{"title":"Mixers and consoles","description":null,"products":[{"product_id":"melo-p1","title":"Hollyland MELO P1 Audio Mixer","description":"\u003carticle class=\"4ever-article\" data-clipboard-cangjie='[\"root\",{},[\"p\",{\"ind\":{},\"spacing\":{},\"uuid\":\"mrbr66j0rxp0ztzji3\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"highlight\":\"rgb(250, 250, 250)\",\"color\":\"rgb(67, 67, 67)\",\"spacing\":0.22499999999999998,\"bold\":true,\"sz\":11,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"Feature\"]]],[\"p\",{\"list\":{\"listId\":\"3ksv8jm5v4j\",\"isOrdered\":false,\"level\":0,\"listStyle\":{\"format\":\"bullet\",\"text\":\"●\",\"align\":\"left\"}},\"uuid\":\"mrbr66j00yy6nmsmrtdg\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"sz\":10.5,\"szUnit\":\"pt\",\"color\":\"rgb(67, 67, 67)\",\"data-type\":\"leaf\"},\"All-in-One Wireless Studio\"]]],[\"p\",{\"list\":{\"listId\":\"3ksv8jm5v4j\",\"isOrdered\":false,\"level\":0,\"listStyle\":{\"format\":\"bullet\",\"text\":\"●\",\"align\":\"left\"},\"extraData\":{},\"isChecked\":false,\"hideSymbol\":false},\"uuid\":\"mrbr79l9m4nlz35u39\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"sz\":10.5,\"szUnit\":\"pt\",\"color\":\"rgb(67, 67, 67)\",\"data-type\":\"leaf\"},\"Fully Wireless Connectivity\"]]],[\"p\",{\"list\":{\"listId\":\"3ksv8jm5v4j\",\"isOrdered\":false,\"level\":0,\"listStyle\":{\"format\":\"bullet\",\"text\":\"●\",\"align\":\"left\"},\"extraData\":{},\"isChecked\":false,\"hideSymbol\":false},\"uuid\":\"mrbr7cipa8jed6e7fr\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"sz\":10.5,\"szUnit\":\"pt\",\"color\":\"rgb(67, 67, 67)\",\"data-type\":\"leaf\"},\"Ultra-Light \u0026amp; Portable Design\"]]],[\"p\",{\"list\":{\"listId\":\"3ksv8jm5v4j\",\"isOrdered\":false,\"level\":0,\"listStyle\":{\"format\":\"bullet\",\"text\":\"●\",\"align\":\"left\"},\"extraData\":{},\"isChecked\":false,\"hideSymbol\":false},\"uuid\":\"mrbr7fund1tetjq6aqr\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"sz\":10.5,\"szUnit\":\"pt\",\"color\":\"rgb(67, 67, 67)\",\"data-type\":\"leaf\"},\"Studio-Grade Sound Quality\"]]],[\"p\",{\"list\":{\"listId\":\"3ksv8jm5v4j\",\"isOrdered\":false,\"level\":0,\"listStyle\":{\"format\":\"bullet\",\"text\":\"●\",\"align\":\"left\"},\"extraData\":{},\"isChecked\":false,\"hideSymbol\":false},\"uuid\":\"mrbr7i4ors3aq6mdsi\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"sz\":10.5,\"szUnit\":\"pt\",\"color\":\"rgb(67, 67, 67)\",\"data-type\":\"leaf\"},\"Pro Sound Mixing · App Control\"]]],[\"p\",{\"list\":{\"listId\":\"3ksv8jm5v4j\",\"isOrdered\":false,\"level\":0,\"listStyle\":{\"format\":\"bullet\",\"text\":\"●\",\"align\":\"left\"},\"extraData\":{},\"isChecked\":false,\"hideSymbol\":false},\"uuid\":\"mrbr7k2tl3rpr79ige\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"sz\":10.5,\"szUnit\":\"pt\",\"color\":\"rgb(67, 67, 67)\",\"data-type\":\"leaf\"},\"AI Noise Cancellation\"]]],[\"p\",{\"list\":{\"listId\":\"3ksv8jm5v4j\",\"isOrdered\":false,\"level\":0,\"listStyle\":{\"format\":\"bullet\",\"text\":\"●\",\"align\":\"left\"},\"extraData\":{},\"isChecked\":false,\"hideSymbol\":false},\"uuid\":\"mrbr7m94c2tspgh42x\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"sz\":10.5,\"szUnit\":\"pt\",\"color\":\"rgb(67, 67, 67)\",\"data-type\":\"leaf\"},\"Long-Lasting Battery Life\"]]],[\"p\",{\"list\":{\"listId\":\"3ksv8jm5v4j\",\"isOrdered\":false,\"level\":0,\"listStyle\":{\"format\":\"bullet\",\"text\":\"●\",\"align\":\"left\"},\"extraData\":{},\"isChecked\":false,\"hideSymbol\":false},\"uuid\":\"mrbr7okd5h590lhom1s\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"sz\":10.5,\"szUnit\":\"pt\",\"color\":\"rgb(67, 67, 67)\",\"data-type\":\"leaf\"},\"Durable \u0026amp; Premium Design\"]]]]' data-identifier-application__slash__x-cangjie-fragment=\"%7B%22klass%22%3A%22document%22%2C%22data%22%3A%7B%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22ind%22%3A%7B%7D%2C%22spacing%22%3A%7B%7D%2C%22uuid%22%3A%22mrbr66j0rxp0ztzji3%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22Feature%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22highlight%22%2C%22data%22%3A%7B%22value%22%3A%22rgb(250%2C%20250%2C%20250)%22%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22color%22%2C%22data%22%3A%7B%22value%22%3A%22rgb(67%2C%2067%2C%2067)%22%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22spacing%22%2C%22data%22%3A%7B%22value%22%3A0.22499999999999998%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A11%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22list%22%3A%7B%22listId%22%3A%223ksv8jm5v4j%22%2C%22isOrdered%22%3Afalse%2C%22level%22%3A0%2C%22listStyle%22%3A%7B%22format%22%3A%22bullet%22%2C%22text%22%3A%22%E2%97%8F%22%2C%22align%22%3A%22left%22%7D%7D%2C%22uuid%22%3A%22mrbr66j00yy6nmsmrtdg%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22All-in-One%20Wireless%20Studio%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10.5%2C%22szUnit%22%3A%22pt%22%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22color%22%2C%22data%22%3A%7B%22value%22%3A%22rgb(67%2C%2067%2C%2067)%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22list%22%3A%7B%22listId%22%3A%223ksv8jm5v4j%22%2C%22isOrdered%22%3Afalse%2C%22level%22%3A0%2C%22listStyle%22%3A%7B%22format%22%3A%22bullet%22%2C%22text%22%3A%22%E2%97%8F%22%2C%22align%22%3A%22left%22%7D%2C%22extraData%22%3A%7B%7D%2C%22isChecked%22%3Afalse%2C%22hideSymbol%22%3Afalse%7D%2C%22uuid%22%3A%22mrbr79l9m4nlz35u39%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22Fully%20Wireless%20Connectivity%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10.5%2C%22szUnit%22%3A%22pt%22%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22color%22%2C%22data%22%3A%7B%22value%22%3A%22rgb(67%2C%2067%2C%2067)%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22list%22%3A%7B%22listId%22%3A%223ksv8jm5v4j%22%2C%22isOrdered%22%3Afalse%2C%22level%22%3A0%2C%22listStyle%22%3A%7B%22format%22%3A%22bullet%22%2C%22text%22%3A%22%E2%97%8F%22%2C%22align%22%3A%22left%22%7D%2C%22extraData%22%3A%7B%7D%2C%22isChecked%22%3Afalse%2C%22hideSymbol%22%3Afalse%7D%2C%22uuid%22%3A%22mrbr7cipa8jed6e7fr%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22Ultra-Light%20%26%20Portable%20Design%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10.5%2C%22szUnit%22%3A%22pt%22%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22color%22%2C%22data%22%3A%7B%22value%22%3A%22rgb(67%2C%2067%2C%2067)%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22list%22%3A%7B%22listId%22%3A%223ksv8jm5v4j%22%2C%22isOrdered%22%3Afalse%2C%22level%22%3A0%2C%22listStyle%22%3A%7B%22format%22%3A%22bullet%22%2C%22text%22%3A%22%E2%97%8F%22%2C%22align%22%3A%22left%22%7D%2C%22extraData%22%3A%7B%7D%2C%22isChecked%22%3Afalse%2C%22hideSymbol%22%3Afalse%7D%2C%22uuid%22%3A%22mrbr7fund1tetjq6aqr%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22Studio-Grade%20Sound%20Quality%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10.5%2C%22szUnit%22%3A%22pt%22%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22color%22%2C%22data%22%3A%7B%22value%22%3A%22rgb(67%2C%2067%2C%2067)%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22list%22%3A%7B%22listId%22%3A%223ksv8jm5v4j%22%2C%22isOrdered%22%3Afalse%2C%22level%22%3A0%2C%22listStyle%22%3A%7B%22format%22%3A%22bullet%22%2C%22text%22%3A%22%E2%97%8F%22%2C%22align%22%3A%22left%22%7D%2C%22extraData%22%3A%7B%7D%2C%22isChecked%22%3Afalse%2C%22hideSymbol%22%3Afalse%7D%2C%22uuid%22%3A%22mrbr7i4ors3aq6mdsi%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22Pro%20Sound%20Mixing%20%C2%B7%20App%20Control%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10.5%2C%22szUnit%22%3A%22pt%22%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22color%22%2C%22data%22%3A%7B%22value%22%3A%22rgb(67%2C%2067%2C%2067)%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22list%22%3A%7B%22listId%22%3A%223ksv8jm5v4j%22%2C%22isOrdered%22%3Afalse%2C%22level%22%3A0%2C%22listStyle%22%3A%7B%22format%22%3A%22bullet%22%2C%22text%22%3A%22%E2%97%8F%22%2C%22align%22%3A%22left%22%7D%2C%22extraData%22%3A%7B%7D%2C%22isChecked%22%3Afalse%2C%22hideSymbol%22%3Afalse%7D%2C%22uuid%22%3A%22mrbr7k2tl3rpr79ige%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22AI%20Noise%20Cancellation%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10.5%2C%22szUnit%22%3A%22pt%22%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22color%22%2C%22data%22%3A%7B%22value%22%3A%22rgb(67%2C%2067%2C%2067)%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22list%22%3A%7B%22listId%22%3A%223ksv8jm5v4j%22%2C%22isOrdered%22%3Afalse%2C%22level%22%3A0%2C%22listStyle%22%3A%7B%22format%22%3A%22bullet%22%2C%22text%22%3A%22%E2%97%8F%22%2C%22align%22%3A%22left%22%7D%2C%22extraData%22%3A%7B%7D%2C%22isChecked%22%3Afalse%2C%22hideSymbol%22%3Afalse%7D%2C%22uuid%22%3A%22mrbr7m94c2tspgh42x%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22Long-Lasting%20Battery%20Life%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10.5%2C%22szUnit%22%3A%22pt%22%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22color%22%2C%22data%22%3A%7B%22value%22%3A%22rgb(67%2C%2067%2C%2067)%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22list%22%3A%7B%22listId%22%3A%223ksv8jm5v4j%22%2C%22isOrdered%22%3Afalse%2C%22level%22%3A0%2C%22listStyle%22%3A%7B%22format%22%3A%22bullet%22%2C%22text%22%3A%22%E2%97%8F%22%2C%22align%22%3A%22left%22%7D%2C%22extraData%22%3A%7B%7D%2C%22isChecked%22%3Afalse%2C%22hideSymbol%22%3Afalse%7D%2C%22uuid%22%3A%22mrbr7okd5h590lhom1s%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22Durable%20%26%20Premium%20Design%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10.5%2C%22szUnit%22%3A%22pt%22%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22color%22%2C%22data%22%3A%7B%22value%22%3A%22rgb(67%2C%2067%2C%2067)%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%5D%7D\" data-identifier-application__slash__x-doc-key=\"eLbnj1bek1eb9laN\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-type=\"text\"\u003eFeature\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cdiv\u003e\u003cspan data-type=\"text\"\u003eAll-in-One Wireless Studio\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv\u003e\u003cspan data-type=\"text\"\u003eFully Wireless Connectivity\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv\u003e\u003cspan data-type=\"text\"\u003eUltra-Light \u0026amp; Portable Design\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv\u003e\u003cspan data-type=\"text\"\u003eStudio-Grade Sound Quality\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv\u003e\u003cspan data-type=\"text\"\u003ePro Sound Mixing · App Control\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv\u003e\u003cspan data-type=\"text\"\u003eAI Noise Cancellation\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv\u003e\u003cspan data-type=\"text\"\u003eLong-Lasting Battery Life\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cdiv\u003e\u003cspan data-type=\"text\"\u003eDurable \u0026amp; Premium Design\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003carticle class=\"4ever-article\" data-clipboard-cangjie='[\"root\",{},[\"p\",{\"uuid\":\"mrbr8aoc3la4ih8vt99\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"highlight\":\"rgb(250, 250, 250)\",\"spacing\":0.22499999999999998,\"color\":\"rgb(67, 67, 67)\",\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"Product Description\"]]],[\"p\",{\"uuid\":\"mrbr9b37ve7k0nsb19o\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"MELO P1 is a groundbreaking, \"],[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"All-in-One wireless studio\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\" that condenses a traditionally complex multi-device setup into a \"],[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"single, ultra-lightweight system\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\". It preserves every sonic nuance, delivering uncompromising high-fidelity right out of the box. With the HollyAudio App, professional tuning becomes effortless—giving you access to over 100 expert presets tailored to your unique voice.\"],[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\" So you can just bring your musical spark, and MELO P1 will take care of the rest.\"]]],[\"p\",{\"uuid\":\"mrbrwojo347d4dwnkek\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"\"]]],[\"p\",{\"uuid\":\"mrbr9r9txuli3zzb4nd\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"[All in one. One for all.]-\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"MELO P1 is a \"],[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"fully integrated, wireless record-and-mix studio\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\" built to capture inspiration the moment it strikes. \"]]],[\"p\",{\"uuid\":\"mrbr9r9u45bvykqf6uy\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"[No messy cables, no complex routing]-\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"Just studio-grade capture, real-time DSP mixing, and monitoring in a backpack-friendly setup, \"],[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"built for creating on the go.\"]]],[\"p\",{\"uuid\":\"mrbr9yraeg0944x4zeq\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"[Your studio, to go.]  - Ultra-light\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\", \"],[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"fully wireless\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"[1], and \"],[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"instant-connect\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"—the MELO P1 lets you capture your next big idea anywhere within 60 meters, instantly.\"]]],[\"p\",{\"uuid\":\"mrbr9yrazsogm18cs6n\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"sz\":9,\"szUnit\":\"pt\",\"color\":\"#FCC102\",\"data-type\":\"leaf\"},\"[1] Microphones and earphones connect to the smart audio mixer over 2.4 GHz wireless with a 60m range in general environments and 8m in complex environments; phones used for backing-track playback and the remote control connect to the mixer over Bluetooth up to 10m.\"]]],[\"p\",{\"uuid\":\"mrbryct1h2peh01gsuk\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"sz\":9,\"szUnit\":\"pt\",\"color\":\"#FCC102\",\"data-type\":\"leaf\"},\"\"]]],[\"p\",{\"uuid\":\"mrbrgq3i7c9pn9ru52d\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"[Your Voice\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\" \"],[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"At Its Best]\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"-Every device is meticulously crafted to deliver studio-grade sound without compromising on portability, bringing the ears and expertise of a master audio engineer right into\"],[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\" your grab-and-go setup\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\".\"]]],[\"p\",{\"uuid\":\"mrbra84ib1xp4v4fw7o\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"color\":\"#FE0300\",\"data-type\":\"leaf\"},\"Microphone\"],[\"span\",{\"color\":\"#FE0300\",\"data-type\":\"leaf\"},\":\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"A 1-inch large-diaphragm condenser mic with a shock-absorbing chamber and AI noise cancellation for ultra-clear, natural vocals.\"]]],[\"p\",{\"uuid\":\"mrbra84jr2rl09u49a\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"color\":\"#FE0300\",\"data-type\":\"leaf\"},\"Smart Audio Mixer\"],[\"span\",{\"color\":\"#FE0300\",\"data-type\":\"leaf\"},\":\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"Weighing just 55g, this Dual-DSP mixer enables 4-source [2] real-time mixing and 32-bit digital processing for polished, studio-grade sound.\"]]],[\"p\",{\"uuid\":\"mrbra84jufj58b1l6hr\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"color\":\"#FE0300\",\"data-type\":\"leaf\"},\"Earphone\"],[\"span\",{\"data-type\":\"leaf\"},\":\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"Custom-tuned 10mm drivers deliver balanced monitoring via 2.4GHz wireless and Bluetooth in an ultra-lightweight, comfortable fit.\"]]],[\"p\",{\"uuid\":\"mrbra84kxi0skw4mvw\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"sz\":9,\"szUnit\":\"pt\",\"color\":\"#FCC102\",\"data-type\":\"leaf\"},\"[2] Four input sources consist of two wireless microphones, one 3.5 mm instrument input, and one Bluetooth backing-track input.\"]]],[\"p\",{\"uuid\":\"mrbrakyc6ft94bvnqrp\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"\"]]],[\"p\",{\"uuid\":\"mrbralbrzo9y846kcd\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"[MELO. Mix. Made Easy.]-\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"Nail your perfect mix in HollyAudio.\"]]],[\"p\",{\"uuid\":\"mrbralbswfpppr3zqje\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"[100+ presets tailored for your voice. ]\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"-Explore expertly tuned presets in HollyAudio to shift your mix on the fly when singing or chatting. To further cut the prep work, \"],[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"Record for Preview\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\" is built to save your time on soundchecks once and for all. This is all designed to free your creativity from technical limits. \"]]],[\"p\",{\"uuid\":\"mrbralbtet20by0hchv\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"[Fine-tune your mix.]-\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"Whenever you want to dive deeper, a pro-grade chain of 9 studio effects gives you the ultimate precision to sculpt every detail.\"]]],[\"p\",{\"uuid\":\"mrbralbtsec47xj0a0g\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"[10 Effects]-\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\" EQ, full-band compression, multiband compression, sidechain compression, de-essing, reverb (delay, hall), harmonic saturation, and M\/S EQ. \"]]],[\"p\",{\"uuid\":\"mrbrb1jps61l5nnxe69\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"[From your desk to the world.]\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"-MELO P1 excels everywhere you create—bringing professional-grade performance to streaming, recording, and live shows.\"]]],[\"p\",{\"uuid\":\"mrbrb8din6a88hzr1q\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"[Keep the power going.]\"],[\"span\",{\"data-type\":\"leaf\"},\"-\"],[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"Lasts 40 hours[3]. \"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"MELO P1 always keeps pace with your creativity. Speed to start. Power to finish.\"]]],[\"p\",{\"uuid\":\"mrbrb8djxkriort7olg\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"sz\":9,\"szUnit\":\"pt\",\"color\":\"#FCC102\",\"data-type\":\"leaf\"},\"[3]：On a single charge, the Smart Audio Mixer provides up to 8 hours of operation, while the microphone delivers at least 12 hours with AI noise cancellation on (or up to 13 hours with AI noise cancellation off) and the monitoring earphones provide up to 9 hours. The charging case can fully recharge each device up to three times, enabling a total system runtime of up to 40 hours.\"]]],[\"p\",{\"uuid\":\"mrbrbibo94hjruabe2\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"\"]]],[\"p\",{\"uuid\":\"mrbrbilqmkih2sspxxj\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"[Design that holds up.]\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"-Crafted with a premium matte finish and a durable build, MELO P1 feels right in hand and is built to last through every challenge.\"]]],[\"p\",{\"uuid\":\"mrbrbvlxlw0b9n2jqw\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"[Stay in the flow.]\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"-Trigger effects, switch presets, or adjust reverb instantly with tactile remote shortcuts, ensuring you never miss a beat.\"]]],[\"p\",{\"uuid\":\"mrbrc4gguruww8g5myr\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"[The best of both platforms.]\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"-Dual USB-C ports deliver your mix to two platforms at once. Integrated power management ensures your audio and fast charging [4] never skip a beat. Two phones, fully powered. One stream, twice the reach.\"]]],[\"p\",{\"uuid\":\"mrbrc4ghks1gw3dh94b\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"sz\":9,\"szUnit\":\"pt\",\"color\":\"#FCC102\",\"data-type\":\"leaf\"},\"[4] PD-compatible fast charging, up to a combined 60 W.\"]]],[\"p\",{\"uuid\":\"mrbrcbdik1ej00p1mpr\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"\"]]],[\"p\",{\"uuid\":\"mrbs03wmmzmwbepype8\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"[Stream in seconds.\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\" \"],[\"span\",{\"bold\":true,\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"]-\"],[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"MELO P1 gets you live in seconds—no DAW, no installation, no complex setup.\"]]],[\"p\",{\"uuid\":\"mrbrcbdjx0wlyvwhuz\"},[\"span\",{\"data-type\":\"text\"},[\"span\",{\"sz\":10,\"szUnit\":\"pt\",\"data-type\":\"leaf\"},\"Simply connect it to your phone or computer, with all controls and tuning handled in the HollyAudio app.\"]]]]' data-identifier-application__slash__x-cangjie-fragment=\"%7B%22klass%22%3A%22document%22%2C%22data%22%3A%7B%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbr8aoc3la4ih8vt99%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22Product%20Description%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22highlight%22%2C%22data%22%3A%7B%22value%22%3A%22rgb(250%2C%20250%2C%20250)%22%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22spacing%22%2C%22data%22%3A%7B%22value%22%3A0.22499999999999998%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22color%22%2C%22data%22%3A%7B%22value%22%3A%22rgb(67%2C%2067%2C%2067)%22%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbr9b37ve7k0nsb19o%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22MELO%20P1%20is%20a%20groundbreaking%2C%20%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22All-in-One%20wireless%20studio%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%20that%20condenses%20a%20traditionally%20complex%20multi-device%20setup%20into%20a%20%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22single%2C%20ultra-lightweight%20system%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22.%20It%20preserves%20every%20sonic%20nuance%2C%20delivering%20uncompromising%20high-fidelity%20right%20out%20of%20the%20box.%20With%20the%20HollyAudio%20App%2C%20professional%20tuning%20becomes%20effortless%E2%80%94giving%20you%20access%20to%20over%20100%20expert%20presets%20tailored%20to%20your%20unique%20voice.%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%20So%20you%20can%20just%20bring%20your%20musical%20spark%2C%20and%20MELO%20P1%20will%20take%20care%20of%20the%20rest.%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbrwojo347d4dwnkek%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbr9r9txuli3zzb4nd%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%5BAll%20in%20one.%20One%20for%20all.%5D-%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22MELO%20P1%20is%20a%20%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22fully%20integrated%2C%20wireless%20record-and-mix%20studio%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%20built%20to%20capture%20inspiration%20the%20moment%20it%20strikes.%20%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbr9r9u45bvykqf6uy%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%5BNo%20messy%20cables%2C%20no%20complex%20routing%5D-%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22Just%20studio-grade%20capture%2C%20real-time%20DSP%20mixing%2C%20and%20monitoring%20in%20a%20backpack-friendly%20setup%2C%20%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22built%20for%20creating%20on%20the%20go.%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbr9yraeg0944x4zeq%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%5BYour%20studio%2C%20to%20go.%5D%20%20-%20Ultra-light%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%2C%20%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22fully%20wireless%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%5B1%5D%2C%20and%20%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22instant-connect%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%E2%80%94the%20MELO%20P1%20lets%20you%20capture%20your%20next%20big%20idea%20anywhere%20within%2060%20meters%2C%20instantly.%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbr9yrazsogm18cs6n%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%5B1%5D%20Microphones%20and%20earphones%20connect%20to%20the%20smart%20audio%20mixer%20over%202.4%20GHz%20wireless%20with%20a%2060m%20range%20in%20general%20environments%20and%208m%20in%20complex%20environments%3B%20phones%20used%20for%20backing-track%20playback%20and%20the%20remote%20control%20connect%20to%20the%20mixer%20over%20Bluetooth%20up%20to%2010m.%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A9%2C%22szUnit%22%3A%22pt%22%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22color%22%2C%22data%22%3A%7B%22value%22%3A%22%23FCC102%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbryct1h2peh01gsuk%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A9%2C%22szUnit%22%3A%22pt%22%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22color%22%2C%22data%22%3A%7B%22value%22%3A%22%23FCC102%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbrgq3i7c9pn9ru52d%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%5BYour%20Voice%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%20%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22At%20Its%20Best%5D%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22-Every%20device%20is%20meticulously%20crafted%20to%20deliver%20studio-grade%20sound%20without%20compromising%20on%20portability%2C%20bringing%20the%20ears%20and%20expertise%20of%20a%20master%20audio%20engineer%20right%20into%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%20your%20grab-and-go%20setup%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22.%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbra84ib1xp4v4fw7o%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22Microphone%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22color%22%2C%22data%22%3A%7B%22value%22%3A%22%23FE0300%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%3A%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22color%22%2C%22data%22%3A%7B%22value%22%3A%22%23FE0300%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22A%201-inch%20large-diaphragm%20condenser%20mic%20with%20a%20shock-absorbing%20chamber%20and%20AI%20noise%20cancellation%20for%20ultra-clear%2C%20natural%20vocals.%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbra84jr2rl09u49a%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22Smart%20Audio%20Mixer%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22color%22%2C%22data%22%3A%7B%22value%22%3A%22%23FE0300%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%3A%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22color%22%2C%22data%22%3A%7B%22value%22%3A%22%23FE0300%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22Weighing%20just%2055g%2C%20this%20Dual-DSP%20mixer%20enables%204-source%20%5B2%5D%20real-time%20mixing%20and%2032-bit%20digital%20processing%20for%20polished%2C%20studio-grade%20sound.%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbra84jufj58b1l6hr%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22Earphone%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22color%22%2C%22data%22%3A%7B%22value%22%3A%22%23FE0300%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%3A%22%2C%22marks%22%3A%5B%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22Custom-tuned%2010mm%20drivers%20deliver%20balanced%20monitoring%20via%202.4GHz%20wireless%20and%20Bluetooth%20in%20an%20ultra-lightweight%2C%20comfortable%20fit.%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbra84kxi0skw4mvw%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%5B2%5D%20Four%20input%20sources%20consist%20of%20two%20wireless%20microphones%2C%20one%203.5%20mm%20instrument%20input%2C%20and%20one%20Bluetooth%20backing-track%20input.%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A9%2C%22szUnit%22%3A%22pt%22%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22color%22%2C%22data%22%3A%7B%22value%22%3A%22%23FCC102%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbrakyc6ft94bvnqrp%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbralbrzo9y846kcd%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%5BMELO.%20Mix.%20Made%20Easy.%5D-%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22Nail%20your%20perfect%20mix%20in%20HollyAudio.%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbralbswfpppr3zqje%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%5B100%2B%20presets%20tailored%20for%20your%20voice.%20%5D%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22-Explore%20expertly%20tuned%20presets%20in%20HollyAudio%20to%20shift%20your%20mix%20on%20the%20fly%20when%20singing%20or%20chatting.%20To%20further%20cut%20the%20prep%20work%2C%20%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22Record%20for%20Preview%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%20is%20built%20to%20save%20your%20time%20on%20soundchecks%20once%20and%20for%20all.%20This%20is%20all%20designed%20to%20free%20your%20creativity%20from%20technical%20limits.%20%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbralbtet20by0hchv%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%5BFine-tune%20your%20mix.%5D-%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22Whenever%20you%20want%20to%20dive%20deeper%2C%20a%20pro-grade%20chain%20of%209%20studio%20effects%20gives%20you%20the%20ultimate%20precision%20to%20sculpt%20every%20detail.%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbralbtsec47xj0a0g%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%5B10%20Effects%5D-%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%20EQ%2C%20full-band%20compression%2C%20multiband%20compression%2C%20sidechain%20compression%2C%20de-essing%2C%20reverb%20(delay%2C%20hall)%2C%20harmonic%20saturation%2C%20and%20M%2FS%20EQ.%20%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbrb1jps61l5nnxe69%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%5BFrom%20your%20desk%20to%20the%20world.%5D%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22-MELO%20P1%20excels%20everywhere%20you%20create%E2%80%94bringing%20professional-grade%20performance%20to%20streaming%2C%20recording%2C%20and%20live%20shows.%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbrb8din6a88hzr1q%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%5BKeep%20the%20power%20going.%5D%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22-%22%2C%22marks%22%3A%5B%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22Lasts%2040%20hours%5B3%5D.%20%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22MELO%20P1%20always%20keeps%20pace%20with%20your%20creativity.%20Speed%20to%20start.%20Power%20to%20finish.%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbrb8djxkriort7olg%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%5B3%5D%EF%BC%9AOn%20a%20single%20charge%2C%20the%20Smart%20Audio%20Mixer%20provides%20up%20to%208%20hours%20of%20operation%2C%20while%20the%20microphone%20delivers%20at%20least%2012%20hours%20with%20AI%20noise%20cancellation%20on%20(or%20up%20to%2013%20hours%20with%20AI%20noise%20cancellation%20off)%20and%20the%20monitoring%20earphones%20provide%20up%20to%209%20hours.%20The%20charging%20case%20can%20fully%20recharge%20each%20device%20up%20to%20three%20times%2C%20enabling%20a%20total%20system%20runtime%20of%20up%20to%2040%20hours.%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A9%2C%22szUnit%22%3A%22pt%22%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22color%22%2C%22data%22%3A%7B%22value%22%3A%22%23FCC102%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbrbibo94hjruabe2%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbrbilqmkih2sspxxj%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%5BDesign%20that%20holds%20up.%5D%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22-Crafted%20with%20a%20premium%20matte%20finish%20and%20a%20durable%20build%2C%20MELO%20P1%20feels%20right%20in%20hand%20and%20is%20built%20to%20last%20through%20every%20challenge.%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbrbvlxlw0b9n2jqw%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%5BStay%20in%20the%20flow.%5D%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22-Trigger%20effects%2C%20switch%20presets%2C%20or%20adjust%20reverb%20instantly%20with%20tactile%20remote%20shortcuts%2C%20ensuring%20you%20never%20miss%20a%20beat.%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbrc4gguruww8g5myr%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%5BThe%20best%20of%20both%20platforms.%5D%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22-Dual%20USB-C%20ports%20deliver%20your%20mix%20to%20two%20platforms%20at%20once.%20Integrated%20power%20management%20ensures%20your%20audio%20and%20fast%20charging%20%5B4%5D%20never%20skip%20a%20beat.%20Two%20phones%2C%20fully%20powered.%20One%20stream%2C%20twice%20the%20reach.%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbrc4ghks1gw3dh94b%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%5B4%5D%20PD-compatible%20fast%20charging%2C%20up%20to%20a%20combined%2060%20W.%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A9%2C%22szUnit%22%3A%22pt%22%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22color%22%2C%22data%22%3A%7B%22value%22%3A%22%23FCC102%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbrcbdik1ej00p1mpr%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbs03wmmzmwbepype8%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%5BStream%20in%20seconds.%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%20%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22%5D-%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22bold%22%2C%22data%22%3A%7B%7D%7D%2C%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%2C%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22MELO%20P1%20gets%20you%20live%20in%20seconds%E2%80%94no%20DAW%2C%20no%20installation%2C%20no%20complex%20setup.%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%2C%7B%22klass%22%3A%22block%22%2C%22type%22%3A%22paragraph%22%2C%22data%22%3A%7B%22uuid%22%3A%22mrbrcbdjx0wlyvwhuz%22%7D%2C%22nodes%22%3A%5B%7B%22klass%22%3A%22text%22%2C%22leaves%22%3A%5B%7B%22klass%22%3A%22leaf%22%2C%22text%22%3A%22Simply%20connect%20it%20to%20your%20phone%20or%20computer%2C%20with%20all%20controls%20and%20tuning%20handled%20in%20the%20HollyAudio%20app.%22%2C%22marks%22%3A%5B%7B%22klass%22%3A%22mark%22%2C%22type%22%3A%22sz%22%2C%22data%22%3A%7B%22value%22%3A10%2C%22szUnit%22%3A%22pt%22%7D%7D%5D%7D%5D%7D%5D%2C%22contentType%22%3A%22cangjie-textblock%22%7D%5D%7D\" data-identifier-application__slash__x-doc-key=\"eLbnj1bek1eb9laN\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-type=\"text\"\u003eProduct Description\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-type=\"text\"\u003eMELO P1 is a groundbreaking, \u003c\/span\u003e\u003cstrong\u003e\u003cspan data-type=\"text\"\u003eAll-in-One wireless studio\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-type=\"text\"\u003e that condenses a traditionally complex multi-device setup into \u003cstrong\u003ea \u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan data-type=\"text\"\u003esingle, ultra-lightweight system\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-type=\"text\"\u003e\u003cstrong\u003e.\u003c\/strong\u003e It preserves every sonic nuance, delivering uncompromising high-fidelity right out of the box. With the HollyAudio App, professional tuning becomes effortless—giving you access to over 100 expert presets tailored to your unique voice.\u003c\/span\u003e\u003cspan data-type=\"text\"\u003e \u003cstrong\u003eSo you can just bring your musical spark, and MELO P1 will take care of the rest.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-type=\"text\"\u003e\u003cstrong\u003e[All in one. One for all.]\u003c\/strong\u003e-\u003c\/span\u003e\u003cspan data-type=\"text\"\u003eMELO P1 is a \u003c\/span\u003e\u003cspan data-type=\"text\"\u003efully integrated, wireless record-and-mix studio\u003c\/span\u003e\u003cspan data-type=\"text\"\u003e built to capture inspiration the moment it strikes. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-type=\"text\"\u003e\u003cstrong\u003e[No messy cables, no complex routing]\u003c\/strong\u003e-\u003c\/span\u003e\u003cspan data-type=\"text\"\u003eJust studio-grade capture, real-time DSP mixing, and monitoring in a backpack-friendly setup, \u003c\/span\u003e\u003cspan data-type=\"text\"\u003ebuilt for creating on the go.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-type=\"text\"\u003e\u003cstrong\u003e[Your studio, to go.]-\u003c\/strong\u003eUltra-light\u003c\/span\u003e\u003cspan data-type=\"text\"\u003e, \u003c\/span\u003e\u003cspan data-type=\"text\"\u003efully wireless\u003c\/span\u003e\u003cspan data-type=\"text\"\u003e[1], and \u003c\/span\u003e\u003cspan data-type=\"text\"\u003einstant-connect\u003c\/span\u003e\u003cspan data-type=\"text\"\u003e—the MELO P1 lets you capture your next big idea anywhere within 60 meters, instantly.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cspan data-type=\"text\"\u003e[1] Microphones and earphones connect to the smart audio mixer over 2.4 GHz wireless with a 60m range in general environments and 8m in complex environments; phones used for backing-track playback and the remote control connect to the mixer over Bluetooth up to 10m.\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-type=\"text\"\u003e[Your Voice\u003c\/span\u003e\u003cspan data-type=\"text\"\u003e \u003c\/span\u003e\u003cspan data-type=\"text\"\u003eAt Its Best]\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-type=\"text\"\u003e-Every device is meticulously crafted to deliver studio-grade sound without compromising on portability, bringing the ears and expertise of a master audio engineer right into\u003c\/span\u003e\u003cspan data-type=\"text\"\u003e your grab-and-go setup\u003c\/span\u003e\u003cspan data-type=\"text\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-type=\"text\"\u003eMicrophone\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-type=\"text\"\u003e:\u003c\/span\u003e\u003cspan data-type=\"text\"\u003eA 1-inch large-diaphragm condenser mic with a shock-absorbing chamber and AI noise cancellation for ultra-clear, natural vocals.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-type=\"text\"\u003eSmart Audio Mixer\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-type=\"text\"\u003e:\u003c\/span\u003e\u003cspan data-type=\"text\"\u003eWeighing just 55g, this Dual-DSP mixer enables 4-source [2] real-time mixing and 32-bit digital processing for polished, studio-grade sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-type=\"text\"\u003eEarphone\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-type=\"text\"\u003e:\u003c\/span\u003e\u003cspan data-type=\"text\"\u003eCustom-tuned 10mm drivers deliver balanced monitoring via 2.4GHz wireless and Bluetooth in an ultra-lightweight, comfortable fit.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cspan data-type=\"text\"\u003e[2] Four input sources consist of two wireless microphones, one 3.5 mm instrument input, and one Bluetooth backing-track input.\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-type=\"text\"\u003e\u003cstrong\u003e[MELO. Mix. Made Easy.]\u003c\/strong\u003e-\u003c\/span\u003e\u003cspan data-type=\"text\"\u003eNail your perfect mix in HollyAudio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-type=\"text\"\u003e[100+ presets tailored for your voice. ]\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-type=\"text\"\u003e-Explore expertly tuned presets in HollyAudio to shift your mix on the fly when singing or chatting. To further cut the prep work, \u003c\/span\u003e\u003cspan data-type=\"text\"\u003eRecord for Preview\u003c\/span\u003e\u003cspan data-type=\"text\"\u003e is built to save your time on soundchecks once and for all. This is all designed to free your creativity from technical limits. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-type=\"text\"\u003e\u003cstrong\u003e[Fine-tune your mix.]\u003c\/strong\u003e-\u003c\/span\u003e\u003cspan data-type=\"text\"\u003eWhenever you want to dive deeper, a pro-grade chain of 9 studio effects gives you the ultimate precision to sculpt every detail.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-type=\"text\"\u003e[10 Effects]-\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-type=\"text\"\u003e EQ, full-band compression, multiband compression, sidechain compression, de-essing, reverb (delay, hall), harmonic saturation, and M\/S EQ. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-type=\"text\"\u003e[From your desk to the world.]\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-type=\"text\"\u003e-MELO P1 excels everywhere you create—bringing professional-grade performance to streaming, recording, and live shows.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-type=\"text\"\u003e[Keep the power going.]\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-type=\"text\"\u003e-\u003c\/span\u003e\u003cspan data-type=\"text\"\u003eLasts 40 hours[3]. \u003c\/span\u003e\u003cspan data-type=\"text\"\u003eMELO P1 always keeps pace with your creativity. Speed to start. Power to finish.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cspan data-type=\"text\"\u003e[3]：On a single charge, the Smart Audio Mixer provides up to 8 hours of operation, while the microphone delivers at least 12 hours with AI noise cancellation on (or up to 13 hours with AI noise cancellation off) and the monitoring earphones provide up to 9 hours. The charging case can fully recharge each device up to three times, enabling a total system runtime of up to 40 hours.\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-type=\"text\"\u003e[Design that holds up.]\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-type=\"text\"\u003e-Crafted with a premium matte finish and a durable build, MELO P1 feels right in hand and is built to last through every challenge.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-type=\"text\"\u003e[Stay in the flow.]\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-type=\"text\"\u003e-Trigger effects, switch presets, or adjust reverb instantly with tactile remote shortcuts, ensuring you never miss a beat.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-type=\"text\"\u003e[The best of both platforms.]\u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-type=\"text\"\u003e-Dual USB-C ports deliver your mix to two platforms at once. Integrated power management ensures your audio and fast charging [4] never skip a beat. Two phones, fully powered. One stream, twice the reach.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cspan data-type=\"text\"\u003e[4] PD-compatible fast charging, up to a combined 60 W.\u003c\/span\u003e\u003c\/h6\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-type=\"text\"\u003e[Stream in seconds.\u003c\/span\u003e\u003cspan data-type=\"text\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-type=\"text\"\u003e\u003cstrong\u003e]\u003c\/strong\u003e-\u003c\/span\u003e\u003cspan data-type=\"text\"\u003eMELO P1 gets you live in seconds—no DAW, no installation, no complex setup.\u003c\/span\u003e\u003cspan data-type=\"text\"\u003eSimply connect it to your phone or computer, with all controls and tuning handled in the HollyAudio app.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/article\u003e\n\u003c\/article\u003e","brand":"Hollyland","offers":[{"title":"MELO P1 Solo","offer_id":49222197248255,"sku":"1002070006","price":0.0,"currency_code":"INR","in_stock":false},{"title":"MELO P1 Combo","offer_id":49222197281023,"sku":"1002070005","price":0.0,"currency_code":"INR","in_stock":false},{"title":"MELO P1 Ultimate Combo","offer_id":49222197313791,"sku":"1002070050","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/6201-first-image.png?v=1789557241"},{"product_id":"melo-p1-smart-audio-mixer","title":"Hollyland MELO P1-Smart Audio Mixer","description":"","brand":"Hollyland","offers":[{"title":"Default Title","offer_id":49222200033535,"sku":"1002070028","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/MELO_P1_Smart_Audio_Mixer.png?v=1789557244"},{"product_id":"scm262","title":"Shure SCM262 Stereo Microphone Mixer","description":"\u003cp\u003eStereo microphone mixer incorporates 2 active-balanced microphone inputs with 3 unbalanced stereo aux level inputs for use in sound reinforcement applications. Includes tone controls, 12 V phantom power, internal power, and ducking and mute function.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Right Amount of Mixer\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMany smaller installations require an easy-to-use mixer with very specific features and capabilities. You need to integrate your microphones and stereo equipment without paying for features you'll never use. And of course, you'll need dependability. The SCM262 provides features tailor-made for your smaller application -- such as defeatable \"ducking,\" \"jukebox mute,\" and \"12V Phantom.\" \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eSimplicity\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe SCM262 has been designed with simplicity in mind, allowing you to focus on your job, not your audio system. Providing the right combination of features, benefits and ease-of-use, the SCM262 is perfect for the following applications:\u003c\/p\u003e\n\n\u003cul\u003e\n\t\u003cli\u003eRestaurants\u003c\/li\u003e\n\t\u003cli\u003eAerobics\/Health Clubs\u003c\/li\u003e\n\t\u003cli\u003eCorporate Training\u003c\/li\u003e\n\t\u003cli\u003eClassrooms\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePrecision Capabilities\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe SCM262 is the latest addition to our growing Installed Sound category and provides all the performance, durability, and value synonymous with the Shure name.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\u003cul\u003e\n\t\u003cli\u003eDefeatable \"ducking\"\u003c\/li\u003e\n\t\u003cli\u003e\"Jukebox mute\"\u003c\/li\u003e\n\t\u003cli\u003eOne active balanced XLR mic input channel\u003c\/li\u003e\n\t\u003cli\u003eOne active balanced XLR mic and 1\/4 inch TRS line input channel\u003c\/li\u003e\n\t\u003cli\u003eThree stereo input channels (RCA connectors)\u003c\/li\u003e\n\t\u003cli\u003eOne unbalanced stereo output (Two RCA connectors)\u003c\/li\u003e\n\t\u003cli\u003eOne balanced stereo mic\/line output (Two 1\/4 inch TRS connectors)\u003c\/li\u003e\n\t\u003cli\u003e12V phantom power for condenser microphones\u003c\/li\u003e\n\t\u003cli\u003eAll in a half-rack chassis\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Weight\u003c\/td\u003e\n\u003ctd\u003e1100 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Analog Inputs\u003c\/td\u003e\n\u003ctd\u003e1 Mic, 1 Mic Line, 3 Line Stereo Pairs, +12v\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Analog Outputs\u003c\/td\u003e\n\u003ctd\u003e1 Stereo Pair Mic\/Aux\/Line\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Dante Inputs\u003c\/td\u003e\n\u003ctd\u003en\/a\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Dante Outputs\u003c\/td\u003e\n\u003ctd\u003en\/a\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Usb Audio\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Acoustic Echo Canellation\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Noise Reduction\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Automatic Mixing\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Matrix Mixing\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Stereo\/Mono\u003c\/td\u003e\n\u003ctd\u003eStereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Dimensions\u003c\/td\u003e\n\u003ctd\u003e218.0 × 43.0 × 162.0 mm (W×H×D) \/ 8.583 × 1.693 × 6.378 in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDetails › Product Series\u003c\/td\u003e\n\u003ctd\u003eSCM\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDetails › Connectors\u003c\/td\u003e\n\u003ctd\u003e3 Pin XLR, 6.3 mm, RCA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Frequency Response\u003c\/td\u003e\n\u003ctd\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Impedance Input\u003c\/td\u003e\n\u003ctd\u003eMic: 1,4 kΩ; Line: 155 kΩ; Stereo: 21 kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Impedance Output\u003c\/td\u003e\n\u003ctd\u003eMic: 3 Ω; Line: 300 Ω; Aux: 1,5 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Mic\u003c\/td\u003e\n\u003ctd\u003e-16 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Line\u003c\/td\u003e\n\u003ctd\u003e+24 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Stereo\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;28 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Aux\u003c\/td\u003e\n\u003ctd\u003e+5 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Total harmonic Distortion\u003c\/td\u003e\n\u003ctd\u003e\u0026lt; 0.25 %, +4 dBu output level, 50 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Operating Voltage\u003c\/td\u003e\n\u003ctd\u003e220 - 240 Vac, 50\/60 Hz, 30 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Mic channels 1 and 2 levels\u003c\/td\u003e\n\u003ctd\u003e-20 dB or –∞ dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Activation Time\u003c\/td\u003e\n\u003ctd\u003e10 ms (typical)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Mic Deactivation Time\u003c\/td\u003e\n\u003ctd\u003e2 s (typical)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Jukebox Mute Deactivation Time\u003c\/td\u003e\n\u003ctd\u003e30 s (typical)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Bass\u003c\/td\u003e\n\u003ctd\u003eLow–frequency shelving, corner frequency at 250 Hz: ± 6 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Treble\u003c\/td\u003e\n\u003ctd\u003eHigh–frequency shelving, corner frequency at 4 kHz: ± 6 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDetails › In the Box\u003c\/td\u003e\n\u003ctd\u003e4× rubber feet. For stand-alone installation.; 1× rackmount bracket, long. For half-rack (single unit) installations.; 1× rackmount bracket, short. For half-rack (single) or dual-mount installations.; 2× straddle brackets. For dual-mount or fixed installations.; 12× bracket screws, 1\/4-in. (6 mm). For securing the brackets to the chassis.; 4× rackmount screws, 1 in. (2.5 cm). For mounting the unit in a rack.; 4× plastic washers. For use with the supplied rackmount screws.; 4× wood screws, 1\/2 in. (1.25 cm). For fixed installations.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":49222265274623,"sku":"SCM262","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/85c53bf23ca0bd9b51a1c2fef01c2b16.webp?v=1789557322"},{"product_id":"scm268","title":"Shure SCM268 4-Channel Microphone Mixer","description":"\u003cp\u003e4-channel microphone mixer delivers superior performance and excellent sound quality with low noise and a flat frequency response. Includes 4 transformer-balanced inputs, 5 -10 dB line-level inputs, 12 volt phantom power, and built-in low-cut filter.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSix Reasons the SCM268 Is The Right Choice:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eGreat Value\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe competitively-priced SCM268 microphone mixer features six transformers inside: four transformer balanced XLR microphone-level inputs, one transformer balanced XLR mic\/line output, and one internal low stray field, toroidal power transformer. \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eMany Benefits, Little Space\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eAll those audio transformers provide protection from RF interference, prevent ground loops, and make the SCM268 exceptionally quiet. The internal toroidal power transformer means you no longer have to deal with that annoying \"wall wart.\" \u003c\/p\u003e\n\n\u003cp\u003eAdd to this a rugged half-rack chassis -- with exceptionally solid rack mounting hardware -- and the SCM268 will easily fit into the widest range of smaller applications, such as:\u003c\/p\u003e\n\n\u003cul\u003e\n\t\u003cli\u003eMeeting rooms\u003c\/li\u003e\n\t\u003cli\u003eHouses of worship\u003c\/li\u003e\n\t\u003cli\u003eBroadcast\u003c\/li\u003e\n\t\u003cli\u003eEducational paging and public address\u003c\/li\u003e\n\t\u003cli\u003eSound system rental\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eFor over a generation, Shure mixers, as well as a host of other Shure products, have been chosen for installed sound applications with unparalleled peace-of-mind. The SCM268 continues this tradition of quality performance at a great value. If you want half a dozen transformers in a half-rack space, choose the SCM268. \u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\u003cul\u003e\n\t\u003cli\u003eFive unbalanced aux level inputs (RCA connectors)\u003c\/li\u003e\n\t\u003cli\u003eLED peak output meter\u003c\/li\u003e\n\t\u003cli\u003eOne unbalanced aux level output (RCA connector)\u003c\/li\u003e\n\t\u003cli\u003eIEC power cord connector\u003c\/li\u003e\n\t\u003cli\u003e12V phantom power for condenser microphones\u003c\/li\u003e\n\t\u003cli\u003eBuilt-in low cut filters on mic inputs\u003c\/li\u003e\n\t\u003cli\u003eUnit fits into a half-rack space and includes all the necessary rack mounting hardware.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e \u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Weight\u003c\/td\u003e\n\u003ctd\u003e1200 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Analog Inputs\u003c\/td\u003e\n\u003ctd\u003e4 Mic\/Aux\/Line, 1 Aux, +48v\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Analog Outputs\u003c\/td\u003e\n\u003ctd\u003e1 Mic\/Aux\/Line\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Dante Inputs\u003c\/td\u003e\n\u003ctd\u003en\/a\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Dante Outputs\u003c\/td\u003e\n\u003ctd\u003en\/a\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Usb Audio\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Acoustic Echo Canellation\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Noise Reduction\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Automatic Mixing\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Matrix Mixing\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Stereo\/Mono\u003c\/td\u003e\n\u003ctd\u003eMono\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Dimensions\u003c\/td\u003e\n\u003ctd\u003e218.0 × 44.0 × 162.0 mm (W×H×D) \/ 8.583 × 1.732 × 6.378 in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDetails › Product Series\u003c\/td\u003e\n\u003ctd\u003eSCM\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDetails › Connectors\u003c\/td\u003e\n\u003ctd\u003e3 Pin XLR, RCA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Frequency Response\u003c\/td\u003e\n\u003ctd\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Impedance Input\u003c\/td\u003e\n\u003ctd\u003eMic: 1,2 kΩ; Aux: 21 kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Impedance Output\u003c\/td\u003e\n\u003ctd\u003eMic: 0,2 Ω; Line: 72 Ω; Aux Out: 870 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Mic\u003c\/td\u003e\n\u003ctd\u003e-5 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Aux Level\u003c\/td\u003e\n\u003ctd\u003e\u0026gt;28 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Line\u003c\/td\u003e\n\u003ctd\u003e+18 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Aux Out\u003c\/td\u003e\n\u003ctd\u003e+7 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Total harmonic Distortion\u003c\/td\u003e\n\u003ctd\u003e\u0026lt; 0.25 %, +4 dBu output level, 22 Hz to 22 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Operating Voltage\u003c\/td\u003e\n\u003ctd\u003e220 - 240 Vac, 50\/60 Hz, 30 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDetails › In the Box\u003c\/td\u003e\n\u003ctd\u003e1× Rack Mount kit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":49222266192127,"sku":"SCM268","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/91fec69ef4ef1352954ff0ab23ac2b90.webp?v=1789557323"},{"product_id":"scm410","title":"Shure SCM410 Four Channel Automatic Mixer","description":"\u003cp\u003e4-channel automatic mixer dramatically improves audio quality in any application in which multiple microphones are required. Features include fast microphone selection, adjustable EQ, and clipping LEDs, and peak-responding output limiter.\u003c\/p\u003e\n\u003cp\u003eAutomatic mixing is a tremendous problem-solving tool allowing sound system installers to eliminate common problems such as insufficient gain before feedback and muddy speech quality. Shure is the industry leader in automatic mixing with our unique IntelliMix® technology. IntelliMix automatically gates microphones on and off to optimize sound quality in conference facilities, houses of worship, governmental institutions, schools, etc.  The Shure SCM410 Automatic Mixer puts all the seamless performance of the 8-channel SCM810 - the recognized standard in automatic mixing - into a half-rack space. \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eSCM410 Key Benefits\u003c\/strong\u003e:\u003c\/p\u003e\n\n\u003cul\u003e\n\t\u003cli\u003eIncreases the clarity and intelligibility of speech\u003c\/li\u003e\n\t\u003cli\u003eDramatically reduces feedback, reverberation, and comb filtering\u003c\/li\u003e\n\t\u003cli\u003eAutomates several rigorous operator functions\u003c\/li\u003e\n\t\u003cli\u003eMinimizes set up time - plug and play\u003c\/li\u003e\n\t\u003cli\u003eFrees up channels on the mixing console \u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp class=\"mainT\"\u003eThe SCM410 can be used as a turnkey mixing solution in a variety of speech applications:\u003c\/p\u003e\n\n\u003cul class=\"mainT\"\u003e\n\t\u003cli\u003eFixed Audio Installations - houses of worship, schools, conference facilities, legislature, hotels\u003c\/li\u003e\n\t\u003cli\u003ePortable Applications - rentals, A\/V carts, portable audio racks\u003c\/li\u003e\n\t\u003cli\u003eInterfaces with Crestron control systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\u003cp\u003eIntelliMix- the most advanced and effective automatic mixing algorithm available, incorporating:\u003c\/p\u003e\n\n\u003cul\u003e\n\t\u003cli\u003eNoise Adaptive Threshold\u003c\/li\u003e\n\t\u003cli\u003eMaxBus\u003c\/li\u003e\n\t\u003cli\u003eLast Mic Lock-On\u003c\/li\u003e\n\t\u003cli\u003eNOMA (Number of Open Mics Attenuated) - automatic gain adjustment as additional microphones are activated\u003c\/li\u003e\n\t\u003cli\u003eInputs and Outputs - 4 balanced mic level XLR inputs, 1 balanced mic\/line switchable XLR output, and 1 unbalanced RCA auxiliary output\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Weight\u003c\/td\u003e\n\u003ctd\u003e1750 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Analog Inputs\u003c\/td\u003e\n\u003ctd\u003e4 Mic\/Line, +48v\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Analog Outputs\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Dante Inputs\u003c\/td\u003e\n\u003ctd\u003en\/a\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Dante Outputs\u003c\/td\u003e\n\u003ctd\u003en\/a\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Usb Audio\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Acoustic Echo Canellation\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Noise Reduction\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Automatic Mixing\u003c\/td\u003e\n\u003ctd\u003eyes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Matrix Mixing\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Stereo\/Mono\u003c\/td\u003e\n\u003ctd\u003eMono\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Dimensions\u003c\/td\u003e\n\u003ctd\u003e267.0 × 44.0 × 219.0 mm (W×H×D) \/ 10.512 × 1.732 × 8.622 in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDetails › Product Series\u003c\/td\u003e\n\u003ctd\u003eSCM\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDetails › Connectors\u003c\/td\u003e\n\u003ctd\u003e3 Pin XLR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Frequency Response\u003c\/td\u003e\n\u003ctd\u003e50 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Impedance Input\u003c\/td\u003e\n\u003ctd\u003e1,4 kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Impedance Output\u003c\/td\u003e\n\u003ctd\u003eLine: 300 Ω; Mic: 3 Ω; Aux: 1500 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Maximum input level\u003c\/td\u003e\n\u003ctd\u003e-14 dBV minimum\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Line\u003c\/td\u003e\n\u003ctd\u003e+24 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Mic\u003c\/td\u003e\n\u003ctd\u003e-18 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Aux\u003c\/td\u003e\n\u003ctd\u003e+14 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Total harmonic Distortion\u003c\/td\u003e\n\u003ctd\u003e\u0026lt; 0,1 %, +4 dBu output level, 50 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Operating Voltage\u003c\/td\u003e\n\u003ctd\u003e220 - 240 Vac, 50\/60 Hz, 50 mA, maximum\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Input Channel Activation\u003c\/td\u003e\n\u003ctd\u003eInput Channel Activation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Attack Time\u003c\/td\u003e\n\u003ctd\u003e4 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Hold Time\u003c\/td\u003e\n\u003ctd\u003e0.4 s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Decay Time\u003c\/td\u003e\n\u003ctd\u003e0.5 s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Off-Attenuation\u003c\/td\u003e\n\u003ctd\u003e13 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Equalization\u003c\/td\u003e\n\u003ctd\u003eEqualization\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Low–frequency\u003c\/td\u003e\n\u003ctd\u003e6 dB\/octave cut, adjustable corner from 25 to 320 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › High–frequency\u003c\/td\u003e\n\u003ctd\u003e± 6 dB at 5 kHz, ± 8 dB at 10 kHz, shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Limiter\u003c\/td\u003e\n\u003ctd\u003eLimiter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Type\u003c\/td\u003e\n\u003ctd\u003ePeak\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Threshold\u003c\/td\u003e\n\u003ctd\u003e+16 dBu (at output)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Recovery Time\u003c\/td\u003e\n\u003ctd\u003e300 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Indicator\u003c\/td\u003e\n\u003ctd\u003eLights red when limiting occurs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDetails › In the Box\u003c\/td\u003e\n\u003ctd\u003e1× Rack mount kit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":49222267109631,"sku":"SCM410","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/d67a801b4fb748e549584c39be4e4e13.webp?v=1789557323"},{"product_id":"scm800","title":"Shure SCM800 Eight Channel Microphone Mixer","description":"\u003cp\u003e8-channel microphone mixer offers compatibility with any low-impedance, balanced microphone, including wireless microphone systems. Includes adjustable EQ, phantom power LED, manual mixing, and peak-responding output limiter.\u003c\/p\u003e\n\u003cp align=\"left\"\u003e\n\tThe Shure Model SCM800 is a full-featured, eight-channel microphone mixer for sound reinforcement, general audio recording, and audio-visual systems. Any low-impedance, balanced dynamic or condenser microphone, including a wireless microphone system, can be used with the SCM800 mixer. \u003c\/p\u003e\u003cp align=\"left\"\u003e\n\tEach SCM800 accepts up to eight microphone- or line–level inputs and one aux-level input (two input jacks feed the same channel). Up to four SCM800 mixers can be linked to provide up to 32 input channels. Each input channel has a two-band equalizer, switchable microphone- or line-level operation, switchable 48 V phantom power, and a 1\/4-inch send\/receive insert jack.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\u003cul\u003e\n\t\u003cli\u003e\n\t\t\n\t\t\tCompatible with Shure SCM410, SCM810 and FP410 automatic microphone mixers\n\t\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\n\t\t\tAdjustable EQ per channel: low-frequency rolloff and high-frequency shelving\n\t\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\n\t\t\t48 V phantom power selectable for each input\n\t\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\n\t\t\tActive balanced microphone- and line-level inputs and line level output\n\t\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\n\t\t\tHighly RF-resistant chassis and circuitry\n\t\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\n\t\t\tLED indication of channel clipping\n\t\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\n\t\t\tLinking capability for systems up to 32 microphones\n\t\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\n\t\t\tTwo Aux-level input jacks that feed one channel\n\t\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\n\t\t\tInsert jack on each channel\n\t\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\n\t\t\tManual mixing of input channels\n\t\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\n\t\t\tInternal Modification permits 230 V operation (SCM800) or 120 V operation (SCM800E)\n\t\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\n\t\t\tFront-panel headphones output with level control\n\t\u003c\/li\u003e\n\t\u003cli\u003e\n\t\t\n\t\t\tPeak-responding output limiter with selectable thresholds and LED indicator\n\t\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Weight\u003c\/td\u003e\n\u003ctd\u003e4300 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Analog Inputs\u003c\/td\u003e\n\u003ctd\u003e8 Mic\/Line, 1 Aux, +48v\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Analog Outputs\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Dante Inputs\u003c\/td\u003e\n\u003ctd\u003en\/a\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Dante Outputs\u003c\/td\u003e\n\u003ctd\u003en\/a\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Usb Audio\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Acoustic Echo Canellation\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Noise Reduction\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Automatic Mixing\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Matrix Mixing\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Stereo\/Mono\u003c\/td\u003e\n\u003ctd\u003eMono\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Dimensions\u003c\/td\u003e\n\u003ctd\u003e483.0 × 44.0 × 317.0 mm (W×H×D) \/ 19.016 × 1.732 × 12.48 in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDetails › Product Series\u003c\/td\u003e\n\u003ctd\u003eSCM\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDetails › Connectors\u003c\/td\u003e\n\u003ctd\u003eBLOCK\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Frequency Response\u003c\/td\u003e\n\u003ctd\u003e50 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Impedance Input\u003c\/td\u003e\n\u003ctd\u003e10 kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Impedance Output\u003c\/td\u003e\n\u003ctd\u003eLine: 60 Ω; Headphones: 300 Ω; Direct Out: 1000 Ω; Send\/Return: 1000 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Mic\u003c\/td\u003e\n\u003ctd\u003e-12 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Line\u003c\/td\u003e\n\u003ctd\u003e+22 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Aux\u003c\/td\u003e\n\u003ctd\u003e+22 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Send\/Return\u003c\/td\u003e\n\u003ctd\u003e+18 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Headphones\u003c\/td\u003e\n\u003ctd\u003e+12 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Direct Out\u003c\/td\u003e\n\u003ctd\u003e+18 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Total harmonic Distortion\u003c\/td\u003e\n\u003ctd\u003e\u0026lt; 0.1 % at +18 dBV output level, 50 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Operating Voltage\u003c\/td\u003e\n\u003ctd\u003e230 Vac, 50\/60 Hz, 100 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Equalization\u003c\/td\u003e\n\u003ctd\u003eEqualization\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Low–frequency\u003c\/td\u003e\n\u003ctd\u003e6 dB\/octave cut, adjustable corner from 25 to 320 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › High–frequency\u003c\/td\u003e\n\u003ctd\u003e+\/- 6 dB at 5 kHz, 8 dB at 10 kHz, shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Limiter\u003c\/td\u003e\n\u003ctd\u003eLimiter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Type\u003c\/td\u003e\n\u003ctd\u003ePeak\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Threshold Switchable\u003c\/td\u003e\n\u003ctd\u003eoff, +4, +8, +16 dBm at output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Attack Time\u003c\/td\u003e\n\u003ctd\u003e2 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Recovery Time\u003c\/td\u003e\n\u003ctd\u003e300 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Indicator\u003c\/td\u003e\n\u003ctd\u003eLights red when limiting occurs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":49222268059903,"sku":"SCM800","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/88cee11de1ea72751b601faaa2283f24.webp?v=1789557326"},{"product_id":"scm810","title":"Shure SCM810 Eight Channel Automatic Mixer","description":"\u003cp\u003e8-channel automatic mixer improves audio quality in any application in which multiple microphones are required. Features include fast microphone selection, adjustable EQ, adjustable low-frequency roll off, and peak-responding output limiter.\u003c\/p\u003e\n\u003cp\u003eThis eight-channel automatic mixer features the Shure IntelliMix®, which activates only microphones being addressed, minimizing poor audio caused by multiple open microphones.\u003c\/p\u003e\n\n\u003cp\u003eThe SCM810 is designed specifically for installed sound applications. \u003c\/p\u003e\n\n\u003cp\u003eFeatures include adjustable EQ per channel, 48 V phantom power, active balanced microphone - or line-level inputs, line-level outputs, highly RF resistant chassis and circuitry, complete logic control of microphone activation, linking capacity for up to 400 microphones, with an internal power supply. 120\/230 Vac power.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\u003cul\u003e\n\t\u003cli\u003eEight balanced mic-line input channels (Phoenix block connectors)\u003c\/li\u003e\n\t\u003cli\u003eOne unbalanced 1\/4\" aux level input\u003c\/li\u003e\n\t\u003cli\u003eEight unbalanced 1\/4\" direct line level outputs\u003c\/li\u003e\n\t\u003cli\u003eOne balanced master line level output (Phoenix block connector)\u003c\/li\u003e\n\t\u003cli\u003eSelectable 46V phantom power per channel\u003c\/li\u003e\n\t\u003cli\u003eLevel selectable peak output limiter\u003c\/li\u003e\n\t\u003cli\u003eFull rack width (single rack height)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e \u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Weight\u003c\/td\u003e\n\u003ctd\u003e4300 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Analog Inputs\u003c\/td\u003e\n\u003ctd\u003e8 Mic\/Line, 1 Aux, +48v\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Analog Outputs\u003c\/td\u003e\n\u003ctd\u003e9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Dante Inputs\u003c\/td\u003e\n\u003ctd\u003en\/a\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Dante Outputs\u003c\/td\u003e\n\u003ctd\u003en\/a\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Usb Audio\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Acoustic Echo Canellation\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Noise Reduction\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Automatic Mixing\u003c\/td\u003e\n\u003ctd\u003eyes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Matrix Mixing\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Stereo\/Mono\u003c\/td\u003e\n\u003ctd\u003eMono\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Dimensions\u003c\/td\u003e\n\u003ctd\u003e483.0 × 44.0 × 317.0 mm (W×H×D) \/ 19.016 × 1.732 × 12.48 in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDetails › Product Series\u003c\/td\u003e\n\u003ctd\u003eSCM\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDetails › Connectors\u003c\/td\u003e\n\u003ctd\u003eBLOCK\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Frequency Response\u003c\/td\u003e\n\u003ctd\u003e50 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Impedance Input\u003c\/td\u003e\n\u003ctd\u003e10 kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Impedance Output\u003c\/td\u003e\n\u003ctd\u003eLine: 60 Ω; Headphones: 300 Ω; Direct Out: 1000 Ω; Send\/Return: 1000 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Mic\u003c\/td\u003e\n\u003ctd\u003e-15 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Line\u003c\/td\u003e\n\u003ctd\u003e+22 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Aux\u003c\/td\u003e\n\u003ctd\u003e+22 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Send\/Return\u003c\/td\u003e\n\u003ctd\u003e+18 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Headphones\u003c\/td\u003e\n\u003ctd\u003e+12 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Direct Out\u003c\/td\u003e\n\u003ctd\u003e+18 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Total harmonic Distortion\u003c\/td\u003e\n\u003ctd\u003e\u0026lt; 0,1 % at +18 dBV output level, 50 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Input Channel Activation\u003c\/td\u003e\n\u003ctd\u003eInput Channel Activation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Attack Time\u003c\/td\u003e\n\u003ctd\u003e4 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Hold Time\u003c\/td\u003e\n\u003ctd\u003e0.4 s (Switchable to 1.0 s)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Decay Time\u003c\/td\u003e\n\u003ctd\u003e0.5 s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Off-Attenuation\u003c\/td\u003e\n\u003ctd\u003e15 dB (switchable to ∞)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Equalization\u003c\/td\u003e\n\u003ctd\u003eEqualization\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Low–frequency\u003c\/td\u003e\n\u003ctd\u003e6 dB\/octave cut, adjustable corner from 25 to 320 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › High–frequency\u003c\/td\u003e\n\u003ctd\u003e± 6 dB at 5 kHz, 8 dB at 10 kHz, shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Limiter\u003c\/td\u003e\n\u003ctd\u003eLimiter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Type\u003c\/td\u003e\n\u003ctd\u003ePeak\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Threshold Switchable\u003c\/td\u003e\n\u003ctd\u003eoff, +4, +8, +16 dBm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Recovery Time\u003c\/td\u003e\n\u003ctd\u003e300 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Indicator\u003c\/td\u003e\n\u003ctd\u003eLights red when limiting occurs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDetails › In the Box\u003c\/td\u003e\n\u003ctd\u003e1× Block Connectors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":49222269075711,"sku":"SCM810","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/403f93892f11779896f159647da91bb5.webp?v=1789557327"},{"product_id":"w-fair-16","title":"Blackmagic Fairlight Desktop Console","description":"\u003cp\u003eFairlight Desktop Console is an audio mixing control surface that allows you to mix multiple tracks at once! You get a familiar mixer design with 12 motorized faders, touch sensitive encoder knobs and illuminated buttons. The faders are extremely smooth to move and provide the perfect amount of resistance, allowing subtle adjustments. The console’s controls can be used for functions including pan, solo, mute, dynamics, EQ, plug‑in parameters and more. Each channel strip LCD displays meters, panning, track name and more. An HDMI output gives you instant graphic feedback for all channels, bus and effects from the desktop console.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eConnections › Computer Interface\u003c\/td\u003e\n\u003ctd\u003eUSB Type‑C.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConnections › Ethernet\u003c\/td\u003e\n\u003ctd\u003eEthernet supports 10\/100\/1000 BaseT.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConnections › HDMI Video Output\u003c\/td\u003e\n\u003ctd\u003e1 x HDMI Type A.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConnections › Updates and Configuration\u003c\/td\u003e\n\u003ctd\u003e1 x USB Type‑C for software configuration and software updates.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eStandards › HDMI Video Standards\u003c\/td\u003e\n\u003ctd\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware\u003c\/td\u003e\n\u003ctd\u003eInternal software upgrade via updater application.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSettings Control\u003c\/td\u003e\n\u003ctd\u003eFairlight Studio and Console setup utility software when connected by USB.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower Requirements › Power Supply\u003c\/td\u003e\n\u003ctd\u003eInternal 100 - 240V AC 50\/60Hz with IEC C14 mains input.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower Requirements › Power Usage\u003c\/td\u003e\n\u003ctd\u003e20W max.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEnvironmental Specifications › Operating Temperature\u003c\/td\u003e\n\u003ctd\u003e0° to 40°C (32° to 104°F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEnvironmental Specifications › Storage Temperature\u003c\/td\u003e\n\u003ctd\u003e-20° to 60°C (-4° to 140°F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEnvironmental Specifications › Relative Humidity\u003c\/td\u003e\n\u003ctd\u003e0% to 90% non-condensing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWhat's Included\u003c\/td\u003e\n\u003ctd\u003eFairlight Desktop Console; 1.5m USB‑C Cable.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWarranty\u003c\/td\u003e\n\u003ctd\u003e1 Year Limited Manufacturer’s Warranty.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49222382027007,"sku":"W-FAIR-16","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/fairlight-desktop-console-xl.jpg?v=1789557457"},{"product_id":"w-fair-17","title":"Blackmagic Fairlight Console Channel Fader","description":"\u003cp\u003eFairlight Console Channel Fader gives you full mixing and automation control with 12 touch sensitive motorized faders, pan knobs, tally buttons and LCD displays for each channel, as well as automation controls and bank buttons for mapping tracks and buses to the faders! The faders are sculpted and weighted for comfort and feature smooth gliding, high precision motors that provide the sensitivity and feedback you need for the most sophisticated mixing sessions! Each channel strip features an LED display for track status along with mute, solo, call and automation buttons, and a customizable soft knob for panning.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eConnections › Ethernet\u003c\/td\u003e\n\u003ctd\u003eEthernet supports 10\/100\/1000 BaseT.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConnections › Updates and Configuration\u003c\/td\u003e\n\u003ctd\u003e1 x USB Type‑C for software configuration and software updates.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConnections › Software\u003c\/td\u003e\n\u003ctd\u003eInternal software upgrade via updater application.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConnections › Settings Control\u003c\/td\u003e\n\u003ctd\u003eFairlight Studio and Console setup utility software when connected by USB.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower Requirements › Power Supply\u003c\/td\u003e\n\u003ctd\u003eInternal 100 - 240V AC 50\/60Hz with IEC C14 mains input.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower Requirements › Power Usage\u003c\/td\u003e\n\u003ctd\u003e20W max.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEnvironmental Specifications › Operating Temperature\u003c\/td\u003e\n\u003ctd\u003e0° to 40°C (32° to 104°F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEnvironmental Specifications › Storage Temperature\u003c\/td\u003e\n\u003ctd\u003e-20° to 60°C (-4° to 140°F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEnvironmental Specifications › Relative Humidity\u003c\/td\u003e\n\u003ctd\u003e0% to 90% non-condensing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWhat's Included\u003c\/td\u003e\n\u003ctd\u003eFairlight Console Channel Fader\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWarranty\u003c\/td\u003e\n\u003ctd\u003e1 Year Limited Manufacturer’s Warranty.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49222383337727,"sku":"W-FAIR-17","price":504804.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/fairlight-console-channel-fader-xl.jpg?v=1789557459"},{"product_id":"w-fair-18","title":"Blackmagic Fairlight Console Channel Control","description":"\u003cp\u003eFairlight Console Channel Control is a multi function panel designed to extend the functionality of your channel faders. You get 12 groups of touch sensitive control knobs and illuminated buttons that can be assigned to a single channel, the 12 adjacent fader channels or the master bus. This gives you fast access to 192 different parameter controls per channel! Your selections control the LCD monitor so you have a precise display of your changes as you make them.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eConnections › Ethernet\u003c\/td\u003e\n\u003ctd\u003eEthernet supports 10\/100\/1000 BaseT.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUpdates and Configuration\u003c\/td\u003e\n\u003ctd\u003e1 x USB Type‑C for software configuration and software updates.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware\u003c\/td\u003e\n\u003ctd\u003eInternal software upgrade via updater application.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSettings Control\u003c\/td\u003e\n\u003ctd\u003eFairlight Studio and Console setup utility software when connected by USB.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower Requirements › Power Supply\u003c\/td\u003e\n\u003ctd\u003eInternal 100 - 240V AC 50\/60Hz with IEC C14 mains input.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower Requirements › Power Usage\u003c\/td\u003e\n\u003ctd\u003e20W max.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEnvironmental Specifications › Operating Temperature\u003c\/td\u003e\n\u003ctd\u003e0° to 40°C (32° to 104°F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEnvironmental Specifications › Storage Temperature\u003c\/td\u003e\n\u003ctd\u003e-20° to 60°C (-4° to 140°F)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEnvironmental Specifications › Relative Humidity\u003c\/td\u003e\n\u003ctd\u003e0% to 90% non-condensing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWhat's Included\u003c\/td\u003e\n\u003ctd\u003eFairlight Console Channel Control\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWarranty\u003c\/td\u003e\n\u003ctd\u003e1 Year Limited Manufacturer’s Warranty.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":49222384287999,"sku":"W-FAIR-18","price":308924.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/fairlight-console-channel-control-xl.jpg?v=1789557460"},{"product_id":"dis-ccu","title":"Shure DIS-CCU Central Control Unit","description":"\u003cp\u003eCentral control unit for use with MXC-series, 5900-series, or 6000-series conference and discussion units.\u003c\/p\u003e\n\u003cp\u003eCentral control unit for use with DDS5900 (standard) or MXC (requires optional Feature License). In DDS5900 mode, powers up to 60 microphone units and supports up to 250 units. Also supports 2 language channels. Two analog audio inputs for external sources such as wireless microphones, and 8 analog audio outputs for connection to videoconferencing system, A\/V recording equipment, supplemental sound reinforcement system, or wireless language distribution system.\u003c\/p\u003e\n\n\u003cp\u003eWith Feature License FL6000, the DIS-CCU can be used with MXC and 6000 series units serving up to 250 participants and 4 language channels. Additional Feature Licenses enable support for up to 3,800 participants, and up to 31 languages.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\u003cul\u003e\n\t\u003cli\u003eFully digital audio transmission of floor plus 31 interpretation channels and 8 conference microphone audio channels in a single digital bus cable structure using shielded CAT5e cables\u003c\/li\u003e\n\t\u003cli\u003eOLED display on the front enables the user to setup basic system configurations in terms of maximum number of speakers\/requests, microphone operation mode, etc.\u003c\/li\u003e\n\t\u003cli\u003eTCP\/IP Ethernet connection for web browser control, integration with optional SW6000 software suite, or third party external control system (AMX, Crestron, etc.)\u003c\/li\u003e\n\t\u003cli\u003eMulti-language web browser for system configuration, microphone\/request list control and basic operational parameters via tablet or computer\u003c\/li\u003e\n\t\u003cli\u003eBuilt-in seat table for attaching seat numbers and names to units using the web browser\u003c\/li\u003e\n\t\u003cli\u003e2 Analog audio inputs\u003c\/li\u003e\n\t\u003cli\u003e8 Analog audio outputs for distribution of audio from eight groups of units, the floor channel or the interpreter channels\u003c\/li\u003e\n\t\u003cli\u003eConnection for Emergency Evacuation Message (EEM) is available using ‘Audio In 2’ and a contact closure switch\u003c\/li\u003e\n\t\u003cli\u003eFirmware upgrade of the entire DCS6000 system is possible via a PC\u003c\/li\u003e\n\t\u003cli\u003ePowers up to 60 units without additional power supply (depending on unit type)\u003c\/li\u003e\n\t\u003cli\u003eLong life, low-noise built-in temperature regulated fan\u003c\/li\u003e\n\t\u003cli\u003eHorizontal orientation of air stream for easy stacking of units in 19\" racks\u003c\/li\u003e\n\t\u003cli\u003eExternal control possible via a ‘simple to use’ protocol for external control over Ethernet\u003c\/li\u003e\n\t\u003cli\u003eUsing DCS-LAN, a proprietary high-speed all-digital audio channel, data and power bus\u003c\/li\u003e\n\t\u003cli\u003eFour DCS-LAN chains powered by one external PS CU power supply\u003c\/li\u003e\n\t\u003cli\u003eVersatile test program available for testing the system performance, the conference units and the interpreter sets\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eBy \u003cstrong\u003euploading\u003c\/strong\u003e 'Feature Licenses' into the DIS-CCU the following \u003cstrong\u003eadditional features\u003c\/strong\u003e will be available:\u003c\/p\u003e\n\n\u003cul\u003e\n\t\u003cli\u003eControl of microphone units serving up to 3,800 participants\u003c\/li\u003e\n\t\u003cli\u003eVoting (1- to 5-button, with or without attendance check)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIn larger systems the EX 6010 Extension Unit, JB 6104 Junction Boxes, RP 6004 Repeater or PI-6000 Power Kit may be added to provide additional power or cabling flexibility.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Weight\u003c\/td\u003e\n\u003ctd\u003e2800 g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Headphone Output\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Buttons\u003c\/td\u003e\n\u003ctd\u003ePower, Menu Navigation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Nfc Card Slot\u003c\/td\u003e\n\u003ctd\u003eno\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Dimensions\u003c\/td\u003e\n\u003ctd\u003e426.0 × 44.0 × 186.0 mm (W×H×D) \/ 16.772 × 1.732 × 7.323 in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDetails › Product Series\u003c\/td\u003e\n\u003ctd\u003eMicroflex Complete\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Max. number of discussion units\u003c\/td\u003e\n\u003ctd\u003e250\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Number of discussion units powered by DIS-CCU\u003c\/td\u003e\n\u003ctd\u003eup to 60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Max. number of open \"floor\" microphones\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Max. number of languages (interpreter channels)\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Max. number of interpreter units\u003c\/td\u003e\n\u003ctd\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › DCS-LAN outputs\u003c\/td\u003e\n\u003ctd\u003eFour (4) RJ45 female sockets\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › TCP\/IP\u003c\/td\u003e\n\u003ctd\u003eRJ45 female sockets\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Analog Input 1\u003c\/td\u003e\n\u003ctd\u003eOne 3-pin female XLR socket (electronically balanced)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Nominal input level (Input 1)\u003c\/td\u003e\n\u003ctd\u003eswitchable ( 0 dBm (0.775V RMS, -10 dBm (0.245V RMS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Max. input level\u003c\/td\u003e\n\u003ctd\u003e+15 dBm (4.5V RMS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Input Impedance\u003c\/td\u003e\n\u003ctd\u003e50-100 kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Analog Input 2 (Audio In or EEM )\u003c\/td\u003e\n\u003ctd\u003eOne 3-pin female XLR socket (electronically balanced) with contact closure\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Analog audio out\u003c\/td\u003e\n\u003ctd\u003eEight (8) 3-pin male XLR sockets (electronically balanced)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Maximum load\u003c\/td\u003e\n\u003ctd\u003e\u0026gt; 1 k ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Nominal output level\u003c\/td\u003e\n\u003ctd\u003e0 dBm at nominal input\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Max. output level\u003c\/td\u003e\n\u003ctd\u003e4.9V RMS ~ +16 dBm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Power consumption\u003c\/td\u003e\n\u003ctd\u003e22W\/48V (150W max.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Supply voltage for microphone units\u003c\/td\u003e\n\u003ctd\u003e122W\/48V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Sound quality\u003c\/td\u003e\n\u003ctd\u003e24 bit audio, 32 kHz sampling frequency\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Frequency response\u003c\/td\u003e\n\u003ctd\u003e65 Hz-16 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › THD\u003c\/td\u003e\n\u003ctd\u003e\u0026lt; 0.1 %\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Signal-to-noise ratio\u003c\/td\u003e\n\u003ctd\u003e\u0026gt; 85 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Mounting\u003c\/td\u003e\n\u003ctd\u003etabletop, standard 19\" rack\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Dimensions (H x W x D)\u003c\/td\u003e\n\u003ctd\u003e( 44.4 x 426 x 186 mm ),( 1.75 x 16.8 x 7.2 in. )\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Color\u003c\/td\u003e\n\u003ctd\u003eBlack\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Weight\u003c\/td\u003e\n\u003ctd\u003e2.8 kg (6.17 lbs. )\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Temperature range - Operation\u003c\/td\u003e\n\u003ctd\u003e5° to 40° C, 35-80% humidity\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Temperature range - Storage\u003c\/td\u003e\n\u003ctd\u003e-20° to 60° C, 10-80% humidity\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Main voltage\u003c\/td\u003e\n\u003ctd\u003e100-240 V, 50-60 Hz nominal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Max. consumption\u003c\/td\u003e\n\u003ctd\u003e175 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Total supply power\u003c\/td\u003e\n\u003ctd\u003e144 W (power factor: \u0026gt;0.95)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Standby consumption\u003c\/td\u003e\n\u003ctd\u003e\u0026lt;0.15 W (no load)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Supply voltage\u003c\/td\u003e\n\u003ctd\u003e48V\/3A @ 40°C ( De-rate linearly to 50% @ 60°C )\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Efficiency\u003c\/td\u003e\n\u003ctd\u003e89%, typical\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFurther Specs › Inrush Current\u003c\/td\u003e\n\u003ctd\u003e230 V: \u0026lt;80 A , 115 V: \u0026lt;40 A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Shure","offers":[{"title":"Default Title","offer_id":49222417219839,"sku":"DIS-CCU","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/8420feb5f46665ad3bb1629d00f29a30.webp?v=1789557521"},{"product_id":"bridge-cast","title":"Roland BRIDGE CAST Dual Bus Gaming Mixer","description":"\u003cp\u003eTake online gaming sound to the next level with BRIDGE CAST, your all-in-one solution for premium livestream audio. This customizable desktop hub is packed with secret weapons to take out the competition, including dual sound mixes, vocal transformer effects, music playback, sound effects, and support for a broadcast-grade mic and headphones. In the heat of the battle, BRIDGE CAST ensures that your audio is always as epic as your gameplay. The companion BRIDGE CAST app takes your experience even further, allowing you to customize BRIDGE CAST audio features and enhance streams with royalty-free background music tracks and sound effects via BGM CAST and Roland Cloud.\u003c\/p\u003e\n\u003cp\u003eLearn how BRIDGE CAST's powerful audio tools will elevate your gaming streams with professional sound quality and easy real-time mixing control.\u003c\/p\u003e\n\u003cp\u003eBRIDGE CAST gives you what you need to deliver outstanding sound in every session, coupled with killer sonic tools to help you stand out from the crowd. Roland has been a leading innovator in electronic music and audio\/video gear for over 50 years. With BRIDGE CAST on your desktop, you’ll be driving your sound with the brand trusted by generations of top creators worldwide.\u003c\/p\u003e\n\u003cp\u003eCustomize the audio and panel functions with the companion app.\u003c\/p\u003e\n\u003cp\u003eSet up personal and stream mixes with the hands-on controls.\u003c\/p\u003e\n\u003cp\u003eBRIDGE CAST lets you chat and interact using a broadcast-grade dynamic or condenser microphone, the foundation of any professional audio setup. The high-performance XLR mic preamp delivers clear, dynamic sound in the box, with no need for messy external add-ons. You get superior audio monitoring too, with a powerful headphone amplifier and high-sensitivity output for pro-quality phones. The versatile headphones connector also supports a headset mic for a quick, single-cable connection.\u003c\/p\u003e\n\u003cp\u003eWith the dual audio mixer in BRIDGE CAST, you can independently balance the mic level, team chats, gameplay sounds, and background music for you and your viewers. Give yourself a winning advantage with a personal mix that prioritizes what you need to hear while gaming. Then create a separate stream mix that’s perfectly balanced for maximum online engagement.\u003c\/p\u003e\n\u003cp\u003eAlong with a headphones output, BRIDGE CAST has a line output for external gaming speakers. Level knobs for each output let you easily control volumes and smoothly transition between phones and speakers during gameplay. There’s also a dedicated streaming level control to dial in the sound for your online audience.\u003c\/p\u003e\n\u003cp\u003eMorph your voice and become your character with fun processing derived from Roland’s famous VT voice transformer products. Adjust the pitch and formant to change your age or gender. Or go even further and take on the persona of a beast or alien. BRIDGE CAST also includes EQ, compression, and other pro vocal processing to level up your streams. A low-cut filter softens pesky “P” and “T” plosives, while the de-esser cleans up harsh “S” tones. There’s a noise suppressor to throttle background distractions, plus reverb to launch your voice into another dimension. And with the muscular hardware DSP handling the audio load, all your computer power is dedicated to gaming and streaming.\u003c\/p\u003e\n\u003cp\u003eImmerse yourself in 5.1 or 7.1 virtual surround sound for headphones and stereo speaker systems, powered by advanced Roland technology. Audio is converted from a PC to virtual surround sound via a USB connection, delivering a powerful and engaging sound experience.\u003c\/p\u003e\n\u003cp\u003eSlay your competition by highlighting important game sounds with Game EQ presets. Pinpoint audio frequencies and boost their levels to make it easier to hear critical elements, like enemy footsteps in first-person shooter games. You can even fine-tune while visually monitoring the analyzed waveform in real time. Once you find the ideal settings for different game titles, save them in onboard profiles and call them up with quick button presses while playing.\u003c\/p\u003e\n\u003cp\u003eBuilding your brand is an essential part of creating an online following. Choose your core BRIDGE CAST look with bold Black and Ice White finish options. And take it to another level by customizing the detachable faceplate using our downloadable skin template, which allows you to personalize the panel with your team or gamertag design. It’s also possible to customize the LED colors of the four control knobs for additional flair.\u003c\/p\u003e\n\u003cp\u003eThe ergonomic BRIDGE CAST panel lets you easily control your mix while staying focused on the game. Everything you need is at your fingers, including grab-and-go level knobs and assignable buttons for muting sounds and accessing various functions. The rock-solid design won’t move around on your desktop, and the discrete rear-panel connections keep clutter in check.\u003c\/p\u003e\n\u003cp\u003eThe powerful BRIDGE CAST app works in tandem with the hardware, giving you full access to an array of in-depth features. Dial in mic and audio parameters, configure Game EQ presets, and more. You can also re-assign hardware controls for your needs and save\/recall custom BRIDGE CAST configurations for different games and streaming audiences.