{"title":"Sigma","description":null,"products":[{"product_id":"16-300mm-f3-5-6-7-dc-os-contemporary","title":"Sigma 16-300mm F3.5-6.7 DC OS | Contemporary APS-C mirrorless camera lens","description":"\u003ch3\u003eThe world's first 18.8x zoom with a 16mm wide-angle setting\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 16-300mm F3.5-6.7 DC OS | Contemporary is the world's first mirrorless lens with an 18.8x zoom ratio. Equivalent to 24-450mm* in 35mm format, this portable lens covers everything from wide-angle for landscapes and interiors to super-telephoto for sports, wildlife and aviation.\u003cbr\u003e\u003cbr\u003e* Approximately 25.6-480mm for the Canon RF Mount version.\u003c\/p\u003e\n\u003ch3\u003eMaximum magnification ratio of 1:2 at 70mm for striking close-ups\u003c\/h3\u003e\n\u003cp\u003eWith a maximum magnification ratio of 1:2 at 70mm, the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary provides excellent close-up performance, perfect for capturing flowers, insects and other small subjects in great detail. With a maximum magnification of 1:3 at the wide end and 1:4 at the telephoto end, photographers have access to a huge range of creative expression.\u003c\/p\u003e\n\u003ch3\u003eSmall, lightweight and portable\u003c\/h3\u003e\n\u003cp\u003eDespite its impressive zoom range of 16-300mm, the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary prioritizes high portability, measuring just 73.8mm in diameter by 121.4mm in length and weighing just 615g*. This is achieved through advanced mechanical and optical design, including a high refractive index glass element with significant thickness variation and an aspherical lens element.\u003cbr\u003e\u003cbr\u003e* The figures are for the L-Mount version.\u003c\/p\u003e\n\u003ch3\u003eAccelerated AF speed and accuracy with HLA autofocus motor\u003c\/h3\u003e\n\u003cp\u003eTo help photographers capture even the most fleeting moments, the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary uses a High-response Linear Actuator (HLA) motor to achieve high-speed autofocus functionality with excellent drive accuracy.\u003c\/p\u003e\n\u003ch3\u003eOutstanding optical stabilization powered by the OS2 algorithm\u003c\/h3\u003e\n\u003cp\u003eInspired by the same technology that powers Sigma's super-telephoto lenses used by professional wildlife and sports photographers, the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary features 6 stops of optical stabilization at the wide end and 4.5 stops at the telephoto end. The latest OS2 optical stabilization algorithm provides superior image stabilization to mitigate the effects of camera shake, helping photographers achieve blur-free results without the need for a tripod, even when shooting in low light and at full zoom.\u003cbr\u003e\u003cbr\u003e* Measured using an APS-C camera at focal lengths of 16mm and 300mm according to CIPA standards.\u003c\/p\u003e\n\u003ch3\u003eEquipped with a zoom lock switch at the wide end\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 16-300mm F3.5-6.7 DC OS | Contemporary features a zoom lock switch that can be fixed at the wide end to prevent the lens from extending.\u003c\/p\u003e\n\u003ch3\u003eDust- and splash-resistant structure* and water-repellent coating\u003c\/h3\u003e\n\u003cp\u003eDesigned to help photographers work in all environments, the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary features a dust- and splash-resistant structure for use in harsh conditions. In addition, the front element features a water- and oil-repellent coating that helps keep the lens free of contaminants.\u003c\/p\u003e\n\u003cp\u003e* The structure is designed to be dust- and splash-resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.\u003c\/p\u003e\n\u003ch3\u003eConsistently high image quality across the entire zoom range\u003c\/h3\u003e\n\u003cp\u003eThanks to its advanced optical design with 1 FLD, 4 SLD and 4 aspherical elements, the lens has excellent aberration correction and delivers sharp results throughout the whole zoom and focus range.\u003c\/p\u003e\n\u003ch3\u003eEngineered to minimize flare and ghosting\u003c\/h3\u003e\n\u003cp\u003eBy measuring light incidence under all conditions and using advanced simulation technology, the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary guarantees superior resistance to flare and ghosting, allowing photographers to capture crisp, clear images in even the most challenging lighting conditions - just as an all-in-one lens should.\u003c\/p\u003e\n\u003ch3\u003eSuppressed focus breathing for consistent framing\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 16-300mm F3.5-6.7 DC OS | Contemporary is designed to effectively suppress focus breathing, making it a perfect choice for filmmakers as well as photographers working with multi-shot techniques such as focus stacking. Throughout the zoom range, changes in angle of view are kept to an absolute minimum when changing focus.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Canon RF Mount,FUJIFILM X Mount,Nikon Z mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eAPS-C [DC]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e20 elements in 14 groups (1 FLD, 4 SLD, 4 aspherical elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003eL-Mount：83.2-5.4° | Canon RF Mount：79.9-5.1° | FUJIFILM X Mount：83.2-5.4° | Nikon Z mount: 83.2°-5.4° | Sony E-mount：83.2-5.4°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e9 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22-45\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e17(W)-105(T)cm \/ 6.7(W)-41.4(T)in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:2 at f=70mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ67mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ73.8mm x 121.4mm \/ φ2.9in. x 4.8in. | Canon RF Mount：φ73.8mm x 121.4mm \/ φ2.9in. x 4.8in. | FUJIFILM X Mount：φ73.8mm x 123.7mm \/ φ2.9in. x 4.9in. | Nikon Z mount: φ73.8mm x 125.4mm \/ φ2.9in. x 4.9in. | Sony E-mount：φ73.8mm x 123.4mm \/ φ2.9in. x 4.9in. *The length of a lens is measured from the front of the lens to its mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：615g \/ 21.7oz. | Canon RF Mount：625g \/ 22.0oz. | FUJIFILM X Mount：615g \/ 21.7oz. | Nikon Z mount: 630g \/ 22.2oz. | Sony E-mount：615g \/ 21.7oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eC025\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003ePOUCH | LENS HOOD LH706-03 | FRONT CAP LCF-67 IV | REAR CAP LCR III\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eHigh-precision, durable brass bayonet mount | Mount Conversion Service available | Compatible with Sigma USB DOCK UD-11 (sold separately \/ for L-Mount only) | Every single lens undergoes Sigma’s proprietary MTF measuring system | Compatible with high-speed autofocus | Designed to minimize flare and ghosting | Compatible with AF assist (for Sony E-mount only) | Supports DMF and AF+MF | Petal-type hood LH706-03\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729742041343,"sku":"887965","price":74400.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729742074111,"sku":"887969","price":74400.0,"currency_code":"INR","in_stock":true},{"title":"Canon RF-mount","offer_id":50729742106879,"sku":"887972","price":74400.0,"currency_code":"INR","in_stock":true},{"title":"Nikon Z-mount","offer_id":50729742139647,"sku":"887973","price":74400.0,"currency_code":"INR","in_stock":true},{"title":"Fujifilm X-mount","offer_id":50729742172415,"sku":"887975","price":74400.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_c2843b20-c9b8-43aa-979d-a66670f433ca.png?v=1792514242"},{"product_id":"35mm-f1-4-dg-ii-art","title":"Sigma 35mm F1.4 DG II | Art Full-frame mirrorless camera lens","description":"\u003ch3\u003eExceptional resolution across the entire frame from maximum aperture\u003c\/h3\u003e\n\u003cp\u003eBuilt on Sigma’s latest optical design technology, the completely redesigned 15-element, 12-group construction delivers extraordinarily detailed rendering that surpasses previous generations of 35mm F1.4 Art line lenses. By incorporating new glass materials that were previously difficult to process, together with four high-precision aspherical elements and two SLD glass elements, the lens thoroughly suppresses aberrations, particularly axial chromatic aberration, which is often prominent in large-aperture lenses. \u003cbr\u003eSigma’s rigorous Art line standards ensure outstanding resolution across the entire frame, even at maximum aperture.\u003c\/p\u003e\n\u003ch3\u003eRich and beautiful bokeh without color bleeding\u003c\/h3\u003e\n\u003cp\u003eBy thoroughly correcting axial chromatic aberration, the lens suppresses color fringing not only in the in-focus plane but also in out-of-focus areas, producing beautifully natural bokeh. The lens features an 11-blade rounded diaphragm, which maintains a round shape even when stopping down from maximum aperture. In addition, by refining the surface accuracy of the aspherical elements to the highest level, the lens enables smooth and beautifully round bokeh.\u003c\/p\u003e\n\u003ch3\u003eNewly developed AAC (Advanced Amorphous Coating)\u003c\/h3\u003e\n\u003cp\u003eThe newly developed AAC (Advanced Amorphous Coating) features a low-refractive-index amorphous layer that dramatically reduces reflections responsible for ghosting and flare, delivering exceptionally clear, high-contrast image quality.\u003c\/p\u003e\n\u003ch3\u003ePursuing uncompromising compactness and lightness\u003c\/h3\u003e\n\u003cp\u003eBy adopting a floating focus system, the lens achieves both enhanced optical performance and a more compact, lightweight design. Compared to the previous model, it is approximately 14% shorter and 20% lighter. The mechanical design incorporates numerous space-saving innovations down to the smallest details, ensuring truly uncompromising compactness and portability. This agility empowers photographers to pursue their creative vision.\u003c\/p\u003e\n\u003ch3\u003eFast and quiet autofocusing with dual HLA system\u003c\/h3\u003e\n\u003cp\u003eThe lens employs Sigma’s dual HLA (High-response Linear Actuator) system, which drives its large and heavy focus group with high power and speed. Even as a large-aperture lens where the focus group tends to become heavier, it delivers fast, accurate, and quiet AF for both stills and video—ensuring that the user can capture decisive moments reliably.\u003c\/p\u003e\n\u003ch3\u003eA long-lasting, reliable tool for photographic expression\u003c\/h3\u003e\n\u003cp\u003eBy assembling high-precision parts made of aluminum, TSC\u003csup\u003e*1\u003c\/sup\u003e, and other materials, the lens achieves the high level of rigidity, durability, and build quality expected of the Art line without compromising portability. As a photographic tool, it offers the reliability needed for long-term use.\u003c\/p\u003e\n\u003cp\u003e*1. TSC (Thermally Stable Composite) is a type of polycarbonate with a thermal expansion rate similar to that of aluminum. It has a high affinity to metal parts, which contributes to high quality product manufacturing.\u003c\/p\u003e\n\u003ch3\u003eVarious shooting assist functions\u003c\/h3\u003e\n\u003cp\u003eThe lens is equipped with an AFL button in two locations, which can be assigned to a range of functions via the menu on selected cameras. In addition to the aperture ring, the lens is equipped with an aperture ring lock switch\u003csup\u003e*1\u003c\/sup\u003e and a click switch to turn the click on and off.\u003c\/p\u003e\n\u003cp\u003e*1. If you turn it on in position A, the aperture ring will be locked in position A. If you turn it on in a position other than A, it will be locked in the range from open to minimum aperture, and it will not be possible to turn it to position A.\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize focus breathing\u003c\/h3\u003e\n\u003cp\u003eOptimization of the focus group arrangement and aspherical shape significantly suppresses focus breathing. The change in angle of view due to focus shift is minimized, creating a natural-looking focus shift when recording video.\u003c\/p\u003e\n\u003ch3\u003eDust- and splash-resistant structure\u003csup\u003e*1\u003c\/sup\u003e and water- and oil-repellent coating\u003c\/h3\u003e\n\u003cp\u003eIn addition to a dust- and splash-resistant structure, the frontmost surface of the lens has a water- and oil-repellent coating applied, so that the lens can be used safely even in harsh outdoor environments.\u003c\/p\u003e\n\u003cp\u003e*1. The product is designed to be dust- and splash-resistant but is not waterproof. When using the lens near water, etc., take care not to allow large amounts of water to splash on it. If water gets inside the lens, it may cause a major malfunction and render the lens unrepairable.\u003c\/p\u003e\n\u003ch3\u003ePetal-type hood with locking mechanism\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 35mm F1.4 DG II | Art comes with a dedicated petal-type hood that shields the front element from stray light to reduce the chances of unwanted flare. The hood attaches securely to the lens with a locking mechanism.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e15 elements in 12 groups (2 SLD, 4 aspherical elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003eL-Mount: 63.4° | Sony E-mount: 63.4°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e11 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e28cm \/ 11.1in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:5.4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ67mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount: φ73.0mm x 94.0mm \/ φ2.9in. x 3.7in. | Sony E-mount: φ73.0mm x 96.0mm \/ φ2.9in. x 3.8in. *The length of a lens is measured from the front of the lens to its mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount: 530g \/ 18.7oz. | Sony E-mount: 525g \/ 18.5oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eA026\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003ePouch | Lens Hood LH725-01 | Front Cap LCF-67 IV | Rear Cap LCR III\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eMount Conversion Service available | Support for switching between linear and non-linear focus ring settings (for L-Mount only) | Compatible with Sigma USB Dock UD-11 (sold separately \/ for L-Mount only) | Every single lens undergoes Sigma’s proprietary MTF measuring system\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729742205183,"sku":"304965","price":101200.