-aligned and phase-coherent mix buses, the PRO X sets a new performance benchmark in high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability. Like all PRO Series consoles, the PRO X features managed latency and 40 bit floating point processing precision. HyperMAC and AES50 audio networking technologies allow the PRO X to dynamically assign up to 288 inputs and 294 outputs at 96 kHz sampling rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO X equally at home in theatres and symphony halls as it is in live concert touring, outside broadcast and music festivals.\n\n\u003ch3\u003eDigital Audio Networking\u003c\/h3\u003e\n\nSuperMAC (AES50-Compliant) and HyperMAC digital audio networking technologies from Klark Teknik simultaneously provide high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring. The PRO X HyperMAC router provides a dual redundant snake connection to the NEUTRON Audio System Engine over optical fibre and copper with a bandwidth of 192 bidirectional channels of 96 kHz 24 bit digital audio, up to a distance of 500 m with optical fibre or 100 m with CAT5\/5e cable. PRO X is compatible with all Midas PRO Series digital I\/O units, as well as with any other 96 kHz enabled AES50-equipped devices. Multiple PRO Series consoles can be connected together to create either larger mixing systems, or multiple discrete mixing consoles can share a common resource of networked and distributed I\/O interfaces.\n\n\u003ch3\u003ePRO X Advanced Navigation Flexibility\u003c\/h3\u003e\n\nPRO X incorporates new and innovative methods of channel and mix bay navigation: FLIP Navigation, FX Navigation, GEQ Navigation, and MCA Navigation. These four options allow an engineer to easily and efficiently mix a large number of inputs on a compact control surface. PRO X also features the ability to display and control any output bus on the input control bay area. This navigation flexibility makes working with the console as simple as requirements dictate, or as deep and complex as a user desires. PRO X’s new centre section, which features 24 LCD switches that provide immediate access to up to 24 stereo pairs of output mix buses, also supports the new navigation modes.\n\n\u003ch3\u003eIntegrated Effects Processors and Graphic Equalisers\u003c\/h3\u003e\n\nThe PRO X can simultaneously process up to 24 internal multi-channel effects and NEUTRON’s 40 bit floating-point audio processing hosts a wide choice of virtual effects devices, which range from dual-mono delay units, stereo modulation and numerous diverse reverberation simulations, multi-band compression, dynamic EQ and multi-channel dual-function dynamics processing. Up to 36 1⁄3 octave Klark Teknik DN370 Graphic Equalisers (GEQs) are provided, which can be patched into any output. PRO X provides comprehensive automatic latency management of all internal routing andprocessing latency – and also includes compensation for external analogue inserts. All audio samples are synchronised before summing, resulting in absolute phase coherence at the outputs,without the comb filtering effects of competing products that often result in specific frequencies being cancelled out completely. All effects processors and GEQs are custom-designed to function within this automatic latency compensation system. This ensures a phase-coherent, sample-accurate mix regardless of whether the devices are used as channel inserts or on auxiliary buses.\n\n\u003ch3\u003eMIDAS PRO Fader\u003c\/h3\u003e\n\nNot satisfied with the existing motorised fader choices in the marketplace, Midas created the PRO FADER, rated for up to a million cycles – three times that of other leading manufacturers - and providing high linearity, robustness, and smooth feel during operation. This decision yielded many other benefits, including total quality control over the manufacturing process and lower costs that could be passed on to customers. As a digital console manufacturer, Midas has a perspective on the actual application of motor faders that a component manufacturer would not have. The multi-disciplinary development project combined mechanical design, electronic hardware and software optimisation with a rigorous testing programme and an investment in material science to produce the best possible performance in actual operation in Midas PRO Series consoles. Semi-precious metals are used for the wiper fingers for their hard-wearing properties, and precision resistive tracks were created that offered highly linear positional accuracy, coupled with long-term durability and even response in use.\n\n\u003ch3\u003eHighest Quality Display Screens\u003c\/h3\u003e\n\nThe PRO X Control Centre features dual 15\" full colour daylight-viewable TFT displays for use in all environments, both inside and outdoors. The displays provide visual feedback for the entire system, the on-screen menus instantly navigate to the console overview page, which keeps all vital information (all metering, all fader positions, mutes and solos) in view at all times.\n\n\u003ch3\u003eDigital Precision, Analogue Response\u003c\/h3\u003e\n\nThe oversampled digital signal processing algorithms, combined with the fully interpolated and touch sensitive user controls, result in the smooth continuous response and immediacy of working on an analogue console. Parameter adjustment becomes fast and easy, and the continuous phase shift of a swept frequency control is heard without the quantisation artefacts exhibited by competing digital consoles.\n\n\u003ch3\u003eWireless Remote Control\u003c\/h3\u003e\n\nDelivering unprecedented control and mobility, the MIXTENDER App for iPad * combines control of key functions with the highly responsive system metering, allowing users to take control of PRO X using an iPad from anywhere in a venue. Support for multiple simultaneous iPads allows FOH and monitor engineers to work collaboratively, enhancing productivity and communication as well as saving valuable time during set-up. The MIXTENDER App for iPad is available as a free download from the Apple App Store.\n\n\u003ch3\u003eRedundancy - For Peace of Mind\u003c\/h3\u003e\n\nThe PRO X has dual-redundant control computers, and three removable power supplies - only two of which are required for operation. The power supplies, which are interchangeable with those in the NEUTRON Engine, are auto-voltage sensing for use on a worldwide basis and provide seamless switchover in the unlikely event of a loss of one of the three power supplies. Combined with the dual-redundant HyperMAC snake and the redundant AES50 networking, no other console goes further in providing peace of mind. This means that during a show the user can focus on what is most important - treating the audience to a flawless sonic experience.\n\n\u003ch3\u003eArchitecture and Engineering Specifications\u003c\/h3\u003e\n\nThe control centre shall be designed for digital audio mixing applications and be optimised for use in live performance. It shall feature 168 simultaneous input channels and 99 time-aligned and phase-coherent output mix buses and operate at 96 kHz sampling rate. The control centre shall include Gigabit and 100 Mbit\/s Ethernet frame-based digital audio networking with a total network channel count capability of 288 inputs and 294 outputs at 96 kHz sampling rate. A Gigabit Ethernet frame-based digital audio network router shall be included with 192 bidirectional channels operating over optical fibre up to 500 m and CAT5\/5E cable up to 100 m, and provide a dual redundant digital snake connection to the associated audio system digital signal processing engine. The Gigabit digital audio network shall operate on a time-division multiplex basis, and shall provide accurate phase-aligned low-jitter clock distribution using embedded timing markers in the data streams to allow transmission over either Cat5\/5E copper cable up to a distance of 100 m as specified by the IEEE 802.3 Ethernet standard, or up to distances of 500 m using 50\/125 μm multimode optical fibre. It shall provide two levels of cyclic redundancy check (CRC) error detection - a checksum sent with the associated Ethernet frame and an additional checksum for audio data. A dedicated 200 Mbit\/s auxiliary data channel shall be provided for control data. The Gigabit digital audio network shall have an individual link latency of 62.5 μs at 96 kHz sampling rate and support dual redundant operation. The 100 Megabit Ethernet frame-based digital audio network shall offer N+1 cable redundancy and be compliant with the Audio Engineering Society AES50-2011 standard. In conjunction with the associated audio system engine digital signal processor, the control centre shall provide up to 36 assignable digital audio emulations of industry standard one-third octave proportional-Q response graphic equalisers and up to 24 simultaneous multi-channel digital audio effects. There shall be automatic latency management of all internal routing, external analogue insert and digital signal processing delays. This latency management system shall synchronise audio samples when summing to mix buses to ensure phase alignment of the summed signals. The control centre shall provide a user navigation system including 10 variable control association (VCA) groups and 8 population (POP) groups. It shall also provide additional methods of user navigation including a mode to change the operation of the input faders to become send levels to the selected bus or output, a mode mapping of assignable controls to an internal effects processor, a mode to present the faders of an internal graphic equaliser on the VCA section faders and a mode to present the faders for a selected bus output on the VCA section faders. The control centre shall have 29 motorised 100 mm faders with a rated life time of up to one million cycles and two daylight-viewable 15\" full colour display screens. It shall include software interpolation of physical control elements and associated display feedback to eliminate digital quantisation artefacts. The control centre shall have the provision for the optional wireless control using an Apple iPad, with a bespoke software application available as a free download from the Apple App Store. The control centre shall include dual-redundant control computers, and three auto-ranging universal switch-mode power supplies with N+1 redundancy for use on a worldwide basis. The power supply modules shall be externally removable and interchangeable with those in the associated audio system engine digital signal processor. The control centre shall be 1365 mm wide x 940 mm deep x 434 mm high (53.7\" x 37.0\" x 17.1\"), with nominal weight 120 kg (264 lbs). The control centre shall be installed on a flat horizontal surface capable of safely supporting its weight. Input, output, and power connections shall be made at the rear panel of the control centre. Installers shall allow adequate space at the rear for connection and disconnection of input, output, and power connections. The power requirements shall be 100 to 240 VAC, 50 to 60 Hz. The control centre shall be the  Midas  PRO X-CC-IP and no other alternative shall be acceptable.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269619556607,"sku":"0603-ADZ","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_c91259fd-862f-4d67-999c-6ea873c28910.jpg?v=1790013059"},{"product_id":"hd96-air-cc-tp","title":"Midas HD96-AIR-CC-TP Audio Mixer","description":"\u003ch3\u003eHD96-AIR\u003c\/h3\u003e\n\nMidas’ HD96-AIR takes the next leap in digital console evolution — fusing the iconic sound of the H3K and engineering precision of the Heritage D Series with breakthrough portability. Finally, a Midas you can take anywhere. Designed for engineers who demand power without compromise, HD96-AIR features a stunning 21” high-brightness touchscreen with multi-gesture control, unlocking an ultra-intuitive workflow in a hyper-lightweight form factor. All the speed. All the detail. Now within arm’s reach.\n\n\u003ch3\u003eLightweight and Built to Perform\u003c\/h3\u003e\n\nThe HD96 platform was built with the future in mind — and HD96-AIR is just the beginning of that vision in action. Engineered for total control and maximum portability, it features a fully adjustable 21” full HD multi-touchscreen that puts every parameter — from faders to control groups to individual channels — right at your fingertips. The layout places user-assignable buttons exactly where you need them, enhancing speed and precision on the fly. And thanks to a smart, space-conscious design, HD96-AIR delivers all the power of the Heritage D Series in an ultra-lightweight chassis. Even with the flight case, the full package weighs in at under 30 KG — ready for anywhere the show takes you.\n\n\u003ch3\u003eThe Graviton Mk 2 Processing Engine\u003c\/h3\u003e\n\nAt the heart of every Midas console is what matters most — sound. While others compromise, we’ve never wavered in our commitment to audio excellence. With the Heritage D series, we’ve taken the legendary Midas sound even further, with a next-generation 64-bit summing engine that delivers greater dynamic range, depth, and clarity than ever before.  The key to the Midas sound is in giving ultimate flexibility while still being delay compensated. Delivering a mix that breathes with natural warmth and stunning precision. No comb filtering. No inconsistencies. Just pristine audio, everywhere, all the time — whether you're pushing the mix to its limits or riding the smallest detail. Driving a Midas has never been easier.\n\n\u003ch3\u003eFlexi-Aux\u003c\/h3\u003e\n\nThe Flexi-Aux system opens up powerful routing possibilities — including aux-to-aux sends for advanced group and stem-style mixing. Need to smash a drum kit with parallel compression and feed that exact sound to an artist’s in-ears? Now you can. Flexi-Aux gives you the tools to mix the way you hear it — fast, flexible, and fully under your control.\n\n\u003ch3\u003eVariable Channel Phase\u003c\/h3\u003e\n\nThe new intuitive, easy to use Variable Phase per channel is a powerful tool that allows sound sources to be blended seamlessly with high or low phase changes to mix signals together in ways never achievable before. From subtle alignment tweaks to bold creative shifts, you can now seamlessly blend sound sources with precision, clarity, and control.\n\n\u003ch3\u003eTap Off Points\u003c\/h3\u003e\n\nNew tap off points on channels have been introduced – giving you the freedom to route audio from any stage in the signal chain. Perfect for sending raw signals to stage without affecting your main mix. It's all about precision control without compromise.  As per the HD96-24, AIR features post-insert fader tap points alongside fully customisable processing chains. Just drag, drop, and reorder your signal flow exactly how you want it. It's all about precision control without compromise.\n\n\u003ch3\u003eShout Mixer\u003c\/h3\u003e\n\nThe Shout Mixer allows complex communication groups to be effortlessly created and stored. With 16 independent shout inputs and 12 dedicated outputs, you can build flexible, powerful talkback systems that operate entirely outside your main I\/O count.  Whether you’re in soundcheck or mid-show, instant recall lets you switch between shout configurations in a heartbeat — so your comms are always as sharp as your mix.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269619589375,"sku":"0603-AER","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_4ed2db15-652a-4449-a04b-58562ba3ead1.jpg?v=1790013061"},{"product_id":"vf16r","title":"Midas VF16R Audio Interface","description":"\u003ch3\u003eVF16R — Venice 16, Rack-Mount. Sixteen Midas Preamps. FireWire I\/O.\u003c\/h3\u003e\u003cp\u003eThe rack-mount variant of the VF16. Same 16-channel DIGI-LOG architecture, same Midas XL3 EQ, same 24-bit FireWire interface — folded into a 13U rack chassis for installs, broadcast booths and tour racks where surface real estate was the constraint.\u003c\/p\u003e\u003ch3\u003eSixteen Midas Preamps. XL3 EQ. Rack-Ready.\u003c\/h3\u003e\u003cp\u003eEight mono and four stereo input channels feed 16 award-winning Midas microphone preamplifiers. The industry-acclaimed Midas XL3 4-band swept-channel EQ on every input — the curve that defined a generation of front-of-house mixing.\u003c\/p\u003e\u003ch3\u003eFireWire Native. Virtual Soundcheck On Tap.\u003c\/h3\u003e\u003cp\u003eA 24-bit FireWire interface delivers up to 16 inputs and 16 outputs to a DAW. Analogue or FireWire input selection on every channel makes virtual soundchecks a one-switch operation. Six aux sends, four subgroups, 7 x 2 matrix — all FireWire-routable. Analogue and FireWire direct outputs with pre\/post-EQ switching.\u003c\/p\u003e\u003ch3\u003eSpecification Highlights\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e16 input channels (8 mono + 4 stereo), rack-mount\u003c\/li\u003e\n\u003cli\u003e16 Midas microphone preamplifiers\u003c\/li\u003e\n\u003cli\u003eMidas XL3 4-band swept-channel EQ\u003c\/li\u003e\n\u003cli\u003e24-bit FireWire interface, 16 in \/ 16 out\u003c\/li\u003e\n\u003cli\u003eAnalogue or FireWire input select per channel\u003c\/li\u003e\n\u003cli\u003e6 aux sends, 4 subgroups, 7 x 2 matrix — FireWire-routable\u003c\/li\u003e\n\u003cli\u003eAnalogue and FireWire direct outputs, pre\/post-EQ switchable\u003c\/li\u003e\n\u003cli\u003e13U rack-mount chassis\u003c\/li\u003e\n\u003cli\u003eAuto-ranging universal switch-mode PSU\u003c\/li\u003e\n\u003cli\u003eDesigned and engineered in the U.K.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eWho It's For\u003c\/h3\u003e\u003cp\u003eThis product is obsolete. Original VF16R units remain in service in broadcast OB racks, install racks and touring sub-mixer roles. Reference current Midas digital consoles for active equivalents.