\u003c\/p\u003e\n\u003cp\u003eUsing the BRIDGE CAST app, effortlessly tailor your sound with intuitive microphone settings for speed and precision. The version 5.00 update allows you to adjust EQ with quick-access controls and use the studio-grade compressor to achieve a clean, professional vocal sound with a single fader. There's also an expander that minimizes unwanted background noise without unnatural artifacts.\u003c\/p\u003e\n\u003cp\u003eWith BGM CAST, adding background music and sonic color to streams has never been easier. Available through the BRIDGE CAST app and Roland Cloud, BGM CAST puts a growing selection of royalty-free background music and sound effects at your fingertips. Choose music by mood and genre or create playlists of your favorites for stress-free music management. You can also assign sound effects to the four hardware buttons for instant triggering. A free Roland Account provides 36 background music tracks and 16 sound effects to use at no charge. Signing up for Roland Cloud Core membership through the BRIDGE CAST app unlocks thousands of additional music tracks and hundreds of sound effects, with new selections added each month. Membership also includes powerful tools for modern music creators, including the ZENOLOGY synthesizer, Zenbeats production software, Sound Packs, and more. Get the BRIDGE CAST App\u003c\/p\u003e\n\u003cp\u003eIf you need a unified audio and video solution, be sure to check out BRIDGE CAST X. This sister model includes all the audio features from BRIDGE CAST, plus video streaming features like multiple USB-C and HDMI ports, assignable control pads, and more. For a simplified setup and essential controls, discover BRIDGE CAST ONE.\u003c\/p\u003e\n\u003cp\u003eCompany names and product names appearing on this page are registered trademarks or trademarks of their respective owners.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input Channel\u003c\/td\u003e\n\u003ctd\u003eMIC \/ AUX \/ CHAT (*1) \/ GAME (*1) \/ MUSIC (*1) \/ SYSTEM (*1) \/ USB (*2) \/ (*1) When the USB port connection setting is \"PC\" \/ (*2) When the USB port connection setting is \"CONSOLE\/MOBILE\"\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Output Channel\u003c\/td\u003e\n\u003ctd\u003eLINE OUT \/ PHONES \/ MIC (*3) \/ STREAM (*3) \/ PERSONAL (*3) \/ USB(*4) \/ (*3) When the USB port connection setting is \"PC\" \/ (*4) When the USB port connection setting is \"CONSOLE\/MOBILE\"\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Connectors\u003c\/td\u003e\n\u003ctd\u003eMIC jack: XLR type (Phantom power DC 48 V, 6 mA Max) \/ PHONES\/HEADSET jack: Stereo miniature phone type (CTIA, PLUG-IN power) \/ AUX jack: Stereo miniature phone type (TRRS) \/ LINE OUT jack: Stereo miniature phone type (TRS) \/ USB port: USB Type-C (R) \/ USB DC 5V port: USB Type-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Audio Mixing Bus\u003c\/td\u003e\n\u003ctd\u003e2 (STREAM MIX, PERSONAL MIX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Sampling Frequency\u003c\/td\u003e\n\u003ctd\u003eWindows: 44.1 kHz, 48 kHz, 96 kHz \/ macOS\/iOS\/Other: 48 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Signal Processing\u003c\/td\u003e\n\u003ctd\u003eAD\/DA: 24 bits \/ Internal Processing: 32-bit Floating point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Effects\u003c\/td\u003e\n\u003ctd\u003eMIC: Voice Changer, Noise Suppressor, Compressor, Equalizer, De-esser, Reverb, Low Cut \/ CHAT: De-esser, Compressor \/ GAME: Equalizer \/ STREAM: Delay\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Audio File Player\u003c\/td\u003e\n\u003ctd\u003eNumber of tracks: 2 \/ Data Formats: WAV (Linear PCM, 48 kHz, 16 bits, stereo\/mono) \/ Maximum Time: 5 seconds\/track\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input Level\u003c\/td\u003e\n\u003ctd\u003eMIC: -85.5--10.5 dBu (Maximum: +1.5 dBu) \/ HEADSET MIC: -58.5--20.5 dBu (Maximum: -8.5 dBu) \/ AUX: -10 dBu (Maximum: +2 dBu)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input Impedance\u003c\/td\u003e\n\u003ctd\u003eMIC: 3.4 k ohms \/ HEADSET MIC: 1.3 k ohms \/ AUX: 10 k ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Output Level\u003c\/td\u003e\n\u003ctd\u003eLINE OUT: -4 dBu (Maximum: +8 dBu) \/ PHONES\/HEADSET: -1 dBu (Maximum: +11 dBu) \/ PHONES\/HEADSET: 78 mW + 78 mW (32 ohms) \/ PHONES\/HEADSET: 35 mW + 35 mW (250 ohms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Output Impedance\u003c\/td\u003e\n\u003ctd\u003eLINE OUT: 1 k ohm \/ PHONES\/HEADSET: 10 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Power\u003c\/td\u003e\n\u003ctd\u003eUSB bus power \/ USB AC adaptor (commercially available) \/ * Use an USB AC adaptor that can supply 5 V, 1.0 A or more.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Current Draw\u003c\/td\u003e\n\u003ctd\u003e5 V DC, 900 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Operating System\u003c\/td\u003e\n\u003ctd\u003eMicrosoft Windows 10, Windows 11 \/ Apple macOS 11 or later \/ Apple iOS 15 or later \/ * Although Roland has tested numerous configurations, and has determined that on average, a computer system similar to that described above will permit normal operation of the BRIDGE CAST, Roland cannot guarantee that a given computer can be used satisfactorily with the BRIDGE CAST based solely on the fact that it meets the above requirements. This is because there are too many other variables that may influence the processing environment, including differences in motherboard design and the particular combination of other devices involved.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eLeaflet \"Read Me First\" \/ USB 2.0 Type-C to Type-C Cable (2 m, 6.5 feet) \/ USB 2.0 Type-C to Type-A Cable (2 m, 6.5 feet)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize and Weight › Width\u003c\/td\u003e\n\u003ctd\u003e222 mm \/ 8.7 inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize and Weight › Depth\u003c\/td\u003e\n\u003ctd\u003e110 mm \/ 4.3 inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize and Weight › Height\u003c\/td\u003e\n\u003ctd\u003e70 mm \/ 2.8 inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize and Weight › Weight\u003c\/td\u003e\n\u003ctd\u003e450 g \/ 1 lb\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Roland Pro AV","offers":[{"title":"Default Title","offer_id":49267852935423,"sku":null,"price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_58462a7b-a916-47ce-ad22-06f4a5cd9382.jpg?v=1790115764"},{"product_id":"bridge-cast-one","title":"Roland BRIDGE CAST ONE Dual Bus Streaming Mixer","description":"\u003cp\u003eLevel up your gaming and streaming sound with BRIDGE CAST ONE, a compact livestreaming audio mixer with hands-on controls. Gain a competitive advantage with powerful features like dual bus mixes, vocal transformer effects, fast-access presets, and support for a broadcast-grade mic and headphones. For even more control, the companion BRIDGE CAST app offers extended audio tools and royalty-free background music and sound effects through BGM CAST on Roland Cloud.\u003c\/p\u003e\n\u003cp\u003eWatch how the streamlined audio tools in BRIDGE CAST ONE make it easy to upgrade your streams with enhanced sound quality and real-time controls.\u003c\/p\u003e\n\u003cp\u003eWith BRIDGE CAST ONE, your online sound is always on par with your gameplay. Backed by 50 years of Roland AV technology, it gives you all the essentials for mixing streams with professional quality. Sleek, multi-function controls provide instant access to vital functions, supported by a deep selection of extended tools in the BRIDGE CAST app.\u003c\/p\u003e\n\u003cp\u003eA great mic is key if you want to sound like a pro. Chat and broadcast online with crystal-clear audio using a high-quality dynamic or condenser microphone connected to the XLR input. The onboard preamp delivers rich, dynamic sound, eliminating the need for external preamps or costly mic activators. Set up is simple with mic rehearsal mode—just follow the quick-start guide in the app. It’s also possible to connect a headset mic via the mini headphone jack.\u003c\/p\u003e\n\u003cp\u003eThe pro audio tools in BRIDGE CAST ONE mean you’ll always keep your audience engaged and your teammates aligned. Quickly manage game sounds and chat audio with a single multi-function knob. Stream clear sound with EQ, compression, noise suppression, and other tools. Add spaciousness with a high-quality reverb effect.\u003c\/p\u003e\n\u003cp\u003eBalance Mode makes it easier to adjust game and chat volumes. It functions like a fader on an audio mixer, enabling you to control both channels smoothly. You can set volume limits for each channel in the app, ensuring a proper balance even if the default game or chat audio is too loud, so you can focus on the game.\u003c\/p\u003e\n\u003cp\u003eEffortlessly tailor your sound within the BRIDGE CAST app with intuitive microphone settings for speed and precision. With the Version 5.00 update, you can adjust EQ with quick-access controls and use the studio-grade compressor to achieve a clean, professional vocal sound with a single fader. There's also an expander that minimizes unwanted background noise without unnatural artifacts.\u003c\/p\u003e\n\u003cp\u003eEnhance game sounds and dominate your competition with customizable Game EQ presets. You can even fine-tune while visually monitoring the analyzed waveform in real time. Call up a custom mix highlighting crucial audio elements, or craft a distinct stream mix to boost your online interaction. A limiter also automatically lowers loud game sounds like gunshots and explosions, reducing ear strain during long sessions.\u003c\/p\u003e\n\u003cp\u003eEnvelop yourself in your adventures with 5.1 or 7.1 virtual surround sound for headphones and stereo speaker systems, powered by advanced Roland technology. Audio is converted from a PC to virtual surround sound via a USB connection, providing a powerful and immersive sound experience. Use the BRIDGE CAST app to customize the virtual speaker angles and effortlessly shape your sound.\u003c\/p\u003e\n\u003cp\u003eBRIDGE CAST ONE features cutting-edge voice morphing technology derived from Roland's renowned VT vocal transformer products. Effortlessly morph your voice to alter your age or gender and match your avatar. Or take on the character of a beast or alien.\u003c\/p\u003e\n\u003cp\u003eThe companion BRIDGE CAST app is filled with features that seamlessly integrate with the hardware. Create independent audio mixes for you and your audience by balancing the microphone level, team chats, and gameplay sounds. Add background music to enhance your streams. Configure Game EQ presets, set LED colors, and more. And customize the three hardware buttons to execute the commands you need on the fly.\u003c\/p\u003e\n\u003cp\u003eWith BGM CAST, adding background music and sonic color to streams has never been easier. Available through the BRIDGE CAST app and Roland Cloud, BGM CAST puts a growing selection of royalty-free background music and sound effects at your fingertips. Choose music by mood and genre or create playlists of your favorites for stress-free music management. You can also assign sound effects to the BRIDGE CAST ONE hardware buttons for instant triggering. A free Roland Account provides 36 background music tracks and 16 sound effects to use at no charge. Signing up for Roland Cloud Core membership through the BRIDGE CAST app unlocks thousands of additional music tracks and hundreds of sound effects, with new selections added each month. Membership also includes powerful tools for modern music creators, including the ZENOLOGY synthesizer, Zenbeats production software, Sound Packs, and more. Get the BRIDGE CAST App\u003c\/p\u003e\n\u003cp\u003eCompany names and product names appearing on this page are registered trademarks or trademarks of their respective owners.\u003c\/p\u003e\n\u003cp\u003eBRIDGE CAST ONE is part of an expanding family of pro streaming products for online gamers and content creators.\u003c\/p\u003e\n\u003cp\u003eThe original BRIDGE CAST offers the primary features of BRIDGE CAST ONE, plus extended hardware controls and expanded connectivity options.\u003c\/p\u003e\n\u003cp\u003eIf you need a unified audio and video solution, be sure to check out BRIDGE CAST X. This sister model includes all the audio features from BRIDGE CAST, plus video streaming features like multiple USB-C and HDMI ports, assignable control pads, and more.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input Channel\u003c\/td\u003e\n\u003ctd\u003eMIC \/ AUX \/ USB CHAT (*1) \/ USB GAME (Speakers) (*1) \/ USB MUSIC (*1) \/ USB SYSTEM (*1) \/ USB CONSOLE (Speakers) (*2) \/ (*1) When the USB port connection setting is \"PC\" \/ (*2) When the USB port connection setting is \"CONSOLE\"\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Output Channel\u003c\/td\u003e\n\u003ctd\u003eLINE OUT \/ PHONES \/ AUX (*3) \/ USB MIC (*4) \/ USB STREAM (*4) \/ USB PERSONAL (*4) \/ USB CONSOLE (Microphone) (*5) \/ (*3) Microphone audio is output from the CTIA MIC jack \/ (*4) When the USB port connection setting is \"PC\" \/ (*5) When the USB port connection setting is \"CONSOLE\"\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Audio Mixing Bus\u003c\/td\u003e\n\u003ctd\u003e2 (STREAM MIX, PERSONAL MIX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Sampling Frequency\u003c\/td\u003e\n\u003ctd\u003eWindows: 44.1 kHz, 48 kHz, 96 kHz \/ macOS\/Other: 48 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Signal Processing\u003c\/td\u003e\n\u003ctd\u003eAD\/DA: 24 bits \/ Internal Processing: 32-bit Floating point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Effects\u003c\/td\u003e\n\u003ctd\u003eMIC: Voice Changer, Noise Suppressor, Compressor, Equalizer, De-esser, Reverb, Low Cut \/ CHAT: De-esser, Compressor \/ GAME\/AUX (*6): Equalizer, Limiter, Virtual Surround \/ STREAM: Delay \/ (*6) Select with GAME EFFECTS setting\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Audio File Player\u003c\/td\u003e\n\u003ctd\u003eNumber of tracks: 2 \/ Data Formats: WAV (Linear PCM, 48 kHz, 16 bits, stereo\/mono) \/ Maximum Time: 5 seconds\/track\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input Level\u003c\/td\u003e\n\u003ctd\u003eMIC: -85-- -10 dBu (Maximum: +2 dBu) \/ HEADSET MIC: -58.5-- -20.5 dBu (Maximum: -8.5 dBu) \/ AUX: -10 dBu (Maximum: +2 dBu)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input Impedance\u003c\/td\u003e\n\u003ctd\u003eMIC: 3.4 k ohms \/ HEADSET MIC: 1.3 k ohms \/ AUX: 10 k ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Output Level\u003c\/td\u003e\n\u003ctd\u003eLINE OUT: -4 dBu (Maximum: +8 dBu) \/ HEADSET: +1 dBu (Maximum: +13 dBu) \/ HEADSET: 78 mW + 78 mW (32 ohms) \/ HEADSET: 35 mW + 35 mW (250 ohms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Output Impedance\u003c\/td\u003e\n\u003ctd\u003eLINE OUT: 1 k ohm \/ HEADSET: 10 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Connectors\u003c\/td\u003e\n\u003ctd\u003eMIC jack: XLR type (Phantom power DC 48 V, 6 mA Max) \/ HEADSET jack: Stereo miniature phone type (CTIA, PLUG-IN power) \/ AUX jack: Stereo miniature phone type (TRRS) \/ LINE OUT jack: Stereo miniature phone type (TRS) \/ USB port: USB Type-C (R) (Audio\/MIDI\/HID Supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Power\u003c\/td\u003e\n\u003ctd\u003eUSB bus power \/ * Connect to a USB connector that can supply 5 V, 900 mA or more.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Current Draw\u003c\/td\u003e\n\u003ctd\u003e5 V DC, 900 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Operating System\u003c\/td\u003e\n\u003ctd\u003eMicrosoft Windows 10, Windows 11 \/ Apple macOS 12 or later \/ * Although Roland has tested numerous configurations, and has determined that on average, a computer system similar to that described above will permit normal operation of the BRIDGE CAST ONE, Roland cannot guarantee that a given computer can be used satisfactorily with the BRIDGE CAST ONE based solely on the fact that it meets the above requirements. This is because there are too many other variables that may influence the processing environment, including differences in motherboard design and the particular combination of other devices involved.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eLeaflet \"Read Me First\" \/ USB 2.0 Type-C to Type-C Cable (2 m, 6.5 feet)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize and Weight › Width\u003c\/td\u003e\n\u003ctd\u003e111 mm \/ 4.4 inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize and Weight › Depth\u003c\/td\u003e\n\u003ctd\u003e109 mm \/ 4.3 inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize and Weight › Height\u003c\/td\u003e\n\u003ctd\u003e56 mm \/ 2.2 inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize and Weight › Weight\u003c\/td\u003e\n\u003ctd\u003e275 g \/ 9.7 oz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Roland Pro AV","offers":[{"title":"Default Title","offer_id":49267853459711,"sku":null,"price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_534bb229-ebbd-4c0c-b116-25b44009fe7b.jpg?v=1790115765"},{"product_id":"gomixer-studio","title":"Roland GO:MIXER Studio","description":"\u003cp\u003eMade for performance video creators and music artists, GO:MIXER STUDIO infuses our portable mixer\/interface platform with new power, flexibility, and range. Enhanced sound quality, expanded I\/O, and onboard effects unlock more creative possibilities, supported by an intuitive interface with hands-on knobs and a color display. Powerful companion apps make your workflow even smoother, allowing you to capture videos with multitrack audio and control deep mixing functions on the spot. Whether creating videos with your iPhone\/iPad or producing songs with music software, GO:MIXER STUDIO makes it easy to capture multiple audio sources with studio-grade sound wherever inspiration strikes.\u003c\/p\u003e\n\u003cp\u003eToday’s smartphones and tablets enable you to capture stunning video everywhere you travel. GO:MIXER STUDIO is the ultimate accessory for serious creators who use iOS devices, providing a convenient way to record multi-channel sound with the quality to match the video. Its portable design is always ready for action, from outdoor locations to studio environments. This versatile device also works for DAW music production, or as a standalone mixer for live performances, podcasts, and more.\u003c\/p\u003e\n\u003cp\u003eGO:MIXER STUDIO delivers exceptional sound in an amazingly compact size. Support for rates up to 24-bit\/192 kHz allows you to record multi-channel sources with audio quality that rivals top studios. Complete mixer setups can be stored in 16 scene memories, so you can start working with the touch of a button.\u003c\/p\u003e\n\u003cp\u003eWith a generous selection of inputs, GO:MIXER STUDIO lets you tackle any creative scenario. Two XLR mic\/line inputs feature high-quality mic preamps with a wide gain range, allowing for the capture of vocals, acoustic instruments, and other sources in any environment. There’s also a dedicated guitar\/bass input, plus 1\/4-inch inputs for a stereo instrument like a keyboard, V-Drums kit, or Aerophone. Use the aux input for additional stereo sources, complete with TRRS support for bidirectional audio with mobile devices.\u003c\/p\u003e\n\u003cp\u003eGO:MIXER STUDIO provides multiple ways to monitor sound on the go. There’s a 1\/4-inch jack for standard studio headphones, along with a mini jack for wired ear buds. The mini jack also supports a headset or an inline microphone, providing an additional recording source. Two 1\/4-inch line outputs are available to connect to a speaker system in a studio or an indoor shooting location, and sound control is simple with dedicated knobs on the panel.\u003c\/p\u003e\n\u003cp\u003eWith a suite of effects at your fingertips, you can polish sounds without the need for external gear. You get a three-band EQ, plus a compressor and reverb modeled after high-end studio processors. Apply processing while recording to capture a finished sound. Or use it for monitoring only and add your own processing later in your favorite DAW.\u003c\/p\u003e\n\u003cp\u003eThe GO:MIXER Cam app for iOS surpasses the capabilities of standard camera apps, letting you capture multitrack audio alongside your videos. Record independent audio for every GO:MIXER STUDIO input, then mix it after the video recording to create the perfect balance. It’s also possible to export your multitrack files for mixing in a DAW or computer video editor.\u003c\/p\u003e\n\u003cp\u003eWith the panel controls and color display, you can efficiently control sessions directly on GO:MIXER STUDIO. To streamline your workflow even further, check out the GO:MIXER Editor for macOS and Windows. This powerful app provides access to all GO:MIXER STUDIO parameters on your computer’s large display, making it perfect for managing large sessions both in and out of the studio.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Number of USB Audio Channels\u003c\/td\u003e\n\u003ctd\u003eInput: 12 channels \/ Output: 6 channels \/ * At 192 kHz sample rate: 8 input channels, 4 output channels\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Sample Rate\u003c\/td\u003e\n\u003ctd\u003eAD\/DA conversion: 44.1 kHz, 48 kHz, 96 kHz, 192 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Signal Processing\u003c\/td\u003e\n\u003ctd\u003eAD\/DA conversion: 24 bits \/ Internal Processing: 32-bit Floating point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Connectors\u003c\/td\u003e\n\u003ctd\u003eMIC\/LINE (1, 2) jacks: XLR type (Phantom power DC 48 V, 10 mA Max) \/ GUITAR\/BASS jack: 1\/4-inch phone type (supports high impedance) \/ LINE IN (L, R) jacks: 1\/4-inch phone type \/ AUX jack: Stereo miniature phone type (TRRS) \/ PHONES jack: Stereo 1\/4-inch phone type \/ PHONES (MINI) jack: Stereo miniature phone type (CTIA, PLUG-IN power) \/ LINE OUT (L, R) jacks: 1\/4-inch phone type \/ MIDI (IN, OUT) jacks: Stereo miniature phone type \/ USB port: USB Type-C (R) (USB Audio Class 2.0\/1.0, MIDI) \/ POWER port: USB Type-C (R)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Effects\u003c\/td\u003e\n\u003ctd\u003eMIC\/LINE: Equalizer, Compressor (*2), Reverb (*2) \/ GUITAR\/BASS: Equalizer, Compressor (*1,2), Reverb (*2) \/ LINE IN: Equalizer, Compressor (*1, *2) \/ AUX: Equalizer, Compressor (*1, *2) \/ HEADSET MIC: Equalizer, Compressor (*1, *2) \/ PHONES: Equalizer \/ LINE OUT: Equalizer \/ (*1) Operation at 96 kHz sample rate is not supported. \/ (*2) Operation at 192 kHz sample rate is not supported.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Scene Memory\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input Level\u003c\/td\u003e\n\u003ctd\u003eMIC\/LINE: -83.0-- -8 dBu (Maximum: +4 dBu) \/ GUITAR\/BASS: -44-- -4 dBu (Maximum: +17 dBu (PAD ON)) \/ LINE IN: -4 dBu (Maximum: +8 dBu) \/ HEADSET MIC: -22.5 dBu (Maximum: -10.5 dBu) \/ AUX: -10 dBu(Maximum: +2 dBu)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input Impedance\u003c\/td\u003e\n\u003ctd\u003eMIC\/LINE: 5.6 k ohms (balanced) \/ GUITAR\/BASS: 1 M ohms \/ LINE IN: 9.1 k ohms \/ HEADSET MIC: 1.5 k ohms \/ AUX: 9.1 k ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Output Level\u003c\/td\u003e\n\u003ctd\u003eLINE OUT: -4 dBu (Maximum: +8 dBu) \/ AUX: -32 dBu (Maximum: -20 dBu) \/ PHONES: -4 dBu (Maximum: +8 dBu) \/ PHONES: 69 mW + 69 mW (32 ohms) \/ PHONES: 18 mW + 18 mW mW (250 ohms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Output Impedance\u003c\/td\u003e\n\u003ctd\u003eLINE OUT: 1.8 k ohm \/ AUX: 940 ohms \/ PHONES: 10 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Display\u003c\/td\u003e\n\u003ctd\u003eGraphic color LCD 320 x 240 dots\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Power\u003c\/td\u003e\n\u003ctd\u003eUSB bus power \/ USB PD compatible AC adapter (commercially available)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Current Draw\u003c\/td\u003e\n\u003ctd\u003e5 V DC, 0.5--3 A \/ 9 V DC, 3 A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Operating System\u003c\/td\u003e\n\u003ctd\u003eMicrosoft Windows 11 \/ Apple macOS 15 or later \/ Apple iOS\/iPadOS 18 or later (USB-C Connector Equipped Model) \/ * Although Roland has tested numerous configurations, and has determined that on average, a computer system similar to that described above will permit normal operation of the GO:MIXER STUDIO, Roland cannot guarantee that a given computer can be used satisfactorily with the GO:MIXER STUDIO based solely on the fact that it meets the above requirements. This is because there are too many other variables that may influence the processing environment, including differences in motherboard design and the particular combination of other devices involved.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eLeaflet \"Read Me First\" \/ USB Type-C to Type-C Cable (1.5 m, 5 feet)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize and Weight › Width\u003c\/td\u003e\n\u003ctd\u003e110 mm \/ 4-3\/8 inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize and Weight › Depth\u003c\/td\u003e\n\u003ctd\u003e156 mm \/ 6-3\/16 inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize and Weight › Height\u003c\/td\u003e\n\u003ctd\u003e65 mm \/ 2-9\/16 inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize and Weight › Weight\u003c\/td\u003e\n\u003ctd\u003e440 g \/ 1 lb\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Roland Pro AV","offers":[{"title":"Default Title","offer_id":49267855491327,"sku":null,"price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_edd49130-6f2c-4872-b8e8-85699dabfb3c.jpg?v=1790209171"},{"product_id":"ad-200","title":"Datavideo AD-200 Audio Mixer","description":"\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eModel Number\u003c\/td\u003e\n\u003ctd\u003eAD-200\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAudio Input\u003c\/td\u003e\n\u003ctd\u003e6x XLR, 2x RCA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAudio Output\u003c\/td\u003e\n\u003ctd\u003e4x XLR, 2x RCA, 1x 3.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAudio Indicator\u003c\/td\u003e\n\u003ctd\u003e1.77\" Color OLED\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAudio Delay\u003c\/td\u003e\n\u003ctd\u003eUp to 3000ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAudio Sample Rates\u003c\/td\u003e\n\u003ctd\u003e48 KHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecial Feature\u003c\/td\u003e\n\u003ctd\u003eAudio Delay and Mix, delay by channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChassis\u003c\/td\u003e\n\u003ctd\u003e2 units, rack-mount mainframe\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower\u003c\/td\u003e\n\u003ctd\u003eDC 12V 19W (front) DC 12V 16W (rear)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimension (LxWxH)\u003c\/td\u003e\n\u003ctd\u003e440 x 126 x 42 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e1.8 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOperating Temp. Range\u003c\/td\u003e\n\u003ctd\u003e0~40 °C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWhat's in the Box\u003c\/td\u003e\n\u003ctd\u003e1 x AD-200 main unit 1 x AD-200 control unit 1 x AD Switch DC 12V 1 x D-SUB cable, Male to MALE,Cable 1 x 3.5mm Stereo Cable, 1.2m 4 x 1U rack kit 16 x Screws M4 x 8mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Datavideo","offers":[{"title":"Default Title","offer_id":49268105019647,"sku":"AD-200","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_f0eb04a5-3920-4226-b520-d01a5ba5bccf.jpg?v=1790009942"},{"product_id":"mg166c-usb","title":"Yamaha MG166C-USB 20-Input USB Mixing Console","description":"\u003cp\u003eDirect digital recording capability with the supplied Cubase AI4 software\u003c\/p\u003e\u003ch3\u003eUSB models for live recording\u003c\/h3\u003e\u003cp\u003eWhether you have a mixing applications that involves only a few channels, or up to 32 inputs with substantial signal routing versatility, Yamaha's MG-series offers a console that will give you the capacity, control, and performance you deserve. All models are remarkably compact and lightweight for superior handling and portability, but absolutely no compromises have been made in terms of features, performance, or durability. The MG mixers offer an extraordinary blend of technology: some inherited from professional Yamaha mixing consoles you're likely to see in distinguished halls throughout the world, and some developed specifically to deliver optimum performance in the MG-console format. In either case these performance-packed mixers are founded on a world-spanning network of human and technological resources that crystallize to deliver features that really matter, and sound that is undeniably superior.\u003c\/p\u003e\u003ch3\u003eEasy live recording with bundled Cubase AI\u003c\/h3\u003e\u003cp\u003eCubase AI4 harnesses the power of the Steinberg Cubase 4 digital audio workstation for use with Yamaha MG \"USB\" mixers, providing a powerful set of advanced software tools that are easy to use while significantly expanding the mixers' recording and production capabilities. Cubase AI4 offers direct digital connectivity to the stereo buses of MG \"USB\" models for audio recording and editing. It also features a range of MIDI sequencing capabilities, an entire suite of VST effect plug-ins, and a HALion One sample player featuring selected waves from the famed Yamaha Motif synthesizers.\u003c\/p\u003e\u003ch3\u003eCubase AI4 Features\u003c\/h3\u003e\u003cp\u003eCubase 4 audio engine.\u003c\/p\u003e\u003cp\u003e48 audio tracks and up to 64 MIDI tracks.\u003c\/p\u003e\u003cp\u003e25 VST effect plug-ins, including 15 new VST3 plug-in effects.\u003c\/p\u003e\u003cp\u003eHALion One software sample player with selected Motif waves.\u003c\/p\u003e\u003cp\u003ePlug and Play VST\/MIDI setup.\u003c\/p\u003e\u003cp\u003eStudio Connections Integration.\u003c\/p\u003e\u003cp\u003eFile Interchange between Steinberg software and Yamaha hardware.\u003c\/p\u003e\u003cp\u003e20 MIDI music styles and 480 audio drum loops included.\u003c\/p\u003e\u003ch3\u003eBuilt-in SPX Digital Effects (MG166CX-USB only)\u003c\/h3\u003e\u003cp\u003eThere's an astonishing amount of signal processing power packed into the compact chassis of the MG \"CX\" mixers. They incorporate a versatile digital multi-effect processor that provides a range of reverb, delay, modulation, and distortion programs you can use to refine and define your sound. Each of the 16 effect programs has a number of editable parameters as well as effect on\/off switching capability and return level control. You can even blend the effects into the aux sends for \"wet\" monitoring, so the performers can hear the effects too. If you need to keep both hands free to play an instrument or perform other operations, an optional footswitch can be connected to the mixer's effect footswitch jack for convenient on\/off switching.\u003c\/p\u003e\u003ch3\u003eLightweight, Portable Designs\u003c\/h3\u003e\u003cp\u003eDesigning a lightweight mixer is not too difficult, but designing a lightweight, compact mixer that delivers serious performance is another matter. The Yamaha design team went to extraordinary lengths in the MG series, including in-depth material and structural analysis, to bring you maximum manageability and maximum performance in the same packages. The result is that you can easily pop the smallest models into your briefcase or shoulder bag and take with you anywhere. Even the larger models can be tucked under an arm and carried around quite easily. But the performance you'll get at the studio, club, hall, or anywhere you choose to use these fine mixers is far from lightweight. Every one of the MG series mixers provides significant space savings along with huge performance benefits.\u003c\/p\u003e\u003ch3\u003eVersatile Connectivity and Pro-class Connectors\u003c\/h3\u003e\u003cp\u003eTop-mounted input and output connectors make setting up and re-patching your system quick and easy. All models feature high-quality Neutrik™ balanced XLR connectors on mono microphone\/line channels and XLR-equipped stereo channels. These professional-class connectors were subjected to extensive testing by the Yamaha design team, and were chosen for the MG mixers for their superior reliability and sonic qualities. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels provide phone jack and pin jack connectors for compatibility with a wide range of sources. Mono input channels also feature insert I\/O connectors that let you patch external signal processing gear into those channels as required. Separate pinjack 2TR inputs are provided to accept the output from a CD player or similar stereo source.\u003c\/p\u003e\u003ch3\u003eBuilt-in Channel Compressors\u003c\/h3\u003e\u003cp\u003eThis advanced feature can be a tremendous advantage in achieving great vocal sound, as well as to refine the sound of bass, guitar, and other sources. You won't find built-in channel compression on too many other mixers in this class, but in the new MG mixers you have Yamaha's innovative one-knob compression feature on several of the mono input channels. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and timeconsuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.\u003c\/p\u003e\u003ch3\u003eHigh-performance Microphone Preamplifiers with Switchable Phantom Power\u003c\/h3\u003e\u003cp\u003eMicrophone preamplifiers are critical in any mixer, and a performance bottleneck in many. That's why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. Gain trim covers a wide -60dB ~ -16dB range for microphones (-34dB ~ +10dB for line input), so you'll be able to achieve optimum level matching with just about any source. All microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones.\u003c\/p\u003e\u003ch3\u003e3-band Channel EQ and High-pass Filters\u003c\/h3\u003e\u003cp\u003eBuilding a truly useful, musical-sounding channel equalizer is no easy task, but Yamaha has decades of experience in building pro consoles to draw on. You reap the benefits in the MG series mixers: all mono channels feature 3-band equalizers with LOW, MID, and HIGH controls. Depending on the model some of all of the stereo channels have 2-band EQ for smooth equalization of stereo sources. Although not directly related to the equalizer circuitry, all inputs also feature 80 Hz low-pass filters that can be used to eliminate subsonic noise that is outside the equalizers' range.\u003c\/p\u003e\u003ch3\u003eAux\/Effect Sends\u003c\/h3\u003e\u003cp\u003eAll models except the MG82CX have from one to three AUX sends for convenient to processing and monitor systems. Master send controls are also provided, as are RETURN level controls for the AUX and STEREO busses. \"CX\" models have EFFECT send controls on all channels that adjust the level of the signal sent from the corresponding channel to the mixer's internal multi-effect system. The same signal can also be sent to external effect processors via the mixer's EFFECT SEND jack.\u003c\/p\u003e\u003ch3\u003eTwo, Four or Six Buses (Stereo and Group)\u003c\/h3\u003e\u003cp\u003eThe smallest models in the lineup - the MG82CX and MG102C - have a single stereo bus (i.e. two mono buses). All other models additionally feature one or two stereo group buses and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.\u003c\/p\u003e\u003ch3\u003eSmooth 60-millimeter Faders \u0026amp; Illuminated Channel ON Switches\u003c\/h3\u003e\u003cp\u003eWhile the MG82CX and MG102C feature rotary faders, channel and master level control on all other models is accomplished via reliable, highperformance 60-millimeter linear faders that provide smooth, noise-free operation. When you have more than a few channels the direct visual indication of relative level settings can be an important advantage. Models with linear faders also feature illuminated channel ON switches that can be used to individually add or remove channels from the mix without having to change the positions of the channel faders.\u003c\/p\u003e\u003ch3\u003eBright Meters for Visual Level Monitoring\u003c\/h3\u003e\u003cp\u003eAccurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read multi-segment LED meters make it easy to control system levels for optimum overall performance.\u003c\/p\u003e\u003ch3\u003eEasy Operation\u003c\/h3\u003e\u003cp\u003eAll switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback.\u003c\/p\u003e\u003ch3\u003eP.T. Yamaha Music manufacturing Asia — Manufacturing the electronic instruments and PA products\u003c\/h3\u003e\u003cp\u003eFrom the initial design to final manufacturing, all production processes for the Yamaha MG series mixing console are performed entirely inside the company. Moreover, every product that comes off our production line must pass strict quality controls using the sophisticated test instruments. Thus, all of this enables us to deliver the highest quality products to you.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Total Harmonic Distortion\u003c\/td\u003e\n\u003ctd\u003eLess than 0.1 % (THD+N) 20 Hz - 20 kHz @ +14 dBu (ST OUT)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Frequency Response\u003c\/td\u003e\n\u003ctd\u003eResponse 0, +1, -3 dB 20 Hz - 20 kHz @ +4 dBu (ST OUT)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Hum \u0026amp; Noise\u003c\/td\u003e\n\u003ctd\u003e-128 dBu Equivalent Input Noise\/ -98 dBu Residual Output Noise 20 Hz - 20 kHz, Rs = 150 Ω, Input Gain = Maximum\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input Connectors\u003c\/td\u003e\n\u003ctd\u003eMIC: 10, LINE: 8 mono + 4 stereo, CH INSERT: 8, AUX RTN: 1 stereo, 2TR IN: 1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Output Connectors\u003c\/td\u003e\n\u003ctd\u003eST: 2, AUX SEND: 3, CH INSERT: 8, REC: 1 stereo, MONITOR: 1 stereo, GROUP: 4 Phone: 1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-70 dB @ 1 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Phantom Power\u003c\/td\u003e\n\u003ctd\u003e+ 48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input HPF\u003c\/td\u003e\n\u003ctd\u003eCH 1-8, CH 9\/10-11\/12, 80Hz, 12dB\/oct\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › High\u003c\/td\u003e\n\u003ctd\u003e10 k Hz: shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › Mid\u003c\/td\u003e\n\u003ctd\u003e2.5 k Hz: peaking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › Low\u003c\/td\u003e\n\u003ctd\u003e100 Hz: shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Mid\u003c\/td\u003e\n\u003ctd\u003e2.5 k Hz: peaking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Low\u003c\/td\u003e\n\u003ctd\u003e100 Hz: shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Compressor (COMP)\u003c\/td\u003e\n\u003ctd\u003econtrol x 1 (Gain\/Threshold\/Ratio), CH 1-6\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › LED Level Meter \/ Pre Monitor Level\u003c\/td\u003e\n\u003ctd\u003e2 x 12 points LED meter (PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB) PEAK lights if the signal comes within 3 dB of the clipping level.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Peak Indicator\u003c\/td\u003e\n\u003ctd\u003eRed LED turns on when post EQ (ST CH: or post Mic HA) signal reaches -3dB below clipping (17dBu).\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › USB Audio \/ USB IN\/OUT\u003c\/td\u003e\n\u003ctd\u003eSampling Frequency = 44.1kHz or 48kHz (depend on the application of PC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Power Supply Adapter\u003c\/td\u003e\n\u003ctd\u003ePA-30: AC 35VCT, 1.4A, Cable Length = 3.6m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Net Weight\u003c\/td\u003e\n\u003ctd\u003e5.3 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Power Consumption\u003c\/td\u003e\n\u003ctd\u003e30 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Product Dimension (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e478 mm x 105 mm x 496 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268732363007,"sku":"MG166C-USB","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_d93e206f-cb6f-4d57-9f4a-de560d6b32db.jpg?v=1790011481"},{"product_id":"ql1","title":"Yamaha QL1 Digital Mixing Console","description":"\u003cp\u003e16 + 2 fader configuration in a compact, rack mountable unit.\u003c\/p\u003e\u003cli\u003eMix channels: 32 mono, 8 stereo.\u003c\/li\u003e\u003cli\u003eBusses: 16 mix, 8 matrix (Input to Matrix supported).\u003c\/li\u003e\u003cli\u003eLocal I\/O: 16 in, 8 out.\u003c\/li\u003e\u003cli\u003eFader configuration: 16 + 2 (Master).\u003c\/li\u003e\u003cli\u003eRack mountable with optional RK1 Rack Mount Kit.\u003c\/li\u003e\u003ch3\u003ePure, Natural Sound Plus Powerful Built-in Processing for Broad Creative Control\u003c\/h3\u003e\u003cp\u003eQL series consoles featured circuitry and components that had been designed and selected with the utmost care, achieving outstanding audio purity from input to output. With that solid sonic foundation, it became possible to take full advantage of built-in premium internal processors such as the Portico 5033\/5043 created in cooperation with Rupert Neve, to shape and create as required. For a wide range of speech applications built-in automatic mixing functionality from Dan Dugan Sound Design provided optimum channel balance while allowing the operator to concentrate fully on optimizing the overall sound.\u003c\/p\u003e\u003ch3\u003eRefined Control for Smooth Operation\u003c\/h3\u003e\u003cp\u003eQL series consoles featured large touch-panel displays as well as \"Touch and Turn\" knobs that made up a remarkably smooth, efficient control interface. Attention was paid to details such as fader feel and channel name display visibility in order to deliver a sophisticated overall operating experience. Remote control and offline setup capability via an iPad or computer added even more refinement to an already state-of-the-art operating environment.\u003c\/p\u003e\u003ch3\u003eExpandable All-in-One Support for Any Application\u003c\/h3\u003e\u003cp\u003eIn addition to ample analog input and output capacity, QL series consoles featured the same Dante audio networking protocol that provided broad connectivity in the CL consoles. There was also an innovative \"Port to Port\" feature that can patch any input port to any output port so the QL console can function as a remote I\/O device for any other QL or CL series console, for example. Other flexibility enhancing features such as 2-track and multitrack recording capability, and dual MY expansion slots that allow processing capability or I\/O to be added as required, made the QL consoles suitable for use as central components in an extensive variety of sound applications.\u003c\/p\u003e\u003ch3\u003eIt All Begins with Natural Sound\u003c\/h3\u003e\u003cp\u003eIn order to take maximum advantage of evolved processing potential to sculpt creative new soundscapes, the engineer must have uncolored, natural sound as a starting point. Yamaha’s unwavering natural sound philosophy is fully implemented in the QL series, resulting in accurate reproduction that is faithful to the source.\u003c\/p\u003e\u003ch3\u003eEvery Component Contributes to Superior Sonic Precision\u003c\/h3\u003e\u003cp\u003eFull creative freedom can only be achieved when the sonic foundation is accurate, uncolored, and faithful to the source. The same pure, natural sound that is a highly regarded feature of the CL series is achieved in the compact QL series consoles as well. Every detail, from mechanical construction through port location, power supply, grounding, and individual components has been painstakingly analyzed and brought together in a system that affords extraordinary audio quality. Noise that can affect digital mixer performance in a number of ways has also been thoroughly scrutinized and effectively eliminated. Because it can affect AD\/ DA converter performance, system clock jitter has been subject to detailed analysis and optimized by revising the internal FPGA layout and rerouting the clock signal. All of these details combine to realize performance that not only passes the strictest scientific tests, but also satisfies the critical ears of some of the most demanding sound engineers in the business.\u003c\/p\u003e\u003ch3\u003eKeeping the Legacy Alive\u003c\/h3\u003e\u003cp\u003eWhen it’s time to build creatively on the uncolored sonic foundation provided by the QL consoles, a selection of powerful processors is ready to refine your sound. Yamaha digital technology accurately reproduces the quality and performance of time-honored analog devices that are renowned for their musical sound, as well as speech mixing technology that revolutionized the industry with unprecedented consistency and clarity. The technology that achieves all of this reflects Yamaha’s respect for the legacy of masters who have given us some of our most valued audio capabilities. It also gives today’s sound engineers the support they need to create for the future.\u003c\/p\u003e\u003ch3\u003eVCM Technology and Rupert Neve\u003c\/h3\u003e\u003cp\u003eAll of the processing capability that was packed into the CL series consoles is provided in the QL consoles as well. Most of those processors are based on Virtual Circuit Modeling (VCM) technology developed by “Dr. K” (Toshifumi Kunimoto) and his team at “K’s lab,” Yamaha’s stateof-the-art digital technology research facility. VCM technology precisely models the circuitry and performance of analog audio devices, right down to the characteristics of individual components such as resistors and capacitors. VCM simulations are so realistic and musical that even the legendary Rupert Neve, a master who built his reputation on analog sound, has given it his approval and collaborated in developing VCM versions of his Portico 5033 and 5043 EQ and compressor, both provided as on-board processors in the QL consoles.\u003c\/p\u003e\u003ch3\u003eRevolutionary Dan Dugan Automatic Mixer Built In\u003c\/h3\u003e\u003cp\u003eThanks to in-depth collaboration with Dan Dugan Sound Design, renowned Dan Dugan automatic microphone mixing with its advanced algorithms is built into the QL series consoles. Setup is easy: just insert the processor into up to 16 channels for automatically optimized microphone gain distribution. Gain control is smooth and natural, as though experienced human operators were doing the mix. The system also effectively reduces feedback and comb filter issues. For speech applications, especially non-scripted situations, this allows the operator to concentrate on details other than fader operation for consistently high-quality mixes.\u003c\/p\u003e\u003cli\u003eMore information about \"Dan Dugan Automatic Mixer\"\u003c\/li\u003e\u003ch3\u003eRefined Interface for Intuitive Control\u003c\/h3\u003e\u003cp\u003eOperators coming from analog or digital consoles will quickly become comfortable with the QL consoles. Years of accumulated knowhow and feedback from users worldwide have been applied in creating an interface that is simple while providing refined operation that responds fully to the demands of a broad spectrum of real-world applications.\u003c\/p\u003e\u003ch3\u003eStraightforward “Touch and Turn” Operation\u003c\/h3\u003e\u003cp\u003eTouch and Turn operation, introduced in the CL series, has been enthusiastically adopted by sound engineers everywhere. The QL series offers the same operational advantage: touch the parameter you want to control on the screen, then rotate the Touch and Turn knob that is below and to the right of the screen to adjust as required. The color displayed below the knob changes to match that of the selected parameter, for quick confirmation and error-free control. It’s simple, responsive, and very intuitive.\u003c\/p\u003e\u003ch3\u003eThe Yamaha Selected Channel System\u003c\/h3\u003e\u003cp\u003eThe Yamaha Selected Channel interface provides a comprehensive overview of available channel parameters with direct selection capability via its large touch-panel display. The display is the same type that was provided on the CL series consoles, offering high visibility and smooth response for stress free operation. Hands-on control via dedicated physical controllers as well as an innovative Touch and Turn knob provides speedy access to essential QL console parameters for a fast, efficient workflow.\u003c\/p\u003e\u003ch3\u003eAdvanced Features Backed by Efficient Design\u003c\/h3\u003e\u003cp\u003eYou can have features galore, but if they’re not well integrated into a smoothly operating system that provides easy access, their value will be greatly reduced. Design of the QL series faders and knobs extends to the finest details of form and materials. High visibility channel name displays and colors add to overall operation ease and efficiency as well. The interface is the vital connection between console and engineer, and we have treated it with appropriate care and respect.\u003c\/p\u003e\u003ch3\u003eFaders Designed for Fit, Feel, and Visual Feedback\u003c\/h3\u003e\u003cp\u003eThe operator’s sonic intent is conveyed to the console primarily through the faders. Inheriting the sports car bucket seat styling of the CL series faders, the QL faders provide comfortable, sure operation regardless of where you finger rests on the knob. Even the fader knob materials have been selected for optimum feel. The sides of the knobs are specially sculpted to allow the fader scale on the panel to be easily seen from just about any angle.\u003c\/p\u003e\u003ch3\u003eSelected Channel Controls for Direct, Instant Access\u003c\/h3\u003e\u003cp\u003eThe main Selected Channel parameters are assigned to the knobs located to the right of the display for immediate access at any time. In addition to User Defined Keys to which parameters can be freely assigned, another traditional Yamaha digital mixing console feature, the QL consoles also have on-screen User Defined Knobs that provide the same assignable freedom for variable parameters. In combination, the User Defined Knobs and User Defined Keys can significantly enhance operation speed and efficiency.\u003c\/p\u003e\u003ch3\u003eComprehensive Fader Bank Section\u003c\/h3\u003e\u003cp\u003eAll analog inputs are assigned to one Fader Bank, while other input and output channels are accessed by switching banks. Four Custom Fader Banks are also provided, and these allow the user to set up any combination of channels required for maximum efficiency in any application. Custom Fader setups can also be stored with scenes and instantly recalled when needed.\u003c\/p\u003e\u003ch3\u003eHigh Visibility Channel Names and Colors\u003c\/h3\u003e\u003cp\u003eMiniature display panels above each channel fader show the channel name as well as fader setting. There’s also a color bar that glows in eight colors, matching the channel colors shown in the main touch-panel display for easy visual identification. The eight colors plus “black” provide a total of nine color groupings. These high-visibility displays offer excellent legibility in bright outdoor lighting as well in dim indoor settings.\u003c\/p\u003e\u003ch3\u003eFlexible Network Capability in an All-in-one Console\u003c\/h3\u003e\u003cp\u003eNetwork capability is essential in today’s live sound applications, and the QL series offers all you need. In addition to their all-in-one capabilities, QL series consoles come with the widely implemented Dante digital audio networking protocol, developed by Audinate, as a standard feature. That means the QL consoles can be combined with other Dante capable devices, such as CL series consoles and R series I\/O rack units, to flexibly create systems for applications of just about any scale or complexity.\u003c\/p\u003e\u003ch3\u003eOne Console May Be All You Need\u003c\/h3\u003e\u003cp\u003eEach QL series console provides extensive built-in input and output capacity that can handle a variety of applications without the need for stage boxes or other external equipment (32 inputs and 16 outputs on the QL5, and 16 ins and 8 outs on the QL1). For many jobs all you need is one console, and that means vastly superior portability as well as speedy setup.\u003c\/p\u003e\u003ch3\u003eSuperior Dante Networking Built In\u003c\/h3\u003e\u003cp\u003ePrecision synchronization technology achieves low latency and low jitter as well as high sample accuracy in a network that is fast and simple to set up. Individual IDs assigned to each device on a Dante network allow automatic device detection as well as easy patching. Speedy setup leaves more time for the all-important job of setting up the mix.\u003c\/p\u003e\u003ch3\u003eRedundancy for Reliability\u003c\/h3\u003e\u003cp\u003eCables and switches can malfunction, but with Dante’s support for redundant connections a problem on the network won’t stop the show. Redundant primary and secondary connections can be set up in a star network configuration so that problems in any part of the network won’t interrupt the signal flow or bring the entire network down.\u003c\/p\u003e\u003ch3\u003e“Port to Port” Enhances System Versatility\u003c\/h3\u003e\u003cp\u003e“Port to Port” is a new Yamaha feature that allows QL series console inputs and outputs to be put to use as elements of a larger system, providing unprecedented capabilities for interconnecting front-of-house and monitor consoles, and much more. Gain Compensation enhances the versatility of this feature even more.\u003c\/p\u003e\u003cli\u003eMore information about \"Port to Port\"\u003c\/li\u003e\u003ch3\u003eCapable Systems with Fewer Devices\u003c\/h3\u003e\u003cp\u003eThe ability to directly connect input ports to output ports without going through mixing channels provides unprecedented freedom for routing signals between the analog, Dante, and MY slot inputs and outputs. For example, a QL console could be used as an I\/O device for another QL or CL series console while simultaneously functioning as a monitor console. Not only is just one QL console required for both monitor and I\/O use, but analog gains can be remotely controlled from the front-of-house QL or CL console. It’s also possible to mix analog signals received at the console while directly transmitting them to a multitrack recording system via Dante, for example. The possibilities are vast.\u003c\/p\u003e\u003ch3\u003eI\/O Rack Sharing without Gain Complications\u003c\/h3\u003e\u003cp\u003eWhen sharing inputs between multiple consoles using Dante networking and Port to Port capability, gain adjustments made from one console could potentially disrupt the mix balance at another. The Gain Compensation function prevents such problems from occurring. Gain compensation is automatically applied at the digital stage so that the total gain sent out via the network remains constant.\u003c\/p\u003e\u003ch3\u003eEverything You Need for Creative Engineering\u003c\/h3\u003e\u003cp\u003eQL series console include a virtual processing rack that lets the operator approach selecting and patching internal processors in a way that’s similar to working with external rack-mounted devices. All of the high-quality processors that received rave reviews in the CL series are provided in the QL series consoles as well. Top-quality sound-shaping tools for creative engineering are ready and accessible whenever they’re needed.\u003c\/p\u003e\u003ch3\u003ePremium Rack\u003c\/h3\u003e\u003cp\u003eUp to eight VCM processors, including the Portico processors developed in cooperation with Rupert Neve Designs that are standards in leading recording studios throughout the world, can be mounted in the virtual rack and used to deliver the kind of performance that only high-end analog outboard processors have previously been capable of. More importantly, that studio quality and musical tonality are available for live sound applications.\u003c\/p\u003e\u003cp\u003ePortico 5033\/5043: These devices immaculately model the full sonic depth and breadth of the original analog equalizer and compressor\/limiter modules by Rupert Neve. They are not only ideal for adding first-class studio-quality processor sound to your mix, but are also remarkably easy to set up for optimum effect. Merely inserting these outstanding models in the signal path can enhance the sound.\u003c\/p\u003e\u003cp\u003eU76: A studio standard that is ideal for a wide range of applications. It even features a RATIO “ALL” button that simulates the effect of engaging all of the ratio buttons on the original.\u003c\/p\u003e\u003cp\u003eOpt-2A: This is a model of one of the most widely used optical studio compressors from the 1960’s. The distinctive and highly regarded compression and release characteristics of the original are recreated with remarkable precision.\u003c\/p\u003e\u003cp\u003eEQ-1A: The classic studio equalizer that is the basis for this model is still in demand today, highly prized for the musical response of its vacuum tube and transformer EQ circuitry, as well as its distinctive boost\/cut characteristics.\u003c\/p\u003e\u003cp\u003eDynamic EQ: This original EQ module detects level variations in specified frequency bands in real time, dynamically adjusting EQ gain to provide pinpoint compression, limiting, and de-essing. A refined interface contributes to fast, easy operation.\u003c\/p\u003e\u003cp\u003eBuss Comp 369: The K's Lab team has created an accurate VCM (Virtual Circuitry Modeling) model of an acclaimed buss compressor that is relied on in broadcast and recording studios around the world. As the name implies, Buss Comp 369 is ideal for inserting on the stereo mix buss for increased loudness, more uniform levels, and warm overall sound. It is an excellent choice for live sound as well as broadcast applications.\u003c\/p\u003e\u003cp\u003eMBC4 Multiband Compressor: The MBC4 is a four-band multiband compressor for the console's Premium Rack, combining a refined GUI with advanced VCM modeling for high overall operability and sonic performance. The musical response of highly regarded analog compressors was studied in depth and recreated in detail in the MBC4, providing flexible dynamics processing while retaining the integrity and musicality of the source.\u003c\/p\u003e\u003ch3\u003eEffect Rack\u003c\/h3\u003e\u003cp\u003eUp to eight of the 46 available ambience effects and 8 available insert effects can be mounted in the QL virtual rack. That selection includes a number of high-end Yamaha REV-X reverb processors for sophisticated sonic control. Any of the mounted effects can be individually switched to graphic EQ operation as required.\u003c\/p\u003e\u003cp\u003eComp 276: This model is a composite of several analog compressors that were popular in recording studios in the 70’s. Anyone who is familiar with the originals will recognize the characteristic punch and fatness this device delivers.\u003c\/p\u003e\u003cp\u003eOpen Deck: Here’s a unique effect that models both the analog circuitry of well-known professional tape decks plus the characteristics of the tape used with them. You can simply choose a deck that offers the sound you need, or combine different recording and playback decks for a range of useful variations.\u003c\/p\u003e\u003cp\u003eComp 260: The compressor\/limiter modeled in this device was all the rage in the late 70’s, featuring solid-state RMS level detection circuitry and VCAs for level control. The sonic signature of this model is unmistakable.\u003c\/p\u003e\u003cp\u003eEQ 601: For a sweet analog EQ sound, this model recreates a popular circuit topology from the 70’s.\u003c\/p\u003e\u003ch3\u003eGEQ Rack\u003c\/h3\u003e\u003cp\u003eThe GEQ rack is ideal for inserting graphic EQ into the output and other busses. Up to eight 31-band graphic equalizers can be mounted, and any of those can be switched for use as dual 15-band “Flex15GEQ” equalizers that can control any 15 bands selected from the 31 bands available. With eight rack slots, that allows for a maximum of 16 simultaneous EQ processors. Dan Dugan Automixer units can be inserted in the input channels via the GEQ rack, providing up to 16 channels of automix for speech applications.\u003c\/p\u003e\u003ch3\u003e2-track\/Multitrack Recording and Playback\u003c\/h3\u003e\u003cp\u003eWhether you want basic 2-track recording and playback, or full-blown multitrack recording and playback capability, the QL series consoles make it easy. There’s direct 2-track recording to standard USB flash drives, or serious multitrack recording to a DAW via Dante. Multitrack playback is handy for “virtual sound checks” when the musicians aren’t available, and 2-track playback is for background music, and sound effects.\u003c\/p\u003e\u003ch3\u003eConvenient 2-track Recording to USB Flash Drive\u003c\/h3\u003e\u003cp\u003eA standard USB flash drive plugged into the front-panel USB port serves as media for direct 2-track recording in mp3 format. There’s no need to carry external recording equipment around, and the recording can be handed to performers as soon as the show is finished, for example. Sound files in mp3, AAC, or WMA format saved on the flash drive from a computer or other source can be played back too, for convenient BGM or sound effects without the need for extra playback equipment.\u003c\/p\u003e\u003ch3\u003eNuendo Live multi-track live recording software is bundled.\u003c\/h3\u003e\u003cp\u003eThe QL series consoles even make live multitrack recording easy. With Dante Virtual Soundcard software it becomes possible to transfer audio directly to a Windows or Mac computer connected to the Dante network. With an appropriate DAW such as Steinberg Nuendo Live (bundled) running on the computer, up to 64 tracks can be recorded simultaneously. In addition to being the best way to create professional quality recordings of live performances, this capability is ideal for creating the tracks needed for virtual sound checks.\u003c\/p\u003e\u003cli\u003eMore information about Nuendo Live.\u003c\/li\u003e\u003ch3\u003eExpandable Capacity and Functionality\u003c\/h3\u003e\u003cp\u003eConsole I\/O and functions can be customized simply by inserting appropriate Yamaha or third-party expansion cards into the Mini-YGDAI expansion slots provided. QL series consoles feature dual Mini-YGDAI slots that can accept expansion cardsselected from a lineup of more than 30 types.\u003c\/p\u003e\u003ch3\u003eCascade for Large Systems\u003c\/h3\u003e\u003cp\u003eMultiple QL consoles can be cascade connected via I\/O cards such as the MY16-AE to create systems that offer the high channel capacities required by larger applications. QL consoles can also be cascaded to the other Yamaha digital consoles such as CL series for broad system flexibility\u003c\/p\u003e\u003ch3\u003eLake Processing\u003c\/h3\u003e\u003cp\u003eLake processing has become a standard for speaker processing in live sound applications, and it can easily be added to QL consoles via the MY card slots. The MY8-LAKE expansion card, developed through technical cooperation between Yamaha and Lab.gruppen, offers Mesa EQ, Ideal Graphic EQ, Linear Phase EQ, and other processing features that are capable of achieving ideal tuning in a wide variety of environments regardless of size, acoustic characteristics, or the types of speakers used. Mesa EQ with its symmetrical curve can be inserted into input channels and used for creative sound shaping as well as speaker processing. The possibilities are endless. The Lake Controller computer application can be used for central management and control of all Lake devices in the system, and it works well with Smaart acoustic measurement tools for effective overall speaker tuning.\u003c\/p\u003e\u003cli\u003eMore information about MY8-LAKE.\u003c\/li\u003e\u003ch3\u003eTight iPad and Computer Integration\u003c\/h3\u003e\u003cp\u003eWith the “QL StageMix” app for iPad it is possible to mix remotely from audience seating or the performer’s positions in front of floor monitors, for example. The QL5 even includes stays that will support an iPad on the left side of its panel, sleekly integrating of the iPad into the QL interface. There’s also the “QL Editor” application for Windows and Mac computers, allowing console parameters to be set up via the computer, on or off line. The QL Editor is a great way to manage scene and patch list data, for example, and keyboard entry capability can be a timesaving advantage for typing channel names, etc. QL StageMix and QL Editor are great time savers, and they can be used simultaneously.\u003c\/p\u003e\u003cli\u003eMore information about QL StageMix.\u003c\/li\u003e\u003ch3\u003eSmart Looks and Flexible Design for Custom Control Panels\u003c\/h3\u003e\u003cp\u003eNo specialized programming skills are required. An intuitive interface makes it easy to create faders for volume control and switches for channel on\/off, for example, and position photographs or other graphic elements on the tablet screen as required to create original control panels that are ideally suited to individual applications and users. In addition, ProVisionaire Touch and ProVisionaire Control can control CL\/QL\/TF series digital mixers, MTX and MRX series processors, XMV series and PC-D\/PC-DI series power amplifiers, R series (ADDA) and Tio1608-D I\/O rack, DZR-D series powered loudspeakers and DXS XLF-D powered subwoofers and Nexo NXAMPmk2 powered TD controller. It is easy to combine those parameters onto the one screen.\u003c\/p\u003e\u003cli\u003eMore information about ProVisionaire Touch\u003c\/li\u003e\u003cli\u003eMore information about ProVisionaire Control\u003c\/li\u003e\u003ch3\u003eToday’s Mix Data for Tomorrow’s Show\u003c\/h3\u003e\u003cp\u003eSince QL and CL series mix data are compatible, data created on either type of console can be directly read and used by the other. The time and effort spent setting up mix data for one job can be carried over to other jobs. Moreover, the Yamaha Console File Converter application provides compatibility with PM5D, M7CL, and LS9 consoles as well. All the data you have carefully crafted can be put to good use in future situations.\u003c\/p\u003e\u003cli\u003eMore information about Console File Converter.\u003c\/li\u003e\u003ch3\u003eFeatures Optimized for Live Sound\u003c\/h3\u003e\u003cp\u003eAlthough there are as many ways to use a mixing console as there are sound engineers, extensive feedback from audio professionals has made it possible to provide a feature set that is ideally suited to the real-world needs of demanding live sound applications.\u003c\/p\u003e\u003ch3\u003e300 Scene Memories\u003c\/h3\u003e\u003cp\u003eUp to 300 complete console setups can be stored as “scenes” and instantly recalled whenever needed. Scene Preview is also supported, and scenes can be individually loaded from or saved to a USB flash drive.\u003c\/p\u003e\u003ch3\u003eVersatile Input and Output Delays\u003c\/h3\u003e\u003cp\u003eUp to 1000 ms delay on input channels facilitates precise microphone phase compensation, while up to 1000 ms delay on the output ports is useful for speaker distance compensation and room tuning.\u003c\/p\u003e\u003ch3\u003eAmple EQ and Dynamics Processing\u003c\/h3\u003e\u003cp\u003eAll channels feature 4-band parametric EQ and two dynamics processors (one dynamic processor on outputs). De-esser can also be selected for band pass type EQ.\u003c\/p\u003e\u003ch3\u003e16 DCA Groups\u003c\/h3\u003e\u003cp\u003e16 DCA groups allow flexible grouping of multiple input channels for simultaneous control.\u003c\/p\u003e\u003ch3\u003e8 Mute Groups\u003c\/h3\u003e\u003cp\u003eMultiple channels can be assigned to any of 8 mute groups for instant muting or un-muting, with a new Dimmer Level function.\u003c\/p\u003e\u003ch3\u003e12 User Defined Keys\u003c\/h3\u003e\u003cp\u003eA large number of console functions including Sends on Fader, Tap Tempo, and Set by Sel can be assigned to 12 User Defined Keys for instant hands-on access.\u003c\/p\u003e\u003ch3\u003eMultiple User Key Sets\u003c\/h3\u003e\u003cp\u003eLimited access to CL console functions can be provided for less experienced operators and accident prevention via multiple User Key sets that can be stored in the console itself as well as on USB memory.\u003c\/p\u003e\u003ch3\u003e5-in\/5-out GPI Interface\u003c\/h3\u003e\u003cp\u003eA 5-input\/5-output GPI interface allows the CL consoles to respond to input from external switches, as well as to transmit on\/off status to external devices.\u003c\/p\u003e\u003ch3\u003eHelp File\u003c\/h3\u003e\u003cp\u003eSimply tap the on-screen “Help” button to access the onboard operation manual. Once loaded all essential information is available directly via the console’s display, so you won’t need to keep the printed manual with you.\u003c\/p\u003e\u003ch3\u003ePure, Natural Sound Plus Powerful Built-in Processing for Broad Creative Control\u003c\/h3\u003e\u003cp\u003eThe Yamaha sound begins with reproduction that is faithful to the source. QL series consoles feature circuitry and components that have been designed and selected with the utmost care, achieving outstanding audio purity from input to output. With that solid sonic foundation it becomes possible to take full advantage of built-in premium internal processors such as the Portico 5033\/5043 created in cooperation with Rupert Neve, to shape and create as required. For a wide range of speech applications built-in automatic mixing functionality from Dan Dugan Sound Design provides optimum channel balance while allowing the operator to concentrate fully on optimizing the overall sound.\u003c\/p\u003e\u003ch3\u003eRefined Control for Smooth Operation\u003c\/h3\u003e\u003cp\u003eThe ability to respond swiftly and surely to multiple, rapidly changing demands is essential for effective live sound support. QL series consoles feature large touch-panel displays as well as “Touch and Turn” knobs that make up a remarkably smooth, efficient control interface. Attention has also been paid to details such as fader feel and channel name display visibility in order to deliver a sophisticated overall operating experience. Remote control and offline setup capability via an iPad or computer adds even more refinement to an already state-of-the-art operating environment.\u003c\/p\u003e\u003ch3\u003eExpandable All-in-One Support for Any Application\u003c\/h3\u003e\u003cp\u003eIn addition to ample analog input and output capacity, QL series consoles feature the same Dante audio networking protocol that provides broad connectivity in the CL consoles. There's also an innovative “Port to Port” feature that can patch any input port to any output port so the QL console can function as a remote I\/O device for any other QL or CL series console, for example. Other flexibility enhancing features such as 2-track and multitrack recording capability, and dual MY expansion slots that allow processing capability or I\/O to be added as required, make the QL consoles suitable for use as central components in an extensive variety of sound applications.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sampling frequency rate › Internal\u003c\/td\u003e\n\u003ctd\u003e44.1kHz \/ 48kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sampling frequency rate › External\u003c\/td\u003e\n\u003ctd\u003e44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Signal delay\u003c\/td\u003e\n\u003ctd\u003eLess than 2.5ms, INPUT to OMNI OUT, Fs= 48kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Fader\u003c\/td\u003e\n\u003ctd\u003e100mm motorized, Resolution=1024steps, +10dB to –138dB, –∞dB all faders\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003eLess than 0.05% 20Hz-20kHz@+4dBu into 600Ω, INPUT to OMNI OUT, Input Gain= Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003e+0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, INPUT to OMNI OUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dynamic range\u003c\/td\u003e\n\u003ctd\u003e112dB typ.: DA Converter \/ 108dB typ.: INPUT to OMNI OUT, Input Gain = Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e-128dBu typ., Equivalent Input Noise, Input Gain=Max\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e-88dBu, Residual output noise, ST master off\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-100dB*1, adjacent INPUT\/OMNI OUT channels, Input Gain = Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003e100-240V 50\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e135W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e468mm(18.4in )\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e272mm(10.7in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e562mm(22.1in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e14.7kg(32.4lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eOwner’s Manual, power cord, DVS license sheet, Nuendo Live\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Options\u003c\/td\u003e\n\u003ctd\u003eRackmount kit RK1, Mini-YGDAI cards *2 , Gooseneck Lamp LA1L\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eOperating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268732231935,"sku":"QL1","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_f75cc9f1-840d-4e27-87d2-e3f1f49f5fc7.jpg?v=1790011481"},{"product_id":"01v96i","title":"Yamaha 01V96i Digital Mixing Console","description":"\u003cp\u003eBuilding on the proven configuration of its predecessors, the new 01V96i now offers USB 2.0 connectivity along with new multi-track recording features and improved sonic quality.\u003c\/p\u003e\u003cli\u003e16 in\/16 out live audio streaming at 96kHz via USB2.0 for direct multitrack recording and playback.\u003c\/li\u003e\u003cli\u003e24bit\/96kHz performance with improved studio-quality head amps.\u003c\/li\u003e\u003cli\u003eFull suite of Yamaha VCM effects and high-resolution REV-X reverbs.\u003c\/li\u003e\u003cli\u003e96kHz internal effects and top-quality compression, gating and delay.\u003c\/li\u003e\u003cli\u003ePowerful mixing capacity with up to 40 inputs and 20 buses at 96kHz.\u003c\/li\u003e\u003cli\u003eI\/O expansion slot accepts mini-YGDAI cards for up to 16 additional channels of I\/O in a variety of analog or digital formats.\u003c\/li\u003e\u003cli\u003eCascade Link function allows two 01V96i consoles to be connected to provide up to 80 input channels.\u003c\/li\u003e\u003cli\u003ePrecision 100mm motor faders and scene memory with recall safe and global paste functions.\u003c\/li\u003e\u003cli\u003eBundled with the latest Cubase AI.\u003c\/li\u003e\u003cli\u003eCompatible with both Windows or Macintosh versions of 01V96i Editor for offline data management and online control.\u003c\/li\u003e\u003ch3\u003eCapture The Perfect Moment\u003c\/h3\u003e\u003cp\u003eSometimes everything just comes together—and when it does, the new 01v96i is there to capture that perfect moment for you in stunning 96kHz sound. Since its initial release in 1998, the 01V has been the mixer of choice for a wide variety of applications, ranging from recording and production environments to live sound and installation setups. The 01V96i represents the next step in the evolution of an industry standard, building on the proven configuration of its predecessors to create a compact digital mixer that meets the needs of an expanding user base. Now, with 16 in\/16 out USB 2.0 audio streaming at an impressive 96kHz, the latest version of Steinberg's Cubase AI, the full suite of Yamaha's acclaimed Virtual Circuitry Modeling DSP effects and newly improved studio quality head amps, the next generation 01V96i will take every aspect of your mixing and recording to the next level.\u003c\/p\u003e\u003ch3\u003e96kHz Multi-track Live Recording with A Single Connection.\u003c\/h3\u003e\u003cp\u003eTo meet the increasing demand for multi-track recording and playback in live sound applications, the 01V96i now features USB 2.0 connectivity—allowing you to effectively take your studio on the road with you. With 16 in\/16 out live audio streaming at 96kHz and seamless DAW integration requiring just a single connection, it has never been easier to capture, edit and produce high quality, professional level recordings. USB connectivity also provides extensive two-way communication of MIDI data allowing you to seamlessly combine the precise physical control of your console with all the capability of the latest Cubase AI software that comes bundled with the 01V96i.\u003c\/p\u003e\u003ch3\u003eEvery Masterpiece Started with A Blank Canvas. Shouldn't Yours?\u003c\/h3\u003e\u003cp\u003eAt Yamaha, we believe that the signature on your sound should be your own, not ours. With this philosophy in mind, the 01V96i—like all of our higher-end digital mixing consoles—was designed to provide outstanding sonic transparency, giving you the purest signal reproduction possible as a starting point. With this clear, unaltered medium as the foundation, all of the color, shape and expressive elements of your sound are entirely in your hands.\u003c\/p\u003e\u003cp\u003eSo now you've got your canvas— time to add color. Yamaha's acclaimed VCM effects faithfully model the analog circuitry of classic effect units right down to the very last resistor and capacitor, bringing the richness and warmth of analog to a digital environment. So whether you're bringing vocals to life with a classic Yamaha SPX reverb, or smoothing out a bassline with a classic compressor from the 70's, you can depend on Yamaha's flexible digital processing to produce stunning vintage authenticity.\u003c\/p\u003e\u003cp\u003e- 24bit\/96kHz Performance with Improved Studioquality Head amps\u003c\/p\u003e\u003cp\u003eUnlike some digital consoles that achieve operation in 96kHz mode with a reduced number of tracks, 01V96i imposes no such limitations at any of the provided sampling rates, with high resolution 96kHz and 32bit internal processing (58-bit accumulator) as the standard. What's more, all onboard A\/D and D\/A conversion makes use of top-performance 24bit\/96kHz converters. This is particularly important with the 01V96i because it features improved, studio-quality head amps that offer extremely high resolution and a remarkable sense of “air”. With onboard converters operating at the full 24bits and 96kHz, you can be sure that nothing is lost in the digital representation of the warm, transparent output from these exceptional preamps.\u003c\/p\u003e\u003cp\u003e- 96kHz Internal Effects and Top-quality Compression, Gating and Delay\u003c\/p\u003e\u003cp\u003eWhat's the point of having 24bit\/ 96kHz audio if you have to convert down to a lower sampling rate for effect processing? That's exactly what's happening if you're using hardware or software processors that don't offer 24bit\/ 96kHz performance anywhere in your signal chain. That's why Yamaha included a comprehensive range of 96kHz compatible stereo effects. The 01V96i also features flexible, independent channel compression and gating\/ducking processors for dynamics control, 4-band parametric channel equalizers that offer extra versatility with switchable “type I” or “type II” EQ algorithms, as well as a channel delay. All channel processors, except for channel delay, come with an extensive selection of presets in a range of “libraries”that can simply be used unmodified or edited to suit specific requirements. All channel functions except gating are also provided on all output buses.\u003c\/p\u003e\u003ch3\u003eFull Suite of Yamaha VCM Effects and High Resolution REV-X Reverbs.\u003c\/h3\u003e\u003cp\u003e[Channel Strip]\u003c\/p\u003e\u003cp\u003e- Bring Back The Classics -\u003c\/p\u003e\u003cp\u003eThe Channel Strip consists of 5 models that employ VCM (Virtual Circuitry Modeling) technology to recreate the sound and characteristics of several classic compression and EQ units from the 70's. Not only do these models faithfully capture the unique saturation of analog circuitry – in part thanks to precise modeling of the original FET gain reduction, tube\/transformer buffer amplifier, VCA and RMS detector circuits – but they have also been fine-tuned by leading engineers and feature carefully selected parameters in a simple interface that makes it easier than ever to create the ideal sound.\u003c\/p\u003e\u003cp\u003e[Master Strip]\u003c\/p\u003e\u003cp\u003e- A Reel Advantage -\u003c\/p\u003e\u003cp\u003eThe Master Strip employs VCM technology to recreate both the analog circuitry and tape characteristics that shaped the sound of open-reel tape recorders. Because of their ability to smooth out peak levels and tidy up the response, many high-end recording studios still maintain open-reel recorders such as the Studer A80 mk I, A80 mk IV and A820, and the Ampex ATR100 and others from the 70's and 80's to be used to provide tape compression at the mastering stage. Different types of tape – new BASF, old Ampex, etc. – are also selected and used according to the unique sounds they produce. Open Deck provides models of four machine types: Swiss '70, Swiss '78, Swiss '85, and American '70. You can even combine different record and playback decks for a wider range of variation. You also have a choice of “old” and “new” tape types, tape speed, bias, and EQ settings that can vary the “focus” of the sound, distortion, and saturation characteristics. Now you can easily take advantage of top-end analog sound-shaping techniques in real time using the Yamaha 01V96i digital console.\u003c\/p\u003e\u003cp\u003e[Vintage Stomp]\u003c\/p\u003e\u003cp\u003e- Phasers on Stun -\u003c\/p\u003e\u003cp\u003eStunning authenticity, that is. Vintage Stomp gives you three distinctly different phasers modeled after the most sought-after stompbox effects units of the 70's. Yamaha's VCM technology gives these outstanding recreations all the warmth and atmosphere of the original vintage units, and combines it with the control and processing flexibility that a digital environment affords.\u003c\/p\u003e\u003cp\u003e[Reverb]\u003c\/p\u003e\u003cp\u003e- Bring Your Mix to Life -\u003c\/p\u003e\u003cp\u003eThese high-resolution reverbs employ the latest \"REV-X\" algorithms first introduced in Yamaha's SPX2000 Digital Multi Effects Processor. The REV-X programs feature the richest reverberation and smoothest decay available, based on years of dedicated research and development. REV-X Hall, REV-X Room, and REV-X Plate programs are provided, with new parameters such as room size and decay envelopes that offer unprecedented definition and finer nuance control. The REV-X Hall and REV-X Room programs have a very open sound, while REV-X Plate delivers a brighter tonality that is ideal for vocals. All models deliver dense, warm reverb that does not interfere with the natural timbre of the source.\u003c\/p\u003e\u003ch3\u003ePowerful Mixing Capacity,Versatility and Expandability\u003c\/h3\u003e\u003cp\u003eDon't let its compact construction fool you— the 01V96i has tremendous mixing capacity for a console its size, making it extremely versatile and suitable for a wide range of studio and sound reinforcement applications.\u003c\/p\u003e\u003cp\u003e- 40 Input\/20 Bus Mixing at 96kHz\u003c\/p\u003e\u003cp\u003eWith up to 40 simultaneous inputs and 20 buses at 96kHz, the 01V96i delivers large console power in a rack-mount sized package. Offering a main stereo bus, eight individual mixing buses, two solo buses, and eight auxiliary buses —a total of 20 in all— the 01V96i gives you plenty of signal-routing options to adapt to just about any mixing requirements.\u003c\/p\u003e\u003cp\u003e- Comprehensive Connectivity\u003c\/p\u003e\u003cp\u003eRight out of the box the 01V96i offers 16 analog channel inputs—12 with improved studio-quality head amps-—and on the digital front, 8-channel optical ADAT, coaxial 2-track inputs and 16 inputs via USB. Analog outputs include the main stereo output, stereo monitor outputs, a stereo 2-track output, four OMNI outputs, 12 channel TRS insert points and a headphones output, matched with coaxial 2-track outputs and 8-channel optical ADAT for digital output. When you need more, Yamaha offers a range of mini-YGDAI expansion cards that can be inserted into the 01V96i’s expansion slot. From traditional analog audio formats to standard digital audio and dedicated third-party proprietary network protocols, Mini-YGDAI cards make it easy to add I\/O in a wide variety of audio and network formats to 01V96i.\u003c\/p\u003e\u003cp\u003e- Cascade Link for Ultimate Expandability\u003c\/p\u003e\u003cp\u003eWhen your situation demands a high capacity setup—particularly for live sound reinforcement applications— the \"01V96i Cascade Link\" allows you to run two units cascaded giving you up to 80 channels of mixing capability. One simple connection for all the power you would ever need.\u003c\/p\u003e\u003ch3\u003eThe Digital Advantage\u003c\/h3\u003e\u003cp\u003eThe benefits of digital technology are innumerable in terms of functionality, cost and space. However the physical, intuitive aspects of analog style mixers can never be discounted either. Our motto in designing the console: mix with your ears, not with your eyes. It was with this philosophy in mind that we made the best use of the technology at our disposal to offer digital features that make a difference, without overshadowing the familiar analog attributes of mixing.\u003c\/p\u003e\u003cp\u003e- Fast Flexible Patching\u003c\/p\u003e\u003cp\u003ePatching and assigning channels has always been one of the most trying aspects of mixing with an analog console. Using the 01V96i's versatile, easy-to-use patching system, all available inputs, outputs, effects, channel inserts —and now USB I\/O— can be assigned to any of the console's channels or outputs. For example, any of the effect processors can be assigned to an auxiliary bus for send-type operation, or inserted directly\u003c\/p\u003e\u003cp\u003einto any input channel as required. Centralized control means you'll never have to run around to physically re-patch cables whenever you need to reconfigure the system. Patch setups can be stored in the 01V96i patch library for instant recall at any time.\u003c\/p\u003e\u003cp\u003e- Precision Motor Faders That Do More Than Just Mix\u003c\/p\u003e\u003cp\u003eAll of Yamaha's professional digital mixing consoles feature motor faders for a reason. A mixing engineer needs to be able to see exactly where levels are at all times, and without motor faders, every time you recall a previously stored scene or remotely control your mixer from external devices, the mix you hear will be totally different from what is represented by the faders on the console. This can cause considerable confusion and affect your workflow dramatically. Why run the risk of blowing your mix by compromising on such a crucial feature? Yamaha's 100mm motor faders are the end result of the extensive research and analysis put into making our top-line digital mixers. With the intuitive, physical control they afford, these precision faders will ensure that your previously stored settings not only sound exactly the same, but look just as they did when you saved them. What's more, multiple monitor mixes can be recalled and modified instantly and intuitively via the sends on fader function.\u003c\/p\u003e\u003cp\u003e- Intuitive \"Selected Channel\"\u003c\/p\u003e\u003cp\u003e“Selected Channel” controls are the \"hands-on\" channel controls for the currently selected input and output channel, with analog style buttons and knobs that allow you direct access and control of essential parameters. This Yamaha-designed configuration has become a classic as well the de-facto industry standard, and is familiar territory to most experienced engineers.\u003c\/p\u003e\u003cp\u003e- Layer Switching and Fader Mode\u003c\/p\u003e\u003cp\u003eOne of the greatest advantages of digital control is that it adds extraordinary power and flexibility to your console without taking up valuable space. The 01V96i has 16 channel faders and one stereo master fader. The channel faders can be instantly switched to handle input channels 1-16, 17-32, MASTER (8 AUX and 8 BUSES) or REMOTE via the console's LAYER switches. In the REMOTE layer, you can control major DAW software or create custom fader layers with which you can assign any in\/out channels you like. The Fader MODE keys switch the 01V96i faders between fader and auxiliary level control instantaneously. Powered by fast, precise motor-driven mechanisms, the faders respond immediately by moving to the settings of the corresponding mode.\u003c\/p\u003e\u003cp\u003e- Versatile Channel Pairing\u003c\/p\u003e\u003cp\u003eIn addition to being able to pair faders \"horizontally,\" corresponding faders in adjacent layers can be “vertically” paired, allowing each physical channel fader to be used for stereo channel control. Multiple stereo channels can thus be controlled from a single layer with a whole list of linked parameters.\u003c\/p\u003e\u003ch3\u003eBorn Versatile, Tuned for Live\u003c\/h3\u003e\u003cp\u003eThe 01V has been used in a wide variety of applications due to its exceptional versatility. Highly customizable, the 01V96i can be configured to meet specific demands of various environments and greatly benefit your operation of the console. In live situations in particular, the console's personalized functions add a familiar touch while streamlining your workflow tremendously.\u003c\/p\u003e\u003cp\u003e- Grouping Function\u003c\/p\u003e\u003cp\u003eYou can group faders and mutes from any selected input channels or output buses and store the settings in multiple banks. The group function is very convenient for various applications including sound reinforcement.\u003c\/p\u003e\u003cp\u003e- User Defined Keys for Customized Control of Your Console\u003c\/p\u003e\u003cp\u003eEight user-defined keys allow you to customize how you interact with your console. These keys can be assigned to control any functions you choose. You could, for example, assign them to switch scenes, copy\/paste channels or flip display pages and numerous other functions that can give you a tremendous advantage in live sound applications. The Instant Group Assignment function allows you to use these keys to set up mute group masters quickly— ideal for live applications where groups of instruments or sound sources need to be muted instantly.\u003c\/p\u003e\u003cp\u003e- Scene Memory — Instant Recall Is Just A Click Away\u003c\/p\u003e\u003cp\u003eThe ability to store and recall all console parameters in an instant is a huge advantage for sound reinforcement applications. You can instantly switch \"scenes\" during a performance, as well as recall the basic settings for a show at different venues, then tweak to optimize the sound for that environment. This can dramatically reduce setup time and benefit your workflow tremendously. All scene data can also be managed offline on a personal computer using the 01V96i Editor. You can do basic setup on your laptop, and then transfer the data to the console at the venue. 01V96i digital mixing console also lets you recall a scene with fade time, or apply “recall safe” for only the specified parameters and channels, or globally for added creative control and flexibility. There’s even a global paste function that lets you simultaneously paste selected parameters from one scene to multiple scenes – your EQ and AUX settings from final rehearsal, for example, can easily be copied to all other scenes that will be used during the performance.\u003c\/p\u003e\u003cp\u003e- Seamless DAW Integration\u003c\/p\u003e\u003cp\u003eIn addition to its extensive stand-alone capabilities, the 01V96i can seamlessly integrate with your computer-based DAW. In addition to the bi-directional 16 x 16 USB2.0 audio integration, the 01V96i also functions as a powerful controller for your Digital Audio Workstation (DAW). This provides that familiar hands-on feel when recording, mixing and editing your tracks. Control templates are provided for Avid ProTools®, Steinberg Cubase® and Nuendo® while the general DAW mode supports a range of other DAWs. MIDI control tables can also be created to provide compatibility with MIDI-compatible DAW systems.\u003c\/p\u003e\u003ch3\u003e01V96i EDITOR\u003c\/h3\u003e\u003cp\u003eAvailable for MAC and Windows platforms, 01V96i Editor is a total management software package that gives you complete control of all the console's parameters via your computer. Editor provides comprehensive monitoring as well as real-time display of selected channel status once it is connected to the console and online. Offline you can edit and manage scene data, patch lists, and other functions for a significant boost in control and work efficiency. If you are using a rental or another installed console, you can easily save your settings to a computer, then load them into the other console at your convenience. 01V96i Editor also makes an effective tool for safely managing your backups.\u003c\/p\u003e\u003ch3\u003eCubase AI - The Perfect Complement\u003c\/h3\u003e\u003cp\u003eWith Cubase, Steinberg has essentially redefined music production software in their pursuit to provide users with the most advanced, comprehensive DAW software available. The 01V96i comes with the latest version of Cubase AI to give you a flexible, intuitive platform to realize your full creative potential.\u003c\/p\u003e\u003cp\u003eWith Cubase Al you get a stripped-down version of the Steinberg Cubase advanced music production system, using the same core technologies and interface that have won this series worldwide acclaim. Together with the 01V96i, both MAC and Windows PC users will have access to a full system solution with all the tools they need for composing, recording, editing and mixing studio-quality music whether you're in the studio or not.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › Mixing channels\u003c\/td\u003e\n\u003ctd\u003e32 Mono + 4 Stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › GROUP\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › AUX\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › MAIN\u003c\/td\u003e\n\u003ctd\u003eStereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › Input channel functions\u003c\/td\u003e\n\u003ctd\u003eGate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › Output channel functions\u003c\/td\u003e\n\u003ctd\u003eAttenuator, 4-band PEQ, Compressor, Delay\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › On-board processors\u003c\/td\u003e\n\u003ctd\u003e4x SPX multi effectors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Mic inputs\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Phantom power\u003c\/td\u003e\n\u003ctd\u003e+48V DC; ON\/OFF per 4ch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Line inputs\u003c\/td\u003e\n\u003ctd\u003e2x Stereo, 2x 2tr in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › AD converter\u003c\/td\u003e\n\u003ctd\u003e24-bit; 128-time over sampling\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Line outputs\u003c\/td\u003e\n\u003ctd\u003eStereo output, Monitor output, 4x Omni output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › DA converter\u003c\/td\u003e\n\u003ctd\u003e24-bit; 128-time over sampling\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Digital I\/O\u003c\/td\u003e\n\u003ctd\u003eADAT (8-in\/8-out), 2tr in\/out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Expansion slots\u003c\/td\u003e\n\u003ctd\u003eMini-YGDAI (16-in\/16-out)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Control and others\u003c\/td\u003e\n\u003ctd\u003eTo Host(USB), MIDI, Word clock I\/O\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Internal processing\u003c\/td\u003e\n\u003ctd\u003e32bit, Accumulator: 58bit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sampling frequency rate › Internal\u003c\/td\u003e\n\u003ctd\u003e44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sampling frequency rate › External\u003c\/td\u003e\n\u003ctd\u003e44.1kHz\/88.2kHz (-10%) - 48kHz\/96kHz (+6%)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Signal delay\u003c\/td\u003e\n\u003ctd\u003eLess than 1.6ms CH INPUT to STEREO OUT (@SampIing frequency = 48kHz) \/ Less than 0.8ms CH INPUT to STEREO OUT (@SampIing frequency = 96kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003eCH INPUT to STEREO OUT: Less than 0.05%, 20Hz to 20kHz @+14dBu into 600Ω \/ Less than 0.01%, 1kHz @+24dBu into 600Ω (@SampIing frequency = 48kHz) \/ Less than 0.05%, 20Hz to 40kHz @+14dBu into 600Ω \/ Less than 0.01%, 1kHz @+24dBu into 600Ω (@SampIing frequency = 96kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003eCH INPUT to STEREO OUT: 0.5, -1.5dB, 20Hz - 20kHz @+4dBu into 600Ω(@SampIing frequency = 48kHz) \/ 0.5, -1.5dB, 20Hz - 40kHz @+4dBu into 600Ω(@SampIing frequency = 96kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dynamic range\u003c\/td\u003e\n\u003ctd\u003e110dB typ. DA Converter (STEREO OUT) \/ 105dB typ. AD+DA (to STEREO OUT) @fs=48kHz \/ 105dB typ. AD+DA (to STEREO OUT) @fs=96kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e-128dBu Equivalent Input Noise.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e-86dBu residual output noise. STEREO OUT: STEREO OUT off. \/ -86dBu (90dB S\/N) STEREO OUT: STEREO fader at nominal level and all CH INPUT faders at minimum level. \/ -64dBu (68dB S\/N) STEREO OUT: STEREO fader at nominal level and one CH INPUT fader at nominal level\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-80dB adjacent input channels (CH1-12) \/ -80dB adjacent input channels (CH13-16) \/ -80dB input to output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003eAC100V, 120V, 220-240V 50\/60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e90W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e436mm; 17-1\/8in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e148mm; 5-7\/8in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e548mm; 21-5\/8in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e14kg; 30.86lbs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eFader: 100mm motorized x17\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268732395775,"sku":"01V96i","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_34c0d71b-a5a5-4398-b4a8-3334e1d8311f.jpg?v=1790011481"},{"product_id":"ql5","title":"Yamaha QL5 Digital Mixing Console","description":"\u003cp\u003e32 + 2 fader configuration adapts to a wide range of channel layouts. The QL5 is a compact console with large-scale capabilities.