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729742237951,"sku":"304969","price":101200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_cfc907e2-4ce7-40e9-8637-913845665401.png?v=1792514242"},{"product_id":"10-18mm-f2-8-dc-dn-contemporary","title":"Sigma 10-18mm F2.8 DC DN | Contemporary APS-C mirrorless camera lens","description":"\u003ch2\u003eSmall lens, big personality\u003c\/h2\u003e\n\u003cp\u003eCreate expressive images on the go with the world's smallest and lightest ultra-wide-angle zoom lens for APS-C cameras*\u003c\/p\u003e\n\u003cp\u003eThe Sigma 10-18mm F2.8 DC DN | Contemporary is the world’s smallest and lightest ultra-wide-angle zoom lens for APS-C cameras*, covering an effective focal range of 15-27mm (35mm equivalent). With ultra-sharp optics, a bright F2.8 aperture and a newly developed push-on petal type lens hood, photographers can create expressive images anytime, anywhere. The lens features a unique aspherical element that reduces the overall size of the lens and enhances image quality.\u003cbr\u003e\u003cbr\u003e An 11.6cm (1:4) minimum focusing distance to produce unique compositions, with expansive backgrounds and pleasing bokeh. With a weight of only 260g*, a fast AF stepping motor and minimal focus breathing, the lens can be easily mounted onto a motorized gimbal to create impressive video content for social media use and professional projects. \u003cbr\u003e\u003cbr\u003e *As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October, 2023 by Sigma.\u003cbr\u003e *The values are for L-mount.\u003c\/p\u003e\n\n\u003ch3\u003eLarge-aperture, ultra-wide-angle zoom with expressive imaging capabilities\u003c\/h3\u003e\n\u003cp\u003eBy utilizing unique optics which have been designed to correct lens aberrations, the Sigma 10-18mm F2.8 DC DN | Contemporary produces images that are sharp across the entire image.\u003c\/p\u003e\n\u003ch3\u003eAspherical lens, special low-dispersion glass\u003c\/h3\u003e\n\u003cp\u003eThe use of an aspherical lens with large eccentricity and refractive index as the first lens element has enabled a lens construction with a reduced number of elements. Used in conjunction with multiple aspherical lenses and special low-dispersion glass, the lens can produce high resolution images whilst remaining compact and lightweight.\u003c\/p\u003e\n\u003cp\u003eFLD glass\u003c\/p\u003e\n\u003cp\u003eSLD glass\u003c\/p\u003e\n\u003cp\u003eAspherical lens\u003c\/p\u003e\n\u003ch3\u003eMinimum focusing distance 11.6cm, maximum magnification ratio 1:4\u003c\/h3\u003e\n\u003cp\u003eCreate expressive close-up images using the 11.6cm minimum focusing distance when shooting at 10mm. With a magnification ratio of 1:4, the lens captures unique portraits, still life and more.\u003c\/p\u003e\n\u003ch3\u003eExtremely compact and lightweight\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 10-18mm F2.8 DC DN | Contemporary is the world’s smallest and lightest ultra-wide-angle zoom lens for APS-C cameras*, with a length of 62.0mm, a maximum diameter of 72.2mm, and a weight of 260g*. The lens can be carried around with ease or attached to an APS-C mirrorless camera and a gimbal to create an ultra-portable video setup.\u003cbr\u003e\u003cbr\u003e *As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October, 2023 by Sigma.\u003cbr\u003e *The values are for L-mount.\u003c\/p\u003e\n\u003ch3\u003eNewly developed push-on petal type hood\u003c\/h3\u003e\n\u003cp\u003eA newly developed push-on petal type hood is included with the lens. Unlike the conventional bayonet type lens hoods that attach with a rotating movement, this push-on type lens hood is attached onto the lens using a spring and lever system. The implementation of this new design reduces the size and thickness of the hood so that it matches the compact size of the lens.\u003c\/p\u003e\n\u003ch3\u003eMount with dust and splash resistant structure\u003c\/h3\u003e\n\u003cp\u003eThe lens mount incorporates rubber sealing to protect it from dust and water drops.\u003c\/p\u003e\n\u003ch3\u003eFast-growing lineup of lenses for APS-C mirrorless cameras\u003c\/h3\u003e\n\u003cp\u003eIn addition to the Sigma 18-50mm F2.8 DC DN | Contemporary, the lineup of lenses for APS-C mirrorless cameras includes 12mm, 15mm, 23mm, 30mm, and 56mm prime lenses, all with F1.4 brightness. This flexible lens selection can be used for a wide variety of photographic applications. \u003cbr\u003e\u003cbr\u003e *Lineup is as of October 2026.\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e18–50mm F2.8 DC DN\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e16mm F1.4 DC DN\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e23mm F1.4 DC DN\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e30mm F1.4 DC DN\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e56mm F1.4 DC DN\u003c\/p\u003e\n\u003ch3\u003eIdeal for landscapes, travel, video and online content creation\u003c\/h3\u003e\n\u003cp\u003eWith ultra-wide focal length, portable body and razor-sharp optics, the Sigma 10-18mm F2.8 DC DN | Contemporary is the perfect portable option for landscape, travel, interior and street photography. It also boasts impressive video capability owing to its bright F2.8 aperture, which makes it well-suited to shooting in low-light environments and creating a shallow depth-of-field. The ultra-wide-angle-of-view is ideal for hand-held vlogging that requires the capture of both the subject and the environment.\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize focus breathing\u003c\/h3\u003e\n\u003cp\u003eThe lens has been designed to suppress focus breathing. The change in angle-of-view due to focus shift is minimized, creating a natural-looking focus shift when recording video.\u003c\/p\u003e\n\u003ch3\u003eSupports various camera functions\u003c\/h3\u003e\n\u003cp\u003eThe lens is compatible with the electronic image stabilization function, aberration correction function, DMF, and AF+MF in camera bodies from various manufacturers. The advantage using this ultra-wide-angle lens is that it provides a generous angle-of-view even when the electronic image stabilization function crops the image.\u003cbr\u003e\u003cbr\u003e *Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model.\u003c\/p\u003e\n\u003ch3\u003eStepping Motor\u003c\/h3\u003e\n\u003cp\u003eA fast and quiet stepping motor is used to deliver precise AF when shooting stills and video. It is fully compatible with in-camera AF tracking modes.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv p=\"\"\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Canon RF Mount,FUJIFILM X Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eAPS-C [DC]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e13 elements in 10 groups (3 FLD, 1 SLD, and 4 aspherical elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003eL-Mount：109.7°-76.5° | Canon RF Mount：106.6°-73.4° | FUJIFILM X Mount：109.7°-76.5° | Sony E-mount：109.7°-76.5°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e7 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e11.6 (W) -19.1 (T) cm \/ 4.6 (W) -7.6 (T) in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:4 (W) - 1:6.9 (T)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ67mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ72.2mm × 62.0mm \/ φ2.8in. × 2.4in. | Canon RF Mount：φ72.2mm × 62.0mm \/ φ2.8in. × 2.4in. | FUJIFILM X Mount：φ72.2mm × 64.3mm \/ φ2.8in. × 2.5in. | Sony E-mount：φ72.2mm × 64.0mm \/ φ2.8in. × 2.5in. | * The length of a lens is measured from the filter surface to its mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：260g \/ 9.2oz. | Canon RF Mount：270g \/ 9.5oz. | FUJIFILM X Mount：250g \/ 8.8oz. | Sony E-mount：255g \/ 9.0oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eC023\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003ePush-on petal type hood LH706-02 | FRONT CAP LCF-67mm Ⅲ | REAR CAP LCR II\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eLens construction: 13 elements in 10 groups (3 FLD, 1 SLD, and 4 aspherical elements) | Compatible with high-speed autofocus | Support DMF and AF+MF | Compatible with AF assist (Sony E-mount only) | Push-on petal type hood LH706-02 | Compatible with Sigma USB DOCK UD-11 (sold separately \/ for L-Mount only) | Designed to minimize flare and ghosting | Every single lens undergoes Sigma's proprietary MTF measuring system | 7-blade rounded diaphragm | High-precision, durable brass bayonet mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729742270719,"sku":"207965","price":72600.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729742303487,"sku":"207969","price":72600.0,"currency_code":"INR","in_stock":true},{"title":"Canon RF-mount","offer_id":50729742336255,"sku":"207972","price":72600.0,"currency_code":"INR","in_stock":true},{"title":"Fujifilm X-mount","offer_id":50729742369023,"sku":"207975","price":72600.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_0115f280-b89c-45e7-a100-74c27761024a.png?v=1792514242"},{"product_id":"70-200mm-f2-8-dg-dn-os-sports","title":"Sigma 70-200mm F2.8 DG DN OS | Sports Full-frame mirrorless camera lens","description":"\u003ch2\u003ePerformance, reliability, | and mobility at its highest level.\u003c\/h2\u003e\n\u003cp\u003ePacked with all the technology Sigma has to offer 70-200mm F2.8, worthy of the flagship\u003c\/p\u003e\n\u003cp\u003eThe large F2.8 aperture provides stable and high descriptive performance at all zoom and focus ranges. The high-speed AF with a dual HLA (High-response Linear Actuator) based on a floating focus structure, and the Optical Stabilizer function with the OS2 algorithm with up to 7.5 stops of correction effect*, ensure that users can take the right shot when there is no room for error. The highly mobile lens with high durability, rigidity, and texture is equipped with a wealth of functions to assist comfortable shooting, including an inner zoom mechanism for easy handling, as well as an aperture ring and switches with various customization functions. The flagship Sigma 70-200mm F2.8 DG DN OS | Sports, combined with the best of Sigma’s latest technologies to meet the high-level demands of professionals, has finally arrived.\u003cbr\u003e\u003cbr\u003e＊Based on CIPA guidelines (Measured at 70mm and 200mm with a 35mm full-frame image sensor)\u003c\/p\u003e\n\u003ch3\u003eHigh-speed AF and optical stabilizer function that maximize superior optical performance\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 70-200mm F2.8 DG DN OS | Sports, developed with professional use in mind, offers not only high optical performance, but also high-speed AF with a dual HLA (High-response Linear Actuator) and an optical stabilizer function with up to 7.5 stops. The Sports line lenses offer high optical performance, and all functions are based on state-of-the-art technology.\u003c\/p\u003e\n\u003ch3\u003eHigh descriptive performance at all zoom and focus ranges\u003c\/h3\u003e\n\u003cp\u003eThe latest optical design, which employs luxurious glass materials including 6 FLD and 2 SLD elements of special low-dispersion glass, delivers high resolving power throughout the entire zoom range. Three aspherical lenses are used, as they are now indispensable for superior optical performance and streamlined lens construction. The exceptionally high precision of the aspherical lenses, which take advantage of the technical capabilities of Sigma’s only production facility, the Aizu factory, further improves optical performance. The incorporated floating focus is advantageous in improving short-range performance, ensuring a stable, high-level image quality throughout the entire range from the minimum focusing distance to infinity.\u003c\/p\u003e\n\u003cp\u003eFLD glass\u003c\/p\u003e\n\u003cp\u003eSLD glass\u003c\/p\u003e\n\u003cp\u003eAspherical lens\u003c\/p\u003e\n\u003ch3\u003eHigh-speed AF with a dual HLA\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 70-200mm F2.8 DG DN OS | Sports with floating focus has a structure in which the two focus groups move in opposite directions, thereby reducing the amount of focus lens movement by about half. In addition, the use of an HLA (High-response Linear Actuator) motor in each of the two focus groups enables high-speed autofocusing. In addition to being fast and accurate, the lens also employs a control program that is designed to be quiet, so users can shoot movies comfortably without worrying about noise.\u003c\/p\u003e\n\u003ch3\u003eOS2 algorithm in optical stabilizer function\u003c\/h3\u003e\n\u003cp\u003eThe latest OS2 optical stabilization algorithm provides an extremely high image stabilization effect of 7.5 stops at the wide end and 5.5 stops at the telephoto end*. The lens is equipped with two OS modes: Mode 1 is suitable for general shooting, and Mode 2 is ideal for panning shots of motorsports and other sports. In Mode 2, Sigma’s Intelligent OS, an algorithm specially designed for panning shots, enables effective image stabilization even when the camera is moved vertically or diagonally, irrespective of the horizontal and vertical orientation. This ensures that the subject’s movement can be captured without losing the panning shot effect.\u003cbr\u003e\u003cbr\u003e＊Based on CIPA guidelines (Measured at 70mm and 200mm with a 35mm full-frame image sensor)\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize focus breathing\u003c\/h3\u003e\n\u003cp\u003eThe lens has been designed to suppress focus breathing. The change in angle of view due to focus shift is minimized, creating a natural-looking focus shift when recording video.\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize flare and ghosting\u003c\/h3\u003e\n\u003cp\u003eFlare and ghosting, which reduce image quality, are addressed under all conditions of incident light based on the most advanced simulation technology. High backlight resistance enables clear and sharp images under any lighting conditions.\u003c\/p\u003e\n\u003ch3\u003eTop-level build quality condensed into a highly mobile lens\u003c\/h3\u003e\n\u003cp\u003eSigma is committed to excellent build quality in all its lenses. Among them, the Sigma 70-200mm F2.8 DG DN OS | Sports, which is part of the Sports line, offers not only high weather resistance performance for shooting in harsh environments, but also improved quality and durability through the use of cutting-edge materials in appropriate places based on a streamlined optical and mechanical design. At the same time, a high level of mobility is also realized, resulting in a professional equipment that can be used with confidence over the long term.\u003c\/p\u003e\n\u003ch3\u003eHigh quality and durability despite its small size and lightweight\u003c\/h3\u003e\n\u003cp\u003eThe latest optical and mechanical design streamlines the lens configuration and internal structure, resulting in a significantly smaller and lighter body than the previous Sigma 70-200mm F2.8 DG OS HSM | Sports model. The body, including the hood, features a “multi-material structure” that optimally arranges materials such as magnesium, CFRP*1, and TSC*2. Even with enhanced mobility, the lens features Sigma’s renowned excellent build quality, including high durability, reliable rigidity, and various control rings and switches that have been carefully designed to feel good.