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269619622143,"sku":"0601-AFJ","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_3e3a2be2-d0ef-4126-8c96-48b701146c0f.jpg?v=1790013061"},{"product_id":"dl443","title":"Midas DL443 Audio Mixer","description":"\u003ch3\u003ePRO SERIES DL443\u003c\/h3\u003e\n\nDL443 is a modular 8 analogue line level input and output card for MIDAS PRO Series control centres and modular I\/O boxes Premium low latency 24 bit 96 kHz ADC and DAC converters are used to minimise distortion and noise artefacts, and DL443 features balanced inputs and outputs on ¼ \" TRS connectors high common mode input noise rejection and high output current drive capability for long cable runs. It also features an automatic output mute facility if the audio signal path is muted via the PRO Series control centre.\n\nStatus IndicationEach output channel on DL443 has an LED indicator for the output mute status.\n\nPRO Series Compatibility DL443 is compatible with the MIDAS PRO3, PRO6, PRO9 and PRO X Control Centres, and the DL351 and DL451 Modular I\/O Stage Boxes.\n\nBuilt for the RoadBuilt for the Road DL443 is designed for the rigours of live concert touring. Premium ¼ \" TRS connectors are used for reliable audio connections, night after night.\n\nArchitecture \u0026amp; Engineering SpecificationsThe interface card shall be designed for digital audio mixing applications and be optimised for use in live performance. The interface card shall feature 8 line level input channels and 8 line level output channels, with both input and output connections on balanced ¼ \" TRS connectors. The interface card shall provide analogue to digital and digital to analogue conversion with 24 bit resolution at 96 kHz sampling rate. The interface card shall include an automatic output mute function if the audio signal path is muted via the control centre. The interface card shall have LED indication for output mute for each output channel. The interface card shall be compatible with MIDAS PRO3, PRO6, PRO9 and PRO X Control Centres and DL351 and DL451 Modular I\/O Stage Boxes. The interface card shall be 336 mm wide x 303 mm deep x 30 mm high (13.2\" x 12.0\" x 1.2\"), with nominal weight 0.8 kg (1.8 lbs). The interface card shall be the MIDAS DL443 and no other alternative shall be acceptable.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269619654911,"sku":"0606-AAM","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_57609f9d-ebd0-429e-b5f0-13434c36dc37.jpg?v=1790013060"},{"product_id":"cat5e-1m","title":"Midas CAT5E-1M Cable","description":"\u003ch3\u003ePRO SERIES CAT5E-1M\u003c\/h3\u003e\n\nThe CAT5E-1M ruggedised Cat5e cable provides a bidirectional digital audio network data link and features industry-standard RJ45 connectors with an integral O-ring gasket to achieve IP54 water protection for high reliability, especially desirable in concert touring and festival applications. When used with  Midas  PRO and M Series and  Klark Teknik  products equipped with HyperMAC and copper snake interfaces, the CAT5E-1M cable can transmit up to 192 bidirectional channels of 24 bit digital audio at 96 kHz sample rate. CAT5E-1M also supports 24 bidirectional channels and 48 bidirectional channels at 96 kHz and 48 kHz sample rates respectively for AES50 connections. CAT5E-1M can also be used for standard Ethernet applications, and is suitable for both 100 Mbit\/s and Gigabit networks. The CAT5E-1M cable uses highly durable upjacketed Belden 1305A unscreened cable with a nominal 7.6 mm diameter. The 1305A cable features 24 AWG bonded-pair stranded (7\/32) copper conductors with polyolefin insulation and both inner and outer PVC protective jackets.\n\n\u003ch3\u003eArchitecture and Engineering Specifications\u003c\/h3\u003e\n\nThe network cable shall be intended for use to provide digital audio multi-channel network data link and snake connections and be capable of bidirectional operation. The network cable shall provide transmission of up to 192 bidirectional channels of 24 bit digital audio at 96 kHz sample rate. The network cable shall also be suitable for standard Ethernet applications and meet the requirements for a Cat5e cable, and shall be suitable for use in both 100 Mbit\/s and Gigabit networks. The network cable shall be 1 metre in length. The network cable shall use Belden 1305A cable. The network cable shall be fitted with industry-standard RJ45 connector carriers. The network cable connector carriers shall be protected to the IP54 standard for water protection by an integral O-ring seal. The network cable shall be the  Midas  CAT5E-1M and no other alternative shall be acceptable.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269619687679,"sku":"0012-AAH","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_c41f647e-e0bd-4749-a37c-be95dd8280b8.jpg?v=1790013060"},{"product_id":"vf24","title":"Midas VF24 Audio Mixer","description":"\u003ch3\u003eVENICE F VF24\u003c\/h3\u003e\n\nVF24 is much more than a compact live audio console. the DIGI-LOG VF24 is the platform for a completely integrated audio mixing, recording and signal processing - thanks to its FireWire digital audio interface which is capable of supporting up to 24 x 24 channels of high-quality, 24-bit audio. The hybrid VF24 bridges the gap between analogue and digital audio consoles, and offers the user the ease-of-use, warmth, feel and zero-latency of analogue, combined with the power, choice and flexibility of outboard digital processing. Whilst originally intended for live sound applications, the superb audio performance and the addition of the FireWire digital audio interface means that the VF24 is equally at home in recording and mixdown applications. Many manufacturers cut quality when they design small format mixers. At Midas, we understand that a modest footprint doesn’t have to mean compromised performance and a poor feature set. The VF24 embodies this philosophy, from its rugged construction and top-of-the-range components, to the unmistakable Midas sound, which makes for a truly professional audio mixing console. From the horizontal fader panel with premium 100 mm faders, through the legendary 4 band Midas XL3 channel EQ, to the latest expression of the legendary Midas microphone preamplifier, this is a console without compromise.\n\n\u003ch3\u003eAward-Winning Midas Microphone Preamplifier\u003c\/h3\u003e\n\nThe Midas microphone preamplifier is considered by leading live sound and recording engineers to be the very essence of the famous Midas sound. More than 40 years of design experience paired with the finest choice of premium-grade components lead to the acclaimed warmth and depth - bringing out subtle ambience, maintaining spatial positioning and more effectively capturing a precise sound image. The acclaimed sound of the award-winning Midas microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic panoramas that have captivated audiences worldwide. Since pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, VF24 features the latest generation of Midas microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design. Over the years many mix engineers have found this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concert goers and recorded for posterity on countless live albums over the years.\n\n\u003ch3\u003eAcclaimed Midas XL3 EQ\u003c\/h3\u003e\n\nVF24 features an enhanced version of the legendary equalisation section from the classic Midas XL3, the definitive live analogue monitor console. Throughout countless world tours, festivals and other live events, the XL3 became a proven workhorse of the live audio industry, excelling in both FOH and monitor applications. This channel equalisation design has proven itself capable of handling the most demanding stage monitoring situations, whilst providing immersive and compelling on-stage sound to inspire performers to new creative heights. Each mono input channel on the VF24 features the XL3’s 4 bands of swept equalisation, consisting of Bass and Teble shelving filters with adjustable frequency and gain, and fully parametric Lo Mid and Hi Mid bands featuring variable bandwidth controls as well as adjustable frequency and gain. This enhanced control set allows for both powerful and musical creative and corrective equalisation, whether the aim is gentle contouring or a scalpel-sharp surgical cut.\n\n\u003ch3\u003eFireWire Digital Audio Interface with up to 24 Inputs and 24 Outputs\u003c\/h3\u003e\n\nVF24’s FireWire interface connects directly to your computer to provide a bidirectional 24 channel digital audio link with 24-bit fixed point precision at 44.1 kHz and 48 kHz sample rates. This interface can be used with any computer fitted with an IEEE-1394 FireWire port and allows the use of third party audio recording and processing software in conjunction with the console. The conversion between the analogue and digital domains uses the lowest latency converters and advanced filter designs developed for the industry-first Midas XL8 Live Performance System. This ensures that the conversion process is transparent and free from any undesirable digital artefacts, whilst minimising the round-trip latency essential for the use of software plug-ins for outboard processing, to preserve that unmistakable Midas sound. Additionally, the FireWire outputs from the four stereo input channel pairs can be overridden by aux send 1 \u0026amp; 2 or groups 1 \u0026amp; 2 (channels 17 \u0026amp; 18), aux send 3 \u0026amp; 4 or groups 3 \u0026amp; 4 (channels 19 \u0026amp; 20), monitor 1 \u0026amp; 2 or matrix 1 \u0026amp; 2 (channels 21 \u0026amp; 22) and the master stereo output (channels 23 \u0026amp; 24). This ability to route the bus outputs to the FireWire interfaces allows a computer to be used with the VF24 in exactly the same way as traditional outboard rackmount audio processing and recording equipment, retaining familiar approaches to mixing console workflows whilst adding the flexibility and accessibility offered by computer-based audio.\n\n\u003ch3\u003eAnalogue or FireWire Digital input\u003c\/h3\u003e\n\nThe VF24’s mono channels and stereo input channel pairs can either be sourced from the microphone preamplifiers or from the incoming FireWire interface, so playback channels from a computer can have the benefit of the premium Midas analogue signal path and equalisation section, ideal for mixing ‘out of the box’ in conjunction with digital audio workstations and recording software. VF24 enables virtual sound checking, with playback of pre-recorded tracks to save valuable time during show set-up, especially to refine mixes when artists cannot always be present.\n\n\u003ch3\u003e6 Auxiliary Sends\u003c\/h3\u003e\n\nVF24 features 6 auxiliary send buses with individual bus pre\/post fader switching and optional routing to FireWire interface outputs. The 2 aux send buses designated as monitor sends are also switchable to be pre-EQ or post-EQ on an individual input channel basis. All aux send outputs feature XLR connectors with TRS insert points.\n\n\u003ch3\u003e4 Output Groups with Aux Changeover\u003c\/h3\u003e\n\nIn addition to the mono and stereo output bus assignment switches, each input channel on VF24 includes individual assignment switches to the 4 output groups, which feature XLR connectors and TRS insert points.  VF24 is ideal for use for both FOH or monitor console applications. Whilst FOH engineers would generally rather use their output faders for groups (either for sub mixes or alternative outputs), monitor engineers tend to prefer to use the output faders on their console to set the aux send output levels. To achieve this flexibility, the VF24 features an ‘aux c\/o’ (aux\/group changeover) switch per group output, so that each group output can be individually ‘changed over’ so that the group output path becomes that of the corresponding aux send output and vice versa.\n\n\u003ch3\u003e7 x 2 Matrix with Stereo Split\u003c\/h3\u003e\n\nVF24 features a 7 x 2 output matrix with level controls for contributions from the 4 groups, and the master left, right and mono outputs. The 2 matrix output channels feature a level control, mute and solo switches with LED indication with balanced XLR output connectors and TRS insert points. Additional switches split the left and right contributions to the matrix (default is a sum of left and right), and to optionally route the matrix outputs to the FireWire interface.\n\n\u003ch3\u003eAnalogue and FireWire Direct Outputs\u003c\/h3\u003e\n\nA single switch on each input channel allows both the FireWire channel output and the analogue direct output to be set to either Pre-EQ or Post-EQ for maximum flexibility for recording and outboard processing.\n\n\u003ch3\u003eBuilt for the Road\u003c\/h3\u003e\n\nFeaturing a rugged steel chassis frame, VF24 is designed for the rigours of live concert touring. industry-standard connectors are used to ensure reliable audio connections, night after night.\n\n\u003ch3\u003eAuto-ranging universal switch-mode power supply\u003c\/h3\u003e\n\nVF24 features a universal power supply, which is auto-voltage sensing for use on a worldwide basis.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269620277503,"sku":"0601-ADL","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_8358326a-fc0a-490e-be28-939daa2caf4c.jpg?v=1790013062"},{"product_id":"hd96-fb16","title":"Midas HD96-FB16 Audio Mixer","description":"\u003ch3\u003eHD96-FB16\u003c\/h3\u003e\n\nThe HD96-FB16 expands your control and streamlines your workflow. This portable fader bay turns any HD Series console into a fully expanded mixing surface. With 16 motorised faders, dedicated channel displays, and tactile command of your core functions, the FB16 is built to keep you fast, focused, and flexible. The perfect partner to the HD96-AIR, it gives engineers the power and precision of a larger desk in a compact, road-ready form. \n\n\u003ch3\u003eCompact Control. Complete Confidence.\u003c\/h3\u003e\n\nBuilt for speed and efficiency, the HD96-FB16 provides instant access to 16 channels of fader control via a single USB connection. Each strip features a motorised 100 mm fader, Mute and Select buttons, and an ultra-clear 24x240 LCD screen for quick channel identification and mix navigation. Whether you’re expanding a fly rig or creating a modular control setup, the FB16 ensures that your workflow is as fast as your mix. \n\n\u003ch3\u003eBuilt to Move. Made to Last.\u003c\/h3\u003e\n\nLightweight yet robust, the HD96-FB16 is engineered for life on the road. Its compact footprint makes it ideal for portable and space-limited setups, while the durable construction and internal power supply ensure consistent reliability night after night. From touring engineers to fixed installations, the FB16 delivers MIDAS-grade precision and performance, wherever your mix takes you.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269620310271,"sku":"0603-AET","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_c47454ef-c7fc-475c-aaf4-49008e152e90.jpg?v=1790013063"},{"product_id":"pro-x-cc-tp","title":"Midas PRO X-CC-TP Audio Mixer","description":"\u003ch3\u003eMIDAS PRO Fader\u003c\/h3\u003e\n\nNot satisfied with the existing motorised fader choices in the marketplace,  Midas  created the  PRO FADER, rated for up to a million cycles – three times that of other leading manufacturers - and providing high linearity, robustness, and smooth feel during operation. This decision yielded many other benefits, including total quality control over the manufacturing process and lower costs that could be passed on to customers. As a digital console manufacturer,  Midas  has a perspective on the actual application of motor faders that a component manufacturer would not have. The multi-disciplinary development project combined mechanical design, electronic hardware and software optimisation with a rigorous testing programme and an investment in material science to produce the best possible performance in actual operation in  Midas PRO Series  consoles. Semi-precious metals are used for the wiper fingers for their hard-wearing properties, and precision resistive tracks were created that offered highly linear positional accuracy, coupled with long-term durability and even response in use.\n\n\u003ch3\u003eHighest Quality Display Screens\u003c\/h3\u003e\n\nThe  PRO X  Control Centre features dual 15\" full colour daylight-viewable TFT displays for use in all environments, both inside and outdoors. The displays provide visual feedback for the entire system, the on-screen menus instantly navigate to the console overview page, which keeps all vital information (all metering, all fader positions, mutes and solos) in view at all times.\n\n\u003ch3\u003eDigital Precision, Analogue Response\u003c\/h3\u003e\n\nThe oversampled digital signal processing algorithms, combined with the fully interpolated and touch sensitive user controls, result in the smooth continuous response and immediacy of working on an analogue console. Parameter adjustment becomes fast and easy, and the continuous phase shift of a swept frequency control is heard without the quantisation artefacts exhibited by competing digital consoles.\n\n\u003ch3\u003eWireless Remote Control\u003c\/h3\u003e\n\nDelivering unprecedented control and mobility, the MIXTENDER App for iPad * combines control of key functions with the highly responsive system metering, allowing users to take control of  PRO X  using an iPad from anywhere in a venue. Support for multiple simultaneous iPads allows FOH and monitor engineers to work collaboratively, enhancing productivity and communication as well as saving valuable time during set-up. The MIXTENDER App for iPad is available as a free download from the Apple App Store.\n\n\u003ch3\u003eRedundancy - For Peace of Mind\u003c\/h3\u003e\n\nThe  PRO X  has dual-redundant control computers, and three removable power supplies - only two of which are required for operation. The power supplies, which are interchangeable with those in the NEUTRON Engine, are auto-voltage sensing for use on a worldwide basis and provide seamless switchover in the unlikely event of a loss of one of the three power supplies. Combined with the dual-redundant HyperMAC snake and the redundant AES50 networking, no other console goes further in providing peace of mind. This means that during a show the user can focus on what is most important - treating the audience to a flawless sonic experience.