\u003c\/p\u003e\u003cli\u003eMix channels: 64 mono, 8 stereo.\u003c\/li\u003e\u003cli\u003eBusses: 16 mix, 8 matrix (Input to Matrix supported).\u003c\/li\u003e\u003cli\u003eLocal I\/O: 32 in, 16 out.\u003c\/li\u003e\u003cli\u003eFader configuration: 32 + 2 (Master).\u003c\/li\u003e\u003cli\u003eStainless steel iPad support stays.\u003c\/li\u003e\u003ch3\u003ePure, Natural Sound Plus Powerful Built-in Processing for Broad Creative Control\u003c\/h3\u003e\u003cp\u003eQL series consoles featured circuitry and components that had been designed and selected with the utmost care, achieving outstanding audio purity from input to output. With that solid sonic foundation, it became possible to take full advantage of built-in premium internal processors such as the Portico 5033\/5043 created in cooperation with Rupert Neve, to shape and create as required. For a wide range of speech applications built-in automatic mixing functionality from Dan Dugan Sound Design provided optimum channel balance while allowing the operator to concentrate fully on optimizing the overall sound.\u003c\/p\u003e\u003ch3\u003eRefined Control for Smooth Operation\u003c\/h3\u003e\u003cp\u003eQL series consoles featured large touch-panel displays as well as \"Touch and Turn\" knobs that made up a remarkably smooth, efficient control interface. Attention was paid to details such as fader feel and channel name display visibility in order to deliver a sophisticated overall operating experience. Remote control and offline setup capability via an iPad or computer added even more refinement to an already state-of-the-art operating environment.\u003c\/p\u003e\u003ch3\u003eExpandable All-in-One Support for Any Application\u003c\/h3\u003e\u003cp\u003eIn addition to ample analog input and output capacity, QL series consoles featured the same Dante audio networking protocol that provided broad connectivity in the CL consoles. There was also an innovative \"Port to Port\" feature that can patch any input port to any output port so the QL console can function as a remote I\/O device for any other QL or CL series console, for example. Other flexibility enhancing features such as 2-track and multitrack recording capability, and dual MY expansion slots that allow processing capability or I\/O to be added as required, made the QL consoles suitable for use as central components in an extensive variety of sound applications.\u003c\/p\u003e\u003ch3\u003eIt All Begins with Natural Sound\u003c\/h3\u003e\u003cp\u003eIn order to take maximum advantage of evolved processing potential to sculpt creative new soundscapes, the engineer must have uncolored, natural sound as a starting point. Yamaha’s unwavering natural sound philosophy is fully implemented in the QL series, resulting in accurate reproduction that is faithful to the source.\u003c\/p\u003e\u003ch3\u003eEvery Component Contributes to Superior Sonic Precision\u003c\/h3\u003e\u003cp\u003eFull creative freedom can only be achieved when the sonic foundation is accurate, uncolored, and faithful to the source. The same pure, natural sound that is a highly regarded feature of the CL series is achieved in the compact QL series consoles as well. Every detail, from mechanical construction through port location, power supply, grounding, and individual components has been painstakingly analyzed and brought together in a system that affords extraordinary audio quality. Noise that can affect digital mixer performance in a number of ways has also been thoroughly scrutinized and effectively eliminated. Because it can affect AD\/ DA converter performance, system clock jitter has been subject to detailed analysis and optimized by revising the internal FPGA layout and rerouting the clock signal. All of these details combine to realize performance that not only passes the strictest scientific tests, but also satisfies the critical ears of some of the most demanding sound engineers in the business.\u003c\/p\u003e\u003ch3\u003eKeeping the Legacy Alive\u003c\/h3\u003e\u003cp\u003eWhen it’s time to build creatively on the uncolored sonic foundation provided by the QL consoles, a selection of powerful processors is ready to refine your sound. Yamaha digital technology accurately reproduces the quality and performance of time-honored analog devices that are renowned for their musical sound, as well as speech mixing technology that revolutionized the industry with unprecedented consistency and clarity. The technology that achieves all of this reflects Yamaha’s respect for the legacy of masters who have given us some of our most valued audio capabilities. It also gives today’s sound engineers the support they need to create for the future.\u003c\/p\u003e\u003ch3\u003eVCM Technology and Rupert Neve\u003c\/h3\u003e\u003cp\u003eAll of the processing capability that was packed into the CL series consoles is provided in the QL consoles as well. Most of those processors are based on Virtual Circuit Modeling (VCM) technology developed by “Dr. K” (Toshifumi Kunimoto) and his team at “K’s lab,” Yamaha’s stateof-the-art digital technology research facility. VCM technology precisely models the circuitry and performance of analog audio devices, right down to the characteristics of individual components such as resistors and capacitors. VCM simulations are so realistic and musical that even the legendary Rupert Neve, a master who built his reputation on analog sound, has given it his approval and collaborated in developing VCM versions of his Portico 5033 and 5043 EQ and compressor, both provided as on-board processors in the QL consoles.\u003c\/p\u003e\u003ch3\u003eRevolutionary Dan Dugan Automatic Mixer Built In\u003c\/h3\u003e\u003cp\u003eThanks to in-depth collaboration with Dan Dugan Sound Design, renowned Dan Dugan automatic microphone mixing with its advanced algorithms is built into the QL series consoles. Setup is easy: just insert the processor into up to 16 channels for automatically optimized microphone gain distribution. Gain control is smooth and natural, as though experienced human operators were doing the mix. The system also effectively reduces feedback and comb filter issues. For speech applications, especially non-scripted situations, this allows the operator to concentrate on details other than fader operation for consistently high-quality mixes.\u003c\/p\u003e\u003cli\u003eMore information about \"Dan Dugan Automatic Mixer\"\u003c\/li\u003e\u003ch3\u003eRefined Interface for Intuitive Control\u003c\/h3\u003e\u003cp\u003eOperators coming from analog or digital consoles will quickly become comfortable with the QL consoles. Years of accumulated knowhow and feedback from users worldwide have been applied in creating an interface that is simple while providing refined operation that responds fully to the demands of a broad spectrum of real-world applications.\u003c\/p\u003e\u003ch3\u003eStraightforward “Touch and Turn” Operation\u003c\/h3\u003e\u003cp\u003eTouch and Turn operation, introduced in the CL series, has been enthusiastically adopted by sound engineers everywhere. The QL series offers the same operational advantage: touch the parameter you want to control on the screen, then rotate the Touch and Turn knob that is below and to the right of the screen to adjust as required. The color displayed below the knob changes to match that of the selected parameter, for quick confirmation and error-free control. It’s simple, responsive, and very intuitive.\u003c\/p\u003e\u003ch3\u003eThe Yamaha Selected Channel System\u003c\/h3\u003e\u003cp\u003eThe Yamaha Selected Channel interface provides a comprehensive overview of available channel parameters with direct selection capability via its large touch-panel display. The display is the same type that was provided on the CL series consoles, offering high visibility and smooth response for stress free operation. Hands-on control via dedicated physical controllers as well as an innovative Touch and Turn knob provides speedy access to essential QL console parameters for a fast, efficient workflow.\u003c\/p\u003e\u003ch3\u003eAdvanced Features Backed by Efficient Design\u003c\/h3\u003e\u003cp\u003eYou can have features galore, but if they’re not well integrated into a smoothly operating system that provides easy access, their value will be greatly reduced. Design of the QL series faders and knobs extends to the finest details of form and materials. High visibility channel name displays and colors add to overall operation ease and efficiency as well. The interface is the vital connection between console and engineer, and we have treated it with appropriate care and respect.\u003c\/p\u003e\u003ch3\u003eFaders Designed for Fit, Feel, and Visual Feedback\u003c\/h3\u003e\u003cp\u003eThe operator’s sonic intent is conveyed to the console primarily through the faders. Inheriting the sports car bucket seat styling of the CL series faders, the QL faders provide comfortable, sure operation regardless of where you finger rests on the knob. Even the fader knob materials have been selected for optimum feel. The sides of the knobs are specially sculpted to allow the fader scale on the panel to be easily seen from just about any angle.\u003c\/p\u003e\u003ch3\u003eSelected Channel Controls for Direct, Instant Access\u003c\/h3\u003e\u003cp\u003eThe main Selected Channel parameters are assigned to the knobs located to the right of the display for immediate access at any time. In addition to User Defined Keys to which parameters can be freely assigned, another traditional Yamaha digital mixing console feature, the QL consoles also have on-screen User Defined Knobs that provide the same assignable freedom for variable parameters. In combination, the User Defined Knobs and User Defined Keys can significantly enhance operation speed and efficiency.\u003c\/p\u003e\u003ch3\u003eComprehensive Fader Bank Section\u003c\/h3\u003e\u003cp\u003eAll analog inputs are assigned to one Fader Bank, while other input and output channels are accessed by switching banks. Four Custom Fader Banks are also provided, and these allow the user to set up any combination of channels required for maximum efficiency in any application. Custom Fader setups can also be stored with scenes and instantly recalled when needed.\u003c\/p\u003e\u003ch3\u003eHigh Visibility Channel Names and Colors\u003c\/h3\u003e\u003cp\u003eMiniature display panels above each channel fader show the channel name as well as fader setting. There’s also a color bar that glows in eight colors, matching the channel colors shown in the main touch-panel display for easy visual identification. The eight colors plus “black” provide a total of nine color groupings. These high-visibility displays offer excellent legibility in bright outdoor lighting as well in dim indoor settings.\u003c\/p\u003e\u003ch3\u003eFlexible Network Capability in an All-in-one Console\u003c\/h3\u003e\u003cp\u003eNetwork capability is essential in today’s live sound applications, and the QL series offers all you need. In addition to their all-in-one capabilities, QL series consoles come with the widely implemented Dante digital audio networking protocol, developed by Audinate, as a standard feature. That means the QL consoles can be combined with other Dante capable devices, such as CL series consoles and R series I\/O rack units, to flexibly create systems for applications of just about any scale or complexity.\u003c\/p\u003e\u003ch3\u003eOne Console May Be All You Need\u003c\/h3\u003e\u003cp\u003eEach QL series console provides extensive built-in input and output capacity that can handle a variety of applications without the need for stage boxes or other external equipment (32 inputs and 16 outputs on the QL5, and 16 ins and 8 outs on the QL1). For many jobs all you need is one console, and that means vastly superior portability as well as speedy setup.\u003c\/p\u003e\u003ch3\u003eSuperior Dante Networking Built In\u003c\/h3\u003e\u003cp\u003ePrecision synchronization technology achieves low latency and low jitter as well as high sample accuracy in a network that is fast and simple to set up. Individual IDs assigned to each device on a Dante network allow automatic device detection as well as easy patching. Speedy setup leaves more time for the all-important job of setting up the mix.\u003c\/p\u003e\u003ch3\u003eRedundancy for Reliability\u003c\/h3\u003e\u003cp\u003eCables and switches can malfunction, but with Dante’s support for redundant connections a problem on the network won’t stop the show. Redundant primary and secondary connections can be set up in a star network configuration so that problems in any part of the network won’t interrupt the signal flow or bring the entire network down.\u003c\/p\u003e\u003ch3\u003e“Port to Port” Enhances System Versatility\u003c\/h3\u003e\u003cp\u003e“Port to Port” is a new Yamaha feature that allows QL series console inputs and outputs to be put to use as elements of a larger system, providing unprecedented capabilities for interconnecting front-of-house and monitor consoles, and much more. Gain Compensation enhances the versatility of this feature even more.\u003c\/p\u003e\u003cli\u003eMore information about \"Port to Port\"\u003c\/li\u003e\u003ch3\u003eCapable Systems with Fewer Devices\u003c\/h3\u003e\u003cp\u003eThe ability to directly connect input ports to output ports without going through mixing channels provides unprecedented freedom for routing signals between the analog, Dante, and MY slot inputs and outputs. For example, a QL console could be used as an I\/O device for another QL or CL series console while simultaneously functioning as a monitor console. Not only is just one QL console required for both monitor and I\/O use, but analog gains can be remotely controlled from the front-of-house QL or CL console. It’s also possible to mix analog signals received at the console while directly transmitting them to a multitrack recording system via Dante, for example. The possibilities are vast.\u003c\/p\u003e\u003ch3\u003eI\/O Rack Sharing without Gain Complications\u003c\/h3\u003e\u003cp\u003eWhen sharing inputs between multiple consoles using Dante networking and Port to Port capability, gain adjustments made from one console could potentially disrupt the mix balance at another. The Gain Compensation function prevents such problems from occurring. Gain compensation is automatically applied at the digital stage so that the total gain sent out via the network remains constant.\u003c\/p\u003e\u003ch3\u003eEverything You Need for Creative Engineering\u003c\/h3\u003e\u003cp\u003eQL series console include a virtual processing rack that lets the operator approach selecting and patching internal processors in a way that’s similar to working with external rack-mounted devices. All of the high-quality processors that received rave reviews in the CL series are provided in the QL series consoles as well. Top-quality sound-shaping tools for creative engineering are ready and accessible whenever they’re needed.\u003c\/p\u003e\u003ch3\u003ePremium Rack\u003c\/h3\u003e\u003cp\u003eUp to eight VCM processors, including the Portico processors developed in cooperation with Rupert Neve Designs that are standards in leading recording studios throughout the world, can be mounted in the virtual rack and used to deliver the kind of performance that only high-end analog outboard processors have previously been capable of. More importantly, that studio quality and musical tonality are available for live sound applications.\u003c\/p\u003e\u003cp\u003ePortico 5033\/5043: These devices immaculately model the full sonic depth and breadth of the original analog equalizer and compressor\/limiter modules by Rupert Neve. They are not only ideal for adding first-class studio-quality processor sound to your mix, but are also remarkably easy to set up for optimum effect. Merely inserting these outstanding models in the signal path can enhance the sound.\u003c\/p\u003e\u003cp\u003eU76: A studio standard that is ideal for a wide range of applications. It even features a RATIO “ALL” button that simulates the effect of engaging all of the ratio buttons on the original.\u003c\/p\u003e\u003cp\u003eOpt-2A: This is a model of one of the most widely used optical studio compressors from the 1960’s. The distinctive and highly regarded compression and release characteristics of the original are recreated with remarkable precision.\u003c\/p\u003e\u003cp\u003eEQ-1A: The classic studio equalizer that is the basis for this model is still in demand today, highly prized for the musical response of its vacuum tube and transformer EQ circuitry, as well as its distinctive boost\/cut characteristics.\u003c\/p\u003e\u003cp\u003eDynamic EQ: This original EQ module detects level variations in specified frequency bands in real time, dynamically adjusting EQ gain to provide pinpoint compression, limiting, and de-essing. A refined interface contributes to fast, easy operation.\u003c\/p\u003e\u003cp\u003eBuss Comp 369: The K's Lab team has created an accurate VCM (Virtual Circuitry Modeling) model of an acclaimed buss compressor that is relied on in broadcast and recording studios around the world. As the name implies, Buss Comp 369 is ideal for inserting on the stereo mix buss for increased loudness, more uniform levels, and warm overall sound. It is an excellent choice for live sound as well as broadcast applications.\u003c\/p\u003e\u003cp\u003eMBC4 Multiband Compressor: The MBC4 is a four-band multiband compressor for the console's Premium Rack, combining a refined GUI with advanced VCM modeling for high overall operability and sonic performance. The musical response of highly regarded analog compressors was studied in depth and recreated in detail in the MBC4, providing flexible dynamics processing while retaining the integrity and musicality of the source.\u003c\/p\u003e\u003ch3\u003eEffect Rack\u003c\/h3\u003e\u003cp\u003eUp to eight of the 46 available ambience effects and 8 available insert effects can be mounted in the QL virtual rack. That selection includes a number of high-end Yamaha REV-X reverb processors for sophisticated sonic control. Any of the mounted effects can be individually switched to graphic EQ operation as required.\u003c\/p\u003e\u003cp\u003eComp 276: This model is a composite of several analog compressors that were popular in recording studios in the 70’s. Anyone who is familiar with the originals will recognize the characteristic punch and fatness this device delivers.\u003c\/p\u003e\u003cp\u003eOpen Deck: Here’s a unique effect that models both the analog circuitry of well-known professional tape decks plus the characteristics of the tape used with them. You can simply choose a deck that offers the sound you need, or combine different recording and playback decks for a range of useful variations.\u003c\/p\u003e\u003cp\u003eComp 260: The compressor\/limiter modeled in this device was all the rage in the late 70’s, featuring solid-state RMS level detection circuitry and VCAs for level control. The sonic signature of this model is unmistakable.\u003c\/p\u003e\u003cp\u003eEQ 601: For a sweet analog EQ sound, this model recreates a popular circuit topology from the 70’s.\u003c\/p\u003e\u003ch3\u003eGEQ Rack\u003c\/h3\u003e\u003cp\u003eThe GEQ rack is ideal for inserting graphic EQ into the output and other busses. Up to eight 31-band graphic equalizers can be mounted, and any of those can be switched for use as dual 15-band “Flex15GEQ” equalizers that can control any 15 bands selected from the 31 bands available. With eight rack slots, that allows for a maximum of 16 simultaneous EQ processors. Dan Dugan Automixer units can be inserted in the input channels via the GEQ rack, providing up to 16 channels of automix for speech applications.\u003c\/p\u003e\u003ch3\u003e2-track\/Multitrack Recording and Playback\u003c\/h3\u003e\u003cp\u003eWhether you want basic 2-track recording and playback, or full-blown multitrack recording and playback capability, the QL series consoles make it easy. There’s direct 2-track recording to standard USB flash drives, or serious multitrack recording to a DAW via Dante. Multitrack playback is handy for “virtual sound checks” when the musicians aren’t available, and 2-track playback is for background music, and sound effects.\u003c\/p\u003e\u003ch3\u003eConvenient 2-track Recording to USB Flash Drive\u003c\/h3\u003e\u003cp\u003eA standard USB flash drive plugged into the front-panel USB port serves as media for direct 2-track recording in mp3 format. There’s no need to carry external recording equipment around, and the recording can be handed to performers as soon as the show is finished, for example. Sound files in mp3, AAC, or WMA format saved on the flash drive from a computer or other source can be played back too, for convenient BGM or sound effects without the need for extra playback equipment.\u003c\/p\u003e\u003ch3\u003eNuendo Live multi-track live recording software is bundled.\u003c\/h3\u003e\u003cp\u003eThe QL series consoles even make live multitrack recording easy. With Dante Virtual Soundcard software it becomes possible to transfer audio directly to a Windows or Mac computer connected to the Dante network. With an appropriate DAW such as Steinberg Nuendo Live (bundled) running on the computer, up to 64 tracks can be recorded simultaneously. In addition to being the best way to create professional quality recordings of live performances, this capability is ideal for creating the tracks needed for virtual sound checks.\u003c\/p\u003e\u003cli\u003eMore information about Nuendo Live.\u003c\/li\u003e\u003ch3\u003eExpandable Capacity and Functionality\u003c\/h3\u003e\u003cp\u003eConsole I\/O and functions can be customized simply by inserting appropriate Yamaha or third-party expansion cards into the Mini-YGDAI expansion slots provided. QL series consoles feature dual Mini-YGDAI slots that can accept expansion cardsselected from a lineup of more than 30 types.\u003c\/p\u003e\u003ch3\u003eCascade for Large Systems\u003c\/h3\u003e\u003cp\u003eMultiple QL consoles can be cascade connected via I\/O cards such as the MY16-AE to create systems that offer the high channel capacities required by larger applications. QL consoles can also be cascaded to the other Yamaha digital consoles such as CL series for broad system flexibility\u003c\/p\u003e\u003ch3\u003eLake Processing\u003c\/h3\u003e\u003cp\u003eLake processing has become a standard for speaker processing in live sound applications, and it can easily be added to QL consoles via the MY card slots. The MY8-LAKE expansion card, developed through technical cooperation between Yamaha and Lab.gruppen, offers Mesa EQ, Ideal Graphic EQ, Linear Phase EQ, and other processing features that are capable of achieving ideal tuning in a wide variety of environments regardless of size, acoustic characteristics, or the types of speakers used. Mesa EQ with its symmetrical curve can be inserted into input channels and used for creative sound shaping as well as speaker processing. The possibilities are endless. The Lake Controller computer application can be used for central management and control of all Lake devices in the system, and it works well with Smaart acoustic measurement tools for effective overall speaker tuning.\u003c\/p\u003e\u003cli\u003eMore information about MY8-LAKE.\u003c\/li\u003e\u003ch3\u003eTight iPad and Computer Integration\u003c\/h3\u003e\u003cp\u003eWith the “QL StageMix” app for iPad it is possible to mix remotely from audience seating or the performer’s positions in front of floor monitors, for example. The QL5 even includes stays that will support an iPad on the left side of its panel, sleekly integrating of the iPad into the QL interface. There’s also the “QL Editor” application for Windows and Mac computers, allowing console parameters to be set up via the computer, on or off line. The QL Editor is a great way to manage scene and patch list data, for example, and keyboard entry capability can be a timesaving advantage for typing channel names, etc. QL StageMix and QL Editor are great time savers, and they can be used simultaneously.\u003c\/p\u003e\u003cli\u003eMore information about QL StageMix.\u003c\/li\u003e\u003ch3\u003eSmart Looks and Flexible Design for Custom Control Panels\u003c\/h3\u003e\u003cp\u003eNo specialized programming skills are required. An intuitive interface makes it easy to create faders for volume control and switches for channel on\/off, for example, and position photographs or other graphic elements on the tablet screen as required to create original control panels that are ideally suited to individual applications and users. In addition, ProVisionaire Touch and ProVisionaire Control can control CL\/QL\/TF series digital mixers, MTX and MRX series processors, XMV series and PC-D\/PC-DI series power amplifiers, R series (ADDA) and Tio1608-D I\/O rack, DZR-D series powered loudspeakers and DXS XLF-D powered subwoofers and Nexo NXAMPmk2 powered TD controller. It is easy to combine those parameters onto the one screen.\u003c\/p\u003e\u003cli\u003eMore information about ProVisionaire Touch\u003c\/li\u003e\u003cli\u003eMore information about ProVisionaire Control\u003c\/li\u003e\u003ch3\u003eToday’s Mix Data for Tomorrow’s Show\u003c\/h3\u003e\u003cp\u003eSince QL and CL series mix data are compatible, data created on either type of console can be directly read and used by the other. The time and effort spent setting up mix data for one job can be carried over to other jobs. Moreover, the Yamaha Console File Converter application provides compatibility with PM5D, M7CL, and LS9 consoles as well. All the data you have carefully crafted can be put to good use in future situations.\u003c\/p\u003e\u003cli\u003eMore information about Console File Converter.\u003c\/li\u003e\u003ch3\u003eFeatures Optimized for Live Sound\u003c\/h3\u003e\u003cp\u003eAlthough there are as many ways to use a mixing console as there are sound engineers, extensive feedback from audio professionals has made it possible to provide a feature set that is ideally suited to the real-world needs of demanding live sound applications.\u003c\/p\u003e\u003ch3\u003e300 Scene Memories\u003c\/h3\u003e\u003cp\u003eUp to 300 complete console setups can be stored as “scenes” and instantly recalled whenever needed. Scene Preview is also supported, and scenes can be individually loaded from or saved to a USB flash drive.\u003c\/p\u003e\u003ch3\u003eVersatile Input and Output Delays\u003c\/h3\u003e\u003cp\u003eUp to 1000 ms delay on input channels facilitates precise microphone phase compensation, while up to 1000 ms delay on the output ports is useful for speaker distance compensation and room tuning.\u003c\/p\u003e\u003ch3\u003eAmple EQ and Dynamics Processing\u003c\/h3\u003e\u003cp\u003eAll channels feature 4-band parametric EQ and two dynamics processors (one dynamic processor on outputs). De-esser can also be selected for band pass type EQ.\u003c\/p\u003e\u003ch3\u003e16 DCA Groups\u003c\/h3\u003e\u003cp\u003e16 DCA groups allow flexible grouping of multiple input channels for simultaneous control.\u003c\/p\u003e\u003ch3\u003e8 Mute Groups\u003c\/h3\u003e\u003cp\u003eMultiple channels can be assigned to any of 8 mute groups for instant muting or un-muting, with a new Dimmer Level function.\u003c\/p\u003e\u003ch3\u003e12 User Defined Keys\u003c\/h3\u003e\u003cp\u003eA large number of console functions including Sends on Fader, Tap Tempo, and Set by Sel can be assigned to 12 User Defined Keys for instant hands-on access.\u003c\/p\u003e\u003ch3\u003eMultiple User Key Sets\u003c\/h3\u003e\u003cp\u003eLimited access to CL console functions can be provided for less experienced operators and accident prevention via multiple User Key sets that can be stored in the console itself as well as on USB memory.\u003c\/p\u003e\u003ch3\u003e5-in\/5-out GPI Interface\u003c\/h3\u003e\u003cp\u003eA 5-input\/5-output GPI interface allows the CL consoles to respond to input from external switches, as well as to transmit on\/off status to external devices.\u003c\/p\u003e\u003ch3\u003eHelp File\u003c\/h3\u003e\u003cp\u003eSimply tap the on-screen “Help” button to access the onboard operation manual. Once loaded all essential information is available directly via the console’s display, so you won’t need to keep the printed manual with you.\u003c\/p\u003e\u003ch3\u003ePure, Natural Sound Plus Powerful Built-in Processing for Broad Creative Control\u003c\/h3\u003e\u003cp\u003eThe Yamaha sound begins with reproduction that is faithful to the source. QL series consoles feature circuitry and components that have been designed and selected with the utmost care, achieving outstanding audio purity from input to output. With that solid sonic foundation it becomes possible to take full advantage of built-in premium internal processors such as the Portico 5033\/5043 created in cooperation with Rupert Neve, to shape and create as required. For a wide range of speech applications built-in automatic mixing functionality from Dan Dugan Sound Design provides optimum channel balance while allowing the operator to concentrate fully on optimizing the overall sound.\u003c\/p\u003e\u003ch3\u003eRefined Control for Smooth Operation\u003c\/h3\u003e\u003cp\u003eThe ability to respond swiftly and surely to multiple, rapidly changing demands is essential for effective live sound support. QL series consoles feature large touch-panel displays as well as “Touch and Turn” knobs that make up a remarkably smooth, efficient control interface. Attention has also been paid to details such as fader feel and channel name display visibility in order to deliver a sophisticated overall operating experience. Remote control and offline setup capability via an iPad or computer adds even more refinement to an already state-of-the-art operating environment.\u003c\/p\u003e\u003ch3\u003eExpandable All-in-One Support for Any Application\u003c\/h3\u003e\u003cp\u003eIn addition to ample analog input and output capacity, QL series consoles feature the same Dante audio networking protocol that provides broad connectivity in the CL consoles. There's also an innovative “Port to Port” feature that can patch any input port to any output port so the QL console can function as a remote I\/O device for any other QL or CL series console, for example. Other flexibility enhancing features such as 2-track and multitrack recording capability, and dual MY expansion slots that allow processing capability or I\/O to be added as required, make the QL consoles suitable for use as central components in an extensive variety of sound applications.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sampling frequency rate › Internal\u003c\/td\u003e\n\u003ctd\u003e44.1kHz \/ 48kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sampling frequency rate › External\u003c\/td\u003e\n\u003ctd\u003e44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Signal delay\u003c\/td\u003e\n\u003ctd\u003eLess than 2.5ms, INPUT to OMNI OUT, Fs= 48kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Fader\u003c\/td\u003e\n\u003ctd\u003e100mm motorized, Resolution=1024steps, +10dB to –138dB, –∞dB all faders\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003eLess than 0.05% 20Hz-20kHz@+4dBu into 600Ω, INPUT to OMNI OUT, Input Gain= Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003e+0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, INPUT to OMNI OUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dynamic range\u003c\/td\u003e\n\u003ctd\u003e112dB typ.: DA Converter \/ 108dB typ.: INPUT to OMNI OUT, Input Gain = Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e-128dBu typ., Equivalent Input Noise, Input Gain=Max\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e-88dBu, Residual output noise, ST master off\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-100dB*1, adjacent INPUT\/OMNI OUT channels, Input Gain = Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003e100-240V 50\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e200W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e828mm(32.6in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e272mm(10.7in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e563mm(22.2in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e21.8kg(48.1lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eOwner’s Manual, dust cover, power cord, DVS license sheet, Nuendo Live\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Options\u003c\/td\u003e\n\u003ctd\u003eMini-YGDAI cards *2 , Gooseneck Lamp LA1L\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eOperating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268732887295,"sku":"QL5","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_ddb0d672-6811-4484-bf53-8bff6a76e87b.jpg?v=1790011483"},{"product_id":"mg166cx-usb","title":"Yamaha MG166CX-USB 16-Input USB Mixing Console","description":"\u003cp\u003eDirect digital recording capability with the supplied Cubase AI4 software\u003c\/p\u003e\u003ch3\u003eUSB models for live recording\u003c\/h3\u003e\u003cp\u003eWhether you have a mixing applications that involves only a few channels, or up to 32 inputs with substantial signal routing versatility, Yamaha's MG-series offers a console that will give you the capacity, control, and performance you deserve. All models are remarkably compact and lightweight for superior handling and portability, but absolutely no compromises have been made in terms of features, performance, or durability. The MG mixers offer an extraordinary blend of technology: some inherited from professional Yamaha mixing consoles you're likely to see in distinguished halls throughout the world, and some developed specifically to deliver optimum performance in the MG-console format. In either case these performance-packed mixers are founded on a world-spanning network of human and technological resources that crystallize to deliver features that really matter, and sound that is undeniably superior.\u003c\/p\u003e\u003ch3\u003eEasy live recording with bundled Cubase AI\u003c\/h3\u003e\u003cp\u003eCubase AI4 harnesses the power of the Steinberg Cubase 4 digital audio workstation for use with Yamaha MG \"USB\" mixers, providing a powerful set of advanced software tools that are easy to use while significantly expanding the mixers' recording and production capabilities. Cubase AI4 offers direct digital connectivity to the stereo buses of MG \"USB\" models for audio recording and editing. It also features a range of MIDI sequencing capabilities, an entire suite of VST effect plug-ins, and a HALion One sample player featuring selected waves from the famed Yamaha Motif synthesizers.\u003c\/p\u003e\u003ch3\u003eCubase AI4 Features\u003c\/h3\u003e\u003cp\u003eCubase 4 audio engine.\u003c\/p\u003e\u003cp\u003e48 audio tracks and up to 64 MIDI tracks.\u003c\/p\u003e\u003cp\u003e25 VST effect plug-ins, including 15 new VST3 plug-in effects.\u003c\/p\u003e\u003cp\u003eHALion One software sample player with selected Motif waves.\u003c\/p\u003e\u003cp\u003ePlug and Play VST\/MIDI setup.\u003c\/p\u003e\u003cp\u003eStudio Connections Integration.\u003c\/p\u003e\u003cp\u003eFile Interchange between Steinberg software and Yamaha hardware.\u003c\/p\u003e\u003cp\u003e20 MIDI music styles and 480 audio drum loops included.\u003c\/p\u003e\u003ch3\u003eBuilt-in SPX Digital Effects (MG166CX-USB only)\u003c\/h3\u003e\u003cp\u003eThere's an astonishing amount of signal processing power packed into the compact chassis of the MG \"CX\" mixers. They incorporate a versatile digital multi-effect processor that provides a range of reverb, delay, modulation, and distortion programs you can use to refine and define your sound. Each of the 16 effect programs has a number of editable parameters as well as effect on\/off switching capability and return level control. You can even blend the effects into the aux sends for \"wet\" monitoring, so the performers can hear the effects too. If you need to keep both hands free to play an instrument or perform other operations, an optional footswitch can be connected to the mixer's effect footswitch jack for convenient on\/off switching.\u003c\/p\u003e\u003ch3\u003eLightweight, Portable Designs\u003c\/h3\u003e\u003cp\u003eDesigning a lightweight mixer is not too difficult, but designing a lightweight, compact mixer that delivers serious performance is another matter. The Yamaha design team went to extraordinary lengths in the MG series, including in-depth material and structural analysis, to bring you maximum manageability and maximum performance in the same packages. The result is that you can easily pop the smallest models into your briefcase or shoulder bag and take with you anywhere. Even the larger models can be tucked under an arm and carried around quite easily. But the performance you'll get at the studio, club, hall, or anywhere you choose to use these fine mixers is far from lightweight. Every one of the MG series mixers provides significant space savings along with huge performance benefits.\u003c\/p\u003e\u003ch3\u003eVersatile Connectivity and Pro-class Connectors\u003c\/h3\u003e\u003cp\u003eTop-mounted input and output connectors make setting up and re-patching your system quick and easy. All models feature high-quality Neutrik™ balanced XLR connectors on mono microphone\/line channels and XLR-equipped stereo channels. These professional-class connectors were subjected to extensive testing by the Yamaha design team, and were chosen for the MG mixers for their superior reliability and sonic qualities. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels provide phone jack and pin jack connectors for compatibility with a wide range of sources. Mono input channels also feature insert I\/O connectors that let you patch external signal processing gear into those channels as required. Separate pinjack 2TR inputs are provided to accept the output from a CD player or similar stereo source.\u003c\/p\u003e\u003ch3\u003eBuilt-in Channel Compressors\u003c\/h3\u003e\u003cp\u003eThis advanced feature can be a tremendous advantage in achieving great vocal sound, as well as to refine the sound of bass, guitar, and other sources. You won't find built-in channel compression on too many other mixers in this class, but in the new MG mixers you have Yamaha's innovative one-knob compression feature on several of the mono input channels. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and timeconsuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.\u003c\/p\u003e\u003ch3\u003eHigh-performance Microphone Preamplifiers with Switchable Phantom Power\u003c\/h3\u003e\u003cp\u003eMicrophone preamplifiers are critical in any mixer, and a performance bottleneck in many. That's why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. Gain trim covers a wide -60dB ~ -16dB range for microphones (-34dB ~ +10dB for line input), so you'll be able to achieve optimum level matching with just about any source. All microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones.\u003c\/p\u003e\u003ch3\u003e3-band Channel EQ and High-pass Filters\u003c\/h3\u003e\u003cp\u003eBuilding a truly useful, musical-sounding channel equalizer is no easy task, but Yamaha has decades of experience in building pro consoles to draw on. You reap the benefits in the MG series mixers: all mono channels feature 3-band equalizers with LOW, MID, and HIGH controls. Depending on the model some of all of the stereo channels have 2-band EQ for smooth equalization of stereo sources. Although not directly related to the equalizer circuitry, all inputs also feature 80 Hz low-pass filters that can be used to eliminate subsonic noise that is outside the equalizers' range.\u003c\/p\u003e\u003ch3\u003eAux\/Effect Sends\u003c\/h3\u003e\u003cp\u003eAll models except the MG82CX have from one to three AUX sends for convenient to processing and monitor systems. Master send controls are also provided, as are RETURN level controls for the AUX and STEREO busses. \"CX\" models have EFFECT send controls on all channels that adjust the level of the signal sent from the corresponding channel to the mixer's internal multi-effect system. The same signal can also be sent to external effect processors via the mixer's EFFECT SEND jack.\u003c\/p\u003e\u003ch3\u003eTwo, Four or Six Buses (Stereo and Group)\u003c\/h3\u003e\u003cp\u003eThe smallest models in the lineup - the MG82CX and MG102C - have a single stereo bus (i.e. two mono buses). All other models additionally feature one or two stereo group buses and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.\u003c\/p\u003e\u003ch3\u003eSmooth 60-millimeter Faders \u0026amp; Illuminated Channel ON Switches\u003c\/h3\u003e\u003cp\u003eWhile the MG82CX and MG102C feature rotary faders, channel and master level control on all other models is accomplished via reliable, highperformance 60-millimeter linear faders that provide smooth, noise-free operation. When you have more than a few channels the direct visual indication of relative level settings can be an important advantage. Models with linear faders also feature illuminated channel ON switches that can be used to individually add or remove channels from the mix without having to change the positions of the channel faders.\u003c\/p\u003e\u003ch3\u003eBright Meters for Visual Level Monitoring\u003c\/h3\u003e\u003cp\u003eAccurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read multi-segment LED meters make it easy to control system levels for optimum overall performance.\u003c\/p\u003e\u003ch3\u003eEasy Operation\u003c\/h3\u003e\u003cp\u003eAll switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback.\u003c\/p\u003e\u003ch3\u003eP.T. Yamaha Music manufacturing Asia — Manufacturing the electronic instruments and PA products\u003c\/h3\u003e\u003cp\u003eFrom the initial design to final manufacturing, all production processes for the Yamaha MG series mixing console are performed entirely inside the company. Moreover, every product that comes off our production line must pass strict quality controls using the sophisticated test instruments. Thus, all of this enables us to deliver the highest quality products to you.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Total Harmonic Distortion\u003c\/td\u003e\n\u003ctd\u003eLess than 0.1 % (THD+N) 20 Hz - 20 kHz @ +14 dBu (ST OUT)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Frequency Response\u003c\/td\u003e\n\u003ctd\u003e0, +1, -3 dB 20 Hz - 20 kHz @ +4 dBu (ST OUT)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Hum \u0026amp; Noise\u003c\/td\u003e\n\u003ctd\u003e-128 dBu Equivalent Input Noise\/ -98 dBu Residual Output Noise 20 Hz - 20 kHz, Rs = 150 Ω, Input Gain = Maximum\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input Connectors\u003c\/td\u003e\n\u003ctd\u003eMIC: 10, LINE: 8 mono + 4 stereo, CH INSERT: 8, AUX RTN: 1 stereo, 2TR IN: 1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Output Connectors\u003c\/td\u003e\n\u003ctd\u003eST: 2, AUX SEND: 2, EFFECT SEND: 1, CH INSERT: 8, REC: 1 stereo, MONITOR: 1 stereo, GROUP: 4 Phone: 1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-70 dB @ 1 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Phantom Power\u003c\/td\u003e\n\u003ctd\u003e+ 48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input HPF\u003c\/td\u003e\n\u003ctd\u003eCH 1-8, CH 9\/10-11\/12, 80Hz, 12dB\/oct\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › High\u003c\/td\u003e\n\u003ctd\u003e10 k Hz: shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › Mid\u003c\/td\u003e\n\u003ctd\u003e2.5 k Hz: peaking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › Low\u003c\/td\u003e\n\u003ctd\u003e100 Hz: shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › High\u003c\/td\u003e\n\u003ctd\u003e10 k Hz: shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Mid\u003c\/td\u003e\n\u003ctd\u003e2.5 k Hz: peaking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Low\u003c\/td\u003e\n\u003ctd\u003e100 Hz: shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Compressor (COMP)\u003c\/td\u003e\n\u003ctd\u003econtrol x 1 (Gain\/Threshold\/Ratio), CH 1-8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › LED Level Meter \/ Pre Monitor Level\u003c\/td\u003e\n\u003ctd\u003e2 x 12 points LED meter (PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB) PEAK lights if the signal comes within 3 dB of the clipping level.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Peak Indicator\u003c\/td\u003e\n\u003ctd\u003eRed LED turns on when post EQ (ST CH: or post Mic HA) signal reaches -3dB below clipping (17dBu).\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › USB Audio \/ USB IN\/OUT\u003c\/td\u003e\n\u003ctd\u003eSampling Frequency = 44.1kHz or 48kHz (depend on the application of PC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Power Supply Adapter\u003c\/td\u003e\n\u003ctd\u003ePA-30: AC 35VCT, 1.4A, Cable Length = 3.6m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Dimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e478 mm x 105 mm x 496 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Net Weight\u003c\/td\u003e\n\u003ctd\u003e5.5 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Internal Digital Effect\u003c\/td\u003e\n\u003ctd\u003e16 PROGRAM, PARAMETER control Foot Switch (Digital Effect, on\/off)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Power Consumption\u003c\/td\u003e\n\u003ctd\u003e35 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Options\u003c\/td\u003e\n\u003ctd\u003eFoot Switch (FC-5)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268733247743,"sku":"MG166CX-USB","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_7997669e-a438-4597-bf06-15541bfa789b.jpg?v=1790011483"},{"product_id":"01v96vcm","title":"Yamaha 01V96VCM Digital Mixing Console","description":"\u003cp\u003eThe 01V96VCM delivers the performance and reliability of Yamaha's acclaimed digital live sound and production consoles in a remarkably compact design that is perfect for home and professional applications where space is limited or maximum portability is required. It may be small but it can handle up to 40 inputs, and can be cascaded if more are required. And now, in addition to the many improvements that were implemented in the 01V96 Version 2, the 01V96VCM comes with a selection of Yamaha's unsurpassed VCM effects built in. Of course the entire console - effects included - features 24 bit\/96 kHz operation for ultimate resolution and sound quality that will satisfy the most demanding applications.\u003c\/p\u003e\u003ch3\u003eStill Small and Professional — Now with VCM Effects\u003c\/h3\u003e\u003cp\u003eThe 01V96VCM delivers the performance and reliability of Yamaha's acclaimed digital live sound and production consoles in a remarkably compact design that is perfect for home and professional applications where space is limited or maximum portability is required. It may be small but it can handle up to 40 inputs, and can be cascaded if more are required. And now, in addition to the many improvements that were implemented in the 01V96 Version 2, the 01V96VCM comes with a selection of Yamaha's unsurpassed VCM effects built in. Of course the entire console – effects included – features 24 bit\/96 kHz operation for ultimate resolution and sound quality that will satisfy the most demanding applications.\u003c\/p\u003e\u003ch3\u003ePrecise 24-bit\/96-kHz Audio and High-performance Head Amps\u003c\/h3\u003e\u003cp\u003eAdvanced custom DSP7 LSIs feature 32-bit internal processing (58-bit accumulator) at extremely high speed. Full functionality is provided when mixing all 40 channels at 96 kHz. All analog inputs and outputs – including the 16 microphone\/line inputs – employ precision 24-bit A\/D and D\/A converters for an outstanding 110-dB dynamic range. Top-performance head amplifiers provide precise, uncolored pre-amplification prior to A\/D conversion, and uncompromising Yamaha quality standards throughout make the 01V96 a worthy performer alongside other members of Yamaha's acclaimed production console lineup such as the DM2000, 02R96, and DM1000.\u003c\/p\u003e\u003ch3\u003e40-input 18-bus Mix Capacity at 96 kHz\u003c\/h3\u003e\u003cp\u003eAlthough it is a compact rack-size mixer, the 01V96 offers generous mixing capacity with up to 40 simultaneous inputs. All 40 input channels include four-band parametric EQ and up to 452 milliseconds of delay with variable feedback, while all channels except for stereo inputs 1 through 4 also provide a gate and compressor\/limiter. What's more, all of this functionality is available at 96 kHz. The output section also offers plenty of versatility with 18 buses: 8 group buses, 8 auxiliary buses, and a stereo bus. Group buses 1 through 8 also function as surround buses, and a Bus to Stereo function allows sound-reinforcement type sub-mixing. A \"Fix\" function automatically sets the auxiliary buses to nominal (0 dB) level, so they can be used as additional mix buses.\u003c\/p\u003e\u003ch3\u003eVersatile Connectivity and Expandability for a Wide Range of Applications\u003c\/h3\u003e\u003cp\u003eInputs 1 through 12 feature high-performance head amps that accept microphone and line-level sources, with 20-dB pads, -60 to -16 dB gain trim and balanced XLR and TRS phone jack connectors. Phantom power is switchable in 4-channel groups. Inputs 13 through 16 accept line-level sources via balanced TRS phone jacks, with trim adjustable from -20 to +10 dB as two stereo pairs or four independent mono channels. Analog outputs include the main stereo outs, stereo monitor outputs, a stereo 2-track output, four \"omni\" outputs, 12 channel insert outputs, and a phones output. All analog inputs and outputs employ precision 24-bit, 96-kHz converters. Digital I\/O is provided via 8-channel optical ADAT and coaxial 2-track inputs and outputs. The 01V96 also features an I\/O expansion slot that accepts Mini YGDAI (Yamaha General Digital Audio Interface) cards that support up to 16 additional channels of I\/O in analog or digital (AES\/EBU, ADAT, or TASCAM) format. The 01V96's inputs and outputs can be freely assigned via a flexible digital patching system that allows the console to be optimally configured for a wide range of music production and sound reinforcement applications, as well as installations.\u003c\/p\u003e\u003ch3\u003ePowerful Channel Functions with Flexible Control and Patching\u003c\/h3\u003e\u003cp\u003eAll 32 mono channels, the four stereo channels, eight group buses, eight auxiliary buses, and stereo bus feature powerful functions inherited from the DM2000 and 02R96. All mono channels include gate and compressor dynamics processing, while mono and stereo channels offer four-band parametric EQ, channel inserts, delay, surround and stereo panning, and phase. These same features with the sole exception of gating are also provided for the eight group and auxiliary buses as well as the stereo bus. Easy-access dedicated controllers are provided for EQ and panning. Control data is graphically displayed via an LCD screen, and can be saved in \"libraries\" for easy recall whenever recalled. All inputs, outputs, insert patch points, direct outputs, and effect sends and returns can be freely patched to configure the system as required via graphical on-screen \"digital patching\" displays: for example, you could patch one input to multiple channels, or assign the signal from one bus to multiple outputs.\u003c\/p\u003e\u003ch3\u003eFour Advanced Multi-effect Processors at 44.1\/48 kHz, or Two at 88.2\/96 kHz\u003c\/h3\u003e\u003cp\u003eIn 44.1\/48 kHz mode the 01V96 offers four high-performance stereo multi-effect processors that deliver the same quality as the effect processors provided on the DM2000, 02R96 and DM1000. A total of 44 presets include reverb, delay, chorus, and distortion programs. Original effect settings can be stored to any of 76 user library locations. The internal effects can be patched as send\/return or insert type effects.\u003c\/p\u003e\u003ch3\u003e01V96 Editor Software Supplied\u003c\/h3\u003e\u003cp\u003eThe 01V96 comes supplied with an advanced 01V96V2 Editor that runs on the Studio Manager application for Windows or Mac computers. The 01V96 connects to your computer via the TO HOST interface (USB), creating a production environment that goes beyond simple parameter viewers. The Console Window, Selected Channel Module, Patch Editor, Effect Editor, and Library Window can be accessed via the computer's expansive color display, and the main mixer functions can be edited offline. Memory management functions allow 01V96 data to be transferred to and from the computer where it can be managed and even shared via LAN or the Internet.\u003c\/p\u003e\u003ch3\u003eComprehensive Interface with Large LCD, 100-mm Motor Faders, and Dedicated Scene Memory Keys\u003c\/h3\u003e\u003cp\u003eA large 320 x 240 pixel LCD display clearly displays parameters and metering. 16 faders provide access to the console's 32 mono channels in two layers: 1 through 16 and 17 through 32. Add the stereo master and you have a total of 17 top-quality 100-millimeter motor faders. The bus and auxiliary faders are provided in a third layer, and a fourth \"remote\" layer is provided for external device control. The remote layer is user assignable, allowing you to place any desired combination of inputs and\/or buses in a single layer. The four stereo inputs have their own dedicated controls. Physical keys are provided for scene store and recall for fast, efficient scene management. Fade time can be individually specified for each channel, while recall safe can be specified for each channel and function. Your 01V96 data can even be managed on your personal computer using the supplied 01V96 Editor application.\u003c\/p\u003e\u003ch3\u003eVersatile Pairing and Grouping Functions Enhance Mixing Efficiency\u003c\/h3\u003e\u003cp\u003eIn addition to \"horizontal pairing\" of adjacent channels, the 01V96 allows \"vertical pairing\" of channels on different layers so that, for example, you can control up to 16 stereo sources from a single layer. Grouping functions include the familiar fader and mute grouping, as well as sophisticated EQ and dynamics grouping. The latter can be a great advantage when mixing surround sound.\u003c\/p\u003e\u003ch3\u003eI\/O Expansion Slot for Easy Expansion in a Variety of Formats\u003c\/h3\u003e\u003cp\u003eA Mini-YGDAI (Yamaha General Digital Audio Interface) expansion card slot supports up to 16 additional channels of digital I\/O in AES\/EBU, ADAT or TASCAM format, as well as a range of other interface cards including double-speed 96 kHz (AES\/EBU) digital I\/O cards, 96-kHz compatible AD\/DA cards, and a range of analog I\/O cards. The 01V96 expansion slot also accepts various YGDAI compatible cards available from third parties.\u003c\/p\u003e\u003ch3\u003eSophisticated DAW or Digital Recorder Integration\u003c\/h3\u003e\u003cp\u003eIn addition to its extensive stand-alone capabilities the 01V96 can integrate with your computer-based DAW (Digital Audio Workstation) or digital recorder to create an advanced digital production environment. The 01V96 can function as a physical controller for both recorder and mixer sections of your DAW. The standard library includes control compatibility with Digidesign Pro Tools® and Steinberg NUENDO® workstations, and the General DAW mode supports a range of other DAW systems. MIDI control tables can also be created to provide functionality with MIDI-compatible DAW systems.\u003c\/p\u003e\u003ch3\u003e01V96 Cascade Link and Other Advanced Capabilities\u003c\/h3\u003e\u003cp\u003eThe 01V96 Cascade Link function allows two 01V96 consoles to be connected to provide up to 80 input channels. The 01V96's light weight and compact rack-mountable size make it an unbeatable choice for a range of recording, live sound, and installed applications. A worthy member of the Yamaha digital production console lineup that includes the DM2000, 02R96 and DM1000, the 01V96 offers features and performance that are ideal for professional use. Important details include on-screen gain-reduction metering for dynamics processing, global recall safe, and password-protected console operation lock.\u003c\/p\u003e\u003ch3\u003eBuilt-in VCM Effects\u003c\/h3\u003e\u003cp\u003ePreviously available as \"add-on\" effect packages for top-line digital consoles, Yamaha's highly regarded VCM Channel Strip processors and REV-X reverb are now standard features on the 01V96VCM. These extraordinary effects are based on innovative Virtual Circuitry Modeling technology that actually models the original analog circuitry – right down to the last resistor and capacitor. VCM effects are capable of capturing subtleties that simple digital simulations cannot even approach, going beyond simple simulation and delivering the truly musical performance that makes classic analog gear invaluable even in today's digital production environment.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe 01V96VCM includes the Channel Strip package with COMP276, COMP260, and EQ601 effects that bring vintage analog compression and EQ to life in the digital domain. It also includes the same REV-X algorithm that is behind the unmatched performance of Yamaha's stand-alone SPX2000 signal processor, delivering the most natural reverb and ambience available anywhere.\u003c\/p\u003e\u003ch3\u003eChannel Strip\u003c\/h3\u003e\u003cp\u003eThis compressor and EQ effects faithfully captures the unique saturation effect of analog circuitry. Includes five models that employ VCM technology to recreate the sound and characteristics of classic compression and EQ units from the 70's. Fine-tuned by leading engineers, and featuring carefully selected parameters in a simple interface.\u003c\/p\u003e\u003ch3\u003eCompressor 276 (mono) \/ Compressor 276S (Stereo)\u003c\/h3\u003e\u003cp\u003eRecreate the fast response, frequency characteristics, and tube-amp saturation of the most in-demand analog compressors for studio use.\u003c\/p\u003e\u003ch3\u003eCompressor 260 (mono) \/ Compressor 260S (Stereo)\u003c\/h3\u003e\u003cp\u003eFeatures faithful modeling of the solid-state VCA and RMS detection circuitry of the late 70's for live sound reinforcement applications.\u003c\/p\u003e\u003ch3\u003eEqualizer 601\u003c\/h3\u003e\u003cp\u003eDelivers the unique characteristics of 70's analog EQ circuitry, featuring graphical editing capability on both the console and PC displays.\u003c\/p\u003e\u003ch3\u003eReverb\u003c\/h3\u003e\u003cp\u003eThese reverb effects employ the latest \"REV-X\" algorithms first introduced in Yamaha's SPX2000 Professional Multi Effect Processor. The REV-X programs feature the richest reverberation and smoothest decay available, based on years of dedicated research and development.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eREV-X Hall, REV-X Room, and REV-X Plate programs are provided, with new parameters such as room size and decay envelopes that offer unprecedented definition and finer nuance control.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe REV-X Hall and REV-X Room programs have a very open sound, while REV-X Plate delivers a brighter tonality that is ideal for vocals.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAll models deliver dense, warm reverb that does not interfere with the natural timbre of the source.\u003c\/p\u003e\u003ch3\u003eLearn more about...\u003c\/h3\u003e\u003cp\u003eBuilt-in Channel Strip (AE011) , Reverb (AE031), and optional ADD-ON EFFECTS such as Master Strip (AE021), Vintage Stomp (AE051)\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268733313279,"sku":"01V96VCM","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_24778c2c-6676-4c68-8cd3-f5d239dd937c.jpg?v=1790011483"},{"product_id":"mg16x","title":"Yamaha MG16X Mixing Console","description":"\u003cli\u003e16-Channel Mixing Console\u003c\/li\u003e\u003cli\u003eMax. 10 Mic \/ 16 Line Inputs (8 mono + 4 stereo)\u003c\/li\u003e\u003cli\u003e4 GROUP Buses + 1 Stereo Bus\u003c\/li\u003e\u003cli\u003e4 AUX (incl. FX)\u003c\/li\u003e\u003cli\u003e“D-PRE” mic preamps with an inverted Darlington circuit\u003c\/li\u003e\u003cli\u003e1-Knob compressors\u003c\/li\u003e\u003cli\u003eHigh-grade effects: SPX with 24 programs\u003c\/li\u003e\u003cli\u003ePAD switch on mono inputs\u003c\/li\u003e\u003cli\u003e+48V phantom power\u003c\/li\u003e\u003cli\u003eXLR balanced outputs\u003c\/li\u003e\u003cli\u003eInternal universal power supply for world-wide use\u003c\/li\u003e\u003cli\u003eRack Mount Kit Included\u003c\/li\u003e\u003cli\u003eMetal chassis\u003c\/li\u003e\u003cli\u003eDimensions(W×H×D): 444 mm x 130 mm x 500 mm (17.5\" x 5.1\" x 19.7\")\u003c\/li\u003e\u003cli\u003eNet Weight: 6.8 kg (15.0 lbs.)\u003c\/li\u003e\u003ch3\u003eRoad Tough. Studio Ready.\u003c\/h3\u003e\u003cp\u003eFor more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.\u003c\/p\u003e\u003cp\u003eWith an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.\u003c\/p\u003e\u003ch3\u003eFeatured models: MG16X \/ MG12X \/ MG10X\u003c\/h3\u003e\u003cp\u003eJust like the XU models, SPX digital effects are included on these three X models. Excellent for portable use, but also great when installed in conference rooms, banquet halls and weddings, where users can have wide choice of effects to enhance their sound. Stylish grey color improves visual identification.\u003c\/p\u003e\u003ch3\u003eHead of the class\u003c\/h3\u003e\u003cp\u003eYamaha has always strived to provide sound engineers with the purest possible signal instead of added processing or color to give it a \"signature\" sound, and the MG Series is no exception. Embracing this philosophy of transparent sound, these mixing consoles deliver a level of sonic purity and sound quality that is unmatched in their class.\u003c\/p\u003e\u003ch3\u003eD-PRE (Discrete Class-A Mic Preamps)\u003c\/h3\u003e\u003cp\u003eThis is where it all starts. Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound. Having such a pure sonic platform to build on will ultimately save you time and effort by eliminating the need for excessive EQing or additional effects processing in order to \"fix\" your mix.\u003c\/p\u003e\u003ch3\u003eHigh Quality Sound Op-amp\u003c\/h3\u003e\u003cp\u003eThe head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first. MG01 op-amps feature redesigned circuitry in which even the internal components and wiring have been optimized, and use materials such as high-quality silicon wafers and copper wire to achieve superb resolution.\u003c\/p\u003e\u003ch3\u003eSwitchable Phantom Power \u0026amp; PAD Switch\u003c\/h3\u003e\u003cp\u003eWith phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany mic'ed instruments during performance, avoiding the clipping that can seriously affect your mix.\u003c\/p\u003e\u003ch3\u003eOur mixer. Your sound.\u003c\/h3\u003e\u003cp\u003eWhen was the last time you heard guitar without EQ or a completely unprocessed vocal on one of your favorite songs? Probably never. Yamaha mixers are famous for their flat response and sonic purity, but it often takes more than a perfectly-captured instrumental performance or vocal to achieve a professional-sounding mix. Equipped with some of the same state-of-the-art functionality featured on Yamaha’s high-end consoles, the MG Series gives you the tools you need to produce high quality sound that is uniquely your own.\u003c\/p\u003e\u003ch3\u003e1-knob Compressors\u003c\/h3\u003e\u003cp\u003eCompression plays an essential role in just about any recording or sound reinforcement environment by altering the level of dynamics of an audio signal when you need livelier guitars, punchier bass lines, a tighter snare, or a cleaner vocal sound. However, it can take countless hours to master the complexities of even the most basic outboard compression units and use them effectively. Originally a Yamaha innovation, 1-knob compressors are now an industry standard that gives you instant access to optimized compression settings via a single rotary control.\u003c\/p\u003e\u003ch3\u003eEQ and High-pass Filters\u003c\/h3\u003e\u003cp\u003eThere's nothing more useful than reliable equalization when you need nuanced management of your tone. The MG Series benefits from Yamaha's unparalleled experience in designing pro audio gear, featuring 3-band equalizers on all mono channels for precise control of your sound. High-pass filters allows you to eliminate unwanted low-frequency noise, for a smoother, cleaner mix.\u003c\/p\u003e\u003ch3\u003eAUX \/ Effect Sends \/ Group\u003c\/h3\u003e\u003cp\u003eMG Series mixers feature AUX sends for expanding your sound reinforcement or recording setup, allowing you accommodate additional effects, output to external recording devices, or feed a monitoring system. (except for MG06 \/ 06X) Master send controls are also provided. The MG06 \/ 06X, MG10 \/ 10X \/ 10XU \/ 10XUF and MG12XUK have a single stereo bus. All other models additionally feature one or two stereo group buses and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.\u003c\/p\u003e\u003ch3\u003eA variety of input \/ output connectors\u003c\/h3\u003e\u003cp\u003eAll models feature high-quality Neutrik™ balanced XLR connectors on mono microphone\/line channels and XLR equipped stereo channels. Each of the mono inputs is equipped with combo jack and accepts both MIC and LINE level signals. Two of the stereo inputs are equipped with XLR and two phone connectors with XLR accepting MIC level signals while two phone connectors accepting LINE level signals and can be used either mono or stereo. (except for MG10 \/ 10X \/ 10XU \/ 10XUF \/ 12XUK) The function of the additional two stereo channels vary depending on model: With MG20 \/ 20XU, XLR accepts MIC level signal and two RCA connectors accepts LINE level signals and can be used either mono or stereo. With MG12 \/ 12X \/ 12XU and MG16 \/ 16X \/ 16XU, two phone connectors accept LINE level signals as stereo. Additionally, each of the stereo channel features 2TR in (RCA connectors) and can be used as independent input from external audio sources such as CDs. MG10 \/ 10X \/ 10XU \/ 10XUF and MG12XUK are equipped with an additional stereo channel with a pair of phone jacks that accepts LINE levels. With XU models, any incoming source that are sent via USB can be assigned to one of the stereo channel. In addition to the main stereo outputs (XLR L\/R, TRS phone L\/R), MG Series mixing consoles are equipped with a comprehensive suite of output connectors, including GROUP OUT (TRS phone), AUX\/FX OUT (TRS phone), MONITOR OUT (TRS phone L\/R), and HEADPHONE OUT (stereo phone) connectors, allowing master outputs to be chosen to suit specific applications such as monitoring or mastering.\u003c\/p\u003e\u003ch3\u003eLED level metering\u003c\/h3\u003e\u003cp\u003eEasy-to-read LED level metering allows output levels to be monitored with precision.\u003c\/p\u003e\u003ch3\u003eBuilt-in SPX Digital Effects\u003c\/h3\u003e\u003cp\u003eFor musical and non-musical applications alike, effects processing adds polish and professionalism to the mix. The MG X \/ XU models feature Yamaha’s acclaimed SPX digital multi-effect processor, offering a comprehensive suite of 24 editable digital effects perfect for enhancing your mix, whether adding depth to a speaking engagement or breathing new color and atmosphere into a live band performance. In particular, the high-quality reverb and delay expand the spatial quality of the sound with remarkable realism and naturalness. You can even connect an optional FC5 foot switch for effect on \/ off control. (MG10X \/ 10XU \/ 10XUF \/ 12X \/ 12XU \/ 12XUK \/ 16X \/ 16XU \/ 20XU)\u003c\/p\u003e\u003cp\u003e* MG06X features six SPX effects (REVERB HALL \/ ROOM \/ PLATE, DELAY SHORT \/ LONG \/ VO.ECHO), which are not editable.\u003c\/p\u003e\u003ch3\u003eBuilt to last\u003c\/h3\u003e\u003cp\u003eFor gigging, recording, and installed applications alike, your console can be subjected to a wide range of environmental conditions and hazards. Excessive humidity, unstable power supplies, and the rigors of road travel in general can take a serious toll on a mixing console, often causing expensive, time-consuming repairs, and reducing its lifespan. The MG Series has been redesigned with an emphasis on durability, incorporating practical features that offer greater flexibility while ensuring peak performance for many years to come.\u003c\/p\u003e\u003ch3\u003eMetal Chassis\u003c\/h3\u003e\u003cp\u003eBuilt to last, MG Series mixers feature a rugged, impact-resistant, powder-coated metal chassis, offering an unrivalled level of durability. With a sleek design contoured for optimal convection cooling, the internal layout separates the power supply from the analog circuitry for superior noise reduction, and further extends the life of the components inside. To further ensure reliable performance, knob control placement above the surface of the chassis diverts any impact or pressure on the knobs to the chassis itself and not the circuit board or components underneath.\u003c\/p\u003e\u003ch3\u003eInternal Universal Power Supply\u003c\/h3\u003e\u003cp\u003eThanks to a highly-efficient internal universal power supply, MG Series consoles offer worry-free operation in any region around the globe—even in environments prone to potentially damaging power fluctuations. An internal power supply also simplifies rack mounting of the console for installed applications, eliminating the need for a bulky adapter or additional connections.(* MG12 \/ 16 \/ 20 \/ 12X \/ 16X \/ 12XU \/ 16XU \/ 20XU)\u003c\/p\u003e\u003ch3\u003eRack Mount Kit Included\u003c\/h3\u003e\u003cp\u003eEasily adaptable to a diverse range of installed and portable applications, the 16- and 20- channel models of the MG Series included rack ears, giving you the option of a rack-mounted or desk-top configuration. Extremely durable, their sleek design makes safe, stable placement of your console hassle-free, keeping setup time and effort to a minimum. (MG16 \/ 20 \/ 16X \/ 16XU \/ 20XU)\u003c\/p\u003e\u003cp\u003e- Optional Rackmount kit \"RK-MG12\" available for MG12 \/ 12X \/ MG12XU.\u003c\/p\u003e\u003cp\u003e- Optional Mic stand Adapter \"BMS10-A\" available for MG06 \/ 06X \/ 10 \/ 10X \/ 10XU.\u003c\/p\u003e\u003ch3\u003eXLR connector\u003c\/h3\u003e\u003cp\u003eThe main stereo outputs feature XLR type connectors that lock to prevent accidental disconnection. Rugged and dependable, these professional connectors ensure providing stable signal transmission even in the most demanding environments.\u003c\/p\u003e\u003ch3\u003eCreate, record… listen\u003c\/h3\u003e\u003cp\u003eThe MG Series features the same digital connectivity that is used to streamline the recording process on Yamaha’s professional-level mixing consoles. Take advantage of state-of-the-art digital technology that makes it easier than ever to plug-in, play, record, and then listen to your creations.\u003c\/p\u003e\u003ch3\u003e24-bit \/192kHz 2-in\/2-out USB Audio Interface Function\u003c\/h3\u003e\u003cp\u003eMG Series mixing consoles feature flexible digital connectivity for quick and easy high resolution playback of digital content. Simply connect to your PC via USB, or to your iPhone \/ iPad (2 or later) using Apple's Camera Connection Kit \/ Lightning to USB Camera Adapter. The USB protocol uses asynchronous data transfer. Audio data is transferred based on highly precise audio clock signal from the MG, for high quality recording and playback.\u003c\/p\u003e\u003ch3\u003eCubase AI\u003c\/h3\u003e\u003cp\u003eMG XU models are bundled with downloadable Steinberg’s Cubase AI software. As one of the most advanced, comprehensive DAW suites available, Steinberg's Cubase has led the charge, providing users with a powerful and flexible platform for music production. Cubase AI offers these same core technologies and interface that have won Cubase worldwide acclaim.\u003c\/p\u003e\u003cp\u003e(* MG10XU MG12XU MG16XU MG20XU)\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › On-board processors\u003c\/td\u003e\n\u003ctd\u003eSPX algorithm: 24 programs, PARAMETER control:1, FOOT SW:1 (FX RTN CH on\/off)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Phantom power\u003c\/td\u003e\n\u003ctd\u003e+48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Mono[MIC\/LINE]\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Mono\/Stereo[MIC\/LINE]\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Stereo[LINE]\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › STEREO OUT\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › MONITOR OUT\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › PHONES\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › AUX SEND\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › GROUP OUT\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Bus\u003c\/td\u003e\n\u003ctd\u003eStereo: 1, GROUP: 4, AUX: 4 (incl. FX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › PAD\u003c\/td\u003e\n\u003ctd\u003e26 dB (Mono)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › HPF\u003c\/td\u003e\n\u003ctd\u003e80 Hz, 12 dB\/oct (Mono\/Stereo: MIC only)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › COMP\u003c\/td\u003e\n\u003ctd\u003e1-knob compressor (Gain\/Threshold\/Ratio) Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB Attack time: approx. 25 msec, Release time: approx. 300 msec\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ HIGH\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: 10 kHz shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ MID\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: Mono 250 Hz – 5 kHz peaking, Stereo 2.5 kHz peaking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ LOW\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: 100 Hz shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › PEAK LED\u003c\/td\u003e\n\u003ctd\u003eLED turns on when post EQ signal reaches 3 dB below clipping\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › Level Meter\u003c\/td\u003e\n\u003ctd\u003e2x12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003e0.03 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.005 % @ +24dBu (1kHz), GAIN knob: Min\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003e+0.5 dB\/-1.5 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e-128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e-102 dBu (STEREO OUT, STEREO master fader: Min)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-78 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003eAC 100 – 240 V, 50 \/ 60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e30 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e444 mm (17.5\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e130 mm (5.1\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e500 mm (19.7\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e6.8 kg (15.0 lbs.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eIncluded Accessory: Owner’s Manual, Technical Specifications, AC power cord, Rack-mount kit, Optional Accessory: Foot Switch FC5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eOperating Temperature: 0 to +40˚C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268733444351,"sku":"MG16X","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_220c8ab3-4643-4ea5-ac79-4a48553b5746.jpg?v=1790011484"},{"product_id":"rivage-pm10","title":"Yamaha RIVAGE PM10 Audio Mixer","description":"\u003cp\u003eIn terms of sound quality, operation, functionality, reliability, expandability, and more, the RIVAGE PM10 is a thoroughly refined flagship that defines the direction for future generations.\u003c\/p\u003e\u003ch3\u003ePerfecting the Art of Live Sound\u003c\/h3\u003e\u003cp\u003eAll art, including art that involves sound and music, is expression that has an impact on the viewer or listener. It often begins with the artist’s personal journey of self-discovery that sometimes grows and ripples outward in waves that resonate with people everywhere.\u003c\/p\u003e\u003cp\u003eYamaha supports the engineers who support artists and performers in their quest to make waves, carrying their vision to a wider audience.\u003c\/p\u003e\u003ch3\u003eAn All-embracing Ecosystem\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM series includes five consoles, two DSP engines, two I\/O rack units, and two network protocols. Any of these components can be combined to create systems that match a wide range of application scale and budget requirements.\u003c\/p\u003e\u003cp\u003eAll five consoles feature a similar interface with up to three bays of 12 faders each, touch-sensitive display panels, and the Yamaha Selected Channel Section. Engineers who are familiar with one RIVAGE PM console can easily switch to any other and be up and running in a matter of minutes.\u003c\/p\u003e\u003cp\u003eAll RIVAGE PM system components are compatible, and components from earlier systems will work in combination with later systems. That goes for I\/O racks as well as DSP engines, so in addition to operating them separately you can combine DSP engines in mirrored configurations for large applications, for example.\u003c\/p\u003e\u003cp\u003e* The RIVAGE PM7 (CSD-R7) features integrated DSP processing.\u003c\/p\u003e\u003cp\u003eTo fully support the sound engineers who support the artists and performers, Yamaha makes absolutely no compromises when it comes to quality. Sound, operability, and reliability must all be first class, and implemented in a way that allows engineers to concentrate fully on helping artists and performers deliver their message. The RIVAGE PM series embodies this ideal at the highest level, connecting technology, art, and audiences with waves that encircle the world.\u003c\/p\u003e\u003ch3\u003eFunctional Specifications\u003c\/h3\u003e\u003cli\u003eFor More Information\u003c\/li\u003e\u003cp\u003eThe ideal starting point for creative audio engineering is transparent, uncolored sound. All Yamaha mixers are built on that philosophy, with the goal of allowing engineers to capture the on-stage sound accurately, without coloration, and then adding creative touches as required. The merits of unwavering adherence to this concept by Yamaha are evident throughout the RIVAGE PM series.\u003c\/p\u003e\u003cp\u003eThe foundation is Hybrid Microphone Preamplifiers with analog input stages that take the Yamaha “natural sound” concept to new heights, as well as digital sections with immaculate VCM-technology models of Rupert Neve Designs transformer and SILK processing circuitry that offer outstanding musicality and atmosphere. Add the latest refinements in channel EQ and dynamics, and you have extraordinary creative scope.\u003c\/p\u003e\u003cp\u003eThe built-in plug-ins that support creative sound engineering have also evolved, many through close alliances with other manufacturers that are leaders in their respective fields. Collaboration with RND (Rupert Neve Designs) and the use of Yamaha VCM technology has resulted in flawless recreations of prized equalizers and compressors from the 70s and 80s. There are also impeccable models of Eventide harmonizer and reverb effects that could only have been created through cooperation with the original manufacturer.\u003c\/p\u003e\u003cp\u003eAll of this has been implemented in the RIVAGE PM series to give engineers the tools they need to deliver the highest quality, most musical sound possible.\u003c\/p\u003e\u003ch3\u003eTwo Types of I\/O\u003c\/h3\u003e\u003cp\u003eInput circuitry and processing are critical to achieving a high level of sonic quality. The output end of the signal chain plays an important role in maintaining that quality too. Yamaha offers two types of high-performance I\/O Rack units for RIVAGE PM system input and output, each providing compatibility with a different audio network.\u003c\/p\u003e\u003cp\u003eOne of those networks is TWINLANe, capable of carrying up to 400 audio channels via optical cable. The RPio622 and RPio222 I\/O racks are TWINLANe devices, as are the HY256-TL and HY256-TL-SMF audio interface cards. The RPio622 and RPio222 I\/O racks include Hybrid Microphone Preamplifiers with high-performance analog input stages, plus advanced digital sections that include accurate emulations of Rupert Neve Designs transformer and SILK processing circuitry.\u003c\/p\u003e\u003cp\u003eAudinate Dante network compatibility, a standard feature in many other Yamaha consoles and pro audio products, is also available. The Rio3224-D2 and Rio1608-D2 I\/O Racks and the HY144-D audio interface card are Dante ready, and can be combined to provide natural sound input with any RIVAGE PM series system. Either network solution is capable of capturing the sound being created on stage, without coloration and with every nuance intact, allowing the engineer to use the creative capabilities of the RIVAGE PM series to reach the audience with maximum impact.\u003c\/p\u003e\u003ch3\u003eChannel EQ and Compression Refined to Unprecedented Levels\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM channel EQ and dynamics have also been significantly updated and fine-tuned to match the innovations in the input section. The input channels feature 4-band full parametric EQ, while the output channels are equipped with 8-band full parametric EQ, with 4 algorithm types that include newly developed variations. The “Precise” algorithm makes it easy to target and control specific EQ points, the “Aggressive” algorithm is designed for the most musical response, and the “Smooth” algorithm offers smooth, natural control. There’s also a “Legacy” algorithm that provides the familiar feel and response of the equalizers provided in industry-standard Yamaha digital consoles such as the PM1D and PM5D. The “Precise” algorithm includes Q parameters on the low and high shelving filters that allow filter overshoot to be flexibly controlled for added musical impact. Two dynamics stages are provided, each functioning as a gate, two types of compressor, ducker, or de-esser as required. The two compressor types are “Legacy Comp,” inheriting the characteristics of the standard compressors in Yamaha digital consoles, and “Comp260,” which is a beautiful VCM model of a popular analog comp\/limiter from the mid 70s. The latter accurately models the characteristics of the VCA circuit and RMS level detector used in the original device, with the effect of each parameter fine-tuned for optimum effect in live-sound applications. Presets that recreate the original fixed settings of this classic comp\/limiter are also provided for convenience in situations that require the original sound.\u003c\/p\u003e\u003cp\u003eProcessing quality has always been a major strength of Yamaha digital consoles. The RIVAGE PM series offers a comprehensive selection of plug-ins, including models of in-demand classics. The RIVAGE PM series includes over 50 plug-ins, and ample processing power allows up to 256* instances of complex plug-ins such as the Portico 5033 or Portico 5043 to be used simultaneously. There are also the Eventide H3000 Ultra-Harmonizer and a new SP2016 reverb with a large selection of presets, Dan Dugan automatic microphone mixing, and more. These contributions from distinguished third parties complement a range of original Yamaha plug-ins, adding extraordinary versatility and processing power that give the engineer wide-ranging creative freedom.\u003c\/p\u003e\u003cp\u003e* With DSP-RX-EX\u003c\/p\u003e\u003ch3\u003eBricasti Reverb\u003c\/h3\u003e\u003cp\u003eBricasti Design is known as the world's premier manufacturer of hand crafted, hardware digital reverbs.\u003c\/p\u003e\u003cp\u003eThe Y7 is specifically designed for use in the Yamaha RIVAGE PM mixing systems, bringing to the live market a Bricasti product, one that is integrated in the console for simple, fast, and familiar operation, and to bring the renowned “Bricasti Sound” to users of Yamaha products.\u003c\/p\u003e\u003ch3\u003eRND Portico Plug-ins\u003c\/h3\u003e\u003cp\u003eAlthough the SILK processing simulation created in cooperation with RND is an important part of the RIVAGE PM system, it is by no means the only product of that fruitful relationship. In addition to the well-known and highly acclaimed Portico 5033 EQ and 5043 compressor, RIVAGE PM systems include the easy-operation Rupert Neve Designs Portico 5045 Primary Source Enhancer that effectively suppresses background noise at microphone inputs for enhanced clarity while significantly increasing the feedback margin, making it a valuable tool for live sound in houses of worship, stadiums, halls, and other environments where feedback can be problem.\u003c\/p\u003e\u003cp\u003eAdded with V5.0, Portico II Master Buss Processor is a creative tool that redefines the boundaries and limitations of traditional 2-channel compression and limiting. From mixing bass-heavy EDM to a delicate master of a chamber ensemble, it has something to offer everyone – no matter the use or genre.\u003c\/p\u003e\u003ch3\u003eDan Dugan Automatic Mixer\u003c\/h3\u003e\u003cp\u003eThrough in-depth collaboration with Dan Dugan Sound Design, renowned Dan Dugan automatic microphone mixing with its advanced algorithms is built into the RIVAGE PM series digital mixing systems. Setup is easy: just insert the processor into up to 64 channels for automatically optimized microphone gain distribution. Gain control is smooth and natural, as though experienced human operators were doing the mix. The system also effectively reduces feedback and comb filter issues. For speech applications, especially non-scripted situations, this allows the operator to concentrate on details other than fader operation for consistently high quality mixes.\u003c\/p\u003e\u003ch3\u003eEventide Effects\u003c\/h3\u003e\u003cp\u003eThe Eventide name is legendary in the effects field. The acclaimed H3000 Ultra-Harmonizer and a new SP2016 Reverb plugin added in version 4.0 are available throughout the RIVAGE PM series. In addition to a full range of parameters that can be edited to precisely tailor the effects for any need, the SP2016 features a large selection of presets that make it quick and easy to call up an ideal reverb sound.\u003c\/p\u003e\u003ch3\u003eYamaha DaNSe Noise Suppression\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM series includes a range of original Yamaha plug-ins that are extremely powerful too, including the DaNSe Noise Suppressor. The “DaNSe” plugin analyzes noise frequency characteristics and employs a learn function to automatically achieve the most effective noise suppression without the need for any complex setup or programming by the user. Effective noise suppression can be a huge advantage for plays and musicals, significantly enhancing audio clarity. DaNSe can suppress air conditioning noise and noise produced by cooling fans in on-stage moving lights. It can reduce monitor bleed to on-stage instrument mics, and suppress crowd noise during announcements and sports events. It is a highly effective and widely applicable noise suppression tool.\u003c\/p\u003e\u003cp\u003eYamaha has always focused on operability in digital live sound consoles, sparing no effort in providing an interface that engineers coming from analog consoles can operate intuitively, while at the same time maximizing the benefits of digital technology and features. RIVAGE PM systems take that concept to a new level, extending an already familiar and highly rated interface for even greater efficiency and ease in achieving the ultimate sound.\u003c\/p\u003e\u003ch3\u003eRefined Interface\u003c\/h3\u003e\u003cp\u003eA key element of the RIVAGE PM interface is the industry-standard Yamaha Selected Channel concept, providing direct access to parameters of any channel selected via its SEL key. The Selected Channel section provides direct, fast access to all channel parameters. Encoders, buttons, and indicators are provided in a comprehensive layout that makes maximum use of the available panel space, for comfortable operation in any environment or mixing situation. RIVAGE PM series control surfaces feature three groups of 12 faders to which channels can be assigned as required. Depending on the console, some or all of the fader groups work with large touch-sensitive displays in the top panel, providing an evolved version of the Centralogic operating environment. The channel strips extend vertically and virtually seamlessly into the touch panel displays, for lucid, logical control. In addition to allowing channels to be conveniently managed in 12 channel groups, this configuration also facilitates 2-man operation with different operators handling separate groups.\u003c\/p\u003e\u003ch3\u003eUpdated Send Operation (RIVAGE PM5\/3)\u003c\/h3\u003e\u003cp\u003eSetting up sends is an important part of just about any live mixing workflow. In addition to the familiar Sends on Fader function, send levels can be controlled from the Send \/ User Defined Knobs. Send levels shown on the display panels where they can also be adjusted via touch control. This expanded range of control choices greatly enhances convenience and versatility when setting up and tweaking sends.\u003c\/p\u003e\u003ch3\u003eEasy-reach Layout and Improved Sight Line\u003c\/h3\u003e\u003cp\u003eRIVAGE PM console are designed with touch panel displays and Selected Channel section on a prominently raised upper panel that offers optimum visibility from the engineer’s position as well as easy access to all controls. This evolved console design also provides a closer connection to the performers on stage with improved sight lines that give the engineer a broader, more comprehensive view of the action.\u003c\/p\u003e\u003ch3\u003eA Monitor Section to Match Any Job (RIVAGE PM10\/7)\u003c\/h3\u003e\u003cp\u003eMonitoring flexibility is an important criterion for live sound consoles that must be adaptable to a broad variety of applications. The RIVAGE PM10 and PM7 feature two monitor\/cue outputs, with up to eight combinations of monitor sources that can be memorized and selected as required. In addition to independent control of output levels, dedicated delays and 8-band parametric equalization are available specifically for monitor use. It is even possible to insert plug-ins immediately before the EQ stage. All of these features provide the flexibility needed to create optimum monitor setups for just about any situation.\u003c\/p\u003e\u003ch3\u003eHigh-visibility Fader Meters (RIVAGE PM5)\u003c\/h3\u003e\u003cp\u003eClear visual feedback is also provided by the meters associated with each fader. The fader meters can display mono or stereo levels, or gain reduction when you want to keep an eye on channel dynamics. The fader meters can contribute to smooth, accurate control by providing direct feedback of how fader operation is affecting the signal.\u003c\/p\u003e\u003ch3\u003eGenius.lab\u003c\/h3\u003e\u003cp\u003eAllowing users to create a wide variety of actions triggered by key presses, fader operations, MIDI messages and more, it gives audio engineers the power to programme events to suit their specific situation and workflow. A huge range of functions can be programmed, with combinations of actions enacted by one trigger.\u003c\/p\u003e\u003cp\u003eInnovate your workflow with Genius.lab.\u003c\/p\u003e\u003cp\u003eMacro Library, the range of macro presets, helps you start with Genius.lab.\u003c\/p\u003e\u003cli\u003eDownload Macro Library\u003c\/li\u003e\u003cp\u003eBecause evolving applications continually raise new challenges and needs, Yamaha provides continuing support in the form of firmware updates that keep our digital mixers, RIVAGE PM systems included, up to date and often ahead of the curve.\u003c\/p\u003e\u003ch3\u003eWireless receiver integration\u003c\/h3\u003e\u003cp\u003eWith V5.0 firmware or later, RIVAGE PM consoles support control and monitoring of the highly popular wireless receivers on the market, giving you even more freedom when operating sound systems built around a RIVAGE PM series product.\u003c\/p\u003e\u003cp\u003eSupported Device\u003c\/p\u003e\u003cp\u003e- Sennheiser: EM 6000\u003c\/p\u003e\u003cp\u003e- Shure: AD4D\/Q, AXT400, QLXD4, ULXD4\/D\/Q, SLXD4\/D\/Q+\/QDAN+\u003c\/p\u003e\u003cp\u003e- Sony: DWR-R03D\u003c\/p\u003e\u003ch3\u003eOverlay Filter for Rapid Response\u003c\/h3\u003e\u003cp\u003eThe Overlay filter can notably enhance the usefulness of the console’s scene memory. It can be “overlaid” on a current mix to apply offsets to the fader levels and mix\/matrix send levels independently from scene recall. This can be useful when an unplanned performer change occurs, for example, facilitating a temporary, relative level adjustment that can be instantly returned to the original level. The Overlay filter will prove its value in situations that require sudden changes plus the ability to easily revert to the original settings.\u003c\/p\u003e\u003ch3\u003eTheatre Mode\u003c\/h3\u003e\u003cp\u003eTheatre Mode facilitates scene and costume changes with four banks that can be used to store different EQ and dynamics settings for individual performers. In Theatre Mode, rather than storing EQ and dynamics settings in the console’s “scenes,” only the bank number is stored so that any adjustments made will apply to all scenes that use the same bank.\u003c\/p\u003e\u003cp\u003eThis can be used when multiple actors are cast in the same role or when a substitute must be used, allowing faster, more flexible mix changes to accommodate different casts, for example.\u003c\/p\u003e\u003ch3\u003eDSP Mirroring for Failsafe Redundancy\u003c\/h3\u003e\u003cp\u003eDSP Mirroring allows two DSP-RX or DSP-RX-EX engines to be used for failsafe redundancy with RIVAGE PM10, PM5, and PM3 systems.* If a problem occurs in the main DSP engine, the second DSP engine can take over without disrupting the program.\u003c\/p\u003e\u003cp\u003e* The RIVAGE PM7 features integrated DSP processing and does not support DSP mirroring.\u003c\/p\u003e\u003ch3\u003eLightweight for Easy Setup and Transportation (RIVAGE PM5\/3)\u003c\/h3\u003e\u003cp\u003eAlthough it offers heavy-duty performance and features, plus a comfortably spacious interface, the RIVAGE PM5\/3 weighs surprisingly little. The CS-R5 weighs 92.6 pounds\/ 42 kilograms and CS-R3 weighs 83.8 pounds\/ 38 kilograms and can be easily carried and positioned by just two people. This impressive weight reduction has been achieved through state-of-the-art mechanical design and the use of a lightweight but extremely durable material.\u003c\/p\u003e\u003ch3\u003eConsole File Converter Brings the Yamaha Family Together\u003c\/h3\u003e\u003cp\u003eThe Yamaha Console File Converter is an application that allows data to be shared between a number of Yamaha digital mixing consoles. User can share data between RIVAGE PM series, CL\/QL series, PM5D, M7CL, and LS9 consoles, so data from one show doesn’t have to be completely reprogrammed from scratch for the next, even if different consoles are used.\u003c\/p\u003e\u003ch3\u003eTwo Convenient Approaches to Live Recording\u003c\/h3\u003e\u003cp\u003eProfessional quality live recording capability is becoming an essential feature in live sound consoles. In addition to convenient 2-track recording to a USB flash drive, the RIVAGE PM series supports multitrack recording via a Dante audio network to meet the widest possible range of serious recording requirements.\u003c\/p\u003e\u003cp\u003eThe 2-track USB flash drive recorder function directly records the output of the STEREO or MIX bus to the flash drive. Background music or sound effects recorded on the flash drive can also be assigned to any input channel for playback. Sample rate conversion is provided for both input and output, so the recorder function can be used without having to think about the system sampling rate. Data can be recorded to or played back from WAV or MP3 files, as required.\u003c\/p\u003e\u003cp\u003eMultitrack recordings can be made to a computer based DAW via a Dante audio network. High-resolution recording of up to 128 channels (input and output) at 96 kHz is possible if the computer is equipped with a DANTE ACCELETATOR PCIe card (AIC128-D). With Dante Virtual Soundcard the maximum in\/out track count is 64.\u003c\/p\u003e\u003cp\u003eMultitrack recordings of rehearsals made in this way can be used for “virtual sound checks” when the performers aren’t available. Input patching for all required channels can be switched in one operation for both recording and virtual sound checks. Recorder playback and stage input can even be smoothly combined when needed.\u003c\/p\u003e\u003cp\u003eAdditionally, firmware versions V5.0 and later allow you to use the Yamaha Console Extension to copy Channel Name and Channel Color to Nuendo Live and to operate transport controls and markers from the console, providing seamless connection between RIVAGE PM Series consoles and Nuendo Live.\u003c\/p\u003e\u003ch3\u003eVarious control options\u003c\/h3\u003e\u003cp\u003eRIVAGE PM products provide a range of control options to meet your needs, allowing you to adjust sound from the stage or the audience area, and can also be integrated with a variety of external devices.\u003c\/p\u003e\u003cp\u003eRIVAGE PM Editor allows you to control your system from a computer via a GUI that replicates the RIVAGE control surface, while StageMix lets you move freely around the venue and mix from your preferred listening position.\u003c\/p\u003e\u003cp\u003eThe MonitorMix app gives performers an easy way to adjust their personal monitor mixes.\u003c\/p\u003e\u003cp\u003eOSC server allows external devices to control the RIVAGE PM system using the OSC protocol. With version 7.0 or later, the RIVAGE PM system can function as an OSC client for control of OSC-compatible devices, while OSC commands can be programmed to link with scenes for seamless operation.\u003c\/p\u003e\u003ch3\u003eYamaha Immersive Sound Control\u003c\/h3\u003e\u003cp\u003eSound xR Image is a proprietary immersive sound system from Yamaha that gives users full control over sound imaging within a given space. Sound xR Image provides broad content creation support for theater, opera, concert, installation, event, and other applications. Control with RIVAGE PM consoles allows the flexible design of immersive sound systems and the creation of streamlined, efficient workflows.