\u003cbr\u003e\u003cbr\u003e*1 CFRP (carbon fiber reinforced plastic), a light but strong material used in the interior and exterior fittings of aircraft, among many other applications.\u003cbr\u003e\u003cbr\u003e*2 TSC (Thermally Stable Composite) is a type of polycarbonate with a thermal expansion rate similar to that of aluminum. It has high affinity to metal parts which contributes to high quality product manufacturing.\u003c\/p\u003e\n\u003ch3\u003eAdoption of inner zoom mechanism\u003c\/h3\u003e\n\u003cp\u003eThe zoom mechanism employs an inner zoom. Since the total length of the lens does not change with zoom operation, it is easy to handle when shooting hand-held, highly stable when installed on a gimbal, and resistant to dust and water droplets.\u003c\/p\u003e\n\u003ch3\u003eWeatherability of Sports line specifications\u003c\/h3\u003e\n\u003cp\u003eThe mount connection, manual focus ring, zoom ring, switches, switch panel and exterior connection are all dust and splash resistant* to prevent dust and dirt from entering the lens. Further, the front element of the lens features a water and oil repellent coating to facilitate maintenance when water droplets or dust adhere to the lens.\u003cbr\u003e\u003cbr\u003e*The structure is designed to be dust and splash resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.\u003c\/p\u003e\n\u003ch3\u003eA wealth of functions to assist professional photographers\u003c\/h3\u003e\n\u003cp\u003eIn addition to an aperture ring, a magnesium tripod mount, and various switches, the highly mobile lens has a wealth of functions available, enabling a more comfortable and versatile shooting experience for users.\u003c\/p\u003e\n\u003ch3\u003eEquipped with an aperture ring\u003c\/h3\u003e\n\u003cp\u003eThis is the first Sigma zoom lens for still photography to be equipped with an aperture ring. It is also equipped with an aperture ring click switch and an aperture ring lock switch, allowing for aperture operation suited to the shooting application.\u003cbr\u003e\u003cbr\u003e* When turned ON at the position A, the iris ring is locked at A. When turned ON at a position other than A, it is locked within the range between the maximum to minimum apertures and will not engage at the position A.\u003c\/p\u003e\n\u003ch3\u003eNewly developed tripod socket\u003c\/h3\u003e\n\u003cp\u003eThe lens body incorporates an Arca-Swiss compatible magnesium alloy tripod socket. The detachable leg is newly designed for the Sigma 70-200mm F2.8 DG DN OS | Sports in order to achieve a compact and lightweight design.\u003c\/p\u003e\n\u003ch3\u003eCustomizable functions\u003c\/h3\u003e\n\u003cp\u003eEquipped with a Focus Limiter switch, the lens enables users to limit the focus driving range during AF when necessary, allowing quick and precise focusing.\u003cbr\u003eFurther, the lens features three AFL buttons ready to be assigned to preferred functions using the camera. The AFL buttons are easy to operate regardless of how the camera is oriented or which settings are used.\u003cbr\u003eFor the L-Mount version, the Sigma USB DOCK UD-11 can be used to set OS operation or focus limiter range for the Custom Mode switch.\u003cbr\u003e\u003cbr\u003e* Only on compatible cameras. Available functions may vary depending on the camera used.\u003c\/p\u003e\n\u003ch3\u003eTele Converter for L-Mount (1.4x \/ 2.0x)\u003c\/h3\u003e\n\u003cp\u003eThe L-Mount version of the lens is compatible with the Sigma TELE CONVERTER TC-1411 (1.4x) and TC-2011 (2.0x). Using a tele converter, the focal length can be multiplied by 1.4x and even 2x, for AF-enabled shooting at ultra-telephoto focal lengths of up to 400mm.\u003c\/p\u003e\n\u003ch3\u003eCover-type lens hood included\u003c\/h3\u003e\n\u003cp\u003eA lightweight, high-strength, exclusive cover-type lens hood made of CFRP* is included. In addition to its slim design that does not impair the mobility of the lens, the tip of the hood is rubberized to protect the lens from abrasion and scratches caused by placing the lens upside down.\u003cbr\u003e\u003cbr\u003e*CFRP (carbon fiber reinforced plastic), a light but strong material used in the interior and exterior fittings of aircraft, among many other applications.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv p=\"\"\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e20 elements in 15 groups (6 FLD, 2 SLD, 3 aspherical elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e34.3° -12.3°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e11 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e65 (W) - 100 (T) cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:5.2 (at focal length 200mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ77mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ90.6mm × 205.0mm \/ φ3.6in. × 8.1in. | Sony E-mount：φ90.6mm × 207.0mm \/ φ3.6in. × 8.1in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：1,345g \/ 47.4oz | Sony E-mount：1,335g \/ 47.1oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eS023\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eCase | LENS HOOD LH860-01 | TRIPOD SOCKET TS-151 | FRONT CAP LCF-77mm III | REAR CAP LCR II\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eLens construction: 20 elements in 15 groups (6 FLD, 2 SLD, 3 aspherical elements) | Compatible with high-speed autofocus | Supports DMF and AF+MF | Compatible with AF assist (Sony E-mount only) | OS switch | Custom Mode switch | LENS HOOD LH860-01 | TRIPOD SOCKET TS-151 *Detachable lens foot type | Compatible with Sigma TELE CONVERTER TC-1411 \/ TC-2011 (sold separately \/ for L-Mount only) | Compatible with Sigma USB DOCK UD-11 (sold separately \/ for L-Mount only) | Designed to minimize flare and ghosting | Every single lens undergoes Sigma's proprietary MTF measuring system | 11-blade rounded \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729742401791,"sku":"591965","price":166700.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729742434559,"sku":"591969","price":166700.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_b9e96b90-f218-4e58-9720-036969cb8f4a.png?v=1792514242"},{"product_id":"24-70mm-f2-8-dg-dn-ii-art","title":"Sigma 24-70mm F2.8 DG DN II | Art Full-frame mirrorless camera lens","description":"\u003ch2\u003eA classic, evolved.\u003c\/h2\u003e\n\u003cp\u003eThe Art 24-70mm F2.8, evolved on all levels: rendering performance, functionality, and portability.\u003c\/p\u003e\n\u003cp\u003eThe Sigma 24-70mm F2.8 DG DN II | Art is Sigma's flagship lens that has evolved significantly from the previous model by incorporating the most advanced technologies available to Sigma from design to production. Compared to the previous Sigma 24-70mm F2.8 DG DN | Art, the Sigma 24-70mm F2.8 DG DN II | Art has improved resolving power throughout the entire zoom range, and also benefits from functional enhancements such as the addition of an aperture ring and high-speed AF with a redesigned AF motor, HLA (High-response Linear Actuator). The lens is also approximately 7% smaller and 10% lighter. This 24-70mm F2.8 Art zoom is a versatile and high-performance tool that will help photographers and filmmakers unlock their creative potential.\u003c\/p\u003e\n\u003ch3\u003eRendering performance worthy of the flagship name\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 24-70mm F2.8 DG DN II | Art is the successor to the Sigma 24-70mm F2.8 DG DN | Art, which is known for its high optical performance, and has further improved resolution throughout the zoom range. The lens has high sharpness throughout the entire image from its maximum aperture, even on high-resolution cameras. Focusing on enhancing its rendering performance, the brightness of F2.8 produces a large, beautiful bokeh effect, and allows users to experience the power of a flagship lens in all types of visual expression. In addition to its advanced close-up capability and resistance to flare and ghosting, the lens is designed to minimize focus breathing, providing ideal images in any situation.\u003c\/p\u003e\n\u003ch3\u003eHigh optical performance across the entire image and zoom range\u003c\/h3\u003e\n\u003cp\u003eThe optical design of the lens includes 6 FLD glass elements, 2 SLD glass elements, and 5 aspherical lens elements to thoroughly suppress various aberrations throughout the entire zoom range. In particular, sagittal coma flare has been well controlled to achieve consistently high resolution all the way to the periphery of the image. By also effectively correcting lateral chromatic aberration, high resolution, beautifully rendered images can be achieved, free from color fringing can be achieved.\u003c\/p\u003e\n\u003ch3\u003eIncorporating 5 aspherical lenses\u003c\/h3\u003e\n\u003cp\u003eThe use of 5 high-precision aspherical lenses enables both high optical performance with minimal aberration correction and a compact optical design. The Sigma's only manufacturing base, the Aizu factory’s ultra-high-precision aspherical molding technology makes it possible to produce the thin, highly polarized aspherical lenses that are essential for the construction of this lens. This has brought about a higher degree of freedom in optical design.\u003c\/p\u003e\n\u003ch3\u003eExcellent close-up capability\u003c\/h3\u003e\n\u003cp\u003eThe lens has excellent close-up capability with a minimum focusing distance of 17cm \/ 6.7in. at the wide end and a maximum magnification ratio of 1:2.7. This is useful when composing close-up shots of a subject, or when shooting in tight spaces where it is difficult to get a good distance from the subject.\u003cbr\u003e\u003cbr\u003e\u003csup\u003e* Be extremely careful that the front lens element does not hit the subject when photographing. Remove the lens hood when photographing at the minimum focusing distance at the wide-angle end.\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize flare and ghosting\u003c\/h3\u003e\n\u003cp\u003eFlare and ghosting, which reduce image quality, have been largely eliminated using advanced simulation technology, ensuring the lens renders rich, high-contrast results in all conditions. In addition, Nano Porous Coating and Super Multi-Layer Coating have been applied to help suppress flare and ghosting to the utmost degree. High backlight resistance enables clear and sharp images under any lighting conditions.\u003c\/p\u003e\n\u003ch3\u003eMinimal focus breathing\u003c\/h3\u003e\n\u003cp\u003eThe lens has been designed to suppress focus breathing. The change in angle-of-view due to focus shift across the entire zoom range is minimized, creating a natural-looking focus pulls when recording video.\u003c\/p\u003e\n\u003ch3\u003eImproved portability and expanded feature set\u003c\/h3\u003e\n\u003cp\u003eThe body of the Sigma 24-70mm F2.8 DG DN II | Art is approximately 7% smaller in size and 10% lighter in weight than the previous model, while improving usability by adding an aperture ring and two AFL buttons. Despite the reduction in size and added features, the lens maintains Sigma’s renowned excellent build quality, with the uncompromisingly precise and robust construction expected of a professional photographic tool.\u003c\/p\u003e\n\u003ch3\u003eHighly portable lens body\u003c\/h3\u003e\n\u003cp\u003eWhile the number of lens elements used in its construction is the same as that of the previous model, the overall length has been shortened owing to an advanced optical design. In addition, the more efficient mechanical design has resulted in a highly portable lens body with a maximum diameter of φ87.8mm x 120.2mm \/ φ3.5in. x 4.7in., and weight of 745g \/ 26.3oz. \u003csup\u003e*\u003c\/sup\u003e\u003cbr\u003e\u003cbr\u003e\u003csup\u003e* These figures are for L-Mount.\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003eExcellent build quality\u003c\/h3\u003e\n\u003cp\u003eSimultaneously focusing on reducing the size and weight of the lens body, the use of metal parts for the zoom extension unit and other parts, as well as the robust internal structure ensure rigidity during use, such as when operating the ring, pressing buttons, and carrying the lens. The design emphasizes the lens’ longevity and reliability as a tool, which cannot be achieved by solely pursuing a compact and lightweight body.\u003c\/p\u003e\n\u003ch3\u003eEquipped with an aperture ring\u003c\/h3\u003e\n\u003cp\u003eThe lens is equipped with an aperture ring as well as an aperture ring click switch and an aperture ring lock switch, allowing for aperture operation suitable for various shooing situations.\u003c\/p\u003e\n\u003ch3\u003eEquipped with two AFL buttons\u003c\/h3\u003e\n\u003cp\u003eThe lens is equipped with two AFL buttons*, to which a range of functions can be assigned via the menu on selected cameras, one more than the previous model. In addition to the side, the additional button has been positioned on the top to facilitate button operation when the camera is held in vertical orientation.\u003cbr\u003e\u003cbr\u003e\u003csup\u003e* Functions can be assigned on supported cameras only. Available functions may vary depending on the camera used.\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003eA wealth of functions including high-speed autofocus\u003c\/h3\u003e\n\u003cp\u003eIn addition to high-speed AF with HLA (High-response Linear Actuator), the Sigma 24-70mm F2.8 DG DN II | Art has a full range of features including weather resistance such as a dust and splash resistant structure \u003csup\u003e*\u003c\/sup\u003e and water and oil repellent coating, as well as a zoom lock switch. The lens delivers the best possible results in every shooting situation.\u003cbr\u003e\u003cbr\u003e* The structure is designed to be dust and splash resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.\u003c\/p\u003e\n\u003ch3\u003eIncorporating a linear motor HLA\u003c\/h3\u003e\n\u003cp\u003eThe lens incorporates a linear motor HLA (High-response Linear Actuator) for the AF actuator. The high output HLA makes the maximum drive speed more than three times faster than the previous model*, ensuring responsive AF shooting.\u003cbr\u003e\u003cbr\u003e\u003csup\u003e* Compared by the maximum drive speed of the Sigma 24-70mm F2.8 DG DN II | Art with that of the Sigma 24-70mm F2.8 DG DN | Art (It is different from the actual time for AF to focus).