\n\n\u003ch3\u003eArchitecture and Engineering Specifications\u003c\/h3\u003e\n\nThe control centre shall be designed for digital audio mixing applications and be optimised for use in live performance. It shall feature 168 simultaneous input channels and 99 time-aligned and phase-coherent output mix buses and operate at 96 kHz sampling rate. The control centre shall include Gigabit and 100 Mbit\/s Ethernet frame-based digital audio networking with a total network channel count capability of 288 inputs and 294 outputs at 96 kHz sampling rate. A Gigabit Ethernet frame-based digital audio network router shall be included with 192 bidirectional channels operating over optical fibre up to 500 m and CAT5\/5E cable up to 100 m, and provide a dual redundant digital snake connection to the associated audio system digital signal processing engine. The Gigabit digital audio network shall operate on a time-division multiplex basis, and shall provide accurate phase-aligned low-jitter clock distribution using embedded timing markers in the data streams to allow transmission over either Cat5\/5E copper cable up to a distance of 100 m as specified by the IEEE 802.3 Ethernet standard, or up to distances of 500 m using 50\/125 μm multimode optical fi bre. It shall provide two levels of cyclic redundancy check (CRC) error detection - a checksum sent with the associated Ethernet frame and an additional checksum for audio data. A dedicated 200 Mbit\/s auxiliary data channel shall be provided for control data. The Gigabit digital audio network shall have an individual link latency of 62.5 μs at 96 kHz sampling rate and support dual redundant operation. The 100 Megabit Ethernet frame-based digital audio network shall offer N+1 cable redundancy and be compliant with the Audio Engineering Society AES50-2011 standard. In conjunction with the associated audio system engine digital signal processor, the control centre shall provide up to 36 assignable digital audio emulations of industry standard one-third octave proportional-Q response graphic equalisers and up to 24 simultaneous multi-channel digital audio effects. There shall be automatic latency management of all internal routing, external analogue insert and digital signal processing delays. This latency management system shall synchronise audio samples when summing to mix buses to ensure phase alignment of the summed signals. The control centre shall provide a user navigation system including 10 variable control association (VCA) groups and 8 population (POP) groups. It shall also provide additional methods of user navigation including a mode to change the operation of the input faders to become send levels to the selected bus or output, a mode mapping of assignable controls to an internal effects processor, a mode to present the faders of an internal graphic equaliser on the VCA section faders and a mode to present the faders for a selected bus output on the VCA section faders. The control centre shall have 29 motorised 100 mm faders with a rated life time of up to one million cycles and two daylight-viewable 15\" full colour display screens. It shall include software interpolation of physical control elements and associated display feedback to eliminate digital quantisation artefacts. The control centre shall have the provision for the optional wireless control using an Apple iPad, with a bespoke software application available as a free download from the Apple App Store. The control centre shall include dual-redundant control computers, and three auto-ranging universal switch-mode power supplies with N+1 redundancy for use on a worldwide basis. The power supply modules shall be externally removable and interchangeable with those in the associated audio system engine digital signal processor. The control centre shall be 1365 mm wide x 940 mm deep x 434 mm high (53.7\" x 37.0\" x 17.1\"), with nominal weight 120 kg (264 lbs). The control centre shall be installed on a flat horizontal surface capable of safely supporting its weight. Input, output, and power connections shall be made at the rear panel of the control centre. Installers shall allow adequate space at the rear for connection and disconnection of input, output, and power connections. The power requirements shall be 100 to 240 VAC, 50 to 60 Hz. The control centre shall be supplied in a touring package including a road case constructed from marine grade plywood with aluminium extrusions, with internal support provided by dual load-bearing spigots and protective composite density foam. The road case shall be 1516 mm wide x 616 mm deep x 1395 mm high (59.7\" x 24.3\" x 54.9\") including castor wheels and the gross weight of the control centre in the road case shall be 244.0 kg (536.8 lbs). The control centre shall be the  Midas  PRO X-CC-TP and no other alternative shall be acceptable.\n\n\u003ch3\u003ePRO SERIES PRO X-CC-TP\u003c\/h3\u003e\n\nThe  Midas PRO Series  family moves up a gear with the  PRO X  control centre and the industry-changing NEUTRON Audio System Engine. Featuring 168 simultaneous input channels and 99 time-aligned and phase-coherent mix buses, the PRO X sets a new performance benchmark in high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability. Like all  PRO Series  consoles, the  PRO X  features managed latency and 40 bit floating point processing precision. HyperMAC and AES50 audio networking technologies allow the  PRO X  to dynamically assign up to 288 inputs and 294 outputs at 96 kHz sampling rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the  PRO X  equally at home in theatres and symphony halls as it is in live concert touring, outside broadcast and music festivals.\n\n\u003ch3\u003eDigital Audio Networking\u003c\/h3\u003e\n\nSuperMAC (AES50-Compliant) and HyperMAC digital audio networking technologies from  Klark Teknik  simultaneously provide high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring. The  PRO X  HyperMAC router provides a dual redundant snake connection to the NEUTRON Audio System Engine over optical fibre and copper with a bandwidth of 192 bidirectional channels of 96 kHz 24 bit digital audio, up to a distance of 500 m with optical fibre or 100 m with CAT5\/5e cable.  PRO X  is compatible with all  Midas PRO Series  digital I\/O units, as well as with any other 96 kHz-enabled AES50-equipped devices. Multiple  PRO Series  consoles can be connected together to create either larger mixing systems, or multiple discrete mixing consoles can share a common resource of networked and distributed I\/O interfaces..\n\n\u003ch3\u003eTouring Grade Road Case\u003c\/h3\u003e\n\nRugged and built to last, the  PRO X  Touring Pack includes a  PRO369-RC  Road Case, constructed from rigid marine grade plywood and durable aluminium extrusions. Dual load-bearing spigots that couple the weight of the console chassis directly into the road case and composite density foam provide internal support and superior protection in transit, night after night, city after city.\n\n\u003ch3\u003ePRO X Advanced Navigation Flexibility\u003c\/h3\u003e\n\nAt the heart of  Midas  console navigation are the VCA and POPulation groups, which mirror the natural work flow used by mix engineers and encourages the development of a mental picture, or “Mind Map”, of the whole system. Only the required control elements and associated feedback are presented, allowing users to adopt structured task-based workflows, rather than being presented with an overwhelming ‘sea of knobs’.  PRO X  also incorporates new and innovative methods of channel and mix bay navigation: FLIP Navigation, FX Navigation, GEQ Navigation, and MCA Navigation. These four options allow an engineer to easily and efficiently mix a large number of inputs on a compact control surface. This navigation flexibility makes working with the console as simple as requirements dictate, or as deep and complex as a user desires.\n\n\u003ch3\u003eIntegrated Effects Processors and Graphic Equalisers\u003c\/h3\u003e\n\nThe  PRO X  can simultaneously process up to 24 internal multi-channel effects and NEUTRON’s 40 bit floating-point audio processing hosts a wide choice of virtual effects devices, which range from dual-mono delay units, stereo modulation and numerous diverse reverberation simulations, multi-band compression, dynamic EQ and multi-channel dual-function dynamics processing. Up to 36 1⁄3 octave  Klark Teknik DN370  Graphic Equalisers (GEQs) are provided, which can be patched into any output.  PRO X  provides comprehensive automatic latency management of all internal routing and processing latency – and also includes compensation for external analogue inserts. All audio samples are synchronised before summing, resulting in absolute phase coherence at the outputs, without the comb filtering effects of competing products that often result in specific frequencies being cancelled out completely. All effects processors and GEQs are custom-designed to function within this automatic latency compensation system. This ensures a phase-coherent, sample-accurate mix regardless of whether the devices are used as channel inserts or on auxiliary buses.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269620343039,"sku":"0603-ADY","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_d271fbbc-a5cf-4ffa-b97d-d3bdb3d89417.jpg?v=1790013061"},{"product_id":"dl444","title":"Midas DL444 Audio Interface","description":"\u003ch3\u003ePRO SERIES DL444\u003c\/h3\u003e\n\nDL444 is a modular 8 channel analogue mic\/line input and line level output card for MIDAS PRO Series control centres and modular I\/O boxes, and features award-winning MIDAS microphone preamplifiers with switchable +48 V phantom power and servo-balanced electronic outputs with high current drive capability for long cable runs. Premium low latency 24 bit 96 kHz ADC and DAC converters are used to minimise distortion and noise artefacts, and DL444 features balanced inputs and outputs on 25 way D-type connectors, ideal for fixed installations where the input and output channel counts can be maximised. It also features an automatic output mute facility if the audio signal path is muted via the PRO Series control centre.\n\nAward-Winning MIDAS Microphone PreamplifierThe MIDAS microphone preamplifier is considered by leading live sound and recording engineers to be the very essence of the famous MIDAS sound. More than 40 years of design experience paired with the finest choice of premium-grade components lead to the acclaimed warmth and depth - bringing out subtle ambience, maintaining spatial positioning and more effectively capturing a precise sound image. The acclaimed sound of the award-winning MIDAS microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic panoramas that have captivated audiences worldwide. Since pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, DL444 features the latest generation of MIDAS microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design. Over the years many mix engineers have found this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concert goers and recorded for posterity on countless live albums over the years.\n\nStatus IndicationEach input channel on DL444 has an LED indicator for +48 V phantom power and each output channel has an LED indicator for the output mute status.A 25 way D-type connector is provided to enable simultaneous remote monitoring of the input channel phantom power and output channel mute status.\n\nPRO Series CompatibilityDL444's compatible with the MIDAS PRO3, PRO6, PRO9 and PRO X Control Centres, and the DL351 and DL451 Modular I\/O Stage Boxes.\n\nArchitecture \u0026amp; Engineering SpecificationsThe interface card shall be designed for digital audio mixing applications and be optimised for use in live performance. The interface card shall feature 8 mic\/line level inputs and 8 line level servo-balanced electronic outputs, with both input and output connections on balanced 25 way D-type connectors. Each input channel shall have one remotely-controlled variable gain microphone preamplifi er with switchable +48 V phantom power. The interface card shall provide analogue to digital and digital to analogue conversion with 24 bit resolution at 96 kHz sampling rate. The interface card shall include an automatic output mute function if the audio signal path is muted via the control centre. The interface card shall have LED indication for +48 V phantom power for each input channel and output mute status for each output channel. A 25 way D-type connector shall be provided to enable remote monitoring of the input channel phantom power and output channel mute status. The interface card shall be compatible with MIDAS PRO3, PRO6, PRO9 and PRO X Control Centres and DL351 and DL451 Modular I\/O Stage Boxes. The interface card shall be 336 mm wide x 304 mm deep x 30 mm high (13.2\" x 12.0\" x 1.2\"), with nominal weight 0.7 kg (1.5 lbs). The interface card shall be the MIDAS DL444 and no other alternative shall be acceptable.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269620375807,"sku":"0606-AAN","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_ba184d24-2bd0-46d9-b7ae-b497d985cb1a.jpg?v=1790013061"},{"product_id":"cat5e-30m","title":"Midas CAT5E-30M Cable","description":"\u003ch3\u003ePRO SERIES CAT5E-30M\u003c\/h3\u003e\n\nThe CAT5E-30M ruggedised Cat5e cable provides a bidirectional digital audio network data link and features industry-standard RJ45 connectors with an integral O-ring gasket to achieve IP54 water protection for high reliability, especially desirable in concert touring and festival applications. When used with  Midas  PRO and M Series and  Klark Teknik  products equipped with HyperMAC and copper snake interfaces, the CAT5E-30M cable can transmit up to 192 bidirectional channels of 24 bit digital audio at 96 kHz sample rate. CAT5E-30M also supports 24 bidirectional channels and 48 bidirectional channels at 96 kHz and 48 kHz sample rates respectively for AES50 connections. CAT5E-30M can also be used for standard Ethernet applications, and is suitable for both 100 Mbit\/s and Gigabit networks. The CAT5E-30M cable uses highly durable upjacketed Belden 1305A unscreened cable with a nominal 7.6 mm diameter. The 1305A cable features 24 AWG bonded-pair stranded (7\/32) copper conductors with polyolefin insulation and both inner and outer PVC protective jackets.\n\n\u003ch3\u003eArchitecture and Engineering Specifications\u003c\/h3\u003e\n\nThe network cable shall be intended for use to provide digital audio multi-channel network data link and snake connections and be capable of bidirectional operation. The network cable shall provide transmission of up to 192 bidirectional channels of 24 bit digital audio at 96 kHz sample rate. The network cable shall also be suitable for standard Ethernet applications and meet the requirements for a Cat5e cable, and shall be suitable for use in both 100 Mbit\/s and Gigabit networks. The network cable shall be 30 metres in length. The network cable shall use Belden 1305A cable. The network cable shall be fitted with industry-standard RJ45 connector carriers. The network cable connector carriers shall be protected to the IP54 standard for water protection by an integral O-ring seal. The network cable shall be the  Midas  CAT5E-30M and no other alternative shall be acceptable.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269620441343,"sku":"0012-AAG","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_9b6ef681-a929-45c2-b3d0-1dd9aacf4820.jpg?v=1790013061"},{"product_id":"vf32","title":"Midas VF32 Audio Mixer","description":"\u003ch3\u003eVENICE F VF32\u003c\/h3\u003e\n\nVeniceF is much more than a compact live audio console. VeniceF is the platform for a completely integrated audio mixing, recording and processing package - thanks to its FireWire * digital audio interface which is capable of supporting up to 32 x 32 channels of high-quality, 24-bit audio. Here at MIDAS, we know what it takes to design and build live sound consoles for the world's most demanding tours and installations. One look at the VeniceF confirms that this console continues the legacy established by the groundbreaking XL3 and XL4 consoles, and consolidated in the industry-leading Heritage series. The hybrid VeniceF bridges the gap between analogue and digital audio consoles, and offers the user the ease-of-use, warmth, feel and zero-latency of analogue, combined with the power, choice and flexibility of outboard digital processing. Specifically designed for live sound, the superb audio performance, and the addition of the FireWire digital audio interface means that the VeniceF is equally at home in recording and mixdown applications. Many manufacturers cut quality when they design small mixers. At MIDAS, we understand that a modest footprint doesn't have to mean compromised performance and a poor feature set. The VeniceF embodies quality, from its rugged construction and top-of-the-range components to the unmistakable MIDAS sound, which makes VeniceF a truly professional audio console. From the VeniceF's horizontal fader panel, through the class-leading parametric EQ filters, to the latest expression of that legendary MIDAS mic preamp, this is a console without compromise.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269620474111,"sku":"0601-ADM","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_366f5312-f0e1-4ef7-be90-02d1b3b7860c.jpg?v=1790013063"},{"product_id":"hub4","title":"Midas HUB4","description":"\u003ch3\u003ePersonal Monitoring with DP48\u003c\/h3\u003e\n\nMidas HUB4 is the multi-tool in your stage rack providing analogue and digital outputs for various applications. HUB4 can supply up to four DP48 personal monitor mixers with PoE (Power over Ethernet) and 48 channels of 24-bit \/ 48 kHz audio. HUB4 also collects 48 channels of upstream audio and forwards this audio to the FOH console, either from stage boxes connected to the AES50-B (THRU) Port or 8 return channels from each of Ports 1-4.