\u003c\/p\u003e\u003cp\u003eWith V7.0 firmware or later, the control for Sound xR Image on DME is supported and gives the offline setting features for the immersive panning parameters on the consoles.\u003c\/p\u003e\u003cli\u003eSound xR\u003c\/li\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Input Mixing channels › DSP-RX\u003c\/td\u003e\n\u003ctd\u003e120\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Input Mixing channels › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e288\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Mix Buses › DSP-RX\u003c\/td\u003e\n\u003ctd\u003e48\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Mix Buses › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e72\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Matrices › DSP-RX\u003c\/td\u003e\n\u003ctd\u003e24 (Input to Matrix supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Matrices › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e36 (Input to Matrix supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Stereo buses\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › mono buses\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › cue bus\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Analog › in\u003c\/td\u003e\n\u003ctd\u003e8 (SILK)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Analog › out\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Digital › AES IN\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Digital › AES OUT\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Expansion Slot › HY\u003c\/td\u003e\n\u003ctd\u003e4 (DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Expansion Slot › MY\u003c\/td\u003e\n\u003ctd\u003e2+2(DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › GPI › IN\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › GPI › ONT\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Word clock\u003c\/td\u003e\n\u003ctd\u003eOUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › MIDI\u003c\/td\u003e\n\u003ctd\u003eIN\/OUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › USB › File\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › USB › rec\/play\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Redundant PSU\u003c\/td\u003e\n\u003ctd\u003eYes (Built in dual PSU)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Meter Bridge\u003c\/td\u003e\n\u003ctd\u003eOn screen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Lamp\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Talkback In\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Video Out\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › TC In\u003c\/td\u003e\n\u003ctd\u003eYes (DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Fault Output\u003c\/td\u003e\n\u003ctd\u003eYes (DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Phones\u003c\/td\u003e\n\u003ctd\u003e2 x 2 connectors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › AC Inlet\u003c\/td\u003e\n\u003ctd\u003e2 (V-Lock Type)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Number of Scenes\u003c\/td\u003e\n\u003ctd\u003e1000\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Recall Safe\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Focus Recall\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Fade Time\u003c\/td\u003e\n\u003ctd\u003eYes (0s ~ 60s)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Preview\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Selective Load \/ Save\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Global Paste\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Event List\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Overlay\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Isolate\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Tactile Control Keys\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Gain Compensation\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Silk\u003c\/td\u003e\n\u003ctd\u003eYes (with RPio)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Digital Gain\u003c\/td\u003e\n\u003ctd\u003eYes (-96dB ~ +24dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › ATT\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › HPF\u003c\/td\u003e\n\u003ctd\u003e20Hz~2000Hz, -6\/-12\/-18\/-24dB\/oct Selectable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › PEQ\u003c\/td\u003e\n\u003ctd\u003e4 Band Full PEQ (4 algorithms, RTA overlay support)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Dynamics 1\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Dynamics 2\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Input Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Pan\u003c\/td\u003e\n\u003ctd\u003eCenter Nominal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › DCA Group\u003c\/td\u003e\n\u003ctd\u003e24 (Output DCA support)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › DCA Rollout\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › MUTE Group\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Number of Inserts\u003c\/td\u003e\n\u003ctd\u003e4 slots on each 2 insert point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Direct Out\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › PEQ\u003c\/td\u003e\n\u003ctd\u003e8 Band Full PEQ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › GEQ\u003c\/td\u003e\n\u003ctd\u003ePlug-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Dynamics 1\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Output Channel Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › MUTE Group\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Number of Inserts\u003c\/td\u003e\n\u003ctd\u003e4 slots on each 2 insert point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePlug-in › Number of Slots › DSP-RX \/ Internal\u003c\/td\u003e\n\u003ctd\u003e384\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePlug-in › Number of Slots › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e512\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePlug-in › Number of Effect Programs\u003c\/td\u003e\n\u003ctd\u003eMore than 50\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGEQ Rack › Number of GEQ Racks\u003c\/td\u003e\n\u003ctd\u003e48\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGEQ Rack › Mountable Device\u003c\/td\u003e\n\u003ctd\u003e31BandGEQ \/ Flex15GEQ \/ 8Band PEQ (RTA overlay support) \/ Dugan Automixer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTWINLANe › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e256 in \/ 256 out (with HY256-TL)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e144 in \/ 144 out (with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices that can be discovered from the console *1\u003c\/td\u003e\n\u003ctd\u003e127 (with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices that can be mounted *2\u003c\/td\u003e\n\u003ctd\u003e48（with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices with HA remote control *2\u003c\/td\u003e\n\u003ctd\u003e48（with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMADI › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e64 in \/ 64 out @96kHz, 128 in \/ 128 out @48kHz (with HY128-MD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRecording › USB Memory Recording\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRecording › DVS Recording\u003c\/td\u003e\n\u003ctd\u003eYes (with HY144-D)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › 5.1 Surround Panning\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › Surround Monitor\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › Mix Minus\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › L-Mono \/ R-Mono \/ LR-Mono\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMonitor › Solo Mode\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMonitor › Oscillator\u003c\/td\u003e\n\u003ctd\u003eSine Wave 1ch \/ Sine Wave 2ch \/ Pink Noise \/ Burst Noise\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Port to Port\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Dual Console\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › DSP Mirroring\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Timecode Reader\/Display\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Timecode Chase (Event List)\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › GPI\/MIDI\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › RTA\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Output Port Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Mix\/Matrix to Input\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Sub In\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Theatre Mode\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Display\u003c\/td\u003e\n\u003ctd\u003e15 inch Touch Panel x 2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Centralogic Section\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Faders\u003c\/td\u003e\n\u003ctd\u003e12 + 12 + 12 + 2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Selected Channel Encoders\u003c\/td\u003e\n\u003ctd\u003eAll Parameters\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Channel Encoder\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Channel Name \/ Color Display\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Custom Fader Banks\u003c\/td\u003e\n\u003ctd\u003eYes (6 x 5 on each bay)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › User Defined Keys\u003c\/td\u003e\n\u003ctd\u003e12 (x 4 banks)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › User Defined Knobs\u003c\/td\u003e\n\u003ctd\u003e4 (x 4 banks)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Touch and Turn Knob\u003c\/td\u003e\n\u003ctd\u003eYes (2)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Monitor Level Knob\u003c\/td\u003e\n\u003ctd\u003eYes (2: A and B)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Wooden Arm Rest\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › Editor\u003c\/td\u003e\n\u003ctd\u003eRIVAGE PM Editor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › StageMix\u003c\/td\u003e\n\u003ctd\u003eRIVAGE PM StageMix\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › MonitorMix\u003c\/td\u003e\n\u003ctd\u003eYes (V4.0 or later)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › Console File Converter\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (WxHxD)\u003c\/td\u003e\n\u003ctd\u003eCS-R10: 1,549 x 417 x 848mm (61.0\" x 16.4\" x 33.4\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNet Weight\u003c\/td\u003e\n\u003ctd\u003eCS-R10: 85 kg (187 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eIncluded Accessories\u003c\/td\u003e\n\u003ctd\u003eCS-R10: Dust cover, Gooseneck Lamp LA1L x 4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268733608191,"sku":null,"price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_8f5b8eca-62c6-4266-9807-9101dc0e4107.jpg?v=1790011484"},{"product_id":"02r96vcm","title":"Yamaha 02R96VCM Digital Mixing Console","description":"\u003cp\u003eA complete redesign of the original 02R featuring DM2000 sound quality and a full complement of up-to-date control and performance features. Version 2 offers advanced production performance as well as Add-on Effects compatibility.\u003c\/p\u003e\u003ch3\u003eA New Revolution in Standards\u003c\/h3\u003e\u003cp\u003eThe 02R96VCM is a new revolution in a line of production consoles that has evolved over the years in response to user needs become the de facto standard for production consoles: the 02R, debuting in 1995 and a fundamental reason for Yamaha's 2007 Technical Grammy Award, 2002's 02R96, and the 02R96 Version 2 released in 2004.Featuring 56 input channels and 18 mixing busses, the 02R96VCM is backed by the impressive processing power of a custom Yamaha DSP7 LSI and offers the same array of robust channel functions as the DM2000 on its inputs and outputs. Its \"selected channel\" system fuses the controllability of a digital mixer with the feel of an analog desk for fast, intuitive operation when you need it. The analog input stages on the 02R96VCM feature head amps descended from those of the DM2000, developed with the input of engineers from around the world to provide transparent sound that's perfect for the professional domain.Want more? Take a look at the 5 new plug-in packages that give you both space and creativity in the production workplace. Or consider the digital domain where EQ, compressor, tape saturation and guitar effector VCM plug-ins offer the warmth and depth of analog circuitry. The 02R96VCM also boasts the outstanding REV-X reverb algorithm introduced in the SPX2000. What's more, it comes equipped with iSSP technology that makes creating realistic sound fields easy, giving you functionality within the console that would otherwise require outboard effects.The 02R96VCM also offers a high degree of integration with Digital Audio Workstations, and is compatible with both Windows and Macintosh versions of Studio Manager Version 2, allowing your PC and console to work together seamlessly. Certified to the global THX pm3 standard for surround equipment, it features four MY card slots, whose open architecture design provides compatibility with a slew of I\/O formats.The 02R96VCM:a new revolution in a line of trusted digital consoles created to support you in the production workplace.\u003c\/p\u003e\u003ch3\u003eA Complete Revamp of the Legendary 02R\u003c\/h3\u003e\u003cp\u003eAfter its release in August 1995, the 02R rapidly became the de-facto digital console standard for musicians and engineers around the globe. The 02R96 picks up where the 02R left off, implementing the most advanced digital audio technology developed and refined in parallel with development of the top-of-the-line DM2000 console. The result is that the 02R96 surpasses the 02R in every respect: audio quality, processing power, and DAW integration capability. Where the 02R had 21 motor faders, the 02R96 has 25. Other additions include recorder control keys, user defined keys, and dramatically improved operability overall. But since it has the same footprint as the 02R, it can be used as a direct replacement without requiring major infrastructure changes.\u003c\/p\u003e\u003ch3\u003ePrecise 24-bit\/96-kHz Audio and High-performance Head Amps\u003c\/h3\u003e\u003cp\u003eAdvanced custom DSP7 LSIs feature 32-bit internal processing (58-bit accumulator) at extremely high speed. Full functionality is provided when mixing all 56 channels at 96 kHz. All analog inputs and outputs – including the 16 microphone\/line inputs – employ precision 24-bit A\/D and D\/A converters for an outstanding 110-dB dynamic range. Top-performance head amplifiers provide precise, uncolored pre-amplification prior to A\/D conversion, and optimum circuit configurations and parts for all stages of the design were determined through repeated listening tests by some of the best \"ears\" in the industry.\u003c\/p\u003e\u003ch3\u003e56-input 18-bus Mix Capacity at 96 kHz\u003c\/h3\u003e\u003cp\u003eAlthough it maintains the same compact desk-top dimensions as the 02R, the 02R96 offers generous mixing capacity with up to 56 simultaneous inputs. All 56 input channels include four-band parametric EQ, gating, compression\/limiting, and up to 453 milliseconds of delay with variable feedback. What's more, all of this functionality is available at 96 kHz. The output section also offers plenty of versatility with 18 buses: 8 group buses, 8 auxiliary buses and a stereo bus. Group buses 1 through 6 also function as surround buses, and a Bus to Stereo function allows sound-reinforcement type sub-mixing as well as easy downmixing of 5.1 or 3-1 surround to stereo. Of the 8 auxiliary buses, 1 through 6 can be used as surround effect sends, and there's a \"Unity\" function that automatically sets the auxiliary buses to nominal (0 dB) level, so they can be used as additional group buses.\u003c\/p\u003e\u003ch3\u003ePowerful Channel Functions with Flexible Control and Patching\u003c\/h3\u003e\u003cp\u003eAll 56 input channels, 8 group buses, 8 auxiliary buses, and stereo bus feature powerful mixing functions including gate and compressor dynamics processing, input attenuation, four-band parametric EQ with a choice of Type I and Type II algorithms, channel inserts, delay, surround and stereo panning, and phase. Easy-access dedicated controllers are provided for routing, auxiliary send, dynamics, stereo and surround panning, and EQ. Control data is graphically displayed via the LCD screen, and can be saved in \"libraries\" for easy recall whenever needed. All inputs, outputs, insert patch points, direct outputs, and effect sends and returns can be freely patched to configure the system as required via graphical on-screen \"digital patching\" displays: for example, you could patch one input to multiple channels, or assign the signal from one bus to multiple outputs. The encoders associated with each fader can be used to make input patch and direct out settings, and you can save your patch settings as library data for recall when needed.\u003c\/p\u003e\u003ch3\u003eFour Advanced Multi-effect Processors Include Surround Effects\u003c\/h3\u003e\u003cp\u003eThe 02R96's four internal effect processors deliver full functionality and performance even when the console is running at 96 kHz. New effect programs such as multi-band compression and surround-compatible 5.1 reverb and 5.1 modulation* augment the console's processing capabilities, and can be used in a send\/return loop or as inserts effects.\u003c\/p\u003e\u003cp\u003e* Each surround processor may occupy up to four of the onboard effect processors.\u003c\/p\u003e\u003ch3\u003eVersatile Connectivity for a Wide Range of Applications\u003c\/h3\u003e\u003cp\u003eThe 02R96 rear panel provides 16 microphone\/line inputs with balanced XLR\/TRS jacks that feature top-performance head amplifiers for outstanding audio quality. These inputs also offer insert I\/O jacks with bypass switches, and individual phantom power switches. There are five 2-track inputs: two analog and three digital with built-in sample rate converters. All analog inputs and outputs employ precision 24-bit, 96-kHz converters. Eight versatile \"omni\" outputs can be used for stereo or surround monitoring. One AES\/EBU format digital stereo output and two coaxial digital stereo outputs provide a total of three digital outs for broad connectivity.\u003c\/p\u003e\u003ch3\u003eFour I\/O Expansion Slot for Easy Expansion in a Variety of Formats\u003c\/h3\u003e\u003cp\u003eEach of four Mini-YGDAI (Yamaha General Digital Audio Interface) expansion card slots support up to 16 additional channels of digital I\/O in AES\/EBU, ADAT or TASCAM format, as well as a range of other interface cards including double-speed 96 kHz (AES\/EBU) digital I\/O cards, 96-kHz compatible AD\/DA cards, and a range of analog I\/O cards. The 02R96 expansion slot also accepts various Mini-YGDAI compatible cards available from third parties.\u003c\/p\u003e\u003ch3\u003eComprehensive Interface with Touch-sensitive 100-mm Motor Faders\u003c\/h3\u003e\u003cp\u003e24 faders provide access to the console's 56 input channels in three layers: 1 through 24, 25 through 48, and 49 through 56 plus master. Add the stereo master and you have a total of 25 top-quality 100-millimeter motor faders with high 8-bit\/256-step resolution. The bus and auxiliary faders are provided in another layer, and a \"remote\" layer is provided for external device control. A Fader Mode key additionally allows the auxiliary send levels to be assigned to the faders. The rotary encoder and switch associated with each fader can be switched to any of four modes via the Encoder Mode key. The encoders can be used for panning or auxiliary send, as well any two functions you assign. You could assign input patching or direct out assignments to the encoders to allow fast, efficient setup in your specific work environment.\u003c\/p\u003e\u003ch3\u003eScene Memory and Automix Functions for Efficient Workflow\u003c\/h3\u003e\u003cp\u003eThe 02R96 features automix capability with 1\/4-frame resolution, allowing full automation of parameters right down to the internal effects. Automix functions can be assigned to the User Defined Keys for easy access. Scene memories allow fade times and recall safe settings to be specified independently for each channel, while recall safe can even be specified at the function level. The supplied 02R96 Editor that runs on the Studio Manager application can be used to manage scene and automix data on your personal computer.\u003c\/p\u003e\u003ch3\u003eVersatile Pairing and Grouping Functions Enhance Mixing Efficiency\u003c\/h3\u003e\u003cp\u003eIn addition to \"horizontal pairing\" of adjacent channels, the 02R96 allows \"vertical pairing\" of channels on different layers so that, for example, you can control up to 24 stereo sources from a single layer. Grouping functions include the familiar fader and mute grouping, as well as sophisticated EQ and dynamics grouping. The latter can be a great advantage when mixing surround sound.\u003c\/p\u003e\u003ch3\u003e02R96 Editor Software Supplied\u003c\/h3\u003e\u003cp\u003eThe 02R96 comes supplied with an advanced 02R96 Editor application for Windows or Mac computers. The 02R96 connects to your computer via the TO HOST interface (USB or RS232), creating a production environment that goes beyond simple parameter viewers. The Console Window, Selected Channel Module, Surround Editor, Patch Editor, Effect Editor, Timecode Counter Window, GEQ Editor, and Library Window can be accessed via the computer's expansive color display, and the main mixer functions can be edited offline. Memory management functions allow 02R96 data to be transferred to and from the computer where it can be managed and even shared via LAN or the Internet.\u003c\/p\u003e\u003ch3\u003eSophisticated DAW or Digital Recorder Integration\u003c\/h3\u003e\u003cp\u003eIn addition to its extensive stand-alone capabilities the 02R96 can integrate with your computer-based DAW (Digital Audio Workstation) or digital recorder to create an advanced digital production environment. The 02R96 can function as a physical controller for both recorder and mixer sections of your DAW. The standard library includes control compatibility with Digidesign Pro Tools® and Steinberg NUENDO® workstations, and the General DAW mode supports a range of other DAW systems. MIDI control tables can also be created to provide functionality with MIDI-compatible DAW systems.\u003c\/p\u003e\u003ch3\u003eAn Ideal Platform for Surround Production\u003c\/h3\u003e\u003cp\u003eSurround panning was originally provided on the 02R and 03D, but the 02R96 goes much further with a comprehensive range of features for surround production. The Bus to Stereo function makes it easy to downmix 5.1 or 3-1 surround sources to stereo, and the 3-1 output can be connected via Dolby Surround or DTS stereo encoders back to an 02R96 slot input to allow real-time comparison between the encoded and pre-encoded sound. A panning joystick is provided in the Selected Channel control section to facilitate complex panning moves and trace specified panning patterns. Surround panning features 127 x 127 resolution, and divergence control is possible in 0 ~ 100 steps. Surround-compatible effects in up to 8-in\/8-out configurations include 5.1 reverb, modulation, and dynamics.\u003c\/p\u003e\u003cp\u003e* EQ and dynamics grouping is another feature that can be a great advantage for surround production.\u003c\/p\u003e\u003cp\u003e* Each surround processor may occupy up to four of the onboard effect processors.\u003c\/p\u003e\u003ch3\u003eEnhanced Surround Monitoring Environment Includes Bass Management\u003c\/h3\u003e\u003cp\u003eThe 02R96 monitor section provides facilities for muting individual buses (speakers), centralized level control of all monitor outputs, stem mix monitoring, and real-time comparison between the encoded and pre-encoded Dolby Surround or DTS stereo sound. Downmix processing allows 5.1 to 3-1, 5.1 to stereo, or 3-1 to stereo monitoring without affecting the signal sent to the recorder. A Speaker Control function allows fine control of the monitoring environment to match the program material you are mixing as well as your working environment. All of the top-line DM2000 console's surround features have been implemented in the 02R96, including bass management, attenuators for precise speaker level control, and delay for \"virtual speaker repositioning\".\u003c\/p\u003e\u003ch3\u003eVersatile V2 features plus a formidable array of plug-in processors\u003c\/h3\u003e\u003cp\u003eThe new 02R96VCM is the 02R96 Version 2 plus a formidable array of state-of-the-art processing technologies that provide all-new production power. You now have extraordinary recreations of classic compression and EQ units from the 70's, simulations of several legendary analog open-reel tape decks, a complete suite of unmatched REV-X reverb effects, a surround post-production package that is second to none, and even a selection of vintage stomp boxes to spice up your mixes. And all of this is right at your fingertips, with no need to patch in external processors. The technology that has made all of this possible is some of the most advanced in the world, and the sound is simply superb. In short, one of the world's most popular digital production consoles just got a lot more powerful.\u003c\/p\u003e\u003ch3\u003eVCM Technology(02R96VCM)\u003c\/h3\u003e\u003cp\u003eVCM technology is responsible for the classic compressor, EQ, analog tape deck, and stompbox effect simulations in the 02R96VCM.\u003c\/p\u003e\u003cp\u003eVCM (Virtual Circuitry Modeling) technology actually models the characteristics of analog circuitry – right down to the last resistor and capacitor. VCM technology goes well beyond simply analyzing and modeling electronic components and emulating the sound of old equipment. It's capable of capturing subtleties that simple digital simulations cannot even approach, while actually creating ideal examples of sought-after vintage gear.\u003c\/p\u003e\u003ch3\u003eiSSP Technology(02R96VCM)\u003c\/h3\u003e\u003cp\u003eiSSP technology is the key to the 02R96VCM's incredible selection of surround post-production effects.\u003c\/p\u003e\u003cp\u003eiSSP stands for \"Interactive Spatial Sound Processing,\" and is Yamaha's original new spatial sound effect system. Designed through extensive research and exhaustive testing, this technology offers unparalleled reality, operability and originality for surround processing applications. It delivers unprecedented sound-field positioning precision and versatility, as well as realistic sound source movement effects with simple operation that allows simulations of an almost unlimited variety of spatial environments.\u003c\/p\u003e\u003ch3\u003eREV-X (02R96VCM)\u003c\/h3\u003e\u003cp\u003e\"REV-X\" is the advanced algorithm behind Yamaha's newest generation of reverb and ambience programs, offering unprecedented reverberation depth and realism with smooth decay. REV-X technology takes full advantage of the 24-bit 96-kHz processing capability of the 02R96 for reverb and ambience effects that have the reassuring warmth and reality of natural acoustic environments.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize\/Weight › Dimensions › Width\u003c\/td\u003e\n\u003ctd\u003e667mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize\/Weight › Dimensions › Height\u003c\/td\u003e\n\u003ctd\u003e239mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize\/Weight › Dimensions › Depth\u003c\/td\u003e\n\u003ctd\u003e697mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize\/Weight › Weight › Weight\u003c\/td\u003e\n\u003ctd\u003e34kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower Supply › Power Requirements\u003c\/td\u003e\n\u003ctd\u003eAC100V, 120V or 220-240V; 50\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower Supply › Power Consumption\u003c\/td\u003e\n\u003ctd\u003e190W(with MB02R96)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268733640959,"sku":"02R96VCM","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_4560808f-5bc2-452a-8e8b-65c83521df4d.jpg?v=1790011484"},{"product_id":"mg16xu","title":"Yamaha MG16XU Audio Mixer","description":"\u003cli\u003e16-Channel Mixing Console\u003c\/li\u003e\u003cli\u003eMax. 10 Mic \/ 16 Line Inputs (8 mono + 4 stereo)\u003c\/li\u003e\u003cli\u003e4 GROUP Buses + 1 Stereo Bus\u003c\/li\u003e\u003cli\u003e4 AUX (incl. FX)\u003c\/li\u003e\u003cli\u003e“D-PRE” mic preamps with an inverted Darlington circuit\u003c\/li\u003e\u003cli\u003e1-Knob compressors\u003c\/li\u003e\u003cli\u003eHigh-grade effects: SPX with 24 programs\u003c\/li\u003e\u003cli\u003e24-bit\/192kHz 2in\/2out USB Audio functions\u003c\/li\u003e\u003cli\u003eWorks with the iPad (2 or later) through the Apple iPad Camera Connection Kit \/ Lightning to USB Camera Adapter\u003c\/li\u003e\u003cli\u003eIncludes Cubase Al DAW software download version\u003c\/li\u003e\u003cli\u003ePAD switch on mono inputs\u003c\/li\u003e\u003cli\u003e+48V phantom power\u003c\/li\u003e\u003cli\u003eXLR balanced outputs\u003c\/li\u003e\u003cli\u003eInternal universal power supply for world-wide use\u003c\/li\u003e\u003cli\u003eRack Mount Kit Included\u003c\/li\u003e\u003cli\u003eMetal chassis\u003c\/li\u003e\u003cli\u003eDimensions(W×H×D): 444 mm x 130 mm x 500 mm (17.5\" x 5.1\" x 19.7\")\u003c\/li\u003e\u003cli\u003eNet Weight: 6.8 kg (15.0 lbs.)\u003c\/li\u003e\u003ch3\u003eRoad Tough. Studio Ready.\u003c\/h3\u003e\u003cp\u003eFor more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.\u003c\/p\u003e\u003cp\u003eWith an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.\u003c\/p\u003e\u003ch3\u003eFeatured models: MG16X \/ MG12X \/ MG10X\u003c\/h3\u003e\u003cp\u003eJust like the XU models, SPX digital effects are included on these three X models. Excellent for portable use, but also great when installed in conference rooms, banquet halls and weddings, where users can have wide choice of effects to enhance their sound. Stylish grey color improves visual identification.\u003c\/p\u003e\u003ch3\u003eHead of the class\u003c\/h3\u003e\u003cp\u003eYamaha has always strived to provide sound engineers with the purest possible signal instead of added processing or color to give it a \"signature\" sound, and the MG Series is no exception. Embracing this philosophy of transparent sound, these mixing consoles deliver a level of sonic purity and sound quality that is unmatched in their class.\u003c\/p\u003e\u003ch3\u003eD-PRE (Discrete Class-A Mic Preamps)\u003c\/h3\u003e\u003cp\u003eThis is where it all starts. Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound. Having such a pure sonic platform to build on will ultimately save you time and effort by eliminating the need for excessive EQing or additional effects processing in order to \"fix\" your mix.\u003c\/p\u003e\u003ch3\u003eHigh Quality Sound Op-amp\u003c\/h3\u003e\u003cp\u003eThe head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first. MG01 op-amps feature redesigned circuitry in which even the internal components and wiring have been optimized, and use materials such as high-quality silicon wafers and copper wire to achieve superb resolution.\u003c\/p\u003e\u003ch3\u003eSwitchable Phantom Power \u0026amp; PAD Switch\u003c\/h3\u003e\u003cp\u003eWith phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany mic'ed instruments during performance, avoiding the clipping that can seriously affect your mix.\u003c\/p\u003e\u003ch3\u003eOur mixer. Your sound.\u003c\/h3\u003e\u003cp\u003eWhen was the last time you heard guitar without EQ or a completely unprocessed vocal on one of your favorite songs? Probably never. Yamaha mixers are famous for their flat response and sonic purity, but it often takes more than a perfectly-captured instrumental performance or vocal to achieve a professional-sounding mix. Equipped with some of the same state-of-the-art functionality featured on Yamaha’s high-end consoles, the MG Series gives you the tools you need to produce high quality sound that is uniquely your own.\u003c\/p\u003e\u003ch3\u003e1-knob Compressors\u003c\/h3\u003e\u003cp\u003eCompression plays an essential role in just about any recording or sound reinforcement environment by altering the level of dynamics of an audio signal when you need livelier guitars, punchier bass lines, a tighter snare, or a cleaner vocal sound. However, it can take countless hours to master the complexities of even the most basic outboard compression units and use them effectively. Originally a Yamaha innovation, 1-knob compressors are now an industry standard that gives you instant access to optimized compression settings via a single rotary control.\u003c\/p\u003e\u003ch3\u003eEQ and High-pass Filters\u003c\/h3\u003e\u003cp\u003eThere's nothing more useful than reliable equalization when you need nuanced management of your tone. The MG Series benefits from Yamaha's unparalleled experience in designing pro audio gear, featuring 3-band equalizers on all mono channels for precise control of your sound. High-pass filters allows you to eliminate unwanted low-frequency noise, for a smoother, cleaner mix.\u003c\/p\u003e\u003ch3\u003eAUX \/ Effect Sends \/ Group\u003c\/h3\u003e\u003cp\u003eMG Series mixers feature AUX sends for expanding your sound reinforcement or recording setup, allowing you accommodate additional effects, output to external recording devices, or feed a monitoring system. (except for MG06 \/ 06X) Master send controls are also provided. The MG06 \/ 06X, MG10 \/ 10X \/ 10XU \/ 10XUF and MG12XUK have a single stereo bus. All other models additionally feature one or two stereo group buses and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.\u003c\/p\u003e\u003ch3\u003eA variety of input \/ output connectors\u003c\/h3\u003e\u003cp\u003eAll models feature high-quality Neutrik™ balanced XLR connectors on mono microphone\/line channels and XLR equipped stereo channels. Each of the mono inputs is equipped with combo jack and accepts both MIC and LINE level signals. Two of the stereo inputs are equipped with XLR and two phone connectors with XLR accepting MIC level signals while two phone connectors accepting LINE level signals and can be used either mono or stereo. (except for MG10 \/ 10X \/ 10XU \/ 10XUF \/ 12XUK) The function of the additional two stereo channels vary depending on model: With MG20 \/ 20XU, XLR accepts MIC level signal and two RCA connectors accepts LINE level signals and can be used either mono or stereo. With MG12 \/ 12X \/ 12XU and MG16 \/ 16X \/ 16XU, two phone connectors accept LINE level signals as stereo. Additionally, each of the stereo channel features 2TR in (RCA connectors) and can be used as independent input from external audio sources such as CDs. MG10 \/ 10X \/ 10XU \/ 10XUF and MG12XUK are equipped with an additional stereo channel with a pair of phone jacks that accepts LINE levels. With XU models, any incoming source that are sent via USB can be assigned to one of the stereo channel. In addition to the main stereo outputs (XLR L\/R, TRS phone L\/R), MG Series mixing consoles are equipped with a comprehensive suite of output connectors, including GROUP OUT (TRS phone), AUX\/FX OUT (TRS phone), MONITOR OUT (TRS phone L\/R), and HEADPHONE OUT (stereo phone) connectors, allowing master outputs to be chosen to suit specific applications such as monitoring or mastering.\u003c\/p\u003e\u003ch3\u003eLED level metering\u003c\/h3\u003e\u003cp\u003eEasy-to-read LED level metering allows output levels to be monitored with precision.\u003c\/p\u003e\u003ch3\u003eBuilt-in SPX Digital Effects\u003c\/h3\u003e\u003cp\u003eFor musical and non-musical applications alike, effects processing adds polish and professionalism to the mix. The MG X \/ XU models feature Yamaha’s acclaimed SPX digital multi-effect processor, offering a comprehensive suite of 24 editable digital effects perfect for enhancing your mix, whether adding depth to a speaking engagement or breathing new color and atmosphere into a live band performance. In particular, the high-quality reverb and delay expand the spatial quality of the sound with remarkable realism and naturalness. You can even connect an optional FC5 foot switch for effect on \/ off control. (MG10X \/ 10XU \/ 10XUF \/ 12X \/ 12XU \/ 12XUK \/ 16X \/ 16XU \/ 20XU)\u003c\/p\u003e\u003cp\u003e* MG06X features six SPX effects (REVERB HALL \/ ROOM \/ PLATE, DELAY SHORT \/ LONG \/ VO.ECHO), which are not editable.\u003c\/p\u003e\u003ch3\u003eBuilt to last\u003c\/h3\u003e\u003cp\u003eFor gigging, recording, and installed applications alike, your console can be subjected to a wide range of environmental conditions and hazards. Excessive humidity, unstable power supplies, and the rigors of road travel in general can take a serious toll on a mixing console, often causing expensive, time-consuming repairs, and reducing its lifespan. The MG Series has been redesigned with an emphasis on durability, incorporating practical features that offer greater flexibility while ensuring peak performance for many years to come.\u003c\/p\u003e\u003ch3\u003eMetal Chassis\u003c\/h3\u003e\u003cp\u003eBuilt to last, MG Series mixers feature a rugged, impact-resistant, powder-coated metal chassis, offering an unrivalled level of durability. With a sleek design contoured for optimal convection cooling, the internal layout separates the power supply from the analog circuitry for superior noise reduction, and further extends the life of the components inside. To further ensure reliable performance, knob control placement above the surface of the chassis diverts any impact or pressure on the knobs to the chassis itself and not the circuit board or components underneath.\u003c\/p\u003e\u003ch3\u003eInternal Universal Power Supply\u003c\/h3\u003e\u003cp\u003eThanks to a highly-efficient internal universal power supply, MG Series consoles offer worry-free operation in any region around the globe—even in environments prone to potentially damaging power fluctuations. An internal power supply also simplifies rack mounting of the console for installed applications, eliminating the need for a bulky adapter or additional connections.(* MG12 \/ 16 \/ 20 \/ 12X \/ 16X \/ 12XU \/ 16XU \/ 20XU)\u003c\/p\u003e\u003ch3\u003eRack Mount Kit Included\u003c\/h3\u003e\u003cp\u003eEasily adaptable to a diverse range of installed and portable applications, the 16- and 20- channel models of the MG Series included rack ears, giving you the option of a rack-mounted or desk-top configuration. Extremely durable, their sleek design makes safe, stable placement of your console hassle-free, keeping setup time and effort to a minimum. (MG16 \/ 20 \/ 16X \/ 16XU \/ 20XU)\u003c\/p\u003e\u003cp\u003e- Optional Rackmount kit \"RK-MG12\" available for MG12 \/ 12X \/ MG12XU.\u003c\/p\u003e\u003cp\u003e- Optional Mic stand Adapter \"BMS10-A\" available for MG06 \/ 06X \/ 10 \/ 10X \/ 10XU.\u003c\/p\u003e\u003ch3\u003eXLR connector\u003c\/h3\u003e\u003cp\u003eThe main stereo outputs feature XLR type connectors that lock to prevent accidental disconnection. Rugged and dependable, these professional connectors ensure providing stable signal transmission even in the most demanding environments.\u003c\/p\u003e\u003ch3\u003eCreate, record… listen\u003c\/h3\u003e\u003cp\u003eThe MG Series features the same digital connectivity that is used to streamline the recording process on Yamaha’s professional-level mixing consoles. Take advantage of state-of-the-art digital technology that makes it easier than ever to plug-in, play, record, and then listen to your creations.\u003c\/p\u003e\u003ch3\u003e24-bit \/192kHz 2-in\/2-out USB Audio Interface Function\u003c\/h3\u003e\u003cp\u003eMG Series mixing consoles feature flexible digital connectivity for quick and easy high resolution playback of digital content. Simply connect to your PC via USB, or to your iPhone \/ iPad (2 or later) using Apple's Camera Connection Kit \/ Lightning to USB Camera Adapter. The USB protocol uses asynchronous data transfer. Audio data is transferred based on highly precise audio clock signal from the MG, for high quality recording and playback.\u003c\/p\u003e\u003ch3\u003eCubase AI\u003c\/h3\u003e\u003cp\u003eMG XU models are bundled with downloadable Steinberg’s Cubase AI software. As one of the most advanced, comprehensive DAW suites available, Steinberg's Cubase has led the charge, providing users with a powerful and flexible platform for music production. Cubase AI offers these same core technologies and interface that have won Cubase worldwide acclaim.\u003c\/p\u003e\u003cp\u003e(* MG10XU MG12XU MG16XU MG20XU)\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › On-board processors\u003c\/td\u003e\n\u003ctd\u003eSPX algorithm: 24 programs, PARAMETER control:1, FOOT SW:1 (FX RTN CH on\/off)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Phantom power\u003c\/td\u003e\n\u003ctd\u003e+48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Digital I\/O\u003c\/td\u003e\n\u003ctd\u003eUSB Audio Class 2.0 compliant, Sampling Frequency: Max 192 kHz, Bit Depth: 24-bit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Mono[MIC\/LINE]\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Mono\/Stereo[MIC\/LINE]\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Stereo[LINE]\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › STEREO OUT\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › MONITOR OUT\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › PHONES\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › AUX SEND\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › GROUP OUT\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Bus\u003c\/td\u003e\n\u003ctd\u003eStereo: 1, GROUP: 4, AUX: 4 (incl. FX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › PAD\u003c\/td\u003e\n\u003ctd\u003e26 dB (Mono)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › HPF\u003c\/td\u003e\n\u003ctd\u003e80 Hz, 12 dB\/oct (Mono\/Stereo: MIC only)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › COMP\u003c\/td\u003e\n\u003ctd\u003e1-knob compressor (Gain\/Threshold\/Ratio) Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB Attack time: approx. 25 msec, Release time: approx. 300 msec\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ HIGH\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: 10 kHz shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ MID\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: Mono 250 Hz – 5 kHz peaking, Stereo 2.5 kHz peaking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ LOW\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: 100 Hz shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › PEAK LED\u003c\/td\u003e\n\u003ctd\u003eLED turns on when post EQ signal reaches 3 dB below clipping\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › Level Meter\u003c\/td\u003e\n\u003ctd\u003e2x12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003e0.03 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.005 % @ +24dBu (1kHz), GAIN knob: Min\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003e+0.5 dB\/-1.5 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e-128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e-102 dBu (STEREO OUT, STEREO master fader: Min)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-78 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003eAC 100 – 240 V, 50 \/ 60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e30 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e444 mm (17.5\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e130 mm (5.1\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e500 mm (19.7\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e6.8 kg (15.0 lbs.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eIncluded Accessory: Owner’s Manual, Technical Specifications, AC power cord, Cubase AI Download Information, Rack-mount kit, Optional Accessory: Foot Switch FC5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eOperating Temperature: 0 to +40˚C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268733772031,"sku":"MG16XU","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_0696f46c-437f-4398-8147-4f35658da532.jpg?v=1790011485"},{"product_id":"rivage-pm3","title":"Yamaha RIVAGE PM3 Audio Mixer","description":"\u003cp\u003eThe RIVAGE PM3 has a simpler single-display interface with 24 User Defined Keys to facilitate access and speed up operation. You still get full RIVAGE PM sonic quality, a full set of features, and 38 physical faders for intuitive hands-on mixing.\u003c\/p\u003e\u003ch3\u003ePerfecting the Art of Live Sound\u003c\/h3\u003e\u003cp\u003eAll art, including art that involves sound and music, is expression that has an impact on the viewer or listener. It often begins with the artist’s personal journey of self-discovery that sometimes grows and ripples outward in waves that resonate with people everywhere.\u003c\/p\u003e\u003cp\u003eYamaha supports the engineers who support artists and performers in their quest to make waves, carrying their vision to a wider audience.\u003c\/p\u003e\u003ch3\u003eAn All-embracing Ecosystem\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM series includes five consoles, two DSP engines, two I\/O rack units, and two network protocols. Any of these components can be combined to create systems that match a wide range of application scale and budget requirements.\u003c\/p\u003e\u003cp\u003eAll five consoles feature a similar interface with up to three bays of 12 faders each, touch-sensitive display panels, and the Yamaha Selected Channel Section. Engineers who are familiar with one RIVAGE PM console can easily switch to any other and be up and running in a matter of minutes.\u003c\/p\u003e\u003cp\u003eAll RIVAGE PM system components are compatible, and components from earlier systems will work in combination with later systems. That goes for I\/O racks as well as DSP engines, so in addition to operating them separately you can combine DSP engines in mirrored configurations for large applications, for example.\u003c\/p\u003e\u003cp\u003e* The RIVAGE PM7 (CSD-R7) features integrated DSP processing.\u003c\/p\u003e\u003cp\u003eTo fully support the sound engineers who support the artists and performers, Yamaha makes absolutely no compromises when it comes to quality. Sound, operability, and reliability must all be first class, and implemented in a way that allows engineers to concentrate fully on helping artists and performers deliver their message. The RIVAGE PM series embodies this ideal at the highest level, connecting technology, art, and audiences with waves that encircle the world.\u003c\/p\u003e\u003ch3\u003eFunctional Specifications\u003c\/h3\u003e\u003cli\u003eFor More Information\u003c\/li\u003e\u003cp\u003eThe ideal starting point for creative audio engineering is transparent, uncolored sound. All Yamaha mixers are built on that philosophy, with the goal of allowing engineers to capture the on-stage sound accurately, without coloration, and then adding creative touches as required. The merits of unwavering adherence to this concept by Yamaha are evident throughout the RIVAGE PM series.\u003c\/p\u003e\u003cp\u003eThe foundation is Hybrid Microphone Preamplifiers with analog input stages that take the Yamaha “natural sound” concept to new heights, as well as digital sections with immaculate VCM-technology models of Rupert Neve Designs transformer and SILK processing circuitry that offer outstanding musicality and atmosphere. Add the latest refinements in channel EQ and dynamics, and you have extraordinary creative scope.\u003c\/p\u003e\u003cp\u003eThe built-in plug-ins that support creative sound engineering have also evolved, many through close alliances with other manufacturers that are leaders in their respective fields. Collaboration with RND (Rupert Neve Designs) and the use of Yamaha VCM technology has resulted in flawless recreations of prized equalizers and compressors from the 70s and 80s. There are also impeccable models of Eventide harmonizer and reverb effects that could only have been created through cooperation with the original manufacturer.\u003c\/p\u003e\u003cp\u003eAll of this has been implemented in the RIVAGE PM series to give engineers the tools they need to deliver the highest quality, most musical sound possible.\u003c\/p\u003e\u003ch3\u003eTwo Types of I\/O\u003c\/h3\u003e\u003cp\u003eInput circuitry and processing are critical to achieving a high level of sonic quality. The output end of the signal chain plays an important role in maintaining that quality too. Yamaha offers two types of high-performance I\/O Rack units for RIVAGE PM system input and output, each providing compatibility with a different audio network.\u003c\/p\u003e\u003cp\u003eOne of those networks is TWINLANe, capable of carrying up to 400 audio channels via optical cable. The RPio622 and RPio222 I\/O racks are TWINLANe devices, as are the HY256-TL and HY256-TL-SMF audio interface cards. The RPio622 and RPio222 I\/O racks include Hybrid Microphone Preamplifiers with high-performance analog input stages, plus advanced digital sections that include accurate emulations of Rupert Neve Designs transformer and SILK processing circuitry.\u003c\/p\u003e\u003cp\u003eAudinate Dante network compatibility, a standard feature in many other Yamaha consoles and pro audio products, is also available. The Rio3224-D2 and Rio1608-D2 I\/O Racks and the HY144-D audio interface card are Dante ready, and can be combined to provide natural sound input with any RIVAGE PM series system. Either network solution is capable of capturing the sound being created on stage, without coloration and with every nuance intact, allowing the engineer to use the creative capabilities of the RIVAGE PM series to reach the audience with maximum impact.\u003c\/p\u003e\u003ch3\u003eChannel EQ and Compression Refined to Unprecedented Levels\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM channel EQ and dynamics have also been significantly updated and fine-tuned to match the innovations in the input section. The input channels feature 4-band full parametric EQ, while the output channels are equipped with 8-band full parametric EQ, with 4 algorithm types that include newly developed variations. The “Precise” algorithm makes it easy to target and control specific EQ points, the “Aggressive” algorithm is designed for the most musical response, and the “Smooth” algorithm offers smooth, natural control. There’s also a “Legacy” algorithm that provides the familiar feel and response of the equalizers provided in industry-standard Yamaha digital consoles such as the PM1D and PM5D. The “Precise” algorithm includes Q parameters on the low and high shelving filters that allow filter overshoot to be flexibly controlled for added musical impact. Two dynamics stages are provided, each functioning as a gate, two types of compressor, ducker, or de-esser as required. The two compressor types are “Legacy Comp,” inheriting the characteristics of the standard compressors in Yamaha digital consoles, and “Comp260,” which is a beautiful VCM model of a popular analog comp\/limiter from the mid 70s. The latter accurately models the characteristics of the VCA circuit and RMS level detector used in the original device, with the effect of each parameter fine-tuned for optimum effect in live-sound applications. Presets that recreate the original fixed settings of this classic comp\/limiter are also provided for convenience in situations that require the original sound.\u003c\/p\u003e\u003cp\u003eProcessing quality has always been a major strength of Yamaha digital consoles. The RIVAGE PM series offers a comprehensive selection of plug-ins, including models of in-demand classics. The RIVAGE PM series includes over 50 plug-ins, and ample processing power allows up to 256* instances of complex plug-ins such as the Portico 5033 or Portico 5043 to be used simultaneously. There are also the Eventide H3000 Ultra-Harmonizer and a new SP2016 reverb with a large selection of presets, Dan Dugan automatic microphone mixing, and more. These contributions from distinguished third parties complement a range of original Yamaha plug-ins, adding extraordinary versatility and processing power that give the engineer wide-ranging creative freedom.\u003c\/p\u003e\u003cp\u003e* With DSP-RX-EX\u003c\/p\u003e\u003ch3\u003eBricasti Reverb\u003c\/h3\u003e\u003cp\u003eBricasti Design is known as the world's premier manufacturer of hand crafted, hardware digital reverbs.\u003c\/p\u003e\u003cp\u003eThe Y7 is specifically designed for use in the Yamaha RIVAGE PM mixing systems, bringing to the live market a Bricasti product, one that is integrated in the console for simple, fast, and familiar operation, and to bring the renowned “Bricasti Sound” to users of Yamaha products.\u003c\/p\u003e\u003ch3\u003eRND Portico Plug-ins\u003c\/h3\u003e\u003cp\u003eAlthough the SILK processing simulation created in cooperation with RND is an important part of the RIVAGE PM system, it is by no means the only product of that fruitful relationship. In addition to the well-known and highly acclaimed Portico 5033 EQ and 5043 compressor, RIVAGE PM systems include the easy-operation Rupert Neve Designs Portico 5045 Primary Source Enhancer that effectively suppresses background noise at microphone inputs for enhanced clarity while significantly increasing the feedback margin, making it a valuable tool for live sound in houses of worship, stadiums, halls, and other environments where feedback can be problem.\u003c\/p\u003e\u003cp\u003eAdded with V5.0, Portico II Master Buss Processor is a creative tool that redefines the boundaries and limitations of traditional 2-channel compression and limiting. From mixing bass-heavy EDM to a delicate master of a chamber ensemble, it has something to offer everyone – no matter the use or genre.\u003c\/p\u003e\u003ch3\u003eDan Dugan Automatic Mixer\u003c\/h3\u003e\u003cp\u003eThrough in-depth collaboration with Dan Dugan Sound Design, renowned Dan Dugan automatic microphone mixing with its advanced algorithms is built into the RIVAGE PM series digital mixing systems. Setup is easy: just insert the processor into up to 64 channels for automatically optimized microphone gain distribution. Gain control is smooth and natural, as though experienced human operators were doing the mix. The system also effectively reduces feedback and comb filter issues. For speech applications, especially non-scripted situations, this allows the operator to concentrate on details other than fader operation for consistently high quality mixes.\u003c\/p\u003e\u003ch3\u003eEventide Effects\u003c\/h3\u003e\u003cp\u003eThe Eventide name is legendary in the effects field. The acclaimed H3000 Ultra-Harmonizer and a new SP2016 Reverb plugin added in version 4.0 are available throughout the RIVAGE PM series. In addition to a full range of parameters that can be edited to precisely tailor the effects for any need, the SP2016 features a large selection of presets that make it quick and easy to call up an ideal reverb sound.\u003c\/p\u003e\u003ch3\u003eYamaha DaNSe Noise Suppression\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM series includes a range of original Yamaha plug-ins that are extremely powerful too, including the DaNSe Noise Suppressor. The “DaNSe” plugin analyzes noise frequency characteristics and employs a learn function to automatically achieve the most effective noise suppression without the need for any complex setup or programming by the user. Effective noise suppression can be a huge advantage for plays and musicals, significantly enhancing audio clarity. DaNSe can suppress air conditioning noise and noise produced by cooling fans in on-stage moving lights. It can reduce monitor bleed to on-stage instrument mics, and suppress crowd noise during announcements and sports events. It is a highly effective and widely applicable noise suppression tool.\u003c\/p\u003e\u003cp\u003eYamaha has always focused on operability in digital live sound consoles, sparing no effort in providing an interface that engineers coming from analog consoles can operate intuitively, while at the same time maximizing the benefits of digital technology and features. RIVAGE PM systems take that concept to a new level, extending an already familiar and highly rated interface for even greater efficiency and ease in achieving the ultimate sound.\u003c\/p\u003e\u003ch3\u003eRefined Interface\u003c\/h3\u003e\u003cp\u003eA key element of the RIVAGE PM interface is the industry-standard Yamaha Selected Channel concept, providing direct access to parameters of any channel selected via its SEL key. The Selected Channel section provides direct, fast access to all channel parameters. Encoders, buttons, and indicators are provided in a comprehensive layout that makes maximum use of the available panel space, for comfortable operation in any environment or mixing situation. RIVAGE PM series control surfaces feature three groups of 12 faders to which channels can be assigned as required. Depending on the console, some or all of the fader groups work with large touch-sensitive displays in the top panel, providing an evolved version of the Centralogic operating environment. The channel strips extend vertically and virtually seamlessly into the touch panel displays, for lucid, logical control. In addition to allowing channels to be conveniently managed in 12 channel groups, this configuration also facilitates 2-man operation with different operators handling separate groups.\u003c\/p\u003e\u003ch3\u003eUpdated Send Operation (RIVAGE PM5\/3)\u003c\/h3\u003e\u003cp\u003eSetting up sends is an important part of just about any live mixing workflow. In addition to the familiar Sends on Fader function, send levels can be controlled from the Send \/ User Defined Knobs. Send levels shown on the display panels where they can also be adjusted via touch control. This expanded range of control choices greatly enhances convenience and versatility when setting up and tweaking sends.\u003c\/p\u003e\u003ch3\u003eEasy-reach Layout and Improved Sight Line\u003c\/h3\u003e\u003cp\u003eRIVAGE PM console are designed with touch panel displays and Selected Channel section on a prominently raised upper panel that offers optimum visibility from the engineer’s position as well as easy access to all controls. This evolved console design also provides a closer connection to the performers on stage with improved sight lines that give the engineer a broader, more comprehensive view of the action.\u003c\/p\u003e\u003ch3\u003eA Monitor Section to Match Any Job (RIVAGE PM10\/7)\u003c\/h3\u003e\u003cp\u003eMonitoring flexibility is an important criterion for live sound consoles that must be adaptable to a broad variety of applications. The RIVAGE PM10 and PM7 feature two monitor\/cue outputs, with up to eight combinations of monitor sources that can be memorized and selected as required. In addition to independent control of output levels, dedicated delays and 8-band parametric equalization are available specifically for monitor use. It is even possible to insert plug-ins immediately before the EQ stage. All of these features provide the flexibility needed to create optimum monitor setups for just about any situation.\u003c\/p\u003e\u003ch3\u003eHigh-visibility Fader Meters (RIVAGE PM5)\u003c\/h3\u003e\u003cp\u003eClear visual feedback is also provided by the meters associated with each fader. The fader meters can display mono or stereo levels, or gain reduction when you want to keep an eye on channel dynamics. The fader meters can contribute to smooth, accurate control by providing direct feedback of how fader operation is affecting the signal.\u003c\/p\u003e\u003ch3\u003eGenius.lab\u003c\/h3\u003e\u003cp\u003eAllowing users to create a wide variety of actions triggered by key presses, fader operations, MIDI messages and more, it gives audio engineers the power to programme events to suit their specific situation and workflow. A huge range of functions can be programmed, with combinations of actions enacted by one trigger.\u003c\/p\u003e\u003cp\u003eInnovate your workflow with Genius.lab.\u003c\/p\u003e\u003cp\u003eMacro Library, the range of macro presets, helps you start with Genius.lab.\u003c\/p\u003e\u003cli\u003eDownload Macro Library\u003c\/li\u003e\u003cp\u003eBecause evolving applications continually raise new challenges and needs, Yamaha provides continuing support in the form of firmware updates that keep our digital mixers, RIVAGE PM systems included, up to date and often ahead of the curve.\u003c\/p\u003e\u003ch3\u003eWireless receiver integration\u003c\/h3\u003e\u003cp\u003eWith V5.0 firmware or later, RIVAGE PM consoles support control and monitoring of the highly popular wireless receivers on the market, giving you even more freedom when operating sound systems built around a RIVAGE PM series product.\u003c\/p\u003e\u003cp\u003eSupported Device\u003c\/p\u003e\u003cp\u003e- Sennheiser: EM 6000\u003c\/p\u003e\u003cp\u003e- Shure: AD4D\/Q, AXT400, QLXD4, ULXD4\/D\/Q, SLXD4\/D\/Q+\/QDAN+\u003c\/p\u003e\u003cp\u003e- Sony: DWR-R03D\u003c\/p\u003e\u003ch3\u003eOverlay Filter for Rapid Response\u003c\/h3\u003e\u003cp\u003eThe Overlay filter can notably enhance the usefulness of the console’s scene memory. It can be “overlaid” on a current mix to apply offsets to the fader levels and mix\/matrix send levels independently from scene recall. This can be useful when an unplanned performer change occurs, for example, facilitating a temporary, relative level adjustment that can be instantly returned to the original level. The Overlay filter will prove its value in situations that require sudden changes plus the ability to easily revert to the original settings.\u003c\/p\u003e\u003ch3\u003eTheatre Mode\u003c\/h3\u003e\u003cp\u003eTheatre Mode facilitates scene and costume changes with four banks that can be used to store different EQ and dynamics settings for individual performers. In Theatre Mode, rather than storing EQ and dynamics settings in the console’s “scenes,” only the bank number is stored so that any adjustments made will apply to all scenes that use the same bank.\u003c\/p\u003e\u003cp\u003eThis can be used when multiple actors are cast in the same role or when a substitute must be used, allowing faster, more flexible mix changes to accommodate different casts, for example.\u003c\/p\u003e\u003ch3\u003eDSP Mirroring for Failsafe Redundancy\u003c\/h3\u003e\u003cp\u003eDSP Mirroring allows two DSP-RX or DSP-RX-EX engines to be used for failsafe redundancy with RIVAGE PM10, PM5, and PM3 systems.* If a problem occurs in the main DSP engine, the second DSP engine can take over without disrupting the program.\u003c\/p\u003e\u003cp\u003e* The RIVAGE PM7 features integrated DSP processing and does not support DSP mirroring.\u003c\/p\u003e\u003ch3\u003eLightweight for Easy Setup and Transportation (RIVAGE PM5\/3)\u003c\/h3\u003e\u003cp\u003eAlthough it offers heavy-duty performance and features, plus a comfortably spacious interface, the RIVAGE PM5\/3 weighs surprisingly little. The CS-R5 weighs 92.6 pounds\/ 42 kilograms and CS-R3 weighs 83.8 pounds\/ 38 kilograms and can be easily carried and positioned by just two people. This impressive weight reduction has been achieved through state-of-the-art mechanical design and the use of a lightweight but extremely durable material.\u003c\/p\u003e\u003ch3\u003eConsole File Converter Brings the Yamaha Family Together\u003c\/h3\u003e\u003cp\u003eThe Yamaha Console File Converter is an application that allows data to be shared between a number of Yamaha digital mixing consoles. User can share data between RIVAGE PM series, CL\/QL series, PM5D, M7CL, and LS9 consoles, so data from one show doesn’t have to be completely reprogrammed from scratch for the next, even if different consoles are used.\u003c\/p\u003e\u003ch3\u003eTwo Convenient Approaches to Live Recording\u003c\/h3\u003e\u003cp\u003eProfessional quality live recording capability is becoming an essential feature in live sound consoles. In addition to convenient 2-track recording to a USB flash drive, the RIVAGE PM series supports multitrack recording via a Dante audio network to meet the widest possible range of serious recording requirements.\u003c\/p\u003e\u003cp\u003eThe 2-track USB flash drive recorder function directly records the output of the STEREO or MIX bus to the flash drive. Background music or sound effects recorded on the flash drive can also be assigned to any input channel for playback. Sample rate conversion is provided for both input and output, so the recorder function can be used without having to think about the system sampling rate. Data can be recorded to or played back from WAV or MP3 files, as required.\u003c\/p\u003e\u003cp\u003eMultitrack recordings can be made to a computer based DAW via a Dante audio network. High-resolution recording of up to 128 channels (input and output) at 96 kHz is possible if the computer is equipped with a DANTE ACCELETATOR PCIe card (AIC128-D). With Dante Virtual Soundcard the maximum in\/out track count is 64.\u003c\/p\u003e\u003cp\u003eMultitrack recordings of rehearsals made in this way can be used for “virtual sound checks” when the performers aren’t available. Input patching for all required channels can be switched in one operation for both recording and virtual sound checks. Recorder playback and stage input can even be smoothly combined when needed.\u003c\/p\u003e\u003cp\u003eAdditionally, firmware versions V5.0 and later allow you to use the Yamaha Console Extension to copy Channel Name and Channel Color to Nuendo Live and to operate transport controls and markers from the console, providing seamless connection between RIVAGE PM Series consoles and Nuendo Live.\u003c\/p\u003e\u003ch3\u003eVarious control options\u003c\/h3\u003e\u003cp\u003eRIVAGE PM products provide a range of control options to meet your needs, allowing you to adjust sound from the stage or the audience area, and can also be integrated with a variety of external devices.\u003c\/p\u003e\u003cp\u003eRIVAGE PM Editor allows you to control your system from a computer via a GUI that replicates the RIVAGE control surface, while StageMix lets you move freely around the venue and mix from your preferred listening position.\u003c\/p\u003e\u003cp\u003eThe MonitorMix app gives performers an easy way to adjust their personal monitor mixes.\u003c\/p\u003e\u003cp\u003eOSC server allows external devices to control the RIVAGE PM system using the OSC protocol. With version 7.0 or later, the RIVAGE PM system can function as an OSC client for control of OSC-compatible devices, while OSC commands can be programmed to link with scenes for seamless operation.\u003c\/p\u003e\u003ch3\u003eYamaha Immersive Sound Control\u003c\/h3\u003e\u003cp\u003eSound xR Image is a proprietary immersive sound system from Yamaha that gives users full control over sound imaging within a given space. Sound xR Image provides broad content creation support for theater, opera, concert, installation, event, and other applications. Control with RIVAGE PM consoles allows the flexible design of immersive sound systems and the creation of streamlined, efficient workflows.\u003c\/p\u003e\u003cp\u003eWith V7.0 firmware or later, the control for Sound xR Image on DME is supported and gives the offline setting features for the immersive panning parameters on the consoles.\u003c\/p\u003e\u003cli\u003eSound xR\u003c\/li\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Input Mixing channels › DSP-RX\u003c\/td\u003e\n\u003ctd\u003e120\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Input Mixing channels › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e288\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Mix Buses › DSP-RX\u003c\/td\u003e\n\u003ctd\u003e48\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Mix Buses › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e72\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Matrices › DSP-RX\u003c\/td\u003e\n\u003ctd\u003e24 (Input to Matrix supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Matrices › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e36 (Input to Matrix supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Stereo buses\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › mono buses\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › cue bus\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Analog › in\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Analog › out\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Digital › AES IN\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Digital › AES OUT\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Expansion Slot › HY\u003c\/td\u003e\n\u003ctd\u003e4 (DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Expansion Slot › MY\u003c\/td\u003e\n\u003ctd\u003e2+2(DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › GPI › IN\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › GPI › ONT\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › MIDI\u003c\/td\u003e\n\u003ctd\u003eIN\/OUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › USB › File\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › USB › rec\/play\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Redundant PSU\u003c\/td\u003e\n\u003ctd\u003eYes (Built in dual PSU)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Meter Bridge\u003c\/td\u003e\n\u003ctd\u003eOn screen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Lamp\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Talkback In\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Video Out\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › TC In\u003c\/td\u003e\n\u003ctd\u003eYes (DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Fault Output\u003c\/td\u003e\n\u003ctd\u003eYes (DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Phones\u003c\/td\u003e\n\u003ctd\u003e2 connectors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › AC Inlet\u003c\/td\u003e\n\u003ctd\u003e2 (V-Lock Type)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Number of Scenes\u003c\/td\u003e\n\u003ctd\u003e1000\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Recall Safe\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Focus Recall\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Fade Time\u003c\/td\u003e\n\u003ctd\u003eYes (0s ~ 60s)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Preview\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Selective Load \/ Save\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Global Paste\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Event List\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Overlay\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Isolate\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Tactile Control Keys\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Gain Compensation\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Silk\u003c\/td\u003e\n\u003ctd\u003eYes (with RPio)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Digital Gain\u003c\/td\u003e\n\u003ctd\u003eYes (-96dB ~ +24dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › ATT\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › HPF\u003c\/td\u003e\n\u003ctd\u003e20Hz~2000Hz, -6\/-12\/-18\/-24dB\/oct Selectable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › PEQ\u003c\/td\u003e\n\u003ctd\u003e4 Band Full PEQ (4 algorithms, RTA overlay support)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Dynamics 1\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Dynamics 2\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Input Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Pan\u003c\/td\u003e\n\u003ctd\u003eCenter Nominal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › DCA Group\u003c\/td\u003e\n\u003ctd\u003e24 (Output DCA support)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › DCA Rollout\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › MUTE Group\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Number of Inserts\u003c\/td\u003e\n\u003ctd\u003e4 slots on each 2 insert point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Direct Out\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › PEQ\u003c\/td\u003e\n\u003ctd\u003e8 Band Full PEQ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › GEQ\u003c\/td\u003e\n\u003ctd\u003ePlug-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Dynamics 1\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Output Channel Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › MUTE Group\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Number of Inserts\u003c\/td\u003e\n\u003ctd\u003e4 slots on each 2 insert point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePlug-in › Number of Slots › DSP-RX \/ Internal\u003c\/td\u003e\n\u003ctd\u003e384\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePlug-in › Number of Slots › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e512\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePlug-in › Number of Effect Programs\u003c\/td\u003e\n\u003ctd\u003eMore than 50\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGEQ Rack › Number of GEQ Racks\u003c\/td\u003e\n\u003ctd\u003e48\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGEQ Rack › Mountable Device\u003c\/td\u003e\n\u003ctd\u003e31BandGEQ \/ Flex15GEQ \/ 8Band PEQ (RTA overlay support) \/ Dugan Automixer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTWINLANe › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e256 in \/ 256 out (with HY256-TL)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e144 in \/ 144 out (with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices that can be discovered from the console *1\u003c\/td\u003e\n\u003ctd\u003e127 (with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices that can be mounted *2\u003c\/td\u003e\n\u003ctd\u003e48（with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices with HA remote control *2\u003c\/td\u003e\n\u003ctd\u003e48（with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMADI › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e64 in \/ 64 out @96kHz, 128 in \/ 128 out @48kHz (with HY128-MD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRecording › USB Memory Recording\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRecording › DVS Recording\u003c\/td\u003e\n\u003ctd\u003eYes (with HY144-D)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › 5.1 Surround Panning\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › Surround Monitor\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › Mix Minus\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › L-Mono \/ R-Mono \/ LR-Mono\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMonitor › Solo Mode\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMonitor › Oscillator\u003c\/td\u003e\n\u003ctd\u003eSine Wave 1ch \/ Sine Wave 2ch \/ Pink Noise \/ Burst Noise\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Port to Port\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Dual Console\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › DSP Mirroring\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Timecode Reader\/Display\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Timecode Chase (Event List)\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › GPI\/MIDI\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › RTA\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Output Port Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Mix\/Matrix to Input\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Sub In\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Theatre Mode\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Display\u003c\/td\u003e\n\u003ctd\u003e15 inch Touch Panel x 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Centralogic Section\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Faders\u003c\/td\u003e\n\u003ctd\u003e12 + 12 + 12 + 2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Selected Channel Encoders\u003c\/td\u003e\n\u003ctd\u003eDynamics, GAIN, HPF, EQ, PAN, Function Knob\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Channel Encoder\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Channel Name \/ Color Display\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Custom Fader Banks\u003c\/td\u003e\n\u003ctd\u003eYes (6 x 5 on each bay)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › User Defined Keys\u003c\/td\u003e\n\u003ctd\u003e12 (x 4 banks)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › User Defined Knobs\u003c\/td\u003e\n\u003ctd\u003e3 (4 x 4 banks can be assigned)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Touch and Turn Knob\u003c\/td\u003e\n\u003ctd\u003eYes (3)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Monitor Level Knob\u003c\/td\u003e\n\u003ctd\u003eYes (2: A and B)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Wooden Arm Rest\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › Editor\u003c\/td\u003e\n\u003ctd\u003eRIVAGE PM Editor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › StageMix\u003c\/td\u003e\n\u003ctd\u003eRIVAGE PM StageMix\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › MonitorMix\u003c\/td\u003e\n\u003ctd\u003eYes (V4.0 or later)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › Console File Converter\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (WxHxD)\u003c\/td\u003e\n\u003ctd\u003eCS-R5: 1,444 x 414 x 643mm (56.9\" x 16.2\" x 25.3\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNet Weight\u003c\/td\u003e\n\u003ctd\u003eCS-R5: 42 kg (92.6 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eIncluded Accessories\u003c\/td\u003e\n\u003ctd\u003eCS-R5: Dust cover, Nuendo Live\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268733804799,"sku":null,"price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_2575fb59-46ea-416c-ae5f-8b2171775080.jpg?v=1790011485"},{"product_id":"mg20","title":"Yamaha MG20 Audio Mixer","description":"\u003cli\u003e20-Channel Mixing Console\u003c\/li\u003e\u003cli\u003eMax. 16 Mic \/ 20 Line Inputs (12 mono + 4 stereo)\u003c\/li\u003e\u003cli\u003e4 GROUP Buses + 1 Stereo Bus\u003c\/li\u003e\u003cli\u003e4 AUX\u003c\/li\u003e\u003cli\u003e“D-PRE” mic preamps with an inverted Darlington circuit\u003c\/li\u003e\u003cli\u003e1-Knob compressors\u003c\/li\u003e\u003cli\u003ePAD switch on mono inputs\u003c\/li\u003e\u003cli\u003e+48V phantom power\u003c\/li\u003e\u003cli\u003eXLR balanced outputs\u003c\/li\u003e\u003cli\u003eInternal universal power supply for world-wide use\u003c\/li\u003e\u003cli\u003eRack Mount Kit Included\u003c\/li\u003e\u003cli\u003eMetal chassis\u003c\/li\u003e\u003cli\u003eDimensions(W×H×D): 444 mm x 130 mm x 500 m (17.5\" x 5.1\" x 19.7\")\u003c\/li\u003e\u003cli\u003eNet Weight: 6.9kg (15.2 lbs.)\u003c\/li\u003e\u003ch3\u003eRoad Tough. Studio Ready.\u003c\/h3\u003e\u003cp\u003eFor more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.\u003c\/p\u003e\u003cp\u003eWith an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.\u003c\/p\u003e\u003ch3\u003eFeatured models: MG16X \/ MG12X \/ MG10X\u003c\/h3\u003e\u003cp\u003eJust like the XU models, SPX digital effects are included on these three X models. Excellent for portable use, but also great when installed in conference rooms, banquet halls and weddings, where users can have wide choice of effects to enhance their sound. Stylish grey color improves visual identification.\u003c\/p\u003e\u003ch3\u003eHead of the class\u003c\/h3\u003e\u003cp\u003eYamaha has always strived to provide sound engineers with the purest possible signal instead of added processing or color to give it a \"signature\" sound, and the MG Series is no exception. Embracing this philosophy of transparent sound, these mixing consoles deliver a level of sonic purity and sound quality that is unmatched in their class.\u003c\/p\u003e\u003ch3\u003eD-PRE (Discrete Class-A Mic Preamps)\u003c\/h3\u003e\u003cp\u003eThis is where it all starts. Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound. Having such a pure sonic platform to build on will ultimately save you time and effort by eliminating the need for excessive EQing or additional effects processing in order to \"fix\" your mix.\u003c\/p\u003e\u003ch3\u003eHigh Quality Sound Op-amp\u003c\/h3\u003e\u003cp\u003eThe head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first. MG01 op-amps feature redesigned circuitry in which even the internal components and wiring have been optimized, and use materials such as high-quality silicon wafers and copper wire to achieve superb resolution.\u003c\/p\u003e\u003ch3\u003eSwitchable Phantom Power \u0026amp; PAD Switch\u003c\/h3\u003e\u003cp\u003eWith phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany mic'ed instruments during performance, avoiding the clipping that can seriously affect your mix.\u003c\/p\u003e\u003ch3\u003eOur mixer. Your sound.\u003c\/h3\u003e\u003cp\u003eWhen was the last time you heard guitar without EQ or a completely unprocessed vocal on one of your favorite songs? Probably never. Yamaha mixers are famous for their flat response and sonic purity, but it often takes more than a perfectly-captured instrumental performance or vocal to achieve a professional-sounding mix. Equipped with some of the same state-of-the-art functionality featured on Yamaha’s high-end consoles, the MG Series gives you the tools you need to produce high quality sound that is uniquely your own.\u003c\/p\u003e\u003ch3\u003e1-knob Compressors\u003c\/h3\u003e\u003cp\u003eCompression plays an essential role in just about any recording or sound reinforcement environment by altering the level of dynamics of an audio signal when you need livelier guitars, punchier bass lines, a tighter snare, or a cleaner vocal sound. However, it can take countless hours to master the complexities of even the most basic outboard compression units and use them effectively. Originally a Yamaha innovation, 1-knob compressors are now an industry standard that gives you instant access to optimized compression settings via a single rotary control.\u003c\/p\u003e\u003ch3\u003eEQ and High-pass Filters\u003c\/h3\u003e\u003cp\u003eThere's nothing more useful than reliable equalization when you need nuanced management of your tone. The MG Series benefits from Yamaha's unparalleled experience in designing pro audio gear, featuring 3-band equalizers on all mono channels for precise control of your sound. High-pass filters allows you to eliminate unwanted low-frequency noise, for a smoother, cleaner mix.\u003c\/p\u003e\u003ch3\u003eAUX \/ Effect Sends \/ Group\u003c\/h3\u003e\u003cp\u003eMG Series mixers feature AUX sends for expanding your sound reinforcement or recording setup, allowing you accommodate additional effects, output to external recording devices, or feed a monitoring system. (except for MG06 \/ 06X) Master send controls are also provided. The MG06 \/ 06X, MG10 \/ 10X \/ 10XU \/ 10XUF and MG12XUK have a single stereo bus. All other models additionally feature one or two stereo group buses and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.\u003c\/p\u003e\u003ch3\u003eA variety of input \/ output connectors\u003c\/h3\u003e\u003cp\u003eAll models feature high-quality Neutrik™ balanced XLR connectors on mono microphone\/line channels and XLR equipped stereo channels. Each of the mono inputs is equipped with combo jack and accepts both MIC and LINE level signals. Two of the stereo inputs are equipped with XLR and two phone connectors with XLR accepting MIC level signals while two phone connectors accepting LINE level signals and can be used either mono or stereo. (except for MG10 \/ 10X \/ 10XU \/ 10XUF \/ 12XUK) The function of the additional two stereo channels vary depending on model: With MG20 \/ 20XU, XLR accepts MIC level signal and two RCA connectors accepts LINE level signals and can be used either mono or stereo. With MG12 \/ 12X \/ 12XU and MG16 \/ 16X \/ 16XU, two phone connectors accept LINE level signals as stereo. Additionally, each of the stereo channel features 2TR in (RCA connectors) and can be used as independent input from external audio sources such as CDs. MG10 \/ 10X \/ 10XU \/ 10XUF and MG12XUK are equipped with an additional stereo channel with a pair of phone jacks that accepts LINE levels. With XU models, any incoming source that are sent via USB can be assigned to one of the stereo channel. In addition to the main stereo outputs (XLR L\/R, TRS phone L\/R), MG Series mixing consoles are equipped with a comprehensive suite of output connectors, including GROUP OUT (TRS phone), AUX\/FX OUT (TRS phone), MONITOR OUT (TRS phone L\/R), and HEADPHONE OUT (stereo phone) connectors, allowing master outputs to be chosen to suit specific applications such as monitoring or mastering.\u003c\/p\u003e\u003ch3\u003eLED level metering\u003c\/h3\u003e\u003cp\u003eEasy-to-read LED level metering allows output levels to be monitored with precision.\u003c\/p\u003e\u003ch3\u003eBuilt-in SPX Digital Effects\u003c\/h3\u003e\u003cp\u003eFor musical and non-musical applications alike, effects processing adds polish and professionalism to the mix. The MG X \/ XU models feature Yamaha’s acclaimed SPX digital multi-effect processor, offering a comprehensive suite of 24 editable digital effects perfect for enhancing your mix, whether adding depth to a speaking engagement or breathing new color and atmosphere into a live band performance. In particular, the high-quality reverb and delay expand the spatial quality of the sound with remarkable realism and naturalness. You can even connect an optional FC5 foot switch for effect on \/ off control. (MG10X \/ 10XU \/ 10XUF \/ 12X \/ 12XU \/ 12XUK \/ 16X \/ 16XU \/ 20XU)\u003c\/p\u003e\u003cp\u003e* MG06X features six SPX effects (REVERB HALL \/ ROOM \/ PLATE, DELAY SHORT \/ LONG \/ VO.ECHO), which are not editable.\u003c\/p\u003e\u003ch3\u003eBuilt to last\u003c\/h3\u003e\u003cp\u003eFor gigging, recording, and installed applications alike, your console can be subjected to a wide range of environmental conditions and hazards. Excessive humidity, unstable power supplies, and the rigors of road travel in general can take a serious toll on a mixing console, often causing expensive, time-consuming repairs, and reducing its lifespan. The MG Series has been redesigned with an emphasis on durability, incorporating practical features that offer greater flexibility while ensuring peak performance for many years to come.\u003c\/p\u003e\u003ch3\u003eMetal Chassis\u003c\/h3\u003e\u003cp\u003eBuilt to last, MG Series mixers feature a rugged, impact-resistant, powder-coated metal chassis, offering an unrivalled level of durability. With a sleek design contoured for optimal convection cooling, the internal layout separates the power supply from the analog circuitry for superior noise reduction, and further extends the life of the components inside. To further ensure reliable performance, knob control placement above the surface of the chassis diverts any impact or pressure on the knobs to the chassis itself and not the circuit board or components underneath.\u003c\/p\u003e\u003ch3\u003eInternal Universal Power Supply\u003c\/h3\u003e\u003cp\u003eThanks to a highly-efficient internal universal power supply, MG Series consoles offer worry-free operation in any region around the globe—even in environments prone to potentially damaging power fluctuations. An internal power supply also simplifies rack mounting of the console for installed applications, eliminating the need for a bulky adapter or additional connections.(* MG12 \/ 16 \/ 20 \/ 12X \/ 16X \/ 12XU \/ 16XU \/ 20XU)\u003c\/p\u003e\u003ch3\u003eRack Mount Kit Included\u003c\/h3\u003e\u003cp\u003eEasily adaptable to a diverse range of installed and portable applications, the 16- and 20- channel models of the MG Series included rack ears, giving you the option of a rack-mounted or desk-top configuration. Extremely durable, their sleek design makes safe, stable placement of your console hassle-free, keeping setup time and effort to a minimum. (MG16 \/ 20 \/ 16X \/ 16XU \/ 20XU)\u003c\/p\u003e\u003cp\u003e- Optional Rackmount kit \"RK-MG12\" available for MG12 \/ 12X \/ MG12XU.\u003c\/p\u003e\u003cp\u003e- Optional Mic stand Adapter \"BMS10-A\" available for MG06 \/ 06X \/ 10 \/ 10X \/ 10XU.\u003c\/p\u003e\u003ch3\u003eXLR connector\u003c\/h3\u003e\u003cp\u003eThe main stereo outputs feature XLR type connectors that lock to prevent accidental disconnection. Rugged and dependable, these professional connectors ensure providing stable signal transmission even in the most demanding environments.\u003c\/p\u003e\u003ch3\u003eCreate, record… listen\u003c\/h3\u003e\u003cp\u003eThe MG Series features the same digital connectivity that is used to streamline the recording process on Yamaha’s professional-level mixing consoles. Take advantage of state-of-the-art digital technology that makes it easier than ever to plug-in, play, record, and then listen to your creations.\u003c\/p\u003e\u003ch3\u003e24-bit \/192kHz 2-in\/2-out USB Audio Interface Function\u003c\/h3\u003e\u003cp\u003eMG Series mixing consoles feature flexible digital connectivity for quick and easy high resolution playback of digital content. Simply connect to your PC via USB, or to your iPhone \/ iPad (2 or later) using Apple's Camera Connection Kit \/ Lightning to USB Camera Adapter. The USB protocol uses asynchronous data transfer. Audio data is transferred based on highly precise audio clock signal from the MG, for high quality recording and playback.\u003c\/p\u003e\u003ch3\u003eCubase AI\u003c\/h3\u003e\u003cp\u003eMG XU models are bundled with downloadable Steinberg’s Cubase AI software. As one of the most advanced, comprehensive DAW suites available, Steinberg's Cubase has led the charge, providing users with a powerful and flexible platform for music production. Cubase AI offers these same core technologies and interface that have won Cubase worldwide acclaim.\u003c\/p\u003e\u003cp\u003e(* MG10XU MG12XU MG16XU MG20XU)\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Phantom power\u003c\/td\u003e\n\u003ctd\u003e+48V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Mono[MIC\/LINE]\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Mono\/Stereo[MIC\/LINE]\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › STEREO OUT\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › MONITOR OUT\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › PHONES\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › AUX SEND\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › GROUP OUT\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Bus\u003c\/td\u003e\n\u003ctd\u003eStereo: 1, GROUP: 4, AUX: 4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › PAD\u003c\/td\u003e\n\u003ctd\u003e26 dB(Mono)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › HPF\u003c\/td\u003e\n\u003ctd\u003e80 Hz, 12 dB\/oct (Mono\/Stereo: MIC only)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › COMP\u003c\/td\u003e\n\u003ctd\u003e1-knob compressor (Gain\/Threshold\/Ratio) Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB Attack time: approx. 25 msec, Release time: approx. 300 msec\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ HIGH\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: 10 kHz shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ MID\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: Mono 250 Hz – 5 kHz peaking, Stereo 2.5 kHz peaking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ LOW\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: 100 Hz shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › PEAK LED\u003c\/td\u003e\n\u003ctd\u003eLED turns on when post EQ signal reaches 3 dB below clipping(Mono)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › Level Meter\u003c\/td\u003e\n\u003ctd\u003e2x12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003e0.03 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.005 % @ +24dBu (1kHz), GAIN knob: Min\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003e+0.5 dB\/-1.5 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e-128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e-102 dBu (STEREO OUT, STEREO master fader: Min)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-78 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003eAC 100 – 240 V, 50 \/ 60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e36 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e444 mm (17.5\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e130 mm (5.1\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e500 mm (19.7\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e6.9kg (15.2 lbs.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eIncluded Accessory: Owner’s Manual, Technical Specifications, AC power cord, Rack-mount kit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eOperating Temperature: 0 to +40˚C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734066943,"sku":"MG20","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_4f90ab55-f508-496e-a991-f8f61caa9ca5.jpg?v=1790011486"},{"product_id":"rivage-pm5","title":"Yamaha RIVAGE PM5 Audio Mixer","description":"\u003cp\u003eRIVAGE PM5 Mixing System packs undiluted RIVAGE PM power and performance into a lightweight, intuitive console that is surprisingly slim. The addition of a third display screen has made it possible to offer a more touch-centric interface in a compact, significantly lighter console that is easier to transport, setup, and operate in a wide range of venues.\u003c\/p\u003e\u003ch3\u003ePerfecting the Art of Live Sound\u003c\/h3\u003e\u003cp\u003eAll art, including art that involves sound and music, is expression that has an impact on the viewer or listener. It often begins with the artist’s personal journey of self-discovery that sometimes grows and ripples outward in waves that resonate with people everywhere.\u003c\/p\u003e\u003cp\u003eYamaha supports the engineers who support artists and performers in their quest to make waves, carrying their vision to a wider audience.\u003c\/p\u003e\u003ch3\u003eAn All-embracing Ecosystem\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM series includes five consoles, two DSP engines, two I\/O rack units, and two network protocols. Any of these components can be combined to create systems that match a wide range of application scale and budget requirements.\u003c\/p\u003e\u003cp\u003eAll five consoles feature a similar interface with up to three bays of 12 faders each, touch-sensitive display panels, and the Yamaha Selected Channel Section. Engineers who are familiar with one RIVAGE PM console can easily switch to any other and be up and running in a matter of minutes.\u003c\/p\u003e\u003cp\u003eAll RIVAGE PM system components are compatible, and components from earlier systems will work in combination with later systems. That goes for I\/O racks as well as DSP engines, so in addition to operating them separately you can combine DSP engines in mirrored configurations for large applications, for example.\u003c\/p\u003e\u003cp\u003e* The RIVAGE PM7 (CSD-R7) features integrated DSP processing.\u003c\/p\u003e\u003cp\u003eTo fully support the sound engineers who support the artists and performers, Yamaha makes absolutely no compromises when it comes to quality. Sound, operability, and reliability must all be first class, and implemented in a way that allows engineers to concentrate fully on helping artists and performers deliver their message. The RIVAGE PM series embodies this ideal at the highest level, connecting technology, art, and audiences with waves that encircle the world.\u003c\/p\u003e\u003ch3\u003eFunctional Specifications\u003c\/h3\u003e\u003cli\u003eFor More Information\u003c\/li\u003e\u003cp\u003eThe ideal starting point for creative audio engineering is transparent, uncolored sound. All Yamaha mixers are built on that philosophy, with the goal of allowing engineers to capture the on-stage sound accurately, without coloration, and then adding creative touches as required. The merits of unwavering adherence to this concept by Yamaha are evident throughout the RIVAGE PM series.\u003c\/p\u003e\u003cp\u003eThe foundation is Hybrid Microphone Preamplifiers with analog input stages that take the Yamaha “natural sound” concept to new heights, as well as digital sections with immaculate VCM-technology models of Rupert Neve Designs transformer and SILK processing circuitry that offer outstanding musicality and atmosphere. Add the latest refinements in channel EQ and dynamics, and you have extraordinary creative scope.\u003c\/p\u003e\u003cp\u003eThe built-in plug-ins that support creative sound engineering have also evolved, many through close alliances with other manufacturers that are leaders in their respective fields. Collaboration with RND (Rupert Neve Designs) and the use of Yamaha VCM technology has resulted in flawless recreations of prized equalizers and compressors from the 70s and 80s. There are also impeccable models of Eventide harmonizer and reverb effects that could only have been created through cooperation with the original manufacturer.\u003c\/p\u003e\u003cp\u003eAll of this has been implemented in the RIVAGE PM series to give engineers the tools they need to deliver the highest quality, most musical sound possible.\u003c\/p\u003e\u003ch3\u003eTwo Types of I\/O\u003c\/h3\u003e\u003cp\u003eInput circuitry and processing are critical to achieving a high level of sonic quality. The output end of the signal chain plays an important role in maintaining that quality too. Yamaha offers two types of high-performance I\/O Rack units for RIVAGE PM system input and output, each providing compatibility with a different audio network.