\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003eDust and splash resistant structure and water and oil repellent coating\u003c\/h3\u003e\n\u003cp\u003eIn addition to a dust and splash resistant structure, the front element of the lens features a water and oil repellent coating, allowing users to shoot without concerns even in harsh outdoor environments.\u003c\/p\u003e\n\u003ch3\u003eEquipped with a zoom lock switch at the wide end\u003c\/h3\u003e\n\u003cp\u003eThe lens is equipped with a zoom lock switch that locks the lens at the wide end and prevents the barrel from extending unintentionally under its own weight. The lock can be released not only by the switch but also via zoom operation, allowing for flexible handling of even impromptu shooting.\u003c\/p\u003e\n\u003ch3\u003eIncluding a petal-type hood with lock\u003c\/h3\u003e\n\u003cp\u003eA dedicated petal-shaped hood is supplied. A locking mechanism is provided for secure attachment.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e19 elements in 15 groups (6 FLD, 2 SLD, 5 aspherical elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003eL-Mount：84.1-34.3° | Sony E-mount：84.1-34.3°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e11 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e17(W)-34(T)cm \/ 6.7(W)-13.4(T)in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:2.7(W)-1:4(T)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ87.8mm x 120.2mm \/ φ3.5in. x 4.7in. | Sony E-mount：φ87.8mm x 122.2mm \/ φ3.5in. x 4.8in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：745g \/ 26.3oz. | Sony E-mount：735g \/ 25.9oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eA024\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eCASE | LENS HOOD LH878-05 | FRONT CAP LCF-82 III | REAR CAP LCR II\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eCompatible with high-speed autofocus | Supports DMF and AF+MF | Compatible with AF assist (for Sony E-mount only) | Petal-type hood with lock LH875-05 | Compatible with Sigma USB DOCK UD-11 (sold separately \/ for L-Mount only) | Designed to minimize flare and ghosting | Every single lens undergoes Sigma’s proprietary MTF measuring system | High-precision, durable brass bayonet mount | Mount Conversion Service available | “Made in Aizu, Japan” craftsmanship\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729742467327,"sku":"57A965","price":129900.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729742500095,"sku":"57A969","price":129900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_9fb8f9b5-29e2-420f-9aef-808e30ff14a8.png?v=1792514241"},{"product_id":"35mm-f2-dg-contemporary","title":"Sigma 35mm F2 DG | Contemporary Full-frame mirrorless camera lens","description":"\u003ch2\u003eA classic reimagined\u003c\/h2\u003e\n\u003cp\u003eProfessional-level performance in a compact package, bringing you new creative possibilities.\u003c\/p\u003e\n\u003cp\u003eThe Sigma I series introduces compact, beautifully designed, high-performance optics for mirrorless camera systems. In its first collection, Sigma introduces a versatile 35mm prime lens to the Contemporary line-up, which combines excellent resolving power with a small body that is perfectly weighted for mirrorless systems.\u003cbr\u003e\u003cbr\u003eThe 35mm F2 DG | Contemporary, a classic wide standard prime which photographers would not want to compromise on, comes with a maximum aperture of F2, and offers both compactness and high optical performance. Its modest size and weight make it portable enough to be carried around in a small kitbag for day-to-day shooting, but owing to its outstanding optical quality, wide aperture, and the high quality constructed body which is guaranteed for the I series, it is equally comfortable being used for professional photo such as night sky photography and video works. This all-new wide standard lens is designed for photographers who value the experience of taking a picture just as much as the quality of the results.\u003c\/p\u003e\n\u003ch3\u003eI series | A new photographic experience, “Premium Compact Primes”for mirrorless users\u003c\/h3\u003e\n\u003cp\u003eThe Sigma I series features full-frame-compatible lenses that offer mirrorless users a new and better alternative, both in the experience of shooting with the lens and in the impressive results it is able to achieve.\u003cbr\u003eOne of the key advantages of mirrorless cameras is their smaller form-factor, and this new 35mm optic is designed to be perfectly matched to these more compact systems without sacrificing performance. This combination of superb optical quality with exceptional portability, not previously possible with DSLR systems, will bring new opportunities to this and future generations of photographers.\u003cbr\u003eSimultaneously, Sigma is aware that, in this day and age when we have such huge diversity when it comes to what we use to photograph, as represented by smartphones, people look for something more than a mere act of “taking pictures” when they choose to own a camera and lenses.\u003cbr\u003eSigma’s excellence in development and processing technologies has been built up since its founding in 1961, and has become further sophisticated with the introduction of the Sigma Global Vision in 2012. With this as a base, Sigma has given careful thought how photographers use and enjoy their lenses, including optical design, advanced functionality, build quality and the experience of picking up and using the lens, and with all of this carefully considered, the I series was born.\u003c\/p\u003e\n\u003ch3\u003eNew standards of optical performance for the Contemporary line\u003c\/h3\u003e\n\u003cp\u003eThe 35mm F2 DG | Contemporary brings to the table the highest level of optical performance at a maximum aperture of F2 with a lens body of a size that matches a mirrorless system.\u003cbr\u003eAxial chromatic aberration, a point of particular concern with a bright lens, is corrected with SLD glass, while an optimal placement of high-refractive index elements provides effective correction of various types of aberration while keeping the amount of glass used to a minimum. The use of three high-precision glass-molded aspherical lenses, which were made possible thanks to advanced production technology at the Aizu factory, Sigma’s only production site. These elements provide correction of spherical aberration and field curvature, and the fluctuation of aberration at the time of focusing. The lens design also provides a very good correction of sagittal coma aberration, making it capable of capturing details fine enough for it to be used for night sky photography.\u003cbr\u003e\u003cbr\u003eThanks to cutting edge optical design and advanced processing technology, the 35mm F2 DG | Contemporary offers consistent, high resolving power right across the frame.\u003cbr\u003e\u003cbr\u003ePerformance data\u003c\/p\u003e\n\u003ch3\u003eUse of multiple high-precision aspherical glass molded lenses\u003c\/h3\u003e\n\u003cp\u003eThe surface of molds for glass molding, which is a process that forms optical components by pressing glass materials at high temperatures, requires ultra-high precision. Sigma uses high-precision molds whose surfaces are controlled with an accuracy of ±5 nanometers (0.000005 mm) or smaller. High precision aspherical glass molded lenses archives both good aberration correction and compact lens size.\u003c\/p\u003e\n\u003cp\u003e*Mold for aspherical glass molded lenses\u003c\/p\u003e\n\u003ch3\u003eExceptional I series build quality with a compact form-factor\u003c\/h3\u003e\n\u003cp\u003eAll I series lenses have an all-metal construction. The precision-cut aluminum parts not only give the barrel a sleek, stylish finish, but provide superb durability, which improves the quality of the entire product. Metal materials are also used in internal structures that slide with the operation ring for added robustness. These high-precision components crafted with Sigma’s cutting-edge metalworking technology are also used in Sigma’s cine lens line-up for professional cinematographers and provides an exquisite feel to touch as well as sound effects, making photographers want to reach for it and play with it over and over again.\u003cbr\u003e\u003cbr\u003eThe cover ring between the focus ring and the aperture ring has hairline processing that is also used for the rear cylinder of the Art line. This 1covering functions as a finger hold when attaching or detaching the lens.\u003c\/p\u003e\n\u003ch3\u003eMagnetic metal lens cap\u003c\/h3\u003e\n\u003cp\u003eThe I series lenses are accompanied by a dedicated magnetic metal lens cap, in addition to a normal plastic cap. This dedicated metal cap clips to the front surface of the lens magnetically. It is no exaggeration to say that this meticulously crafted cap represents the finishing touch for the I series.\u003c\/p\u003e\n\u003ch3\u003eMagnetic metal lens cap holder LENS CAP HOLDER CH-11 (sold separately)\u003c\/h3\u003e\n\u003cp\u003eWhen a cap is removed from the lens it should have a proper place where it can be kept. Using this as a starting point, a cap holder using the magnetic force of the dedicated cap was created.\u003cbr\u003eWith the cap attached to the ring plate, and the plate clipped to a bag or belt, the cap is always within easy reach and is less likely to get lost. Plus, its elegant design is a stylish addition to a photographer’s equipment.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv p=\"\"\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e10 elements in 9 groups (1 SLD and 3 aspherical lens elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e63.4°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e9 (Rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e27cm \/ 10.6in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:5.7\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ58mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ70mm × 65.4mm \/ φ2.8in. × 2.6in. | Sony E-mount：φ70mm × 67.4mm \/ φ2.8in. × 2.7in. | *The length of a lens is measured from the filter surface to its mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：325g \/ 11.5oz. | Sony E-mount：325g \/ 11.5oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eC020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eLENS HOOD（LH636-02B／LH636-02S） | MAGNETIC METAL LENS CAP（LCF58-02 MB／LCF58-02 MS） | FRONT CAP（LCF-58 IV） | REAR CAP（LCR III） | Pouch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eLens construction: 10 elements in 9 groups, with 1 SLD glass and 3 aspherical lenses | Compatible with high-speed autofocus | Supports DMF, AF+MF | LENS HOOD（LH636-02B／LH636-02S） | Magnetic metal lens cap（LCF58-02 MB／LCF58-02 MS） | Compatible with Sigma USB DOCK UD-11 (sold separately \/ for L-Mount only) | Designed to minimize flare and ghosting | 9-blade rounded diaphragm | High-precision, durable brass bayonet mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount (Black)","offer_id":50729745088767,"sku":"3B7965","price":65200.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount (Black)","offer_id":50729745121535,"sku":"3B7969","price":65200.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount (Silver)","offer_id":50729745154303,"sku":"3S7969","price":65200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_f627a237-86e9-4f1c-97ad-6eaf7429a3b8.png?v=1792514243"},{"product_id":"85mm-f1-2-dg-art","title":"Sigma 85mm F1.2 DG | Art Full-frame mirrorless camera lens","description":"\u003ch3\u003eOverwhelming resolving power\u003c\/h3\u003e\n\u003cp\u003eIn addition to two SLD glass elements, glass with high anomalous dispersion is used to suppress the axial chromatic aberration inherent to large-aperture lenses to the utmost limit. Aspherical lens elements further thoroughly correct spherical aberration and sagittal coma flare. The lens boasts reliably high resolving power from the maximum aperture, fully bringing out the rendering that only F1.2 can offer. It captures every detail of the subject’s expression and texture, taking the quality of both photographs and video to a higher level.\u003c\/p\u003e\n\u003ch3\u003eBeautiful bokeh that makes the subject stand out\u003c\/h3\u003e\n\u003cp\u003eThe combination of a large-aperture F1.2 and a medium-telephoto 85mm delivers an extremely shallow depth of field and beautiful, rich bokeh. The adoption of a 13-blade diaphragm maintains a near-circular bokeh even when the aperture is stopped down. Natural bokeh rendering that suppresses color bleeding and double-line bokeh makes the subject stand out impressively, bringing overwhelming three-dimensionality and immersion to portraits and video work.\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize flare and ghosting\u003c\/h3\u003e\n\u003cp\u003eFlare and ghosting, which reduce image quality, are addressed under all conditions of incident light, based on the most advanced simulation technology. High backlight resistance enables clear and sharp images under any lighting conditions.\u003c\/p\u003e\n\u003ch3\u003eThe smallest and lightest in its class for an 85mm F1.2\u003c\/h3\u003e\n\u003cp\u003eBy effectively arranging aspherical lens elements within the focus groups, the number of lens elements making up the focus unit has been significantly reduced. Despite incorporating a complex floating mechanism, a precise mechanical design pared down to the absolute minimum has achieved the smallest and lightest weight in its class for an 85mm F1.2*1 at 905g*2. It can be used comfortably even during long shoots or in situations that demand mobility, dramatically enhancing agility on set.\u003cbr\u003e\u003cbr\u003e \u003csmall\u003e*1. As an AF 85mm F1.2 interchangeable lens for full-frame mirrorless cameras. (As of September 2026 by Sigma)\u003cbr\u003e *2. These figures are for L-Mount.\u003c\/small\u003e\u003c\/p\u003e\n\u003ch3\u003eFast and quiet autofocusing with dual HLA\u003c\/h3\u003e\n\u003cp\u003eThe fast and quiet AF driven by the dual HLA (High-response Linear Actuator) delivers reliable tracking performance for both stills and video. Even with the shallow depth of field of the maximum F1.2 aperture, it captures the subject accurately, enabling smooth and precise shooting in any scene.\u003c\/p\u003e\n\u003ch3\u003eThe pride of a creative tool: the high build quality of the Art line\u003c\/h3\u003e\n\u003cp\u003eBy constructing the lens from high-precision parts made of lightweight, high-strength materials such as TSC\u003csup\u003e*1\u003c\/sup\u003e, it offers the rigidity and durability of the Art line without compromising portability, along with the build quality to serve as a reliable photographic tool over the long term.\u003cbr\u003e\u003cbr\u003e \u003csmall\u003e*1. TSC (Thermally Stable Composite) is a type of polycarbonate with a thermal expansion rate similar to that of aluminum. It has a high affinity to metal parts, which contributes to high quality product manufacturing.