\n\n\u003ch3\u003eCascading Hubs for Large Setups\u003c\/h3\u003e\n\nTo meet the challenges of large monitoring setups, HUB4 can easily be daisy-chained to make additional DP48 ports available, all the way up to symphonic orchestra applications. On the other hand, HUB4 can also address situations where you want to connect additional I\/O via the same AES50 link to the mixing console. To help build out this AES50 console link, digital stage boxes such as the Midas DL16 or DL32 can be connected to the HUB4’s AES50-B (THRU) Port. The console can pass downstream signals to their respective stage outputs, while also receiving 48 channels upstream from the stage inputs via HUB4.\n\n\u003ch3\u003eAnalogue Outputs for IEM Transmitters\u003c\/h3\u003e\n\nHUB4 features 16 balanced line-level outputs that can carry the 8 stereo mixes from the connected DP48 mixers for connections in the side rack. So there is no need to run additional lines from personal mixers to the transmitters, reducing setup time and reliability considerably. Alternatively, these analogue outputs can also be used as spare outputs on stage receiving signals directly from the FOH consoles, e.g. for providing talkback or side fill outputs.\n\n\u003ch3\u003eSupport from Midas M32 Series Consoles\u003c\/h3\u003e\n\nHUB4 can convey control messages from M32 FOH consoles to DP48 personal mixers, as well as remote control messages between DP48 units. Midas DP48 Personal Monitor Mixers support remote control of other DP48 units and can also receive control information from M32 mixing consoles. This M32 control information includes assignments, names and colors of channels, which are transmitted via AES50 for easy configuration of personal mixers. HUB4 can convey control messages from the FOH console to personal mixers as well as between personal mixers. This control message system works when DP48 units are connected to Ports 1-4 or to the ports on daisy-chained hubs.\n\n\u003ch3\u003eMidas DL8 PoE (Power over Ethernet) Powered Stage Boxes\u003c\/h3\u003e\n\nHUB4 easily interfaces with the new Midas DL8 stage box, which makes bulky analog sub-snakes a thing of the past. The DL8 stage box can be connected to one of HUB4 Ports 1-4 using only a simple CAT5E STP cable. This cable connection from HUB4 can directly power up to 4 stage boxes via PoE support – IEEE802.3at per port – allowing for shorter analogue lines on stage.\n\n\u003ch3\u003eRemote Control Forwarding Through HUB4\u003c\/h3\u003e\n\nHUB4 also facilitates one of the exceptional features of DP48 Personal Monitoring systems in which one DP48 unit can be designated as Master and used to control one or more DP48 units in Slave mode. HUB4 ensures that personal mixers are enumerated and that the Master, i.e., the DP48 connected to Port 1 of the first HUB4 in a daisy-chain, can control the respective Slaves. This way either a tech-savvy bandmate or the technician can help talents on stage with their personal monitor sound.\n\n\u003ch3\u003eStageConnect – The Future of XLR\u003c\/h3\u003e\n\nHUB4 also features a designated StageConnect port on the rear panel, anticipating the future of XLR connectivity. What if any standard XLR or DMX cable could be used to transmit more than one channel of audio? What if that cable could transmit signals not only one way, but bi-directionally? What if that cable would allow the passage of control data or even MIDI at the same time? What if a connected StageConnect device could receive up to 18 W of power through that same cable? Well, these capabilities are exactly what StageConnect delivers – a new interface standard to be released by Music Tribe after two years of development. This new standard comes with outstanding technical specs: 32 channels of uncompressed PCM audio in various I\/O configurations, 24-bit at 48 kHz, below 0.5 ms of latency. For optimum performance and long cable runs 110 Ohm DMX-Cable is required.\n\n\u003ch3\u003eEtherCON CAT5E-STP for AES50 Remote Connections\u003c\/h3\u003e\n\nHUB4 uses rugged industry-standard EtherCon connectors to ensure stable operation in live production environments. For best performance, a good quality CAT5E STP cable, such as Klark Teknik NCAT5E-50, allows for remote operation.\n\n\u003ch3\u003eControls \u0026amp; Connectivity\u003c\/h3\u003e\n\nHUB4’s large backlit front panel buttons show when a device is connected to the corresponding AES50 port and indicate whether the upstream signals are being sent to the desired outputs.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269620736255,"sku":"0609-AAK","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_3ef4444a-3ddd-4d24-b8ce-06f77c2a0a67.jpg?v=1790013063"},{"product_id":"dl451","title":"Midas DL451 Audio Mixer","description":"\u003ch3\u003ePRO SERIES DL451\u003c\/h3\u003e\n\nDL451 is a 3U 19\" modular configurable rack mount I\/O unit with provision for 3  DL4  Series interface cards and up to 24 audio inputs and 24 audio outputs. With two AES50 network ports and two Ethernet control ports providing dual redundancy, plus a MIDI Interface (In, Out, Thru), the DL451 is the ideal partner to all  Midas PRO Series  digital consoles, enabling a digital snake connection from Front of House to stage or to provide additional local I\/O at the console mix position.\n\n\u003ch3\u003eModular Expansion Cards\u003c\/h3\u003e\n\nFive DL4 Series card options are available for DL451: DL441  - 8 Analogue Mic\/Line Input Card with  Midas  Microphone Preamplifiers DL442  - 8 Analogue Line Output Card DL443  - Analogue 8 Input, 8 Output Card with ¼ \" TRS Connectors DL444  - Analogue 8 Input, 8 Output Card with  Midas  Microphone Preamplifiers and D-Type Connectors DL452  - AES3 Digital 8 Input, 8 Output Card with Sample Rate ConversionDL451 can accept up to 3 of these cards in any combination. The DLIO-BP blanking plate is also available as an accessory should not all card positions be populated.\n\n\u003ch3\u003eDigital Audio Networking\u003c\/h3\u003e\n\nSuperMAC (AES50-Compliant) digital audio networking technology from  Klark Teknik  simultaneously provides high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring. DL451 is compatible with all  Midas PRO Series  digital consoles and audio system engines, as well as with any other 96 kHz-enabled AES50-equipped devices.\n\n\u003ch3\u003eRemote Console or Front Panel Control\u003c\/h3\u003e\n\nAll configuration settings for DL451 can be set either remotely from the mixing console, or directly via the intuitive and easy to understand front panel. DL451 features a front panel LCD display with intuitive menu navigation for all configuration options with LED status indicators, which provide clear feedback of operational status over wide viewing angles and distances. Clear indication is provided showing power supply output rail condition and AES50 and Ethernet network connection status and activity.\n\n\u003ch3\u003eExternal Control Ports\u003c\/h3\u003e\n\nDL451 features two General Purpose (GPIO) 25-pin D-type connectors for external device control, one for inputs and the other for outputs, which are opto-isolated to ensure galvanic isolation and avoid ground loops. External trigger events received via the input port are relayed to the  PRO Series  control centre, and external devices can in turn be triggered from the output port in response to scene change messages inserted in the console automation show file running in the control centre. An industry-standard MIDI interface (In, Out, Thru) is also provided to send and receive MIDI messages which can also be used in conjunction with the control centre’s automation system.\n\n\u003ch3\u003eBuilt for the Road\u003c\/h3\u003e\n\nFeaturing a rugged steel 3U rackmount enclosure, the DL451 is designed for the rigours of live concert touring. Premium industry-standard connectors are used to ensure reliable network connections, night after night.\n\n\u003ch3\u003eAuto-ranging universal switch-mode power supply\u003c\/h3\u003e\n\nDL451 features a universal power supply, which is auto-voltage sensing for use on a worldwide basis.\n\n\u003ch3\u003eArchitecture \u0026amp; Engineering Specifications\u003c\/h3\u003e\n\nThe interface unit shall be designed for digital audio mixing applications and be optimised for use in live performance. It shall feature a modular construction, allowing for 3 proprietary format interface cards, providing up to 24 audio inputs and 24 audio outputs and shall be capable of operating at 96 kHz sampling rate. The interface unit shall support a 100 Megabit Ethernet frame-based digital audio network that shall off er dual redundancy and be compliant with the Audio Engineering Society AES50-2011 standard. Two digital audio network ports and two Ethernet control ports shall be provided, both operating on a dual redundant basis. The interface unit shall include two General Purpose (GPIO) 25-pin D-type connectors for external device control, one connector for inputs and one connector for outputs, both of which shall be opto-isolated to provide galvanic isolation. An industry-standard MIDI Interface (In, Out, Thru) shall also be provided. The interface unit shall provide both front panel and remote network configuration of operational settings and provide an alphanumeric LCD display with associated menu navigation buttons, and LED status indication of power supply output rail condition and digital audio and control network connection status and activity. The interface unit shall include an auto-ranging universal switch-mode power supply for use on a worldwide basis. The interface unit shall be housed in a standard 3U 19\" rackmount chassis, and shall be 483 mm wide x 418 mm deep x 132 mm high (19.0\" x 16.5\" x 5.2\"), with nominal weight 10.1 kg (22.2 lbs). The interface unit shall be installed in a rack frame or road case capable of safely supporting its weight. Input, output, and power connections shall be made at the rear panel of the interface unit. Installers shall allow adequate space at the rear for connection and disconnection of input, output, and power connections. The power requirements shall be 100 to 240 VAC, 50 to 60 Hz. The interface unit shall be the  Midas  DL451 and no other alternative shall be acceptable.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269620769023,"sku":"0606-AAO","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_b3e90bd2-1c83-4c31-85a7-8d2b67978ba8.jpg?v=1790013062"},{"product_id":"pro-x-upgrade-kit","title":"Midas PRO X Upgrade Kit","description":"\u003ch3\u003ePRO X UPGRADE KIT\u003c\/h3\u003e\n\nThe  Midas PRO Series  family moves up a gear with the  PRO X  control centre and the industry-changing NEUTRON Audio System Engine. Featuring 168 simultaneous input channels and 99 time-aligned and phase-coherent mix buses, the  PRO X  sets a new performance benchmark in high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability. Like all  PRO Series  consoles, the PRO X features managed latency and 40 bit floating point processing precision. The  Midas  PRO X UPGRADE KIT uniquely allows owners of  PRO3,  PRO6  and  PRO9  digital console systems to fully upgrade to a  Midas PRO X  system and includes the NEUTRON high performance audio system engine. This upgrade path allows owners to protect the value of their investment in  Midas PRO Series  and bring their existing consoles up to the state-of-the-art in digital mixing console technology. \u003ch3\u003eNEUTRON High Performance Audio System Engine\u003c\/h3\u003e\n\nThe powerhouse at the centre of the  PRO X  system, the new  NEUTRON  High Performance Audio System Engine is the result of a three year research and development program that pushed the  Midas  engineering team well beyond their already considerable expertise and knowledge.  NEUTRON’s cutting-edge, latest generation DSPs and high-performance FPGA (Field-Programmable Gate Array) technology, coupled with a highly efficient MIMD (Multiple Instruction, Multiple Data) architecture, delivers more than 100 Gigaflops of real-time audio processing.  NEUTRON  represents the state-of-the art in digital audio mixing technology. HyperMAC and AES50 audio networking technologies allow up to 288 inputs and 294 outputs at 96 kHz sampling frequency combined with 40 bit floating point processing precision, which can be dynamically assigned to the  PRO X’s input channels and bus outputs on a dynamic scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, make the  PRO X  and  NEUTRON  equally at home in theatres and symphony halls as it is in live concert touring, outside broadcast and music festivals.\n\n\u003ch3\u003ePRO X Advanced Navigation\u003c\/h3\u003e\n\nPRO X  incorporates new and innovative methods of channel and mix bay navigation: FLIP Navigation, FX Navigation, GEQ Navigation, and MCA Navigation. These four options allow an engineer to easily and efficiently mix a large number of inputs on a compact control surface.  PRO X  also features the ability to display and control any output bus on the input control bay area. This navigation flexibility makes working with the console as simple as requirements dictate, or as deep and complex as a user desires. PRO X’s new centre section, which features 24 LCD switches that provide immediate access to up to 24 stereo pairs of output mix buses, also supports the new navigation modes.When in FLIP navigation mode, and the FLIP button is engaged, selecting an output flips the input faders to become the input channel send levels to the selected output. If the Collapsed Flip (Hide Unassigned Channels) preference is ticked, then the console will only populate with the input channels that are assigned to the selected output, otherwise all channels will be displayed.When the FX navigation button is engaged, selecting an output which is patched to an internal effects processor, this mode will deploy that effects processor on the display screen and map the ASSIGNABLE CONTROLS to the effects processor. If FADER FLIP is also engaged, the input channel faders will become the contributions to the effects processor. If COLLAPSED FLIP (Hide Unassigned Channels) preference is selected, the operator will only be presented with input channels that are sending to that effects processor.When the GEQ navigation button is engaged, selecting an output which has a graphic equaliser (GEQ) assigned, this mode will present the GEQ on the VCA faders. Scrolling the VCA faders left and right will provide access to all 31 GEQ faders. If FADER FLIP is also engaged, the input channel faders will become the contributions to the selected mix. If COLLAPSED FLIP (Hide Unassigned Channels) preference is selected, the operator will only be presented with input channels which are sending to that mix.If the MCA navigation button is engaged, when an output (mix) is selected, the MCA faders for that output will be deployed on the VCA fader bank. When MCA navigation is engaged, the MCA faders control the contributions of their members only to the currently selected bus. This is a unique and powerful mixing tool, which puts  Midas  in a class of its own for innovation and usability.\n\n\u003ch3\u003eAll Items Included\u003c\/h3\u003e\n\nThe upgrade kit includes two replacement DL5104 Advantech motherboard modules, one replacement DL5101 scan processor PCB module and the new DL511 centre section PCB module. All other items necessary to upgrade the  PRO X  Control Centre, down to the required internal cables and switch caps, plus an illuminated  PRO X, are included in the kit. A complete set of fascia panels is also provided that include the features unique to  PRO X  as well as enhancing the cosmetic appearance of the whole control surface.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269620801791,"sku":"0603-AEH86-SP1","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_0d985c28-a6d7-43c7-9498-f61d4e431f27.jpg?v=1790013062"},{"product_id":"cat5e-5m","title":"Midas CAT5E-5M Cable","description":"\u003ch3\u003ePRO SERIES CAT5E-5M\u003c\/h3\u003e\n\nThe CAT5E-5M ruggedised Cat5e cable provides a bidirectional digital audio network data link and features industry-standard RJ45 connector carriers with an integral O-ring gasket to achieve IP54 water protection for high reliability, especially desirable in concert touring and festival applications. When used with  Midas  PRO and M Series and  Klark Teknik  products equipped with HyperMAC and copper snake interfaces, the CAT5E-5M cable can transmit up to 192 bidirectional channels of 24 bit digital audio at 96 kHz sample rate. CAT5E-5M also supports 24 bidirectional channels and 48 bidirectional channels at 96 kHz and 48 kHz sample rates respectively for AES50 connections. CAT5E-5M can also be used for standard Ethernet applications, and is suitable for both 100 Mbit\/s and Gigabit networks. The CAT5E-5M cable uses highly durable upjacketed Belden 1305A unscreened cable with a nominal 7.6 mm diameter. The 1305A cable features 24 AWG bonded-pair stranded (7\/32) copper conductors with polyolefin insulation and both inner and outer PVC protective jackets.\n\n\u003ch3\u003eArchitecture and Engineering Specifications\u003c\/h3\u003e\n\nThe network cable shall be intended for use to provide digital audio multi-channel network data link and snake connections and be capable of bidirectional operation. The network cable shall provide transmission of up to 192 bidirectional channels of 24 bit digital audio at 96 kHz sample rate. The network cable shall also be suitable for standard Ethernet applications and meet the requirements for a Cat5e cable, and shall be suitable for use in both 100 Mbit\/s and Gigabit networks. The network cable shall be 5 metres in length. The network cable shall use Belden 1305A cable. The network cable shall be fitted with industry-standard RJ45 connector carriers. The network cable connector carriers shall be protected to the IP54 standard for water protection by an integral O-ring seal. The network cable shall be the  Midas  CAT5E-5M and no other alternative shall be acceptable.