\u003c\/p\u003e\u003cp\u003eOne of those networks is TWINLANe, capable of carrying up to 400 audio channels via optical cable. The RPio622 and RPio222 I\/O racks are TWINLANe devices, as are the HY256-TL and HY256-TL-SMF audio interface cards. The RPio622 and RPio222 I\/O racks include Hybrid Microphone Preamplifiers with high-performance analog input stages, plus advanced digital sections that include accurate emulations of Rupert Neve Designs transformer and SILK processing circuitry.\u003c\/p\u003e\u003cp\u003eAudinate Dante network compatibility, a standard feature in many other Yamaha consoles and pro audio products, is also available. The Rio3224-D2 and Rio1608-D2 I\/O Racks and the HY144-D audio interface card are Dante ready, and can be combined to provide natural sound input with any RIVAGE PM series system. Either network solution is capable of capturing the sound being created on stage, without coloration and with every nuance intact, allowing the engineer to use the creative capabilities of the RIVAGE PM series to reach the audience with maximum impact.\u003c\/p\u003e\u003ch3\u003eChannel EQ and Compression Refined to Unprecedented Levels\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM channel EQ and dynamics have also been significantly updated and fine-tuned to match the innovations in the input section. The input channels feature 4-band full parametric EQ, while the output channels are equipped with 8-band full parametric EQ, with 4 algorithm types that include newly developed variations. The “Precise” algorithm makes it easy to target and control specific EQ points, the “Aggressive” algorithm is designed for the most musical response, and the “Smooth” algorithm offers smooth, natural control. There’s also a “Legacy” algorithm that provides the familiar feel and response of the equalizers provided in industry-standard Yamaha digital consoles such as the PM1D and PM5D. The “Precise” algorithm includes Q parameters on the low and high shelving filters that allow filter overshoot to be flexibly controlled for added musical impact. Two dynamics stages are provided, each functioning as a gate, two types of compressor, ducker, or de-esser as required. The two compressor types are “Legacy Comp,” inheriting the characteristics of the standard compressors in Yamaha digital consoles, and “Comp260,” which is a beautiful VCM model of a popular analog comp\/limiter from the mid 70s. The latter accurately models the characteristics of the VCA circuit and RMS level detector used in the original device, with the effect of each parameter fine-tuned for optimum effect in live-sound applications. Presets that recreate the original fixed settings of this classic comp\/limiter are also provided for convenience in situations that require the original sound.\u003c\/p\u003e\u003cp\u003eProcessing quality has always been a major strength of Yamaha digital consoles. The RIVAGE PM series offers a comprehensive selection of plug-ins, including models of in-demand classics. The RIVAGE PM series includes over 50 plug-ins, and ample processing power allows up to 256* instances of complex plug-ins such as the Portico 5033 or Portico 5043 to be used simultaneously. There are also the Eventide H3000 Ultra-Harmonizer and a new SP2016 reverb with a large selection of presets, Dan Dugan automatic microphone mixing, and more. These contributions from distinguished third parties complement a range of original Yamaha plug-ins, adding extraordinary versatility and processing power that give the engineer wide-ranging creative freedom.\u003c\/p\u003e\u003cp\u003e* With DSP-RX-EX\u003c\/p\u003e\u003ch3\u003eBricasti Reverb\u003c\/h3\u003e\u003cp\u003eBricasti Design is known as the world's premier manufacturer of hand crafted, hardware digital reverbs.\u003c\/p\u003e\u003cp\u003eThe Y7 is specifically designed for use in the Yamaha RIVAGE PM mixing systems, bringing to the live market a Bricasti product, one that is integrated in the console for simple, fast, and familiar operation, and to bring the renowned “Bricasti Sound” to users of Yamaha products.\u003c\/p\u003e\u003ch3\u003eRND Portico Plug-ins\u003c\/h3\u003e\u003cp\u003eAlthough the SILK processing simulation created in cooperation with RND is an important part of the RIVAGE PM system, it is by no means the only product of that fruitful relationship. In addition to the well-known and highly acclaimed Portico 5033 EQ and 5043 compressor, RIVAGE PM systems include the easy-operation Rupert Neve Designs Portico 5045 Primary Source Enhancer that effectively suppresses background noise at microphone inputs for enhanced clarity while significantly increasing the feedback margin, making it a valuable tool for live sound in houses of worship, stadiums, halls, and other environments where feedback can be problem.\u003c\/p\u003e\u003cp\u003eAdded with V5.0, Portico II Master Buss Processor is a creative tool that redefines the boundaries and limitations of traditional 2-channel compression and limiting. From mixing bass-heavy EDM to a delicate master of a chamber ensemble, it has something to offer everyone – no matter the use or genre.\u003c\/p\u003e\u003ch3\u003eDan Dugan Automatic Mixer\u003c\/h3\u003e\u003cp\u003eThrough in-depth collaboration with Dan Dugan Sound Design, renowned Dan Dugan automatic microphone mixing with its advanced algorithms is built into the RIVAGE PM series digital mixing systems. Setup is easy: just insert the processor into up to 64 channels for automatically optimized microphone gain distribution. Gain control is smooth and natural, as though experienced human operators were doing the mix. The system also effectively reduces feedback and comb filter issues. For speech applications, especially non-scripted situations, this allows the operator to concentrate on details other than fader operation for consistently high quality mixes.\u003c\/p\u003e\u003ch3\u003eEventide Effects\u003c\/h3\u003e\u003cp\u003eThe Eventide name is legendary in the effects field. The acclaimed H3000 Ultra-Harmonizer and a new SP2016 Reverb plugin added in version 4.0 are available throughout the RIVAGE PM series. In addition to a full range of parameters that can be edited to precisely tailor the effects for any need, the SP2016 features a large selection of presets that make it quick and easy to call up an ideal reverb sound.\u003c\/p\u003e\u003ch3\u003eYamaha DaNSe Noise Suppression\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM series includes a range of original Yamaha plug-ins that are extremely powerful too, including the DaNSe Noise Suppressor. The “DaNSe” plugin analyzes noise frequency characteristics and employs a learn function to automatically achieve the most effective noise suppression without the need for any complex setup or programming by the user. Effective noise suppression can be a huge advantage for plays and musicals, significantly enhancing audio clarity. DaNSe can suppress air conditioning noise and noise produced by cooling fans in on-stage moving lights. It can reduce monitor bleed to on-stage instrument mics, and suppress crowd noise during announcements and sports events. It is a highly effective and widely applicable noise suppression tool.\u003c\/p\u003e\u003cp\u003eYamaha has always focused on operability in digital live sound consoles, sparing no effort in providing an interface that engineers coming from analog consoles can operate intuitively, while at the same time maximizing the benefits of digital technology and features. RIVAGE PM systems take that concept to a new level, extending an already familiar and highly rated interface for even greater efficiency and ease in achieving the ultimate sound.\u003c\/p\u003e\u003ch3\u003eRefined Interface\u003c\/h3\u003e\u003cp\u003eA key element of the RIVAGE PM interface is the industry-standard Yamaha Selected Channel concept, providing direct access to parameters of any channel selected via its SEL key. The Selected Channel section provides direct, fast access to all channel parameters. Encoders, buttons, and indicators are provided in a comprehensive layout that makes maximum use of the available panel space, for comfortable operation in any environment or mixing situation. RIVAGE PM series control surfaces feature three groups of 12 faders to which channels can be assigned as required. Depending on the console, some or all of the fader groups work with large touch-sensitive displays in the top panel, providing an evolved version of the Centralogic operating environment. The channel strips extend vertically and virtually seamlessly into the touch panel displays, for lucid, logical control. In addition to allowing channels to be conveniently managed in 12 channel groups, this configuration also facilitates 2-man operation with different operators handling separate groups.\u003c\/p\u003e\u003ch3\u003eUpdated Send Operation (RIVAGE PM5\/3)\u003c\/h3\u003e\u003cp\u003eSetting up sends is an important part of just about any live mixing workflow. In addition to the familiar Sends on Fader function, send levels can be controlled from the Send \/ User Defined Knobs. Send levels shown on the display panels where they can also be adjusted via touch control. This expanded range of control choices greatly enhances convenience and versatility when setting up and tweaking sends.\u003c\/p\u003e\u003ch3\u003eEasy-reach Layout and Improved Sight Line\u003c\/h3\u003e\u003cp\u003eRIVAGE PM console are designed with touch panel displays and Selected Channel section on a prominently raised upper panel that offers optimum visibility from the engineer’s position as well as easy access to all controls. This evolved console design also provides a closer connection to the performers on stage with improved sight lines that give the engineer a broader, more comprehensive view of the action.\u003c\/p\u003e\u003ch3\u003eA Monitor Section to Match Any Job (RIVAGE PM10\/7)\u003c\/h3\u003e\u003cp\u003eMonitoring flexibility is an important criterion for live sound consoles that must be adaptable to a broad variety of applications. The RIVAGE PM10 and PM7 feature two monitor\/cue outputs, with up to eight combinations of monitor sources that can be memorized and selected as required. In addition to independent control of output levels, dedicated delays and 8-band parametric equalization are available specifically for monitor use. It is even possible to insert plug-ins immediately before the EQ stage. All of these features provide the flexibility needed to create optimum monitor setups for just about any situation.\u003c\/p\u003e\u003ch3\u003eHigh-visibility Fader Meters (RIVAGE PM5)\u003c\/h3\u003e\u003cp\u003eClear visual feedback is also provided by the meters associated with each fader. The fader meters can display mono or stereo levels, or gain reduction when you want to keep an eye on channel dynamics. The fader meters can contribute to smooth, accurate control by providing direct feedback of how fader operation is affecting the signal.\u003c\/p\u003e\u003ch3\u003eGenius.lab\u003c\/h3\u003e\u003cp\u003eAllowing users to create a wide variety of actions triggered by key presses, fader operations, MIDI messages and more, it gives audio engineers the power to programme events to suit their specific situation and workflow. A huge range of functions can be programmed, with combinations of actions enacted by one trigger.\u003c\/p\u003e\u003cp\u003eInnovate your workflow with Genius.lab.\u003c\/p\u003e\u003cp\u003eMacro Library, the range of macro presets, helps you start with Genius.lab.\u003c\/p\u003e\u003cli\u003eDownload Macro Library\u003c\/li\u003e\u003cp\u003eBecause evolving applications continually raise new challenges and needs, Yamaha provides continuing support in the form of firmware updates that keep our digital mixers, RIVAGE PM systems included, up to date and often ahead of the curve.\u003c\/p\u003e\u003ch3\u003eWireless receiver integration\u003c\/h3\u003e\u003cp\u003eWith V5.0 firmware or later, RIVAGE PM consoles support control and monitoring of the highly popular wireless receivers on the market, giving you even more freedom when operating sound systems built around a RIVAGE PM series product.\u003c\/p\u003e\u003cp\u003eSupported Device\u003c\/p\u003e\u003cp\u003e- Sennheiser: EM 6000\u003c\/p\u003e\u003cp\u003e- Shure: AD4D\/Q, AXT400, QLXD4, ULXD4\/D\/Q, SLXD4\/D\/Q+\/QDAN+\u003c\/p\u003e\u003cp\u003e- Sony: DWR-R03D\u003c\/p\u003e\u003ch3\u003eOverlay Filter for Rapid Response\u003c\/h3\u003e\u003cp\u003eThe Overlay filter can notably enhance the usefulness of the console’s scene memory. It can be “overlaid” on a current mix to apply offsets to the fader levels and mix\/matrix send levels independently from scene recall. This can be useful when an unplanned performer change occurs, for example, facilitating a temporary, relative level adjustment that can be instantly returned to the original level. The Overlay filter will prove its value in situations that require sudden changes plus the ability to easily revert to the original settings.\u003c\/p\u003e\u003ch3\u003eTheatre Mode\u003c\/h3\u003e\u003cp\u003eTheatre Mode facilitates scene and costume changes with four banks that can be used to store different EQ and dynamics settings for individual performers. In Theatre Mode, rather than storing EQ and dynamics settings in the console’s “scenes,” only the bank number is stored so that any adjustments made will apply to all scenes that use the same bank.\u003c\/p\u003e\u003cp\u003eThis can be used when multiple actors are cast in the same role or when a substitute must be used, allowing faster, more flexible mix changes to accommodate different casts, for example.\u003c\/p\u003e\u003ch3\u003eDSP Mirroring for Failsafe Redundancy\u003c\/h3\u003e\u003cp\u003eDSP Mirroring allows two DSP-RX or DSP-RX-EX engines to be used for failsafe redundancy with RIVAGE PM10, PM5, and PM3 systems.* If a problem occurs in the main DSP engine, the second DSP engine can take over without disrupting the program.\u003c\/p\u003e\u003cp\u003e* The RIVAGE PM7 features integrated DSP processing and does not support DSP mirroring.\u003c\/p\u003e\u003ch3\u003eLightweight for Easy Setup and Transportation (RIVAGE PM5\/3)\u003c\/h3\u003e\u003cp\u003eAlthough it offers heavy-duty performance and features, plus a comfortably spacious interface, the RIVAGE PM5\/3 weighs surprisingly little. The CS-R5 weighs 92.6 pounds\/ 42 kilograms and CS-R3 weighs 83.8 pounds\/ 38 kilograms and can be easily carried and positioned by just two people. This impressive weight reduction has been achieved through state-of-the-art mechanical design and the use of a lightweight but extremely durable material.\u003c\/p\u003e\u003ch3\u003eConsole File Converter Brings the Yamaha Family Together\u003c\/h3\u003e\u003cp\u003eThe Yamaha Console File Converter is an application that allows data to be shared between a number of Yamaha digital mixing consoles. User can share data between RIVAGE PM series, CL\/QL series, PM5D, M7CL, and LS9 consoles, so data from one show doesn’t have to be completely reprogrammed from scratch for the next, even if different consoles are used.\u003c\/p\u003e\u003ch3\u003eTwo Convenient Approaches to Live Recording\u003c\/h3\u003e\u003cp\u003eProfessional quality live recording capability is becoming an essential feature in live sound consoles. In addition to convenient 2-track recording to a USB flash drive, the RIVAGE PM series supports multitrack recording via a Dante audio network to meet the widest possible range of serious recording requirements.\u003c\/p\u003e\u003cp\u003eThe 2-track USB flash drive recorder function directly records the output of the STEREO or MIX bus to the flash drive. Background music or sound effects recorded on the flash drive can also be assigned to any input channel for playback. Sample rate conversion is provided for both input and output, so the recorder function can be used without having to think about the system sampling rate. Data can be recorded to or played back from WAV or MP3 files, as required.\u003c\/p\u003e\u003cp\u003eMultitrack recordings can be made to a computer based DAW via a Dante audio network. High-resolution recording of up to 128 channels (input and output) at 96 kHz is possible if the computer is equipped with a DANTE ACCELETATOR PCIe card (AIC128-D). With Dante Virtual Soundcard the maximum in\/out track count is 64.\u003c\/p\u003e\u003cp\u003eMultitrack recordings of rehearsals made in this way can be used for “virtual sound checks” when the performers aren’t available. Input patching for all required channels can be switched in one operation for both recording and virtual sound checks. Recorder playback and stage input can even be smoothly combined when needed.\u003c\/p\u003e\u003cp\u003eAdditionally, firmware versions V5.0 and later allow you to use the Yamaha Console Extension to copy Channel Name and Channel Color to Nuendo Live and to operate transport controls and markers from the console, providing seamless connection between RIVAGE PM Series consoles and Nuendo Live.\u003c\/p\u003e\u003ch3\u003eVarious control options\u003c\/h3\u003e\u003cp\u003eRIVAGE PM products provide a range of control options to meet your needs, allowing you to adjust sound from the stage or the audience area, and can also be integrated with a variety of external devices.\u003c\/p\u003e\u003cp\u003eRIVAGE PM Editor allows you to control your system from a computer via a GUI that replicates the RIVAGE control surface, while StageMix lets you move freely around the venue and mix from your preferred listening position.\u003c\/p\u003e\u003cp\u003eThe MonitorMix app gives performers an easy way to adjust their personal monitor mixes.\u003c\/p\u003e\u003cp\u003eOSC server allows external devices to control the RIVAGE PM system using the OSC protocol. With version 7.0 or later, the RIVAGE PM system can function as an OSC client for control of OSC-compatible devices, while OSC commands can be programmed to link with scenes for seamless operation.\u003c\/p\u003e\u003ch3\u003eYamaha Immersive Sound Control\u003c\/h3\u003e\u003cp\u003eSound xR Image is a proprietary immersive sound system from Yamaha that gives users full control over sound imaging within a given space. Sound xR Image provides broad content creation support for theater, opera, concert, installation, event, and other applications. Control with RIVAGE PM consoles allows the flexible design of immersive sound systems and the creation of streamlined, efficient workflows.\u003c\/p\u003e\u003cp\u003eWith V7.0 firmware or later, the control for Sound xR Image on DME is supported and gives the offline setting features for the immersive panning parameters on the consoles.\u003c\/p\u003e\u003cli\u003eSound xR\u003c\/li\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Input Mixing channels › Internal\u003c\/td\u003e\n\u003ctd\u003e144\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Mix Buses › Internal\u003c\/td\u003e\n\u003ctd\u003e60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Matrices › Internal\u003c\/td\u003e\n\u003ctd\u003e36 (Input to Matrix supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Stereo buses\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › mono buses\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › cue bus\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Analog › in\u003c\/td\u003e\n\u003ctd\u003e8 (SILK)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Analog › out\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Digital › AES IN\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Digital › AES OUT\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Expansion Slot › HY\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Expansion Slot › MY\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › GPI › IN\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › GPI › ONT\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Word clock\u003c\/td\u003e\n\u003ctd\u003eOUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › MIDI\u003c\/td\u003e\n\u003ctd\u003eIN\/OUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › USB › File\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › USB › rec\/play\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Redundant PSU\u003c\/td\u003e\n\u003ctd\u003eYes (Built in dual PSU)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Meter Bridge\u003c\/td\u003e\n\u003ctd\u003eOn screen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Lamp\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Talkback In\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Video Out\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › TC In\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Fault Output\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Phones\u003c\/td\u003e\n\u003ctd\u003e2 connectors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › AC Inlet\u003c\/td\u003e\n\u003ctd\u003e2 (V-Lock Type)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Number of Scenes\u003c\/td\u003e\n\u003ctd\u003e1000\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Recall Safe\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Focus Recall\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Fade Time\u003c\/td\u003e\n\u003ctd\u003eYes (0s ~ 60s)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Preview\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Selective Load \/ Save\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Global Paste\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Event List\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Overlay\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Isolate\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Tactile Control Keys\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Gain Compensation\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Silk\u003c\/td\u003e\n\u003ctd\u003eYes (with RPio)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Digital Gain\u003c\/td\u003e\n\u003ctd\u003eYes (-96dB ~ +24dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › ATT\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › HPF\u003c\/td\u003e\n\u003ctd\u003e20Hz~2000Hz, -6\/-12\/-18\/-24dB\/oct Selectable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › PEQ\u003c\/td\u003e\n\u003ctd\u003e4 Band Full PEQ (4 algorithms, RTA overlay support)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Dynamics 1\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Dynamics 2\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Input Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Pan\u003c\/td\u003e\n\u003ctd\u003eCenter Nominal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › DCA Group\u003c\/td\u003e\n\u003ctd\u003e24 (Output DCA support)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › DCA Rollout\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › MUTE Group\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Number of Inserts\u003c\/td\u003e\n\u003ctd\u003e4 slots on each 2 insert point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Direct Out\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › PEQ\u003c\/td\u003e\n\u003ctd\u003e8 Band Full PEQ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › GEQ\u003c\/td\u003e\n\u003ctd\u003ePlug-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Dynamics 1\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Output Channel Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › MUTE Group\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Number of Inserts\u003c\/td\u003e\n\u003ctd\u003e4 slots on each 2 insert point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePlug-in › Number of Slots › DSP-RX \/ Internal\u003c\/td\u003e\n\u003ctd\u003e384 (CSD-R7)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePlug-in › Number of Effect Programs\u003c\/td\u003e\n\u003ctd\u003eMore than 50\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGEQ Rack › Number of GEQ Racks\u003c\/td\u003e\n\u003ctd\u003e48\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGEQ Rack › Mountable Device\u003c\/td\u003e\n\u003ctd\u003e31BandGEQ \/ Flex15GEQ \/ 8Band PEQ (RTA overlay support) \/ Dugan Automixer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTWINLANe › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e256 in \/ 256 out (with HY256-TL)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e144 in \/ 144 out (with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices that can be discovered from the console *1\u003c\/td\u003e\n\u003ctd\u003e127 (with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices that can be mounted *2\u003c\/td\u003e\n\u003ctd\u003e48（with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices with HA remote control *2\u003c\/td\u003e\n\u003ctd\u003e48（with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMADI › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e64 in \/ 64 out @96kHz, 128 in \/ 128 out @48kHz (with HY128-MD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRecording › USB Memory Recording\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRecording › DVS Recording\u003c\/td\u003e\n\u003ctd\u003eYes (with HY144-D)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › 5.1 Surround Panning\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › Surround Monitor\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › Mix Minus\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › L-Mono \/ R-Mono \/ LR-Mono\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMonitor › Solo Mode\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMonitor › Oscillator\u003c\/td\u003e\n\u003ctd\u003eSine Wave 1ch \/ Sine Wave 2ch \/ Pink Noise \/ Burst Noise\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Port to Port\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Dual Console\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › DSP Mirroring\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Timecode Reader\/Display\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Timecode Chase (Event List)\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › GPI\/MIDI\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › RTA\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Output Port Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Mix\/Matrix to Input\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Sub In\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Theatre Mode\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Display\u003c\/td\u003e\n\u003ctd\u003e15 inch Touch Panel x 2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Centralogic Section\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Faders\u003c\/td\u003e\n\u003ctd\u003e12 + 12 + 12 + 2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Selected Channel Encoders\u003c\/td\u003e\n\u003ctd\u003eAll Parameters\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Channel Encoder\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Channel Name \/ Color Display\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Custom Fader Banks\u003c\/td\u003e\n\u003ctd\u003eYes (6 x 5 on each bay)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › User Defined Keys\u003c\/td\u003e\n\u003ctd\u003e12 (x 4 banks)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › User Defined Knobs\u003c\/td\u003e\n\u003ctd\u003e4 (x 4 banks)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Touch and Turn Knob\u003c\/td\u003e\n\u003ctd\u003eYes (2)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Monitor Level Knob\u003c\/td\u003e\n\u003ctd\u003eYes (2: A and B)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Wooden Arm Rest\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › Editor\u003c\/td\u003e\n\u003ctd\u003eRIVAGE PM Editor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › StageMix\u003c\/td\u003e\n\u003ctd\u003eRIVAGE PM StageMix\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › MonitorMix\u003c\/td\u003e\n\u003ctd\u003eYes (V4.0 or later)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › Console File Converter\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (WxHxD)\u003c\/td\u003e\n\u003ctd\u003eCSD-R7: 1,549 x 417 x 848mm (61.0\" x 16.4\" x 33.4\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNet Weight\u003c\/td\u003e\n\u003ctd\u003eCSD-R7: 94 kg (207 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eIncluded Accessories\u003c\/td\u003e\n\u003ctd\u003eCSD-R7: Dust cover, Gooseneck Lamp LA1L x 4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734099711,"sku":null,"price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_ecc32429-6da6-44d4-a46e-f61fc91cdafd.jpg?v=1790011486"},{"product_id":"ag03mk2","title":"Yamaha AG03MK2 3-Channel Live Streaming Loopback Audio USB Mixer","description":"\u003cp\u003eA 3-channel live streaming mixer with USB audio interface.\u003c\/p\u003e\u003cli\u003e60 mm faders for mic CH1\u003c\/li\u003e\u003cli\u003e+48 V phantom power on CH1 input for condenser mics or Dl boxes\u003c\/li\u003e\u003cli\u003eHi-Z input for guitars on CH2\u003c\/li\u003e\u003cli\u003eHigh resolution (24-bit, 192 kHz) 2-track audio recording and playback\u003c\/li\u003e\u003cli\u003e4-pole mini input\/output (TRRS) to support a wider range of streaming applications\u003c\/li\u003e\u003cli\u003eFlexible inputs and LOOPBACK function ideal for live streaming or recording\u003c\/li\u003e\u003cli\u003eMute button for convenient live streaming\u003c\/li\u003e\u003cli\u003eEasy control and pro sound with Amp Simulator and 1-TOUCH COMP\/EQ, REVERB\u003c\/li\u003e\u003cli\u003eAG Controller (Windows\/Mac\/iOS) for precise parameter control\u003c\/li\u003e\u003cli\u003eWindows\/Mac support by USB-C connection\u003c\/li\u003e\u003cli\u003eiOS connectivity via Apple Camera Adapter (requires external USB power supply)\u003c\/li\u003e\u003cli\u003eAndroid supported by 4-pole mini input\/output (TRRS)\u003c\/li\u003e\u003cli\u003eUSB-C power input (5 V DC, 900 mA)\u003c\/li\u003e\u003cli\u003eCubase Al, WaveLab Cast, Cubasis LE and Rec'n'Share are available\u003c\/li\u003e\u003cli\u003e\"OBS Certified\" device. Provides seamless streaming experience with OBS Studio.\u003c\/li\u003e\u003ch3\u003eYour Audience Awaits.\u003c\/h3\u003e\u003cp\u003eWith its variety of inputs and outputs, DSP effects, and LOOPBACK function, the original AG03 quickly established itself as a staple amongst live streamers looking to configure a simple yet comprehensive setup without compromising on sound quality. The next-generation AG03MK2 adds more flexible connectivity including 4-pole mini I\/O expanding the range of streaming styles, as well as a new mute button crucial for various live streaming applications. Along with improvements in build, design, internal circuitry, and overall sound, the MK2 will further solidify the AG series as an industry standard by which all others will be compared.\u003c\/p\u003e\u003ch3\u003eFast, intuitive sonic control\u003c\/h3\u003e\u003cp\u003eThe AG03MK2 is equipped with a variety of physical controls including a large 60mm fader that helps you shape and manage the audio intuitively and quickly. The newly added mute button allows you to cut your mic input at a moment's notice if your situation demands it. Reverb and Mute can even be controlled by the optional FC5 foot switch, freeing up your hands for other tasks.\u003c\/p\u003e\u003ch3\u003eFlexible connectivity and LOOPBACK function expand your streaming capabilities\u003c\/h3\u003e\u003cp\u003eIn addition to a microphone input for the condenser microphone of your choice, the AG03MK2 also features a 1\/4 inch jack input for connecting a guitar or line instrument, and an upgraded 4-pole mini jack (TRRS) for smartphone input and output capabilities.\u003c\/p\u003e\u003cp\u003eYou can also use LOOPBACK function to play back the audio signal from a connected USB device to USB streaming output as with previous AG series mixers.\u003c\/p\u003e\u003ch3\u003eMore professional-sounding audio\u003c\/h3\u003e\u003cp\u003eAs a result of adopting USB-C connectivity and enhanced internal circuitry, the AG03MK2 enjoys a marked improvement in sound quality that will elevate your streaming audio to a more professional level.\u003c\/p\u003e\u003ch3\u003eShape your sound like a pro with zero-latency DSP effects\u003c\/h3\u003e\u003cp\u003eRegardless of your particular streaming application, you’ll want to give it some depth and dimension, which adds a level of professionalism. The AG03MK2 comes equipped with optimized 1-TOUCH COMP\/EQ and REVERB controls to dial in the sound that best suits your style, and a 1-TOUCH amp simulator to add authenticity and punch to your guitar input.\u003c\/p\u003e\u003cp\u003eAll these tools are processed by the internal DSP chip so there’s no delay, making it particularly valuable for live streaming when real-time accuracy is crucial.\u003c\/p\u003e\u003cp\u003eAnd when you want to capture pure, raw recordings through your preferred microphone and edit them later, you have the option to turn these effects off completely.\u003c\/p\u003e\u003ch3\u003eAG Controller provides precise control\u003c\/h3\u003e\u003cp\u003eAG Controller software allows users to easily and precisely check and configure the DSP audio processing inside the AG. Offering two modes of operation, \"Simple\" and \"Detail,\" AG Controller gives users of varying music production experience detailed management of their audio from any Windows\/Mac or iOS device connected to the AG03MK2 via USB.\u003c\/p\u003e\u003cli\u003eMore information for AG Controller\u003c\/li\u003e\u003ch3\u003ePowerful bundled software\u003c\/h3\u003e\u003cp\u003eThe AG03MK2 comes bundled with Cubase AI music production software, as well as WaveLab Cast for audio production and editing. The AG03MK2 is also compatible with Rec'n'Share and Cubasis LE applications for iOS devices which are available free of charge from Yamaha and Steinberg to support and inspire your audio content creation.\u003c\/p\u003e\u003cli\u003eCubase AI, WaveLab Cast\u003c\/li\u003e\u003cli\u003eCubasis LE\u003c\/li\u003e\u003cli\u003eRec'n'Share\u003c\/li\u003e\u003ch3\u003eCertified for OBS\u003c\/h3\u003e\u003cp\u003eOBS Studio: Free and open source software for video recording and live streaming.\u003c\/p\u003e\u003cp\u003eYamaha is an official sponsor of OBS. By sponsoring OBS, which aids the live streaming activities of creators around the world, Yamaha advocates for the activities of content creators who devote themselves to developing a wide range of content, including live music performances, as well as podcasts and game streaming.\u003c\/p\u003e\u003cli\u003ehttps:\/\/obsproject.com\/\u003c\/li\u003e\u003ch3\u003eAdapt to your surroundings\u003c\/h3\u003e\u003cp\u003eThe sleek, slim, and compact body of the AG03MK2 can be placed on virtually any flat surface.\u003c\/p\u003e\u003cp\u003eBy combining it with to a mobile battery, a minimalistic, mobile streaming station can be configured anywhere.\u003c\/p\u003e\u003cp\u003e*For stable operation of the AG03MK2, a power supply of DC 5V 900mA or more is required.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Mono[MIC\/LINE]\u003c\/td\u003e\n\u003ctd\u003e1 - Combo (Mic, +48 V phantom power \/ Line), 3.5 mm (1\/8\") stereo mini (Headset mic, Plug-in power) *CH1 input and Headset mic cannot be used simultaneously\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Stereo[LINE]\u003c\/td\u003e\n\u003ctd\u003e1 - Stereo Line \/ Guitar Input (Mono)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Smartphone\u003c\/td\u003e\n\u003ctd\u003e1 - 4-pole mini input\/output (TRRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › USB\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › PHONES\u003c\/td\u003e\n\u003ctd\u003e1 - PHONES \/ HEADSET PHONES *Cannot be used simultaneously\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › Smartphone\u003c\/td\u003e\n\u003ctd\u003e1 - 4-pole mini input\/output (TRRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › MONITOR OUT\u003c\/td\u003e\n\u003ctd\u003e2 - L\/R Stereo: Phone, RCA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › USB\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Bus\u003c\/td\u003e\n\u003ctd\u003e1 Stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Functions\u003c\/td\u003e\n\u003ctd\u003eMUTE button x 1, PAD button x 2, HI-Z button x 1, STREAMING OUT (DRY CH 1-2G \/ INPUT MIX \/ LOOPBACK), MIX MINUS MIC (ON \/ OFF)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › On-board processors › DSP\u003c\/td\u003e\n\u003ctd\u003eCOMP\/EQ, REVERB (SPX Reverb), AMP SIM *Detail is operated on AG Controller\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › USB › USB Audio\u003c\/td\u003e\n\u003ctd\u003e2 IN \/ 2 OUT, USB Audio Class 2.0 Compliant, Sampling Frequency: Max. 192 kHz, Bit Depth: 24-bit, Type-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › USB › USB DC Power input\u003c\/td\u003e\n\u003ctd\u003e1 - Type-C, 5 V DC, 900 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003e5 V DC, 900 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003eMax. 4.5 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e126 mm (5.0\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e63 mm (2.5\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e201 mm (7.9\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e0.8 kg (1.8 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Included Accessories\u003c\/td\u003e\n\u003ctd\u003eUSB 2.0 Cable (1.5 m), Quick Guide, Safety Guide, Wavelab Cast Download Information, Cubase AI Download Information\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eOperating Temperature: 0 to + 40 ℃\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734198015,"sku":"AG03MK2","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_51d0bb7e-6a60-439b-833d-9b1231bf7e62.jpg?v=1790011487"},{"product_id":"rivage-pm7","title":"Yamaha RIVAGE PM7 Audio Mixer","description":"\u003cp\u003eThe RIVAGE PM7 is a digital mixing system consisting of the CSD-R7 Digital Mixing Console, one or more I\/O racks for input and output, and dedicated interface cards for network connectivity. The CSD-R7 is the same size as the our flagship RIVAGE PM10 system CS-R10 Control Surface and has the same control layout. With built-in DSP it offers similarly high standards of operation and workflow efficiency in a relatively compact, portable system.\u003c\/p\u003e\u003ch3\u003ePerfecting the Art of Live Sound\u003c\/h3\u003e\u003cp\u003eAll art, including art that involves sound and music, is expression that has an impact on the viewer or listener. It often begins with the artist’s personal journey of self-discovery that sometimes grows and ripples outward in waves that resonate with people everywhere.\u003c\/p\u003e\u003cp\u003eYamaha supports the engineers who support artists and performers in their quest to make waves, carrying their vision to a wider audience.\u003c\/p\u003e\u003ch3\u003eAn All-embracing Ecosystem\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM series includes five consoles, two DSP engines, two I\/O rack units, and two network protocols. Any of these components can be combined to create systems that match a wide range of application scale and budget requirements.\u003c\/p\u003e\u003cp\u003eAll five consoles feature a similar interface with up to three bays of 12 faders each, touch-sensitive display panels, and the Yamaha Selected Channel Section. Engineers who are familiar with one RIVAGE PM console can easily switch to any other and be up and running in a matter of minutes.\u003c\/p\u003e\u003cp\u003eAll RIVAGE PM system components are compatible, and components from earlier systems will work in combination with later systems. That goes for I\/O racks as well as DSP engines, so in addition to operating them separately you can combine DSP engines in mirrored configurations for large applications, for example.\u003c\/p\u003e\u003cp\u003e* The RIVAGE PM7 (CSD-R7) features integrated DSP processing.\u003c\/p\u003e\u003cp\u003eTo fully support the sound engineers who support the artists and performers, Yamaha makes absolutely no compromises when it comes to quality. Sound, operability, and reliability must all be first class, and implemented in a way that allows engineers to concentrate fully on helping artists and performers deliver their message. The RIVAGE PM series embodies this ideal at the highest level, connecting technology, art, and audiences with waves that encircle the world.\u003c\/p\u003e\u003ch3\u003eFunctional Specifications\u003c\/h3\u003e\u003cli\u003eFor More Information\u003c\/li\u003e\u003cp\u003eThe ideal starting point for creative audio engineering is transparent, uncolored sound. All Yamaha mixers are built on that philosophy, with the goal of allowing engineers to capture the on-stage sound accurately, without coloration, and then adding creative touches as required. The merits of unwavering adherence to this concept by Yamaha are evident throughout the RIVAGE PM series.\u003c\/p\u003e\u003cp\u003eThe foundation is Hybrid Microphone Preamplifiers with analog input stages that take the Yamaha “natural sound” concept to new heights, as well as digital sections with immaculate VCM-technology models of Rupert Neve Designs transformer and SILK processing circuitry that offer outstanding musicality and atmosphere. Add the latest refinements in channel EQ and dynamics, and you have extraordinary creative scope.\u003c\/p\u003e\u003cp\u003eThe built-in plug-ins that support creative sound engineering have also evolved, many through close alliances with other manufacturers that are leaders in their respective fields. Collaboration with RND (Rupert Neve Designs) and the use of Yamaha VCM technology has resulted in flawless recreations of prized equalizers and compressors from the 70s and 80s. There are also impeccable models of Eventide harmonizer and reverb effects that could only have been created through cooperation with the original manufacturer.\u003c\/p\u003e\u003cp\u003eAll of this has been implemented in the RIVAGE PM series to give engineers the tools they need to deliver the highest quality, most musical sound possible.\u003c\/p\u003e\u003ch3\u003eTwo Types of I\/O\u003c\/h3\u003e\u003cp\u003eInput circuitry and processing are critical to achieving a high level of sonic quality. The output end of the signal chain plays an important role in maintaining that quality too. Yamaha offers two types of high-performance I\/O Rack units for RIVAGE PM system input and output, each providing compatibility with a different audio network.\u003c\/p\u003e\u003cp\u003eOne of those networks is TWINLANe, capable of carrying up to 400 audio channels via optical cable. The RPio622 and RPio222 I\/O racks are TWINLANe devices, as are the HY256-TL and HY256-TL-SMF audio interface cards. The RPio622 and RPio222 I\/O racks include Hybrid Microphone Preamplifiers with high-performance analog input stages, plus advanced digital sections that include accurate emulations of Rupert Neve Designs transformer and SILK processing circuitry.\u003c\/p\u003e\u003cp\u003eAudinate Dante network compatibility, a standard feature in many other Yamaha consoles and pro audio products, is also available. The Rio3224-D2 and Rio1608-D2 I\/O Racks and the HY144-D audio interface card are Dante ready, and can be combined to provide natural sound input with any RIVAGE PM series system. Either network solution is capable of capturing the sound being created on stage, without coloration and with every nuance intact, allowing the engineer to use the creative capabilities of the RIVAGE PM series to reach the audience with maximum impact.\u003c\/p\u003e\u003ch3\u003eChannel EQ and Compression Refined to Unprecedented Levels\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM channel EQ and dynamics have also been significantly updated and fine-tuned to match the innovations in the input section. The input channels feature 4-band full parametric EQ, while the output channels are equipped with 8-band full parametric EQ, with 4 algorithm types that include newly developed variations. The “Precise” algorithm makes it easy to target and control specific EQ points, the “Aggressive” algorithm is designed for the most musical response, and the “Smooth” algorithm offers smooth, natural control. There’s also a “Legacy” algorithm that provides the familiar feel and response of the equalizers provided in industry-standard Yamaha digital consoles such as the PM1D and PM5D. The “Precise” algorithm includes Q parameters on the low and high shelving filters that allow filter overshoot to be flexibly controlled for added musical impact. Two dynamics stages are provided, each functioning as a gate, two types of compressor, ducker, or de-esser as required. The two compressor types are “Legacy Comp,” inheriting the characteristics of the standard compressors in Yamaha digital consoles, and “Comp260,” which is a beautiful VCM model of a popular analog comp\/limiter from the mid 70s. The latter accurately models the characteristics of the VCA circuit and RMS level detector used in the original device, with the effect of each parameter fine-tuned for optimum effect in live-sound applications. Presets that recreate the original fixed settings of this classic comp\/limiter are also provided for convenience in situations that require the original sound.\u003c\/p\u003e\u003cp\u003eProcessing quality has always been a major strength of Yamaha digital consoles. The RIVAGE PM series offers a comprehensive selection of plug-ins, including models of in-demand classics. The RIVAGE PM series includes over 50 plug-ins, and ample processing power allows up to 256* instances of complex plug-ins such as the Portico 5033 or Portico 5043 to be used simultaneously. There are also the Eventide H3000 Ultra-Harmonizer and a new SP2016 reverb with a large selection of presets, Dan Dugan automatic microphone mixing, and more. These contributions from distinguished third parties complement a range of original Yamaha plug-ins, adding extraordinary versatility and processing power that give the engineer wide-ranging creative freedom.\u003c\/p\u003e\u003cp\u003e* With DSP-RX-EX\u003c\/p\u003e\u003ch3\u003eBricasti Reverb\u003c\/h3\u003e\u003cp\u003eBricasti Design is known as the world's premier manufacturer of hand crafted, hardware digital reverbs.\u003c\/p\u003e\u003cp\u003eThe Y7 is specifically designed for use in the Yamaha RIVAGE PM mixing systems, bringing to the live market a Bricasti product, one that is integrated in the console for simple, fast, and familiar operation, and to bring the renowned “Bricasti Sound” to users of Yamaha products.\u003c\/p\u003e\u003ch3\u003eRND Portico Plug-ins\u003c\/h3\u003e\u003cp\u003eAlthough the SILK processing simulation created in cooperation with RND is an important part of the RIVAGE PM system, it is by no means the only product of that fruitful relationship. In addition to the well-known and highly acclaimed Portico 5033 EQ and 5043 compressor, RIVAGE PM systems include the easy-operation Rupert Neve Designs Portico 5045 Primary Source Enhancer that effectively suppresses background noise at microphone inputs for enhanced clarity while significantly increasing the feedback margin, making it a valuable tool for live sound in houses of worship, stadiums, halls, and other environments where feedback can be problem.\u003c\/p\u003e\u003cp\u003eAdded with V5.0, Portico II Master Buss Processor is a creative tool that redefines the boundaries and limitations of traditional 2-channel compression and limiting. From mixing bass-heavy EDM to a delicate master of a chamber ensemble, it has something to offer everyone – no matter the use or genre.\u003c\/p\u003e\u003ch3\u003eDan Dugan Automatic Mixer\u003c\/h3\u003e\u003cp\u003eThrough in-depth collaboration with Dan Dugan Sound Design, renowned Dan Dugan automatic microphone mixing with its advanced algorithms is built into the RIVAGE PM series digital mixing systems. Setup is easy: just insert the processor into up to 64 channels for automatically optimized microphone gain distribution. Gain control is smooth and natural, as though experienced human operators were doing the mix. The system also effectively reduces feedback and comb filter issues. For speech applications, especially non-scripted situations, this allows the operator to concentrate on details other than fader operation for consistently high quality mixes.\u003c\/p\u003e\u003ch3\u003eEventide Effects\u003c\/h3\u003e\u003cp\u003eThe Eventide name is legendary in the effects field. The acclaimed H3000 Ultra-Harmonizer and a new SP2016 Reverb plugin added in version 4.0 are available throughout the RIVAGE PM series. In addition to a full range of parameters that can be edited to precisely tailor the effects for any need, the SP2016 features a large selection of presets that make it quick and easy to call up an ideal reverb sound.\u003c\/p\u003e\u003ch3\u003eYamaha DaNSe Noise Suppression\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM series includes a range of original Yamaha plug-ins that are extremely powerful too, including the DaNSe Noise Suppressor. The “DaNSe” plugin analyzes noise frequency characteristics and employs a learn function to automatically achieve the most effective noise suppression without the need for any complex setup or programming by the user. Effective noise suppression can be a huge advantage for plays and musicals, significantly enhancing audio clarity. DaNSe can suppress air conditioning noise and noise produced by cooling fans in on-stage moving lights. It can reduce monitor bleed to on-stage instrument mics, and suppress crowd noise during announcements and sports events. It is a highly effective and widely applicable noise suppression tool.\u003c\/p\u003e\u003cp\u003eYamaha has always focused on operability in digital live sound consoles, sparing no effort in providing an interface that engineers coming from analog consoles can operate intuitively, while at the same time maximizing the benefits of digital technology and features. RIVAGE PM systems take that concept to a new level, extending an already familiar and highly rated interface for even greater efficiency and ease in achieving the ultimate sound.\u003c\/p\u003e\u003ch3\u003eRefined Interface\u003c\/h3\u003e\u003cp\u003eA key element of the RIVAGE PM interface is the industry-standard Yamaha Selected Channel concept, providing direct access to parameters of any channel selected via its SEL key. The Selected Channel section provides direct, fast access to all channel parameters. Encoders, buttons, and indicators are provided in a comprehensive layout that makes maximum use of the available panel space, for comfortable operation in any environment or mixing situation. RIVAGE PM series control surfaces feature three groups of 12 faders to which channels can be assigned as required. Depending on the console, some or all of the fader groups work with large touch-sensitive displays in the top panel, providing an evolved version of the Centralogic operating environment. The channel strips extend vertically and virtually seamlessly into the touch panel displays, for lucid, logical control. In addition to allowing channels to be conveniently managed in 12 channel groups, this configuration also facilitates 2-man operation with different operators handling separate groups.\u003c\/p\u003e\u003ch3\u003eUpdated Send Operation (RIVAGE PM5\/3)\u003c\/h3\u003e\u003cp\u003eSetting up sends is an important part of just about any live mixing workflow. In addition to the familiar Sends on Fader function, send levels can be controlled from the Send \/ User Defined Knobs. Send levels shown on the display panels where they can also be adjusted via touch control. This expanded range of control choices greatly enhances convenience and versatility when setting up and tweaking sends.\u003c\/p\u003e\u003ch3\u003eEasy-reach Layout and Improved Sight Line\u003c\/h3\u003e\u003cp\u003eRIVAGE PM console are designed with touch panel displays and Selected Channel section on a prominently raised upper panel that offers optimum visibility from the engineer’s position as well as easy access to all controls. This evolved console design also provides a closer connection to the performers on stage with improved sight lines that give the engineer a broader, more comprehensive view of the action.\u003c\/p\u003e\u003ch3\u003eA Monitor Section to Match Any Job (RIVAGE PM10\/7)\u003c\/h3\u003e\u003cp\u003eMonitoring flexibility is an important criterion for live sound consoles that must be adaptable to a broad variety of applications. The RIVAGE PM10 and PM7 feature two monitor\/cue outputs, with up to eight combinations of monitor sources that can be memorized and selected as required. In addition to independent control of output levels, dedicated delays and 8-band parametric equalization are available specifically for monitor use. It is even possible to insert plug-ins immediately before the EQ stage. All of these features provide the flexibility needed to create optimum monitor setups for just about any situation.\u003c\/p\u003e\u003ch3\u003eHigh-visibility Fader Meters (RIVAGE PM5)\u003c\/h3\u003e\u003cp\u003eClear visual feedback is also provided by the meters associated with each fader. The fader meters can display mono or stereo levels, or gain reduction when you want to keep an eye on channel dynamics. The fader meters can contribute to smooth, accurate control by providing direct feedback of how fader operation is affecting the signal.\u003c\/p\u003e\u003ch3\u003eGenius.lab\u003c\/h3\u003e\u003cp\u003eAllowing users to create a wide variety of actions triggered by key presses, fader operations, MIDI messages and more, it gives audio engineers the power to programme events to suit their specific situation and workflow. A huge range of functions can be programmed, with combinations of actions enacted by one trigger.\u003c\/p\u003e\u003cp\u003eInnovate your workflow with Genius.lab.\u003c\/p\u003e\u003cp\u003eMacro Library, the range of macro presets, helps you start with Genius.lab.\u003c\/p\u003e\u003cli\u003eDownload Macro Library\u003c\/li\u003e\u003cp\u003eBecause evolving applications continually raise new challenges and needs, Yamaha provides continuing support in the form of firmware updates that keep our digital mixers, RIVAGE PM systems included, up to date and often ahead of the curve.\u003c\/p\u003e\u003ch3\u003eWireless receiver integration\u003c\/h3\u003e\u003cp\u003eWith V5.0 firmware or later, RIVAGE PM consoles support control and monitoring of the highly popular wireless receivers on the market, giving you even more freedom when operating sound systems built around a RIVAGE PM series product.\u003c\/p\u003e\u003cp\u003eSupported Device\u003c\/p\u003e\u003cp\u003e- Sennheiser: EM 6000\u003c\/p\u003e\u003cp\u003e- Shure: AD4D\/Q, AXT400, QLXD4, ULXD4\/D\/Q, SLXD4\/D\/Q+\/QDAN+\u003c\/p\u003e\u003cp\u003e- Sony: DWR-R03D\u003c\/p\u003e\u003ch3\u003eOverlay Filter for Rapid Response\u003c\/h3\u003e\u003cp\u003eThe Overlay filter can notably enhance the usefulness of the console’s scene memory. It can be “overlaid” on a current mix to apply offsets to the fader levels and mix\/matrix send levels independently from scene recall. This can be useful when an unplanned performer change occurs, for example, facilitating a temporary, relative level adjustment that can be instantly returned to the original level. The Overlay filter will prove its value in situations that require sudden changes plus the ability to easily revert to the original settings.\u003c\/p\u003e\u003ch3\u003eTheatre Mode\u003c\/h3\u003e\u003cp\u003eTheatre Mode facilitates scene and costume changes with four banks that can be used to store different EQ and dynamics settings for individual performers. In Theatre Mode, rather than storing EQ and dynamics settings in the console’s “scenes,” only the bank number is stored so that any adjustments made will apply to all scenes that use the same bank.\u003c\/p\u003e\u003cp\u003eThis can be used when multiple actors are cast in the same role or when a substitute must be used, allowing faster, more flexible mix changes to accommodate different casts, for example.\u003c\/p\u003e\u003ch3\u003eDSP Mirroring for Failsafe Redundancy\u003c\/h3\u003e\u003cp\u003eDSP Mirroring allows two DSP-RX or DSP-RX-EX engines to be used for failsafe redundancy with RIVAGE PM10, PM5, and PM3 systems.* If a problem occurs in the main DSP engine, the second DSP engine can take over without disrupting the program.\u003c\/p\u003e\u003cp\u003e* The RIVAGE PM7 features integrated DSP processing and does not support DSP mirroring.\u003c\/p\u003e\u003ch3\u003eLightweight for Easy Setup and Transportation (RIVAGE PM5\/3)\u003c\/h3\u003e\u003cp\u003eAlthough it offers heavy-duty performance and features, plus a comfortably spacious interface, the RIVAGE PM5\/3 weighs surprisingly little. The CS-R5 weighs 92.6 pounds\/ 42 kilograms and CS-R3 weighs 83.8 pounds\/ 38 kilograms and can be easily carried and positioned by just two people. This impressive weight reduction has been achieved through state-of-the-art mechanical design and the use of a lightweight but extremely durable material.\u003c\/p\u003e\u003ch3\u003eConsole File Converter Brings the Yamaha Family Together\u003c\/h3\u003e\u003cp\u003eThe Yamaha Console File Converter is an application that allows data to be shared between a number of Yamaha digital mixing consoles. User can share data between RIVAGE PM series, CL\/QL series, PM5D, M7CL, and LS9 consoles, so data from one show doesn’t have to be completely reprogrammed from scratch for the next, even if different consoles are used.\u003c\/p\u003e\u003ch3\u003eTwo Convenient Approaches to Live Recording\u003c\/h3\u003e\u003cp\u003eProfessional quality live recording capability is becoming an essential feature in live sound consoles. In addition to convenient 2-track recording to a USB flash drive, the RIVAGE PM series supports multitrack recording via a Dante audio network to meet the widest possible range of serious recording requirements.\u003c\/p\u003e\u003cp\u003eThe 2-track USB flash drive recorder function directly records the output of the STEREO or MIX bus to the flash drive. Background music or sound effects recorded on the flash drive can also be assigned to any input channel for playback. Sample rate conversion is provided for both input and output, so the recorder function can be used without having to think about the system sampling rate. Data can be recorded to or played back from WAV or MP3 files, as required.\u003c\/p\u003e\u003cp\u003eMultitrack recordings can be made to a computer based DAW via a Dante audio network. High-resolution recording of up to 128 channels (input and output) at 96 kHz is possible if the computer is equipped with a DANTE ACCELETATOR PCIe card (AIC128-D). With Dante Virtual Soundcard the maximum in\/out track count is 64.\u003c\/p\u003e\u003cp\u003eMultitrack recordings of rehearsals made in this way can be used for “virtual sound checks” when the performers aren’t available. Input patching for all required channels can be switched in one operation for both recording and virtual sound checks. Recorder playback and stage input can even be smoothly combined when needed.\u003c\/p\u003e\u003cp\u003eAdditionally, firmware versions V5.0 and later allow you to use the Yamaha Console Extension to copy Channel Name and Channel Color to Nuendo Live and to operate transport controls and markers from the console, providing seamless connection between RIVAGE PM Series consoles and Nuendo Live.\u003c\/p\u003e\u003ch3\u003eVarious control options\u003c\/h3\u003e\u003cp\u003eRIVAGE PM products provide a range of control options to meet your needs, allowing you to adjust sound from the stage or the audience area, and can also be integrated with a variety of external devices.\u003c\/p\u003e\u003cp\u003eRIVAGE PM Editor allows you to control your system from a computer via a GUI that replicates the RIVAGE control surface, while StageMix lets you move freely around the venue and mix from your preferred listening position.\u003c\/p\u003e\u003cp\u003eThe MonitorMix app gives performers an easy way to adjust their personal monitor mixes.\u003c\/p\u003e\u003cp\u003eOSC server allows external devices to control the RIVAGE PM system using the OSC protocol. With version 7.0 or later, the RIVAGE PM system can function as an OSC client for control of OSC-compatible devices, while OSC commands can be programmed to link with scenes for seamless operation.\u003c\/p\u003e\u003ch3\u003eYamaha Immersive Sound Control\u003c\/h3\u003e\u003cp\u003eSound xR Image is a proprietary immersive sound system from Yamaha that gives users full control over sound imaging within a given space. Sound xR Image provides broad content creation support for theater, opera, concert, installation, event, and other applications. Control with RIVAGE PM consoles allows the flexible design of immersive sound systems and the creation of streamlined, efficient workflows.\u003c\/p\u003e\u003cp\u003eWith V7.0 firmware or later, the control for Sound xR Image on DME is supported and gives the offline setting features for the immersive panning parameters on the consoles.\u003c\/p\u003e\u003cli\u003eSound xR\u003c\/li\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Input Mixing channels › DSP-RX\u003c\/td\u003e\n\u003ctd\u003e120\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Input Mixing channels › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e288\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Mix Buses › DSP-RX\u003c\/td\u003e\n\u003ctd\u003e48\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Mix Buses › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e72\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Matrices › DSP-RX\u003c\/td\u003e\n\u003ctd\u003e24 (Input to Matrix supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Matrices › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e36 (Input to Matrix supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Stereo buses\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › mono buses\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › cue bus\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Analog › in\u003c\/td\u003e\n\u003ctd\u003e8 (SILK)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Analog › out\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Digital › AES IN\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Digital › AES OUT\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Expansion Slot › HY\u003c\/td\u003e\n\u003ctd\u003e4 (DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Expansion Slot › MY\u003c\/td\u003e\n\u003ctd\u003e2+2(DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › GPI › IN\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › GPI › ONT\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Word clock\u003c\/td\u003e\n\u003ctd\u003eOUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › MIDI\u003c\/td\u003e\n\u003ctd\u003eIN\/OUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › USB › File\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › USB › rec\/play\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Redundant PSU\u003c\/td\u003e\n\u003ctd\u003eYes (Built in dual PSU)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Meter Bridge\u003c\/td\u003e\n\u003ctd\u003eOn screen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Lamp\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Talkback In\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Video Out\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › TC In\u003c\/td\u003e\n\u003ctd\u003eYes (DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Fault Output\u003c\/td\u003e\n\u003ctd\u003eYes (DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Phones\u003c\/td\u003e\n\u003ctd\u003e2 connectors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › AC Inlet\u003c\/td\u003e\n\u003ctd\u003e2 (V-Lock Type)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Number of Scenes\u003c\/td\u003e\n\u003ctd\u003e1000\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Recall Safe\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Focus Recall\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Fade Time\u003c\/td\u003e\n\u003ctd\u003eYes (0s ~ 60s)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Preview\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Selective Load \/ Save\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Global Paste\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Event List\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Overlay\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Isolate\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Tactile Control Keys\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Gain Compensation\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Silk\u003c\/td\u003e\n\u003ctd\u003eYes (with RPio)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Digital Gain\u003c\/td\u003e\n\u003ctd\u003eYes (-96dB ~ +24dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › ATT\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › HPF\u003c\/td\u003e\n\u003ctd\u003e20Hz~2000Hz, -6\/-12\/-18\/-24dB\/oct Selectable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › PEQ\u003c\/td\u003e\n\u003ctd\u003e4 Band Full PEQ (4 algorithms, RTA overlay support)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Dynamics 1\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Dynamics 2\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Input Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Pan\u003c\/td\u003e\n\u003ctd\u003eCenter Nominal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › DCA Group\u003c\/td\u003e\n\u003ctd\u003e24 (Output DCA support)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › DCA Rollout\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › MUTE Group\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Number of Inserts\u003c\/td\u003e\n\u003ctd\u003e4 slots on each 2 insert point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Direct Out\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › PEQ\u003c\/td\u003e\n\u003ctd\u003e8 Band Full PEQ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › GEQ\u003c\/td\u003e\n\u003ctd\u003ePlug-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Dynamics 1\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Output Channel Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › MUTE Group\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Number of Inserts\u003c\/td\u003e\n\u003ctd\u003e4 slots on each 2 insert point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePlug-in › Number of Slots › DSP-RX \/ Internal\u003c\/td\u003e\n\u003ctd\u003e384\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePlug-in › Number of Slots › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e512\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePlug-in › Number of Effect Programs\u003c\/td\u003e\n\u003ctd\u003eMore than 50\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGEQ Rack › Number of GEQ Racks\u003c\/td\u003e\n\u003ctd\u003e48\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGEQ Rack › Mountable Device\u003c\/td\u003e\n\u003ctd\u003e31BandGEQ \/ Flex15GEQ \/ 8Band PEQ (RTA overlay support) \/ Dugan Automixer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTWINLANe › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e256 in \/ 256 out (with HY256-TL)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e144 in \/ 144 out (with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices that can be discovered from the console *1\u003c\/td\u003e\n\u003ctd\u003e127 (with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices that can be mounted *2\u003c\/td\u003e\n\u003ctd\u003e48（with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices with HA remote control *2\u003c\/td\u003e\n\u003ctd\u003e48（with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMADI › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e64 in \/ 64 out @96kHz, 128 in \/ 128 out @48kHz (with HY128-MD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRecording › USB Memory Recording\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRecording › DVS Recording\u003c\/td\u003e\n\u003ctd\u003eYes (with HY144-D)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › 5.1 Surround Panning\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › Surround Monitor\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › Mix Minus\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › L-Mono \/ R-Mono \/ LR-Mono\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMonitor › Solo Mode\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMonitor › Oscillator\u003c\/td\u003e\n\u003ctd\u003eSine Wave 1ch \/ Sine Wave 2ch \/ Pink Noise \/ Burst Noise\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Port to Port\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Dual Console\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › DSP Mirroring\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Timecode Reader\/Display\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Timecode Chase (Event List)\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › GPI\/MIDI\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › RTA\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Output Port Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Mix\/Matrix to Input\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Sub In\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Theatre Mode\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Display\u003c\/td\u003e\n\u003ctd\u003e15 inch Touch Panel x 1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Centralogic Section\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Faders\u003c\/td\u003e\n\u003ctd\u003e12 + 12+ 2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Selected Channel Encoders\u003c\/td\u003e\n\u003ctd\u003eAll Parameters\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Channel Encoder\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Channel Name \/ Color Display\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Custom Fader Banks\u003c\/td\u003e\n\u003ctd\u003eYes (6 x 5 on each bay)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › User Defined Keys\u003c\/td\u003e\n\u003ctd\u003e12 (x 4 banks)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › User Defined Knobs\u003c\/td\u003e\n\u003ctd\u003e4 (x 4 banks)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Touch and Turn Knob\u003c\/td\u003e\n\u003ctd\u003eYes (1)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Monitor Level Knob\u003c\/td\u003e\n\u003ctd\u003eYes (2: A and B)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Wooden Arm Rest\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › Editor\u003c\/td\u003e\n\u003ctd\u003eRIVAGE PM Editor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › StageMix\u003c\/td\u003e\n\u003ctd\u003eRIVAGE PM StageMix\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › MonitorMix\u003c\/td\u003e\n\u003ctd\u003eYes (V4.0 or later)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › Console File Converter\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (WxHxD)\u003c\/td\u003e\n\u003ctd\u003eCS-R10-S: 1,128 x 417 x 848mm (44.4\" x 16.4\" x 33.4\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNet Weight\u003c\/td\u003e\n\u003ctd\u003eCS-R10-S: 67 kg (147.7 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eIncluded Accessories\u003c\/td\u003e\n\u003ctd\u003eCS-R10-S: Dust cover, Gooseneck Lamp LA1L x 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734230783,"sku":null,"price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_f2cde4dc-00bb-4b78-8d7e-84450f4a8fa3.jpg?v=1790011490"},{"product_id":"mg206c-usb","title":"Yamaha MG206C-USB 20-Input USB Mixing Console","description":"\u003cp\u003eDirect digital recording capability with the supplied Cubase AI4 software\u003c\/p\u003e\u003ch3\u003eUSB models for live recording\u003c\/h3\u003e\u003cp\u003eWhether you have a mixing applications that involves only a few channels, or up to 32 inputs with substantial signal routing versatility, Yamaha's MG-series offers a console that will give you the capacity, control, and performance you deserve. All models are remarkably compact and lightweight for superior handling and portability, but absolutely no compromises have been made in terms of features, performance, or durability. The MG mixers offer an extraordinary blend of technology: some inherited from professional Yamaha mixing consoles you're likely to see in distinguished halls throughout the world, and some developed specifically to deliver optimum performance in the MG-console format. In either case these performance-packed mixers are founded on a world-spanning network of human and technological resources that crystallize to deliver features that really matter, and sound that is undeniably superior.\u003c\/p\u003e\u003ch3\u003eEasy live recording with bundled Cubase AI\u003c\/h3\u003e\u003cp\u003eCubase AI4 harnesses the power of the Steinberg Cubase 4 digital audio workstation for use with Yamaha MG \"USB\" mixers, providing a powerful set of advanced software tools that are easy to use while significantly expanding the mixers' recording and production capabilities. Cubase AI4 offers direct digital connectivity to the stereo buses of MG \"USB\" models for audio recording and editing. It also features a range of MIDI sequencing capabilities, an entire suite of VST effect plug-ins, and a HALion One sample player featuring selected waves from the famed Yamaha Motif synthesizers.\u003c\/p\u003e\u003ch3\u003eCubase AI4 Features\u003c\/h3\u003e\u003cp\u003eCubase 4 audio engine.\u003c\/p\u003e\u003cp\u003e48 audio tracks and up to 64 MIDI tracks.\u003c\/p\u003e\u003cp\u003e25 VST effect plug-ins, including 15 new VST3 plug-in effects.\u003c\/p\u003e\u003cp\u003eHALion One software sample player with selected Motif waves.\u003c\/p\u003e\u003cp\u003ePlug and Play VST\/MIDI setup.\u003c\/p\u003e\u003cp\u003eStudio Connections Integration.\u003c\/p\u003e\u003cp\u003eFile Interchange between Steinberg software and Yamaha hardware.\u003c\/p\u003e\u003cp\u003e20 MIDI music styles and 480 audio drum loops included.\u003c\/p\u003e\u003ch3\u003eBuilt-in SPX Digital Effects (MG166CX-USB only)\u003c\/h3\u003e\u003cp\u003eThere's an astonishing amount of signal processing power packed into the compact chassis of the MG \"CX\" mixers. They incorporate a versatile digital multi-effect processor that provides a range of reverb, delay, modulation, and distortion programs you can use to refine and define your sound. Each of the 16 effect programs has a number of editable parameters as well as effect on\/off switching capability and return level control. You can even blend the effects into the aux sends for \"wet\" monitoring, so the performers can hear the effects too. If you need to keep both hands free to play an instrument or perform other operations, an optional footswitch can be connected to the mixer's effect footswitch jack for convenient on\/off switching.\u003c\/p\u003e\u003ch3\u003eLightweight, Portable Designs\u003c\/h3\u003e\u003cp\u003eDesigning a lightweight mixer is not too difficult, but designing a lightweight, compact mixer that delivers serious performance is another matter. The Yamaha design team went to extraordinary lengths in the MG series, including in-depth material and structural analysis, to bring you maximum manageability and maximum performance in the same packages. The result is that you can easily pop the smallest models into your briefcase or shoulder bag and take with you anywhere. Even the larger models can be tucked under an arm and carried around quite easily. But the performance you'll get at the studio, club, hall, or anywhere you choose to use these fine mixers is far from lightweight. Every one of the MG series mixers provides significant space savings along with huge performance benefits.\u003c\/p\u003e\u003ch3\u003eVersatile Connectivity and Pro-class Connectors\u003c\/h3\u003e\u003cp\u003eTop-mounted input and output connectors make setting up and re-patching your system quick and easy. All models feature high-quality Neutrik™ balanced XLR connectors on mono microphone\/line channels and XLR-equipped stereo channels. These professional-class connectors were subjected to extensive testing by the Yamaha design team, and were chosen for the MG mixers for their superior reliability and sonic qualities. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels provide phone jack and pin jack connectors for compatibility with a wide range of sources. Mono input channels also feature insert I\/O connectors that let you patch external signal processing gear into those channels as required. Separate pinjack 2TR inputs are provided to accept the output from a CD player or similar stereo source.\u003c\/p\u003e\u003ch3\u003eBuilt-in Channel Compressors\u003c\/h3\u003e\u003cp\u003eThis advanced feature can be a tremendous advantage in achieving great vocal sound, as well as to refine the sound of bass, guitar, and other sources. You won't find built-in channel compression on too many other mixers in this class, but in the new MG mixers you have Yamaha's innovative one-knob compression feature on several of the mono input channels. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and timeconsuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.\u003c\/p\u003e\u003ch3\u003eHigh-performance Microphone Preamplifiers with Switchable Phantom Power\u003c\/h3\u003e\u003cp\u003eMicrophone preamplifiers are critical in any mixer, and a performance bottleneck in many. That's why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. Gain trim covers a wide -60dB ~ -16dB range for microphones (-34dB ~ +10dB for line input), so you'll be able to achieve optimum level matching with just about any source. All microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones.\u003c\/p\u003e\u003ch3\u003e3-band Channel EQ and High-pass Filters\u003c\/h3\u003e\u003cp\u003eBuilding a truly useful, musical-sounding channel equalizer is no easy task, but Yamaha has decades of experience in building pro consoles to draw on. You reap the benefits in the MG series mixers: all mono channels feature 3-band equalizers with LOW, MID, and HIGH controls. Depending on the model some of all of the stereo channels have 2-band EQ for smooth equalization of stereo sources. Although not directly related to the equalizer circuitry, all inputs also feature 80 Hz low-pass filters that can be used to eliminate subsonic noise that is outside the equalizers' range.\u003c\/p\u003e\u003ch3\u003eAux\/Effect Sends\u003c\/h3\u003e\u003cp\u003eAll models except the MG82CX have from one to three AUX sends for convenient to processing and monitor systems. Master send controls are also provided, as are RETURN level controls for the AUX and STEREO busses. \"CX\" models have EFFECT send controls on all channels that adjust the level of the signal sent from the corresponding channel to the mixer's internal multi-effect system. The same signal can also be sent to external effect processors via the mixer's EFFECT SEND jack.\u003c\/p\u003e\u003ch3\u003eTwo, Four or Six Buses (Stereo and Group)\u003c\/h3\u003e\u003cp\u003eThe smallest models in the lineup - the MG82CX and MG102C - have a single stereo bus (i.e. two mono buses). All other models additionally feature one or two stereo group buses and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.\u003c\/p\u003e\u003ch3\u003eSmooth 60-millimeter Faders \u0026amp; Illuminated Channel ON Switches\u003c\/h3\u003e\u003cp\u003eWhile the MG82CX and MG102C feature rotary faders, channel and master level control on all other models is accomplished via reliable, highperformance 60-millimeter linear faders that provide smooth, noise-free operation. When you have more than a few channels the direct visual indication of relative level settings can be an important advantage. Models with linear faders also feature illuminated channel ON switches that can be used to individually add or remove channels from the mix without having to change the positions of the channel faders.\u003c\/p\u003e\u003ch3\u003eBright Meters for Visual Level Monitoring\u003c\/h3\u003e\u003cp\u003eAccurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read multi-segment LED meters make it easy to control system levels for optimum overall performance.\u003c\/p\u003e\u003ch3\u003eEasy Operation\u003c\/h3\u003e\u003cp\u003eAll switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback.\u003c\/p\u003e\u003ch3\u003eP.T. Yamaha Music manufacturing Asia — Manufacturing the electronic instruments and PA products\u003c\/h3\u003e\u003cp\u003eFrom the initial design to final manufacturing, all production processes for the Yamaha MG series mixing console are performed entirely inside the company. Moreover, every product that comes off our production line must pass strict quality controls using the sophisticated test instruments. Thus, all of this enables us to deliver the highest quality products to you.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Total Harmonic Distortion\u003c\/td\u003e\n\u003ctd\u003eLess than 0.1 % (THD+N) 20 Hz - 20 kHz @ +14 dBu (ST OUT)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Frequency Response\u003c\/td\u003e\n\u003ctd\u003e0, +1, -3 dB 20 Hz - 20 kHz @ +4 dBu (ST OUT)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Hum \u0026amp; Noise\u003c\/td\u003e\n\u003ctd\u003e-128 dBu Equivalent Input Noise\/ -98 dBu Residual Output Noise 20 Hz - 20 kHz, Rs = 150 Ω, Input Gain = Maximum\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input Connectors\u003c\/td\u003e\n\u003ctd\u003eMIC: 16, LINE: 12 mono + 4 stereo, CH INSERT: 12, AUX RTN: 2 stereo, 2TR IN: 1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Output Connectors\u003c\/td\u003e\n\u003ctd\u003eST: 2, AUX SEND: 4, CH INSERT: 12, REC: 1 stereo, MONITOR: 1 stereo, GROUP: 4 Phone: 1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-70 dB @ 1 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Phantom Power\u003c\/td\u003e\n\u003ctd\u003e+ 48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input HPF\u003c\/td\u003e\n\u003ctd\u003eCH 1-12, CH 13\/14-19\/20, 80Hz, 12dB\/oct\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › High\u003c\/td\u003e\n\u003ctd\u003e10 k Hz: shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › Mid\u003c\/td\u003e\n\u003ctd\u003e2.5 k Hz: peaking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › Low\u003c\/td\u003e\n\u003ctd\u003e100 Hz: shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › High\u003c\/td\u003e\n\u003ctd\u003e10 k Hz: shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Mid\u003c\/td\u003e\n\u003ctd\u003e2.5 k Hz: peaking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Low\u003c\/td\u003e\n\u003ctd\u003e100 Hz: shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Compressor (COMP)\u003c\/td\u003e\n\u003ctd\u003econtrol x 1 (Gain\/Threshold\/Ratio), CH 1-8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › LED Level Meter \/ Pre Monitor Level\u003c\/td\u003e\n\u003ctd\u003e2 x 12 points LED meter (PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB) PEAK lights if the signal comes within 3 dB of the clipping level.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Peak Indicator\u003c\/td\u003e\n\u003ctd\u003eRed LED turns on when post EQ (ST CH: or post Mic HA) signal reaches -3dB below clipping (17dBu).\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › USB Audio \/ USB IN\/OUT\u003c\/td\u003e\n\u003ctd\u003eSampling Frequency = 44.1kHz or 48kHz (depend on the application of PC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Power Supply Adapter\u003c\/td\u003e\n\u003ctd\u003ePA-30: AC 35VCT, 1.4A, Cable Length = 3.6m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e40 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Dimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e478 mm x 105 mm x 496 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Net Weight\u003c\/td\u003e\n\u003ctd\u003e6.0 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734427391,"sku":"MG206C-USB","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_75253ffe-e1ea-447e-8f04-433b246d2474.jpg?v=1790011487"},{"product_id":"rk-dm3","title":"Yamaha RK-DM3 Rack mount kit","description":"\u003cp\u003eRack mount kit for DM3 and DM3 Standard\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734525695,"sku":"RK-DM3","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_e03a59ab-9b11-4bbf-a914-7dd5d84621cb.jpg?v=1790011488"},{"product_id":"mg20xu","title":"Yamaha MG20XU Audio Mixer","description":"\u003cli\u003e20-Channel Mixing Console\u003c\/li\u003e\u003cli\u003eMax. 16 Mic \/ 20 Line Inputs (12 mono + 4 stereo)\u003c\/li\u003e\u003cli\u003e4 GROUP Buses + 1 Stereo Bus\u003c\/li\u003e\u003cli\u003e4 AUX (incl. FX)\u003c\/li\u003e\u003cli\u003e“D-PRE” mic preamps with an inverted Darlington circuit\u003c\/li\u003e\u003cli\u003e1-Knob compressors\u003c\/li\u003e\u003cli\u003eHigh-grade effects: SPX with 24 programs\u003c\/li\u003e\u003cli\u003e24-bit\/192kHz 2in\/2out USB Audio functions\u003c\/li\u003e\u003cli\u003eWorks with the iPad (2 or later) through the Apple iPad Camera Connection Kit \/ Lightning to USB Camera Adapter\u003c\/li\u003e\u003cli\u003eIncludes Cubase AI DAW software download version\u003c\/li\u003e\u003cli\u003ePAD switch on mono inputs\u003c\/li\u003e\u003cli\u003e+48V phantom power\u003c\/li\u003e\u003cli\u003eXLR balanced outputs\u003c\/li\u003e\u003cli\u003eInternal universal power supply for world-wide use\u003c\/li\u003e\u003cli\u003eRack Mount Kit Included\u003c\/li\u003e\u003cli\u003eMetal chassis\u003c\/li\u003e\u003cli\u003eDimensions(W×H×D): 444 mm x 130 mm x 500 m (17.5\" x 5.1\" x 19.7\")\u003c\/li\u003e\u003cli\u003eNet Weight: 7.1kg (15.7 lbs.)\u003c\/li\u003e\u003ch3\u003eRoad Tough. Studio Ready.\u003c\/h3\u003e\u003cp\u003eFor more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.\u003c\/p\u003e\u003cp\u003eWith an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.\u003c\/p\u003e\u003ch3\u003eFeatured models: MG16X \/ MG12X \/ MG10X\u003c\/h3\u003e\u003cp\u003eJust like the XU models, SPX digital effects are included on these three X models. Excellent for portable use, but also great when installed in conference rooms, banquet halls and weddings, where users can have wide choice of effects to enhance their sound. Stylish grey color improves visual identification.\u003c\/p\u003e\u003ch3\u003eHead of the class\u003c\/h3\u003e\u003cp\u003eYamaha has always strived to provide sound engineers with the purest possible signal instead of added processing or color to give it a \"signature\" sound, and the MG Series is no exception. Embracing this philosophy of transparent sound, these mixing consoles deliver a level of sonic purity and sound quality that is unmatched in their class.\u003c\/p\u003e\u003ch3\u003eD-PRE (Discrete Class-A Mic Preamps)\u003c\/h3\u003e\u003cp\u003eThis is where it all starts. Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound. Having such a pure sonic platform to build on will ultimately save you time and effort by eliminating the need for excessive EQing or additional effects processing in order to \"fix\" your mix.\u003c\/p\u003e\u003ch3\u003eHigh Quality Sound Op-amp\u003c\/h3\u003e\u003cp\u003eThe head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first. MG01 op-amps feature redesigned circuitry in which even the internal components and wiring have been optimized, and use materials such as high-quality silicon wafers and copper wire to achieve superb resolution.\u003c\/p\u003e\u003ch3\u003eSwitchable Phantom Power \u0026amp; PAD Switch\u003c\/h3\u003e\u003cp\u003eWith phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany mic'ed instruments during performance, avoiding the clipping that can seriously affect your mix.\u003c\/p\u003e\u003ch3\u003eOur mixer. Your sound.\u003c\/h3\u003e\u003cp\u003eWhen was the last time you heard guitar without EQ or a completely unprocessed vocal on one of your favorite songs? Probably never. Yamaha mixers are famous for their flat response and sonic purity, but it often takes more than a perfectly-captured instrumental performance or vocal to achieve a professional-sounding mix. Equipped with some of the same state-of-the-art functionality featured on Yamaha’s high-end consoles, the MG Series gives you the tools you need to produce high quality sound that is uniquely your own.\u003c\/p\u003e\u003ch3\u003e1-knob Compressors\u003c\/h3\u003e\u003cp\u003eCompression plays an essential role in just about any recording or sound reinforcement environment by altering the level of dynamics of an audio signal when you need livelier guitars, punchier bass lines, a tighter snare, or a cleaner vocal sound. However, it can take countless hours to master the complexities of even the most basic outboard compression units and use them effectively. Originally a Yamaha innovation, 1-knob compressors are now an industry standard that gives you instant access to optimized compression settings via a single rotary control.\u003c\/p\u003e\u003ch3\u003eEQ and High-pass Filters\u003c\/h3\u003e\u003cp\u003eThere's nothing more useful than reliable equalization when you need nuanced management of your tone. The MG Series benefits from Yamaha's unparalleled experience in designing pro audio gear, featuring 3-band equalizers on all mono channels for precise control of your sound. High-pass filters allows you to eliminate unwanted low-frequency noise, for a smoother, cleaner mix.\u003c\/p\u003e\u003ch3\u003eAUX \/ Effect Sends \/ Group\u003c\/h3\u003e\u003cp\u003eMG Series mixers feature AUX sends for expanding your sound reinforcement or recording setup, allowing you accommodate additional effects, output to external recording devices, or feed a monitoring system. (except for MG06 \/ 06X) Master send controls are also provided. The MG06 \/ 06X, MG10 \/ 10X \/ 10XU \/ 10XUF and MG12XUK have a single stereo bus. All other models additionally feature one or two stereo group buses and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.\u003c\/p\u003e\u003ch3\u003eA variety of input \/ output connectors\u003c\/h3\u003e\u003cp\u003eAll models feature high-quality Neutrik™ balanced XLR connectors on mono microphone\/line channels and XLR equipped stereo channels. Each of the mono inputs is equipped with combo jack and accepts both MIC and LINE level signals. Two of the stereo inputs are equipped with XLR and two phone connectors with XLR accepting MIC level signals while two phone connectors accepting LINE level signals and can be used either mono or stereo. (except for MG10 \/ 10X \/ 10XU \/ 10XUF \/ 12XUK) The function of the additional two stereo channels vary depending on model: With MG20 \/ 20XU, XLR accepts MIC level signal and two RCA connectors accepts LINE level signals and can be used either mono or stereo. With MG12 \/ 12X \/ 12XU and MG16 \/ 16X \/ 16XU, two phone connectors accept LINE level signals as stereo. Additionally, each of the stereo channel features 2TR in (RCA connectors) and can be used as independent input from external audio sources such as CDs. MG10 \/ 10X \/ 10XU \/ 10XUF and MG12XUK are equipped with an additional stereo channel with a pair of phone jacks that accepts LINE levels. With XU models, any incoming source that are sent via USB can be assigned to one of the stereo channel. In addition to the main stereo outputs (XLR L\/R, TRS phone L\/R), MG Series mixing consoles are equipped with a comprehensive suite of output connectors, including GROUP OUT (TRS phone), AUX\/FX OUT (TRS phone), MONITOR OUT (TRS phone L\/R), and HEADPHONE OUT (stereo phone) connectors, allowing master outputs to be chosen to suit specific applications such as monitoring or mastering.\u003c\/p\u003e\u003ch3\u003eLED level metering\u003c\/h3\u003e\u003cp\u003eEasy-to-read LED level metering allows output levels to be monitored with precision.\u003c\/p\u003e\u003ch3\u003eBuilt-in SPX Digital Effects\u003c\/h3\u003e\u003cp\u003eFor musical and non-musical applications alike, effects processing adds polish and professionalism to the mix. The MG X \/ XU models feature Yamaha’s acclaimed SPX digital multi-effect processor, offering a comprehensive suite of 24 editable digital effects perfect for enhancing your mix, whether adding depth to a speaking engagement or breathing new color and atmosphere into a live band performance. In particular, the high-quality reverb and delay expand the spatial quality of the sound with remarkable realism and naturalness. You can even connect an optional FC5 foot switch for effect on \/ off control. (MG10X \/ 10XU \/ 10XUF \/ 12X \/ 12XU \/ 12XUK \/ 16X \/ 16XU \/ 20XU)\u003c\/p\u003e\u003cp\u003e* MG06X features six SPX effects (REVERB HALL \/ ROOM \/ PLATE, DELAY SHORT \/ LONG \/ VO.ECHO), which are not editable.\u003c\/p\u003e\u003ch3\u003eBuilt to last\u003c\/h3\u003e\u003cp\u003eFor gigging, recording, and installed applications alike, your console can be subjected to a wide range of environmental conditions and hazards. Excessive humidity, unstable power supplies, and the rigors of road travel in general can take a serious toll on a mixing console, often causing expensive, time-consuming repairs, and reducing its lifespan. The MG Series has been redesigned with an emphasis on durability, incorporating practical features that offer greater flexibility while ensuring peak performance for many years to come.\u003c\/p\u003e\u003ch3\u003eMetal Chassis\u003c\/h3\u003e\u003cp\u003eBuilt to last, MG Series mixers feature a rugged, impact-resistant, powder-coated metal chassis, offering an unrivalled level of durability. With a sleek design contoured for optimal convection cooling, the internal layout separates the power supply from the analog circuitry for superior noise reduction, and further extends the life of the components inside. To further ensure reliable performance, knob control placement above the surface of the chassis diverts any impact or pressure on the knobs to the chassis itself and not the circuit board or components underneath.\u003c\/p\u003e\u003ch3\u003eInternal Universal Power Supply\u003c\/h3\u003e\u003cp\u003eThanks to a highly-efficient internal universal power supply, MG Series consoles offer worry-free operation in any region around the globe—even in environments prone to potentially damaging power fluctuations. An internal power supply also simplifies rack mounting of the console for installed applications, eliminating the need for a bulky adapter or additional connections.(* MG12 \/ 16 \/ 20 \/ 12X \/ 16X \/ 12XU \/ 16XU \/ 20XU)\u003c\/p\u003e\u003ch3\u003eRack Mount Kit Included\u003c\/h3\u003e\u003cp\u003eEasily adaptable to a diverse range of installed and portable applications, the 16- and 20- channel models of the MG Series included rack ears, giving you the option of a rack-mounted or desk-top configuration. Extremely durable, their sleek design makes safe, stable placement of your console hassle-free, keeping setup time and effort to a minimum. (MG16 \/ 20 \/ 16X \/ 16XU \/ 20XU)\u003c\/p\u003e\u003cp\u003e- Optional Rackmount kit \"RK-MG12\" available for MG12 \/ 12X \/ MG12XU.\u003c\/p\u003e\u003cp\u003e- Optional Mic stand Adapter \"BMS10-A\" available for MG06 \/ 06X \/ 10 \/ 10X \/ 10XU.\u003c\/p\u003e\u003ch3\u003eXLR connector\u003c\/h3\u003e\u003cp\u003eThe main stereo outputs feature XLR type connectors that lock to prevent accidental disconnection. Rugged and dependable, these professional connectors ensure providing stable signal transmission even in the most demanding environments.\u003c\/p\u003e\u003ch3\u003eCreate, record… listen\u003c\/h3\u003e\u003cp\u003eThe MG Series features the same digital connectivity that is used to streamline the recording process on Yamaha’s professional-level mixing consoles. Take advantage of state-of-the-art digital technology that makes it easier than ever to plug-in, play, record, and then listen to your creations.\u003c\/p\u003e\u003ch3\u003e24-bit \/192kHz 2-in\/2-out USB Audio Interface Function\u003c\/h3\u003e\u003cp\u003eMG Series mixing consoles feature flexible digital connectivity for quick and easy high resolution playback of digital content. Simply connect to your PC via USB, or to your iPhone \/ iPad (2 or later) using Apple's Camera Connection Kit \/ Lightning to USB Camera Adapter. The USB protocol uses asynchronous data transfer. Audio data is transferred based on highly precise audio clock signal from the MG, for high quality recording and playback.\u003c\/p\u003e\u003ch3\u003eCubase AI\u003c\/h3\u003e\u003cp\u003eMG XU models are bundled with downloadable Steinberg’s Cubase AI software. As one of the most advanced, comprehensive DAW suites available, Steinberg's Cubase has led the charge, providing users with a powerful and flexible platform for music production. Cubase AI offers these same core technologies and interface that have won Cubase worldwide acclaim.\u003c\/p\u003e\u003cp\u003e(* MG10XU MG12XU MG16XU MG20XU)\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › On-board processors\u003c\/td\u003e\n\u003ctd\u003eSPX algorithm: 24 programs, PARAMETER control:1, FOOT SW:1 (FX RTN CH on\/off)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Phantom power\u003c\/td\u003e\n\u003ctd\u003e+48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Digital I\/O\u003c\/td\u003e\n\u003ctd\u003eUSB Audio Class 2.0 compliant Sampling Frequency: Max 192 kHz, Bit Depth: 24-bit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Mono[MIC\/LINE]\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Mono\/Stereo[MIC\/LINE]\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › STEREO OUT\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › MONITOR OUT\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › PHONES\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › AUX SEND\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › GROUP OUT\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Bus\u003c\/td\u003e\n\u003ctd\u003eStereo: 1, GROUP: 4, AUX: 4 (incl. FX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › PAD\u003c\/td\u003e\n\u003ctd\u003e26 dB (Mono)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › HPF\u003c\/td\u003e\n\u003ctd\u003e80 Hz, 12 dB\/oct (Mono\/Stereo: MIC only)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › COMP\u003c\/td\u003e\n\u003ctd\u003e1-knob compressor (Gain\/Threshold\/Ratio) Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB Attack time: approx. 