\u003csmall\u003e\u003c\/small\u003e\u003c\/small\u003e\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize focus breathing\u003c\/h3\u003e\n\u003cp\u003eOptimization of the focus group arrangement and aspherical shape significantly suppresses focus breathing. The change in angle of view due to focus shift is minimized, creating a natural-looking focus shift when recording video.\u003c\/p\u003e\n\u003ch3\u003eVarious shooting assist functions\u003c\/h3\u003e\n\u003cp\u003eThe lens is equipped with an AFL button in two locations, which can be assigned to a range of functions via the menu on selected cameras. In addition to the aperture ring, the lens is equipped with an aperture ring lock switch\u003csup\u003e*1\u003c\/sup\u003e and a click switch to turn the click on and off.\u003cbr\u003e\u003cbr\u003e \u003csmall\u003e*1. If you turn it on in position A, the aperture ring will be locked in position A. If you turn it on in a position other than A, it will be locked in the range from open to minimum aperture, and it will not be possible to turn it to position A.\u003c\/small\u003e\u003c\/p\u003e\n\u003ch3\u003eDust- and splash-resistant structure*1 and water- and oil-repellent coating\u003c\/h3\u003e\n\u003cp\u003eIn addition to a dust- and splash-resistant structure, the frontmost surface of the lens has a water- and oil-repellent coating applied, so that the lens can be used safely even in harsh outdoor environments.\u003cbr\u003e\u003cbr\u003e \u003csmall\u003e*1. The product is designed to be dust- and splash-resistant but is not waterproof. When using the lens near water, etc., take care not to allow large amounts of water to splash on it. If water gets inside the lens, it may cause a major malfunction and render the lens unrepairable.\u003c\/small\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e17 elements in 12 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003eL-Mount: 28.6° | Sony E-mount: 28.6°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e13 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e84cm \/ 33.1in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:8.9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount: φ87.2mm x 119.7mm \/ φ3.4in. x 4.7in. | Sony E-mount: φ87.2mm x 121.7mm \/ φ3.4in. x 4.8in. *The length of a lens is measured from the front of the lens to its mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount: 905g \/ 31.9oz. | Sony E-mount: 905g \/ 31.9oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eA026\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003ePouch | Lens Hood LH878-08 | Front Cap LCF-82 IV | Rear Cap LCR III\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eMount Conversion Service available | Support for switching between linear and non-linear focus ring settings (for L-Mount only) | Compatible with Sigma USB Dock UD-11 (sold separately \/ for L-Mount only) | Every single lens undergoes Sigma’s proprietary MTF measuring system\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729745416447,"sku":"323965","price":157500.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729745449215,"sku":"323969","price":157500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_40196c0f-464d-4a85-b24a-5c5821fb67ee.png?v=1792514245"},{"product_id":"16mm-f1-4-dc-dn-contemporary","title":"Sigma 16mm F1.4 DC DN | Contemporary APS-C mirrorless camera lens","description":"\u003ch2\u003eA new solution for mirrorless camera users | Combining F1.4 brightness and a compact body | Introducing a new high-performance, | large-diameter wide-angle lens\u003c\/h2\u003e\n\u003cp\u003eOffering an opportunity to experience the fun of shooting wide open, with F1.4 brightness\u003c\/p\u003e\n\u003cp\u003eThe new Sigma 16mm F1.4 DC DN | Contemporary is the world’s first interchangeable lens for mirrorless Sony E-mount cameras in the APS-C format to offer a 24mm focal length (35mm equivalent) and F1.4 brightness. The lens for Micro Four Thirds offers a 32mm focal length (35mm equivalent) with the same f-number of 1.4. This is the large-diameter wide-angle lens for which mirrorless camera users have been waiting.\u003c\/p\u003e\n\u003cp\u003eDeveloped to feature a lightweight, compact package for everyday use, Sigma DN lenses for mirrorless cameras deliver superior performance covering the key focal lengths. The new lens builds on the success of the  30mm F1.4 DC DN  | Contemporary, which Sigma released in 2016 as the first in a new series of prime lenses for mirrorless cameras. The 16mm F1.4 DC DN | Contemporary also combines F1.4 brightness with top-level optical performance.\u003c\/p\u003e\n\u003cp\u003eSharing its development concept with the Sigma 30mm F1.4 DC DN | Contemporary, the 16mm F1.4 DC DN | Contemporary features a lens structure with 16 elements in 13 groups and includes the finest materials. This lens effectively minimizes optical aberrations and offers superb resolution at wide-open aperture and throughout the aperture range. The optical design and stepping motor deliver smooth autofocus during video shooting, while the mount features a special sealing for a dust and splash resistant structure.\u003c\/p\u003e\n\u003ch3\u003eA new system for mirrorless cameras\u003c\/h3\u003e\n\u003cp\u003eFollowing the 30mm F1.4, the next in the series: the 16mm F1.4\u003c\/p\u003e\n\u003cp\u003eOver the years, Sigma has built an extensive lineup of bright prime lenses ranging from wide-angle to telephoto. Now, for mirrorless cameras, Sigma is developing a range of interchangeable lenses that feature a lightweight, compact package for convenient daily shooting while delivering superior performance and covering the key focal lengths.\u003c\/p\u003e\n\u003cp\u003eReleased in 2016 as the first of a new series of prime lenses for mirrorless cameras, the 30mm F1.4 DC DN | Contemporary combined F1.4 brightness with top-level optical performance. In order to achieve this low f-number in a large-diameter Contemporary lens, Sigma took on a wide variety of challenges, leveraging its latest optical design technologies, incorporating updated video capabilities, and utilizing in-camera digital correction* to further improve the lens’s optical quality. While prioritizing optical performance, Sigma developed a lightweight, compact package with steady AF that is truly easy to operate.\u003c\/p\u003e\n\u003cp\u003eLike the 30mm F1.4 DC DN | Contemporary, the 16mm F1.4 DC DN | Contemporary features Sigma’s latest design technologies to offer F1.4 brightness while minimizing optical aberrations.\u003c\/p\u003e\n\u003cp\u003e* Limited to what the camera supports.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e EOS-M series cameras incompatible with aberration correction \u003c\/strong\u003e \u003cbr\u003e Cameras incompatible with distortion correction \u003cbr\u003e EOS M5, EOS M6, EOS M100, EOS M10, EOS M3, EOS M2, EOS M\u003c\/p\u003e\n\u003ch3\u003eA member of the high-performance Contemporary line, featuring Sigma’s latest technologies\u003c\/h3\u003e\n\u003cp\u003eFor optimal balance with light, compact camera bodies with a short flange back distance, Sigma designed the new Sigma 16mm F1.4 DC DN | Contemporary lens to be extremely compact. Moreover, the special design of the focus lens group allows fast and smooth AF performance for videography and more. This lens combines a compact design and comfortable operation while prioritizing outstanding image quality. Featuring Sigma’s latest technologies, this lens digitally corrects optical distortion.\u003c\/p\u003e\n\u003ch3\u003eThe stepping motor delivers excellent autofocus with quiet performance.\u003c\/h3\u003e\n\u003cp\u003eThe optical design and stepping motor deliver smooth autofocus during video shooting. The lens design fully accommodates the Fast Hybrid AF of Sony E-mount cameras for super-fast autofocus functionality. Using face recognition AF results in consistent autofocusing on faces, even as the subjects move.\u003c\/p\u003e\n\u003ch3\u003eCombining compactness with outstanding optical performance\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 16mm F1.4 DC DN | Contemporary features Sigma’s inner focus technologies, while lighter lens elements in the focus lens group make possible a more compact actuator. Moreover, this lens offers outstanding stability whether the photographer is shooting handheld or has the camera placed on a surface. Structurally, the lens features materials and parts that contribute to its compact, lightweight structure. In summary, this is an unprecedented lens that combines outstanding optical performance with exceptional portability and usability.\u003c\/p\u003e\n\u003cp\u003eFLD glass\u003c\/p\u003e\n\u003cp\u003eSLD glass\u003c\/p\u003e\n\u003cp\u003eAspherical lens\u003c\/p\u003e\n\u003ch3\u003eLarge lens hood (supplied) to keep out harmful rays\u003c\/h3\u003e\n\u003cp\u003eThe lens hood cuts harmful rays that can negatively affect photographs while also minimizing reflectivity within the hood itself. The hood also features a rubber construction and a non-slip groove to make it easy to hold in a variety of shooting situations.\u003c\/p\u003e\n\u003ch3\u003eHigh-precision, rugged brass bayonet mount\u003c\/h3\u003e\n\u003cp\u003eThe brass mount combines high precision with rugged construction. Its treated surfaces and enhanced strength contribute to the exceptional durability of the lens.\u003c\/p\u003e\n\u003ch3\u003eMount with Dust and Splash Resistant Structure\u003c\/h3\u003e\n\u003cp\u003eThe mount features a special sealing* for a dust and splash resistant structure to make the lens an excellent choice in a wide variety of conditions.\u003cbr\u003e\u003cbr\u003e*Except for Canon EF-M mount\u003c\/p\u003e\n\u003ch3\u003eImage quality rivaling that of our Art line lenses\u003c\/h3\u003e\n\u003cp\u003eMinimizing sagittal coma flare\u003cbr\u003e\u003cbr\u003eWith 16 elements in 13 groups, the optical system features a multitude of high-tech and high-end components, including three FLD glass elements, two SLD glass elements, and two molded glass aspherical elements. This optical system minimizes optical aberrations and ensures outstanding resolution at wide-open aperture and throughout the aperture range. In particular, the two aspherical lens elements have ultra-high-precision surfaces polished to tolerances under 10 nanometers, minimizing the onion ring bokeh effect that some aspherical elements produce and ensuring clear image quality throughout the frame. In addition, the structure of the optical system gently bends light to minimize sagittal coma flare and deliver optimal optical performance from the center of the frame to the edges. The result is a smooth, round bokeh effect with ample light volume throughout the frame.\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize flare and ghosting\u003c\/h3\u003e\n\u003cp\u003eFrom an early stage in the lens design process, flare and ghosting have been measured to establish an optical design resistant to strong incident light sources such as backlighting. Sigma’s Super Multi-Layer Coating reduces flare and ghosting to help photographers produce sharp and high contrast images even in backlit conditions. The included lens hood can be attached to block out extraneous light, which can have a negative effect on rendering performance.\u003c\/p\u003e\n\u003ch3\u003eBright prime functionality to experience photography at its best\u003c\/h3\u003e\n\u003cp\u003eA bright prime lens is the ideal way to experience the essence of the art of photography. Simply select a focal length that matches the image and enjoy complete control of the depth of field.\u003cbr\u003eThe 16mm F1.4 DC DN | Contemporary is the world’s first interchangeable lens for mirrorless Sony E-mount cameras in the APS-C format to offer a 24mm focal length (35mm equivalent) and F1.4 brightness. The lens for Micro Four Thirds offers a 32mm focal length (35mm equivalent) with the same bright F1.4 aperture. This is the large-diameter wide-angle lens for which mirrorless camera users have been waiting.\u003c\/p\u003e\n\u003ch3\u003eRounded diaphragm\u003c\/h3\u003e\n\u003cp\u003eThe 9-blade rounded diaphragm creates an attractive blur in the out-of-focus areas of the image.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv p=\"\"\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Canon EF-M mount,Canon RF Mount,FUJIFILM X Mount,Micro Four Thirds mount,Nikon Z mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eAPS-C [DC]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e16 elements in 13 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003eL-Mount：83.2° Canon EF-M mount：79.9° Canon RF Mount：79.9° FUJIFILM X Mount：83.2° Micro Four Thirds mount：68.1° Nikon Z mount：83.2° Sony E-mount：83.2°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e9(Rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e25cm \/ 9.8in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:9.9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ67mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ72.2mm × 90.3mm \/ φ2.8in. × 3.6in. Canon EF-M mount：φ72.2mm × 92.3mm \/ φ2.8in. × 3.6in. Canon RF Mount：φ72.2mm × 90.3mm \/ φ2.8in. × 3.6in. FUJIFILM X Mount：φ72.2mm × 92.6mm \/ φ2.8in. × 3.6in. Micro Four Thirds mount：φ72.2mm × 91.1mm \/ φ2.8in. ×3.6in. Nikon Z mount：φ72.2mm × 94.3mm \/ φ2.8in. × 3.7in. Sony E-mount：φ72.2mm × 92.3mm \/ φ2.8in. × 3.6in. *The length of a lens is measured from the filter surface to its mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：415g \/ 14.6oz. Canon EF-M mount：405g \/ 14.3oz. Canon RF Mount：415g \/ 14.6oz. FUJIFILM X Mount：405g \/ 14.3oz. Micro Four Thirds mount：395g \/ 13.9oz. Nikon Z mount：420g \/ 14.8oz. Sony E-mount：405g \/ 14.3oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eC017\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eLENS HOOD LH716-01 | FRONT CAP LCF-67mm III | REAR CAP LCR II\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729745187071,"sku":"402965","price":48100.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729745219839,"sku":"402969","price":48100.0,"currency_code":"INR","in_stock":true},{"title":"Canon RF-mount","offer_id":50729745252607,"sku":"402972","price":48100.0,"currency_code":"INR","in_stock":true},{"title":"Nikon Z-mount","offer_id":50729745285375,"sku":"402973","price":53700.0,"currency_code":"INR","in_stock":true},{"title":"Fujifilm X-mount","offer_id":50729745318143,"sku":"402975","price":48100.0,"currency_code":"INR","in_stock":true},{"title":"Canon EF-M mount","offer_id":50729745350911,"sku":"402971","price":48100.0,"currency_code":"INR","in_stock":true},{"title":"Micro Four Thirds (MFT)","offer_id":50729745383679,"sku":"402963","price":48100.