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269620834559,"sku":"0012-AAE","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_7419140a-c813-4745-bac7-d792c2d36f67.jpg?v=1790013062"},{"product_id":"vu16","title":"Midas VU16 Audio Mixer","description":"\u003ch3\u003eVU16 — Venice 16. Twelve Midas Preamps. USB Native. Rack-Optional.\u003c\/h3\u003e\u003cp\u003eThe compact Venice USB console. Sixteen input channels, 12 award-winning Midas microphone preamplifiers, and a 24-bit USB audio interface — packaged as a free-standing surface with an optional 13U rack-mount configuration.\u003c\/p\u003e\u003ch3\u003eTwelve Midas Preamps. Midas EQ.\u003c\/h3\u003e\u003cp\u003eEight mono and four stereo input channels carry 12 award-winning Midas microphone preamplifiers. The industry-acclaimed Midas 4-band swept-channel EQ on every input — the same musical curve found across the Venice family.\u003c\/p\u003e\u003ch3\u003eUSB Native, Rack-Optional\u003c\/h3\u003e\u003cp\u003eA 24-bit USB audio interface streams up to 8 inputs and 8 outputs. Analogue or USB select on stereo channels enables real-time DAW plug-in returns. Six aux sends, four subgroups, 7 x 2 matrix — all USB-routable. The chassis stands free on the desk or installs into a 13U rack.\u003c\/p\u003e\u003ch3\u003eSpecification Highlights\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e16 input channels (8 mono + 4 stereo)\u003c\/li\u003e\n\u003cli\u003e12 Midas microphone preamplifiers\u003c\/li\u003e\n\u003cli\u003eMidas 4-band swept-channel EQ\u003c\/li\u003e\n\u003cli\u003e24-bit USB audio interface, 8 in \/ 8 out\u003c\/li\u003e\n\u003cli\u003eFree-standing or 13U rack-mount\u003c\/li\u003e\n\u003cli\u003e6 aux sends, 4 subgroups, 7 x 2 matrix — USB-routable\u003c\/li\u003e\n\u003cli\u003eAuto-ranging universal switch-mode PSU\u003c\/li\u003e\n\u003cli\u003eDesigned and engineered in the U.K.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eWho It's For\u003c\/h3\u003e\u003cp\u003eThis product is obsolete. Original VU16 units remain in service across small-format live venues, project studios and houses of worship. Reference current Midas digital consoles for active equivalents.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269620867327,"sku":"0601-AFK","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_3b1ab0c5-78d5-495a-b715-ed42013be64d.jpg?v=1790013063"},{"product_id":"cobalt","title":"Midas COBALT Converter","description":"\u003ch3\u003eCOBALT\u003c\/h3\u003e\n\nCOBALT allows you to connect your computer to any HyperMAC audio network for high-channel count recording and playback with zero compromise. The perfect companion to any Midas digital console or HyperMAC-equipped device, COBALT brings studio-grade power and seamless connectivity to your live setup.\n\n\u003ch3\u003eSimplicity at its Best\u003c\/h3\u003e\n\nWith a single locking USB-C connection, COBALT delivers effortless compatibility with Apple Macs – no adapters, no hassle. While the initial release supports macOS only due to ongoing stability work with ASIO drivers, full cross-platform functionality remains a priority. With up to 192 bidirectional channels at 48 or 96 kHz via Dual Redundant HyperMAC In\/Outs, COBALT ensures ultra-reliable performance in even the most demanding live environments. Not to mention, thanks to the onboard LED status indicators, signal integrity is always visible at a glance and easy to monitor – giving engineers the confidence to focus on what matters most: the mix.\n\n\u003ch3\u003eRugged and Reliable\u003c\/h3\u003e\n\nCOBALT doesn’t just travel light—it’s built to go the distance. Its tough blue brushed aluminum chassis isn’t just for looks; it’s made to handle the rigors of touring and live sound. Compact, portable, and road-tested, it delivers clean, pro-grade audio show after show.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269621096703,"sku":"0606-ADY","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_93d0b285-207a-48b7-8a75-41785d646148.jpg?v=1790013063"},{"product_id":"dl452","title":"Midas DL452 Audio Mixer","description":"\u003ch3\u003ePRO SERIES DL452\u003c\/h3\u003e\n\nDL452 is a modular 8 channel digital AES3 (AES\/EBU) input and output card for MIDAS PRO Series control centres and modular I\/O boxes. DL452 features sample rate conversion for both inputs and outputs and can interface to equipment operating at 48 kHz and 96 kHz. Additionally, DL452 features external clock synchronisation for input channels and word length and clock source options (internal 96 kHz, 48 kHz or external sync) for output channels. DL452 features an automatic output mute facility if the audio signal path is muted via the PRO Series control centre.\n\nStatus IndicationEach input and output connector on DL452 has a channel check LED indicator that allows the console operator to remotely indicate a particular channel, an essential aid to communication in high SPL environments, as well as saving valuable time during set-up. Each input connector on DL452 has an external synchronisation LED indicator to indicate when the AES3 receiver for that input has locked to the incoming data stream. Each output channel on DL452 has an LED indicator for the output mute status.\n\nPRO Series CompatibilityDL452's compatible with the MIDAS PRO3, PRO6, PRO9 and PRO X Control Centres, and the DL351 and DL451 Modular I\/O Stage Boxes.\n\nBuilt for the RoadDL452's designed for the rigours of live concert touring. Premium industry-standard XLR connectors are used for reliable audio connections, night after night.\n\nArchitecture \u0026amp; Engineering SpecificationsThe interface card shall be designed for digital audio mixing applications and be optimised for use in live performance. The interface card shall feature 8 line level input channels and 8 line level output channels, with both input and output connections on balanced 1\/4\" TRS connectors. The interface card shall provide analogue to digital and digital to analogue conversion with 24 bit resolution at 96 kHz sampling rate. The interface card shall include an automatic output mute function if the audio signal path is muted via the control centre. The interface card shall have LED indication for output mute for each output channel. The interface card shall be compatible with MIDAS PRO3, PRO6, PRO9 and PRO X Control Centres and DL351 and DL451 Modular I\/O Stage Boxes. The interface card shall be 350 mm wide x 310 mm deep x 29 mm high (13.8\" x 12.2\" x 1.1\"), with nominal weight 0.8 kg (1.8 lbs). The interface card shall be the MIDAS DL443 and no other alternative shall be acceptable.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269621162239,"sku":"0606-AAP","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_9f8403bf-c94c-43ce-8c43-75285e4c351f.jpg?v=1790013063"},{"product_id":"vu24","title":"Midas VU24 Audio Mixer","description":"\u003ch3\u003eVU24 — Venice 24. DIGI-LOG. USB Interface Built In.\u003c\/h3\u003e\u003cp\u003eThe VU24 bridges the analogue Midas signal path and the modern DAW workflow. Twenty-four input channels, 20 award-winning Midas microphone preamplifiers, and a 24-bit USB audio interface — Venice-Series engineering for live engineers who need to track, virtual-soundcheck and mix in the box without leaving the surface.\u003c\/p\u003e\u003ch3\u003eTwenty Midas Preamps. Industry-Acclaimed EQ.\u003c\/h3\u003e\u003cp\u003eSixteen mono and 4 stereo input channels feed 20 award-winning Midas microphone preamplifiers. The industry-acclaimed Midas 4-band swept-channel EQ shapes every input — the same musical curve that built the Midas reputation on the world’s largest tours.\u003c\/p\u003e\u003ch3\u003eUSB Out. Plug-In In. Real-Time.\u003c\/h3\u003e\u003cp\u003eA 24-bit USB audio interface delivers up to 8 inputs and 8 outputs to the DAW. Analogue or USB input selection on stereo channels enables real-time DAW plug-in returns into the live mix. Six aux sends with pre\/post-fade switching, four subgroups and a 7 x 2 matrix all route to USB outputs for full-show stem capture.\u003c\/p\u003e\u003ch3\u003eSpecification Highlights\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e24 input channels (16 mono + 4 stereo)\u003c\/li\u003e\n\u003cli\u003e20 Midas microphone preamplifiers\u003c\/li\u003e\n\u003cli\u003eMidas 4-band swept-channel EQ\u003c\/li\u003e\n\u003cli\u003e24-bit USB audio interface, 8 in \/ 8 out\u003c\/li\u003e\n\u003cli\u003eAnalogue or USB input select on stereo channels\u003c\/li\u003e\n\u003cli\u003e6 aux sends, 4 subgroups, 7 x 2 matrix — USB-routable\u003c\/li\u003e\n\u003cli\u003eAuto-ranging universal switch-mode PSU\u003c\/li\u003e\n\u003cli\u003eDesigned and engineered in the U.K.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eWho It's For\u003c\/h3\u003e\u003cp\u003eThis product is obsolete. Original VU24 units remain in service in theatres, clubs and project studios. Reference current Midas digital consoles for active equivalents.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269621195007,"sku":"0601-AFH","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_0d8cfca1-b11b-4f9a-a2dc-9431c0feccc8.jpg?v=1790013065"},{"product_id":"hub4-pro","title":"Midas HUB4 PRO","description":"\u003ch3\u003eHUB4 PRO\u003c\/h3\u003e\n\nThe HUB4 PRO is the essential multi-tool in any stage rack, providing analogue and digital outputs for various applications and offering reliable performance for seamless integration into diverse audio setups.   The HUB4 PRO allows a more streamlined and customisable monitoring experience, with front panel buttons and 16 balanced analogue outputs for sending 4x2 personal stereo mixes from DP48 to IEM transmitters in the side rack. It also allows collecting audio from 4 of the brand-new Midas DL8 Stage Box, which can be connected and powered from ports 1-4.  Ensuring reliable connections is key for the transmission of multiple channels in any setting, the HUB4 PRO features industry-standard RJ45 AES50 network ports and remote operation via shielded CAT5e cables. With a versatile and adaptive power supply, the HUB4 PRO can be used globally, and it has a rugged 1U chassis making it extremely durable for travel. \n\n\u003ch3\u003ePersonal Monitoring with DP48\u003c\/h3\u003e\n\nHUB4 PRO can supply up to four DP48 personal monitor mixers with PoE (Power over Ethernet) and 48 channels of 24-bit\/48 kHz audio or 2x 24 channels at 96 kHz. HUB4 PRO also collects 48 channels of upstream audio and forwards this audio to the FOH console, either from stage boxes connected to the AES50-B (THRU) Port or 8 return channels from each of Ports 1-4.\n\n\u003ch3\u003eCascading Hubs for Large Setups\u003c\/h3\u003e\n\nTo meet the challenges of large monitoring setups, HUB4 PRO can easily be daisy-chained to make additional DP48 ports available, all the way up to symphonic orchestra applications. On the other hand, HUB4 PRO can also address situations where you want to connect additional I\/O via the same AES50 link to the mixing console. To help build out this AES50 console link, digital stage boxes such as the Midas DL16 or DL32 can be connected to the HUB4’s AES50 (THRU) Port. The console can pass downstream signals to their respective stage outputs, while also receiving 48 channels upstream from the stage inputs via HUB4 PRO.\n\n\u003ch3\u003eAnalog Outputs for IEM Transmitters\u003c\/h3\u003e\n\nHUB4 PRO features 16 balanced line-level outputs that can carry the 8 stereo mixes from the connected DP48 mixers for connections in the side rack. There is no need to run additional lines from personal mixers to the transmitters, reducing setup time and reliability considerably. Alternatively, these analogue outputs can also be used as spare outputs on stage receiving signals directly from the FOH consoles, e.g. for providing talkback or side fill outputs.\n\n\u003ch3\u003eStageConnect Interface\u003c\/h3\u003e\n\nThe innovative StageConnect interface yields additional flexibility for routing signals in, out, and through the HUB4 PRO. With just one standard XLR cable you can expand the total i\/o capacity by 32 channels of lowest latency, impeccable 24-Bit audio. Connect a Midas DN4816-O here, for putting out 16 impedance-balanced line signals directly in the side rack, where the IEM transmitters are mounted.  Or add another DN4816-I for collecting the signals of up to 16 wireless receivers for sending their signals through HUB4 PRO upstream to the mixing console. DN4816-U can be used to bridge USB audio with Ultranet and StageConnect in a compact rugged DI box case. Adding convenient and cost-efficient I\/O flexibility is now on a level of its own with StageConnect. \n\n\u003ch3\u003eSupport from Midas M32 and Heritage D Series Consoles\u003c\/h3\u003e\n\nHUB4 PRO can convey control messages from M32 FOH consoles to DP48 personal mixers, as well as remote control messages between DP48 units. Midas DP48 Personal Monitor Mixers support remote control of other DP48 units and can also receive control information from M32 and Heritage D Series Consoles. This control information includes assignments, names and colors of channels, which are transmitted via AES50 for easy configuration of personal mixers. HUB4 PRO can convey control messages from the FOH console to personal mixers as well as between personal mixers. This control message system works when DP48 units are connected to Ports 1-4 or to the ports on daisy-chained hubs.\n\n\u003ch3\u003eMidas DL8 PoE (Power over Ethernet) Powered Stage Boxes\u003c\/h3\u003e\n\nHUB4 PRO easily interfaces with the new Midas DL8 stage box, which makes bulky analog sub-snakes a thing of the past. The DL8 stage box can be connected to one of HUB4 PRO Ports 1-4 using only a simple CAT5E STP cable. This cable connection from HUB4 PRO can directly power up to 4 stage boxes via PoE support – IEEE802.3at per port – allowing for shorter analogue lines on stage.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269621227775,"sku":"0609-AAO","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_ae3ebb8c-60da-4b2b-ade0-b54fa9d9bbcc.jpg?v=1790013065"},{"product_id":"pro1-ip","title":"Midas PRO1-IP Audio Mixer","description":"\u003ch3\u003ePRO SERIES PRO1-IP\u003c\/h3\u003e\n\nThe ground breaking PRO1 features 48 simultaneous input channels with 24 award-winning  Midas  Microphone Preamplifiers and 27 time-aligned and phase-coherent mix buses in an all-new lightweight aluminium frame. Like all PRO Series consoles, the PRO1 features managed latency and 40 bit floating point processing precision. Designed for use in high-profile live sound applications, the PRO1 sets a new standard of performance and portability in a compact digital console form factor. AES50 audio networking technology allows the PRO1 to dynamically assign up to 172 inputs and 172 outputs at 96 kHz sample rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO1 equally at home in theatres and clubs as it is in live concert touring, outside broadcast and music festivals.\n\n\u003ch3\u003eAward-Winning MIDAS Mic Preamplifier\u003c\/h3\u003e\n\nThe  Midas  microphone preamplifier is considered by leading live sound and recording engineers to be the very essence of the famous  Midas  sound. More than 40 years of design experience paired with the finest choice of premium-grade components lead to the acclaimed warmth and depth - bringing out subtle ambience, maintaining spatial positioning and more effectively capturing a precise sound image. The acclaimed sound of the award-winning  MIDAS  microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic panoramas that have captivated audiences worldwide. Since pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, PRO1 features the latest generation of  Midas  microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design. Over the years many mix engineers have found this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concert goers and recorded for posterity on countless live albums over the years.\n\n\u003ch3\u003eDigital Audio Networking\u003c\/h3\u003e\n\nSuperMAC (AES50-Compliant) digital audio networking technology from  Klark Teknik  simultaneously provides high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring. PRO1 is compatible with all  MIDAS PRO Series  digital I\/O units, as well as with any other 96 kHzenabled AES50-equipped devices. Multiple  MIDAS PRO Series  consoles can be connected together to create either larger mixing systems, or multiple discrete mixing consoles can share a common resource of networked and distributed I\/O interfaces.\n\n\u003ch3\u003eAdvanced Navigation Flexibility\u003c\/h3\u003e\n\nAt the heart of  MIDAS Pro Series console navigation is the VCA and POPulation groups, which mirror the natural work flow used by mix engineers and encourages the development of a mental picture, or “Mind Map”, of the whole system. Only the required control elements and associated feedback are presented, allowing users to adopt structured task-based workflows, rather than being presented with an overwhelming ‘sea of knobs’.\n\n\u003ch3\u003eIntegrated Effects Processors and Graphic Equalisers\u003c\/h3\u003e\n\nThe PRO1 can simultaneously provide up to 6 multi-channel digital signal processing engines for a wide choice of virtual effect devices, which range from dual-mono delay units, stereo modulation and numerous diverse reverberation simulations, multi-band compression, dynamic EQ and multi-channel dual-function dynamics processing. Up to 28 1\/3 octave  Klark Teknik DN370  Graphic Equalisers (GEQs) are provided, which can be patched into any output. PRO1 provides comprehensive automatic latency management of all internal routing and processing delays – and also includes compensation for external analogue inserts. All audio samples are synchronised before summing, resulting in absolute phase coherence at the outputs, without the comb filtering effects of many of its Competitor’s products that often result in specific frequencies being cancelled out completely. All effects processors and GEQs are custom-designed to function within this automatic latency compensation system. This ensures a phase-coherent, sample-accurate mix regardless of whether the devices are used as channel inserts or on auxiliary buses.