25 msec, Release time: approx. 300 msec\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ HIGH\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: 10 kHz shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ MID\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: Mono 250 Hz – 5 kHz peaking, Stereo 2.5 kHz peaking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ LOW\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: 100 Hz shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › PEAK LED\u003c\/td\u003e\n\u003ctd\u003eLED turns on when post EQ signal reaches 3 dB below clipping\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › Level Meter\u003c\/td\u003e\n\u003ctd\u003e2x12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003e0.03 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.005 % @ +24dBu (1kHz), GAIN knob: Min\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003e+0.5 dB\/-1.5 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e-128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e-102 dBu (STEREO OUT, STEREO master fader: Min)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-78 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003eAC 100 – 240 V, 50 \/ 60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e36 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e444 mm (17.5\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e130 mm (5.1\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e500mm (19.7\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e7.1kg (15.7 lbs.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eIncluded Accessory: Owner’s Manual, Technical Specifications, AC power cord, Cubase AI Download Information, Rack-mount kit, Optional Accessory: Foot Switch FC5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eOperating Temperature: 0 to +40˚C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734656767,"sku":"MG20XU","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_06cc3abc-1bfd-4106-9255-19f7fcd0489f.jpg?v=1790011488"},{"product_id":"ag06mk2","title":"Yamaha AG06MK2 6-Channel Live Streaming Loopback Audio USB Mixer","description":"\u003cp\u003eA 6-channel live streaming mixer with USB audio interface.\u003c\/p\u003e\u003cli\u003eTwo condenser microphones can be used simultaneously\u003c\/li\u003e\u003cli\u003e+48 V phantom power on CH1-2 input for condenser mics or Dl boxes\u003c\/li\u003e\u003cli\u003eHi-Z input for guitars on CH2\u003c\/li\u003e\u003cli\u003eHigh resolution (24-bit, 192 kHz) 2-track audio recording and playback\u003c\/li\u003e\u003cli\u003e4-pole mini input\/output (TRRS) to support a wider range of streaming applications\u003c\/li\u003e\u003cli\u003eFlexible inputs and LOOPBACK function ideal for live streaming or recording\u003c\/li\u003e\u003cli\u003eMute button for convenient live streaming\u003c\/li\u003e\u003cli\u003eEasy control and pro sound with 1-TOUCH effects (COMP\/EQ, REVERB and Amp Simulator)\u003c\/li\u003e\u003cli\u003eAG Controller (Windows\/Mac\/iOS ) for precise parameter control\u003c\/li\u003e\u003cli\u003eWindows\/Mac support by USB-C connection\u003c\/li\u003e\u003cli\u003eiOS connectivity via Apple camera adaptor (requires external USB power supply)\u003c\/li\u003e\u003cli\u003eAndroid supported by 4-pole mini input\/output (TRRS)\u003c\/li\u003e\u003cli\u003eUSB-C power input (5 V DC, 900 mA)\u003c\/li\u003e\u003cli\u003eCubase Al, WaveLab Cast, Cubasis LE and Rec'n'Share are available\u003c\/li\u003e\u003cli\u003eOBS Certified device. Provides seamless streaming experience with OBS Studio.\u003c\/li\u003e\u003ch3\u003eYour Audience Awaits.\u003c\/h3\u003e\u003cp\u003eTwo heads are better than one. The same can be said for microphone inputs, especially when it comes to live streaming. The AG06MK2 offers the same user-friendly configuration and operation that has become synonymous with the AG series, but also comes equipped with two phantom-powered mic inputs for condenser microphones. Combined with flexible connectivity, including an upgraded 4-pole mini I\/O, the AG06MK2 opens a broader range of dialogue, interview, musical ensemble performance, or other streaming applications that the AG01 or AG03MK2 setups can’t cover.\u003c\/p\u003e\u003ch3\u003eExpand your Streaming Capabilities\u003c\/h3\u003e\u003cp\u003eThe AG06MK2 allows you to connect two condenser microphones of your choice, as well as two stereo line inputs for instruments, and an upgraded 4-pole mini jack (TRRS) for smartphone input\/output capability. Of course, it’s also possible to add audio from devices connected via USB in LOOPBACK mode as with previous AG models. This diverse range of connectivity makes it possible to use high-sensitivity microphones, along with each of the audio sources, for a variety of streaming applications such as podcasts with dialogue, interviews, vocal performances with an acoustic instrument, or even a live band.\u003c\/p\u003e\u003ch3\u003eFast, intuitive sonic control\u003c\/h3\u003e\u003cp\u003eWith a design similar to a mixing console, the AG06MK2 is equipped with a variety of physical controls that help you shape and manage the audio you stream to your audience. The newly added mute button allows you to cut your mic input at a moment's notice if your situation demands it, and can even be controlled using Yamaha’s FC5 dedicated foot switch (sold separately) which can also add reverb to your signal while keeping your hands free for other tasks.\u003c\/p\u003e\u003ch3\u003eImproved internal circuitry for more professional-sounding audio\u003c\/h3\u003e\u003cp\u003eSound quality can often be a deciding factor for whether someone will tune in to your live streaming content. With the adoption of USB-C, and the requisite improved internal circuitry, the AG06MK2 significantly elevates sound quality, giving your streaming a more professional edge.\u003c\/p\u003e\u003ch3\u003eShape your sound like a pro with zero-latency DSP effects\u003c\/h3\u003e\u003cp\u003eRegardless of your particular streaming application, you’ll want to give it some depth and dimension, which adds a level of professionalism. The AG06MK2 comes equipped with optimized 1-TOUCH COMP\/EQ and REVERB controls to dial in the sound that best suits your style, and a 1-TOUCH amp simulator to add authenticity and punch to your guitar input.\u003c\/p\u003e\u003cp\u003eAll these tools are processed by the internal DSP chip so there’s no delay, making it particularly valuable for live streaming when real-time accuracy is crucial.\u003c\/p\u003e\u003cp\u003eAnd when you want to capture pure, raw recordings through your preferred microphone and edit them later, you have the option to turn these effects off completely.\u003c\/p\u003e\u003ch3\u003eAG Controller provides precise control\u003c\/h3\u003e\u003cp\u003eAG Controller software allows users to easily and precisely check and configure the DSP audio processing inside the AG. Offering two modes of operation, \"Simple\" and \"Detail,\" AG Controller gives users of varying music production experience detailed management of their audio from any Windows\/Mac or iOS device connected to the AG06MK2 via USB.\u003c\/p\u003e\u003cli\u003eMore information for AG Controller\u003c\/li\u003e\u003ch3\u003eAdapt to your surroundings\u003c\/h3\u003e\u003cp\u003eThe sleek, slim, and compact body of the AG06MK2 can be placed on virtually any flat surface.\u003c\/p\u003e\u003cp\u003eBy combining it with to a mobile battery, a minimalistic, mobile streaming station can be configured anywhere.\u003c\/p\u003e\u003cp\u003e*For stable operation of the AG06MK2, a power supply of DC 5V 900mA or more is required.\u003c\/p\u003e\u003ch3\u003ePowerful bundled software\u003c\/h3\u003e\u003cp\u003eThe AG06MK2 comes bundled with Cubase AI music production software, as well as WaveLab Cast for audio production and editing. The AG06MK2 is also compatible with Rec'n'Share and Cubasis LE applications for iOS devices which are available free of charge from Yamaha and Steinberg to support and inspire your audio content creation.\u003c\/p\u003e\u003cli\u003eCubase AI, WaveLab Cast\u003c\/li\u003e\u003cli\u003eCubasis LE\u003c\/li\u003e\u003cli\u003eRec'n'Share\u003c\/li\u003e\u003ch3\u003eCertified for OBS\u003c\/h3\u003e\u003cp\u003eOBS Studio: Free and open source software for video recording and live streaming.\u003c\/p\u003e\u003cp\u003eYamaha is an official sponsor of OBS. By sponsoring OBS, which aids the live streaming activities of creators around the world, Yamaha advocates for the activities of content creators who devote themselves to developing a wide range of content, including live music performances, as well as podcasts and game streaming.\u003c\/p\u003e\u003cli\u003ehttps:\/\/obsproject.com\/\u003c\/li\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Mono[MIC\/LINE]\u003c\/td\u003e\n\u003ctd\u003e2 - CH1: Combo (Mic, +48 V phantom power \/ Line), 3.5 mm (1\/8\") stereo mini (Headset mic, Plug-in power), CH2: Combo (Mic, +48 V phantom power \/ Guitar input \/ Line) *CH1 input and Headset mic cannot be used simultaneously\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Stereo[LINE]\u003c\/td\u003e\n\u003ctd\u003e2 - L\/R Stereo: Phone, RCA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Smartphone\u003c\/td\u003e\n\u003ctd\u003e1 - PHONES \/ HEADSET PHONES *Cannot be used simultaneously\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › USB\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › PHONES\u003c\/td\u003e\n\u003ctd\u003e2 - PHONES \/ HEADSET PHONES *Cannot be used simultaneously\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › Smartphone\u003c\/td\u003e\n\u003ctd\u003e1 - 4-pole mini input\/output (TRRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › MONITOR OUT\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › STEREO OUT\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › USB\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Bus\u003c\/td\u003e\n\u003ctd\u003e1 Stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Functions\u003c\/td\u003e\n\u003ctd\u003eMUTE button x 1, PAD button x 2, HI-Z button x 1, STREAMING OUT (DRY CH 1-2G \/ INPUT MIX \/ LOOPBACK), MIX MINUS MIC (ON \/ OFF)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › On-board processors › DSP\u003c\/td\u003e\n\u003ctd\u003eCOMP\/EQ, REVERB (SPX Reverb), AMP SIM *Detail is operated on AG Controller\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › USB › USB Audio\u003c\/td\u003e\n\u003ctd\u003e2 IN \/ 2 OUT, USB Audio Class 2.0 Compliant, Sampling Frequency: Max. 192 kHz, Bit Depth: 24-bit, Type-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › USB › USB DC Power input\u003c\/td\u003e\n\u003ctd\u003e1 - Type-C, 5 V DC, 900 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003e5 V DC, 900 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003eMax. 4.5 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e152 mm (6.0\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e63 mm (2.5\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e201 mm (7.9\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e0.9 kg (2.0 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Included Accessories\u003c\/td\u003e\n\u003ctd\u003eUSB 2.0 Cable (1.5 m), Quick Guide, Safety Guide, Wavelab Cast Download Information, Cubase AI Download Information\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eOperating Temperature: 0 to + 40 ℃\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734787839,"sku":"AG06MK2","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_9a2042a1-e173-45b7-bb8c-ac6f42dfb291.jpg?v=1790011489"},{"product_id":"mg24-14fx","title":"Yamaha MG24\/14FX Audio Mixer","description":"\u003cp\u003eSerious Capacity for Live Sound and Installations\u003c\/p\u003e\u003ch3\u003eSerious live sound mixer with dual SPX built-in\u003c\/h3\u003e\u003cp\u003eThese 32-input and 24-input models are suitable for serious live sound applications in which a substantial number of sources must be handled efficiently. The MG32\/14FX and MG24\/14FX also feature dual Yamaha SPX effect processors built in, so you have everything you need for great sound right in the console. A comprehensive complement of auxiliary and group buses provides extensive mixing and signal routing versatility.\u003c\/p\u003e\u003ch3\u003eSerious Consoles for Live Sound or Installations\u003c\/h3\u003e\u003cp\u003eThe MG24\/14FX and MG32\/14FX are full-featured sound reinforcement consoles with capacity and capabilities that can handle demanding live sound applications. Choose the 24-input MG24\/14FX or 32-input MG32\/14FX according to the number of sources you need to handle. All other features are the same, including two renowned Yamaha SPX effect processors built in. Extensive routing capability is also provided for monitoring and external signal processing, as required by your application.\u003c\/p\u003e\u003ch3\u003eHigh Input Capacity for Live Sound\u003c\/h3\u003e\u003cp\u003eThe MG24\/14FX has 16 mono inputs and 4 stereo inputs, while the MG32\/14FX has 24 mono inputs and 4 stereo inputs. Input gain controls and pad switches allow optimum matching with the widest possible range of sources: microphone levels can be adjusted from -60 dB to +10 dB, while line levels can be adjusted from -34 dB to +10 dB. Channel peak indicators are provided to facilitate optimum level matching.\u003c\/p\u003e\u003ch3\u003eVersatile Inputs\u003c\/h3\u003e\u003cp\u003eThe monaural inputs provide both balanced XLR and phone jacks - that's channels 1 through 16 on the MG24\/14FX, and channels 1 through 24 on the MG32\/14FX. Two of the stereo inputs offer phone jacks as well as RCA pin jacks. Independent 2-track RCA pin jack inputs are also provided for input from CD players or other stereo line-level sources.\u003c\/p\u003e\u003ch3\u003eTop-quality Microphone Preamps\u003c\/h3\u003e\u003cp\u003eMicrophone preamplifiers play a vital role in determining the final sound of your mixes. The MG-series mixers feature low-noise, high-performance microphone preamplifiers that will bring out the best in dynamic and condenser type microphones. Microphone preamplifiers are provided on channels 1 through 16 of the MG24\/14FX, and on channels 1 through 24 of the MG32\/14FX.\u003c\/p\u003e\u003ch3\u003eSwitchable Phantom Power\u003c\/h3\u003e\u003cp\u003eThe MG mixer microphone preamplifiers provide 48-volt phantom power for studio-quality condenser microphones. Phantom power can be switched on or off for in 8-channel groups.\u003c\/p\u003e\u003ch3\u003eInsert I\/O\u003c\/h3\u003e\u003cp\u003eMono input channels feature insert patch points that can be used to insert external signal-processing devices into the channel's signal path. Insert I\/O points are also provided on the stereo bus (L and R) and on the four group buses.\u003c\/p\u003e\u003ch3\u003eMid-sweep 3-band Mono Channel EQ, 4-band Stereo Channel EQ\u003c\/h3\u003e\u003cp\u003eThe mono channels on both the MG24\/14FX and MG32\/14FX offer advanced EQ facilities: 3-band EQ with a 10 kHz shelving HIGH control, a 250 Hz ~ 5 kHz sweepable MID control, and a 100 Hz shelving LOW control. The microphone inputs also have switchable 80 Hz high-pass filters for low-frequency noise reduction. The stereo channels feature 4-band EQ with 10 kHz HIGH, 3 kHz HI MID, 800 Hz LO MID, and 100 HZ LOW controls.\u003c\/p\u003e\u003ch3\u003eMulti-bus Configuration with a Total of 14 Buses\u003c\/h3\u003e\u003cp\u003eIn addition to the main stereo bus that feeds the console's main outputs, the MG24\/14FX and MG32\/14FX feature four group buses for convenient sub-mix grouping, six auxiliary buses for monitoring and external effect send, and send buses for the two internal effect processors. That's a total of 14 buses in all for exceptionally flexible signal routing. The channel send knobs and bus assign switches make it easy to send the signal from each channel to the stereo, group, internal effect, and auxiliary buses as required.\u003c\/p\u003e\u003ch3\u003eAmple Sends and Returns\u003c\/h3\u003e\u003cp\u003eAll input channels have a total of six auxiliary sends: AUX send 1 through 4 can be switched for pre- or post-fader operation, while AUX sends 5 and 6 are post-fader. Two EFFECT sends are provided in addition to the six AUX sends. That's more than sufficient send capability to handle monitoring and effects for all but the most complex applications. Two stereo AUX returns are provided in addition to the internal effect returns, providing an extra margin of return versatility for wet monitoring, for example.\u003c\/p\u003e\u003ch3\u003eComprehensive Output Connectors\u003c\/h3\u003e\u003cp\u003eThe mixer's main stereo program signal is simultaneously delivered to the main stereo outputs (XLR jacks), the sub-stereo outputs (phone jacks), the REC OUT connectors (RCA pin jacks), the mono out (XLR jack), and the headphones output (stereo phone jack). Independent phone-jack outputs are also provided for group buses 1 through 4. So even if you need to feed a front-of-house system, monitors, a subwoofer, a master recorder, and other output lines simultaneously, the MG24\/14FX or MG32\/14FX will handle it.\u003c\/p\u003e\u003ch3\u003eReliable XLR Output Connectors\u003c\/h3\u003e\u003cp\u003eThe main stereo outputs and mono output feature rugged, reliable XLR type connectors. Not only do these connectors lock to minimize the chance of accidental disconnection, but they provide superior electrical contact for long-term dependability as well.\u003c\/p\u003e\u003ch3\u003eVariable LPF on the Mono Output\u003c\/h3\u003e\u003cp\u003eA low-pass filter with a roll-off frequency that can be varied from 80 to 120Hz is provided on the mono output for convenient connection and optimum matching with a subwoofer.\u003c\/p\u003e\u003ch3\u003e12-segment Level Meters\u003c\/h3\u003e\u003cp\u003eFour high-visibility 12-segment meters are switchable to allow precise visual monitoring of levels on the main stereo bus, the four group buses, the stereo 2-track input, the PFL (Pre-Fader Listen) bus, or the AFL (After-Fader Listen) bus.\u003c\/p\u003e\u003ch3\u003eHigh-performance Digital Effect Processors Built In\u003c\/h3\u003e\u003cp\u003eBoth the MG24\/14FX and MG32\/14FX contain a powerful pair of Yamaha digital signal processors that provide a useful selection of 16 advanced digital effects. Effect programs include reverb, delay, pitch change chorus, phaser, voice doubler, and distortion. The effects include editable parameters so they can be customized as required, and processor \"B\" even has a TAP switch for real-time tap-tempo entry. With these top-performance effect processors built in, you wont have to transport and set up racks of external effects to create your sound.\u003c\/p\u003e\u003ch3\u003eIlluminated Switches for High Visibility\u003c\/h3\u003e\u003cp\u003eThe channel ON switches, PFL (Pre-Fader Listen) switches and phantom power switches are original Yamaha illuminated types, so it's easy to visually check vital console settings.\u003c\/p\u003e\u003ch3\u003eTalkback for Convenient Communication\u003c\/h3\u003e\u003cp\u003eA talkback microphone input is provided for easy, efficient communication between the sound engineer and musicians and staff in live-sound applications, during setup, rehearsal, and the actual performance.\u003c\/p\u003e\u003ch3\u003eIntuitive Controls and High Reliability\u003c\/h3\u003e\u003cp\u003eThe design of the faders, rotary controls and switches used on the MG mixers, as well as the way they are laid out, allow easy operation and visual confirmation of settings.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Total Harmonic Distortion\u003c\/td\u003e\n\u003ctd\u003eLess than 0.1 % (THD+N) 20 Hz - 20 kHz @ +14 dB 600 Ω (ST OUT)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Frequency Response\u003c\/td\u003e\n\u003ctd\u003e0 +1, -3 dB 20 Hz - 20 kHz @ +4 dB 600 Ω (ST OUT)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input Hum \u0026amp; Noise\u003c\/td\u003e\n\u003ctd\u003e-128dB 20 Hz - 20 kHz, Rs=150 Ω, Input Gain=Maximum, Input Pad =OFF, Input sensitivity=-60 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-70dB @ 1kHz, Mic: 16+1 (Input A 1 - 16, Talk Back: XLR), Line: 16 (Input B 1 - 16: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH Input\u003c\/td\u003e\n\u003ctd\u003eStereo: 2 (Ch 17 18, 19 - 20:TRS) * Ch17, 19:L (MONO) 2 (Ch 21 22, 23 - 24: TRS\/RCA), Insert I\/O: 16 (Ch 1 - 16: TRS T: Out, R: In, S: Gnd)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › AUX\u003c\/td\u003e\n\u003ctd\u003eSend: 6 (1 - 2\/Post-Pre selectable, 3 - 4\/Post-Pre selectable, 5 - 6\/Post: TRS), Return: 2 Stereo Sub In (L\/MONO, R: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Effects\u003c\/td\u003e\n\u003ctd\u003eSend: 2 (1, 2: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › 2TR\u003c\/td\u003e\n\u003ctd\u003eIn: 1 Stereo (L, R: RCA)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › STEREO IN\u003c\/td\u003e\n\u003ctd\u003e1 Stereo (L, R: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Group IN\u003c\/td\u003e\n\u003ctd\u003e4 (1 - 4: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › REC Out\u003c\/td\u003e\n\u003ctd\u003e1 Stereo (L, R: RCA)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › ST OUT\u003c\/td\u003e\n\u003ctd\u003e1 Stereo (L, R: XLR)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Mono\u003c\/td\u003e\n\u003ctd\u003eOut: 1 (XLR)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › ST SUB\u003c\/td\u003e\n\u003ctd\u003e1 Stereo (L, R: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Group Out\u003c\/td\u003e\n\u003ctd\u003e4 (1 - 4: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Phones\u003c\/td\u003e\n\u003ctd\u003e1 (TRS Stereo)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Phantom Power\u003c\/td\u003e\n\u003ctd\u003e+ 48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH \u0026amp; ST Ch Input Gain Control\u003c\/td\u003e\n\u003ctd\u003e44 dB valiable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH \u0026amp; ST High pass filter\u003c\/td\u003e\n\u003ctd\u003e80 Hz 12 dB\/Octave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › High\u003c\/td\u003e\n\u003ctd\u003e10 kHz (Shelving)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › Mid\u003c\/td\u003e\n\u003ctd\u003e0.25-5 kHz (Peaking)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › Low\u003c\/td\u003e\n\u003ctd\u003e100 Hz (Shelving)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › High\u003c\/td\u003e\n\u003ctd\u003e10 kHz (Shelving)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Hi-Mid\u003c\/td\u003e\n\u003ctd\u003e3 kHz (Peaking)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Low-Mid\u003c\/td\u003e\n\u003ctd\u003e800 Hz (Peaking)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Low\u003c\/td\u003e\n\u003ctd\u003e100 Hz (Shelving)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › MONO Out Low Pass Filter\u003c\/td\u003e\n\u003ctd\u003e80 - 120 Hz 12dB\/octave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Internal Digital Effect\u003c\/td\u003e\n\u003ctd\u003eSPX x 2 (Effect 1: 16 Programs, Effect 2: 16 Programs :Parameter Control)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Product Dimension (W x H x D) \/ Weight (lbs.)\u003c\/td\u003e\n\u003ctd\u003e33.54\" x 5.90\" x 21.25\" \/ 46.29 lbs.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Power Requirements\u003c\/td\u003e\n\u003ctd\u003eUL\/CSA: 60 W 120 V\/60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734918911,"sku":null,"price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_00620483-06e2-47ef-9af7-653e7d7a795a.jpg?v=1790226525"},{"product_id":"ag08","title":"Yamaha AG08 Live Streaming Mixer","description":"\u003cp\u003eAn 8-channel live streaming mixer featuring two phantom power inputs for condenser mics, an integrated USB audio interface, voice changer and sampler.\u003c\/p\u003e\u003cli\u003eTwo mic\/line inputs and two headphone outputs can be used simultaneously\u003c\/li\u003e\u003cli\u003e+48 V phantom power on CH1 and 2 for condenser mics or Dl boxes\u003c\/li\u003e\u003cli\u003eFour FX preset buttons for CH1, Hi-Z input for guitars on CH2\u003c\/li\u003e\u003cli\u003eThree stereo inputs with assignable faders, switchable input source for LINE\/USB\u003c\/li\u003e\u003cli\u003e4-pole mini input\/output (TRRS) on CH7\/8\u003c\/li\u003e\u003cli\u003eMONITOR outputs (XLR + TRS) and MIX outputs (TRS)\u003c\/li\u003e\u003cli\u003eSix sound pads trigger audio samples in real time to add color to live streams\u003c\/li\u003e\u003cli\u003eInternal circuitry delivers highest sound-quality in the AG series\u003c\/li\u003e\u003cli\u003e24-bit, 48 kHz Multi-channel audio recording and playback (Coexistence of ASIO and WDM)\u003c\/li\u003e\u003cli\u003eFlexible inputs and outputs ideal for live streaming\u003c\/li\u003e\u003cli\u003eDSP effects (Voice Changer, Amp Simulator, Comp, EQ, Reverb, Delay, Ducker, Maximizer)\u003c\/li\u003e\u003cli\u003eAG08 Controller (Windows \/ Mac \/ iOS) for precise parameter control and detailed audio management\u003c\/li\u003e\u003cli\u003e60 mm faders and Mute buttons for each input\u003c\/li\u003e\u003cli\u003eFoot switch functionality for more versatile system control\u003c\/li\u003e\u003cli\u003eWindows \/ Mac support via USB-C connection\u003c\/li\u003e\u003cli\u003eiOS connectivity via Apple Camera Adapter (requires external USB power supply)\u003c\/li\u003e\u003cli\u003eAndroid supported by 4-pole mini input\/output (TRRS)\u003c\/li\u003e\u003cli\u003eUSB-C power input (5 V DC, 1.5 A)\u003c\/li\u003e\u003cli\u003eCubase Al, WaveLab Cast, Cubasis LE are available\u003c\/li\u003e\u003ch3\u003eYour Audience Awaits.\u003c\/h3\u003e\u003cp\u003eAs the flagship model of the second-generation AG series, the AG08 combines all the essential functions of its predecessors with a versatile selection of practical new features, giving you a powerful, all-in-one streaming station. By integrating more flexible I\/O and USB routing options, expanding foot switch functionality, as well as adding DSP effects and improved internal circuitry for class-leading sound, the AG08 is able to support an impressive depth of live streaming applications, as well as offline audio content creation. From single-user talking, gaming, ASMR, voice acting, or vocal\/instrument performances, to multiple personnel applications on the scale of a full-blown variety show. With the extremely practical, endlessly versatile AG08 as your streaming system, you'll be sure to leave your audience wanting more.\u003c\/p\u003e\u003ch3\u003eTwo Condenser Mic IN with Two Headphone OUT\u003c\/h3\u003e\u003cp\u003eLike the AG06MK2, both Channel 1 and 2 of the AG08 come equipped with phantom power to support condenser microphones, favored amongst musicians and dialogue-driven content creators for their exceptional sensitivity and fidelity. With the AG08 Controller app, you can pan left and right with any stereo microphones, including those for ASMR.\u003c\/p\u003e\u003cp\u003eIn addition, there are two independent headphone monitor channels for applications where two people are broadcasting simultaneously, or where someone other than the performer is managing the audio.\u003c\/p\u003e\u003ch3\u003eThree Assignable Faders for Flexible USB IN\/OUT\u003c\/h3\u003e\u003cp\u003eThe signal from multiple apps on a USB-connected PC or analog line inputs can be individually assigned, allowing you to intuitively mix the LINE\/USB audio signals with the faders. Conversely, three USB mixed outputs from the AG08 can be individually assigned to various apps on the PC via USB connection.\u003c\/p\u003e\u003cp\u003eCombining these functions makes it easy to respond in real time, i.e., sharing previously mixed audio with chat partners or listeners during live chats and streaming.\u003c\/p\u003e\u003cp\u003eWhat’s more, for ASIO-supported apps such as DAW software, the direct out from each input channel (Channels 1, 2, 3\/4, 5\/6, and 7\/8) and three mixed channels can be used in parallel, enabling multi-channel recording, even during live streams.\u003c\/p\u003e\u003cli\u003eFor more detail - [Systems]\u003c\/li\u003e\u003ch3\u003eFour Effect Preset Buttons for CH1\u003c\/h3\u003e\u003cp\u003eThe four effect preset buttons on the bottom left of the AG08 console allow you to seamlessly switch between customized effect presets for Channel 1 on the fly. This gives users versatile, real-time control to add just the right amount of effect—including the new Voice Changer. Ideal for dramatic and live music performances.\u003c\/p\u003e\u003ch3\u003eFive DSP Effects\u003c\/h3\u003e\u003cp\u003eThe AG08 comes equipped with high-quality effects to color, correct, or enhance your vocal and musical instrument signals. Grouped into the five categories detailed below, all effects are processed by the onboard DSP, so there is no latency and no impact on PC processing. *Details of each DSP effect can be set in the AG08 Controller app.\u003c\/p\u003e\u003cp\u003eChannel 1 features a new voice changer effect that can transform your voice into that of a different gender, a robot, and more, while Channel 2 offers an amp simulator for a more authentic guitar or bass amp sound. These, along with Gate, Comp (Compressor \/ Compander), EQ, Reverb, and the newly added Delay, can be set independently on each channel, allowing you to dial in the optimal settings for specific applications.\u003c\/p\u003e\u003ch3\u003eDucker\u003c\/h3\u003e\u003cp\u003eThe Ducker function can be used to automatically attenuate the playback sound of Channels 3\/4, 5\/6, and 7\/8 relative to Channels 1 and 2, so you can easily set up a streaming system where signals from Channels 1 and 2 are always heard clearly.\u003c\/p\u003e\u003ch3\u003eMaximizer\u003c\/h3\u003e\u003cp\u003eMaximizer is a simple yet powerful mastering function that adds a level boost to your mix for extra polish and professionalism while attenuating peaking signals to give your listeners and viewers a more comfortable and pleasant audio experience.\u003c\/p\u003e\u003cp\u003eThe AG08's Maximizer is in the form of a 3-band compressor which allows for powerful correction of the balance of each band while equalizing the overall volume.\u003c\/p\u003e\u003ch3\u003eSix Sound Pads\u003c\/h3\u003e\u003cp\u003eThe AG08 comes equipped with six customizable sound pads that allow you to easily add sound effects in real time to liven up your broadcasts. Using the AG08 Controller dedicated app, you can simply drag-and-drop existing sound files and assign them to the pad of your choice, or record your own samples and trim them to their desired length within the app.\u003c\/p\u003e\u003ch3\u003e\"AG08 Controller\" provides precise control\u003c\/h3\u003e\u003cp\u003eAG08 Controller software allows users to easily and precisely check and configure the DSP audio processing, Sound pads and flexible routing option. Offering two modes of operation, \"Simple\" and \"Detail\", AG08 Controller gives users of varying music production experience detailed management of their audio from Windows\/Mac or iPadOS device connected to the AG08 via USB.\u003c\/p\u003e\u003cli\u003eMore Detail\u003c\/li\u003e\u003ch3\u003eConvenient Power Supply\u003c\/h3\u003e\u003cp\u003eThe new console comes equipped with a new PA-150B power adapter for more stable operation, accommodating a wider range of application setups.\u003c\/p\u003e\u003ch3\u003ePowerful bundled software\u003c\/h3\u003e\u003cp\u003eThe AG08 comes bundled with Cubase AI music production software, as well as WaveLab Cast for audio production and editing. The AG08 is also compatible with Cubasis LE applications for iOS devices which are available free of charge from Steinberg to support and inspire your audio content creation.\u003c\/p\u003e\u003cli\u003eCubase AI, WaveLab Cast\u003c\/li\u003e\u003cli\u003eCubasis LE\u003c\/li\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Mono[MIC\/LINE]\u003c\/td\u003e\n\u003ctd\u003e2 - CH1: Combo (Mic, +48 V phantom power \/ Line), 3.5 mm (1\/8”) stereo mini (Headset mic, Plug-in power), CH2: Combo (Mic, +48 V phantom power \/ Guitar input \/ Line) *CH1 input and Headset mic cannot be used simultaneously\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Stereo[LINE]\u003c\/td\u003e\n\u003ctd\u003e3 - CH3\/4: LR Stereo Phone, CH5\/6: LR Stereo RCA\/3.5 mm stereo mini (AUX), CH7\/8: 4-pole mini in\/out (TRRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › AUX\u003c\/td\u003e\n\u003ctd\u003e1 - Stereo mini\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Smartphone\u003c\/td\u003e\n\u003ctd\u003e1 - 4-pole mini input\/output (TRRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › USB\u003c\/td\u003e\n\u003ctd\u003e1 - USB: 4 Stereo Audio Channels (Streaming, Voice, AUX, FROM DAW)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › PHONES\u003c\/td\u003e\n\u003ctd\u003e2 - CH1: 6.3 mm (1\/4\") Stereo \/ HEADSET mini PHONES *Cannot be used simultaneously, CH2: PHONES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › Smartphone\u003c\/td\u003e\n\u003ctd\u003e1 - 4-pole mini input\/output (TRRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › MONITOR OUT\u003c\/td\u003e\n\u003ctd\u003e2 - LR Stereo: XLR, 1\/4 TRS Phone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › STEREO OUT\u003c\/td\u003e\n\u003ctd\u003e1 - MIX: LR Stereo TRS Phone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › USB\u003c\/td\u003e\n\u003ctd\u003e1 - USB: 4 Stereo Audio Channels (Streaming, Voice, AUX, TO DAW), 8 Channels Direct Out *In Windows environment, ASIO channel and USB 2.0 exist independently. Please check the block diagram for details.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Bus\u003c\/td\u003e\n\u003ctd\u003e4 Stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Functions\u003c\/td\u003e\n\u003ctd\u003eMUTE button x 5, CH1 FX preset button x 4, Sound pad x 6, +48 V phantom power x 2, GUITAR(HI-Z) x 1, PAD x 2, GAIN HIGH\/LOW x 1, LINE\/USB x 3, STREAMING ON\/OFF x 3, CUE x 1, MIX MINUS (CH1, 2)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › On-board processors › DSP\u003c\/td\u003e\n\u003ctd\u003eVoice Changer, Amp Simulator, COMP, EQ, REVERB (SPX Reverb), Delay, Ducker, Maximizer *Detail is operated on AG Controller\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › USB › USB Audio\u003c\/td\u003e\n\u003ctd\u003e8 IN \/ 14 OUT, USB Audio Class 2.0 Compliant, Sampling Frequency: Max. 48 kHz, Bit Depth: 24-bit, Type-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › USB › USB DC Power input\u003c\/td\u003e\n\u003ctd\u003e1 - Type-C, 5 V DC, 1.5 A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003eDC 12 V, 1.5 A \/ USB-C 5 V, 1.5 A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003eMax. 7.5 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e290 mm (11.5\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e88 mm (3.5\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e222 mm (8.8\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e2.2 kg (4.9 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Included Accessories\u003c\/td\u003e\n\u003ctd\u003eAC adapter PA-150B, USB 2.0 Cable (1.5 m), Quick Guide, Safety Guide, Wavelab Cast Download Information, Cubase AI Download Information\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eOperating Temperature: 0 to + 40 ℃\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268736917759,"sku":"AG08","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_3eaf415d-0264-420d-aef3-fc42af3db41d.jpg?v=1790011491"},{"product_id":"mg32-14fx","title":"Yamaha MG32\/14FX 32-Input Mixing Console","description":"\u003cp\u003eSerious Capacity for Live Sound and Installations\u003c\/p\u003e\u003ch3\u003eSerious live sound mixer with dual SPX built-in\u003c\/h3\u003e\u003cp\u003eThese 32-input and 24-input models are suitable for serious live sound applications in which a substantial number of sources must be handled efficiently. The MG32\/14FX and MG24\/14FX also feature dual Yamaha SPX effect processors built in, so you have everything you need for great sound right in the console. A comprehensive complement of auxiliary and group buses provides extensive mixing and signal routing versatility.\u003c\/p\u003e\u003ch3\u003eSerious Consoles for Live Sound or Installations\u003c\/h3\u003e\u003cp\u003eThe MG24\/14FX and MG32\/14FX are full-featured sound reinforcement consoles with capacity and capabilities that can handle demanding live sound applications. Choose the 24-input MG24\/14FX or 32-input MG32\/14FX according to the number of sources you need to handle. All other features are the same, including two renowned Yamaha SPX effect processors built in. Extensive routing capability is also provided for monitoring and external signal processing, as required by your application.\u003c\/p\u003e\u003ch3\u003eHigh Input Capacity for Live Sound\u003c\/h3\u003e\u003cp\u003eThe MG24\/14FX has 16 mono inputs and 4 stereo inputs, while the MG32\/14FX has 24 mono inputs and 4 stereo inputs. Input gain controls and pad switches allow optimum matching with the widest possible range of sources: microphone levels can be adjusted from -60 dB to +10 dB, while line levels can be adjusted from -34 dB to +10 dB. Channel peak indicators are provided to facilitate optimum level matching.\u003c\/p\u003e\u003ch3\u003eVersatile Inputs\u003c\/h3\u003e\u003cp\u003eThe monaural inputs provide both balanced XLR and phone jacks - that's channels 1 through 16 on the MG24\/14FX, and channels 1 through 24 on the MG32\/14FX. Two of the stereo inputs offer phone jacks as well as RCA pin jacks. Independent 2-track RCA pin jack inputs are also provided for input from CD players or other stereo line-level sources.\u003c\/p\u003e\u003ch3\u003eTop-quality Microphone Preamps\u003c\/h3\u003e\u003cp\u003eMicrophone preamplifiers play a vital role in determining the final sound of your mixes. The MG-series mixers feature low-noise, high-performance microphone preamplifiers that will bring out the best in dynamic and condenser type microphones. Microphone preamplifiers are provided on channels 1 through 16 of the MG24\/14FX, and on channels 1 through 24 of the MG32\/14FX.\u003c\/p\u003e\u003ch3\u003eSwitchable Phantom Power\u003c\/h3\u003e\u003cp\u003eThe MG mixer microphone preamplifiers provide 48-volt phantom power for studio-quality condenser microphones. Phantom power can be switched on or off for in 8-channel groups.\u003c\/p\u003e\u003ch3\u003eInsert I\/O\u003c\/h3\u003e\u003cp\u003eMono input channels feature insert patch points that can be used to insert external signal-processing devices into the channel's signal path. Insert I\/O points are also provided on the stereo bus (L and R) and on the four group buses.\u003c\/p\u003e\u003ch3\u003eMid-sweep 3-band Mono Channel EQ, 4-band Stereo Channel EQ\u003c\/h3\u003e\u003cp\u003eThe mono channels on both the MG24\/14FX and MG32\/14FX offer advanced EQ facilities: 3-band EQ with a 10 kHz shelving HIGH control, a 250 Hz ~ 5 kHz sweepable MID control, and a 100 Hz shelving LOW control. The microphone inputs also have switchable 80 Hz high-pass filters for low-frequency noise reduction. The stereo channels feature 4-band EQ with 10 kHz HIGH, 3 kHz HI MID, 800 Hz LO MID, and 100 HZ LOW controls.\u003c\/p\u003e\u003ch3\u003eMulti-bus Configuration with a Total of 14 Buses\u003c\/h3\u003e\u003cp\u003eIn addition to the main stereo bus that feeds the console's main outputs, the MG24\/14FX and MG32\/14FX feature four group buses for convenient sub-mix grouping, six auxiliary buses for monitoring and external effect send, and send buses for the two internal effect processors. That's a total of 14 buses in all for exceptionally flexible signal routing. The channel send knobs and bus assign switches make it easy to send the signal from each channel to the stereo, group, internal effect, and auxiliary buses as required.\u003c\/p\u003e\u003ch3\u003eAmple Sends and Returns\u003c\/h3\u003e\u003cp\u003eAll input channels have a total of six auxiliary sends: AUX send 1 through 4 can be switched for pre- or post-fader operation, while AUX sends 5 and 6 are post-fader. Two EFFECT sends are provided in addition to the six AUX sends. That's more than sufficient send capability to handle monitoring and effects for all but the most complex applications. Two stereo AUX returns are provided in addition to the internal effect returns, providing an extra margin of return versatility for wet monitoring, for example.\u003c\/p\u003e\u003ch3\u003eComprehensive Output Connectors\u003c\/h3\u003e\u003cp\u003eThe mixer's main stereo program signal is simultaneously delivered to the main stereo outputs (XLR jacks), the sub-stereo outputs (phone jacks), the REC OUT connectors (RCA pin jacks), the mono out (XLR jack), and the headphones output (stereo phone jack). Independent phone-jack outputs are also provided for group buses 1 through 4. So even if you need to feed a front-of-house system, monitors, a subwoofer, a master recorder, and other output lines simultaneously, the MG24\/14FX or MG32\/14FX will handle it.\u003c\/p\u003e\u003ch3\u003eReliable XLR Output Connectors\u003c\/h3\u003e\u003cp\u003eThe main stereo outputs and mono output feature rugged, reliable XLR type connectors. Not only do these connectors lock to minimize the chance of accidental disconnection, but they provide superior electrical contact for long-term dependability as well.\u003c\/p\u003e\u003ch3\u003eVariable LPF on the Mono Output\u003c\/h3\u003e\u003cp\u003eA low-pass filter with a roll-off frequency that can be varied from 80 to 120Hz is provided on the mono output for convenient connection and optimum matching with a subwoofer.\u003c\/p\u003e\u003ch3\u003e12-segment Level Meters\u003c\/h3\u003e\u003cp\u003eFour high-visibility 12-segment meters are switchable to allow precise visual monitoring of levels on the main stereo bus, the four group buses, the stereo 2-track input, the PFL (Pre-Fader Listen) bus, or the AFL (After-Fader Listen) bus.\u003c\/p\u003e\u003ch3\u003eHigh-performance Digital Effect Processors Built In\u003c\/h3\u003e\u003cp\u003eBoth the MG24\/14FX and MG32\/14FX contain a powerful pair of Yamaha digital signal processors that provide a useful selection of 16 advanced digital effects. Effect programs include reverb, delay, pitch change chorus, phaser, voice doubler, and distortion. The effects include editable parameters so they can be customized as required, and processor \"B\" even has a TAP switch for real-time tap-tempo entry. With these top-performance effect processors built in, you wont have to transport and set up racks of external effects to create your sound.\u003c\/p\u003e\u003ch3\u003eIlluminated Switches for High Visibility\u003c\/h3\u003e\u003cp\u003eThe channel ON switches, PFL (Pre-Fader Listen) switches and phantom power switches are original Yamaha illuminated types, so it's easy to visually check vital console settings.\u003c\/p\u003e\u003ch3\u003eTalkback for Convenient Communication\u003c\/h3\u003e\u003cp\u003eA talkback microphone input is provided for easy, efficient communication between the sound engineer and musicians and staff in live-sound applications, during setup, rehearsal, and the actual performance.\u003c\/p\u003e\u003ch3\u003eIntuitive Controls and High Reliability\u003c\/h3\u003e\u003cp\u003eThe design of the faders, rotary controls and switches used on the MG mixers, as well as the way they are laid out, allow easy operation and visual confirmation of settings.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Total Harmonic Distortion\u003c\/td\u003e\n\u003ctd\u003eLess than 0.1 % (THD+N) 20 Hz - 20 kHz @ +14 dB 600 Ω (ST OUT)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Frequency Response\u003c\/td\u003e\n\u003ctd\u003e0 +1, -3 dB 20 Hz - 20 kHz @ +4 dB 600 Ω (ST OUT)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input Hum \u0026amp; Noise\u003c\/td\u003e\n\u003ctd\u003e-128dB 20 Hz - 20 kHz, Rs=150 Ω, Input Gain=Maximum, Input Pad =OFF, Input sensitivity=-60 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-70dB @ 1kHz, Mic: 24+1 (Input A 1 - 24, Talk Back: XLR), Line: 24 (Input B 1 - 24: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH Input\u003c\/td\u003e\n\u003ctd\u003eLine: 24 (Input B 1 - 24: TRS), Stereo: 2 (Ch 25 - 26, 27 - 28:TRS) * Ch25, 27:L (MONO) 2 (Ch 29 - 30, 31 - 32: TRS\/RCA), Insert I\/O: 24 (Ch 1 - 24: TRS T: Out, R: In, S: Gnd)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › AUX\u003c\/td\u003e\n\u003ctd\u003eSend: 6 (1 - 2\/Post-Pre selectable, 3 - 4\/Post-Pre selectable, 5 - 6\/Post: TRS), Return: 2 Stereo Sub In (L\/MONO, R: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Effects\u003c\/td\u003e\n\u003ctd\u003eSend: 2 (1, 2: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › 2TR\u003c\/td\u003e\n\u003ctd\u003eIn: 1 Stereo (L, R: RCA)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › STEREO IN\u003c\/td\u003e\n\u003ctd\u003e1 Stereo (L, R: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Group IN\u003c\/td\u003e\n\u003ctd\u003e4 (1 - 4: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › REC Out\u003c\/td\u003e\n\u003ctd\u003e1 Stereo (L, R: RCA)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › ST OUT\u003c\/td\u003e\n\u003ctd\u003e1 Stereo (L, R: XLR)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Mono\u003c\/td\u003e\n\u003ctd\u003eOut: 1 (XLR)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › ST SUB\u003c\/td\u003e\n\u003ctd\u003eOut: 1 Stereo (L, R: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Group Out\u003c\/td\u003e\n\u003ctd\u003e4 (1 - 4: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Phones\u003c\/td\u003e\n\u003ctd\u003e1 (TRS Stereo)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Phantom Power\u003c\/td\u003e\n\u003ctd\u003e+ 48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH \u0026amp; ST Ch Input Gain Control\u003c\/td\u003e\n\u003ctd\u003e44 dB valiable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH \u0026amp; ST High pass filter\u003c\/td\u003e\n\u003ctd\u003e80 Hz 12 dB\/Octave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › High\u003c\/td\u003e\n\u003ctd\u003e10 kHz (Shelving)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › Mid\u003c\/td\u003e\n\u003ctd\u003e0.25-5 kHz (Peaking)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › Low\u003c\/td\u003e\n\u003ctd\u003e100 Hz (Shelving)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › High\u003c\/td\u003e\n\u003ctd\u003e10 kHz (Shelving)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Hi-Mid\u003c\/td\u003e\n\u003ctd\u003e3 kHz (Peaking)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Low-Mid\u003c\/td\u003e\n\u003ctd\u003e800 Hz (Peaking)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Low\u003c\/td\u003e\n\u003ctd\u003e100 Hz (Shelving)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › MONO Out Low Pass Filter\u003c\/td\u003e\n\u003ctd\u003e80 - 120 Hz 12dB\/octave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Internal Digital Effect\u003c\/td\u003e\n\u003ctd\u003eSPX x 2 (Effect 1: 16 Programs, Effect 2: 16 Programs :Parameter Control)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Product Dimension (W x H x D) \/ Weight (lbs.)\u003c\/td\u003e\n\u003ctd\u003e41.73\" x 5.90\" x 21.25\" \/ 52.91 lbs.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Power Requirements\u003c\/td\u003e\n\u003ctd\u003eUL\/CSA: 75 W 120 V\/60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268737016063,"sku":null,"price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_c1fe91b7-9016-4808-821f-a0e475e8d552.jpg?v=1790011490"},{"product_id":"mgp24x","title":"Yamaha MGP24X Mixing Console","description":"\u003cp\u003e24-Channel Premium Mixing Console\u003c\/p\u003e\u003cli\u003e16 Mic Inputs with 48V Phantom Power and HPF per Channel\u003c\/li\u003e\u003cli\u003e24 Line Inputs (16 mono and 4 stereo)\u003c\/li\u003e\u003cli\u003e6 AUX Sends + 2 FX Sends\u003c\/li\u003e\u003cli\u003e4 GROUP Buses + ST Bus\u003c\/li\u003e\u003cli\u003e2 Matrix out\u003c\/li\u003e\u003cli\u003e1 Mono out\u003c\/li\u003e\u003ch3\u003eDigital Heart. Analog Soul.\u003c\/h3\u003e\u003cp\u003eYamaha has provided an impressive range of lineups in professional audio since the release of the PM200 in 1972 - our first ever professional analog mixing console. In 1987, we also released our first digital mixer, the DMP7, and have subsequently advanced technological innovations in sound quality, reliability and advanced functionalities with cutting-edge digital technologies.\u003c\/p\u003e\u003cp\u003eDrawing from our decades of experience crafting innovative, premium analog gear, we originally developed our new discrete Class-A microphone preamps for professional use in our high-end recording equipment. Utilizing an inverted Darlington circuit design, our newly-refined D-PRE mic preamps deliver a fat, rich, smooth tone that gives the MGP Series a significant advantage over any other mixer in its class. With Yamaha's proprietary X-pressive EQ we've managed to capture ultimate analog authenticity by unlocking the mysterious secret behind the expressive sound shaping capabilities of sought-after classic EQ modules.\u003c\/p\u003e\u003cp\u003eAt the heart of the MGP's compact configuration, we've taken an innovative new approach to the utilization of digital technology in an analog mixer; adding high-resolution effects, iPod\/iPhone integration and the superb functionality of our new Stereo Hybrid Channel to the warmth and musicality of premium analog sound. The MGP Series represents the ultimate balance of the converging technologies that are the heart and soul of Yamaha's extraordinary achievements in professional audio.\u003c\/p\u003e\u003cp\u003eWhen it comes to audio engineering and sound reinforcement, the verdict is in—nothing beats the warmth and musicality of analog sound. By incorporating state-of-the-art digital technologies into the development process of our premium professional analog equipment, the MGP is the next step in the evolution of compact professional mixers.\u003c\/p\u003e\u003ch3\u003eD-PRE\u003c\/h3\u003e\u003cp\u003eThe preamp is where sound creation begins, and ultimately determines the character and quality of your overall mix. The importance of this critical first step inspired us to develop the most fat and warm sounding preamps possible—our newly refined D-PRE mic preamps. Initially intended for use with Yamaha's high-end recording gear, these studio-grade, discrete Class-A mic preamps employ an inverted Darlington circuit design that features multiple circuitry elements in a multi-layered configuration in order to deliver more power with lower impedance. This means all the character, depth and feel of your original signal will be delivered with fat, natural sounding bass and smooth, soaring highs. Rediscover a favourite mic or trusted instrument by capturing the full range of your musical expression with sound that you don't hear, so much as feel. With 48V phantom power for each channel and a sound that is incomparable in a compact mixer today, these studio-grade discrete Class-A mic preamps set the MGP apart, clearly defining a class all its own.\u003c\/p\u003e\u003cp\u003e*A schematic diagram of an inverted Darlington circuit. The red frame indicates the HOT signal, and the blue frame indicates the COLD signal.\u003c\/p\u003e\u003ch3\u003eX-pressive EQ\u003c\/h3\u003e\u003cp\u003eEveryone knows vintage EQ sounds great—but not everyone knows why. Throughout the development of the innovative VCM (Virtual Circuit Modeling) effects used in our high-end professional digital mixers, we became increasingly focused on reproducing the warmth and musicality of classic vintage EQs. It was through our precise modeling of the original circuitry of some of the most sought-after EQ modules from the past that we discovered a characteristic “X-shape” of the frequency curves that was unique to these units— and would ultimately prove essential to unlocking real vintage authenticity. More than just a means of tweaking your mix, the precise response and very steep shelving of the high and low frequencies make the X-pressive EQ a powerful sound-shaping tool that essentially redefines the role that EQ plays in sound reinforcement. Never before has an audio engineer's contribution to the overall sound been so significant, with X-pressive EQ providing complete control of every aspect of your sonic palette.\u003c\/p\u003e\u003cp\u003e*A frequency response graph for “X‑pressive EQ (e.g. Low Shelf)” comparing X‑pressive EQ and a typical EQ. The violet line represents X‑pressive EQ, and the light purple represents a typical EQ.\u003c\/p\u003e\u003ch3\u003e1-Knob Compressors\u003c\/h3\u003e\u003cp\u003eOriginally a Yamaha innovation, 1-knob compression is now a popular feature on an increasing number of compact mixing consoles with good reason. These intelligent compressors add optimally set compression to a wide variety of input sources with the touch of a single control—minus the hassle of setting up and configuring complex outboard gear. The MGP features our newly upgraded 1-knob compressors that feature LED indicators allowing you to visually monitor when the compression “kicks in” on each channel.\u003c\/p\u003e\u003ch3\u003eInternal Universal Power Supply\u003c\/h3\u003e\u003cp\u003eYou can plug in with confidence in any region with 100V-240V power thanks to our highly-efficient internal universal power supply. With its multi-voltage design, the MGP ensures worry-free operation in potentially damaging environments with fluctuating power levels. An Internal power supply also simplifies rack mounting of the console at installed applications, with no use for a bulky adapter or additional connections.\u003c\/p\u003e\u003cp\u003eThe MGP is the realization of a new approach towards the utilization of digital technologies in a mixer, offering simple, analog-style control of sophisticated DSP functions. One of the most compelling features of analog gear is the direct, hands-on, intuitive operation that unites the operator with the console. The MGP sought to keep this feel consistent throughout the design to offer a wealth of functionality, yet with a simple, familiar touch.\u003c\/p\u003e\u003ch3\u003eHybrid Channel\u003c\/h3\u003e\u003cp\u003e40 years of experience working with professional mixers has led Yamaha to offer a new way of approaching sound reinforcement in the digital age: the Stereo Hybrid Channel. Beneath the analog-style knobs and encoders of MGP Series mixing consoles lies a sophisticated digital control system—a fusion that combines traditional analog feel with the functionality that only digital technology can offer. The MGP Series utilizes a powerful, proprietary DSP to provide three essential features that are staples of both installed and live sound applications. In keeping with the theme of analog simplicity found throughout the MGP Series design, each of these functions is readily accessible and available at the touch of a button. Featuring a mid-sweep, three-band EQ for nuanced sound control and high-performance onboard A\/D and D\/A converters, the Stereo Hybrid Channel offers unique functionality with superior sound.\u003c\/p\u003e\u003ch3\u003ePriority Ducker\u003c\/h3\u003e\u003cp\u003eAn invaluable feature for applications that require both public-speaking and background music, Priority Ducker allows a microphone to take priority over another sound source automatically, just by speaking into the mic. Stop talking and the other sound source is brought back to its original level, therefore no console operator is required for this simple yet valuable function. You can even adjust the ducker attenuation of sound source depending on your preferences.\u003c\/p\u003e\u003ch3\u003eLeveler\u003c\/h3\u003e\u003cp\u003eThis intelligent compressor “auto levels” different tracks from a sound source that vary in volume, providing a more pleasurable listening experience. Ideal for small events with un-manned operation of your console, Yamaha's proprietary DSP algorithm allows for extended play time without the worry of fluctuating volume levels distracting your listeners.\u003c\/p\u003e\u003ch3\u003eDual Digital Effects\u003c\/h3\u003e\u003cp\u003eMGP Series mixing consoles offer two separate studio-grade effects processors for ultimate enhancement of your sound, with simple intuitive control. Yamaha's high-end REV-X reverb offers three very musical and natural high-resolution reverb effects: Hall, Room and Plate—a first for any Yamaha analog mixer. For more sound-shaping possibilities, Yamaha's renowned SPX digital multi-effect processor provides a useful selection of 16 advanced digital effects with editable parameters. Both processors can be used simultaneously, giving you a vast array of tools to colour your sound.\u003c\/p\u003e\u003ch3\u003eGraphic EQ (MGP32X\/24X)\u003c\/h3\u003e\u003cp\u003eThe new Graphic EQ feature 14 band and flex 9 band modes that can easily be controlled via internal display. This Flex EQ is also used in Yamaha’s pro-level CL series consoles. By limiting the number of bands for boost and cut, the extra DSP can be employed to narrow the filters to 1\/3 octave, and allow the user to sweep the filter to the range where adjustment is required. With 31 different filter positions, very fine adjustments can be made. Additionally, finding and reducing feedback is quick and easy using the offset\/gain controls to point out vulnerable frequencies before the feedback occurs.\u003c\/p\u003e\u003ch3\u003eMulti-band Compressor (MGP32X\/24X)\u003c\/h3\u003e\u003cp\u003eThe MGP32X A and MGP24X A are the first mixers in this class to be equipped with a master compressor on the stereo bus. Both a standard type (COMP) and a three-band divided (Multi-band) master compressor have been built in. Using a master compressor allows you to reduce the overall dynamic range of the signal to fit the environment, and protect the sound system from overloads. A total of 8 memory scenes (3 read only and 5 user defined) allow settings to easily be stored and recalled as needed quickly.\u003c\/p\u003e\u003ch3\u003eUSB Device Recording and PlayBack (MGP32X\/24X)\u003c\/h3\u003e\u003cp\u003eIt's easy to archive every performance when recording is this easy. The record function allows direct recording to a conventional USB storage device. Choose from Stereo Out or Matrix Out 1 and 2 as the source, and select WAV or MP3 as file formats. Playback of audio files is also supported with the USB device. You can easily route this to a hybrid channel or to monitor out.\u003c\/p\u003e\u003cp\u003e[Notice] Transfer speed requirements are strict for recordings made in WAV format. Normal recording may not be possible when using certain stick type USB memory devices. We recommend using a USB hard disk with a fast transfer speed or an SSD (Solid State Drive). When recording in MP3 format, any stick style USB memory, hard disk, or SSD can be used.\u003c\/p\u003e\u003ch3\u003eAs transfer speed requirements are strict for recordings made in WAV format\u003c\/h3\u003e\u003cp\u003eAs transfer speed requirements are strict for recordings made in WAV format, normal recording may not be possible when using USB memory. Accordingly,\u003c\/p\u003e\u003cp\u003ewe recommend recording to a hard disk with a fast transfer speed or to an SSD (Solid State Drive). When recording in MP3 format, USB memory, hard disk, and SSD may all be used.\u003c\/p\u003e\u003ch3\u003eWhen first using a USB memory immediately following purchase or formatting with the MGP32X A and MGP24X A\u003c\/h3\u003e\u003cp\u003eWhen first using a USB memory immediately following purchase or formatting with the MGP32X A and MGP24X A, and after pressing the record button, a message such as “Storage Full!” may appear on the screen (depending on the USB memory), after which it may be impossible to use the USB recorder function. This is due to an error relating to the information on the free space in the USB memory immediately following purchase or formatting. If the information on the free space in the USB memory is initialized, it might take too much time for the mixer to analyze the amount of free space.\u003c\/p\u003e\u003cp\u003eThis error can be avoided by copying a file into the USB memory, or performing some other file operation on it, thereby updating the free space information. When using a USB memory with the MGP32X A and MGP24X A, it is recommended that you first conduct the operation described above.\u003c\/p\u003e\u003cp\u003e(If the abovementioned condition occurs)\u003c\/p\u003e\u003cp\u003eRemove the USB memory from the mixer and turn the power off and then on again. When you use the USB memory again, carry out a file operation on a computer such as copying a file into the USB memory.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › Mixing channels\u003c\/td\u003e\n\u003ctd\u003e24 Line Inputs (16 mono and 4 stereo)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › GROUP\u003c\/td\u003e\n\u003ctd\u003e4 GROUP Buses + ST Bus\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › AUX\u003c\/td\u003e\n\u003ctd\u003e6 AUX Sends + 2 FX Sends\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › MATRIX\u003c\/td\u003e\n\u003ctd\u003e1 Matrix out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › On-board processors\u003c\/td\u003e\n\u003ctd\u003eFX1:REV-X(8 PROGRAM, PARAMETER control)\/ FX2:SPX(16 PROGRAM, PARAMETER control)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Mic inputs\u003c\/td\u003e\n\u003ctd\u003eMIC: 16 (INPUTS HPF: 100Hz 12dB\/oct)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Phantom power\u003c\/td\u003e\n\u003ctd\u003e48V phantom power per channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Line inputs\u003c\/td\u003e\n\u003ctd\u003eLINE: 16 mono + 4 stereo, CH INSERT: 16 RETURN: 1 stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Digital I\/O\u003c\/td\u003e\n\u003ctd\u003eUSB Device, iPod \/ iPhone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003e0.02% (20Hz-20kHz@ +14dBu)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003e+0.5\/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e-128 dBu Equivalent Input Noise\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e-92 dBu Residual Output Noise\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-74dB @ 1kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003e100-240V 50Hz\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e86W max\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e819mm (32.2\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e169mm (6.7\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e565mm (22.2\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e15.5kg (34.2lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268737212671,"sku":"MGP24X","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_19436418-5982-45a0-b4ca-71a74727895d.jpg?v=1790011491"},{"product_id":"broadcast-package-dek-br","title":"Yamaha Broadcast Package Audio Mixer (DEK-BR)","description":"\u003cp\u003eThe Broadcast Package (DEK-BR) is a software package that adds broadcast functionality to the DM7 and DM5 series.\u003c\/p\u003e\u003cli\u003eFunctions: Mix Minus, Fader Cue Release, Back Stop PFL, Audio Follow Video, Source Selection Mix Mode, Loudness Meter (Future update), Meter Scale, 5.1 Surround\u003c\/li\u003e\u003cp\u003eCapture the sound from the stage as-is and overlay the tones you need to bring the artist and audience together. The DM5 series delivers the mix you want every time by bringing speed, certainty, and creativity to the process of building your sound, offering a plethora of functions to support your work in a range of compact formats with polished, intuitive user interfaces. A carefully selected set of controls with freely customizable functions and parameters that elevate your workflow to the next level.\u003c\/p\u003e\u003cp\u003eBacked by over three decades of experience in this field, Yamaha provides undeniable reliability and uncompromising audio quality. By integrating seamlessly with your current processes, the DM5 series sets a new standard for professionals who are ready to take their workflows to the next stage.\u003c\/p\u003e\u003cp\u003eThe DM5 series honors Yamaha’s legacy of transparent sound , capturing sound direct from the stage that you can use to build and layer a mix that’s all your own. With powerful channel strip processing, effects, and plugins running on the PY-DSP, the DM5 series gives you everything you need to give free rein to your creativity and build your mix with confidence.\u003c\/p\u003e\u003ch3\u003eExceptional sound shaping starts with the channel strip.\u003c\/h3\u003e\u003cp\u003eExtensive dynamics.\u003c\/p\u003e\u003ch3\u003eAn extensive range of effects and plugins to shape your sound\u003c\/h3\u003e\u003cp\u003eThe built-in multi-effects processor provides 43 high-quality effect types, delivering a powerful toolkit that expands your sound-shaping possibilities.\u003c\/p\u003e\u003ch3\u003eA full range of I\/O to meet your needs\u003c\/h3\u003e\u003cp\u003eEveryone has a different workflow, and having your own is key to consistently achieving your sound. The DM5 series lets you tailor the operating styles and parameters for each operator, giving you everything you need to make your current workflow smoother and more intuitive.\u003c\/p\u003e\u003ch3\u003eCustomize the console to support efficient operations\u003c\/h3\u003e\u003ch3\u003eGlass keys overcome the limits of conventional buttons\u003c\/h3\u003e\u003ch3\u003eThe tilted display ensures comfortable operation in any environment\u003c\/h3\u003e\u003ch3\u003eAssist—focus on what matters\u003c\/h3\u003e\u003cp\u003eAssist functions on DM5 and DM7 models let the console help with engineering tasks, reducing setup and preparation time and giving you more time to focus on creative work.\u003c\/p\u003e\u003ch3\u003eTailor Your System. Shape Your Workflow.\u003c\/h3\u003e\u003cp\u003eConfigure DM5 series settings and add optional products to achieve usability and performance tailored to your operating style.\u003c\/p\u003e\u003cp\u003eIn a digital mixer, control functions are essential for achieving better sound, faster. The DM5 series offers seamless integration with other connected devices for two-way control, as well as remote operation capabilities that enhance your workflow. Together, these capabilities help bring performances to life.\u003c\/p\u003e\u003ch3\u003eCustomize controls your way\u003c\/h3\u003e\u003cp\u003eFreely assignable User Defined Knobs and a 4.3-inch display let you customize the interface to suit your preferences.\u003c\/p\u003e\u003ch3\u003eTotal control of your audio system\u003c\/h3\u003e\u003cp\u003eThe DM5 series offers control and monitoring of Yamaha I\/Os and power amplifiers as well as third-party wireless receivers, interfaces, and personal monitoring systems, providing a seamless workflow across your entire audio system.\u003c\/p\u003e\u003cli\u003eSupported device compatibility with RIVAGE PM\/DM7\/DM5\/CL\/QL\/DM3\/TF\u003c\/li\u003e\u003ch3\u003ePrepare offline, control from anywhere.\u003c\/h3\u003e\u003cp\u003eThe DM5 series supports the DM Editor application for Windows and Mac, enabling offline setup and editing for advance preparation as well as online backup management. Both the DM5 series and DM7 series work with this application, with mutually compatible console data files for smooth data exchange. StageMix and MonitorMix provide convenient remote control from anywhere in the venue, while ProVisionaire Control PLUS offers a versatile custom control platform that helps bring your ideal system operation to life.\u003c\/p\u003e\u003ch3\u003eDAW Remote—streamline music production\u003c\/h3\u003e\u003ch3\u003eCompact mixing without compromise\u003c\/h3\u003e\u003cp\u003eEverything you need, nothing you don’t.\u003c\/p\u003e\u003ch3\u003eGlass keys—Go beyond the limits of physical buttons\u003c\/h3\u003e\u003cp\u003eDynamic labeling that adapts instantly to the task at hand for intuitive control\u003c\/p\u003e\u003ch3\u003eTiltable display\u003c\/h3\u003e\u003cp\u003eAngle the display for optimal viewing in any environment\u003c\/p\u003e\u003ch3\u003eCustomizable controls\u003c\/h3\u003e\u003cp\u003eCustomize User Defined Keys and Fader Banks on the 4.3″ display for a more efficient, intuitive workflow.\u003c\/p\u003e\u003ch3\u003eFET Limiter\u003c\/h3\u003e\u003cp\u003eControl with Punch. Ultra-fast peak control with punch and energy.\u003c\/p\u003e\u003ch3\u003eDiode Bridge Comp\u003c\/h3\u003e\u003cp\u003eMix with Glue. Smooth, musical compression that adds depth and cohesion.\u003c\/p\u003e\u003ch3\u003eComp 260\u003c\/h3\u003e\u003cp\u003eShape with Impact. Versatile VCA-style compression for punchy drums, powerful instruments, and precise dynamics control.\u003c\/p\u003e\u003ch3\u003eLegacy Comp\u003c\/h3\u003e\u003cp\u003eKeep It Simple. Straightforward compression for fast setup and familiar operation.\u003c\/p\u003e\u003ch3\u003eGate\u003c\/h3\u003e\u003cp\u003eReduce the Noise. Helps reduce unwanted noise and signal leakage.\u003c\/p\u003e\u003ch3\u003eDe-Esser\u003c\/h3\u003e\u003cp\u003eSmooth the Highs. Controls excessive sibilance while maintaining clarity.\u003c\/p\u003e\u003ch3\u003eExpander\u003c\/h3\u003e\u003cp\u003ePreserve Dynamics. Reduces low-level noise while maintaining a natural response.\u003c\/p\u003e\u003ch3\u003eDucking\u003c\/h3\u003e\u003cp\u003ePriority Control.\u003c\/p\u003e\u003cp\u003eAutomatically creates space for priority signals.\u003c\/p\u003e\u003ch3\u003eReverb\u003c\/h3\u003e\u003cp\u003eNatural reverbs, including “REV HD” and “REV R3,” add a realistic sense of depth and space to your sound. Select your preferred reverb from 13 different types.\u003c\/p\u003e\u003ch3\u003eDelay\u003c\/h3\u003e\u003cp\u003eChoose from 8 types of delay to suit your needs.\u003c\/p\u003e\u003ch3\u003eModulation Effect\u003c\/h3\u003e\u003cp\u003eMultiple modulation effects can be used to add character to your sound.\u003c\/p\u003e\u003ch3\u003eSaturation and Others\u003c\/h3\u003e\u003cp\u003eShape your sound with saturation effects such as Amp Simulator, or refine the overall balance of your mix using the MBC3 multiband compressor.\u003c\/p\u003e\u003ch3\u003eI\/O Rack\u003c\/h3\u003e\u003cp\u003eThe DM5 series supports the full range of R series I\/O racks, letting you choose the best fit for your needs. All are built on the same concept: capturing sound direct from the stage to provide a solid foundation for sound shaping.\u003c\/p\u003e\u003cli\u003eSee the product page\u003c\/li\u003e\u003ch3\u003eRUio1608SB-D\u003c\/h3\u003e\u003cp\u003eFor live sound applications, the compact form of the RUio1608SB-D means that it can be placed on stage to capture live sound without getting in the way.\u003c\/p\u003e\u003cli\u003eSee the product page\u003c\/li\u003e\u003ch3\u003eRUio16FLX-D\u003c\/h3\u003e\u003cp\u003eThe RUio16FLX-D enables flexible assignment of analog I\/O and AES Out.\u003c\/p\u003e\u003cli\u003eSee the product page\u003c\/li\u003e\u003ch3\u003eRUio0804-D\u003c\/h3\u003e\u003cp\u003eWhen you need just a few more inputs or outputs, the RUio0804-D is the ideal solution for a wide range of applications.\u003c\/p\u003e\u003cli\u003eSee the product page\u003c\/li\u003e\u003ch3\u003eR Series (AD\/DA): 3rd-generation\u003c\/h3\u003e\u003cp\u003eRio-D3 models deliver high-quality audio across a wide range of applications, from large-scale tours to small live events.\u003c\/p\u003e\u003cli\u003eSee the product page\u003c\/li\u003e\u003cp\u003eNew controls combine hardware reliability with software flexibility.\u003c\/p\u003e\u003cp\u003eThe glass keys on the display provide the tactile response of physical buttons when pressed, while dynamic labeling below the keys labeling enhances usability.\u003c\/p\u003e\u003cp\u003eThoroughly tested for durability, ensuring hardware reliability.\u003c\/p\u003e\u003cp\u003eUnlike buttons with printed function names, these keys built into the display can change their labels dynamically to match their functions. For example, when Sends on Fader is active, the “ON” key label changes to “SEND ON.”\u003c\/p\u003e\u003cp\u003eFour adjustable angles ensure that the display can always be set to the perfect position for operation.\u003c\/p\u003e\u003cp\u003eAdjusting the display angle minimizes reflections from sunlight or overhead lighting.\u003c\/p\u003e\u003cp\u003eYou can find a comfortable viewing angle to suit your working position, whether standing or seated.\u003c\/p\u003e\u003cp\u003eHA Assist suggests optimal head amp levels based on the input signal levels.\u003c\/p\u003e\u003cp\u003eNaming Assist suggests channel names and icons based on input signal data.\u003c\/p\u003e\u003cp\u003eComp Assist suggests appropriate compressor parameter values based on the audio source, helping you build the foundation of your mix.\u003c\/p\u003e\u003cp\u003eFader Assist suggests a balance of fader levels for the channels it is assigned to.\u003c\/p\u003e\u003cp\u003eLocated within easy reach of the operator, the 4.3-inch display features six glass keys that can be freely assigned parameters. The display can also be configured to display the User Defined Keys and Fader Bank Select to suit your preferences.\u003c\/p\u003e\u003cp\u003eFour User Defined Knobs beside the screen provide flexible hands-on control, allowing operators to assign their preferred parameters as they like. In addition, Dynamic Mode automatically follows selections in Selected Channel View and assigns the relevant function parameters, combining intuitive operation with customizable control tailored to each operator’s workflow.\u003c\/p\u003e\u003cp\u003eMonitoring and control are supported for some 3rd-party wireless receivers. Supported devices: (confirmation required)\u003c\/p\u003e\u003cp\u003eRemote control of mute and volume is supported on PC series amplifiers and other Yamaha power amplifiers and powered speakers, as well as the NEXO NXAMP.\u003c\/p\u003e\u003cp\u003eRemote control of head amps, phantom power, and other parameters is supported on the RUio1608SB-D and other Yamaha I\/O devices. (The parameters that can be controlled depend on the model.)\u003c\/p\u003e\u003ch3\u003eDM Editor\u003c\/h3\u003e\u003cp\u003eThe DM5 series and DM Editor share a common GUI, ensuring quick, intuitive operation with no learning curve. Faders can also be shown on the editor app, allowing precise adjustments over a wireless connection even when far from the console.\u003c\/p\u003e\u003ch3\u003eDM StageMix\u003c\/h3\u003e\u003cp\u003eDM StageMix offers remote control from an iPad, ideal for fine-tuning monitoring from the stage and making adjustments from different positions in the audience. Two iPads can be connected via a Wi-Fi access point connected to the console, enabling simultaneous remote operation.\u003c\/p\u003e\u003ch3\u003eMonitorMix\u003c\/h3\u003e\u003cp\u003eThe DM5 series also supports MonitorMix, an app that can be used as a personal monitoring system for performers. Access can also be password-protected, ensuring settings remain secure and allowing performers to use it with confidence.\u003c\/p\u003e\u003ch3\u003eProVisionaire Control PLUS\u003c\/h3\u003e\u003cp\u003eUse ProVisionaire Control PLUS to create custom controllers that bring together just the parameters you want.\u003c\/p\u003e\u003ch3\u003eProVisionaire Kiosk\u003c\/h3\u003e\u003cp\u003eIn restaurants and other venues with live music, staff unfamiliar with the mixer may need to operate it, for example, to play background music (BGM) between sets. ProVisionaire Control PLUS lets you create a custom controller with just a BGM fader and a play button, simplifying operation and preventing mistakes.\u003c\/p\u003e\u003cp\u003eDAW Remote functions help streamline your audio production and recording workflow by synchronizing the console with a DAW for tactile control of level adjustments, transport functions, and more, using the DM5’s faders, buttons, and knobs. Access to DAW Remote Mode is easy—just press the fader bank DCA and select “DAW Remote.”\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268738523391,"sku":null,"price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_0c6f45c0-e6eb-4455-a7d4-7b8632917fc3.jpg?v=1790011492"},{"product_id":"mgp24x-a","title":"Yamaha MGP24X A Mixing Console","description":"\u003cp\u003e24-Channel Premium Mixing Console\u003c\/p\u003e\u003cli\u003e16 Mic Inputs with 48V Phantom Power and HPF per Channel\u003c\/li\u003e\u003cli\u003e24 Line Inputs (16 mono and 4 stereo)\u003c\/li\u003e\u003cli\u003e6 AUX Sends + 2 FX Sends\u003c\/li\u003e\u003cli\u003e4 GROUP Buses + ST Bus\u003c\/li\u003e\u003cli\u003e2 Matrix out\u003c\/li\u003e\u003cli\u003e1 Mono out\u003c\/li\u003e\u003ch3\u003eDigital Heart. Analog Soul.\u003c\/h3\u003e\u003cp\u003eYamaha has provided an impressive range of lineups in professional audio since the release of the PM200 in 1972 - our first ever professional analog mixing console. In 1987, we also released our first digital mixer, the DMP7, and have subsequently advanced technological innovations in sound quality, reliability and advanced functionalities with cutting-edge digital technologies.\u003c\/p\u003e\u003cp\u003eDrawing from our decades of experience crafting innovative, premium analog gear, we originally developed our new discrete Class-A microphone preamps for professional use in our high-end recording equipment. Utilizing an inverted Darlington circuit design, our newly-refined D-PRE mic preamps deliver a fat, rich, smooth tone that gives the MGP Series a significant advantage over any other mixer in its class. With Yamaha's proprietary X-pressive EQ we've managed to capture ultimate analog authenticity by unlocking the mysterious secret behind the expressive sound shaping capabilities of sought-after classic EQ modules.\u003c\/p\u003e\u003cp\u003eAt the heart of the MGP's compact configuration, we've taken an innovative new approach to the utilization of digital technology in an analog mixer; adding high-resolution effects, iPod\/iPhone integration and the superb functionality of our new Stereo Hybrid Channel to the warmth and musicality of premium analog sound. The MGP Series represents the ultimate balance of the converging technologies that are the heart and soul of Yamaha's extraordinary achievements in professional audio.\u003c\/p\u003e\u003cp\u003eWhen it comes to audio engineering and sound reinforcement, the verdict is in—nothing beats the warmth and musicality of analog sound. By incorporating state-of-the-art digital technologies into the development process of our premium professional analog equipment, the MGP is the next step in the evolution of compact professional mixers.\u003c\/p\u003e\u003ch3\u003eD-PRE\u003c\/h3\u003e\u003cp\u003eThe preamp is where sound creation begins, and ultimately determines the character and quality of your overall mix. The importance of this critical first step inspired us to develop the most fat and warm sounding preamps possible—our newly refined D-PRE mic preamps. Initially intended for use with Yamaha's high-end recording gear, these studio-grade, discrete Class-A mic preamps employ an inverted Darlington circuit design that features multiple circuitry elements in a multi-layered configuration in order to deliver more power with lower impedance. This means all the character, depth and feel of your original signal will be delivered with fat, natural sounding bass and smooth, soaring highs. Rediscover a favourite mic or trusted instrument by capturing the full range of your musical expression with sound that you don't hear, so much as feel. With 48V phantom power for each channel and a sound that is incomparable in a compact mixer today, these studio-grade discrete Class-A mic preamps set the MGP apart, clearly defining a class all its own.\u003c\/p\u003e\u003cp\u003e*A schematic diagram of an inverted Darlington circuit. The red frame indicates the HOT signal, and the blue frame indicates the COLD signal.\u003c\/p\u003e\u003ch3\u003eX-pressive EQ\u003c\/h3\u003e\u003cp\u003eEveryone knows vintage EQ sounds great—but not everyone knows why. Throughout the development of the innovative VCM (Virtual Circuit Modeling) effects used in our high-end professional digital mixers, we became increasingly focused on reproducing the warmth and musicality of classic vintage EQs. It was through our precise modeling of the original circuitry of some of the most sought-after EQ modules from the past that we discovered a characteristic “X-shape” of the frequency curves that was unique to these units— and would ultimately prove essential to unlocking real vintage authenticity. More than just a means of tweaking your mix, the precise response and very steep shelving of the high and low frequencies make the X-pressive EQ a powerful sound-shaping tool that essentially redefines the role that EQ plays in sound reinforcement. Never before has an audio engineer's contribution to the overall sound been so significant, with X-pressive EQ providing complete control of every aspect of your sonic palette.\u003c\/p\u003e\u003cp\u003e*A frequency response graph for “X‑pressive EQ (e.g. Low Shelf)” comparing X‑pressive EQ and a typical EQ. The violet line represents X‑pressive EQ, and the light purple represents a typical EQ.\u003c\/p\u003e\u003ch3\u003e1-Knob Compressors\u003c\/h3\u003e\u003cp\u003eOriginally a Yamaha innovation, 1-knob compression is now a popular feature on an increasing number of compact mixing consoles with good reason. These intelligent compressors add optimally set compression to a wide variety of input sources with the touch of a single control—minus the hassle of setting up and configuring complex outboard gear. The MGP features our newly upgraded 1-knob compressors that feature LED indicators allowing you to visually monitor when the compression “kicks in” on each channel.\u003c\/p\u003e\u003ch3\u003eInternal Universal Power Supply\u003c\/h3\u003e\u003cp\u003eYou can plug in with confidence in any region with 100V-240V power thanks to our highly-efficient internal universal power supply. With its multi-voltage design, the MGP ensures worry-free operation in potentially damaging environments with fluctuating power levels. An Internal power supply also simplifies rack mounting of the console at installed applications, with no use for a bulky adapter or additional connections.\u003c\/p\u003e\u003cp\u003eThe MGP is the realization of a new approach towards the utilization of digital technologies in a mixer, offering simple, analog-style control of sophisticated DSP functions. One of the most compelling features of analog gear is the direct, hands-on, intuitive operation that unites the operator with the console. The MGP sought to keep this feel consistent throughout the design to offer a wealth of functionality, yet with a simple, familiar touch.\u003c\/p\u003e\u003ch3\u003eHybrid Channel\u003c\/h3\u003e\u003cp\u003e40 years of experience working with professional mixers has led Yamaha to offer a new way of approaching sound reinforcement in the digital age: the Stereo Hybrid Channel. Beneath the analog-style knobs and encoders of MGP Series mixing consoles lies a sophisticated digital control system—a fusion that combines traditional analog feel with the functionality that only digital technology can offer. The MGP Series utilizes a powerful, proprietary DSP to provide three essential features that are staples of both installed and live sound applications. In keeping with the theme of analog simplicity found throughout the MGP Series design, each of these functions is readily accessible and available at the touch of a button. Featuring a mid-sweep, three-band EQ for nuanced sound control and high-performance onboard A\/D and D\/A converters, the Stereo Hybrid Channel offers unique functionality with superior sound.\u003c\/p\u003e\u003ch3\u003ePriority Ducker\u003c\/h3\u003e\u003cp\u003eAn invaluable feature for applications that require both public-speaking and background music, Priority Ducker allows a microphone to take priority over another sound source automatically, just by speaking into the mic. Stop talking and the other sound source is brought back to its original level, therefore no console operator is required for this simple yet valuable function. You can even adjust the ducker attenuation of sound source depending on your preferences.\u003c\/p\u003e\u003ch3\u003eLeveler\u003c\/h3\u003e\u003cp\u003eThis intelligent compressor “auto levels” different tracks from a sound source that vary in volume, providing a more pleasurable listening experience. Ideal for small events with un-manned operation of your console, Yamaha's proprietary DSP algorithm allows for extended play time without the worry of fluctuating volume levels distracting your listeners.\u003c\/p\u003e\u003ch3\u003eDual Digital Effects\u003c\/h3\u003e\u003cp\u003eMGP Series mixing consoles offer two separate studio-grade effects processors for ultimate enhancement of your sound, with simple intuitive control. Yamaha's high-end REV-X reverb offers three very musical and natural high-resolution reverb effects: Hall, Room and Plate—a first for any Yamaha analog mixer. For more sound-shaping possibilities, Yamaha's renowned SPX digital multi-effect processor provides a useful selection of 16 advanced digital effects with editable parameters. Both processors can be used simultaneously, giving you a vast array of tools to colour your sound.\u003c\/p\u003e\u003ch3\u003eGraphic EQ (MGP32X\/24X)\u003c\/h3\u003e\u003cp\u003eThe new Graphic EQ feature 14 band and flex 9 band modes that can easily be controlled via internal display. This Flex EQ is also used in Yamaha’s pro-level CL series consoles. By limiting the number of bands for boost and cut, the extra DSP can be employed to narrow the filters to 1\/3 octave, and allow the user to sweep the filter to the range where adjustment is required. With 31 different filter positions, very fine adjustments can be made. Additionally, finding and reducing feedback is quick and easy using the offset\/gain controls to point out vulnerable frequencies before the feedback occurs.\u003c\/p\u003e\u003ch3\u003eMulti-band Compressor (MGP32X\/24X)\u003c\/h3\u003e\u003cp\u003eThe MGP32X A and MGP24X A are the first mixers in this class to be equipped with a master compressor on the stereo bus. Both a standard type (COMP) and a three-band divided (Multi-band) master compressor have been built in. Using a master compressor allows you to reduce the overall dynamic range of the signal to fit the environment, and protect the sound system from overloads. A total of 8 memory scenes (3 read only and 5 user defined) allow settings to easily be stored and recalled as needed quickly.\u003c\/p\u003e\u003ch3\u003eUSB Device Recording and PlayBack (MGP32X\/24X)\u003c\/h3\u003e\u003cp\u003eIt's easy to archive every performance when recording is this easy. The record function allows direct recording to a conventional USB storage device. Choose from Stereo Out or Matrix Out 1 and 2 as the source, and select WAV or MP3 as file formats. Playback of audio files is also supported with the USB device. You can easily route this to a hybrid channel or to monitor out.\u003c\/p\u003e\u003cp\u003e[Notice] Transfer speed requirements are strict for recordings made in WAV format. Normal recording may not be possible when using certain stick type USB memory devices. We recommend using a USB hard disk with a fast transfer speed or an SSD (Solid State Drive). When recording in MP3 format, any stick style USB memory, hard disk, or SSD can be used.\u003c\/p\u003e\u003ch3\u003eAs transfer speed requirements are strict for recordings made in WAV format\u003c\/h3\u003e\u003cp\u003eAs transfer speed requirements are strict for recordings made in WAV format, normal recording may not be possible when using USB memory. Accordingly,\u003c\/p\u003e\u003cp\u003ewe recommend recording to a hard disk with a fast transfer speed or to an SSD (Solid State Drive). When recording in MP3 format, USB memory, hard disk, and SSD may all be used.\u003c\/p\u003e\u003ch3\u003eWhen first using a USB memory immediately following purchase or formatting with the MGP32X A and MGP24X A\u003c\/h3\u003e\u003cp\u003eWhen first using a USB memory immediately following purchase or formatting with the MGP32X A and MGP24X A, and after pressing the record button, a message such as “Storage Full!” may appear on the screen (depending on the USB memory), after which it may be impossible to use the USB recorder function. This is due to an error relating to the information on the free space in the USB memory immediately following purchase or formatting. If the information on the free space in the USB memory is initialized, it might take too much time for the mixer to analyze the amount of free space.\u003c\/p\u003e\u003cp\u003eThis error can be avoided by copying a file into the USB memory, or performing some other file operation on it, thereby updating the free space information. When using a USB memory with the MGP32X A and MGP24X A, it is recommended that you first conduct the operation described above.\u003c\/p\u003e\u003cp\u003e(If the abovementioned condition occurs)\u003c\/p\u003e\u003cp\u003eRemove the USB memory from the mixer and turn the power off and then on again. When you use the USB memory again, carry out a file operation on a computer such as copying a file into the USB memory.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › Mixing channels\u003c\/td\u003e\n\u003ctd\u003e24 Line Inputs (16 mono and 4 stereo)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › GROUP\u003c\/td\u003e\n\u003ctd\u003e4 GROUP Buses + ST Bus\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › AUX\u003c\/td\u003e\n\u003ctd\u003e6 AUX Sends + 2 FX Sends\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › MATRIX\u003c\/td\u003e\n\u003ctd\u003e1 Matrix out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › On-board processors\u003c\/td\u003e\n\u003ctd\u003eFX1:REV-X(8 PROGRAM, PARAMETER control)\/ FX2:SPX(16 PROGRAM, PARAMETER control)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Mic inputs\u003c\/td\u003e\n\u003ctd\u003eMIC: 16 (INPUTS HPF: 100Hz 12dB\/oct)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Phantom power\u003c\/td\u003e\n\u003ctd\u003e48V phantom power per channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Line inputs\u003c\/td\u003e\n\u003ctd\u003eLINE: 16 mono + 4 stereo, CH INSERT: 16 RETURN: 1 stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Digital I\/O\u003c\/td\u003e\n\u003ctd\u003eUSB Device, iPod \/ iPhone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003e0.02% (20Hz-20kHz@ +14dBu)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003e+0.5\/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e-128 dBu Equivalent Input Noise\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e-92 dBu Residual Output Noise\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-74dB @ 1kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003e100-240V 50Hz\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e86W max\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e819mm (32.2\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e169mm (6.7\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e565mm (22.2\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e15.5kg (34.2lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268738654463,"sku":null,"price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_6a29d007-20d6-4ca5-9920-df09b94ca071.jpg?v=1790011492"},{"product_id":"broadcast-package-dek-dm7-br","title":"Yamaha Broadcast Package Audio Mixer (DEK-DM7-BR)","description":"\u003cp\u003eThe Broadcast Package (DEK-DM7-BR) is a software package that adds broadcast functionality to the DM7 series.\u003c\/p\u003e\u003cli\u003eFunctions: Mix Minus, Fader Cue Release, Back Stop PFL, Audio Follow Video, Source Selection Mix Mode, Loudness Meter, Meter Scale, 5.1 Surround V1.6 or later.\u003c\/li\u003e\u003ch3\u003eDriven by Music. Defined by Quality.\u003c\/h3\u003e\u003cp\u003eMore than 30 years since the release of Yamaha’s first digital mixer, the DMP7, the landscape of professional audio has seen a steady progression in technological advancements and innovations that have impacted mixing and recording styles significantly.\u003c\/p\u003e\u003cp\u003eDM7 series mixing consoles represent a sizable step forward in this evolution of form, functionality, and flexibility with their intuitive UI, compact design, and comprehensive suite of powerful features that allow them to outperform other mixers in their class in an impressive range of audio environments. From broadcasting, streaming, and music production, to live hybrid events and concert performances, the advanced capabilities of the DM7 series set a new standard in operability and workflow while simultaneously staying true to Yamaha’s sonic tradition of “natural sound”. As the times continue to change, your DM7 will keep you ahead of the curve with a user experience that’s a cut above anything in its class, and sonic performance well beyond the expectations of audiences and engineers alike.\u003c\/p\u003e\u003cp\u003eThe DM7 series is an innovative digital mixer lineup that not only guarantees unparalleled sound quality, ease of operation, and high reliability to connect engineers, artists, and audiences, but is also highly scalable and flexible enough to adapt according to application. A DM7 setup can take on a variety of configurations depending on the engineer's preferences and can support a wide range of sonic environments.\u003c\/p\u003e\u003cp\u003eDue to their compact yet flexible design, DM7 series mixers can be used in a wide range of audio applications. With their comprehensive functionality, expansion options, and outstanding ease of use, DM7 consoles excel in a truly impressive array of use cases.\u003c\/p\u003e\u003cp\u003eThe DM7 series is a versatile digital mixer that combines unparalleled sound quality with seamless operation and expandability that affords users a comfortable yet creative engineering workflow, while providing audiences with a memorable sonic experience. With its comprehensive suite of mixing tools and flexible expansion options, the DM7 series has you covered in any environment that requires top quality sound, and gives you the capability to meet the ever-changing demands of an expansive range of mixing applications.\u003c\/p\u003e\u003cp\u003eThroughout Yamaha's long history of developing state-of-the-art digital mixers, there is one concept that we have consistently adhered too— the ideal starting point for sound creation is a totally natural, or “transparent” sound. This concept of natural sound is exemplified by the DM7 series high-end input section, producing a high-fidelity, uncolored sound that serves as the engineer's canvass to color, shape, and recreate, using the DM7 series built-in plug-ins, EQ, and dynamics. All in all, the DM7 series has evolved in every aspect to help engineers create their ideal sound.\u003c\/p\u003e\u003cp\u003eYamaha digital mixers are known for offering a high level of operability that professional users demand, staying up to date with the constantly evolving state of the art. The M7CL offers analog-like operability; the CL series, a more refined operation with a brushed-up version of Centralogic; and the DM7 series puts an emphasis on intuitive operation and high efficiency via multiple displays and an advanced Selected Channel View.\u003c\/p\u003e\u003cp\u003eAudio Engineers are far more than just concert staff doing “background work”. They may not be on stage, but they are an integral part of a live performance and require a high level of expertise, broad experience, and a sophisticated musicality that supports the artists' musical expression.\u003c\/p\u003e\u003cp\u003eYamaha has been manufacturing musical instruments for over 130 years, and it is always a consideration during the design process to not only make a great sounding, eminently playable instrument, but also to focus on the form and aesthetic and how it will complement the artist playing it.\u003c\/p\u003e\u003cp\u003eIn the DM7 series, we designed the consoles to be easy to operate so that mixing engineers can use them confidently and creatively even in challenging situations, while at the same time making them look sleek and attractive when they are being operated by the engineering artist helming them.\u003c\/p\u003e\u003cp\u003eEngineers are required to deftly respond to the various demands of each artist and client on a daily basis to deliver the best sound possible to their audiences. Yamaha has enabled the DM7 series with cutting-edge technologies that allow engineers to focus on being creative in a limited time frame and establish a fast and efficient workflow without compromise.\u003c\/p\u003e\u003cp\u003eChoosing and configuring an ideal system setup depends on the operator, the venue, and the type and magnitude of an event. The DM7 series allows users to tailor their system to their preferences and to streamline their workflow with compatible devices and dedicated software.\u003c\/p\u003e\u003ch3\u003eOff to a solid start\u003c\/h3\u003e\u003cp\u003eIt all starts with your sound, and if the input section of your mixer is compromised or lacking in any way, your mix isn't likely to meet your, or your audience’s expectations. To meet our own very strict standard of sound quality, the inputs of Yamaha consoles and I\/Os are meticulously designed and constructed. We take every aspect of the initial input stage into consideration in order to achieve our signature “transparent sound”, from the individual components, power supply, and grounding, to the circuit layout, and mechanical structure of the inputs.