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_3cace096-1a84-423a-8118-c930d6e97e8b.png?v=1792514243"},{"product_id":"100-400mm-f5-6-3-dg-dn-os-contemporary","title":"Sigma 100-400mm F5-6.3 DG DN OS | Contemporary Full-frame mirrorless camera lens","description":"\u003ch2\u003eSigma’s first ultra-telephoto | zoom lens for full-frame | mirrorless cameras. | A “Handy Tele Master” that empowers | your photography vision, anytime, anywhere.\u003c\/h2\u003e\n\u003cp\u003eA remarkable optical performance and a full range of functionalities in a compact body for exceptional lightweight shooting.\u003c\/p\u003e\n\u003cp\u003eWith the levels of optical performance and functionalities essential for full-fledged shooting packed into a lightweight and compact body, which is a key in field photography, the Sigma 100-400mm F5-6.3 DG DN OS | Contemporary is an ultra-telephoto zoom lens that invites you to take it with you on casual outings.\u003cbr\u003eThe state-of-art optical design technology ensures edge-to-edge high-resolution and high-contrast image quality throughout its entire focal range. This new lens achieves high image quality which rivals that of standard zoom lenses such as the Sigma 24-70mm F2.8 DG DN | Art, ensuring a perfect match with these lenses while shooting.\u003cbr\u003eThe level of bokeh and compression effect only achieved by an ultra-telephoto lens provides a fresh perspective to ordinary everyday scenes. This combination of ultra-telephoto images with the excellent mobility of the Sigma 100-400mm F5-6.3 DG DN OS | Contemporary will open up new ways for you to enjoy ultra-telephoto photography, as well as its possibilities, from everyday snapshots to field photography and everything in between.\u003cbr\u003eWhether you are currently considering trying a telephoto lens or already are a telephoto lens connoisseur, the Sigma 100-400mm F5-6.3 DG DN OS | Contemporary is a “light and enjoyable ultra-telephoto zoom lens” that will provide a great value and a variety of styles to your shooting experience.\u003c\/p\u003e\n\u003ch3\u003eSigma’s 5th DG DN lens with an exclusive new design\u003c\/h3\u003e\n\u003cp\u003efor full-frame mirrorless cameras\u003cbr\u003e\u003cbr\u003eWith the optics design specifically for a camera with a short flange back distance, the DG DN series of lenses achieves a supreme combination of optical performance and compactness that could not have been possible with lenses for single-lens reflex cameras. Thanks to the stepping motor system that is optimized for both phase detection AF and contrast AF, the Sigma 100-400mm F5-6.3 DG DN OS | Contemporary makes shooting with the video or eye-tracking AF very smooth.\u003cbr\u003eSigma’s 5th DG DN lens is a long-awaited ultra-telephoto zoom lens. This lens will expand the possibilities of mirrorless camera photography even further.\u003cbr\u003e\u003cbr\u003eProduct names: Abbreviations DG and DN indicate that the lens is suitable for full-frame cameras and is designed exclusively for mirrorless (short flange back distance) cameras, respectively.\u003c\/p\u003e\n\u003cp\u003eLenses designed exclusively for full-size mirrorless cameras released in the past\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e45mm F2.8 DG DN\u003c\/p\u003e\n\u003cp\u003eART\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e35mm F1.2 DG DN\u003c\/p\u003e\n\u003cp\u003eART\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e14–24mm F2.8 DG DN\u003c\/p\u003e\n\u003cp\u003eART\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e24–70mm F2.8 DG DN\u003c\/p\u003e\n\u003cp\u003eEntirely new design\u003c\/p\u003e\n\u003cp\u003eFLD glass\u003c\/p\u003e\n\u003cp\u003eSLD glass\u003c\/p\u003e\n\u003cp\u003e 100-400mm F5-6.3 DG DN OS | Contemporary \u003c\/p\u003e\n\u003cp\u003e 100-400mm F5-6.3 DG OS HSM | Contemporary \u003c\/p\u003e\n\u003ch3\u003eUncompromising image quality\u003c\/h3\u003e\n\u003cp\u003eThe lens construction of the Sigma 100-400mm F5-6.3 DG DN OS | Contemporary comprises 16 groups and 22 elements, with one FLD and four SLDs used for the effective correction of aberrations and distortions. Built on the latest optical design technology and optimized for mirrorless systems, the new lens ensures the same high-resolution image quality all the way to the edges. In addition, it constantly achieves high levels of optical performance and makes the most of its capabilities as a zoom lens in any condition, at every focal length from wide to telephoto, and from close-up shots to telephoto photography.\u003c\/p\u003e\n\u003cp\u003e MTF chart \u003c\/p\u003e\n\u003cp\u003eFurthermore, when paired with Sigma TELE CONVERTER TC-1411\/TC-2011 (sold separately \/ for L-Mount only), which was newly and exclusively developed for the use with mirrorless cameras, the Sigma 100-400mm F5-6.3 DG DN OS | Contemporary gives photographers a “super telephoto” angle of view with a focal length of up to 800mm while they enjoy the benefit of the compact system. Plus, AF is effective even with the teleconverter attached.\u003c\/p\u003e\n\u003cp\u003e SIGMA TELE CONVERTER TC-1411 \/ TC-2011 \u003c\/p\u003e\n\u003ch3\u003eA full range of functionalities that enables smooth and easy ultra-telephoto shooting\u003c\/h3\u003e\n\u003cp\u003eIn addition to a high-speed and smooth AF enabled by the stepping motor optimized to the latest algorithm, the Sigma 100-400mm F5-6.3 DG DN OS | Contemporary incorporates powerful image stabilization (OS) of four steps* built into the lens. When combined with a camera body with image stabilization built in, the lens corrects for pitch and yaw axis rotations, providing even more powerful image stabilization.\u003c\/p\u003e\n\u003cp\u003e* Based on CIPA guidelines (Measured in 400mm with a 35mm full-size image sensor)\u003c\/p\u003e\n\u003cp\u003eIt also features the\n\u003c\/p\u003e\u003cp\u003e1\u003c\/p\u003e\n\u003cp\u003eAFL button to which the user may assign select functions on the camera side, and the focus limiter switch that allows optimizing the AF range according to the purpose of shooting,\u003c\/p\u003e\n\u003cp\u003e2\u003c\/p\u003e\n\u003cp\u003eZoom lock switch that fixes the zoom ring at thewidest end, preventing it from rotating and causing the lens barrel to extendunder its own weight during transportation,\u003c\/p\u003e\n\u003cp\u003e3\u003c\/p\u003e\n\u003cp\u003eOS Switch which the user may switch between Mode 1 for general photography and Mode 2 for motor sports and other applications requiring panning.\u003c\/p\u003e\n\u003ch3\u003eSwitches optimized for X Mount\u003c\/h3\u003e\n\u003cp\u003eThe switches have also been optimized for X Mount. The “AF Function Setting Switch” allows the user to select a function while the AF Function Button is pressed on the lens side.\u003c\/p\u003e\n\u003cp\u003eL-Mount \/ Sony E-mount\u003c\/p\u003e\n\u003cp\u003eFUJIFILM X Mount\u003c\/p\u003e\n\u003ch3\u003eSIGMA USB DOCK UD-11\u003c\/h3\u003e\n\u003cp\u003eBy connecting the lens to Sigma USB DOCK (sold separately \/ for L-Mount only), which was newly developed exclusively for the use with mirrorless cameras, users can adjust the amount of focus movement when operating the focus ring on exclusive Sigma Optimization Pro software, which allows users to adjust focus in their preferred timing in MF mode.\u003c\/p\u003e\n\u003ch3\u003eDual action zoom\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 100-400mm F5-6.3 DG DN OS | Contemporary supports straight zoom, which allows photographers to zoom in and out by adjusting the hood, enabling intuitive and quick view angle adjustments. It features a “Dual action zoom” which supports both straight zoom and ring zoom.\u003c\/p\u003e\n\u003ch3\u003eLightweight \u0026amp; Compact lens body\u003c\/h3\u003e\n\u003cp\u003eSigma designed a light and durable ultra-telephoto zoom lens addition to its Contemporary line. \u003cbr\u003e The Sigma 100-400mm F5-6.3 DG DN OS | Contemporary packs functionalities required for angles of view corresponding to focal lengths of 100-400mm in a compact, lightweight body. It is not merely about weight reduction, but the lens is durable, with careful selections to utilize the right materials in the right place. For instance, magnesium alloy is used for the part where a tripod socket is attached, which needs to be very strong.\u003c\/p\u003e\n\u003cp\u003eTo allow for a paring with camera bodies of different sizes, a tripod socket (sold separately) is available. As this helps reduce any strain on the camera body, photographers can shoot long hours without worrying about it. The tripod socket comes with a strap which also helps reduce strain on the mount when carrying the lens around or during transportation.\u003c\/p\u003e\n\u003ch3\u003eMount with Dust and Splash Resistant Structure\u003c\/h3\u003e\n\u003cp\u003eThe mount features a special sealing to make the lens an excellent choice in a wide variety of conditions.\u003c\/p\u003e\n\u003ch3\u003eRounded diaphragm\u003c\/h3\u003e\n\u003cp\u003eThe 9-blade rounded diaphragm creates an attractive blur in the out-of-focus areas of the image.\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize flare and ghosting\u003c\/h3\u003e\n\u003cp\u003eFrom an early stage in the lens design process, flare and ghosting have been measured to establish an optical design resistant to strong incident light sources such as backlighting. Sigma’s Super Multi-Layer Coating reduces flare and ghosting to help photographers produce sharp and high contrast images even in backlit conditions.\u003c\/p\u003e\n\u003ch3\u003eHigh-precision, rugged brass bayonet mount\u003c\/h3\u003e\n\u003cp\u003eThe brass mount combines high precision with rugged construction. Its treated surfaces and enhanced strength contribute to the exceptional durability of the lens.\u003c\/p\u003e\n\u003ch3\u003eCompatible with Lens Aberration Correction\u003c\/h3\u003e\n\u003cp\u003eMatching the optical characteristics of the lens, this function performs in-camera corrections of peripheral illumination, chromatic aberrations, distortion, and more, to further enhance image quality.\u003cbr\u003e\u003cbr\u003eNote:\u003cbr\u003e*Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model.\u003cbr\u003e*On cameras where lens aberration correction is controlled with ‘ON’ or ‘OFF’ in the camera menu, please set all aberration correction functions to ‘ON’(AUTO).\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv p=\"\"\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,FUJIFILM X Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e22elements in 16 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003eFull-frame：24.4°(W)-6.2°(T) | APS-C：16.2°(W)-4.1°(T)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e9 (Rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22 - 29\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e112(W) - 160(T)cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:4.1(400mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ67mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ86.0mm x 197.2mm \/ φ3.4in. x 7.8in. FUJIFILM X Mount：φ86.0mm × 199.5mm \/ φ3.4in. × 7.9in. Sony E-mount：φ86.0mm x 199.2mm \/ φ3.4in. x 7.8in. *The length of a lens is measured from the filter surface to its mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：1,135g \/ 40.0oz. (PROTECTIVE COVER PT-31 included) FUJIFILM X Mount：1,135g \/ 40.0oz. (PROTECTIVE COVER PT-31 included) Sony E-mount：1,140g \/ 40.2oz. (PROTECTIVE COVER PT-31 included)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eC020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eLENS HOOD LH770-05 | PROTECTIVE COVER PT-31 | FRONT CAP LCF-67mm III | REAR CAP LCR II\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729746465023,"sku":"750965","price":106100.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729746497791,"sku":"750969","price":106100.0,"currency_code":"INR","in_stock":true},{"title":"Fujifilm X-mount","offer_id":50729746530559,"sku":"750975","price":106100.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_1d3a3c40-7e57-4b8f-ae0f-5a6c1eb7f3b3.png?v=1792514244"},{"product_id":"24mm-f1-4-dg-dn-art","title":"Sigma 24mm F1.4 DG DN | Art Full-frame mirrorless camera lens","description":"\u003ch3\u003eWide viewing angle and astrophotography-level optical performance\u003c\/h3\u003e\n\u003cp\u003eThe fantastic optical performance of the Sigma 24mm F1.4 DG DN | Art is powered by the optimal arrangement of 17 elements in 14 groups, including two FLD, one SLD and four aspherical glass elements. The successful suppression of optical aberrations such as sagittal coma flare, which cannot be corrected by the camera, contributes to lens’ clear and accurate point-image reproduction capabilities in every part of the frame. Other unsightly effects such as ghosting or flares are minimized by its state-of-the-art optical design, and the use of Super Multi-Layer Coating and Nano Porous Coating (NPC) allow the Sigma 24mm F1.4 DG DN | Art to deliver visual punch even in backlit conditions and near maximum aperture. Its power to render clean and accurate images in any situations make this lens ideal for everyday use as well as technically demanding genres like astro-, landscape and architectural photography. Experience the power and joy of one of the most versatile lenses in Sigma’s Art F1.4 lineup.\u003c\/p\u003e\n\u003ch3\u003eCompact for an F1.4 large-aperture, wide-angle lens beyond belief\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 24mm F1.4 DG DN | Art delivers its brilliant optical performance in a compact, portable and easy-to-use body. Thanks to an optimal placement of each single part, the use of complex aspherical glass elements, the freedom afforded by the short flange back distance and a fierce fight for every single gram, the lens comes at an astonishingly small size and weight despite its wide viewing angle and large maximum aperture without any compromise of its optical qualities. With its handy dimensions, the 24mm F1.4 DG DN | Art is easy and convenient to use in any given situation, from travel and street photography to night-time photography. The wide viewing angle of its 24mm focal length makes it easy to get everything into the shot without losing focus of the subject – ideal for single or group portraits and documentary photography. The Sigma 24mm F1.4 DG DN | Art opens up endless possibilities to anyone who values high optical performance, versatility and convenience, from professional photographers to users who are new to a wide-angle prime lens.