\n\n\u003ch3\u003eMIDAS PRO Fader\u003c\/h3\u003e\n\nNot satisfied with the existing motorised fader choices in the marketplace,  Midas  created the PRO FADER, rated for up to a million cycles – three times that of other leading manufacturers - and providing high linearity, robustness, and smooth feel during operation. This decision yielded many other benefits, including total quality control over the manufacturing process and lower costs that could be passed on to customers. As a digital console manufacturer,  Midas  has a perspective on the actual application of motor faders that a component manufacturer would not have. The multi-disciplinary development project combined mechanical design, electronic hardware and software optimisation with a rigorous testing programme and an investment in material science to produce the best possible performance in actual operation in  Midas PRO Series consoles. Semi-precious metals are used for the wiper fingers for their hard-wearing properties, and precision resistive tracks were created that off er highly linear positional accuracy, coupled with long-term durability and even response in use.\n\n\u003ch3\u003eHighest Quality Display Screen\u003c\/h3\u003e\n\nThe PRO1 features a 15\" full colour daylight-viewable TFT display for use in all environments, both inside and outdoors. The display provides visual feedback for the entire system, pressing the HOME key (just to the left of the assignable controls) instantly navigates to the console overview page, which keeps all vital information (all metering, all fader positions, mutes and solos) in view at all times.\n\n\u003ch3\u003eDigital Precision, Analogue Response\u003c\/h3\u003e\n\nThe oversampled digital signal processing algorithms, combined with the fully interpolated and touch sensitive user controls, result in the smooth continuous response and immediacy of working on an analogue console. Parameter adjustment becomes fast and easy and the continuous phase shift of a swept frequency control is heard without the quantisation artefacts exhibited by competing digital consoles.\n\n\u003ch3\u003eWireless Remote Control\u003c\/h3\u003e\n\nDelivering unprecedented control and mobility, the MIXTENDER App for iPad * combines control of key functions with the highly responsive system metering, allowing users to take control of PRO1 from an iPad anywhere in a venue. Support for multiple simultaneous iPads allows FOH and monitor engineers to work collaboratively, enhancing productivity and communication, as well as saving valuable time during set-up. The MIXTENDER App for iPad is available as a free download from the Apple App Store.\n\n\u003ch3\u003eAuto-Ranging Universal Switch-Mode Power Supply\u003c\/h3\u003e\n\nThe PRO1 power supply, which is interchangeable with those in PRO2 and PRO2C, is auto-voltage sensing for use on a worldwide basis and is externally removable for easy field service in the unlikely event of a replacement being required.\n\n\u003ch3\u003eArchitecture \u0026amp; Engineering Specifications\u003c\/h3\u003e\n\nThe digital console shall be designed for digital audio mixing applications and be optimised for use in live performance. It shall feature 48 simultaneous input channels with 24 integrated microphone preamplifier inputs and 27 time-aligned and phase-coherent output mix buses and operate at 96 kHz sampling rate. The digital console shall support 100 Mbit\/s Ethernet frame-based digital audio networking, allowing for a total channel count capability of 172 inputs and 172 outputs at 96 kHz sampling rate. The 100 Megabit Ethernet frame-based digital audio network shall offer N+1 cable redundancy and be compliant with the Audio Engineering Society AES50-2011 standard. The digital console shall provide a combination of up to 28 assignable digital audio emulations of industry standard one-third octave proportional-Q response graphic equalisers and 6 multi-channel digital signal processing effects engines. There shall be automatic latency management of all internal routing, external analogue insert and digital signal processing delays. This latency management system shall synchronise audio samples when summing to mix buses to ensure phase alignment of the summed signals. The digital console shall provide a user navigation system including 8 variable control association (VCA) groups and 6 population (POP) groups. The digital console shall have 18 motorised 100 mm faders with a rated life time of up to one million cycles and one daylight-viewable 15\" full colour display screen. It shall include software interpolation of physical control elements and associated display feedback to eliminate digital quantisation artefacts. The digital console shall have the provision for the optional wireless control using an Apple iPad, with a bespoke software application available as a free download from the Apple App Store. The digital console shall include an auto-voltage sensing power supply for use on a worldwide basis, which shall be externally removable. The digital console shall be 685 mm wide x 722 mm deep x 289 mm high (27.0\" x 28.4\" x 11.4\"), with nominal weight 21.5 kg (47.5 lbs). The digital console shall be installed on a flat horizontal surface capable of safely supporting its weight. Input, output, and power connections shall be made at the rear panel of the digital console. Installers shall allow adequate space at the rear for connection and disconnection of input, output, and power connections. The power requirements shall be 100 to 240 VAC, 50 to 60 Hz. The digital console shall be the  Midas  PRO1-IP and no other alternative shall be acceptable.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269621260543,"sku":"0603-AAV","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_09e31a27-b16b-4ae7-a545-37650e9e0d03.jpg?v=1790013063"},{"product_id":"dl461","title":"Midas DL461 Audio Mixer","description":"\u003ch3\u003eHyperMAC Signal Routing for the XL8 System\u003c\/h3\u003e\u003cp\u003eThe DL461 is the optical and copper signal router at the heart of every Midas XL8 live audio system. Engineered for the most demanding touring and broadcast environments, it carries 192 bidirectional channels between the XL8 Control Surface and the rest of the system over copper CAT5\/5e or single-mode optical fibre, with snake runs up to 500 m on fibre or 100 m on copper. Every XL8 ships with two DL461 units configured for dual-redundant X and Y operation, so a single cable fault never interrupts the show.\u003c\/p\u003e\u003ch3\u003eDense AES50 \u0026amp; Ethernet Connectivity\u003c\/h3\u003e\u003cp\u003eTen AES50 and ten Ethernet control ports connect to DL471 Audio System Signal Processors and ten additional AES50 ports handle stage-box traffic. An automatic delay-management system keeps every channel time- and phase-coherent across the network, regardless of cable length or topology.\u003c\/p\u003e\u003ch3\u003eTouring-Grade Construction\u003c\/h3\u003e\u003cp\u003eThe DL461 runs 24-bit audio at 96 kHz, configures from the front-panel LCD or the console, and houses everything in a rugged 3U rackmount chassis. An auto-ranging universal switch-mode power supply means it works the same in Tokyo, Tennessee or Tel Aviv. Designed and engineered in the U.K.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e192 bidirectional channels over copper or single-mode fibre\u003c\/li\u003e\n\u003cli\u003e500 m fibre \/ 100 m CAT5\/5e snake runs\u003c\/li\u003e\n\u003cli\u003e10 AES50 + 10 Ethernet ports for DL471 processors\u003c\/li\u003e\n\u003cli\u003e10 AES50 stage-box ports\u003c\/li\u003e\n\u003cli\u003eDual-redundant X\/Y operation in every XL8 system\u003c\/li\u003e\n\u003cli\u003e24-bit \/ 96 kHz with automatic delay management\u003c\/li\u003e\n\u003cli\u003e3U rackmount, auto-ranging universal PSU\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269621522687,"sku":"0603-AAI","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_8a272a79-d779-4413-8193-8705ba59c3f1.jpg?v=1790013063"},{"product_id":"compressor-limiter-522","title":"Midas COMPRESSOR LIMITER 522 Audio Interface","description":"\u003ch3\u003e500 SERIES COMPRESSOR LIMITER 522\u003c\/h3\u003e\n\nThe COMPRESSOR LIMITER 522 brings state of the industry dynamics control to a compact 500 Series format processor that is good enough to wear the MIDAS name. When used in conjunction with the LEGEND L10, L6, or other standard 500 Series rackmount chassis, the 522 provides the ideal solution for users seeking the legendary MIDAS sound in a modular format that boasts upgraded, premium-quality performance. Additionally, the 522’s dynamic Presence control enables operators to add “air” to vocals without the unwanted noise or pumping effects found in competing products – and reduces the risk of feedback occurrence during live performance.\n\n\u003ch3\u003eImportance of Dynamics\u003c\/h3\u003e\n\nDynamics play a major role in music; they help to convey emotion, whether it’s a sultry blues guitar solo, a vocalist belting out his\/ her message – or the punchy impact of a bass guitar or kick drum. Those dynamics are the essence of a natural sounding performance; it is what makes music interesting. But out of control dynamics can instantly mar an otherwise perfect performance. That is where compression comes to the rescue – softening loud sounds and boosting low signal levels that can often get lost in the mix. The resulting compressed signal creates a much more dense, impactful sound with richness and room for subtle nuances to come through.\n\n\u003ch3\u003eVariable Dynamics \u0026amp; \"Air\"\u003c\/h3\u003e\n\nThe range of mid-high audio frequencies (centered around 5 kHz) can be boosted to increase the sense of presence of vocals and solo instruments. As 522’s Presence control is adjusted above minimum, those mid-high frequencies are increasingly boosted during compression, allowing a sound or instrument to cut through or seem more present in the mix. This variable presence function enables the 522 to effectively operate with two different ratios, one for low frequencies (LF) and the other for mid-high frequencies (reduced ratio). The primary effects are: heavy compression and dynamic control can be applied without sounding unnatural; and the reduced compression in the human ear’s most sensitive range makes the material sound brighter. However, since high frequency (HF) make up gain is not required, unwanted noise, pumping, and howl-round during quiet passages are all greatly reduced.\n\n\u003ch3\u003eManual or Auto Modes\u003c\/h3\u003e\n\nWhen operating in its default mode (Auto switch not engaged) the 522 functions as a peak-sensing compressor, providing tight peak control via instantaneous changes in gain reduction, which produces more obvious compression. This allows the operator to manually adjust the compressor attack and release times so that the compressor operates in peak mode with linear attack curves. When the Auto switch is engaged, the manual attack and release controls are bypassed and the compressor operates in RMS mode, automatically adjusting the attack and release based on the averaged input signal and the threshold\/ratio settings. This produces a smooth, more relaxed compression that is perceived as more musical and natural sounding.\n\n\u003ch3\u003eSoft or Hard Knee\u003c\/h3\u003e\n\nAnother element that affects how natural the output sounds when compressed is how the signal is addressed at and around the knee, or threshold point. By default the 522 is set to Soft knee compression (switch out), which tends to sound more natural as it blurs the distinction between over and under threshold signals, leaving signals below threshold unaffected, while signals just over threshold get compressed at greatly reduced ratios. Only at the point where the signal level rises significantly above the threshold is full-ratio compression applied. This performance is similar to that of many vintage compressors due to non-linearities in gain reduction. When the Hard knee switch is activated, the 522 operates in a more surgical fashion with a more sharply defined transition between under and over threshold, making it ideal for limiting style compression. In this mode a small amount of Soft knee is retained to keep the sound reasonably natural.\n\n\u003ch3\u003eSidechain HPF\u003c\/h3\u003e\n\nCOMPRESSOR LIMITER 522’s Sidechain high pass filter (HPF) switch lets you insert a 200 Hz HPF into the compressor side chain, which keeps LF signals from dominating overall signal compression – and effectively eliminates the unwanted artefacts and pumping effects on higher frequencies.\n\n\u003ch3\u003eHigh Performance Balanced Input Stage\u003c\/h3\u003e\n\nDecades of experience, paired with the premium-grade components that make up every input stage we build, ensures the ultimate in signal integrity that is the very foundation of our design process. That warm and organic MIDAS sound has been heard by millions of concert goers – and recorded for posterity on countless live albums. The input stage of the 522 is second to none with its low noise performance, which boasts an enviable Common Mode Rejection Ratio (CMRR) of -70 dB @ 1 kHz.\n\n\u003ch3\u003eTransistor Driven Transformer Balanced Output\u003c\/h3\u003e\n\nThe output stage of any audio processor is the most critical when it comes to maintaining signal integrity, so the 522 utilises discrete bipolar transistors for both their low distortion and noise characteristics. To finalise the balanced output, a premium quality transformer is employed in order to minimize distortion and maximize clean headroom. 522’s transformer also provides galvanic isolation and generates a more vintage sound, and becomes saturated at lower frequencies to add colour when driven hard.\n\n\u003ch3\u003ePrecision Metering\u003c\/h3\u003e\n\nThe COMPRESSOR LIMITER 522 provides at-a-glance metering with LED stacks that display Gain Reduction and Level independently of each other. The 6 segment Level meter reads from -30 dBu to +20 dBu in 10 dB steps, while the 10 segment Gain Reduction meter reads from -2 dB to -20 dB in 2 dB steps.\n\n\u003ch3\u003eTrue Hardware Bypass \u0026amp; Power Up Mute\u003c\/h3\u003e\n\nFor those occasions when compression is not needed, 522’s IN switch can be disengaged to remove all circuitry from the signal path via true hardware relay bypass. Additionally, true bypass mode engages should the chassis become accidentally powered down.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269621489919,"sku":"0817-ABB","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_37d6f724-20c5-437f-b2aa-8e0cb4c60eda.jpg?v=1790013065"},{"product_id":"vu32","title":"Midas VU32 Audio Mixer","description":"\u003ch3\u003eVU32 — Venice 32. Twenty-Eight Midas Preamps. USB Native.\u003c\/h3\u003e\u003cp\u003eThe largest of the Venice USB-equipped consoles. Thirty-two input channels, 28 award-winning Midas microphone preamplifiers, and a 24-bit USB audio interface. Live engineers got the Midas signal path and DAW integration on a single surface — no patchbay gymnastics, no signal chain compromise.\u003c\/p\u003e\u003ch3\u003eTwenty-Eight Midas Preamps. The Curve That Built Live.\u003c\/h3\u003e\u003cp\u003eTwenty-four mono and 4 stereo input channels carry 28 award-winning Midas microphone preamplifiers — Venice-Series implementations of the same circuit family the brand built its name on. The industry-acclaimed Midas 4-band swept-channel EQ shapes every input.\u003c\/p\u003e\u003ch3\u003eUSB Native, DAW Native\u003c\/h3\u003e\u003cp\u003eA 24-bit USB audio interface streams up to 8 inputs and 8 outputs. Analogue or USB input select on stereo channels enables real-time DAW plug-in inserts into the live mix. Six aux sends, four subgroups and a 7 x 2 matrix all route to the USB outputs for stem capture and virtual soundchecks.\u003c\/p\u003e\u003ch3\u003eSpecification Highlights\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e32 input channels (24 mono + 4 stereo)\u003c\/li\u003e\n\u003cli\u003e28 Midas microphone preamplifiers\u003c\/li\u003e\n\u003cli\u003eMidas 4-band swept-channel EQ\u003c\/li\u003e\n\u003cli\u003e24-bit USB audio interface, 8 in \/ 8 out\u003c\/li\u003e\n\u003cli\u003eAnalogue or USB select on stereo channels\u003c\/li\u003e\n\u003cli\u003e6 aux sends, 4 subgroups, 7 x 2 matrix — USB-routable\u003c\/li\u003e\n\u003cli\u003eAuto-ranging universal switch-mode PSU\u003c\/li\u003e\n\u003cli\u003eDesigned and engineered in the U.K.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eWho It's For\u003c\/h3\u003e\u003cp\u003eThis product is obsolete. Original VU32 units remain in service in mid-format live venues, broadcast booths and project studios. Reference current Midas digital consoles for active equivalents.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269621555455,"sku":"0601-AFI","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_1bfc7adc-a741-4aa1-8215-2a9bca14596d.jpg?v=1790013066"},{"product_id":"l10","title":"Midas L10 Converter","description":"\u003ch3\u003eLEGEND L10\u003c\/h3\u003e\n\nThe LEGEND L10 500 Series Rackmount Chassis lets you mix and match a wide range of audio processing modules to build the ideal signal chain for any application. With space for up to 10 single-width modules, advanced audio routing for simplified cabling, and a robust auto-ranging universal switch-mode power supply, you can take your favourite modules anywhere in the world with complete confidence. Designed to accommodate all 500 series-compatible modules and plug-in cards, the L10 is the perfect companion for your MICROPHONE PREAMPLIFIER 502, COMPRESSOR LIMITER 522, PARAMETRIC EQUALISER 512, and the many other modules currently under development – as well as those from 3rd party vendors.\n\n\u003ch3\u003e10 Modules \u0026amp;ndash; Just 3U\u003c\/h3\u003e\n\nThe L10 chassis provides I\/O connectivity and +48 V phantom power for up to 10 processing modules in a rugged steel cabinet that occupies only three 19\" rackspaces.