\u003c\/p\u003e\u003cp\u003eIn addition, the DM7 series supports sample rates up to 96kHz for superior, high-resolution sound quality.\u003c\/p\u003e\u003ch3\u003ePowerful Channel Strip\u003c\/h3\u003e\u003cp\u003eThe DM7 series Channel Strip is equipped with numerous advanced functions for convenient, intuitive sound creation. In addition to the Channel EQ inherited from the RIVAGE PM, the newly added FET Limiter and Diode Bridge Compressor offer expanded dynamics control, while the new “History” function combines with the existing comps and gates for easier and more precise dynamics adjustment than ever. The “Mix Balance” parameter is yet another new function that allows you to easily mix the original sound with a compressed sound and apply parallel compression. In addition, the order of EQ and Dynamics 2 can now be changed to suit your creative preferences, further expanding the range of sound creation.\u003c\/p\u003e\u003cp\u003eThe DM7 series also features the Dan Dugan automatic mixer with up to 64 channels in the channel strip as a standard feature. In cooperation with Dan Dugan Sound Design, a US company renowned for its proprietary algorithm-based automatic microphone mixer, the automatic mixer function can be conveniently accessed from the channel strip without the need for EQ RACK resources.\u003c\/p\u003e\u003cp\u003eThe input meters now also include a histogram display to help adjust HA levels.\u003c\/p\u003e\u003ch3\u003eExtensive plug-ins and new effects\u003c\/h3\u003e\u003cp\u003eThe DM7 series is equipped with an extensive suite of plug-ins to accommodate a wide range of applications, including VCM models of the renowned Portico 5033 equalizer and Portico 5043 compressor\/limiter— both developed through close cooperation with Rupert Neve Designs. Also included are Yamaha's original plug-ins, such as the DaNSe dynamic noise suppressor, and the Dynamic EQ, which are well known among audio engineers.\u003c\/p\u003e\u003cp\u003eThe FX RACK features high-quality multi-effects processors with forty-three types of high-grade effects including the newly equipped REV HD and REV R3 to inspire a broader depth of creative sound reproduction.\u003c\/p\u003e\u003ch3\u003eAdvanced GUI for intuitive control\u003c\/h3\u003e\u003cp\u003eThe DM7 series advanced graphical user interface is an audio engineer’s delight, offering the ultimate in touch operation convenience that gives users instant intuitive access to the console’s impressive depth of functionality.\u003c\/p\u003e\u003cp\u003eThe Selected Channel View, which provides a list of operational information on the channel strip, retains the best aspects of previous GUI’s but with an updated operation format that requires fewer steps and less time than ever before.\u003c\/p\u003e\u003cp\u003eThe same familiar touch screen operation that you use in your daily life is now available on your mixer.\u003c\/p\u003e\u003ch3\u003eConfigure the ideal DM7 system to suit your workflow\u003c\/h3\u003e\u003cp\u003eThe DM7 series ranges from the full-featured DM7-EX, which combines a large 2-bay DM7 with a DM7 control panel equipped with a physical controller, to the rack-mountable DM7 Compact, which is powerful and flexible despite its compact size. With four DM7 systems in total, bundled software, controllable devices, and more, this versatile lineup makes it easier than ever to find the perfect fit for your mixing style, environment, and workflow.\u003c\/p\u003e\u003ch3\u003eUtility screen for streamlined performance\u003c\/h3\u003e\u003cp\u003eThe DM7 series multiple touch screens provide fast, intuitive operability that will make your mixing experience easier and more enjoyable. The large 12-inch screen provides convenient operation that will allow you to focus more energy on sound creation, and includes the Selected Channel View which ensures all the relevant mixing information you need is close at hand. The newly added 7-inch Utility screen allows you to monitor essentials such as Scene List, User Defined Keys, and Meter at all times for quick and efficient operation.\u003c\/p\u003e\u003ch3\u003eAdvanced Selected Channel View and visible Overview\u003c\/h3\u003e\u003cp\u003eThe DM7 series inherited the Selected Channel View and Overview from the RIVAGE PM series, but also features an updated, more intuitive operation, suitable for the increasing demands of the current state of the art. The Selected Channel View provides a list of important information for each individual channel, giving you quick access to the parameters you want to adjust. It also incorporates the advantages of touch panel operation to reduce the number of steps required to carry out tasks.\u003c\/p\u003e\u003cp\u003eOverview, which enables analog console-like operation, is also still available. It lists information on multiple channels, allowing quick access to the parameters of the channel you’re using.\u003c\/p\u003e\u003ch3\u003eYour settings in your language\u003c\/h3\u003e\u003cp\u003eThe DM7 series features a multi-language option for individual channel names enabling more comfortable and intuitive operation. Displaying the names of artists and instruments in native languages will also help operators with limited audio production or sound reinforcement experience to operate the system.\u003c\/p\u003e\u003cp\u003e* Multi-language channel names can be inputted via the Editor or StageMix.\u003c\/p\u003e\u003ch3\u003eFunctional and attractive layout\u003c\/h3\u003e\u003cp\u003eStrip lights illuminate fader surfaces to give engineers an advantage in darkened live venues. However, conventional mixing consoles have lacked a sense of uniformity with the strip lights often protruding unattractively. With the DM7 series, we designed the side pad connecting the strip light and fader surfaces with a smooth curve, creating a sense of unity. The shape of the side pad prevents light leakage from the strip light while serving as a guard to prevent accidental contact with USB memory sticks, knobs, etc.\u003c\/p\u003e\u003ch3\u003eConsistent user experience\u003c\/h3\u003e\u003cp\u003eMixing engineers must set up, and create the best sound possible within a tight timeframe, but because the environment and equipment used varies from venue to venue, a console that is difficult to operate can increase workload. The DM7 series layout of buttons and knobs, functions, and graphics all adopt interface standards from other Yamaha series mixers for a familiar feel.\u003c\/p\u003e\u003cp\u003eThe DM7 series also inherits the smooth lines of the RIVAGE PM, CL, and QL consoles achieving a consistent design in terms of both operability and modeling.\u003c\/p\u003e\u003ch3\u003eCompact and lightweight construction for easy setup and transport\u003c\/h3\u003e\u003cp\u003eEase of transport and a fast setup are among the most important features for mixing consoles in most environments and applications. With the DM7 series, the angle of the display, the pitch of the faders and buttons, and the position of the strip lights have all been carefully designed to maintain the high operability and visibility of the display in a compact chassis. The DM7 Compact can also be rack-mounted by removing the side pads, making the most of limited space at live sites.\u003c\/p\u003e\u003ch3\u003eSplit Mode turns one console into two mixers\u003c\/h3\u003e\u003cp\u003eSplit Mode allows you to use one mixer as if it were two. Even if you only have one DM7 series console due to space limitations, you can mix FOH and Monitor, or FOH and Streaming, etc. just as you would with two separate consoles.\u003c\/p\u003e\u003ch3\u003e\"Assist\" lets you focus your creativity\u003c\/h3\u003e\u003cp\u003eYamaha digital mixers have always evolved along with emerging technologies, and perhaps even more importantly, we have adapted a lot of their functionality and operability in response to feedback and input from the people that use our mixers on a daily basis. The DM7 series newly added “Assist”, is an efficient new feature that takes care of important, but more procedural tasks, allowing operators to hone their creative workflow. Assist is a function that “suggests” HA adjustment, naming, and balanced fader levels—all audio engineering essentials— to help engineers focus on more creative work and communication, thereby reducing setup and preparation time. HA Assist suggests a suitable HA level according to the input signal level, Naming Assist uses input signal information to suggest an icon\/channel name for each channel, and Fader Assist suggests fader balance for the assigned channel. These suggestions will continue to evolve based on your feedback and recommendations.\u003c\/p\u003e\u003ch3\u003eDante interface for high channel count and flexible connectivity\u003c\/h3\u003e\u003cp\u003eThe DM7 series offers 144ch in\/out via Dante, a combination of software, hardware and networking protocols which has become an industry standard, adopted and integrated into audio equipment from professional audio manufacturers. Dante allows for the transmission of hundreds of audio channels over a single Ethernet cable, allowing you to build a powerful system with a flexible and expandable network without having to worry about the number of channels in any field. Of course, HA Remote and device control are also supported, and the Device Mount function allows for easy patching and control with Dante enabled equipment.\u003c\/p\u003e\u003ch3\u003eVersatile USB connection\u003c\/h3\u003e\u003cp\u003eThe DM7 series USB Type-C connector provides 18 in\/out audio interface functions for recording, streaming, play back, connection to conferencing systems, and more.\u003c\/p\u003e\u003cp\u003eIt also enables additional functionality with MIDI Control, and DAW Remote features to expand your sound creation toolbox and streamline your workflow.\u003c\/p\u003e\u003ch3\u003eDAW Remote for efficient audio production\u003c\/h3\u003e\u003cp\u003eThe DM7 series is the perfect mixer for music production and audio recording using a DAW. The DAW Remote function allows operations such as volume control, playback, stop, and more, to be performed using physical controllers such as the unit's faders and keys, providing smooth operation for audio production and recording applications. DAW Remote Mode can be accessed by simply pressing fader bank DCA and selecting DAW Remote.\u003c\/p\u003e\u003ch3\u003eRedundant power supplies for serious reliability\u003c\/h3\u003e\u003cp\u003ePower failure is a major risk when operating any professional audio device so we've equipped the DM7 series with dual power supply units to reduce the risk of power loss resulting in downtime during a show. If a problem occurs with one power source, operation will continue unaffected as long as the second power source is active.\u003c\/p\u003e\u003ch3\u003eDM7 Control expansion controller\u003c\/h3\u003e\u003cp\u003eBy connecting a DM7 Control unit to a DM7 console via Ethernet cable, many physical controls such as User Defined Keys\/Knobs, Scene Memory, Monitor Control, and Panner can be accessed quickly and conveniently in a number of applications. It provides fast and reliable operation with User Defined Keys\/Knobs and Scene Memory Keys for applications such as musicals that require perfectly timed triggers and scene changes, while transport keys assigned to User Defined Keys and Jog Wheel provide comfortable and quick operation for post-production applications that require efficient editing work.\u003c\/p\u003e\u003cp\u003eIt is also an indispensable tool for Broadcast, Immersive productions, and any other application that can benefit from physical controllers.\u003c\/p\u003e\u003cp\u003eA DM7 Control can be attached to any DM7 console and operated as one mixer.\u003c\/p\u003e\u003cp\u003e* The DM7 Control controller comes with Broadcast Package\/Theatre Package license codes giving users convenient access to additional specialized functionality, and requires DM7 firmware V1.5 or later.\u003c\/p\u003e\u003ch3\u003eBroadcast Package and Theatre Package for enhanced, specialized control\u003c\/h3\u003e\u003cp\u003eValuable, specialized features can be accessed by adding the Broadcast Package\/Theatre Package. The Broadcast Package includes 5.1 surround support, Mix Minus, Loudness Meter, and other functions required for broadcast applications and used conveniently in broadcast mixes.\u003c\/p\u003e\u003cp\u003eThe Theatre Package provides features that can be used effectively in musicals and other theatrical applications, including Actor Library, DCA Scene Grid, AFC Image Control, and other functions which can enhance mixing in theatrical applications significantly.\u003c\/p\u003e\u003cp\u003e* Broadcast Package\/Theatre Package requires DM7 firmware V1.5 or later.\u003c\/p\u003e\u003cp\u003e* The Broadcast Package\/Theatre Package requires ProVisionaire Cloud for license management.\u003c\/p\u003e\u003cli\u003eProVisionaire Cloud product page\u003c\/li\u003e\u003ch3\u003ePY slot for expansion cards\u003c\/h3\u003e\u003cp\u003eThe DM7 series is equipped with an up to 64 in\/out PY slot that allows users to customize the console's functionality and connectivity. The PY64-D, which supports 64 audio input\/output via Dante with SRC, the PY64-MD, which supports 64-in 64-out audio input\/output via MADI, the PY8-AE with 8-in 8-out AES\/EBU D-sub 25-pin connector, and the PY-MIDI-GPI, which has a DIN 5-pin and D-sub 15-pin connectors to expand MID\/GPI control terminals, all providing flexible support for a variety of systems.\u003c\/p\u003e\u003ch3\u003eCompatible software for convenient control\u003c\/h3\u003e\u003cp\u003eIn recent years, it has become common for digital mixing consoles to enable wireless mixing, monitor mixing, offline advance preparation, and remote control using a variety of applications. The DM7 series offers dedicated applications DM7 Editor and DM7 StageMix, as well as the Yamaha applications MonitorMix, ProVisionaire Contol, and ProVisionaire Touch. The DM7 series is also equipped with an OSC (Open Sound Control) Server function, allowing control of the DM7 series from OSC-compatible devices.\u003c\/p\u003e\u003ch3\u003eGet ready for the show with the Console File Converter\u003c\/h3\u003e\u003cp\u003eThe Yamaha Console File Converter is an application that allows data to be shared between a number of Yamaha digital mixers, and the DM7 series consoles are included in the latest version. Users can share data between DM7 series, RIVAGE PM series, CL\/QL series, PM5D, M7CL, and LS9 consoles, so data from one performance doesn’t have to be completely reprogrammed from scratch for the next, even if different consoles are used.\u003c\/p\u003e\u003ch3\u003eBundled software that expands your creative options\u003c\/h3\u003e\u003cp\u003eThe DM7 series comes bundled with VST Rack Elements and Nuendo Live, inspiring creative sound shaping for a variety of live and studio applications.\u003c\/p\u003e\u003cp\u003eVST Rack Elements is plug-in host software that allows you to seamlessly configure your own effects rack using VST plug-ins. It is compatible with Mac and Windows-based platforms, giving you the freedom and flexibility to build a wholly personalized plug-in environment.\u003c\/p\u003e\u003cp\u003eSteinberg Nuendo Live is a DAW optimized for multitrack recording of live sound as well as virtual soundchecks with multitrack recording for smooth rehearsal or songwriting purposes.\u003c\/p\u003e\u003cp\u003eAlso, by installing the Yamaha Console Extension, you can control Nuendo Live's transport and other functions from the console, so you can start recording without reaching for your PC, or use it conveniently for playback and other purposes.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Input Channels\u003c\/td\u003e\n\u003ctd\u003e120 mono\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Mix Buses\u003c\/td\u003e\n\u003ctd\u003e48\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Matrices\u003c\/td\u003e\n\u003ctd\u003e12 (Input to Matrix supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Stereo Buses\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Mono Buses\u003c\/td\u003e\n\u003ctd\u003e1 (Stereo B can be changed)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Cue Buses\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › Analog Input\u003c\/td\u003e\n\u003ctd\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › Analog Output\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › Dante\u003c\/td\u003e\n\u003ctd\u003ePrimary \/ Secondary\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › AES\/EBU Input\u003c\/td\u003e\n\u003ctd\u003e2 (4ch) with SRC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › AES\/EBU Output\u003c\/td\u003e\n\u003ctd\u003e2 (4ch) with SRC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › Expansion Slot (PY Slot)\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › Word Clock I\/O\u003c\/td\u003e\n\u003ctd\u003eIn \/ Out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › MIDI\u003c\/td\u003e\n\u003ctd\u003eNo (MIDI protocol supported on USB to HOST)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › GPI\u003c\/td\u003e\n\u003ctd\u003e5 in \/ 5 out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › USB TO DEVICE\u003c\/td\u003e\n\u003ctd\u003e2 (File Save \/ Load, 2 Track Rec \/ Play)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › USB TO HOST\u003c\/td\u003e\n\u003ctd\u003e1 (USB Type-C, USB2.0)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › Ethernet\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › Meter Bridge\u003c\/td\u003e\n\u003ctd\u003eOn screen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › Lamp\u003c\/td\u003e\n\u003ctd\u003e0 (Bulit-in LED Strip Light)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › Video Out\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › TC In\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › Phones\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › AC\u003c\/td\u003e\n\u003ctd\u003e2 (V-Lock Type)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › External Redundant Power Supply\u003c\/td\u003e\n\u003ctd\u003eBuilt-in dual power supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Scene Memory › Number of Scenes\u003c\/td\u003e\n\u003ctd\u003e500\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Scene Memory › Recall Safe\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Scene Memory › Focus Recall\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Scene Memory › Fade Time\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Scene Memory › Selective Load \/ Save\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Scene Memory › Global Paste\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Scene Memory › Event List\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Scene Memory › Overlay\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Scene Memory › Isolate\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Scene Memory › Tactile Control Keys\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input Channel Functions › Input A\/B\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input Channel Functions › Gain Compensation\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input Channel Functions › Digital Gain\u003c\/td\u003e\n\u003ctd\u003eYes (-96 dB to +24 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input Channel Functions › Attenuator\u003c\/td\u003e\n\u003ctd\u003eYes (-96 dB to +24 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input Channel Functions › HPF\u003c\/td\u003e\n\u003ctd\u003e20 Hz to 2,000 Hz, -6\/-12\/-18\/-24 dB\/oct Selectable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input Channel Functions › PEQ\u003c\/td\u003e\n\u003ctd\u003e4 Band Full PEQ (4 algorithms, RTA overlay supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input Channel Functions › LPF\u003c\/td\u003e\n\u003ctd\u003e20 Hz to 20 kHz, -6\/-12 dB\/oct\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input Channel Functions › Dynamics 1\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Expander \/ Gate \/ Ducking \/ De-Esser\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input Channel Functions › Dynamics 2\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Expander \/ Gate \/ Ducking \/ De-Esser \/ FET Limiter \/ Diode Bridge Comp\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input Channel Functions › Input Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0 ms to 1,000 ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input Channel Functions › Pan\u003c\/td\u003e\n\u003ctd\u003eCenter Nominal \/ LR Nominal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input Channel Functions › DCA Group\u003c\/td\u003e\n\u003ctd\u003e24 (Output DCA supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input Channel Functions › DCA Rollout\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input Channel Functions › MUTE Group\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input Channel Functions › Number of Inserts\u003c\/td\u003e\n\u003ctd\u003e4 slots on 1 insert point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input Channel Functions › Dan Dugan Automixer\u003c\/td\u003e\n\u003ctd\u003eYes (Up to 64ch)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input Channel Functions › Direct Out\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Output Channel Functions › PEQ\u003c\/td\u003e\n\u003ctd\u003e8 Band Full PEQ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Output Channel Functions › GEQ\u003c\/td\u003e\n\u003ctd\u003eVirtual Rack (EQ Rack)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Output Channel Functions › Dynamics 1\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Expander \/ Gate \/ Ducking \/ De-Esser \/ FET Limiter \/ Diode Bridge Comp\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Output Channel Functions › Output Channel Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0 ms to 1,000 ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Output Channel Functions › MUTE Group\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Output Channel Functions › Number of Inserts\u003c\/td\u003e\n\u003ctd\u003e4 slots on 1 insert point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Premium Rack › Number of DSP Resources\u003c\/td\u003e\n\u003ctd\u003e64\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Premium Rack › Mountable Plug-ins\u003c\/td\u003e\n\u003ctd\u003eRND Portico5033 \/ RND Portico5043 \/ Portico 5045 \/ U76 \/ Opt-2A \/ Comp276 \/ Buss Comp 369 \/ MBC4 \/ DaNSe \/ EQ-1A \/ Equalizer601 \/ Dynamic EQ \/ Dynamic EQ4 \/ REV-X \/ OpenDeck \/ Analog Delay \/ Max100 \/ Vintage Phaser \/ Dual Phaser \/ HQ.Pitch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Effect Rack › Number of DSP Resources\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Effect Rack › Number of Effect Types\u003c\/td\u003e\n\u003ctd\u003e43\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › EQ Rack › Number of DSP Resources\u003c\/td\u003e\n\u003ctd\u003e32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › EQ Rack › Mountable Devices\u003c\/td\u003e\n\u003ctd\u003e31BandGEQ \/ Flex15GEQ \/ 8Band PEQ (RTA overlay supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dante › Number of I\/O Channels\u003c\/td\u003e\n\u003ctd\u003e144 in \/ 144 out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dante › Number of I\/O devices that can be discovered from the console\u003c\/td\u003e\n\u003ctd\u003e127 *1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dante › Number of I\/O devices that can be mounted\u003c\/td\u003e\n\u003ctd\u003e24\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dante › Number of I\/O devices with HA remote control\u003c\/td\u003e\n\u003ctd\u003e24\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dante › Dante Patch from Console\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › USB to Host › Number of Audio I\/O Channels\u003c\/td\u003e\n\u003ctd\u003e18 in \/ 18 out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › USB to Host › USB MIDI\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Monitor › Solo Mode\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Monitor › Oscillator\u003c\/td\u003e\n\u003ctd\u003eSine Wave 1ch \/ Sine Wave 2ch \/ Pink Noise \/ Burst Noise\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Other Functions › Port to Port\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Other Functions › Timecode Reader\/Display\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Other Functions › Timecode Chase\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Other Functions › GPI\u003c\/td\u003e\n\u003ctd\u003eYes (5 in \/ 5 out)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Other Functions › MIDI\u003c\/td\u003e\n\u003ctd\u003eYes (USB MIDI)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Other Functions › OSC Server\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Other Functions › DAW Remote\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Other Functions › Nuendo Live: Control Integration\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Other Functions › Virtual Soundcheck\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Other Functions › Wireless Mic Monitoring\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Other Functions › RTA\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Other Functions › Delay Compensation\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Other Functions › Output Port Delay\u003c\/td\u003e\n\u003ctd\u003eYes (Up to 20 ports)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Other Functions › Sub In\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Other Functions › User Levels\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Other Functions › Channel Link\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Other Functions › Temporary Channel Link\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Other Functions › Multi Language Channel Names\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Other Functions › Mix\/Matrix to Input\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Other Functions › Split Mode\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Other Functions › Assist\u003c\/td\u003e\n\u003ctd\u003eYes (HA \/ Naming \/ Fader)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › User Interface › Displays\u003c\/td\u003e\n\u003ctd\u003e12.1” multi-touch x 2, 7” multi-touch x 1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › User Interface › Faders\u003c\/td\u003e\n\u003ctd\u003e24 + 4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › User Interface › Channel \/ Screen Encoders\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › User Interface › Channel Name \/ Color Displays\u003c\/td\u003e\n\u003ctd\u003eNo (on-screen)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › User Interface › Custom Fader Banks\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › User Interface › Shift Keys\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › User Interface › User Defined Keys\u003c\/td\u003e\n\u003ctd\u003eSurface: 12 (6 keys x 4 banks), Utility Screen (On-screen): 12 (12 keys x 4 banks)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › User Interface › User Defined Knobs\u003c\/td\u003e\n\u003ctd\u003eYes (by 4 encoders below the Utility screen)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › User Interface › Touch and Turn Knobs\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › User Interface › Monitor Level Knobs\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › User Interface › Arm Rest\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › User Interface › Rack Mountable\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Software › Editor\u003c\/td\u003e\n\u003ctd\u003eDM7 Editor (Win\/Mac)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Software › StageMix\u003c\/td\u003e\n\u003ctd\u003eDM7 StageMix\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Software › MonitorMix\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Software › Console File Converter\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Software › ProVisionaire Control PLUS\/Kiosk\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Software › Software Package\u003c\/td\u003e\n\u003ctd\u003eBroadcast Package, Theatre Package\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e793 mm (31.3\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e324 mm (12.8\") *including the rubber feet\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e564 mm (22.2\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e23.5 kg (51.8 lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Included Accessories\u003c\/td\u003e\n\u003ctd\u003eOwner’s Manual, AC power cords, Dust cover, Cable hook (for USB TO HOST), Nuendo Live, VST Rack Elements\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268739178751,"sku":null,"price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_7bc5497d-5021-49cd-a6f2-3f99ef6a2e95.jpg?v=1790011493"},{"product_id":"mgp32x","title":"Yamaha MGP32X Mixing Console","description":"\u003cp\u003e32-Channel Premium Mixing Console\u003c\/p\u003e\u003cli\u003e24 Mic Inputs with 48V Phantom Power and HPF per Channel\u003c\/li\u003e\u003cli\u003e32 Line Inputs (24 mono and 4 stereo)\u003c\/li\u003e\u003cli\u003e6 AUX Sends + 2 FX Sends\u003c\/li\u003e\u003cli\u003e4 GROUP Buses + ST Bus\u003c\/li\u003e\u003cli\u003e2 Matrix out\u003c\/li\u003e\u003cli\u003e1 Mono out\u003c\/li\u003e\u003ch3\u003eDigital Heart. Analog Soul.\u003c\/h3\u003e\u003cp\u003eYamaha has provided an impressive range of lineups in professional audio since the release of the PM200 in 1972 - our first ever professional analog mixing console. In 1987, we also released our first digital mixer, the DMP7, and have subsequently advanced technological innovations in sound quality, reliability and advanced functionalities with cutting-edge digital technologies.\u003c\/p\u003e\u003cp\u003eDrawing from our decades of experience crafting innovative, premium analog gear, we originally developed our new discrete Class-A microphone preamps for professional use in our high-end recording equipment. Utilizing an inverted Darlington circuit design, our newly-refined D-PRE mic preamps deliver a fat, rich, smooth tone that gives the MGP Series a significant advantage over any other mixer in its class. With Yamaha's proprietary X-pressive EQ we've managed to capture ultimate analog authenticity by unlocking the mysterious secret behind the expressive sound shaping capabilities of sought-after classic EQ modules.\u003c\/p\u003e\u003cp\u003eAt the heart of the MGP's compact configuration, we've taken an innovative new approach to the utilization of digital technology in an analog mixer; adding high-resolution effects, iPod\/iPhone integration and the superb functionality of our new Stereo Hybrid Channel to the warmth and musicality of premium analog sound. The MGP Series represents the ultimate balance of the converging technologies that are the heart and soul of Yamaha's extraordinary achievements in professional audio.\u003c\/p\u003e\u003cp\u003eWhen it comes to audio engineering and sound reinforcement, the verdict is in—nothing beats the warmth and musicality of analog sound. By incorporating state-of-the-art digital technologies into the development process of our premium professional analog equipment, the MGP is the next step in the evolution of compact professional mixers.\u003c\/p\u003e\u003ch3\u003eD-PRE\u003c\/h3\u003e\u003cp\u003eThe preamp is where sound creation begins, and ultimately determines the character and quality of your overall mix. The importance of this critical first step inspired us to develop the most fat and warm sounding preamps possible—our newly refined D-PRE mic preamps. Initially intended for use with Yamaha's high-end recording gear, these studio-grade, discrete Class-A mic preamps employ an inverted Darlington circuit design that features multiple circuitry elements in a multi-layered configuration in order to deliver more power with lower impedance. This means all the character, depth and feel of your original signal will be delivered with fat, natural sounding bass and smooth, soaring highs. Rediscover a favourite mic or trusted instrument by capturing the full range of your musical expression with sound that you don't hear, so much as feel. With 48V phantom power for each channel and a sound that is incomparable in a compact mixer today, these studio-grade discrete Class-A mic preamps set the MGP apart, clearly defining a class all its own.\u003c\/p\u003e\u003cp\u003e*A schematic diagram of an inverted Darlington circuit. The red frame indicates the HOT signal, and the blue frame indicates the COLD signal.\u003c\/p\u003e\u003ch3\u003eX-pressive EQ\u003c\/h3\u003e\u003cp\u003eEveryone knows vintage EQ sounds great—but not everyone knows why. Throughout the development of the innovative VCM (Virtual Circuit Modeling) effects used in our high-end professional digital mixers, we became increasingly focused on reproducing the warmth and musicality of classic vintage EQs. It was through our precise modeling of the original circuitry of some of the most sought-after EQ modules from the past that we discovered a characteristic “X-shape” of the frequency curves that was unique to these units— and would ultimately prove essential to unlocking real vintage authenticity. More than just a means of tweaking your mix, the precise response and very steep shelving of the high and low frequencies make the X-pressive EQ a powerful sound-shaping tool that essentially redefines the role that EQ plays in sound reinforcement. Never before has an audio engineer's contribution to the overall sound been so significant, with X-pressive EQ providing complete control of every aspect of your sonic palette.\u003c\/p\u003e\u003cp\u003e*A frequency response graph for “X‑pressive EQ (e.g. Low Shelf)” comparing X‑pressive EQ and a typical EQ. The violet line represents X‑pressive EQ, and the light purple represents a typical EQ.\u003c\/p\u003e\u003ch3\u003e1-Knob Compressors\u003c\/h3\u003e\u003cp\u003eOriginally a Yamaha innovation, 1-knob compression is now a popular feature on an increasing number of compact mixing consoles with good reason. These intelligent compressors add optimally set compression to a wide variety of input sources with the touch of a single control—minus the hassle of setting up and configuring complex outboard gear. The MGP features our newly upgraded 1-knob compressors that feature LED indicators allowing you to visually monitor when the compression “kicks in” on each channel.\u003c\/p\u003e\u003ch3\u003eInternal Universal Power Supply\u003c\/h3\u003e\u003cp\u003eYou can plug in with confidence in any region with 100V-240V power thanks to our highly-efficient internal universal power supply. With its multi-voltage design, the MGP ensures worry-free operation in potentially damaging environments with fluctuating power levels. An Internal power supply also simplifies rack mounting of the console at installed applications, with no use for a bulky adapter or additional connections.\u003c\/p\u003e\u003cp\u003eThe MGP is the realization of a new approach towards the utilization of digital technologies in a mixer, offering simple, analog-style control of sophisticated DSP functions. One of the most compelling features of analog gear is the direct, hands-on, intuitive operation that unites the operator with the console. The MGP sought to keep this feel consistent throughout the design to offer a wealth of functionality, yet with a simple, familiar touch.\u003c\/p\u003e\u003ch3\u003eHybrid Channel\u003c\/h3\u003e\u003cp\u003e40 years of experience working with professional mixers has led Yamaha to offer a new way of approaching sound reinforcement in the digital age: the Stereo Hybrid Channel. Beneath the analog-style knobs and encoders of MGP Series mixing consoles lies a sophisticated digital control system—a fusion that combines traditional analog feel with the functionality that only digital technology can offer. The MGP Series utilizes a powerful, proprietary DSP to provide three essential features that are staples of both installed and live sound applications. In keeping with the theme of analog simplicity found throughout the MGP Series design, each of these functions is readily accessible and available at the touch of a button. Featuring a mid-sweep, three-band EQ for nuanced sound control and high-performance onboard A\/D and D\/A converters, the Stereo Hybrid Channel offers unique functionality with superior sound.\u003c\/p\u003e\u003ch3\u003ePriority Ducker\u003c\/h3\u003e\u003cp\u003eAn invaluable feature for applications that require both public-speaking and background music, Priority Ducker allows a microphone to take priority over another sound source automatically, just by speaking into the mic. Stop talking and the other sound source is brought back to its original level, therefore no console operator is required for this simple yet valuable function. You can even adjust the ducker attenuation of sound source depending on your preferences.\u003c\/p\u003e\u003ch3\u003eLeveler\u003c\/h3\u003e\u003cp\u003eThis intelligent compressor “auto levels” different tracks from a sound source that vary in volume, providing a more pleasurable listening experience. Ideal for small events with un-manned operation of your console, Yamaha's proprietary DSP algorithm allows for extended play time without the worry of fluctuating volume levels distracting your listeners.\u003c\/p\u003e\u003ch3\u003eDual Digital Effects\u003c\/h3\u003e\u003cp\u003eMGP Series mixing consoles offer two separate studio-grade effects processors for ultimate enhancement of your sound, with simple intuitive control. Yamaha's high-end REV-X reverb offers three very musical and natural high-resolution reverb effects: Hall, Room and Plate—a first for any Yamaha analog mixer. For more sound-shaping possibilities, Yamaha's renowned SPX digital multi-effect processor provides a useful selection of 16 advanced digital effects with editable parameters. Both processors can be used simultaneously, giving you a vast array of tools to colour your sound.\u003c\/p\u003e\u003ch3\u003eGraphic EQ (MGP32X\/24X)\u003c\/h3\u003e\u003cp\u003eThe new Graphic EQ feature 14 band and flex 9 band modes that can easily be controlled via internal display. This Flex EQ is also used in Yamaha’s pro-level CL series consoles. By limiting the number of bands for boost and cut, the extra DSP can be employed to narrow the filters to 1\/3 octave, and allow the user to sweep the filter to the range where adjustment is required. With 31 different filter positions, very fine adjustments can be made. Additionally, finding and reducing feedback is quick and easy using the offset\/gain controls to point out vulnerable frequencies before the feedback occurs.\u003c\/p\u003e\u003ch3\u003eMulti-band Compressor (MGP32X\/24X)\u003c\/h3\u003e\u003cp\u003eThe MGP32X A and MGP24X A are the first mixers in this class to be equipped with a master compressor on the stereo bus. Both a standard type (COMP) and a three-band divided (Multi-band) master compressor have been built in. Using a master compressor allows you to reduce the overall dynamic range of the signal to fit the environment, and protect the sound system from overloads. A total of 8 memory scenes (3 read only and 5 user defined) allow settings to easily be stored and recalled as needed quickly.\u003c\/p\u003e\u003ch3\u003eUSB Device Recording and PlayBack (MGP32X\/24X)\u003c\/h3\u003e\u003cp\u003eIt's easy to archive every performance when recording is this easy. The record function allows direct recording to a conventional USB storage device. Choose from Stereo Out or Matrix Out 1 and 2 as the source, and select WAV or MP3 as file formats. Playback of audio files is also supported with the USB device. You can easily route this to a hybrid channel or to monitor out.\u003c\/p\u003e\u003cp\u003e[Notice] Transfer speed requirements are strict for recordings made in WAV format. Normal recording may not be possible when using certain stick type USB memory devices. We recommend using a USB hard disk with a fast transfer speed or an SSD (Solid State Drive). When recording in MP3 format, any stick style USB memory, hard disk, or SSD can be used.\u003c\/p\u003e\u003ch3\u003eAs transfer speed requirements are strict for recordings made in WAV format\u003c\/h3\u003e\u003cp\u003eAs transfer speed requirements are strict for recordings made in WAV format, normal recording may not be possible when using USB memory. Accordingly,\u003c\/p\u003e\u003cp\u003ewe recommend recording to a hard disk with a fast transfer speed or to an SSD (Solid State Drive). When recording in MP3 format, USB memory, hard disk, and SSD may all be used.\u003c\/p\u003e\u003ch3\u003eWhen first using a USB memory immediately following purchase or formatting with the MGP32X A and MGP24X A\u003c\/h3\u003e\u003cp\u003eWhen first using a USB memory immediately following purchase or formatting with the MGP32X A and MGP24X A, and after pressing the record button, a message such as “Storage Full!” may appear on the screen (depending on the USB memory), after which it may be impossible to use the USB recorder function. This is due to an error relating to the information on the free space in the USB memory immediately following purchase or formatting. If the information on the free space in the USB memory is initialized, it might take too much time for the mixer to analyze the amount of free space.\u003c\/p\u003e\u003cp\u003eThis error can be avoided by copying a file into the USB memory, or performing some other file operation on it, thereby updating the free space information. When using a USB memory with the MGP32X A and MGP24X A, it is recommended that you first conduct the operation described above.\u003c\/p\u003e\u003cp\u003e(If the abovementioned condition occurs)\u003c\/p\u003e\u003cp\u003eRemove the USB memory from the mixer and turn the power off and then on again. When you use the USB memory again, carry out a file operation on a computer such as copying a file into the USB memory.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › Mixing channels\u003c\/td\u003e\n\u003ctd\u003e32 Line Inputs (24 mono and 4 stereo)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › GROUP\u003c\/td\u003e\n\u003ctd\u003e4 GROUP Buses + ST Bus\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › AUX\u003c\/td\u003e\n\u003ctd\u003e6 AUX Sends + 2 FX Sends\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › MATRIX\u003c\/td\u003e\n\u003ctd\u003e1 Matrix out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › On-board processors\u003c\/td\u003e\n\u003ctd\u003eFX1:REV-X(8 PROGRAM, PARAMETER control)\/ FX2:SPX(16 PROGRAM, PARAMETER control)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Mic inputs\u003c\/td\u003e\n\u003ctd\u003eMIC: 24 (INPUTS HPF: 100Hz 12dB\/oct)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Phantom power\u003c\/td\u003e\n\u003ctd\u003e48V phantom power per channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Line inputs\u003c\/td\u003e\n\u003ctd\u003eLINE: 24 mono + 4 stereo, CH INSERT: 24 RETURN: 1 stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Digital I\/O\u003c\/td\u003e\n\u003ctd\u003eUSB Device, iPod \/ iPhone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003e0.02% (20Hz-20kHz@ +14dBu)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003e+0.5\/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e-128 dBu Equivalent Input Noise\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e-92 dBu Residual Output Noise\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-74dB @ 1kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003e100-240V 50Hz\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e86W max\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e1,027mm (40.4\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e169mm (6.7\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e565mm (22.2\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e19kg (41.9lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268739244287,"sku":"MGP32X","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_4c2da2b1-e6ed-49f1-b42a-40447bfdbad5.jpg?v=1790011493"},{"product_id":"mgp32x-a","title":"Yamaha MGP32X A Mixing Console","description":"\u003cp\u003e32-Channel Premium Mixing Console\u003c\/p\u003e\u003cli\u003e24 Mic Inputs with 48V Phantom Power and HPF per Channel\u003c\/li\u003e\u003cli\u003e32 Line Inputs (24 mono and 4 stereo)\u003c\/li\u003e\u003cli\u003e6 AUX Sends + 2 FX Sends\u003c\/li\u003e\u003cli\u003e4 GROUP Buses + ST Bus\u003c\/li\u003e\u003cli\u003e2 Matrix out\u003c\/li\u003e\u003cli\u003e1 Mono out\u003c\/li\u003e\u003ch3\u003eDigital Heart. Analog Soul.\u003c\/h3\u003e\u003cp\u003eYamaha has provided an impressive range of lineups in professional audio since the release of the PM200 in 1972 - our first ever professional analog mixing console. In 1987, we also released our first digital mixer, the DMP7, and have subsequently advanced technological innovations in sound quality, reliability and advanced functionalities with cutting-edge digital technologies.\u003c\/p\u003e\u003cp\u003eDrawing from our decades of experience crafting innovative, premium analog gear, we originally developed our new discrete Class-A microphone preamps for professional use in our high-end recording equipment. Utilizing an inverted Darlington circuit design, our newly-refined D-PRE mic preamps deliver a fat, rich, smooth tone that gives the MGP Series a significant advantage over any other mixer in its class. With Yamaha's proprietary X-pressive EQ we've managed to capture ultimate analog authenticity by unlocking the mysterious secret behind the expressive sound shaping capabilities of sought-after classic EQ modules.\u003c\/p\u003e\u003cp\u003eAt the heart of the MGP's compact configuration, we've taken an innovative new approach to the utilization of digital technology in an analog mixer; adding high-resolution effects, iPod\/iPhone integration and the superb functionality of our new Stereo Hybrid Channel to the warmth and musicality of premium analog sound. The MGP Series represents the ultimate balance of the converging technologies that are the heart and soul of Yamaha's extraordinary achievements in professional audio.\u003c\/p\u003e\u003cp\u003eWhen it comes to audio engineering and sound reinforcement, the verdict is in—nothing beats the warmth and musicality of analog sound. By incorporating state-of-the-art digital technologies into the development process of our premium professional analog equipment, the MGP is the next step in the evolution of compact professional mixers.\u003c\/p\u003e\u003ch3\u003eD-PRE\u003c\/h3\u003e\u003cp\u003eThe preamp is where sound creation begins, and ultimately determines the character and quality of your overall mix. The importance of this critical first step inspired us to develop the most fat and warm sounding preamps possible—our newly refined D-PRE mic preamps. Initially intended for use with Yamaha's high-end recording gear, these studio-grade, discrete Class-A mic preamps employ an inverted Darlington circuit design that features multiple circuitry elements in a multi-layered configuration in order to deliver more power with lower impedance. This means all the character, depth and feel of your original signal will be delivered with fat, natural sounding bass and smooth, soaring highs. Rediscover a favourite mic or trusted instrument by capturing the full range of your musical expression with sound that you don't hear, so much as feel. With 48V phantom power for each channel and a sound that is incomparable in a compact mixer today, these studio-grade discrete Class-A mic preamps set the MGP apart, clearly defining a class all its own.\u003c\/p\u003e\u003cp\u003e*A schematic diagram of an inverted Darlington circuit. The red frame indicates the HOT signal, and the blue frame indicates the COLD signal.\u003c\/p\u003e\u003ch3\u003eX-pressive EQ\u003c\/h3\u003e\u003cp\u003eEveryone knows vintage EQ sounds great—but not everyone knows why. Throughout the development of the innovative VCM (Virtual Circuit Modeling) effects used in our high-end professional digital mixers, we became increasingly focused on reproducing the warmth and musicality of classic vintage EQs. It was through our precise modeling of the original circuitry of some of the most sought-after EQ modules from the past that we discovered a characteristic “X-shape” of the frequency curves that was unique to these units— and would ultimately prove essential to unlocking real vintage authenticity. More than just a means of tweaking your mix, the precise response and very steep shelving of the high and low frequencies make the X-pressive EQ a powerful sound-shaping tool that essentially redefines the role that EQ plays in sound reinforcement. Never before has an audio engineer's contribution to the overall sound been so significant, with X-pressive EQ providing complete control of every aspect of your sonic palette.\u003c\/p\u003e\u003cp\u003e*A frequency response graph for “X‑pressive EQ (e.g. Low Shelf)” comparing X‑pressive EQ and a typical EQ. The violet line represents X‑pressive EQ, and the light purple represents a typical EQ.\u003c\/p\u003e\u003ch3\u003e1-Knob Compressors\u003c\/h3\u003e\u003cp\u003eOriginally a Yamaha innovation, 1-knob compression is now a popular feature on an increasing number of compact mixing consoles with good reason. These intelligent compressors add optimally set compression to a wide variety of input sources with the touch of a single control—minus the hassle of setting up and configuring complex outboard gear. The MGP features our newly upgraded 1-knob compressors that feature LED indicators allowing you to visually monitor when the compression “kicks in” on each channel.\u003c\/p\u003e\u003ch3\u003eInternal Universal Power Supply\u003c\/h3\u003e\u003cp\u003eYou can plug in with confidence in any region with 100V-240V power thanks to our highly-efficient internal universal power supply. With its multi-voltage design, the MGP ensures worry-free operation in potentially damaging environments with fluctuating power levels. An Internal power supply also simplifies rack mounting of the console at installed applications, with no use for a bulky adapter or additional connections.\u003c\/p\u003e\u003cp\u003eThe MGP is the realization of a new approach towards the utilization of digital technologies in a mixer, offering simple, analog-style control of sophisticated DSP functions. One of the most compelling features of analog gear is the direct, hands-on, intuitive operation that unites the operator with the console. The MGP sought to keep this feel consistent throughout the design to offer a wealth of functionality, yet with a simple, familiar touch.\u003c\/p\u003e\u003ch3\u003eHybrid Channel\u003c\/h3\u003e\u003cp\u003e40 years of experience working with professional mixers has led Yamaha to offer a new way of approaching sound reinforcement in the digital age: the Stereo Hybrid Channel. Beneath the analog-style knobs and encoders of MGP Series mixing consoles lies a sophisticated digital control system—a fusion that combines traditional analog feel with the functionality that only digital technology can offer. The MGP Series utilizes a powerful, proprietary DSP to provide three essential features that are staples of both installed and live sound applications. In keeping with the theme of analog simplicity found throughout the MGP Series design, each of these functions is readily accessible and available at the touch of a button. Featuring a mid-sweep, three-band EQ for nuanced sound control and high-performance onboard A\/D and D\/A converters, the Stereo Hybrid Channel offers unique functionality with superior sound.\u003c\/p\u003e\u003ch3\u003ePriority Ducker\u003c\/h3\u003e\u003cp\u003eAn invaluable feature for applications that require both public-speaking and background music, Priority Ducker allows a microphone to take priority over another sound source automatically, just by speaking into the mic. Stop talking and the other sound source is brought back to its original level, therefore no console operator is required for this simple yet valuable function. You can even adjust the ducker attenuation of sound source depending on your preferences.\u003c\/p\u003e\u003ch3\u003eLeveler\u003c\/h3\u003e\u003cp\u003eThis intelligent compressor “auto levels” different tracks from a sound source that vary in volume, providing a more pleasurable listening experience. Ideal for small events with un-manned operation of your console, Yamaha's proprietary DSP algorithm allows for extended play time without the worry of fluctuating volume levels distracting your listeners.\u003c\/p\u003e\u003ch3\u003eDual Digital Effects\u003c\/h3\u003e\u003cp\u003eMGP Series mixing consoles offer two separate studio-grade effects processors for ultimate enhancement of your sound, with simple intuitive control. Yamaha's high-end REV-X reverb offers three very musical and natural high-resolution reverb effects: Hall, Room and Plate—a first for any Yamaha analog mixer. For more sound-shaping possibilities, Yamaha's renowned SPX digital multi-effect processor provides a useful selection of 16 advanced digital effects with editable parameters. Both processors can be used simultaneously, giving you a vast array of tools to colour your sound.\u003c\/p\u003e\u003ch3\u003eGraphic EQ (MGP32X\/24X)\u003c\/h3\u003e\u003cp\u003eThe new Graphic EQ feature 14 band and flex 9 band modes that can easily be controlled via internal display. This Flex EQ is also used in Yamaha’s pro-level CL series consoles. By limiting the number of bands for boost and cut, the extra DSP can be employed to narrow the filters to 1\/3 octave, and allow the user to sweep the filter to the range where adjustment is required. With 31 different filter positions, very fine adjustments can be made. Additionally, finding and reducing feedback is quick and easy using the offset\/gain controls to point out vulnerable frequencies before the feedback occurs.\u003c\/p\u003e\u003ch3\u003eMulti-band Compressor (MGP32X\/24X)\u003c\/h3\u003e\u003cp\u003eThe MGP32X A and MGP24X A are the first mixers in this class to be equipped with a master compressor on the stereo bus. Both a standard type (COMP) and a three-band divided (Multi-band) master compressor have been built in. Using a master compressor allows you to reduce the overall dynamic range of the signal to fit the environment, and protect the sound system from overloads. A total of 8 memory scenes (3 read only and 5 user defined) allow settings to easily be stored and recalled as needed quickly.\u003c\/p\u003e\u003ch3\u003eUSB Device Recording and PlayBack (MGP32X\/24X)\u003c\/h3\u003e\u003cp\u003eIt's easy to archive every performance when recording is this easy. The record function allows direct recording to a conventional USB storage device. Choose from Stereo Out or Matrix Out 1 and 2 as the source, and select WAV or MP3 as file formats. Playback of audio files is also supported with the USB device. You can easily route this to a hybrid channel or to monitor out.\u003c\/p\u003e\u003cp\u003e[Notice] Transfer speed requirements are strict for recordings made in WAV format. Normal recording may not be possible when using certain stick type USB memory devices. We recommend using a USB hard disk with a fast transfer speed or an SSD (Solid State Drive). When recording in MP3 format, any stick style USB memory, hard disk, or SSD can be used.\u003c\/p\u003e\u003ch3\u003eAs transfer speed requirements are strict for recordings made in WAV format\u003c\/h3\u003e\u003cp\u003eAs transfer speed requirements are strict for recordings made in WAV format, normal recording may not be possible when using USB memory. Accordingly,\u003c\/p\u003e\u003cp\u003ewe recommend recording to a hard disk with a fast transfer speed or to an SSD (Solid State Drive). When recording in MP3 format, USB memory, hard disk, and SSD may all be used.\u003c\/p\u003e\u003ch3\u003eWhen first using a USB memory immediately following purchase or formatting with the MGP32X A and MGP24X A\u003c\/h3\u003e\u003cp\u003eWhen first using a USB memory immediately following purchase or formatting with the MGP32X A and MGP24X A, and after pressing the record button, a message such as “Storage Full!” may appear on the screen (depending on the USB memory), after which it may be impossible to use the USB recorder function. This is due to an error relating to the information on the free space in the USB memory immediately following purchase or formatting. If the information on the free space in the USB memory is initialized, it might take too much time for the mixer to analyze the amount of free space.\u003c\/p\u003e\u003cp\u003eThis error can be avoided by copying a file into the USB memory, or performing some other file operation on it, thereby updating the free space information. When using a USB memory with the MGP32X A and MGP24X A, it is recommended that you first conduct the operation described above.\u003c\/p\u003e\u003cp\u003e(If the abovementioned condition occurs)\u003c\/p\u003e\u003cp\u003eRemove the USB memory from the mixer and turn the power off and then on again. When you use the USB memory again, carry out a file operation on a computer such as copying a file into the USB memory.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › Mixing channels\u003c\/td\u003e\n\u003ctd\u003e32 Line Inputs (24 mono and 4 stereo)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › GROUP\u003c\/td\u003e\n\u003ctd\u003e4 GROUP Buses + ST Bus\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › AUX\u003c\/td\u003e\n\u003ctd\u003e6 AUX Sends + 2 FX Sends\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › MATRIX\u003c\/td\u003e\n\u003ctd\u003e1 Matrix out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › On-board processors\u003c\/td\u003e\n\u003ctd\u003eFX1:REV-X(8 PROGRAM, PARAMETER control)\/ FX2:SPX(16 PROGRAM, PARAMETER control)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Mic inputs\u003c\/td\u003e\n\u003ctd\u003eMIC: 24 (INPUTS HPF: 100Hz 12dB\/oct)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Phantom power\u003c\/td\u003e\n\u003ctd\u003e48V phantom power per channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Line inputs\u003c\/td\u003e\n\u003ctd\u003eLINE: 24 mono + 4 stereo, CH INSERT: 24 RETURN: 1 stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Digital I\/O\u003c\/td\u003e\n\u003ctd\u003eUSB Device, iPod \/ iPhone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003e0.02% (20Hz-20kHz@ +14dBu)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003e+0.5\/-1.0dB 20Hz - 20kHz, refer to the nominal output level @1kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e-128 dBu Equivalent Input Noise\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e-92 dBu Residual Output Noise\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-74dB @ 1kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003e100-240V 50Hz\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e86W max\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e1,027mm (40.4\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e169mm (6.7\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e565mm (22.2\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e19kg (41.9lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268739604735,"sku":null,"price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_20eabdbf-c28d-4f48-a3ed-5712cf9dc6e1.jpg?v=1790011494"},{"product_id":"mgx12","title":"Yamaha MGX12 18-Channel Digital Mixing Console","description":"\u003cp\u003eThe portable MGX12 compact digital mixing console features versatile capabilities that make it perfect for a wide range of applications. The MGX12 offers superb sound quality, intuitive and fast setup and operation, and professional-level features.\u003c\/p\u003e\u003cli\u003e11 + 1 fader configuration (non-motorized fader)\u003c\/li\u003e\u003cli\u003eA 4.3-inch touchscreen with five control knobs\u003c\/li\u003e\u003cli\u003eInput mixing channels: 4 mono + 4 stereo + 1 Sound Pad + 2 FX return\u003c\/li\u003e\u003cli\u003eBusses: 1 STEREO + 8 MIX\u003c\/li\u003e\u003cli\u003eLocal Inputs: 4 Combo (Mic\/Line), 4 TRS (Line), 4 RCA (Line)\u003c\/li\u003e\u003cli\u003eLocal Outputs: 2 XLR, 6 TRS Phone, 4 Headphones\u003c\/li\u003e\u003cli\u003eUSB MAIN: 18 inputs \/ 18 outputs (32-bit \/ 96 kHz)\u003c\/li\u003e\u003cli\u003eUSB SUB: 2 inputs \/ 2 outputs (16-bit \/ 48 kHz)\u003c\/li\u003e\u003cli\u003emicroSD Card: 16-track recording \/ 2-track playback (24-bit \/ Up to 96 kHz)\u003c\/li\u003e\u003cli\u003eBluetooth Audio Input: 2 inputs (Bluetooth 5.0, A2DP)\u003c\/li\u003e\u003cli\u003eBuilt-in DSP processor for professional sound and latency-free monitoring\u003c\/li\u003e\u003cli\u003eAssistive features: Auto Gain, Clip Safe, Simple \/ Standard mode, Scene Recall\u003c\/li\u003e\u003cli\u003eIncluded accessories: Start Guide, Safety Guide, Steinberg Software License Card x2 (Cubase AI + WaveLab Cast, Steinberg Plus), Basic FX Suite license card, AC Power Adapter (PA-300C)\u003c\/li\u003e\u003ch3\u003eThe Digital Evolution of an Analog Classic\u003c\/h3\u003e\u003cp\u003eBuilding on the legacy of Yamaha's MG Series—already established as a global standard in mixing consoles—MGX digital mixing consoles deliver a perfect blend of flexibility, performance, and premium sound quality, excelling in a versatile range of live and installed sound, podcast\/live streaming, music production, and recording applications.\u003c\/p\u003e\u003cp\u003eThe powerful and extremely versatile features of the MGX12 are designed to be operated quickly and intuitively through its touch-panel GUI and various physical controllers. In addition, a comprehensive selection of I\/O options allows you to freely configure the system to suit any application. From live sound and installed sound systems—whether in halls, cafés, clubs, or houses of worship—to podcast streaming and professional recording, the MGX12 adapts seamlessly to a wide range of environments. And in every case, operators, artists, and audiences alike will be captivated by the quality of its sound and performance.\u003c\/p\u003e\u003ch3\u003eVersatility and Professional Sound You Can Count On\u003c\/h3\u003e\u003cp\u003eAn audio mixer is expected to offer considerable versatility to accommodate a wide range of applications—such as live sound, podcast and live streaming, and recording—while delivering audio quality that satisfies the audience, the musicians and performers on stage, and you, the one who supports and shapes the entire experience.\u003c\/p\u003e\u003cp\u003eThe MGX features carefully selected physical I\/O and extensive mixing capacity that enables flexible sound creation. Onboard DSP effects further enhance audio processing power, delivering a refined, professional sound for any application.\u003c\/p\u003e\u003ch3\u003eFlexible Power, Unrivaled Performance\u003c\/h3\u003e\u003cp\u003eIn today’s world, traditional applications such as live or installed sound, podcasting and live streaming, and recording production continue to diversify and evolve. Hybrid live events that combine live performances with simultaneous streaming are becoming more common. To meet this broad range of demands with greater flexibility, the MGX is designed not only as a versatile mixer but also as a multifunctional hub, equipped with a powerful USB interface, Bluetooth audio connectivity, sound pads, and microSD card recording\/playback—all packed into a compact, portable body.\u003c\/p\u003e\u003ch3\u003eSeamless Creative Flow\u003c\/h3\u003e\u003cp\u003eThe highly versatile MGX digital mixing console is equipped with professional-quality effects, flexible routing, and a wide range of other features that can all be operated fast and intuitively using its touch-panel GUI, comprehensive controllers, assistive functions that streamline workflow, and scene recall capability. The MGX provides an operating experience that keeps your creative workflow focused and free of interruption.\u003c\/p\u003e\u003ch3\u003eComplete. Connected. Creative.\u003c\/h3\u003e\u003cp\u003eThe MGX is not only a versatile audio mixer, but also a fully functioning recording studio and streaming station that meets the needs of a wide range of applications including live sound reinforcement, streaming and audio production. When used together with Steinberg’s software mixer MixKey, users can easily manage all audio signals on their PC. In future updates, seamless integration with Yamaha's USB controller CC1 and Elgato’s Stream Deck controller is also planned to further enhance workflow and system operation.\u003c\/p\u003e\u003cp\u003eWith Yamaha’s ever-expanding lineup of compatible products and continuous updates, a system built around an MGX console will continue to evolve with you as you refine your skills and broaden your creative horizons—whether as an engineer, producer, artist, streamer, or any combination of the four.\u003c\/p\u003e\u003ch3\u003e1. Live Sound - Small band street performance\u003c\/h3\u003e\u003cp\u003eThis setup supports small band street performances by mixing vocal microphones, guitars, keyboards, and Bluetooth background music through the MGX12.\u003c\/p\u003e\u003cp\u003eAudio from each instrument and microphone is routed into the mixer and sent to the FOH speakers for live sound reinforcement.\u003c\/p\u003e\u003cp\u003eThe mixed audio is also delivered via USB to a computer for recording in Cubase, while a simultaneous multitrack backup is captured to a microSD card in the MGX.\u003c\/p\u003e\u003cp\u003eClick the image to enlarge it.\u003c\/p\u003e\u003ch3\u003e2. Installed Sound - Small live club\u003c\/h3\u003e\u003cp\u003eThis setup is designed for small live clubs, mixing vocals, guitars, keyboards, and playback sources through the MGX16.\u003c\/p\u003e\u003cp\u003eMultiple microphones, instruments, and Bluetooth or CD playback audio are routed into the mixer and sent to the FOH system and stage monitors for clear live sound coverage.\u003c\/p\u003e\u003cp\u003eThe mixed audio can also be sent via USB to a computer for playback or recording in Cubase, while a simultaneous multitrack backup is captured to the microSD card in the MGX.\u003c\/p\u003e\u003cp\u003eClick the image to enlarge it.\u003c\/p\u003e\u003ch3\u003e3. Podcast with four speakers\u003c\/h3\u003e\u003cp\u003eThis setup supports a four-person podcast by integrating studio microphones, remote guests, playback sources, and jingle cues through the MGX16.\u003c\/p\u003e\u003cp\u003eAudio from four MC microphones, USB-connected remote participants, CD or DJ playback devices, and jingle sounds triggered from the MGX sound pads is mixed and routed to both studio and control-room monitoring.\u003c\/p\u003e\u003cp\u003eThe mixed audio is sent via USB to a computer for recording and streaming in Wavelab Cast, while a simultaneous multitrack backup is captured to the microSD card in the MGX.\u003c\/p\u003e\u003cp\u003eClick the image to enlarge it.\u003c\/p\u003e\u003ch3\u003e4. Production – Mobile Recording\u003c\/h3\u003e\u003cp\u003eThis setup is designed for mobile recording, capturing dialogue, boom mic audio, and sync tones through the MGX12.\u003c\/p\u003e\u003cp\u003eAudio from three MC microphones, a boom microphone, and sync tones triggered from the MGX sound pads is mixed and delivered to individual monitoring headphones for on-site checking.\u003c\/p\u003e\u003cp\u003eThe mixed audio is sent via USB to a computer for recording in Cubase, while a simultaneous multitrack backup is captured to the microSD card in the MGX.\u003c\/p\u003e\u003cp\u003eClick the image to enlarge it.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › Analog Input\u003c\/td\u003e\n\u003ctd\u003e4 Combo (Mic\/Line), 4 TRS (Line), 4 RCA (Line)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › Analog Output\u003c\/td\u003e\n\u003ctd\u003e2 XLR, 6 TRS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › USB TO HOST\u003c\/td\u003e\n\u003ctd\u003e2 (USB Type-C, MAIN: 32-bit\/SUB: 16-bit)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › Phones\u003c\/td\u003e\n\u003ctd\u003e4 TRS (100 mW+100 mW @40 Ohm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › DC\u003c\/td\u003e\n\u003ctd\u003e1 (Barrel type, DC power IN)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › microSD Card Slot\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › Bluetooth\u003c\/td\u003e\n\u003ctd\u003e1 Bluetooth audio input (Bluetooth 5.0, A2DP)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › User Interface\u003c\/td\u003e\n\u003ctd\u003e4.3-inch touch screen, 12 x 60 mm fader, 12 x SEND knob, 5 x rotary encoder (4 x screen knob, 1 x \"TOUCH AND TURN\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Recording \u0026amp; Playback › USB\u003c\/td\u003e\n\u003ctd\u003e18-track recording, 18-track playback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Recording \u0026amp; Playback › USB (SUB)\u003c\/td\u003e\n\u003ctd\u003e2-track recording, 2-track playback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Recording \u0026amp; Playback › microSD Card\u003c\/td\u003e\n\u003ctd\u003eUp to 16-track recording, 2-track playback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sampling frequency rate\u003c\/td\u003e\n\u003ctd\u003e96 kHz - 44.1 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Signal delay\u003c\/td\u003e\n\u003ctd\u003eLess than 0.4 ms (INPUT to STEREO OUT @ Fs=96 kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003e+0.0 \/ -0.5dB 20 Hz to 20 kHz, reference to the nominal output level @1 kHz, Input Gain= Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dynamic range\u003c\/td\u003e\n\u003ctd\u003e125 dB typ., DAC to STEREO OUT, 115 dB typ., INPUT to MAIN OUT, Input Gain=Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003eLess than 0.002% 20 Hz to 20 kHz@+4 dBu, MIC INPUT to STEREO OUT, Input Gain=Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e-128 dBu typ., Input Gain= Max.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e-108 dBu, ST main off\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-120 dB, adjacent INPUT\/STEREO OUT channels, Input Gain= Min. @1 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Gain range\u003c\/td\u003e\n\u003ctd\u003e86 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003eDC16 V\/2.4 A, PA-300C AC power adapter (100 V-240 V, 50 Hz\/60 Hz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e38.4 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e335 mm (13.2\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e96 mm (3.8\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e319 mm (12.6\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e3.9 kg (8.6 lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Included Accessories\u003c\/td\u003e\n\u003ctd\u003eStart Guide, Safety Guide, Steinberg Software License Card x2 (Cubase AI + WaveLab Cast, Steinberg Plus), Basic FX Suite license card, AC Power Adapter (PA-300 including power cord)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eRK-MGX12 (Mixer Accessory)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Operating temperature\u003c\/td\u003e\n\u003ctd\u003e0 - 40 °C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Storage temperature\u003c\/td\u003e\n\u003ctd\u003e-20 - 60 °C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Input Channels\u003c\/td\u003e\n\u003ctd\u003e4 mono + 4 stereo + 1 Sound Pad + 2 FX\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Mix Buses\u003c\/td\u003e\n\u003ctd\u003e8 (mono)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Stereo Buses\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › FX Buses\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Cue Buses\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › On-board processors › DSP\u003c\/td\u003e\n\u003ctd\u003eGate, Compressor, EQ, Sweet Spot Morphing Channel Strip (Comp \u0026amp; EQ), Guitar Amp Classics (Amp Simulator), Pitch Fix (Voice Changer), Ducker, Multi-Band Compressor, Compander, Delay, REV-X (Reverb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268739866879,"sku":"MGX12","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_0e32c44f-85df-4fb9-8f6c-9b162a38a365.jpg?v=1790011496"},{"product_id":"tf-rack","title":"Yamaha TF-RACK Digital Mixer","description":"\u003cp\u003eTF-RACK is a compact rack-mount version of the TF Series digital mixing consoles, offering the same levels of performance and groundbreaking operability.\u003c\/p\u003e\u003cli\u003eAll-in-One rack-style digital mixer\u003c\/li\u003e\u003cli\u003eInputs: 16 mic\/line (XLR\/TRS combo) + 1 stereo line (RCA pin)\u003c\/li\u003e\u003cli\u003eOutput: 16 (8 XLR + 8 TRS phone)\u003c\/li\u003e\u003cli\u003eChannels: 40 (32 mono + 2 stereo + 2 return)\u003c\/li\u003e\u003cli\u003eAux Buses: 20 (8 mono + 6 stereo)\u003c\/li\u003e\u003cli\u003eStereo Buses: 1\u003c\/li\u003e\u003cli\u003eSub Buses: 1\u003c\/li\u003e\u003cli\u003eDimensions(WxHxD): 480 mm (18-7\/8 in) x 132 mm (5-1\/4 in) x 409 mm (16-1\/8 in)\u003c\/li\u003e\u003cli\u003eNet weight: 9.2 kg (20.3lb)\u003c\/li\u003e\u003ch3\u003eGroundbreaking TF Series TouchFlow Operation™ in Rack-mount Form\u003c\/h3\u003e\u003cp\u003eEver since the first Yamaha digital mixer was released in 1987, the company has been a leader in digital mixer innovation for a wide range of applications. For small events and halls, large-scale outdoor concerts, music production, commercial installations and more, Yamaha offers a comprehensive lineup that delivers world-renowned sonic quality, operability, functionality and reliability.\u003c\/p\u003e\u003cp\u003eTF Series digital mixing consoles released in 2015 offer TouchFlow Operation™ which allows the user to respond to the music and artists on stage with unprecedented speed and freedom, taking live sound reinforcement to a new level of refinement. With the TouchFlow Operation interface optimized for touch panel control, experienced engineers as well as newcomers to the field will find it easier than ever to achieve the ideal mix. Recallable D-PRE™ preamplifiers support sound quality that will satisfy the most discerning professional ears, while advanced live recording features and seamless operation with high-performance I\/O racks give these compact digital mixers capabilities that make them outstanding choices for a wide range of applications.\u003c\/p\u003e\u003cp\u003eThe new TF-RACK is a compact rack-mount version of the TF Series, offering the same levels of performance and groundbreaking operability. This space-saving model is accessible to a wide range of users, from beginners to seasoned engineers. The TF-RACK is an unbeatable choice when smooth, intuitive setup and operation is required in limited spaces.\u003c\/p\u003e\u003ch3\u003e16 mic\/line + 1 stereo line Input, 16-Output. Intuitive and smooth all-in-one rack-style digital mixer\u003c\/h3\u003e\u003cp\u003eTF-RACK offers all-in-one mixing and processing capability for small to medium scale live sound, corporate speech events, installations and much more. It packs intuitive user interface, natural control flow, digital effects\/processing units and many shortcuts to great sound into a compact, portable rack-style unit.\u003c\/p\u003e\u003ch3\u003eScene memory that stores mix settings for instant recall\u003c\/h3\u003e\u003cp\u003eThe scene memory features banks A and B, each capable of holding up to 100 scenes. That’s a total of 200 scenes that can be set up and instantly recalled whenever needed. A number of scenes are pre-programmed to give users a head start: scenes with the 1-knob COMP and 1-knob EQ controls engaged for the easiest possible operation, and scenes with the 1-knob features disabled for experienced engineers who might want to follow an established procedure. The banks are great for organizing different types of scenes: one for scenes categorized by music type, and the other by event type, for example.\u003c\/p\u003e\u003ch3\u003e1-knob COMP™ \u0026amp; 1-knob EQ™: One Knob to Dial In the Ideal Sound\u003c\/h3\u003e\u003cp\u003eAn experienced engineer can do a lot with a compressor: bring a guitar to life, add punch to bass, tighten up a snare, and make vocals ride clearly on the mix. The 1-knob COMP can do all of this quickly and easily, without the need to juggle multiple parameters to achieve the desired effect. Originally introduced in Yamaha analog mixers, the 1-knob COMP quickly became a popular and valued feature. It has now been further refined in a digital version that adds new setup ease and efficiency to the TF consoles.\u003c\/p\u003e\u003cp\u003eThe same concept has been applied in a new 1-knob EQ feature that provides notably improved speed and smooth operation. 1-knob EQ has been painstakingly fine-tuned by Yamaha R\u0026amp;D staff in cooperation with distinguished sound engineers, to ensure that you can achieve outstanding results with minimum effort in the shortest possible time. A Vocal Mode makes it easier than ever to achieve a clear, well defined vocal sound, while an Intensity Mode offers 1-knob “intensity” control over EQ curves you either select from the presets or create from scratch.\u003c\/p\u003e\u003cp\u003eBut there’s more: the 1-knob COMP and 1-knob EQ are provided on the output channels too, so you can quickly achieve overall output compression or EQ that ideally matches the room and audience size. The output 1-knob EQ has a Loudness Mode in place of the Vocal Mode, effectively increasing the sound pressure level while maintaining optimum sound as you rotate the knob. Both the 1-knob COMP and 1-knob EQ provide quick access to the full compressor and EQ displays, so you can fine tune settings as required.\u003c\/p\u003e\u003ch3\u003eQuickPro Presets™ Provide Instant Access to Pro Sound Setups\u003c\/h3\u003e\u003cp\u003eThe Yamaha R\u0026amp;D team developed a selection of optimized QuickPro Presets™ for a wide variety of microphones and output equipment by working in collaboration with well-respected engineers and major manufacturers such as Audio-Technica, Audix, FitEar, Sennheiser, Shure, Ultimate Ears and Westone Laboratories. With these practical presets even the novice engineer can get very close to the ideal sound, while experienced engineers will appreciate the significant time savings. For input channels we prepared more than 200 presets that range from vocals to drum sets. All the presets were precisely tuned by using a wide range of actual microphones and instruments. For output channels we developed presets for a variety of speaker systems and in-ear monitors with several variations to match different environments and room sizes. All of these can be used as is when time is tight, but they are also great starting points for manual fine tuning. Setups created from the presets or from scratch can be saved as additional presets too. The 1-knob EQ and 1-knob COMP can be used with QuickPro Presets™ providing a super-streamlined way to tweak your sound. In addition to the onboard presets, new QuickPro Presets™ will be added to the Yamaha Pro Audio website, so be sure to check for updates.\u003c\/p\u003e\u003ch3\u003eA Natural Sound Foundation with Extra Creative Freedom\u003c\/h3\u003e\u003cp\u003eFaithful reproduction of the on-stage sound is the foundation, then creativity can take over. Yamaha’s unswerving approach to live sound reinforcement is alive and well in the TF series. The input stage of any console has a notable effect on its sonic character. The TF consoles feature acclaimed D-PRE™ microphone preamplifiers that not only deliver outstanding quality, but are recallable as well. Circuitry and individual components have been reassessed and redesigned where necessary to achieve extraordinarily pure, natural sound. That solid sonic foundation is backed up by an updated selection of high-performance processors and effects. Input and output channel processors such as EQ, gates and compressors are complemented by eight processors that provide a broad spectrum of creative capabilities.\u003c\/p\u003e\u003ch3\u003eRecallable D-PRE™ Microphone Preamplifiers\u003c\/h3\u003e\u003cp\u003eThe TF series consoles feature new recallable versions of Yamaha’s acclaimed D-PRE microphone preamplifier. The preamplifiers, or head amplifiers in any console play a significant role in defining the sound of the final mix, so Yamaha engineers spared no effort in developing and refining the D-PRE design to ensure that every nuance and subtlety of the original signal is effectively captured. The circuit is based on a discrete inverted Darlington pair configuration that achieves clean, precise amplification with consistently low noise and distortion at all signal levels. While some microphone preamps are built specifically to impart a unique character of their own, the D-PRE preamplifier has been painstakingly designed with a flat, wide frequency response that retains the tone and nuance of the original sound so that the essence of the performer’s art is captured intact.\u003c\/p\u003e\u003ch3\u003e8 Powerful Processing\/Effect Units and More…\u003c\/h3\u003e\u003cp\u003eIn addition to channel processors, TF consoles feature eight powerful processing\/effect units. All the units feature the same type of SPX processors that have become standards in recording and live sound applications, offering 19 programs ranging from reverb and delay, through modulation effects such as flanger and chorus, to multiband compression.\u003c\/p\u003e\u003cp\u003eWith two units of global FX the panel EDIT key opens the effect parameter display where detailed parameters can be adjusted instantly. The remaining six Ins FX are available in the AUX 9\/10~19\/20 master channels for additional signal control i.e. managing levels for in-ear monitoring, or controlling output delay for remotely located speakers using a delay. If more than two Global FX units are required, these Ins effects can be used as additional SEND\/ RETURN effects by assigning them to the main stereo bus.\u003c\/p\u003e\u003cp\u003eThe AUX 1~8 buses and main output channels include the same 4-band parametric EQ as provided on the input channels, plus 31-band Flex12 GEQ. Both types of EQ are invaluable for optimizing speaker response and eliminating feedback. These GEQ can also be assigned to the physical faders for more detailed fine tuning.\u003c\/p\u003e\u003ch3\u003eApplications that Work Seamlessly with the Console\u003c\/h3\u003e\u003cp\u003eSeparate software applications that allow wireless mixing, personal monitor mixing or offline setup of digital live mixing consoles have become fairly common.\u003c\/p\u003e\u003cp\u003eThe TF series goes a step further with three dedicated apps: TF Editor, TF StageMix and MonitorMix. These apps feature user interfaces which seamlessly extend the console on any device.\u003c\/p\u003e\u003ch3\u003eTF Editor Facilitates Offline Editing Plus Showtime Control\u003c\/h3\u003e\u003cp\u003eThe TF Editor application for Windows and Mac computers provides a complete interface for offline editing and setup of TF consoles, with scene and preset management capabilities plus convenient keyboard entry of channel names.\u003c\/p\u003e\u003cp\u003eIn addition to being able to set up the console offline at any convenient location and time, the TF Editor can be used online at the same time as the TF StageMix and MonitorMix applications. A Windows 8 PC with a multi-touch screen can use the same gestures as on the console itself. And if using Wi-Fi, a PC can function as a convenient remote-mixing device. Up to three devices running TF Editor or StageMix can be connected at the same time.\u003c\/p\u003e\u003ch3\u003eTF StageMix™ for Wireless Mixing\u003c\/h3\u003e\u003cp\u003eTF StageMix is an iPad application that provides wireless control of TF series consoles, allowing remote mixing from audience seating, in front of floor monitors, or any other listening position. It can also be used at the console as an extension of the console’s own interface. The TF StageMix interface is designed for similar operation and flow to the console display, making it easier than ever to refine the mix from any location.\u003c\/p\u003e\u003ch3\u003eSmart Looks and Flexible Design for Custom Control Panels\u003c\/h3\u003e\u003cp\u003eNo specialized programming skills are required. An intuitive interface makes it easy to create faders for volume control and switches for channel on\/off, for example, and position photographs or other graphic elements on the tablet screen as required to create original control panels that are ideally suited to individual applications and users. In addition, ProVisionaire Touch and ProVisionaire Control can control CL\/QL\/TF series digital mixers, MTX and MRX series processors, XMV series and PC-D\/PC-DI series power amplifiers, R series (ADDA) and Tio1608-D I\/O rack, DZR-D series powered loudspeakers and DXS XLF-D powered subwoofers and Nexo NXAMPmk2 powered TD controller. It is easy to combine those parameters onto the one screen.\u003c\/p\u003e\u003cli\u003eMore information about ProVisionaire Touch\u003c\/li\u003e\u003cli\u003eMore information about ProVisionaire Control\u003c\/li\u003e\u003ch3\u003ePersonal Monitoring with MonitorMix\u003c\/h3\u003e\u003cp\u003eThe MonitorMix application for the TF Series allows individual wireless AUX mixing from up to 10 iPhone, iPad or iPod touch devices simultaneously. Each performer can have convenient control over the AUX buses assigned to them, without having to deal with complex settings or parameters. They can also create personal Group settings for even easier adjustment: all levels on just one fader, for example. Since up to three devices running TF Editor or StageMix and up to 10 devices running MonitorMix can be connected at the same time, even large bands can have the personal control they need, reducing demands on the sound engineer.\u003c\/p\u003e\u003ch3\u003eIntuitive User Interface Optimized for Touch Panel Operation\u003c\/h3\u003e\u003cp\u003eIn developing the TF series Yamaha engineers built from their existing base of acclaimed high-end mixer interfaces, adding intuitive control in an interface optimized for the type of touch panel control that has become a familiar feature in a wide range of applications. Allowing most operations to be carried out via the touch panel alone, the innovative TF series interface will quickly become second nature to a broad spectrum of users. Whether you have experience with Yamaha digital consoles, work with other digital consoles, operate analog consoles, or have never operated a mixer before, TF consoles will lead you to the desired results quickly and effortlessly through a smooth, efficient workflow. The availability of physical controls surrounding the touch panel further enhances control versatility and precision.\u003c\/p\u003e\u003ch3\u003eTouch Operation for Intimate Control\u003c\/h3\u003e\u003cp\u003eRefined for the smoothest possible operation via touch-panel control, the TF user interface offers a smooth workflow that can be an advantage in any mixing situation. The display content has been specifically designed for easy, direct accessibility, with a layout that promotes the most natural, efficient mixing. Touch panel operation is as easy as shaping the sound with your fingertips.\u003c\/p\u003e\u003ch3\u003eTouch \u0026amp; Turn Knob Offers Extra Control Precision\u003c\/h3\u003e\u003cp\u003eWhen you need extra precision for a fine EQ or other adjustment, the physical Touch \u0026amp; Turn knob is always available right beside the touch panel. There are also four User Defined Knobs below the panel that can be assigned to control compressor threshold, EQ gain, or other parameters you need fast, direct access to while mixing. The knobs always affect the currently selected channel.\u003c\/p\u003e\u003ch3\u003eVersatile Connectivity for a Wide Range of Applications\u003c\/h3\u003e\u003cp\u003eTF-RACK is equipped with 16 mic\/line + 1 stereo line inputs and 16 ouputs on its compact body and also has a slot to mount optional expansion card NY64-D. Like other TF series, TF-RACK can easily add up to three Tio1608-D I\/O racks with NY64-D card using the console's QUICK CONFIG mode.\u003c\/p\u003e\u003ch3\u003e16 mic\/line + 1 stereo line inputs and 16 outputs on its compact body\u003c\/h3\u003e\u003cp\u003eTF-RACK is equipped with 16 microphone\/ line inputs, 16 line outputs (8 XLR and 8 TRS), and USB connectivity for PC multi-channel Playback\/Recording and so on. A TF-RACK can cover so many applications.\u003c\/p\u003e\u003ch3\u003ePlug In \u0026amp; Play Dante Stagebox Solution\u003c\/h3\u003e\u003cp\u003eThe Tio1608-D is a Dante-equipped I\/O rack with 16 microphone\/ line inputs and 8 line outputs. Tio racks feature the same recallable D-PRE™ microphone preamplifiers as the TF series delivering extraordinarily natural and musical sound. In combination with TF series consoles, Tio racks can be connected using up to three units with a fast and easy setup. * Optional NY64-D Card is required.\u003c\/p\u003e\u003cp\u003eTF-RACK can create a versatile stage box system with up to 64 inputs and 40 outputs in conjunction with the Tio1608-D I\/O and NY64-D, all mounted within a compact rack.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Input Channels\u003c\/td\u003e\n\u003ctd\u003e40 (32 mono + 2 stereo + 2 return)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Aux Buses\u003c\/td\u003e\n\u003ctd\u003e20 (8 mono + 6 stereo)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Stereo Buses\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Sub Buses\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input channel functions\u003c\/td\u003e\n\u003ctd\u003e8 DCA Groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Inputs\u003c\/td\u003e\n\u003ctd\u003e16 mic\/line (XLR\/TRS combo) + 1 stereo line (RCA pin)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Outputs\u003c\/td\u003e\n\u003ctd\u003e16 (8 XLR + 8 TRS phone)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Expansion slots\u003c\/td\u003e\n\u003ctd\u003e1 (for NY64-D)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › On-board processors › DSP\u003c\/td\u003e\n\u003ctd\u003e8 Effects + 10 GEQ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sampling frequency rate › Internal\u003c\/td\u003e\n\u003ctd\u003e48 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Signal delay\u003c\/td\u003e\n\u003ctd\u003eLess than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Fader\u003c\/td\u003e\n\u003ctd\u003eResolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003eLess than 0.05% 20 Hz–20 kHz @+4 dBu into 600 Ω, INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB\/octave filter@80 kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003e+0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dynamic range\u003c\/td\u003e\n\u003ctd\u003e110 dB typ., DA Converter, 108 dB typ., INPUT to OMNI OUT, Input Gain=Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e–128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e–85 dBu, ST master off (Measured with an A-Weight filter)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e–100 dB (Measured with a –30 dB\/octave filter@22 kHz), adjacent INPUT\/OMNI OUT channels, Input Gain=Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003e100–240 V 50\/60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e85 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e480 mm (18-7\/8 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e132 mm (5-1\/4 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e409 mm (16-1\/8 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e9.2 kg (20.3lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eQuick Guide, Power Cord NUENDO LIVE (DAW Software), Rubber stoppers(4)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Options\u003c\/td\u003e\n\u003ctd\u003eAudio Interface Card (NY-64D), Foot Switch (FC5)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eOperating temperature range: 0–40 °C, Storage temperature range: -20–60 °C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268740030719,"sku":"TF-RACK","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_16c2a363-2b81-4358-978c-096a53870ced.jpg?v=1790011502"},{"product_id":"mgx12v-18-channel-digital-mixing-console-with-video-interface","title":"Yamaha MGX12V 18-Channel Digital Mixing Console with Video Interface","description":"\u003cp\u003eThe MGX12V is a compact Video interface-equipped digital mixing console with versatile capabilities that make it perfect for a wide range of applications. The MGX12V offers superb sound quality, intuitive and fast setup and operation, and professional-level features.\u003c\/p\u003e\u003cli\u003e11 + 1 fader configuration (non-motorized fader)\u003c\/li\u003e\u003cli\u003eA 4.3-inch touchscreen with five control knobs\u003c\/li\u003e\u003cli\u003eInput mixing channels: 4 mono + 4 stereo + 1 Sound Pad + 2 FX return\u003c\/li\u003e\u003cli\u003eBusses: 1 STEREO + 8 MIX\u003c\/li\u003e\u003cli\u003eLocal Inputs: 4 Combo (Mic\/Line), 4 TRS (Line), 4 RCA (Line)\u003c\/li\u003e\u003cli\u003eLocal Outputs: 2 XLR, 6 TRS Phone, 4 Headphones\u003c\/li\u003e\u003cli\u003eUSB MAIN: 18 inputs \/ 18 outputs (32-bit \/ 96 kHz)\u003c\/li\u003e\u003cli\u003eUSB SUB: 2 inputs \/ 2 outputs (16-bit \/ 48 kHz)\u003c\/li\u003e\u003cli\u003emicroSD Card: 16-track recording \/ 2-track playback (24-bit \/ Up to 96 kHz)\u003c\/li\u003e\u003cli\u003eBluetooth Audio Input: 2 inputs (Bluetooth 5.0, A2DP)\u003c\/li\u003e\u003cli\u003eHDMI-to-USB video\/audio input with capture function and real-time HDMI passthrough\u003c\/li\u003e\u003cli\u003eBuilt-in DSP processor for professional sound and latency-free monitoring\u003c\/li\u003e\u003cli\u003eAssistive features: Auto Gain, Clip Safe, Simple \/ Standard mode, Scene Recall\u003c\/li\u003e\u003cli\u003eIncluded accessories: Start Guide, Safety Guide, Steinberg Software License Card x2 (Cubase AI + WaveLab Cast, Steinberg Plus), Basic FX Suite license card, AC Power Adapter (PA-300C)\u003c\/li\u003e\u003ch3\u003eThe Digital Evolution of an Analog Classic\u003c\/h3\u003e\u003cp\u003eBuilding on the legacy of Yamaha's MG Series—already established as a global standard in mixing consoles—MGX digital mixing consoles deliver a perfect blend of flexibility, performance, and premium sound quality, excelling in a versatile range of live and installed sound, podcast\/live streaming, music production, and recording applications.\u003c\/p\u003e\u003cp\u003eIn addition to the essential features and versatility you expect from a professional mixer, the MGX12V also integrates an HDMI-USB audio\/video interface with capture and pass-through functionality. This enables users not only to mix and output audio in a variety of ways, but also to simultaneously capture video to a PC and record or stream it together with the audio.\u003c\/p\u003e\u003cp\u003eFor musicians, sound engineers, producers, as well as artists, streamers and content creators—and especially for those producing podcasts with four participants—the four mic inputs and four headphone outputs, together with the ability to seamlessly integrate high-definition video into their workflow, opens up new creative possibilities in a wider range of environments. In any application that involves content with both audio and video, the MGX12V will elevate your production quality and captivate your audience.\u003c\/p\u003e\u003ch3\u003eVersatility and Professional Sound You Can Count On\u003c\/h3\u003e\u003cp\u003eAn audio mixer is expected to offer high versatility to accommodate a wide range of applications—such as live sound, podcast and live streaming, and recording—while delivering audio quality that satisfies the audience, the musicians and performers on stage, and you, the one who supports and shapes the entire experience.\u003c\/p\u003e\u003cp\u003eThe MGX features carefully selected physical I\/O and extensive mixing capacity that enables flexible sound creation. Onboard DSP effects further enhance audio processing power, delivering a refined, professional sound for any application.\u003c\/p\u003e\u003ch3\u003eFlexible Power, Unrivaled Performance\u003c\/h3\u003e\u003cp\u003eIn today's world, traditional applications such as live or installed sound, podcasting and live streaming, and recording production continue to diversify and evolve. Hybrid live events that combine live performances with simultaneous streaming are becoming more common, as are applications that handle both audio and video signals. To meet this broad range of demands with greater flexibility, the MGX is designed not only as a versatile mixer but also as a multifunctional hub, equipped with a powerful USB interface, Bluetooth audio connectivity, sound pads, microSD card recording\/playback, and HDMI-USB audio\/video interface function—all packed into a compact, portable body.\u003c\/p\u003e\u003ch3\u003eSeeing is Believing\u003c\/h3\u003e\u003cp\u003eThe MGX-V models are equipped with advanced HDMI-USB capture and HDMI pass-through functions, enabling seamless integration of high-definition video into video production or streaming setups. These powerful features allow users to build a compact system that manages PA and monitor audio while supporting both streaming and recording—ideal for applications ranging from small-scale live events and hybrid concerts to podcasting and live streaming.\u003c\/p\u003e\u003cp\u003eFor visual content creators, filmmakers, podcasters, and streamers who want to bring audio and video together in one package, the MGX-V models are an essential tool for delivering flawless audiovisual performance.