\u003c\/p\u003e\n\u003cp\u003eSuperb build quality with a range of useful features\u003c\/p\u003e\n\u003ch3\u003eThe new MFL (Manual Focus Lock) switch\u003c\/h3\u003e\n\u003cp\u003eA new MFL function to disable the focus ring operation is available. When the MFL switch is set to “LOCK”, the focus ring operation will be disabled.\u003c\/p\u003e\n\u003cp\u003eIn case of astrophotography, the distance to the subject does not change and it is necessary to fix the focus after manual focus adjustments have been made. This is to prevent the focus ring from accidentally being moved, which would cause out-of-focus images. In the past, it was left to the user to invent ways of achieving this, such as using tape to hold the focus ring in position. This was not ideal due the tape’s adhesive strength decreasing when temperatures drop.\u003c\/p\u003e\n\u003cp\u003eThe MFL function solves this inconvenience.\u003c\/p\u003e\n\u003ch3\u003eSupport front and rear filters\u003c\/h3\u003e\n\u003cp\u003eThe lens also comes with a rear filter holder, allowing photographers the freedom to combine multiple filters to suit a huge variety of shooting situations for near-unlimited creative potential at an ultra-wide viewing angle—for example, using a front filter to reduce light pollution and a softening filter on the rear to take impressive, sharp photographs of nightly landscapes with star-filled skies.\u003c\/p\u003e\n\u003ch3\u003eDust- and Splash- Resistant Structure\u003c\/h3\u003e\n\u003cp\u003eThe dust- and splash-resistant structure* of the lens itself and the water- and oil-repellent coating of the front element will keep the lens safe and functioning even during shoots in harsher environments.\u003c\/p\u003e\n\u003cp\u003e* Although this construction allows the lens to be used in light rain, it is not the same as being waterproof.\u003c\/p\u003e\n\u003ch3\u003eThoughtful features\u003c\/h3\u003e\n\u003cp\u003eThoughtful features such as a focus mode switch, a freely configurable AFL button* and the aperture ring lock switch to prevent accidental changes further enhance the intuitive and flexible nature of the lens. The petal-type hood has a lock mechanism to prevent unintentional removal. Filmmakers will especially appreciate the fast yet silent autofocus driven by a stepping motor and the aperture ring click switch that allows for smooth aperture control. With its exceptional optical performance and superb build quality, the Sigma 24mm F1.4 DG DN | Art is the latest result of Sigma’s relentless, uncompromising pursuit of perfection down to the smallest detail.\u003c\/p\u003e\n\u003cp\u003e* Only on compatible cameras. Available functions may vary depending on the camera used.\u003c\/p\u003e\n\u003cp\u003eDG DN Art F1.4 series lineup\u003c\/p\u003e\n\u003cp\u003eART\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e20mm F1.4 DG DN\u003c\/p\u003e\n\u003cp\u003eART\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e24mm F1.4 DG DN\u003c\/p\u003e\n\u003cp\u003eART\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e35mm F1.4 DG DN\u003c\/p\u003e\n\u003cp\u003eART\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e85mm F1.4 DG DN\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e17 elements in 14 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e84.1°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e11 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e25cm \/ 9.9in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:7.1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ72mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ75.7mm × 95.5mm \/ φ3.0in. × 3.8in. Sony E-mount：φ75.7mm × 97.5mm \/ φ3.0in. × 3.8in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：520g \/ 18.3oz. Sony E-mount：510g \/ 18.0oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eA022\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eCase | Petal-type LENS HOOD LH782-01 | FRONT CAP LCF-72 III | REAR CAP LCR II | GUIDE PLATE GP-11\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eLens construction: 17 elements in 14 groups | Compatible with high-speed autofocus | Front filter thread (φ72mm) | Support for DMF and AF+MF | Compatible with AF assist (Sony E-mount only) | Petal-type LENS HOOD LH782-01 | Compatible with Sigma USB DOCK UD-11 (sold separately; L-Mount only) | Designed to minimize flare and ghosting | Every single lens is evaluated with Sigma’s proprietary MTF measuring system | 11-blade rounded diaphragm | High-precision, durable brass bayonet mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729746563327,"sku":"405965","price":96200.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729746596095,"sku":"405969","price":96200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_c2549864-f689-486c-8f7c-989a13573f5b.png?v=1792514244"},{"product_id":"17-40mm-f1-8-dc-art","title":"Sigma 17-40mm F1.8 DC | Art APS-C mirrorless camera lens","description":"\u003ch3\u003eConstant maximum aperture of F1.8\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 17-40mm F1.8 DC | Art has the convenience of a zoom lens with a constant aperture of F1.8 throughout the zoom range. Taking advantage of a large aperture comparable to a prime lens, the lens is suitable for low-light environments such as indoor and night scenes, as well as for expression using large bokeh.\u003c\/p\u003e\n\u003ch3\u003eExcellent optical performance\u003c\/h3\u003e\n\u003cp\u003eThe optical design, realized through the latest design and processing technologies, including the use of high-precision aspherical lenses, achieves excellent optical performance.\u003cbr\u003eBy emphasizing the correction of axial chromatic aberration and sagittal coma flare, the lens achieves high resolution even at the wide-open F1.8 aperture, rendering delicate textures and fine details with stunning clarity.\u003c\/p\u003e\n\u003ch3\u003eFlexible framing made possible\u003c\/h3\u003e\n\u003cp\u003eThe zoom range of the Sigma 17-40mm F1.8 DC | Art has been expanded from its predecessor the Sigma 18-35mm F1.8 DC HSM | Art, covering 25.5-60mm in 35mm format *. From wide-angle tabletop photography to portraits that fully utilize the telephoto angle of view, users can take full advantage of the expressive power of the large F1.8 aperture while freely framing their shots without the need to change lenses.\u003cbr\u003e\u003cbr\u003e* Approximately 27.2-64mm for the Canon RF Mount version.\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize flare and ghosting\u003c\/h3\u003e\n\u003cp\u003eUsing advanced simulation technology and Sigma’s Super Multi-Layer Coating, flare and ghosting have been largely eliminated, ensuring that the lens renders rich, high-contrast results in all conditions.\u003c\/p\u003e\n\u003ch3\u003ePractical and stable inner zoom\u003c\/h3\u003e\n\u003cp\u003eEmploying an inner zoom mechanism, the overall length of the lens remains constant when the focal length or focus distance changes. This means the lens is easy to use and highly stable when shooting hand-held, on a tripod or gimbal, and even more resistant to dust and water contamination.\u003c\/p\u003e\n\u003ch3\u003eEnhanced mobility with a compact and lightweight design\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 17-40mm F1.8 DC | Art is over 30% lighter and has a filter diameter of 67mm, which is one size smaller than its predecessor the Sigma 18-35mm F1.8 DC HSM | Art. Despite being a large aperture zoom lens, it is surprisingly portable. The expressive power of F1.8 can be used with a compact APS-C system, making it ideal for travel and everyday photography, as well as video production, where mobility is key.\u003c\/p\u003e\n\u003ch3\u003eDust- and splash-resistant structure * \/ water- and oil-repellent coating\u003c\/h3\u003e\n\u003cp\u003eIn addition to a dust- and splash-resistant structure, the frontmost surface of the lens has a water- and oil-repellent coating applied, so that the lens can be used safely even in harsh outdoor environments.\u003cbr\u003e\u003cbr\u003e* The product is designed to be dust- and splash-resistant but is not waterproof. When using the lens near water, etc.,\u003cbr\u003etake care not to allow large amounts of water to splash on it. If water gets inside the lens, it may cause a major malfunction and render the lens unrepairable.\u003c\/p\u003e\n\u003ch3\u003eEquipped with two AFL buttons\u003c\/h3\u003e\n\u003cp\u003eEquipped with two AFL buttons *1*2 that can be assigned any function from the camera menu. By placing them on the side and top, users can easily operate the buttons in either landscape or portrait positioning.\u003cbr\u003e\u003cbr\u003e*1 Functions can be assigned on supported cameras only. Available functions may vary depending on the camera used.\u003cbr\u003e*2 The FUJIFILM X Mount version has an AF function button that can be used to select AF lock\/AF operation via lens switch.\u003c\/p\u003e\n\u003cp\u003eL-Mount \/ Sony E-mount\u003c\/p\u003e\n\u003cp\u003eFUJIFILM X Mount\u003c\/p\u003e\n\u003ch3\u003eHLA-driven high-speed AF\u003c\/h3\u003e\n\u003cp\u003eThe adoption of HLA (High-response Linear Actuator) enables quiet, high-speed, high-precision autofocus. The smooth, stable autofocus is perfect not only for still photography, but also for single-operator shooting with a gimbal or vlogging.\u003c\/p\u003e\n\u003ch3\u003eMinimal focus breathing\u003c\/h3\u003e\n\u003cp\u003eThe focus breathing is suppressed, minimizing changes in the angle of view caused by focus shift and enabling smooth, natural-looking focus pulls when recording video.\u003c\/p\u003e\n\u003ch3\u003eAperture ring with various functions\u003c\/h3\u003e\n\u003cp\u003eEquipped with an aperture ring *1 for intuitive control of the aperture. When shooting video, users can turn off the click switch for smooth, quiet aperture control. It also has an aperture ring lock switch *2 to prevent accidental changes to the aperture during shooting.\u003cbr\u003e\u003cbr\u003e*1 The Canon RF Mount version has a control ring instead of an aperture ring. It does not have an aperture ring click switch or lock switch.\u003cbr\u003e*2 If you turn it on in position A, the aperture ring will be locked in position A. If you turn it on in a position other than A, it will be locked in the range from open to minimum aperture, and it will not be possible to turn it to position A.\u003c\/p\u003e\n\u003cp\u003eL-Mount \/ Sony E-mount \/ FUJIFILM X Mount\u003c\/p\u003e\n\u003cp\u003eCanon RF Mount\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Canon RF Mount,FUJIFILM X Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eAPS-C [DC]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e17 elements in 11 groups (4 SLD, 4 aspherical elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003eL-Mount：79.7-39.1° | Canon RF Mount：76.5-37.1° | FUJIMILM X Mount：79.7-39.1° | Sony E-mount：79.7-39.1°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e11 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e28cm \/ 11.1in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:4.8 at f=40mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ67mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount: φ72.9mm x 115.9mm \/ φ2.9in. x 4.6in. | Canon RF Mount: φ72.9mm x 115.9mm \/ φ2.9in. x 4.6in. | FUJIFILM X Mount: φ72.9mm x 118.2mm \/ φ2.9in. x 4.7in. | Sony E-mount: φ72.9mm x 117.9mm \/ φ2.9in. x 4.6in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount: 535g \/ 18.9oz. | Canon RF Mount: 560g \/ 19.8oz. | FUJIFILM X Mount: 530g \/ 18.7oz. | Sony E-mount: 525g \/ 18.5oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eA025\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003ePOUCH | LENS HOOD LH728-02 | FRONT CAP LCF-67 IV | REAR CAP LCR III\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eMount Conversion Service available | Support for switching between linear and non-linear focus ring settings (for L-Mount only) | Compatible with Sigma USB Dock UD-11 (sold separately \/ for L-Mount only) | Every single lens undergoes Sigma’s proprietary MTF measuring system | Compatible with high-speed autofocus | Designed to minimize flare and ghosting\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729750429951,"sku":"214965","price":86500.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729750462719,"sku":"214969","price":86500.0,"currency_code":"INR","in_stock":true},{"title":"Canon RF-mount","offer_id":50729750495487,"sku":"214972","price":86500.0,"currency_code":"INR","in_stock":true},{"title":"Fujifilm X-mount","offer_id":50729750528255,"sku":"214975","price":86500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_a41420e1-039f-4427-8572-f7c3cde686ae.png?v=1792514246"},{"product_id":"45mm-f2-8-dg-contemporary","title":"Sigma 45mm F2.8 DG | Contemporary Full-frame mirrorless camera lens","description":"\u003ch3\u003eI series | A new photographic experience, “Premium Compact Primes” for mirrorless users\u003c\/h3\u003e\n\u003cp\u003eThe Sigma I series features full-frame-compatible lenses that offer mirrorless users a new and better alternative, both in the experience of shooting with the lens and in the impressive results it is able to achieve.\u003cbr\u003eOne of the key advantages of mirrorless cameras is their smaller form-factor, and this new 35mm optic is designed to be perfectly matched to these more compact systems without sacrificing performance. This combination of superb optical quality with exceptional portability, not previously possible with DSLR systems, will bring new opportunities to this and future generations of photographers.\u003cbr\u003eSimultaneously, Sigma is aware that, in this day and age when we have such huge diversity when it comes to what we use to photograph, as represented by smartphones, people look for something more than a mere act of “taking pictures” when they choose to own a camera and lenses.\u003cbr\u003eSigma’s excellence in development and processing technologies has been built up since its founding in 1961, and has become further sophisticated with the introduction of the Sigma Global Vision in 2012. With this as a base, Sigma has given careful thought how photographers use and enjoy their lenses, including optical design, advanced functionality, build quality and the experience of picking up and using the lens, and with all of this carefully considered, the I series was born.\u003c\/p\u003e\n\u003ch3\u003eBeautiful bokeh and rendering that can be enjoyed in every scene\u003c\/h3\u003e\n\u003cp\u003eWith the Sigma 45mm F2.8 DG | Contemporary, bokeh expressions are especially featured. Spherical aberration has been controlled to ensure not only the large bokeh in the front and rear of the subject but also the rear bokeh near the area in focus create a gradient to a soft blur. This lens softens the periphery of blurred images suppressing the double-line bokeh etc. and enhances the three-dimensional impression of the subject with the smooth expressions in the foreground and the background. In addition, its minimum focusing distance of 24cm makes it possible to enjoy shooting snapshots and tabletop photos taking advantage of the angle of view. The design gives consideration to vignetting to achieve beautiful round bokeh and subdue swirly bokeh in the whole bokeh effects.