\n\n\u003ch3\u003eAdvanced Audio Routing\u003c\/h3\u003e\n\nWhether you are in the studio or on the road, signal chain cabling no longer need be an issue. L10's audio output link switches make it easy to rearrange and connect your modules without the need for complex cabling. Just install your modules in the order you wish and pass the signal along the chain free of any extraneous cables. This not only makes your rack much neater, it also helps you maintain the ultimate in signal integrity.\n\n\u003ch3\u003eCompressor Bus Link\u003c\/h3\u003e\n\nIf your compressor modules are designed for it, our Comp Bus Link switches enable you to link them together for stereo or multi-channel dynamics sidechain linking without the need for insert cables.\n\n\u003ch3\u003eRoadworthy Build Quality\u003c\/h3\u003e\n\nL10's rugged all steel chassis is over-engineered to withstand the rigours of constant touring and provide the utmost protection for your valuable processing gear.\n\n\u003ch3\u003eReady for the World\u003c\/h3\u003e\n\nYou need reliable power for spectacular audio; that's why the L10 utilises a state-of-the-industry universal auto-ranging switch-mode power supply that works anywhere in the world. And the L10's ultra low-noise power supply boasts an impressive 3.2 A @ ±16 V for your modules and 300 mA @ +48 V phantom power, so you can use a wide variety of microphones – even your favourite ribbon mic.\n\n\u003ch3\u003ePremium Quality\u003c\/h3\u003e\n\nBecause maintaining a crystal-clear, audiophile-grade signal path is all that matters, the L10 uses only the highest-quality components throughout including the industry-standard XLR main and auxiliary input and output connectors provided per channel.\n\n\u003ch3\u003eAudio Perfection\u003c\/h3\u003e\n\nWhether your mission is the tracking or mastering of recording projects, or getting the perfect instrument or vocal sound in the concert hall, the LEGEND L10 puts your favourite processing gear right at your fingertips.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269621588223,"sku":"0831-AAA","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_7f6d22dd-9e7a-40c5-b709-5d7eabe67d08.jpg?v=1790013066"},{"product_id":"pro1-tp","title":"Midas PRO1-TP Audio Mixer","description":"\u003ch3\u003ePRO SERIES PRO1-TP\u003c\/h3\u003e\n\nThe ground breaking PRO1 features 48 simultaneous input channels with 24 award-winning Midas Microphone Preamplifiers and 27 time-aligned and phase-coherent mix buses in an all-new lightweight aluminium frame. Like all PRO Series consoles, the PRO1 features managed latency and 40 bit floating point processing precision. Designed for use in high-profile live sound applications, the PRO1 sets a new standard of performance and portability in a compact digital console form factor. AES50 audio networking technology allows the PRO1 to dynamically assign up to 172 inputs and 172 outputs at 96 kHz sample rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO1 equally at home in theatres and clubs as it is in live concert touring, outside broadcast and music festivals.\n\n\u003ch3\u003eAward-Winning MIDAS Microphone Preamplifier\u003c\/h3\u003e\n\nThe Midas microphone preamplifier is considered by leading live sound and recording engineers to be the very essence of the famous Midas sound. More than 40 years of design experience paired with the finest choice of premium-grade components lead to the acclaimed warmth and depth - bringing out subtle ambience, maintaining spatial positioning and more effectively capturing a precise sound image. The acclaimed sound of the award-winning Midas microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic panoramas that have captivated audiences worldwide. Since pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, PRO1 features the latest generation of Midas microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design. Over the years many mix engineers have found this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concert goers and recorded for posterity on countless live albums over the years.\n\n\u003ch3\u003eDigital Audio Networking\u003c\/h3\u003e\n\nSuperMAC (AES50-Compliant) digital audio networking technology from Klark Teknik simultaneously provides high channel counts, ultra low and deterministic latencies, sample synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring. PRO1 is compatible with all MIDAS PRO Series digital I\/O units, as well as with any other 96 kHz enabled AES50-equipped devices. Multiple PRO Series consoles can be connected together to create either larger mixing systems, or multiple discrete mixing consoles can share a common resource of networked and distributed I\/O interfaces.\n\n\u003ch3\u003eTouring Grade Road Case\u003c\/h3\u003e\n\nRugged and built to last, the PRO1 Touring Pack includes a PRO1-RC Road Case, constructed from rigid marine grade plywood and durable aluminium extrusions. Composite density foam provides internal support and superior protection in transit, night after night, city after city.\n\n\u003ch3\u003eAdvanced Navigation Flexibility\u003c\/h3\u003e\n\nAt the heart of MIDAS Pro Series console navigation is the VCA and POPulation groups, which mirror the natural work flow used by mix engineers and encourages the development of a mental picture, or “Mind Map”, of the whole system. Only the required control elements and associated feedback are presented, allowing users to adopt structured task-based workflows, rather than being presented with an overwhelming ‘sea of knobs’.\n\n\u003ch3\u003eIntegrated Effects Processors and Graphic Equalisers\u003c\/h3\u003e\n\nThe PRO1 can simultaneously provide up to 6 multi-channel digital signal processing engines for a wide choice of virtual effect devices, which range from dual-mono delay units, stereo modulation and numerous diverse reverberation simulations, multi-band compression, dynamic EQ and multi-channel dual-function dynamics processing. Up to 28 1⁄3 octave Klark Teknik DN370 Graphic Equalisers (GEQs) are provided, which can be patched into any output. PRO1 provides comprehensive automatic latency management of all internal routing and processing delays – and also includes compensation for external analogue inserts. All audio samples are synchronised before summing, resulting in absolute phase coherence at the outputs, without the comb filtering effects of many of its Competitor’s products that often result in specific frequencies being cancelled out completely. All effects processors and GEQs are custom-designed to function within this automatic latency compensation system. This ensures a phase-coherent, sample-accurate mix regardless of whether the devices are used as channel inserts or on auxiliary buses.\n\n\u003ch3\u003eMIDAS PRO Fader\u003c\/h3\u003e\n\nNot satisfied with the existing motorised fader choices in the marketplace, Midas created the PRO FADER, rated for up to a million cycles – three times that of other leading manufacturers - and providing high linearity, robustness, and smooth feel during operation. This decision yielded many other benefits, including total quality control over the manufacturing process and lower costs that could be passed on to customers. As a digital console manufacturer, Midas has a perspective on the actual application of motor faders that a component manufacturer would not have. The multi-disciplinary development project combined mechanical design, electronic hardware and software optimisation with a rigorous testing programme and an investment in material science to produce the best possible performance in actual operation in Midas PRO Series consoles. Semi-precious metals are used for the wiper fingers for their hard-wearing properties, and precision resistive tracks were created that offer highly linear positional accuracy, coupled with long-term durability and even response in use.\n\n\u003ch3\u003eHighest Quality Display Screen\u003c\/h3\u003e\n\nThe PRO1 features a 15\" full colour daylight-viewable TFT display for use in all environments, both inside and outdoors. The display provides visual feedback for the entire system, pressing the HOME key (just to the left of the assignable controls) instantly navigates to the console overview page, which keeps all vital information (all metering, all fader positions, mutes and solos) in view at all times.\n\n\u003ch3\u003eDigital Precision, Analogue Response\u003c\/h3\u003e\n\nThe oversampled digital signal processing algorithms, combined with the fully interpolated and touch sensitive user controls, result in the smooth continuous response and immediacy of working on an analogue console. Parameter adjustment becomes fast and easy and the continuous phase shift of a swept frequency control is heard without the quantisation artefacts exhibited by competing digital consoles.\n\n\u003ch3\u003eWireless Remote Control\u003c\/h3\u003e\n\nDelivering unprecedented control and mobility, the MIXTENDER App for iPad * combines control of key functions with the highly responsive system metering, allowing users to take control of PRO1 from an iPad anywhere in a venue. Support for multiple simultaneous iPads allows FOH and monitor engineers to work collaboratively, enhancing productivity and communication, as well as saving valuable time during set-up. The MIXTENDER App for iPad is available as a free download from the Apple App Store.\n\n\u003ch3\u003eAuto-Ranging Universal Switch-Mode Power Supply\u003c\/h3\u003e\n\nThe PRO1 power supply, which is interchangeable with those in PRO2 and PRO2C, is auto-voltage sensing for use on a worldwide basis and is externally removable for easy field service in the unlikely event of a replacement being required.\n\n\u003ch3\u003eArchitecture \u0026amp; Engineering Specifications\u003c\/h3\u003e\n\nThe digital console shall be designed for digital audio mixing applications and be optimised for use in live performance. It shall feature 48 simultaneous input channels with 24 integrated microphone preamplifier inputs and 27 time-aligned and phase-coherent output mix buses and operate at 96 kHz sampling rate. The digital console shall support 100 Mbit\/s Ethernet frame-based digital audio networking, allowing for a total channel count capability of 172 inputs and 172 outputs at 96 kHz sampling rate. The 100 Megabit Ethernet frame-based digital audio network shall off er N+1 cable redundancy and be compliant with the Audio Engineering Society AES50-2011 standard. The digital console shall provide a combination of up to 28 assignable digital audio emulations of industry standard one-third octave proportional-Q response graphic equalisers and 6 multi-channel digital signal processing effects engines. There shall be automatic latency management of all internal routing, external analogue insert and digital signal processing delays. This latency management system shall synchronise audio samples when summing to mix buses to ensure phase alignment of the summed signals. The digital console shall provide a user navigation system including 8 variable control association (VCA) groups and 6 population (POP) groups. The digital console shall have 18 motorised 100 mm faders with a rated life time of up to one million cycles and one daylight-viewable 15\" full colour display screen. It shall include software interpolation of physical control elements and associated display feedback to eliminate digital quantisation artefacts. The digital console shall have the provision for the optional wireless control using an Apple iPad, with a bespoke software application available as a free download from the Apple App Store. The digital console shall include an auto-voltage sensing power supply for use on a worldwide basis, which shall be externally removable. The digital console shall be 685 mm wide x 722 mm deep x 289 mm high (27.0\" x 28.4\" x 11.4\"), with nominal weight 21.5 kg (47.5 lbs). The digital console shall be installed on a flat horizontal surface capable of safely supporting its weight. Input, output, and power connections shall be made at the rear panel of the digital console. Installers shall allow adequate space at the rear for connection and disconnection of input, output, and power connections. The power requirements shall be 100 to 240 VAC, 50 to 60 Hz. The digital console shall be supplied in a touring package including a road case constructed from marine grade plywood with aluminium extrusions, with internal support provided by protective composite density foam. The road case shall be 830 mm wide x 543 mm deep x 1109 mm high (32.7\" x 21.4\" x 43.7\") including castor wheels and the nominal gross weight of the digital console in the road case shall be 76.0 kg (167.2 lbs). The digital console shall be the  Midas  PRO1-TP and no other alternative shall be acceptable.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269621620991,"sku":"0603-ACA","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_e6b36df4-5768-4bda-ad81-b8611d920acc.jpg?v=1790013064"},{"product_id":"dl471","title":"Midas DL471 Audio Mixer","description":"\u003ch3\u003e4.8 Gigaflops of XL8 Mixing Power\u003c\/h3\u003e\u003cp\u003eThe DL471 is the dedicated audio-system signal processor that gives the Midas XL8 its legendary mix engine. Each unit delivers 4.8 Gigaflops of 40-bit floating-point DSP at 96 kHz, and ten DL471 processors are deployed in every XL8 system for N+1 redundant operation. If any single processor faults mid-show, the others carry the mix without dropping a sample.\u003c\/p\u003e\u003ch3\u003eDual-Redundant Ring Networking\u003c\/h3\u003e\u003cp\u003eThe DL471 sits inside a dual-redundant network ring with contra-rotating communication, providing immunity to cable faults that would silence less serious systems. AES50 and Ethernet control ports tie each processor to the DL461 Audio System Signal Routers, and every parameter is recallable from the console or the front panel.\u003c\/p\u003e\u003ch3\u003eEngineered for the Road\u003c\/h3\u003e\u003cp\u003eIndustry-standard RJ-45 connectors keep wiring familiar to any touring crew. The rugged 1U rackmount chassis and auto-ranging universal switch-mode power supply have been built to survive everything a global tour can throw at them. Designed and engineered in the U.K.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e4.8 Gigaflops, 40-bit floating-point DSP at 96 kHz\u003c\/li\u003e\n\u003cli\u003eDual redundant contra-rotating ring topology\u003c\/li\u003e\n\u003cli\u003eAES50 + Ethernet control ports\u003c\/li\u003e\n\u003cli\u003e10 DL471 units per XL8 for N+1 redundancy\u003c\/li\u003e\n\u003cli\u003eFront-panel or console control of every parameter\u003c\/li\u003e\n\u003cli\u003e1U rackmount, auto-ranging universal PSU\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269623521535,"sku":"0603-AAJ","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_f81603d7-f3fc-4298-a544-7cb33ee8b29a.jpg?v=1790013064"},{"product_id":"xl200","title":"Midas XL200 Live Performance Mixing Console","description":"\u003ch3\u003eXL200 — Live-Performance Analogue with Direct Outputs on Every Channel.\u003c\/h3\u003e\u003cp\u003eThe XL200 brought the XL touring sensibility to a 24-channel large-format analogue console. State-of-the-art Analog Devices mic-amplifier topology for low distortion, high stability and broadcast-grade RF rejection — direct outputs as standard on every input module for multitrack recording without re-patching.\u003c\/p\u003e\u003ch3\u003eTwenty-Four Inputs. Four-Band Parametric. Eight Stereo Auxes.\u003c\/h3\u003e\u003cp\u003eTwenty-four input channels each with a direct output and a 4-band parametric EQ. Eight stereo aux sends, six mono groups, two stereo groups, and a 13 x 8 matrix with eight aux masters. Twenty-nine output meters for complete visibility of the bus structure.\u003c\/p\u003e\u003ch3\u003eAnalog Devices Mic Amplifier — Low Distortion, RF-Quiet.\u003c\/h3\u003e\u003cp\u003eThe XL200 mic amp was specified for low distortion, excellent amplifier stability, RF rejection and broadcast-grade noise performance. The direct-output standard fitment meant every channel could feed a multitrack without insert-cable workarounds.\u003c\/p\u003e\u003ch3\u003eSpecification Highlights\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eLarge-format analogue live console, XL Series\u003c\/li\u003e\n\u003cli\u003e24 input channels with direct outputs (standard)\u003c\/li\u003e\n\u003cli\u003e4-band parametric EQ per channel\u003c\/li\u003e\n\u003cli\u003e8 stereo aux sends, 8 aux masters\u003c\/li\u003e\n\u003cli\u003e6 mono groups, 2 stereo groups\u003c\/li\u003e\n\u003cli\u003e13 x 8 matrix\u003c\/li\u003e\n\u003cli\u003e29 output meters\u003c\/li\u003e\n\u003cli\u003eAnalog Devices mic-amplifier topology\u003c\/li\u003e\n\u003cli\u003eDesigned and engineered in the U.K.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eWho It's For\u003c\/h3\u003e\u003cp\u003eThis product is obsolete. Original XL200 units remain in service in broadcast facilities, theatres and touring inventories. Reference current Midas digital consoles for active equivalents.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269623554303,"sku":"0601-AHG","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_6d7998af-a04b-4e87-ac17-89c280037cbd.jpg?v=1790013066"},{"product_id":"compressor-limiter-522-v2","title":"Midas COMPRESSOR LIMITER 522 V2 Audio Interface","description":"\u003ch3\u003e500 SERIES COMPRESSOR LIMITER 522 V2\u003c\/h3\u003e\n\nThe COMPRESSOR LIMITER 522 brings state of the industry dynamics control to a compact 500 Series format processor that is good enough to wear the Midas name. When used in conjunction with the LEGEND L10, L6, or other standard 500 Series rackmount chassis, the 522 provides the ideal solution for users seeking the legendary Midas sound in a modular format that boasts upgraded, premium-quality performance. Additionally, the 522’s dynamic Presence control enables operators to add “air” to vocals without the unwanted noise or pumping effects found in competing products – and reduces the risk of feedback occurrence during live performance.