\u003c\/p\u003e\u003ch3\u003eComplete. Connected. Creative.\u003c\/h3\u003e\u003cp\u003eThe MGX is not only a versatile audio mixer, but also a fully functioning recording studio and streaming station that meets the needs of a wide range of applications including live sound reinforcement, streaming and audio production. When used together with Steinberg’s software mixer MixKey, users can easily manage all audio signals on their PC. In future updates, seamless integration with Yamaha's USB controller CC1 and Elgato’s Stream Deck controller is also planned to further enhance workflow and system operation.\u003c\/p\u003e\u003cp\u003eWith Yamaha’s ever-expanding lineup of compatible products and continuous updates, a system built around an MGX console will continue to evolve with you as you refine your skills and broaden your creative horizons—whether as an engineer, producer, artist, streamer, or any combination of the four.\u003c\/p\u003e\u003ch3\u003e1. Live Sound – Hybrid Live Setup\u003c\/h3\u003e\u003cp\u003eThis setup enables simultaneous FOH sound reinforcement, livestreaming, and recording for small-scale band performances.\u003c\/p\u003e\u003cp\u003eAudio from instruments, vocal microphones, a DJ mixer, and background music playback devices is fed into the MGX16V and routed to the venue’s FOH system and stage monitors.\u003c\/p\u003e\u003cp\u003eThe audio and HDMI video sources are consolidated into a USB-connected computer for real-time streaming, with the audio also recorded in Cubase. At the same time, a multitrack backup is captured to a microSD card inserted into the MGX.\u003c\/p\u003e\u003cp\u003eClick the image to enlarge it.\u003c\/p\u003e\u003ch3\u003e2. Installed Sound - Internal Online Conference\u003c\/h3\u003e\u003cp\u003eThis setup integrates in-room audio sources, remote participants, and video inputs to support internal online conferences.\u003c\/p\u003e\u003cp\u003eAudio from presenter microphones, Bluetooth audio for background music, other playback devices, and time-cue sounds triggered from the MGX sound pads—used for schedule and presentation-time management—is fed into the MGX12V and routed to the room’s monitor speakers.\u003c\/p\u003e\u003cp\u003eVideo sources via an HDMI switcher and audio from remote participants over USB are consolidated into a computer for online conferencing and streaming, while a multitrack backup is simultaneously recorded to a microSD card in the MGX12V.\u003c\/p\u003e\u003cp\u003eClick the image to enlarge it.\u003c\/p\u003e\u003ch3\u003e3. Video Podcast with Four Speakers\u003c\/h3\u003e\u003cp\u003eThis setup supports a four-person video podcast by integrating studio microphones, remote guests, playback sources, and video inputs into the MGX16V.\u003c\/p\u003e\u003cp\u003eAudio from four MC microphones, remote participants, music or playback devices, and jingle cues triggered from the MGX sound pads is routed into the mixer and delivered to both studio and control-room monitoring.\u003c\/p\u003e\u003cp\u003eHDMI video sources are combined through a video switcher and, together with the mixed audio, are sent to a computer via USB for recording and streaming in Wavelab Cast. At the same time, a multitrack backup recording is captured to a microSD card in the MGX.\u003c\/p\u003e\u003cp\u003eClick the image to enlarge it.\u003c\/p\u003e\u003ch3\u003e4. Video \u0026amp; Audio Content Production Setup\u003c\/h3\u003e\u003cp\u003eThis setup supports video and audio content production by integrating studio microphones, remote guests, playback sources, and video inputs into the MGX12V.\u003c\/p\u003e\u003cp\u003eAudio from multiple MC microphones, USB-connected remote participants, stand microphones, Bluetooth audio, and sync tones triggered from the MGX sound pads is routed into the mixer and delivered to individual monitoring headphones.\u003c\/p\u003e\u003cp\u003eHDMI video sources are combined with the mixed audio and sent via USB to a computer for recording in Cubase, while a simultaneous multitrack backup is captured to a microSD card in the MGX.\u003c\/p\u003e\u003cp\u003eClick the image to enlarge it.\u003c\/p\u003e\u003ch3\u003eSeamless Creative Flow\u003c\/h3\u003e\u003cp\u003eThe highly versatile MGX digital mixing console is equipped with professional-quality effects, flexible routing, and a wide range of other features that can all be operated fast and intuitively using its touch-panel GUI, comprehensive controllers, assistive functions that streamline workflow, and scene recall capability. The MGX provides an operating experience that keeps your creative workflow focused and free of interruption.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › Analog Input\u003c\/td\u003e\n\u003ctd\u003e4 Combo (Mic\/Line), 4 TRS (Line), 4 RCA (Line)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › Analog Output\u003c\/td\u003e\n\u003ctd\u003e2 XLR, 6 TRS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › USB TO HOST\u003c\/td\u003e\n\u003ctd\u003e2 (USB Type-C, MAIN: 32-bit\/SUB: 16-bit)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › Phones\u003c\/td\u003e\n\u003ctd\u003e4 TRS (100 mW+100 mW @40 Ohm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › DC\u003c\/td\u003e\n\u003ctd\u003e1 (Barrel type, DC power IN)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › microSD Card Slot\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › Bluetooth\u003c\/td\u003e\n\u003ctd\u003e1 Bluetooth audio input (Bluetooth 5.0, A2DP)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › HDMI\u003c\/td\u003e\n\u003ctd\u003e1 IN \/ 1 THRU (Audio\/Video input\/capture\/pass-through)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › User Interface\u003c\/td\u003e\n\u003ctd\u003e4.3-inch touch screen, 12 x 60 mm fader, 12 x SEND knob, 5 x rotary encoder (4 x screen knob, 1 x \"TOUCH AND TURN\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Recording \u0026amp; Playback › USB\u003c\/td\u003e\n\u003ctd\u003e18-track recording, 18-track playback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Recording \u0026amp; Playback › USB (SUB)\u003c\/td\u003e\n\u003ctd\u003e2-track recording, 2-track playback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Recording \u0026amp; Playback › microSD Card\u003c\/td\u003e\n\u003ctd\u003eUp to 16-track recording, 2-track playback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sampling frequency rate\u003c\/td\u003e\n\u003ctd\u003e96 kHz - 44.1 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Signal delay\u003c\/td\u003e\n\u003ctd\u003eLess than 0.4 ms (INPUT to STEREO OUT @ Fs=96 kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003e+0.0 \/ -0.5dB 20 Hz to 20 kHz, reference to the nominal output level @1 kHz, Input Gain= Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dynamic range\u003c\/td\u003e\n\u003ctd\u003e125 dB typ., DAC to STEREO OUT, 115 dB typ., INPUT to MAIN OUT, Input Gain=Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003eLess than 0.002% 20 Hz to 20 kHz@+4 dBu, MIC INPUT to STEREO OUT, Input Gain=Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e-128 dBu typ., Input Gain= Max.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e-108 dBu, ST main off\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-120 dB, adjacent INPUT\/STEREO OUT channels, Input Gain= Min. @1 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Gain range\u003c\/td\u003e\n\u003ctd\u003e86 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003eDC16 V\/2.4 A, PA-300C AC power adapter (100 V-240 V, 50 Hz\/60 Hz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e38.4 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e335 mm (13.2\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e96 mm (3.8\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e319 mm (12.6\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e4.1 kg (9.0 lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Included Accessories\u003c\/td\u003e\n\u003ctd\u003eStart Guide, Safety Guide, Steinberg Software License Card x2 (Cubase AI + WaveLab Cast, Steinberg Plus), Basic FX Suite license card, AC Power Adapter (PA-300 including power cord)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eRK-MGX12 (Mixer Accessory)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Operating temperature\u003c\/td\u003e\n\u003ctd\u003e0 - 40 °C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Storage temperature\u003c\/td\u003e\n\u003ctd\u003e-20 - 60 °C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Input Channels\u003c\/td\u003e\n\u003ctd\u003e4 mono + 4 stereo + 1 Sound Pad + 2 FX\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Mix Buses\u003c\/td\u003e\n\u003ctd\u003e8 (mono)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Stereo Buses\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › FX Buses\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Cue Buses\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › On-board processors › DSP\u003c\/td\u003e\n\u003ctd\u003eGate, Compressor, EQ, Sweet Spot Morphing Channel Strip (Comp \u0026amp; EQ), Guitar Amp Classics (Amp Simulator), Pitch Fix (Voice Changer), Ducker, Multi-Band Compressor, Compander, Delay, REV-X (Reverb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268740161791,"sku":null,"price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_f508aec1-9a52-4178-b6da-6b1860f6f9a7.jpg?v=1790011497"},{"product_id":"tf1","title":"Yamaha TF1 Audio Mixer","description":"\u003cp\u003eCompact, portable, and even rack mountable, the TF1 offers impressive capability and versatility for smaller systems.\u003c\/p\u003e\u003cli\u003e17 motor faders (16 channels + 1 master)\u003c\/li\u003e\u003cli\u003e40 input mixing channels (32 mono + 2 stereo + 2 return)\u003c\/li\u003e\u003cli\u003e20 Aux buses (8 mono + 6 stereo) + Stereo + Sub\u003c\/li\u003e\u003cli\u003e8 DCA groups with Roll-out\u003c\/li\u003e\u003cli\u003e16 analog XLR\/TRS combo mic\/line inputs + 2 analog RCA pin stereo line inputs\u003c\/li\u003e\u003cli\u003e16 analog XLR outputs\u003c\/li\u003e\u003cli\u003e34 x 34 digital record\/playback channels via USB 2.0 + 2 x 2 via a USB storage device\u003c\/li\u003e\u003cli\u003e1 expansion slot for NY64-D audio interface card\u003c\/li\u003e\u003cp\u003eYamaha has always made it a mission to stay in touch with the needs of sound engineers worldwide. The outcome is evident in the success of the recent CL and QL series digital mixing consoles, and the flagship RIVAGE PM10. The key to success has always been in supporting the user’s creativity. Creativity is most effective when unrestricted, and now Yamaha has created a new digital mixing console that gives the user's intuition even freer rein. TouchFlow Operation™ introduced in the TF series consoles allows the user to respond to the music and artists on stage with unprecedented speed and freedom, taking live sound reinforcement to a new level of refinement. With the TouchFlow Operation interface optimized for touch panel control, experienced engineers as well as newcomers to the field will find it easier than ever to achieve the ideal mix. Recallable D-PRE™ preamplifiers support sound quality that will satisfy the most discerning professional ears, while advanced live recording features and seamless operation with high-performance I\/O racks give these compact digital mixers capabilities that make them outstanding choices for a wide range of applications. Experience the intuitive control and creative freedom that a truly evolved digital console can provide.\u003c\/p\u003e\u003ch3\u003eTouchFlow Operation™ – Smooth, Natural Control Flow\u003c\/h3\u003e\u003cp\u003eYamaha digital consoles have always been designed with input from leading engineers worldwide to ensure that the most efficient, intuitive operation is achieved. The highly regarded Selected Channel and Centralogic™ interfaces attest to the success of that approach. The TF series combines Yamaha know-how with new input from the field and the latest touch-screen technology to deliver an evolved experience in console operation. Smooth setup and operation, practical presets and scenes, refined design, and software applications that integrate seamlessly with the entire system: these elements comprise TouchFlow Operation, a new concept in console interfaces that offers unprecedented comfort and convenience in small consoles, for a wide range of users and applications.\u003c\/p\u003e\u003ch3\u003eIntuitive User Interface Optimized for Touch Panel Operation\u003c\/h3\u003e\u003cp\u003eIn developing the TF series Yamaha engineers built from their existing base of acclaimed high-end mixer interfaces, adding intuitive control in an interface optimized for the type of touch panel control that has become a familiar feature in a wide range of applications. Allowing most operations to be carried out via the touch panel alone, the innovative TF series interface will quickly become second nature to a broad spectrum of users. Whether you have experience with Yamaha digital consoles, work with other digital consoles, operate analog consoles, or have never operated a mixer before, TF consoles will lead you to the desired results quickly and effortlessly through a smooth, efficient workflow. The availability of physical controls surrounding the touch panel further enhances control versatility and precision.\u003c\/p\u003e\u003ch3\u003eTouch Operation for Intimate Control\u003c\/h3\u003e\u003cp\u003eRefined for the smoothest possible operation via touch-panel control, the TF user interface offers a smooth workflow that can be an advantage in any mixing situation. The display content has been specifically designed for easy, direct accessibility, with a layout that promotes the most natural, efficient mixing. Touch panel operation is as easy as shaping the sound with your fingertips.\u003c\/p\u003e\u003ch3\u003eTouch \u0026amp; Turn Knob Offers Extra Control Precision\u003c\/h3\u003e\u003cp\u003eWhen you need extra precision for a fine EQ or other adjustment, the physical Touch \u0026amp; Turn knob is always available right beside the touch panel. There are also four User Defined Knobs below the panel that can be assigned to control compressor threshold, EQ gain, or other parameters you need fast, direct access to while mixing. The knobs always affect the currently selected channel.\u003c\/p\u003e\u003ch3\u003eTraditional Overview and Selected Channel Interfaces\u003c\/h3\u003e\u003cp\u003eLike the CL series consoles, operation is based around Overview and Selected Channel windows. The overview display shows the parameters for eight channels at a time, while the Touch \u0026amp; Turn knob provides direct access to gain, 1-knob EQ™, 1-knob COMP™, gate threshold, effect send level, pan, and other parameters. Touch the highlighted parameter a second time to switch to the Selected Channel display when you need access to detailed parameters for finer control.\u003c\/p\u003e\u003ch3\u003eNew Features for Smooth Setup and Operation\u003c\/h3\u003e\u003cp\u003eEffective gain, compressor, and EQ setup requires a considerable degree of skill and experience. Even veteran engineers need to spend time on these important basic settings. In addition to their intuitive user interfaces, TF consoles include a number of features that contribute to faster, smoother setup of these essential parameters.\u003c\/p\u003e\u003ch3\u003e1-knob COMP™ \u0026amp; 1-knob EQ™: One Knob to Dial In the Ideal Sound\u003c\/h3\u003e\u003cp\u003eAn experienced engineer can do a lot with a compressor: bring a guitar to life, add punch to bass, tighten up a snare, and make vocals ride clearly on the mix. The 1-knob COMP can do all of this quickly and easily, without the need to juggle multiple parameters to achieve the desired effect. Originally introduced in Yamaha analog mixers, the 1-knob COMP quickly became a popular and valued feature. It has now been further refined in a digital version that adds new setup ease and efficiency to the TF consoles. The same concept has been applied in a new 1-knob EQ feature that provides notably improved speed and smooth operation. 1-knob EQ has been painstakingly fine-tuned by Yamaha R\u0026amp;D staff in cooperation with distinguished sound engineers, to ensure that you can achieve outstanding results with minimum effort in the shortest possible time. A Vocal Mode makes it easier than ever to achieve a clear, well defined vocal sound, while an Intensity Mode offers 1-knob “intensity” control over EQ curves you either select from the presets or create from scratch.But there’s more: the 1-knob COMP and 1-knob EQ are provided on the output channels too, so you can quickly achieve overall output compression or EQ that ideally matches the room and audience size. The output 1-knob EQ has a Loudness Mode in place of the Vocal Mode, effectively increasing the sound pressure level while maintaining optimum sound as you rotate the knob. Both the 1-knob COMP and 1-knob EQ provide quick access to the full compressor and EQ displays, so you can fine tune settings as required.\u003c\/p\u003e\u003ch3\u003eGainFinder™ Supports Precision Gain Setup\u003c\/h3\u003e\u003cp\u003eGain is the first adjustment the input signal sees, and the way it is set up influences how subsequent parameters will affect the signal. Yamaha has developed a way to make fast, accurate setup of this important basic parameter easier than ever. The new GainFinder feature facilitates optimum gain setup for individual input signals so that ideal overall operation and signal quality is achieved. The user only has to set channel gain so that the central green indicator in the level meter remains lit for the longest possible time. Of course the level meters also perform their traditional function, so standard gain setup procedure can be followed if preferred.\u003c\/p\u003e\u003ch3\u003ePractical Presets and Scenes – Shortcuts to Great Sound\u003c\/h3\u003e\u003cp\u003eThe familiar Yamaha scene memory that stores mix settings for instant recall when needed is included as always. There’s also a range of channel presets that have been created in cooperation with leading microphone manufacturers and eminent sound engineers, providing starting points that take you a long way towards achieving great sound. The channel presets cover parameters such as HA gain, EQ, dynamics, and much more, right down to details like channel name and color. Less time needs to be spent on basic setup so that more time is available for refining the mix and communicating with the performers.\u003c\/p\u003e\u003ch3\u003eQuickPro Presets™ Provide Instant Access to Pro Sound Setups\u003c\/h3\u003e\u003cp\u003eThe Yamaha R\u0026amp;D team developed a selection of optimized QuickPro Presets™ for a wide variety of microphones and output equipment by working in collaboration with well-respected engineers and major manufacturers such as Audio-Technica, FitEar, Sennheiser, Shure, Ultimate Ears and Westone Laboratories. With these practical presets even the novice engineer can get very close to the ideal sound, while experienced engineers will appreciate the significant time savings. For input channels we prepared more than 200 presets that range from vocals to drum sets. All the presets were precisely tuned by using a wide range of actual microphones, instruments. For output channels we developed presets for a variety of speaker systems and in-ear monitors such as Ultimate Ears with several variations to match different environments and room sizes. All of these can be used as is when time is tight, but they are also great starting points for manual fine tuning. Setups created from the presets or from scratch can be saved as additional presets too. The 1-knob EQ and 1-knob COMP can be used with QuickPro Presets™ providing a super-streamlined way to tweak your sound. In addition to the onboard presets, new QuickPro Presets™ will be added to the Yamaha Pro Audio website, so be sure to check for updates.\u003c\/p\u003e\u003ch3\u003eComment from Audio-Technica Corporation\u003c\/h3\u003e\u003cp\u003e“Each Audio-Technica microphone is painstakingly designed to give a truly accurate reproduction within the application it has been selected for. We strive to provide the best possible tools allowing the user to realise the expression of their work. Collaborating closely with the TF engineers on the instrument specific presets means that we can be sure our microphones deliver their best performance, while leaving the user free to focus on the creativity and character of the production.”\u003c\/p\u003e\u003ch3\u003eComment from FitEar (Suyama Dental Laboratory)\u003c\/h3\u003e\u003cp\u003eWe are thrilled to have had the opportunity to collaborate with Yamaha on their acclaimed world-class digital mixers. Their advice, as well as feedback from engineers in the field, has been unreservedly applied in creating EQ presets for our FitEar custom in-ear monitors. The outstanding control capabilities of Yamaha digital mixers merge with years of accumulated in-ear monitoring know-how to support smooth, efficient operation.\u003c\/p\u003e\u003ch3\u003eComment from Sennheiser\u003c\/h3\u003e\u003cp\u003e“The presets in the Yamaha TF series digital mixers provide users with an accurate indication of how to set the EQ for a wide variety of instrument\/microphone combinations. These preset functions give the sound technician a solid basis to start from. All that is needed is to adapt the EQ-ing to the specific room and the instruments.”\u003c\/p\u003e\u003ch3\u003eComment from Shure\u003c\/h3\u003e\u003cp\u003e“We’re thrilled to be offering QuickPro presets of our most popular SM, Beta, KSM and PG Alta microphones in the new TF mixer. When you combine Shure’s 90 years of microphone experience with the versatile new TF digital mixer and exceptional Yamaha speakers, these presets allow engineers at any level of experience to leverage our combined technical expertise for quick, simple and effective sound checks and performances that sound amazing. Engineers can focus on mixing great quality audio instead of chasing problems. It’s an incredibly powerful solution.”\u003c\/p\u003e\u003ch3\u003eComment from Ultimate Ears\u003c\/h3\u003e\u003cp\u003e\"True technical innovations melt into the background and simply become part of life. Marvelous innovations make you wonder what you ever did before. And when you combine the collective industry knowledge of Yamaha, Shure, Sennheiser, Audio-Technica, and Ultimate Ears, art happens. Ultimate Ears is honored to share our outboard presets for in-ear monitors. We know that these combinations will help you take your performance to the next level.\"\u003c\/p\u003e\u003ch3\u003eComment from Westone Laboratories\u003c\/h3\u003e\u003cp\u003e\"Westone is thrilled and honored to have had the opportunity to work with Yamaha and include the presets for our custom-fit and universal-fit in-ear monitors to the TF Series of mixers. The complete range of Westone products is represented (we couldn’t be more excited) including our ES Series of custom-fit models, and both the UM Series, and the revolutionary AM Series of passive-ambient monitors. The QuickPro presets offered in the Yamaha TF Series allow engineers to quickly and easily set a starting point for their IEM mix.\"\u003c\/p\u003e\u003ch3\u003eComment from Audix\u003c\/h3\u003e\u003cp\u003e“We were so excited to be asked by Yamaha to provide QuickPro Presets for our extensive line of application-specific microphones. At Audix, we believe that less time spent EQing a mic equals more time and attention that can be given to the actual performance. The presets that we co-developed with Yamaha’s R\u0026amp;D team ensure that an audio engineer – regardless of experience level – will be able to go live with little or no time spent at sound check. And, if you do have the luxury of a sound check, that time can be spent further enhancing the presets to the needs of the room, instrument or vocalist.”\u003c\/p\u003e\u003ch3\u003eTwo Scene Memory Banks\u003c\/h3\u003e\u003cp\u003eThe scene memory features banks A and B, each capable of holding up to 100 scenes. That’s a total of 200 scenes that can be set up and instantly recalled whenever needed. A number of scenes are pre-programmed to give users a head start: scenes with the 1-knob COMP and 1-knob EQ controls engaged for the easiest possible operation, and scenes with the 1-knob features disabled for experienced engineers who might want to follow an established procedure. The banks are great for organizing different types of scenes: one for scenes categorized by music type, and the other by event type, for example.\u003c\/p\u003e\u003ch3\u003eDesign for Superior Visibility and Quick Operation\u003c\/h3\u003e\u003cp\u003eThe TF series hardware is packed with features that contribute to superior operability and convenience. Faders, knobs, and buttons with outstanding fit and feel work seamlessly with state-of-the-art display technology, including high-visibility channel name and color displays. The touch panel itself offers an ideal blend of comprehensive visual feedback and fast response.The physical layout of these components brings everything together in a system that offers surprisingly efficient workflow.\u003c\/p\u003e\u003ch3\u003ePanel Layout Maximizes Workflow Efficiency\u003c\/h3\u003e\u003cp\u003eCareful analysis of the workflows favored by a large number of engineers has led to a highly efficient panel layout. Rather than simply providing a long list of advanced features, the TF consoles present meaningful features in the most logical and accessible way through an overall design that maximizes visibility and operability.\u003c\/p\u003e\u003ch3\u003eComprehensive Fader Bank section\u003c\/h3\u003e\u003cp\u003eTwo INPUT banks and one OUTPUT bank are provided, and the GROUP bank can be selected by pressing both the INPUT bank buttons simultaneously. The GROUP bank allows the levels of multiple channels to be controlled from a single DCA fader. There’s also a CUSTOM fader bank where you can assign any input, output, and DCA group to any fader.\u003c\/p\u003e\u003ch3\u003eDCA Roll-out Enhances Group Control\u003c\/h3\u003e\u003cp\u003eWhen the GROUP fader bank is selected, all faders other than DCA masters 1 through 8 function as Roll-out faders. Selecting one of the DCA groups instantly “rolls out” the input channels belonging to that group to the Roll-out faders. This useful function makes it easy to adjust the level and other parameters of individual channels while using the eight DCA faders for overall mixing.\u003c\/p\u003e\u003ch3\u003eChannel Name and Color\u003c\/h3\u003e\u003cp\u003eA display panel located above each channel fader shows the assigned channel name or ID, the port name, and the current fader setting. Phantom power status as well as gate and comp operation can also be displayed. A color bar that shows the assigned channel color makes visual navigation a breeze, and prevents confusion when fader banks are changed or scenes are recalled.\u003c\/p\u003e\u003ch3\u003eFaders Provide a Clear View of All Inputs\u003c\/h3\u003e\u003cp\u003eThe TF5 has 33 motor faders, the TF3 has 25, and the TF1 has 17. All rear-panel inputs have individual faders so their status can be verified at a glance and they can be directly and immediately accessed for control.\u003c\/p\u003e\u003ch3\u003eSENDS ON FADER section\u003c\/h3\u003e\u003cp\u003eThe SENDS ON FADER buttons instantly bring the specified AUX or FX bus levels up on the faders for easy verification and adjustment. When a SENDS ON FADER button is engaged the MASTER fader acts as the master for the corresponding bus, so AUX levels can be checked and controlled without having to switch fader banks.\u003c\/p\u003e\u003ch3\u003eAdvanced Design Promotes Smooth, Comfortable Operation\u003c\/h3\u003e\u003cp\u003eThe upper section of the panel is designed to double as a rest for an iPad, set list, score, memos, and\/or other small items. The panel consists of three angled sections that give the operator maximum visibility and access.\u003c\/p\u003e\u003ch3\u003eOther Features for Efficient Workflow\u003c\/h3\u003e\u003cp\u003e- USER DEFINED KNOBS section: Frequently used parameters such as compressor threshold and EQ gain, for example, can be assigned for direct, instant access when needed.\u003c\/p\u003e\u003cp\u003e- USER DEFINED KEYS section: Assign mixer settings that you use often to these six buttons for instant access, such as direct one-touch recall of specified scenes.\u003c\/p\u003e\u003cp\u003e- MUTE section: Multiple inputs or effects can be muted with a single operation.\u003c\/p\u003e\u003cp\u003e- FX section: A dedicated channel offers easy effect ON\/OFF switching, cue monitor ON\/OFF switching, level adjustment, and effect parameter editing.\u003c\/p\u003e\u003cp\u003e- ST IN section: In addition to allowing digital playback from an iPad or iPhone or recording\/playback with a USB device, you have fingertip control of BGM playback and other audio files.* When using a USB storage device for recording, use a hard disk drive or other high-speed device. (USB memory drives are not guaranteed to function properly.)\u003c\/p\u003e\u003ch3\u003eApplications that Work Seamlessly with the Console\u003c\/h3\u003e\u003cp\u003eSeparate software applications that allow wireless mixing, personal monitor mixing, or offline setup of digital live mixing consoles have become fairly common. The TF series goes a step further with three dedicated apps – TF Editor, TF StageMix, and MonitorMix – that feature user interfaces that seamlessly extend the console’s own on any device.\u003c\/p\u003e\u003ch3\u003eTF Editor Facilitates Offline Editing Plus Showtime Control\u003c\/h3\u003e\u003cp\u003eThe TF Editor application for Windows and Mac computers provides a complete interface for offline editing and setup of TF consoles, with scene and preset management capabilities plus convenient keyboard entry of channel names. In addition to being able to set up the console offline at any convenient location and time, the TF Editor can be used online at the same time as the TF StageMix and MonitorMix applications. A Windows 8 PC with a multi-touch screen can use the same gestures as on the console itself. And if using Wi-Fi, a PC can function as a convenient remote-mixing device. Up to three devices running TF Editor or StageMix can be connected at the same time.\u003c\/p\u003e\u003ch3\u003eTF StageMix™ for Wireless Mixing\u003c\/h3\u003e\u003cp\u003eTF StageMix is an iPad application that provides wireless control of TF series consoles, allowing remote mixing from audience seating, in front of floor monitors, or any other listening position. It can also be used at the console as an extension of the console’s own interface. The TF StageMix interface is designed for similar operation and flow to the console display, making it easier than ever to refine the mix from any location.\u003c\/p\u003e\u003ch3\u003ePersonal Monitoring with MonitorMix\u003c\/h3\u003e\u003cp\u003eThe MonitorMix application for the TF Series allows individual wireless AUX mixing from up to 10 iPad, iPhone, iPod touch or Android devices simultaneously. Each performer can have convenient control over the AUX buses assigned to them, without having to deal with complex settings or parameters. They can also create personal Group settings for even easier adjustment; all levels on just one fader, for example. Since up to three devices running TF Editor or StageMix and up to 10 devices running MonitorMix can be connected at the same time, even large bands can have the personal control they need, reducing demands on the sound engineer.\u003c\/p\u003e\u003ch3\u003eSmart Looks and Flexible Design for Custom Control Panels\u003c\/h3\u003e\u003cp\u003eNo specialized programming skills are required. An intuitive interface makes it easy to create faders for volume control and switches for channel on\/off, for example, and position photographs or other graphic elements on the tablet screen as required to create original control panels that are ideally suited to individual applications and users. In addition, ProVisionaire Touch and ProVisionaire Control can control CL\/QL\/TF series digital mixers, MTX and MRX series processors, XMV series and PC-D\/PC-DI series power amplifiers, R series (ADDA) and Tio1608-D I\/O rack, DZR-D series powered loudspeakers and DXS XLF-D powered subwoofers and Nexo NXAMPmk2 powered TD controller. It is easy to combine those parameters onto the one screen.\u003c\/p\u003e\u003cli\u003eMore information about ProVisionaire Touch\u003c\/li\u003e\u003cli\u003eMore information about ProVisionaire Control\u003c\/li\u003e\u003ch3\u003eA Natural Sound Foundation with Extra Creative Freedom\u003c\/h3\u003e\u003cp\u003eFaithful reproduction of the on-stage sound is the foundation, then creativity can take over. Yamaha’s unswerving approach to live sound reinforcement is alive and well in the TF series. The input stage of any console has a notable effect on its sonic character. The TF consoles feature acclaimed D-PRE™ microphone preamplifiers that not only deliver outstanding quality, but are recallable as well. Circuitry and individual components have been reassessed and redesigned where necessary to achieve extraordinarily pure, natural sound. That solid sonic foundation is backed up by an updated selection of high-performance processors and effects. Input and output channel processors such as EQ, gates, and compressors are complemented by eight processors that provide a broad spectrum of creative capabilities.\u003c\/p\u003e\u003ch3\u003eRecallable D-PRE™ Microphone Preamplifiers\u003c\/h3\u003e\u003cp\u003eThe TF series consoles feature new recallable versions of Yamaha’s acclaimed D-PRE microphone preamplifier. The preamplifiers, or head amplifiers in any console play a significant role in defining the sound of the final mix, so Yamaha engineers spared no effort in developing and refining the D-PRE design to ensure that every nuance and subtlety of the original signal is effectively captured. The circuit is based on a discrete inverted Darlington pair configuration that achieves clean, precise amplification with consistently low noise and distortion at all signal levels. While some microphone preamps are built specifically to impart a unique character of their own, the D-PRE preamplifier has been painstakingly designed with a flat, wide frequency response that retains the tone and nuance of the original sound so that the essence of the performer’s art is captured intact.\u003c\/p\u003e\u003ch3\u003e8 Powerful Processing\/Effect Units and More…\u003c\/h3\u003e\u003cp\u003eIn addition to channel processors, TF consoles feature eight powerful processing\/effect units. All the units feature the same type of SPX processors that have become standards in recording and live sound applications, offering 19 programs ranging from reverb and delay, through modulation effects such as flanger and chorus, to multiband compression. With two units of global FX the panel EDIT key opens the effect parameter display where detailed parameters can be adjusted instantly. The remaining six Ins FX are available in the AUX 9\/10~19\/20 master channels for additional signal control ie. managing levels for in-ear monitoring, or controlling output delay for remotely located speakers using a delay. If more than two Global FX units are required, these Ins effects can be used as additional SEND\/ RETURN effects by assigning them to the main stereo bus. The AUX 1~8 buses and main output channels include the same 4-band parametric EQ as provided on the input channels, plus 31-band Flex12 GEQ. Both types of EQ are invaluable for optimizing speaker response and eliminating feedback. These GEQ can also be assigned to the physical faders for more detailed fine tuning.\u003c\/p\u003e\u003ch3\u003eRevolutionary Dan Dugan Automatic Mixer Built In\u003c\/h3\u003e\u003cp\u003eThanks to in-depth collaboration with Dan Dugan Sound Design, renowned Dan Dugan automatic microphone mixing with its advanced algorithms is built into the TF series consoles. The processor is available for input channel 1-8, you can accsess the setting screen easily from their channel strips for automatically optimized microphone gain distribution. Gain control is smooth and natural, as though experienced human operators were doing the mix. The system also effectively reduces feedback and comb filter issues. For speech applications, especially non-scripted situations, this allows the operator to concentrate on details other than fader operation for consistently high-quality mixes.\u003c\/p\u003e\u003ch3\u003eVarious mix to multiple speaker systems -Matrix Out Channels with Delay-\u003c\/h3\u003e\u003cp\u003eFour matrix out channels with delay parameters that are ideally suited to setting up delay compensation for live sound speaker systems at large venues, installations where separate mixes are fed to a main hall and lobby, and many other situations that require some degree of delay compensation.\u003c\/p\u003e\u003ch3\u003eAdditional Output Delay for Ins FX\u003c\/h3\u003e\u003cp\u003eTF V2.5 also includes a simple Output Delay that can be used as an Ins FX on the AUX 9\/10 ~ AUX 19\/20 buses to manage the timing of signals sent to speakers at different locations for improved intelligibility and clarity.\u003c\/p\u003e\u003ch3\u003eA Versatile Live Recording and Playback Solution for Any Application\u003c\/h3\u003e\u003cp\u003eLive recording capability is becoming increasingly important in live sound systems. From simple 2-track recording using a USB storage device* to all-out multitrack recording with a computer based DAW (Digital Audio Workstation), the TF series is ready to roll. TF consoles come supplied with Steinberg’s Nuendo Live Multitrack live recording software, providing an easy way to simultaneously record up to 34 tracks to a computer connected to the console via USB 2.0. MP3 and WAV files can be played back from USB storage devices, and audio from an iPhone or iPad can be played back via a direct digital connection. When playing back from a DAW, analog input or DAW input can be individually selected for each channel so that pre-recorded material can be mixed with live input for virtual sound checks or rehearsals.Of course BGM and sound effects can be played back too.\u003c\/p\u003e\u003cli\u003eTested USB storage device list\u003c\/li\u003e\u003ch3\u003eNuendo Live multi-track live recording software is bundled\u003c\/h3\u003e\u003cp\u003eSteinberg’s Nuendo Live multi-track live recording software is bundled with TF series digital mixing consoles. Nuendo Live multi-track recording software is ideal for use in live sound applications, from club gigs to concert halls and festivals. It offers simple operation that is an advantage in busy live sound situations, high reliability, and a comprehensive range of features that provide professional performance and efficiency. Not only multi-track recording, Nuendo Live offers a virtual sound check when the performers aren’t available. Many users will benefit from the advanced multi-track recording and virtual sound check capabilities that this powerful combination of hardware and software provides.\u003c\/p\u003e\u003ch3\u003eA High-performance Stagebox Solution that’s Simple to Set Up\u003c\/h3\u003e\u003cp\u003eThe natural, musical sound that was a key element of the TF Series design policy is carried on without compromise in the Tio1608-D I\/O Rack (details on following page). Mechanical construction, circuit board layout, power supply, grounding, and parts selection have all been executed with meticulous attention to detail and quality, and exhaustive performance and listening tests were carried out at each stage of development. For networking the same Dante protocol implemented in higher end Yamaha digital consoles is used for precise synchronization, low latency, low jitter, and high sample accuracy.In addition to superior performance, a Tio1608-D stage box system can be set up in just three easy steps.\u003c\/p\u003e\u003ch3\u003eTio1608-D I\/O Rack\u003c\/h3\u003e\u003cp\u003eThe Tio1608-D is a Dante equipped I\/O rack with 16 microphone\/line inputs and 8 line outputs. The Tio1608-D preamplifiers can be remotely controlled from a TF series console. Connection from an on-stage Tio1608-D to a TF console at the mixing position only requires a CAT5e LAN cable for high-quality low-latency audio transfer. No bulky, heavy multi-cables and connector boxes are required. What’s more, basic patches are pre-programmed for fast, easy setup. Up to three Tio1608-D units can be connected simultaneously, providing a high-performance, high capacity stage box system with as many as 40 inputs and 24 outputs. The network connections can be daisy-chained when Tio1608-D units are used with a TF series console, eliminating the need for network switches.\u003c\/p\u003e\u003ch3\u003eNY64-D Audio Interface Card\u003c\/h3\u003e\u003cp\u003eThe NY64-D is an I\/O expansion card for TF series consoles that allows transmission and reception of up to 128 channels (64 in\/64 out) of uncompressed 48 kHz 24 bit digital audio data via a Dante™ audio network. Used in conjunction with the Tio1608-D I\/O it becomes possible to create a versatile stage box system with up to 48 inputs and 24 outputs.\u003c\/p\u003e\u003ch3\u003eTF1 Only: Rack Mountable with Optional RK5014\u003c\/h3\u003e\u003cp\u003eThe RK5014 Rack Mount Kit (14U) can be used to mount the TF1 console in a standard 19-inch EIA equipment rack of the type commonly used in live sound, studio, and installed applications.*14units are needed for the TF1 console alone. Considering the cable connections, 16units are recommended.\u003c\/p\u003e\u003ch3\u003eProvide the functions for effectively and efficiently holding conferences\u003c\/h3\u003e\u003ch3\u003eDugan Automixer 1\u003c\/h3\u003e\u003cp\u003eWhen nobody is speaking the input level at all microphones is low and the gain is equal. Rather than being muted, gain is distributed equally between all microphones.\u003c\/p\u003e\u003ch3\u003eDugan Automixer 2\u003c\/h3\u003e\u003cp\u003eWhen one person is speaking the gain of that person’s microphone is instantly increased to 0dB while the gain of the remaining microphones is lowered. The same occurs when any other one person is speaking.\u003c\/p\u003e\u003ch3\u003eDugan Automixer 3\u003c\/h3\u003e\u003cp\u003eIf two people speak simultaneously the gain distribution between the active microphones is adjusted to achieve consistent overall gain, while the gain of the remaining microphone is lowered.\u003c\/p\u003e\u003ch3\u003eDugan Automixer: Prevent feedback and unwanted pickup with multiple microphones\u003c\/h3\u003e\u003cp\u003eDugan automixer can be applied to up to eight channels in the TF series, automatically raising the gain of microphone inputs that are active while lowering the gain of inactive microphone inputs, and adjusting each to create a consistent overall mix level. This eliminates the need for complex fader operation during presentations where multiple microphones are used, or at panel discussions where an even larger number of microphones may be required. Advanced Dugan automatic mixing algorithms also maintain a safe feedback margin, ensuring high quality, high clarity sound at all times.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Fader Configuration\u003c\/td\u003e\n\u003ctd\u003e16 + 1 (Master)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Input Channels\u003c\/td\u003e\n\u003ctd\u003e40 (32 mono + 2 stereo + 2 return)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Aux Buses\u003c\/td\u003e\n\u003ctd\u003e20 (8 mono + 6 stereo)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Stereo Buses\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Sub Buses\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input channel functions\u003c\/td\u003e\n\u003ctd\u003e8 DCA Groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Inputs\u003c\/td\u003e\n\u003ctd\u003e16 mic\/line (XLR\/TRS combo) + 2 stereo line (RCA pin)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Outputs\u003c\/td\u003e\n\u003ctd\u003e16 (XLR)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Expansion slots\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › On-board processors › DSP\u003c\/td\u003e\n\u003ctd\u003e8 Effects + 10 GEQ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › USB\u003c\/td\u003e\n\u003ctd\u003e34x34 USB Audio Interface, 2-track recording via USB Storage Device\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sampling frequency rate › Internal\u003c\/td\u003e\n\u003ctd\u003e48 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Signal delay\u003c\/td\u003e\n\u003ctd\u003eLess than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Fader\u003c\/td\u003e\n\u003ctd\u003e100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003eLess than 0.05% 20 Hz–20 kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB\/octave filter@80 kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003e+0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dynamic range\u003c\/td\u003e\n\u003ctd\u003e110 dB typ., DA Converter, 107 dB typ., INPUT to OMNI OUT, Input Gain=Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e–128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e–85 dBu, ST master off (Measured with an A-Weight filter)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e–100 dB (Measured with a –30 dB\/octave filter@22 kHz), adjacent INPUT\/OMNI OUT channels, Input Gain=Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003e100–240 V 50\/60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e100 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e510 mm (20.1in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e225 mm (8.9in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e599 mm (23.6in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e13.5 kg (29.8lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eQuick Guide, Power Cord, NUENDO LIVE (DAW Software)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Options\u003c\/td\u003e\n\u003ctd\u003eRack-mount Kit RK5014, Expansion Card, Foot Switch (FC5)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eOperating temperature range: 0–40 °C, Storage temperature range: -20–60 °C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268740292863,"sku":"TF1","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_17a63383-26b4-4c2a-84b3-4ccd8b1ee64b.jpg?v=1790011504"},{"product_id":"mgx16","title":"Yamaha MGX16 22-Channel Digital Mixing Console","description":"\u003cp\u003eThe portable MGX16 Standard compact digital mixing console features versatile capabilities that make it perfect for a wide range of applications. The MGX16 offers superb sound quality, intuitive and fast setup and operation, and professional-level features.\u003c\/p\u003e\u003cli\u003e15 + 1 fader configuration (non-motorized fader)\u003c\/li\u003e\u003cli\u003eA 4.3-inch touchscreen with five control knobs\u003c\/li\u003e\u003cli\u003eInput mixing channels: 8 mono + 4 stereo + 1 Sound Pad + 2 FX return\u003c\/li\u003e\u003cli\u003eBusses: 1 STEREO + 8 MIX\u003c\/li\u003e\u003cli\u003eLocal Inputs: 8 Combo (Mic\/Line), 4 TRS (Line), 4 RCA (Line)\u003c\/li\u003e\u003cli\u003eLocal Outputs: 2 XLR, 8 TRS Phone, 4 Headphones\u003c\/li\u003e\u003cli\u003eUSB MAIN: 22 inputs \/ 22 outputs (32-bit \/ 96 kHz)\u003c\/li\u003e\u003cli\u003eUSB SUB: 2 inputs \/ 2 outputs (16-bit \/ 48 kHz)\u003c\/li\u003e\u003cli\u003emicroSD Card: 16-track recording \/ 2-track playback (24-bit \/ Up to 96 kHz)\u003c\/li\u003e\u003cli\u003eBluetooth Audio Input: 2 inputs (Bluetooth 5.0, A2DP)\u003c\/li\u003e\u003cli\u003eBuilt-in DSP processor for professional sound and latency-free monitoring\u003c\/li\u003e\u003cli\u003eAssistive features: Auto Gain, Clip Safe, Simple \/ Standard mode, Scene Recall\u003c\/li\u003e\u003cli\u003eIncluded accessories: Start Guide, Safety Guide, Steinberg Software License Card x2 (Cubase AI + WaveLab Cast, Steinberg Plus), Basic FX Suite license card, AC Power Adapter (PA-300C)\u003c\/li\u003e\u003ch3\u003eThe Digital Evolution of an Analog Classic\u003c\/h3\u003e\u003cp\u003eBuilding on the legacy of Yamaha's MG series—already established as a global standard in mixing consoles— MGX digital mixing consoles deliver a perfect blend of flexibility, performance, and premium sound quality, exceling in a versatile range of live and installed sound, podcast\/live streaming, music production, and recording applications.\u003c\/p\u003e\u003cp\u003eIn addition to the essential features and versatility you expect from a professional mixer, the MGX16V also integrates a USB-HDMI audio\/video interface with capture and pass-through functionality. This enables users not only to mix and output audio in a variety of ways, but also to simultaneously capture video to a PC and record or stream it together with the audio.\u003c\/p\u003e\u003cp\u003eFor musicians, sound engineers, producers, as well as artists, streamers and content creators, the ability to seamlessly integrate high-definition video into their workflow opens up new creative possibilities in a wider range of environments. In any application that involves content with both audio and video, the MGX16V will elevate your production quality and captivate your audience.\u003c\/p\u003e\u003ch3\u003eVersatility and Professional Sound You Can Count On\u003c\/h3\u003e\u003cp\u003eAn audio mixer is expected to offer considerable versatility to accommodate a wide range of applications—such as live sound, podcast and live streaming, and recording—while delivering audio quality that satisfies the audience, the musicians and performers on stage, and you, the one who supports and shapes the entire experience.\u003c\/p\u003e\u003cp\u003eThe MGX features carefully selected physical I\/O and extensive mixing capacity that enables flexible sound creation. Onboard DSP effects further enhance audio processing power, delivering a refined, professional sound for any application.\u003c\/p\u003e\u003ch3\u003eFlexible Power, Unrivaled Performance\u003c\/h3\u003e\u003cp\u003eIn today's world, traditional applications such as live or installed sound, podcasting and live streaming, and recording production continue to diversify and evolve. Hybrid live events that combine live performances with simultaneous streaming are becoming more common. To meet this broad range of demands with greater flexibility, the MGX is designed not only as a versatile mixer but also as a multifunctional hub, equipped with a powerful USB interface, Bluetooth audio connectivity, sound pads, and microSD card recording\/playback—all packed into a compact, portable body.\u003c\/p\u003e\u003ch3\u003eSeamless Creative Flow\u003c\/h3\u003e\u003cp\u003eThe highly versatile MGX digital mixing console is equipped with professional-quality effects, flexible routing, and a wide range of other features that can all be operated fast and intuitively using its touch-panel GUI, comprehensive controllers, assistive functions that streamline workflow, and scene recall capability. The MGX provides an operating experience that keeps your creative workflow focused and free of interruption.\u003c\/p\u003e\u003ch3\u003eComplete. Connected. Creative.\u003c\/h3\u003e\u003cp\u003eThe MGX is not only a versatile audio mixer, but also a fully functioning recording studio and streaming station that meets the needs of a wide range of applications including live sound reinforcement, streaming and audio production. When used together with Steinberg’s software mixer MixKey, users can easily manage all audio signals on their PC. In future updates, seamless integration with Yamaha's USB controller CC1 and Elgato’s Stream Deck controller is also planned to further enhance workflow and system operation.\u003c\/p\u003e\u003cp\u003eWith Yamaha’s ever-expanding lineup of compatible products and continuous updates, a system built around an MGX console will continue to evolve with you as you refine your skills and broaden your creative horizons—whether as an engineer, producer, artist, streamer, or any combination of the four.\u003c\/p\u003e\u003ch3\u003e1. Live Sound - Small band street performance\u003c\/h3\u003e\u003cp\u003eThis setup supports small band street performances by mixing vocal microphones, guitars, keyboards, and Bluetooth background music through the MGX12.\u003c\/p\u003e\u003cp\u003eAudio from each instrument and microphone is routed into the mixer and sent to the FOH speakers for live sound reinforcement.\u003c\/p\u003e\u003cp\u003eThe mixed audio is also delivered via USB to a computer for recording in Cubase, while a simultaneous multitrack backup is captured to a microSD card in the MGX.\u003c\/p\u003e\u003cp\u003eClick the image to enlarge it.\u003c\/p\u003e\u003ch3\u003e2. Installed Sound - Small live club\u003c\/h3\u003e\u003cp\u003eThis setup is designed for small live clubs, mixing vocals, guitars, keyboards, and playback sources through the MGX16.\u003c\/p\u003e\u003cp\u003eMultiple microphones, instruments, and Bluetooth or CD playback audio are routed into the mixer and sent to the FOH system and stage monitors for clear live sound coverage.\u003c\/p\u003e\u003cp\u003eThe mixed audio can also be sent via USB to a computer for playback or recording in Cubase, while a simultaneous multitrack backup is captured to the microSD card in the MGX.\u003c\/p\u003e\u003cp\u003eClick the image to enlarge it.\u003c\/p\u003e\u003ch3\u003e3. Podcast with four speakers\u003c\/h3\u003e\u003cp\u003eThis setup supports a four-person podcast by integrating studio microphones, remote guests, playback sources, and jingle cues through the MGX16.\u003c\/p\u003e\u003cp\u003eAudio from four MC microphones, USB-connected remote participants, CD or DJ playback devices, and jingle sounds triggered from the MGX sound pads is mixed and routed to both studio and control-room monitoring.\u003c\/p\u003e\u003cp\u003eThe mixed audio is sent via USB to a computer for recording and streaming in Wavelab Cast, while a simultaneous multitrack backup is captured to the microSD card in the MGX.\u003c\/p\u003e\u003cp\u003eClick the image to enlarge it.\u003c\/p\u003e\u003ch3\u003e4. Production – Mobile Recording\u003c\/h3\u003e\u003cp\u003eThis setup is designed for mobile recording, capturing dialogue, boom mic audio, and sync tones through the MGX12.\u003c\/p\u003e\u003cp\u003eAudio from three MC microphones, a boom microphone, and sync tones triggered from the MGX sound pads is mixed and delivered to individual monitoring headphones for on-site checking.\u003c\/p\u003e\u003cp\u003eThe mixed audio is sent via USB to a computer for recording in Cubase, while a simultaneous multitrack backup is captured to the microSD card in the MGX.\u003c\/p\u003e\u003cp\u003eClick the image to enlarge it.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › Analog Input\u003c\/td\u003e\n\u003ctd\u003e8 Combo (Mic\/Line), 4 TRS (Line), 4 RCA (Line)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › Analog Output\u003c\/td\u003e\n\u003ctd\u003e2 XLR, 8 TRS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › USB TO HOST\u003c\/td\u003e\n\u003ctd\u003e2 (USB Type-C, MAIN: 32-bit\/SUB: 16-bit)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › Phones\u003c\/td\u003e\n\u003ctd\u003e4 TRS (100 mW+100 mW @40 Ohm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › DC\u003c\/td\u003e\n\u003ctd\u003e1 (Barrel type, DC power IN)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › microSD Card Slot\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O Connectors › Bluetooth\u003c\/td\u003e\n\u003ctd\u003e1 Bluetooth audio input (Bluetooth 5.0, A2DP)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › User Interface\u003c\/td\u003e\n\u003ctd\u003e4.3-inch touch screen, 16 x 60 mm fader, 16 x SEND knob, 5 x rotary encoder (4 x screen knob, 1 x \"TOUCH AND TURN\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Recording \u0026amp; Playback › USB\u003c\/td\u003e\n\u003ctd\u003e22-track recording, 22-track playback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Recording \u0026amp; Playback › USB (SUB)\u003c\/td\u003e\n\u003ctd\u003e2-track recording, 2-track playback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Recording \u0026amp; Playback › microSD Card\u003c\/td\u003e\n\u003ctd\u003eUp to 16-track recording, 2-track playback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sampling frequency rate\u003c\/td\u003e\n\u003ctd\u003e96 kHz - 44.1 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Signal delay\u003c\/td\u003e\n\u003ctd\u003eLess than 0.4 ms (INPUT to STEREO OUT @ Fs=96 kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003e+0.0 \/ -0.5dB 20 Hz to 20 kHz, reference to the nominal output level @1 kHz, Input Gain= Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dynamic range\u003c\/td\u003e\n\u003ctd\u003e125 dB typ., DAC to STEREO OUT, 115 dB typ., INPUT to MAIN OUT, Input Gain=Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003eLess than 0.002% 20 Hz to 20 kHz@+4 dBu, MIC INPUT to STEREO OUT, Input Gain=Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e-128 dBu typ., Input Gain= Max.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e-108 dBu, ST main off\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-120 dB, adjacent INPUT\/STEREO OUT channels, Input Gain= Min. @1 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Gain range\u003c\/td\u003e\n\u003ctd\u003e86 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003eDC16 V\/2.4 A, PA-300C AC power adapter (100 V-240 V, 50 Hz\/60 Hz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e38.4 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e419 mm (16.5\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e96 mm (3.8\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e319 mm (12.6\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e4.7 kg (10.4 lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Included Accessories\u003c\/td\u003e\n\u003ctd\u003eStart Guide, Safety Guide, Steinberg Software License Card x2 (Cubase AI + WaveLab Cast, Steinberg Plus), Basic FX Suite license card, AC Power Adapter (PA-300 including power cord)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eRK-MGX16 (Mixer Accessory)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Operating temperature\u003c\/td\u003e\n\u003ctd\u003e0 - 40 °C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Storage temperature\u003c\/td\u003e\n\u003ctd\u003e-20 - 60 °C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Input Channels\u003c\/td\u003e\n\u003ctd\u003e8 mono + 4 stereo + 1 Sound Pad + 2 FX\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Mix Buses\u003c\/td\u003e\n\u003ctd\u003e8 (mono)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Stereo Buses\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › FX Buses\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Cue Buses\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › On-board processors › DSP\u003c\/td\u003e\n\u003ctd\u003eGate, Compressor, EQ, Sweet Spot Morphing Channel Strip (Comp \u0026amp; EQ), Guitar Amp Classics (Amp Simulator), Pitch Fix (Voice Changer), Ducker, Multi-Band Compressor, Compander, Delay, REV-X (Reverb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268740456703,"sku":"MGX16","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_0c6c87a1-2a44-47eb-bc9a-b504c7051f97.jpg?v=1790011499"},{"product_id":"tf1-cover","title":"Yamaha TF1-Cover","description":"\u003cp\u003eProtect the TF in style with a lightweight, fitted cover to protect the console from dust and dirt. The padded cover also features Velcro releases at the rear of the cover to allow use while the TF is connected.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Fader Configuration\u003c\/td\u003e\n\u003ctd\u003e16 + 1 (Master)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Input Channels\u003c\/td\u003e\n\u003ctd\u003e40 (32 mono + 2 stereo + 2 return)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Aux Buses\u003c\/td\u003e\n\u003ctd\u003e20 (8 mono + 6 stereo)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Stereo Buses\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing Capacity › Sub Buses\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input channel functions\u003c\/td\u003e\n\u003ctd\u003e8 DCA Groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Inputs\u003c\/td\u003e\n\u003ctd\u003e16 mic\/line (XLR\/TRS combo) + 2 stereo line (RCA pin)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Outputs\u003c\/td\u003e\n\u003ctd\u003e16 (XLR)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Expansion slots\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › On-board processors › DSP\u003c\/td\u003e\n\u003ctd\u003e8 Effects + 10 GEQ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › USB\u003c\/td\u003e\n\u003ctd\u003e34x34 USB Audio Interface, 2-track recording via USB Storage Device\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sampling frequency rate › Internal\u003c\/td\u003e\n\u003ctd\u003e48 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Signal delay\u003c\/td\u003e\n\u003ctd\u003eLess than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Fader\u003c\/td\u003e\n\u003ctd\u003e100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003eLess than 0.05% 20 Hz–20 kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB\/octave filter@80 kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003e+0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dynamic range\u003c\/td\u003e\n\u003ctd\u003e110 dB typ., DA Converter, 107 dB typ., INPUT to OMNI OUT, Input Gain=Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e–128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e–85 dBu, ST master off (Measured with an A-Weight filter)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e–100 dB (Measured with a –30 dB\/octave filter@22 kHz), adjacent INPUT\/OMNI OUT channels, Input Gain=Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003e100–240 V 50\/60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e100 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e510 mm (20.1in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e225 mm (8.9in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e599 mm (23.6in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e13.5 kg (29.8lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eQuick Guide, Power Cord, NUENDO LIVE (DAW Software)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Options\u003c\/td\u003e\n\u003ctd\u003eRack-mount Kit RK5014, Expansion Card, Foot Switch (FC5)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eOperating temperature range: 0–40 °C, Storage temperature range: -20–60 °C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268740489471,"sku":"TF1-Cover","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_660b9fa5-7e64-4821-a9d3-1095d8adbd7f.jpg?v=1790011505"},{"product_id":"cl1","title":"Yamaha CL1 Digital Mixing Console","description":"\u003cp\u003eDual 8-fader sections in a space-saving console that can be used alone or cascaded to another CL console for input expansion.\u003c\/p\u003e\u003cli\u003eInput channels: 48 mono, 8 stereo.\u003c\/li\u003e\u003cli\u003eFader configuration: 8-fader left section, 8-fader Centralogic section, 2-fader master section .\u003c\/li\u003e\u003cli\u003eMeter bridge optional.\u003c\/li\u003e\u003ch3\u003eA creative console for expressive engineering.\u003c\/h3\u003e\u003cp\u003eThrough thorough analysis, review, and refinement of every detail of the circuitry and technology used, Yamaha CL series consoles delivered naturally superior sound plus a comprehensive range of \"coloring\" options that gave the sonic craftspeople who used them extraordinary creative freedom. The signal processors provided were plentiful and of the highest quality, including extraordinary Portico 5033\/5043 EQ and compressor devices that brought Yamaha VCM technology together with the legendary talents of Rupert Neve. The platform was pure and natural, so the engineer could create and deliver the ideal sound.\u003c\/p\u003e\u003cli\u003eMore information about CL Series sound quality.\u003c\/li\u003e\u003ch3\u003eEfficient, enjoyable operation.\u003c\/h3\u003e\u003cp\u003eA truly useful sound reinforcement console is one that can keep pace with the rapidly and dramatically changing demands of live sound applications. Efficient, intuitive operation is essential. Yamaha’s acclaimed Centralogic concept is the core of a refined user interface that offers a new, unprecedented level of operating efficiency in the CL series, from visual feedback right down to the form and feel of the faders and controls. The CL consoles are also ready for seamlessly integrated remote control and offline editing via an Apple iPad® or other computer. Control is familiar and intuitive, while at the same time offering extensive freedom.\u003c\/p\u003e\u003cli\u003eMore information about CL Series operability.\u003c\/li\u003e\u003ch3\u003eScalable, versatile network capabilities.\u003c\/h3\u003e\u003cp\u003eNetwork capabilities are rapidly becoming fundamental and indispensable in today’s fast-paced world of digital live sound. CL series consoles feature separate console and I\/O rack components that communicate via the Dante™ network audio protocol, allowing fast, efficient design and deployment of capable systems from the most basic to the dazzlingly complex. The ability to add Lake® processing via expansion slots also adds to the system’s versatility and adaptability to the widest range of mixing needs.\u003c\/p\u003e\u003cli\u003eMore information about CL Series functionality.\u003c\/li\u003e\u003ch3\u003eCreating the Ideal Natural Sound Platform\u003c\/h3\u003e\u003cp\u003eThe full impact of the most advanced digital audio technology available has been applied throughout the CL series to deliver natural sound that provides a perfect foundation for the artist’s and engineer’s imagination. This type of sonic quality cannot be realized through specifications alone. Repeated listening evaluations and refinements by some of the most reliable ears and respected minds in the business are an indispensable part of the process. The CL series digital mixing consoles are proof that the time and effort involved have been well spent.\u003c\/p\u003e\u003ch3\u003eThe Sound Is In the Details\u003c\/h3\u003e\u003cp\u003eThe challenge begins right from the console’s inputs. In order to achieve the required level of sound quality, individual components, power supply, grounding, circuit layout, mechanical construction, and countless other details of the initial input stages must be selected and designed with the utmost care. Listening evaluation becomes an important part of the development process right from this first stage as well. Changing even a single electronic component can alter the sound in unexpected ways, and the tiniest variations must be noted and evaluated as development proceeds. Extreme measures have been taken to maximize AD and DA conversion performance as well, right down to making detailed spectral analyses of the AD\/DA master clock and adjusting the FPGA clock signal routing so that the most natural, musical sound is achieved. Another critical part of any audio system is the power supply. Of course the capacity of the supply is important, but so are the types of capacitors used, and the grounding must be engineered to ensure the lowest possible impedance. The resultant sound is an eminently natural representation of the input signal, providing an ideal foundation for processing and effects that will lead to the final, polished sound.\u003c\/p\u003e\u003ch3\u003eProdigious Quality \u0026amp; Creative Potential\u003c\/h3\u003e\u003cp\u003eIn creating the best possible sound for a profusion of venues and artist requirements, sound engineers draw on their experience and imagination to make a multitude of practical as well as creative decisions. The engineer’s primary hands-on tool, the mixing console, must be able to accommodate them all. Of course the bottom line is sound quality, and this is just one of the areas in which the CL series consoles excel. They also feature some of the most advanced analog circuitry modeling technology available to add unprecedented character and shape to the sound as needed, while maintaining the utmost sonic quality.\u003c\/p\u003e\u003ch3\u003eA Digital Approach to Acclaimed Analog Quality\u003c\/h3\u003e\u003cp\u003eRupert Neve is a legend. His contributions to the fields of audio recording and production began at the dawn of the era and continue to this day in the form of microphone preamplifiers, equalizers, compressors, and mixing consoles that are the gold standards of professional audio.Clearly Mr. Neve is very serious about his sound, so it’s an honor that he and his company, Rupert Neve Designs, have officially recognized Yamaha’s original VCM (Virtual Circuitry Modeling) technology as being the first of its kind that is capable of accurately modeling the rich, expressive analog sound they have championed for so long. With VCM technology, digital audio is at last capable of matching analog designs for sonic quality.VCM, developed by Toshi Kunimoto (“Dr. K”) and his team at Yamaha’s innovative “K’s Lab” division, is a circuit modeling concept that effectively simulates the most detailed characteristics of individual circuit components, right down to capacitors and resistors, resulting in astonishingly realistic circuit simulations that easily outclass conventional digital simulations. But accuracy isn’t the only consideration, musicality is essential as well, and VCM modeling delivers both.The CL series consoles come equipped with VCM models of the renowned Neve Portico 5033 equalizer and Portico 5043 compressor\/limiter, both developed through close cooperation with Rupert Neve Designs. A valuable range of other VCM equalizers, compressors, and studio-quality effects is also included. You will hear the difference.\u003c\/p\u003e\u003ch3\u003eRevolutionary Dan Dugan Automatic Mixer Built In\u003c\/h3\u003e\u003cp\u003eThanks to in-depth collaboration with Dan Dugan Sound Design, renowned Dan Dugan automatic microphone mixing with its advanced algorithms is built into the CL series consoles. Setup is easy: just insert the processor into up to 16 channels for automatically optimized microphone gain distribution. Gain control is smooth and natural, as though experienced human operators were doing the mix. The system also effectively reduces feedback and comb filter issues. For speech applications, especially non-scripted situations, this allows the operator to concentrate on details other than fader operation for consistently high-quality mixes.\u003c\/p\u003e\u003cli\u003eMore information about \"Dan Dugan Automatic Mixer\"\u003c\/li\u003e\u003ch3\u003eCentralogic at the Heart of an Evolved Interface\u003c\/h3\u003e\u003cp\u003eYamaha’s Centralogic user interface has already proven its value as the most user-friendly digital operating environment available, even for engineers who were previously only comfortable with analog consoles. Founded solidly on Centralogic roots, the CL series takes intuitive, efficient operation to an even higher level, offering an operating experience that engineers will not only feel immediately familiar with, but will be able to grow with into the future.\u003c\/p\u003e\u003ch3\u003eOverview – Analog Style Intimacy\u003c\/h3\u003e\u003cp\u003eClear visual continuity from the Centralogic section’s physical faders to virtual on-screen controls via the console’s elegantly curved panel matches the unambiguous directness of analog console channel modules. Any of the console’s input and output channels can be instantly assigned to the Centralogic section in 8-channel groups.\u003c\/p\u003e\u003ch3\u003eSelected Channel – Another Industry Standard from Yamaha\u003c\/h3\u003e\u003cp\u003eThe Selected Channel display provides a comprehensive view of the many controls and functions available for the currently selected channel. The corresponding physical controllers to the left of the display are labeled and laid out in the same way as the on-screen controls, for confident access and operation. The CL series includes a number of refinements to this now-standard interface for unprecedented operating ease.\u003c\/p\u003e\u003ch3\u003eEvery Detail Designed for Optimum Operating Feel\u003c\/h3\u003e\u003cp\u003eThe way CL series functions and controls work together is a perfect example of how a whole can be greater than the sum of its parts. Within the larger framework of the user interface, the visibility, feel, and precision of individual faders, knobs, and switches are an essential part of the overall operating experience. The visual flow of the control layout across the consoles’ sweeping curves makes a significant contribution to smooth operation as well. The outstanding balance of the entire system, plus refinements such as programmable channel names\/colors and user defined knobs, add up to operation that is, in a word, sublime.\u003c\/p\u003e\u003ch3\u003eNewly Designed Faders\u003c\/h3\u003e\u003cp\u003eNo detail of form or function has been overlooked, right down to how the curvature of the elegant fader knobs comfortably fit the fingers at any angle. The fader knobs even have non-slip inserts that provide ideal friction for smooth, slip-free fades. Visibility is important too, so the knob edges are sculpted to provide a clear view of the fader scale from just about any angle.\u003c\/p\u003e\u003ch3\u003eEditable Channel Names and Colors\u003c\/h3\u003e\u003cp\u003eEditable channel name displays above each fader automatically switch to a larger character size for short names, and show pan and fader values as well. Below each channel name display is a color bar that illuminates in any of eight selectable colors, the same as those used in the central touch screen, for at-a-glance channel and group identification. Brightness can be adjusted for optimum visibility under any ambient lighting conditions.\u003c\/p\u003e\u003ch3\u003eDirect Access to the Parameters You Need\u003c\/h3\u003e\u003cp\u003eThe User Defined Keys provided on Yamaha digital consoles are already a standard. The User Defined Knobs provided on the CL series consoles will quickly achieve the same status. Just about any of the console’s variable parameters can be assigned to the four User Defined Knobs for direct, instant access. Another advanced control feature is Custom Fader Bank selection, allowing the faders in each section to be instantly reordered as required.\u003c\/p\u003e\u003ch3\u003eHarmony in Form and Function\u003c\/h3\u003e\u003cp\u003eThe sweeping form of the CL consoles is not only elegant, but it provides the best possible view of all controls and displays from the operator's position. The visual continuity from the Centralogic faders to the display is seamless. The hand rest is genuine oak with a gorgeous finish that matches the visual and tactile sophistication of the overall design.\u003c\/p\u003e\u003ch3\u003eDante for Fast, Flexible Networking\u003c\/h3\u003e\u003cp\u003eThe complexity and variety of today’s live sound systems makes fast, adaptable configuration and setup capability vital. Of course the highest level of sonic performance must be maintained at the same time. CL series consoles use the Dante network protocol developed by Audinate to allow flexible connection to multiple I\/O rack units configured and located according to the needs of the application, while at the same time providing redundancy for superior reliability.\u003c\/p\u003e\u003ch3\u003eUp to Eight I\/O Rack Units\u003c\/h3\u003e\u003cp\u003eDante directly supports star network configurations, so up to eight I\/O rack units can be connected to any single CL series console and conveniently located wherever they are needed most. A few simple DIP switch settings are all that is required to change to daisy-chain networking as required.\u003c\/p\u003e\u003ch3\u003eSimple Setup\u003c\/h3\u003e\u003cp\u003eThe ability to set up even complex systems quickly and easily is another benefit of Dante networking. In most cases devices on the network are recognized and set up automatically. And since patching operations that usually require a separate computer can be carried out directly from the CL console, changes to the initial setup are painless as well.\u003c\/p\u003e\u003ch3\u003eRedundancy for Reliability\u003c\/h3\u003e\u003cp\u003eDante also makes it easy to maximize system reliability. Star networks allow the use of redundant primary and secondary lines for each device, for the utmost reliability in critical applications. With this type of setup a malfunction in a cable or other network component won’t bring the whole system down. The show will go on.\u003c\/p\u003e\u003ch3\u003eNXAMP Discovery and Patching\u003c\/h3\u003e\u003cp\u003eHere's a case where Dante offers not only extended system flexibility, but enhanced operability as well. NEXO NXAMP discovery and patching operations that normally require a computer running the Dante Controller software application can now be carried out directly from the CL console touch screen display when the NXDT104 Dante network card is installed.\u003c\/p\u003e\u003cp\u003e* CL firmware version 1.5 or higher required.\u003c\/p\u003e\u003ch3\u003eFull Integration of FOH and Monitor Control\u003c\/h3\u003e\u003cp\u003eMultiple CL series consoles can share control of the same I\/O rack unit, allowing unprecedented system flexibility and efficient use of system resources. A new Gain Compensation function adds the ability to combine FOH and monitor control via a single network, for comprehensive digital live sound integration.\u003c\/p\u003e\u003ch3\u003eI\/O Rack Unit Sharing with Gain Compensation\u003c\/h3\u003e\u003cp\u003eOne obvious drawback of connecting multiple consoles to a single I\/O rack unit is that gain adjustments made from one console can cause unexpected gain changes at the other consoles. The Gain Compensation function implemented in the CL consoles ensures that when the analog gain stage is adjusted from one of the consoles, corresponding compensation is automatically applied at the digital stage so that the level sent from the I\/O rack unit to the connected CL consoles remains constant.\u003c\/p\u003e\u003ch3\u003eDigital Gain Control\u003c\/h3\u003e\u003cp\u003eGain compensation applied after any initial analog gain levels are set is carried out entirely in the digital domain. Digital gain control is another original CL series feature that contributes to extraordinarily smooth, efficient operation and integration of the entire system.\u003c\/p\u003e\u003ch3\u003eA Complete Live Sound Toolkit\u003c\/h3\u003e\u003cp\u003eThe quality and variety of internal effects have become major factors in choosing a digital live sound console. Studio quality sound is a must, but so is having the right processors for the job at hand. CL series consoles feature virtual effect racks that are packed with a selection of effects that have been chosen and developed to meet the real-world needs of live sound professionals. Everything you need to create perfectly polished sound for your application is right here.\u003c\/p\u003e\u003ch3\u003ePremium Rack Brings Studio Standards to the Live Stage\u003c\/h3\u003e\u003cp\u003eAs the name implies, “virtual racks” provided in the CL series consoles let you combine signal processors you need for your application in one easily accessible location, much like traditional analog outboard racks. The new CL series Premium Rack can accommodate up to eight instances of the six expressive EQ and dynamics effects provided, including the Rupert Neve Designs Portico 5033 equalizer and Portico 5043 compressor\/limiter. The ability to use some of the most highly regarded studio effects in live mixes can help you deliver unprecedented sonic quality in any venue.\u003c\/p\u003e\u003ch3\u003eEffect Rack With More Than 50 Effects\u003c\/h3\u003e\u003cp\u003eIn addition to the Premium Rack described above, the CL consoles feature an Effect Rack that allows simultaneous use of up to 8 effects from a selection of 46 ambience effects and 8 insertion effects, all of outstanding quality. Although a separate EQ rack is provided for the output buses, any of the 8 effects in the Effect Rack can be replaced by graphic EQ units as needed.\u003c\/p\u003e\u003ch3\u003e32-channel Graphic Equalizer Rack\u003c\/h3\u003e\u003cp\u003eThe CL consoles also feature a GEQ rack that allows graphic EQ to be inserted into the output buses as required for room equalization and other functions. Up to 16 31-band GEQ units can be mounted in the rack for simultaneous use, and those GEQ units can be individually switched to Flex15GEQ mode, effectively providing two EQ channels that allow up to 15 bands to be used at a time. With a full rack of GEQ units all functioning in Flex15GEQ mode, you have a total of 32 GEQ channels for extensive equalization capacity.\u003c\/p\u003e\u003ch3\u003eA Comprehensive Range of Valued Devices\u003c\/h3\u003e\u003cp\u003eVCM technology delivers refined, musical tonality in the outstanding lineup of devices provided in the CL series Premium Rack and Effect Rack.\u003c\/p\u003e\u003ch3\u003ePremium Rack\u003c\/h3\u003e\u003cp\u003ePortico 5033\/5043: These devices immaculately model the full sonic depth and breadth of the original analog equalizer and compressor\/limiter modules by Rupert Neve. They are not only ideal for adding first-class studio-quality processor sound to your mix, but are also remarkably easy to set up for optimum effect. Merely inserting these outstanding models in the signal path can enhance the sound.\u003c\/p\u003e\u003cp\u003eU76: A studio standard that is ideal for a wide range of applications. It even features a RATIO “ALL” button that simulates the effect of engaging all of the ratio buttons on the original.\u003c\/p\u003e\u003cp\u003eOpt-2A: This is a model of one of the most widely used optical studio compressors from the 1960’s. The distinctive and highly regarded compression and release characteristics of the original are recreated with remarkable precision.\u003c\/p\u003e\u003cp\u003eEQ-1A: The classic studio equalizer that is the basis for this model is still in demand today, highly prized for the musical response of its vacuum tube and transformer EQ circuitry, as well as its distinctive boost\/cut characteristics.\u003c\/p\u003e\u003cp\u003eDynamic EQ: This original EQ module detects level variations in specified frequency bands in real time, dynamically adjusting EQ gain to provide pinpoint compression, limiting, and de-essing. A refined interface contributes to fast, easy operation.\u003c\/p\u003e\u003cp\u003eBuss Comp 369: The K's Lab team has created an accurate VCM (Virtual Circuitry Modeling) model of an acclaimed buss compressor that is relied on in broadcast and recording studios around the world. As the name implies, Buss Comp 369 is ideal for inserting on the stereo mix buss for increased loudness, more uniform levels, and warm overall sound. It is an excellent choice for live sound as well as broadcast applications.\u003c\/p\u003e\u003cp\u003eMBC4 Multiband Compressor: The MBC4 is a four-band multiband compressor for the console's Premium Rack, combining a refined GUI with advanced VCM modeling for high overall operability and sonic performance. The musical response of highly regarded analog compressors was studied in depth and recreated in detail in the MBC4, providing flexible dynamics processing while retaining the integrity and musicality of the source.\u003c\/p\u003e\u003ch3\u003eEffect Rack\u003c\/h3\u003e\u003cp\u003eComp 276: This model is a composite of several analog compressors that were popular in recording studios in the 70’s. Anyone who is familiar with the originals will recognize the characteristic punch and fatness this device delivers.\u003c\/p\u003e\u003cp\u003eOpen Deck: Here’s a unique effect that models both the analog circuitry of well-known professional tape decks plus the characteristics of the tape used with them. You can simply choose a deck that offers the sound you need, or combine different recording and playback decks for a range of useful variations.\u003c\/p\u003e\u003cp\u003eComp 260: The compressor\/limiter modeled in this device was all the rage in the late 70’s, featuring solid-state RMS level detection circuitry and VCAs for level control. The sonic signature of this model is unmistakable.\u003c\/p\u003e\u003cp\u003eEQ 601: For a sweet analog EQ sound, this model recreates a popular circuit topology from the 70’s.\u003c\/p\u003e\u003ch3\u003eTwo Ways to Record Live\u003c\/h3\u003e\u003cp\u003eCL series consoles offer two live recording solutions: convenient 2-track recording direct to USB memory, and high-performance multitrack recording to a digital audio workstation via Dante. Whether it’s for a simple web upload, a commercial release, or just material to be used for a virtual sound check the next day, you have all the recording capability you need.\u003c\/p\u003e\u003ch3\u003eSeamless Integration with Nuendo Live for Serious Multitrack Recording\u003c\/h3\u003e\u003cp\u003eThe Nuendo Live DAW application has been specifically designed for live multitrack recording, providing comprehensive control and overview for smooth operation under the most demanding live situations. An extension plug-in provides seamless integration with CL console features, such as channel names, markers, transport control, and more\u003c\/p\u003e\u003cp\u003eDante Virtual Soundcard : Dante Virtual SoundcardDante Virtual Soundcard software, included with CL consoles and Rio3224-D\/Rio1608-D I\/O racks, enables direct multitrack recording to a Windows or Mac based DAW without the need for an audio interface between the console and computer. A high-performance DAW application such as Steinberg Nuendo Live can be used to record up to 64 tracks with studio quality and editing capabilities.\u003c\/p\u003e\u003cp\u003eVirtual Sound Check : DAW playback can be instantly patched to the CL console’s input channels so that multitrack recordings can be used for “virtual” sound checks when the performers aren’t available. Recordings of the previous day’s performance can be used for sound check on the following day!\u003c\/p\u003e\u003cli\u003eMore information about Nuendo Live.\u003c\/li\u003e\u003ch3\u003eConvenient 2-track Recording to USB Memory\u003c\/h3\u003e\u003cp\u003e2-track recording in mp3 format couldn’t be easier. Simply plug a USB memory into the USB connector on the front panel of the console and start recording. No other equipment is required. Of course playback from the USB memory is possible as well, making it a convenient source for BGM or sound effects.\u003c\/p\u003e\u003ch3\u003eExpandable and Adaptable\u003c\/h3\u003e\u003cp\u003eThree Mini-YGDAI card slots on the CL consoles provide easy I\/O expansion as well as extra processing capabilities. New additions to the expansion card lineup include an MY8-LAKE card that integrates Lake Processing, a staple in today’s live sound field, into the console, and a Dugan-MY16 card that adds the most advanced automated microphone cueing and gain control available.\u003c\/p\u003e\u003ch3\u003eNew Remote Control Freedom\u003c\/h3\u003e\u003cp\u003eWith the CL StageMix application, an iPad becomes a wireless remote controller that can be used to set up and operate CL consoles from anywhere on stage or in the audience seating area. There’s even a built-in iPad stay on the CL5 and CL3 panels, providing a convenient mount for an iPad to be used for additional control functionality. There’s also the CL Editor application for computers running Windows or Mac operating systems, for both extended online operation and offline setup and editing. In addition to full Selected Channel and Overview display operation, the CL Editor facilitates scene data management, patch list editing, channel name editing, and much more. It’s even possible to use the CL StageMix and CL Editor applications at the same time.\u003c\/p\u003e\u003cli\u003eMore information about CL StageMix.\u003c\/li\u003e\u003cli\u003eMore information about CL Editor.\u003c\/li\u003e\u003ch3\u003eSmart Looks and Flexible Design for Custom Control Panels\u003c\/h3\u003e\u003cp\u003eNo specialized programming skills are required. An intuitive interface makes it easy to create faders for volume control and switches for channel on\/off, for example, and position photographs or other graphic elements on the tablet screen as required to create original control panels that are ideally suited to individual applications and users. In addition, ProVisionaire Touch and ProVisionaire Control can control CL\/QL\/TF series digital mixers, MTX and MRX series processors, XMV series and PC-D\/PC-DI series power amplifiers, R series (ADDA) and Tio1608-D I\/O rack, DZR-D series powered loudspeakers and DXS XLF-D powered subwoofers and Nexo NXAMPmk2 powered TD controller. It is easy to combine those parameters onto the one screen.\u003c\/p\u003e\u003cli\u003eMore information about ProVisionaire Touch\u003c\/li\u003e\u003cli\u003eMore information about ProVisionaire Control\u003c\/li\u003e\u003ch3\u003eIncreased Power with Lake Speaker Processing Power\u003c\/h3\u003e\u003cp\u003eLake processing has become a standard for loudspeaker processing in live sound applications. An alliance between Yamaha and Lab.gruppen brings Lake Processing right into the CL series mixing consoles, via the MY8-LAKE expansion card. The MY8-LAKE card provides 8-in\/8-out in Mesa (system EQ), 4-in\/12-out Contour (crossover), and 4-in\/4-out and 2-in\/6-out Mesa \u0026amp; Contour (combination) modes.Although primarily intended for speaker processing, the asymmetrical Mesa EQ can also be very useful on input sources. The Lake Controller application running on a compatible computer allows management of multiple Lake devices in the system, while close compatibility with Smaart® contributes to smooth, efficient speaker system tuning.\u003c\/p\u003e\u003cli\u003eMore information about MY8-LAKE.\u003c\/li\u003e\u003ch3\u003eAutomatic Gain Control for Up To 16 Microphone Inputs\u003c\/h3\u003e\u003cp\u003eThe Dugan-MY16 automatic mixer card, developed in cooperation with Dan Dugan Sound Design, provides smoothly automated microphone cueing and gain control for up to 16 input channels. Rather than using gates to open and close channels, the Dugan system uses gain sharing and fades for smooth, natural level changes.\u003c\/p\u003e\u003cli\u003eMore information about Dugan-MY16.\u003c\/li\u003e\u003ch3\u003eCascade Link\u003c\/h3\u003e\u003cp\u003eFor applications that require a large number of input channels, CL consoles can be cascade-connected via I\/O cards such as the MY16-AE installed in their Mini-YGDAI expansion card slots.\u003c\/p\u003e\u003ch3\u003eToday's Data for Tomorrow's Show\u003c\/h3\u003e\u003cp\u003eThe Yamaha Console File Converter is an application that allows data to be shared between a number of Yamaha digital mixing consoles, and the CL series consoles are included in the latest version. You can share data between CL series, PM5D, M7CL, and LS9 consoles, so data from one show doesn't have to be completely reprogrammed from scratch for the next, even if different consoles are used.\u003c\/p\u003e\u003cli\u003eMore information about Console File Converter.\u003c\/li\u003e\u003ch3\u003eFeatures Optimized for Live Sound\u003c\/h3\u003e\u003cp\u003eAlthough there are as many ways to use a mixing console as there are sound engineers, extensive feedback from professionals in every possible sector of the business has made it possible to provide a feature set that is ideally suited to the real-world needs of demanding live sound applications.\u003c\/p\u003e\u003ch3\u003e300 Scene Memories\u003c\/h3\u003e\u003cp\u003eUp to 300 complete console setups can be stored as “scenes” and instantly recalled whenever needed. Recall Safe, Focus, and Preview functions are also provided.\u003c\/p\u003e\u003ch3\u003eVersatile Input and Output Delays\u003c\/h3\u003e\u003cp\u003eUp to 1000 ms delay on input channels facilitates precise microphone phase compensation, while up to 1000 ms delay on the output ports is useful for speaker distance compensation and room tuning.\u003c\/p\u003e\u003ch3\u003eAmple EQ and Dynamics Processing\u003c\/h3\u003e\u003cp\u003eAll channels feature 4-band parametric EQ and two dynamics processors (one dynamic processor on outputs). The processors include an HPF for every input, and one also functions as a highly effective de-esser with advanced processing algorithms that also offers a bandpass mode.\u003c\/p\u003e\u003ch3\u003e16 DCA Groups\u003c\/h3\u003e\u003cp\u003e16 DCA groups allow flexible grouping of multiple input channels for simultaneous control.\u003c\/p\u003e\u003ch3\u003e8 Mute Groups\u003c\/h3\u003e\u003cp\u003eMultiple channels can be assigned to any of 8 mute groups for instant muting or un-muting, with a new Dimmer Level function.\u003c\/p\u003e\u003ch3\u003e16 User Defined Keys\u003c\/h3\u003e\u003cp\u003eA large number of console functions including Sends on Fader, Tap Tempo, and Set by Sel can be assigned to 16 User Defined Keys for instant hands-on access.\u003c\/p\u003e\u003ch3\u003eMultiple User Key Sets\u003c\/h3\u003e\u003cp\u003eLimited access to CL console functions can be provided for less experienced operators and accident prevention via multiple User Key sets that can be stored in the console itself as well as on USB memory.\u003c\/p\u003e\u003ch3\u003e5-in\/5-out GPI Interface\u003c\/h3\u003e\u003cp\u003eA 5-input\/5-output GPI interface allows the CL consoles to respond to input from external switches, as well as to transmit on\/off status to external devices.\u003c\/p\u003e\u003ch3\u003eHelp File\u003c\/h3\u003e\u003cp\u003eSimply tap the on-screen “Help” button to access the onboard operation manual. Once loaded all essential information is available directly via the console’s display, so you won’t need to keep the printed manual with you.\u003c\/p\u003e\u003ch3\u003eSound Quality\u003c\/h3\u003e\u003cp\u003eEvery engineer, artist, and audience agrees that sound quality is the bottom line. That’s a given. Through thorough analysis, review, and refinement of every detail of the circuitry and technology used, Yamaha CL series consoles deliver naturally superior sound plus a comprehensive range of “coloring” options that give the sonic craftsmen who will use them extraordinary creative freedom. The signal processors provided are plentiful and of the highest quality, including extraordinary Portico 5033\/5043 EQ and compressor devices that bring Yamaha VCM technology together with the legendary talents of Rupert Neve. The platform is pure and natural, so the engineer can create and deliver the ideal sound.\u003c\/p\u003e\u003ch3\u003eOperability\u003c\/h3\u003e\u003cp\u003eA truly useful sound reinforcement console is one that can keep pace with the rapidly and dramatically changing demands of live sound applications. Efficient, intuitive operation is essential. Yamaha’s acclaimed Centralogic concept is the core of a refined user interface that offers a new, unprecedented level of operating efficiency in the CL series, from visual feedback right down to the form and feel of the faders and controls. The CL consoles are also ready for seamlessly integrated remote control and offline editing via an Apple iPad® or other computer. Control is familiar and intuitive, while at the same time offering extensive freedom.\u003c\/p\u003e\u003ch3\u003eFunctionality\u003c\/h3\u003e\u003cp\u003eNetwork capabilities are rapidly becoming fundamental and indispensable in today’s fast-paced world of digital live sound. CL series consoles feature separate console and I\/O rack components that communicate via the Dante™ network audio protocol, allowing fast, efficient design and deployment of capable systems from the most basic to the dazzlingly complex. The ability to add Lake® processing via expansion slots also adds to the system’s versatility and adaptability to the widest range of mixing needs.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sampling frequency rate › Internal\u003c\/td\u003e\n\u003ctd\u003e44.1kHz \/ 48kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sampling frequency rate › External\u003c\/td\u003e\n\u003ctd\u003e44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Signal delay\u003c\/td\u003e\n\u003ctd\u003eLess than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003eLess than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003e+0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dynamic range\u003c\/td\u003e\n\u003ctd\u003e112dB typ.: DA Converter \/ 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e-128dBu typ., Equivalent Input Noise, Input Gain=Max\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e-88dBu, Residual output noise, ST master off\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-100dB*1, adjacent OMNI IN\/OMNI OUT channels, Input Gain = Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003eUS\/Canada: 120V 60Hz, Japan: 100V 50\/60Hz, China: 110-240V 50\/60Hz, Korea: 220V 60Hz, Other: 110-240V 50\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e170W: Internal Power Supply \/ 200W: Simultaneous use of Internal PSU and External PW800W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e648mm (25 5\/8in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e299mm (11 3\/4in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e667mm (26 1\/4in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e24kg (52.9lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eTemperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268740587775,"sku":"CL1","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_4f214341-fc98-4396-b432-32edaa654fe9.jpg?v=1790011499"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/collections\/mixers-consoles-1200x1200.png?v=1790163557","url":"https:\/\/oneprogear.com\/collections\/mixers-consoles.oembed?page=3","provider":"OneProGear","version":"1.0","type":"link"}