\n\n\u003ch3\u003eImportance of Dynamics\u003c\/h3\u003e\n\nDynamics play a major role in music; they help to convey emotion, whether it’s a sultry blues guitar solo, a vocalist belting out his\/ her message – or the punchy impact of a bass guitar or kick drum. Those dynamics are the essence of a natural sounding performance; it is what makes music interesting. But out of control dynamics can instantly mar an otherwise perfect performance. That is where compression comes to the rescue – softening loud sounds and boosting low signal levels that can often get lost in the mix. The resulting compressed signal creates a much more dense, impactful sound with richness and room for subtle nuances to come through.\n\n\u003ch3\u003eVariable Dynamics \u0026amp; “Air”\u003c\/h3\u003e\n\nThe range of mid-high audio frequencies (centered around 5 kHz) can be boosted to increase the sense of presence of vocals and solo instruments. As 522’s Presence control is adjusted above minimum, those mid-high frequencies are increasingly boosted during compression, allowing a sound or instrument to cut through or seem more present in the mix. This variable presence function enables the 522 to effectively operate with two different ratios, one for low frequencies (LF) and the other for mid-high frequencies (reduced ratio). The primary effects are: heavy compression and dynamic control can be applied without sounding unnatural; and the reduced compression in the human ear’s most sensitive range makes the material sound brighter. However, since high frequency (HF) make up gain is not required, unwanted noise, pumping, and howl-round during quiet passages are all greatly reduced.\n\n\u003ch3\u003eManual or Auto Modes\u003c\/h3\u003e\n\nWhen operating in its default mode (Auto switch not engaged) the 522 functions as a peak-sensing compressor, providing tight peak control via instantaneous changes in gain reduction, which produces more obvious compression. This allows the operator to manually adjust the compressor attack and release times so that the compressor operates in peak mode with linear attack curves. When the Auto switch is engaged, the manual attack and release controls are bypassed and the compressor operates in RMS mode, automatically adjusting the attack and release based on the averaged input signal and the threshold\/ratio settings. This produces a smooth, more relaxed compression that is perceived as more musical and natural sounding.\n\n\u003ch3\u003eSoft or Hard Knee\u003c\/h3\u003e\n\nAnother element that affects how natural the output sounds when compressed is how the signal is addressed at and around the knee, or threshold point. By default the 522 is set to Soft knee compression (switch out), which tends to sound more natural as it blurs the distinction between over and under threshold signals, leaving signals below threshold unaffected, while signals just over threshold get compressed at greatly reduced ratios. Only at the point where the signal level rises significantly above the threshold is full-ratio compression applied. This performance is similar to that of many vintage compressors due to non-linearities in gain reduction. When the Hard knee switch is activated, the 522 operates in a more surgical fashion with a more sharply defined transition between under and over threshold, making it ideal for limiting style compression. In this mode a small amount of Soft knee is retained to keep the sound reasonably natural.\n\n\u003ch3\u003eSidechain HPF\u003c\/h3\u003e\n\nCOMPRESSOR LIMITER 522’s Sidechain high pass filter (HPF) switch lets you insert a 200 Hz HPF into the compressor side chain, which keeps LF signals from dominating overall signal compression – and effectively eliminates the unwanted artefacts and pumping effects on higher frequencies.\n\n\u003ch3\u003eHigh Performance Balanced Input Stage\u003c\/h3\u003e\n\nDecades of experience, paired with the premium-grade components that make up every input stage we build, ensures the ultimate in signal integrity that is the very foundation of our design process. That warm and organic Midas sound has been heard by millions of concert goers – and recorded for posterity on countless live albums. The input stage of the 522 is second to none with its low noise performance, which boasts an enviable Common Mode Rejection Ratio (CMRR) of -70 dB @ 1 kHz.\n\n\u003ch3\u003ePrecision Metering\u003c\/h3\u003e\n\nThe COMPRESSOR LIMITER 522 provides at-a-glance metering with LED stacks that display Gain Reduction and Level independently of each other. The 6 segment Level meter reads from -30 dBu to +20 dBu in 10 dB steps, while the 10 segment Gain Reduction meter reads from -2 dB to -20 dB in 2 dB steps.\n\n\u003ch3\u003eTrue Hardware Bypass \u0026amp; Power Up Mute\u003c\/h3\u003e\n\nFor those occasions when compression is not needed, 522’s IN switch can be disengaged to remove all circuitry from the signal path via true hardware relay bypass. Additionally, true bypass mode engages should the chassis become accidentally powered down.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269623587071,"sku":"0817-ABJ","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_da233810-9786-4b29-a95c-7632616f68c9.jpg?v=1790013065"},{"product_id":"l1b","title":"Midas L1B","description":"\u003ch3\u003eLEGEND L1B\u003c\/h3\u003e\n\nNothing looks better than a completely loaded LEGEND L10 or L6 500 series chassis, especially when a new client walks into your studio or meets you at the gig. But maybe your application doesn't require a full complement of modules. L1B modular blanking plates are the ideal way to keep your modular chassis looking great and protecting it from dust and potential internal damage.\n\n\u003ch3\u003eSingle Space Coverage\u003c\/h3\u003e\n\nMade from solid anodised aluminium and custom designed for a proper fi t, L1B blanking plates provide coverage for the empty bays in the LEGEND L10 and L6 500 series chassis, as well as most similar products from 3rd party vendors.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269623783679,"sku":"0814-AAA","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_b5bb873f-482e-4ab6-a20a-5966863b2143.jpg?v=1790013067"},{"product_id":"pro2-cc-ip","title":"Midas PRO2-CC-IP Audio Mixer","description":"\u003ch3\u003ePRO SERIES PRO2-CC-IP\u003c\/h3\u003e\n\nThe ground breaking PRO2 features 64 simultaneous input channels with 8 award-winning MIDAS Microphone Preamplifi ers and 27 time-aligned and phase-coherent mix buses. Like all PRO Series consoles, the PRO2 features managed latency and 40 bit floating point processing precision. Designed for use in high-profile live sound applications, the PRO2 sets a new standard of performance and portability in a compact digital console form factor. AES50 audio networking technology allows the PRO2 to dynamically assign up to 156 inputs and 164 outputs at 96 kHz sample rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO2 equally at home in theatres and clubs as it is in live concert touring, outside broadcast and music festivals.\n\n\u003ch3\u003eAward-Winning MIDAS Microphone Preamplifier\u003c\/h3\u003e\n\nThe MIDAS microphone preamplifier is considered by leading live sound and recording engineers to be the very essence of the famous MIDAS sound. More than 40 years of design experience paired with the finest choice of premium-grade components lead to the acclaimed warmth and depth - bringing out subtle ambience, maintaining spatial positioning and more effectively capturing a precise sound image. The acclaimed sound of the award-winning MIDAS microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic panoramas that have captivated audiences worldwide. Since pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, PRO2 features the latest generation of MIDAS microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design. Over the years many mix engineers have found this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concert goers and recorded for posterity on countless live albums over the years.\n\n\u003ch3\u003eDigital Audio Networking\u003c\/h3\u003e\n\nSuperMAC (AES50-Compliant) digital audio networking technology from KLARK TEKNIK simultaneously provides high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring. PRO2 is compatible with all MIDAS PRO Series digital I\/O units, as well as with any other 96 kHz-enabled AES50-equipped devices. Multiple PRO Series consoles can be connected together to create either larger mixing systems, or multiple discrete mixing consoles can share a common resource of networked and distributed I\/O interfaces.\n\n\u003ch3\u003eAdvanced Navigation Flexibility\u003c\/h3\u003e\n\nPRO2 incorporates new and innovative methods of channel and mix bay navigation: FLIP Navigation, FX Navigation, GEQ Navigation, and MCA Navigation. These four options allow an engineer to easily and efficiently mix a large number of inputs on a compact control surface. PRO2 also features the ability to display and control any output bus on the input control bay area. This navigation flexibility makes working with the console as simple as requirements dictate, or as deep and complex as a user desires. PRO2’s new output section, which features 24 direct bus selection switches that provide immediate access to up to 24 stereo pairs of output mix buses, also supports the new navigation modes.  When in FLIP navigation mode, and the FLIP button is engaged, selecting an output flips the input faders to become the input channel send levels to the selected output. If the Collapsed Flip (Hide Unassigned Channels) preference is ticked, then the console will only populate with the input channels that are assigned to the selected output, otherwise all channels will be displayed.  When the FX navigation button is engaged, selecting an output which is patched to an internal effects processor, this mode will deploy that effects processor on the display screen and map the ASSIGNABLE CONTROLS to the effects processor. If FADER FLIP is also engaged, the input channel faders will become the contributions to the effects processor. If COLLAPSED FLIP (Hide Unassigned Channels) preference is selected, the operator will only be presented with input channels that are sending to that effects processor.  When the GEQ navigation button is engaged, selecting an output which has a graphic equaliser (GEQ) assigned, this mode will present the GEQ on the VCA faders. Scrolling the VCA faders left and right will provide access to all 31 GEQ faders. If FADER FLIP is also engaged, the input channel faders will become the contributions to the selected mix. If COLLAPSED FLIP (Hide Unassigned Channels) preference is selected, the operator will only be presented with input channels which are sending to that mix.  If the MCA navigation button is engaged, when an output (mix) is selected, the MCA faders for that output will be deployed on the VCA fader bank. When MCA navigation is engaged, the MCA faders control the contributions of their members only to the currently selected bus. This is a unique and powerful mixing tool, which puts MIDAS in a class of its own for innovation and usability.\n\n\u003ch3\u003eIntegrated Effects Processors and Graphic Equalisers\u003c\/h3\u003e\n\nThe PRO2 can simultaneously provide up to 6 multi-channel digital signal processing engines for a wide choice of virtual eff ect devices, which range from dual-mono delay units, stereo modulation and numerous diverse reverberation simulations, multi-band compression, dynamic EQ and multi-channel dual-function dynamics processing. Up to 28 1⁄3 octave KLARK TEKNIK DN370 Graphic Equalisers (GEQs) are provided, which can be patched into any output. PRO2 provides comprehensive automatic latency management of all internal routing and processing latency – and also includes compensation for external analogue inserts. All audio samples are synchronised before summing, resulting in absolute phase coherence at the outputs, without the comb filtering effects of many of its Competitor's products that often result in specifi c frequencies being cancelled out completely. All effects processors and GEQs are custom-designed to function within this automatic latency compensation system. This ensures a phase-coherent, sample-accurate mix regardless of whether the devices are used as channel inserts or on auxiliary buses.\n\n\u003ch3\u003eMIDAS PRO Fader\u003c\/h3\u003e\n\nNot satisfied with the existing motorised fader choices in the marketplace, MIDAS created the PRO FADER, rated for up to a million cycles – three times that of other leading manufacturers - and providing high linearity, robustness, and smooth feel during operation. This decision yielded many other benefits, including total quality control over the manufacturing process and lower costs that could be passed on to customers. As a digital console manufacturer, MIDAS has a perspective on the actual application of motor faders that a component manufacturer would not have. The multi-disciplinary development project combined mechanical design, electronic hardware and software optimisation with a rigorous testing programme and an investment in material science to produce the best possible performance in actual operation in MIDAS PRO Series consoles. Semi-precious metals are used for the wiper fingers for their hard-wearing properties, and precision resistive tracks were created that off er highly linear positional accuracy, coupled with long-term durability and even response in use.\n\n\u003ch3\u003eHighest Quality Display Screen\u003c\/h3\u003e\n\nThe PRO2 features a 15\" full colour daylight-viewable TFT display for use in all environments, both inside and outdoors. The display provides visual feedback for the entire system, pressing the HOME key (just to the left of the assignable controls) instantly navigates to the console overview page, which keeps all vital information (all metering, all fader positions, mutes and solos) in view at all times.\n\n\u003ch3\u003eDigital Precision, Analogue Response\u003c\/h3\u003e\n\nThe oversampled digital signal processing algorithms, combined with the fully interpolated and touch sensitive user controls, result in the smooth continuous response and immediacy of working on an analogue console. Parameter adjustment becomes fast and easy and the continuous phase shift of a swept frequency control is heard without the quantisation artefacts exhibited by competing digital consoles.\n\n\u003ch3\u003eWireless Remote Control\u003c\/h3\u003e\n\nDelivering unprecedented control and mobility, the MIXTENDER App for iPad * combines control of key functions with the highly responsive system metering, allowing users to take control of PRO2 from an iPad anywhere in a venue. Support for multiple simultaneous iPads allows FOH and monitor engineers to work collaboratively, enhancing productivity and communication, as well as saving valuable time during set-up. The MIXTENDER App for iPad is available as a free download from the Apple App Store.\n\n\u003ch3\u003eAuto-Ranging Universal Switch-Mode Power Supplies\u003c\/h3\u003e\n\nPRO2 features dual-redundant power supplies, which are interchangeable with those in PRO1 and PRO2C, and are auto-voltage sensing for use on a worldwide basis and provide seamless switchover in the unlikely event of a loss of one power supply.","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269623816447,"sku":"0603-ABS","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_3fefeaae-6434-4054-813b-fc85bbaad1ed.jpg?v=1790013065"},{"product_id":"xl250","title":"Midas XL250 Live Performance Mixing Console","description":"\u003ch3\u003eXL250 — Live-Performance Analogue. 48 Mics. 16 Configurable Groups.\u003c\/h3\u003e\u003cp\u003eThe XL250 is a 23-bus large-format analogue live console from the XL touring family — 48 microphone channels, 16 stereo\/mono configurable groups, and the input\/output count expected of a flagship live mixer. Built for the engineers who put the XL name on the rider.\u003c\/p\u003e\u003ch3\u003eForty-Eight Mic Inputs. Seventy-Three XLR Inputs Total.\u003c\/h3\u003e\u003cp\u003eForty-eight channel mic inputs, 20 group direct inputs, 3 solo bus inject inputs, talk mic and talk bus inputs — 73 XLR inputs total. Fifty-eight XLR outputs include 32 channel direct outputs, 16 configurable group outputs, stereo masters, solo and local outputs.\u003c\/p\u003e\u003ch3\u003eTwenty-Three Buses. Eight Automutes.\u003c\/h3\u003e\u003cp\u003eTwo mono auxes, 16 stereo\/mono configurable groups, 1 stereo master, 1 stereo AFL and 1 mono PFL. Eight automute masters assignable to any input or group, acting pre- and post-fader. Sixty-two peak program meters: 20-segment on outputs, 11-segment on inputs.\u003c\/p\u003e\u003ch3\u003eSpecification Highlights\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eLarge-format analogue live console, XL Series\u003c\/li\u003e\n\u003cli\u003e48 mic input channels\u003c\/li\u003e\n\u003cli\u003e23 buses total: 2 mono aux, 16 configurable stereo\/mono groups, stereo master, stereo AFL, mono PFL\u003c\/li\u003e\n\u003cli\u003e73 XLR inputs, 58 XLR outputs\u003c\/li\u003e\n\u003cli\u003e8 automute masters\u003c\/li\u003e\n\u003cli\u003e62 peak program meters\u003c\/li\u003e\n\u003cli\u003eDimensions: 1736 x 1020 x 260 mm\u003c\/li\u003e\n\u003cli\u003eDesigned and engineered in the U.K.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eWho It's For\u003c\/h3\u003e\u003cp\u003eThis product is obsolete. Original XL250 units remain in touring inventories and major rental fleets — still in service with engineers who built the modern live-sound canon on them. Reference current Midas digital flagships for the modern successor lineage.\u003c\/p\u003e","brand":"Midas","offers":[{"title":"Default Title","offer_id":49269623849215,"sku":"0601-AHF","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_44bd7ee4-e885-499f-b1d2-604a3a70f0ac.jpg?v=1790013068"}],"url":"https:\/\/oneprogear.com\/collections\/midas.oembed","provider":"OneProGear","version":"1.0","type":"link"}