\u003cbr\u003eWhile this lens produces smooth bokeh effects of which one could say as “classical expression” when the aperture is wide open, it also realizes modern sharp rendering when it is stopped down. It is reassuring to hold this lens as the regular lens for everyday use.\u003c\/p\u003e\n\u003ch3\u003eHigh build quality and outstanding operability\u003c\/h3\u003e\n\u003cp\u003eBecause this lens is intended for everyday use, particular attention has been given to build quality and operability. The lens barrel incorporating metal material as the main part achieves improved durability. Furthermore, thanks to the aperture ring with the right click feeling, comfortable operability during various shooting styles is ensured. The design gives consideration to MF operations, and a ring of appropriate torque provides good operability.\u003c\/p\u003e\n\u003ch3\u003eMetal bayonet hood\u003c\/h3\u003e\n\u003cp\u003eThe lens hood features aluminium, using the same material as the lens body which has realized high quality and high rigidity.\u003cbr\u003eFurthermore, cared for the click feeling at the time of when removing and attaching, the knurling process featured on the surface provides a superior usability.\u003c\/p\u003e\n\u003ch3\u003eHigh-speed and highly accurate AF enabled by the stepping motor\u003c\/h3\u003e\n\u003cp\u003eThe lens is capable of smooth, quiet and high-speed AF made possible by a stepping motor, as well as supports Face\/Eye Detection AF and video AF.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e8 elements in 7 groups (2 aspherical lens elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e51.3°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e7 (Rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e24cm \/ 9.4in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ55mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ64.0mm × 46.2mm \/ φ2.5in. × 1.8in. | Sony E-mount：φ64.0mm × 48.2mm \/ φ2.5in. × 1.9in. | *The length of a lens is measured from the filter surface to its mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：220g \/ 7.8oz. | Sony E-mount：235g \/ 8.3oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eC019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eLENS HOOD（LH577-02B／LH577-02S） | MAGNETIC METAL LENS CAP（LCF55-02 MB／LCF55-02 MS） | FRONT CAP（LCF-55 IV） | REAR CAP（LCR III） | Pouch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eLens construction: 8 elements in 7 groups (2 aspherical lenses) | Compatible with high-speed autofocus | Support for DMF, AF + MF | LENS HOOD（LH577-02B／LH577-02S） | Magnetic metal lens cap（LCF55-02 MB／LCF55-02 MS） | Compatible with Sigma USB DOCK UD-11 (sold separately; L-Mount only) | Designed to minimize flare and ghosting | 7-blade rounded diaphragm | High-precision, durable brass bayonet mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount (Black)","offer_id":50729750561023,"sku":"36B965","price":51500.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount (Black)","offer_id":50729750593791,"sku":"36B969","price":51500.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount (Silver)","offer_id":50729750626559,"sku":"36S969","price":51500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_2c577440-69c1-4096-844f-b2ed79cd9958.png?v=1792514245"},{"product_id":"85mm-f1-4-dg-dn-art","title":"Sigma 85mm F1.4 DG DN | Art Full-frame mirrorless camera lens","description":"\u003ch2\u003e85mm F1.4 | Redefining the Classic\u003c\/h2\u003e\n\u003cp\u003eMark a new chapter of the Art line F1.4 in the mirrorless age. Large-diameter,unparalleled optical performance, compact and lightweight, and high-speed AF ─ all in your hand.\u003c\/p\u003e\n\u003cp\u003eThe 85mm F1.4 DG DN | Art combines a clear and delicate rendering performance, which is requisite for portrait photography, with beautiful, rich bokeh effects only possible with lenses such as a large-diameter F1.4, at a level that will satisfy both professional and advanced amateur photographers. The focal length of 85mm and significant bokeh effect at F1.4 brightness allow the users’ subjects to stand out in a complementary fashion, which is one of the essences of taking portrait photography, so users can enjoy it to the fullest.\u003cbr\u003e\u003cbr\u003eIn addition to the fast and consistent AF response, the mirrorless-exclusive design of the 85mm F1.4 DG DN | Art has realized a lightweight and compact lens body that defies convention. And its small body is packed with a range of functionalities, including a dust and splash resistant structure*, supported by an excellent build quality.\u003cbr\u003e\u003cbr\u003eThe 85mm F1.4 DG DN | Art is Sigma’s new “ultimate portrait lens” for the mirrorless age. And with it, Sigma proposes a whole new world of possibilities provided by this “85mm F1.4 lens for everyday use,” thanks to the unprecedented level of portability, free from size- or weight-related limitations.\u003cbr\u003e\u003cbr\u003e*Although this construction allows the lens to be used in light rain, it is not the same as being waterproof.\u003c\/p\u003e\n\u003ch3\u003eThe record-high performance worthy of the name of 85mm F1.4 | Art\u003c\/h3\u003e\n\u003cp\u003e85mm F1.4 is a specification almost synonymous with a portrait lens. With the Art line lenses, Sigma pursues the highest optical performance possible and has devoted the latest optical design technologies, as well as the production technologies of the Aizu factory, Sigma’s only production site, to the development of these lenses. The result is a detailed image critical for portrait photography that is achieved at a level that will satisfy both professional and advanced amateur photographers.\u003cbr\u003e\u003cbr\u003e In addition to five SLD (Special Low Dispersion) elements and one aspherical lens, the 85mm F1.4 DG DN | Art has incorporated the latest high refractive index glass, which works to thoroughly correct aberrations that cannot be handled by the correction functionality on the camera side. With a particular emphasis given to the correction of axial chromatic aberration, users will enjoy sharp images with no color bleeding, all the way up to the maximum aperture of F1.4.\u003cbr\u003e\u003cbr\u003e The high resolving power that covers the entire image from the center to the edges ensures sharpness of the area in focus, and coupled with the significant bokeh effect produced by the F-value of 1.4 brings out the users’ subject in an evocative way.\u003cbr\u003e\u003cbr\u003e The numerous rounds of ray-trace simulation, as well as repeated real-world testing, have given the 85mm F1.4 DG DN | Art its ability to minimize ghosting, ensuring clear, sharp images even when shooting in backlit conditions.\u003cbr\u003e\u003cbr\u003e With the ability to shoot from the maximum aperture of F1.4 without worrying about image quality, users can focus on the camera operations to realize their artistic expressions, such as the adjustment of exposure and depth of field. This new lens indeed delivers a level of optical performance truly worthy of the name of 85mm F1.4 Art.\u003c\/p\u003e\n\u003ch3\u003eLightweight \u0026amp; compact - A new perception of F1.4\u003c\/h3\u003e\n\u003cp\u003eThe 85mm F1.4 DG DN | Art weighs 630g\/ 22.2oz., with a filter size of 77mm and a body length of 94.1mm\/ 3.7in.*. Designed exclusively for mirrorless cameras, it has a “large lens diameter and superb optical performance” and “a lightweight and compact body,” a combination which has long been difficult to achieve. \u003cbr\u003e The AF motor system employs a stepping motor which is optimized for both phase detection AF and contrast AF. Not only does this provide a smooth shooting experience only possible with a mirrorless camera, such as face\/eye detection AF, but it has also made the lens body itself much smaller, as the focus lens has been made small to better suit a stepping motor. Furthermore, by making the most of the in-camera aberration correction functionalities, Sigma was able to concentrate on the correction of aberration that could be handled by the optical system alone, which further contributed to making the lens smaller in size. \u003cbr\u003e With such a lightweight and small body, users can now take out a large-diameter 85mm F1.4 lens for an everyday use such as taking snapshots. The 85mm F1.4 DG DN | Art invites users to enjoy photography in an unconventional way.\u003c\/p\u003e\n\u003cp\u003e* For L-mount.\u003c\/p\u003e\n\u003ch3\u003eA full range of functionalities and an excellent build quality\u003c\/h3\u003e\n\u003cp\u003eThis compact lens is packed with a range of functionalities that will satisfy both professional and advanced amateur photographers. The 85mm F1.4 DG DN | Art has newly introduced an\n\u003c\/p\u003e\u003cp\u003e1\u003c\/p\u003e\n\u003cp\u003e“Iris ring lock switch .*1” This prevents from unintended movement of the iris ring during shooting, allowing users to devote their attention to the creation of their image. The Iris ring is mounted with a de-click function for removing clicks by the\u003c\/p\u003e\n\u003cp\u003e2\u003c\/p\u003e\n\u003cp\u003eIris Ring Click Switch, enabling seamless operations that are especially useful such as during video shooting. Furthermore, the\u003c\/p\u003e\n\u003cp\u003e3\u003c\/p\u003e\n\u003cp\u003e“Focus Mode Switch\u003c\/p\u003e\n\u003cp\u003e”\u003c\/p\u003e\n\u003cp\u003eon the lens body and the\u003c\/p\u003e\n\u003cp\u003e4\u003c\/p\u003e\n\u003cp\u003e“AFL button *2” that allows various functions to be assigned from a camera body will also assist users’ shooting. \u003cbr\u003e In addition to the\u003c\/p\u003e\n\u003cp\u003e5\u003c\/p\u003e\n\u003cp\u003edust and splash resistant structure *3, along with a water- and oil-repellent coating, the lens uses materials such as aluminum and TSC (Thermally Stable Composite) where they are best suited, achieving a level of build quality that is worthy of the Art line. In addition to the durability of the body, the lens pursues quality in terms of how users “feel” as well, such as the smooth motion in which each ring or switch works, and the precise hand feeling. The 85mm F1.4 DG DN | Art helps ensure users a smooth shooting experience in every condition.\u003c\/p\u003e\n\u003cp\u003e*1 When turned ON at the position A, the iris ring is locked at A. When turned ON at a position other than A, it is locked within the range between the maximum to minimum apertures and will not engage at the position A. \u003cbr\u003e *2 Limited to compatible cameras. Also, the functions depend on the camera. \u003cbr\u003e *3 Although this construction allows the lens to be used in light rain, it is not the same as being waterproof.\u003c\/p\u003e\n\u003ch3\u003eCompatible with Lens Aberration Correction\u003c\/h3\u003e\n\u003cp\u003eMatching the optical characteristics of the lens, this function performs in-camera corrections of peripheral illumination, chromatic aberrations, distortion, and more, to further enhance image quality.\u003c\/p\u003e\n\u003cp\u003e*Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model. \u003cbr\u003e *On cameras where lens aberration correction is controlled with ‘ON’ or ‘OFF’ in the camera menu, please set all aberration correction functions to ‘ON’(AUTO).\u003c\/p\u003e\n\u003ch3\u003eHood with lock\u003c\/h3\u003e\n\u003cp\u003eFeatures a hood with lock to prevent dropping the hood.\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize flare and ghosting\u003c\/h3\u003e\n\u003cp\u003eFrom an early stage in the lens design process, flare and ghosting have been measured to establish an optical design resistant to strong incident light sources such as backlighting. Sigma’s Super Multi-Layer Coating reduces flare and ghosting to help photographers produce sharp and high contrast images even in back light conditions.\u003c\/p\u003e\n\u003ch3\u003eHigh-precision, rugged brass bayonet mount\u003c\/h3\u003e\n\u003cp\u003eThe brass mount combines high precision with rugged construction. Its treated surfaces and enhanced strength contribute to the exceptional durability of the lens.\u003c\/p\u003e\n\u003ch3\u003eRounded diaphragm(11-blade)\u003c\/h3\u003e\n\u003cp\u003eThe 11-blade rounded diaphragm creates an attractive blur in the out-of-focus areas of the image.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e15 elements in 11 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e28.6°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e11 (Rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e85cm \/ 33.5in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:8.4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ77mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ82.8mm × 94.1mm \/ φ3.3in. x 3.7in. Sony E-mount：φ82.8mm × 96.1mm \/ φ3.3in. x 3.8in. *The length of a lens is measured from the filter surface to its mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：630g \/ 22.2oz. | Sony E-mount：625g \/ 22.0oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eA020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eCase | LENS HOOD LH828-02 | FRONT CAP LCF-77mm III | REAR CAP LCR II\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729750659327,"sku":"322965","price":113300.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729750692095,"sku":"322969","price":113300.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_8493bf26-0cb5-49e6-9cc8-46afe56a50d4.png?v=1792514245"},{"product_id":"24mm-f2-dg-contemporary","title":"Sigma 24mm F2 DG | Contemporary Full-frame mirrorless camera lens","description":"\u003ch2\u003eSee the bigger picture.\u003c\/h2\u003e\n\u003cp\u003eThe all-new 24mm F2 DG | Contemporary delivers exceptional edge-to-edge rendering power in an ultra-compact, all-metal body. This impressive, wide-angle, I series prime is now available for L-Mount and Sony E-mount systems.\u003c\/p\u003e\n\u003cp\u003eThe 24mm F2 DG | Contemporary premium compact prime is the latest prime lens to be added to Sigma’s growing I series range. It joins four existing I series lenses as well as the new 90mm F2.8 DG DN | Contemporary, offering superb optical performance, a bright F2 aperture, an all-metal build and a manual aperture ring. Designed from the ground up for mirrorless systems it feels perfectly-balanced on modern full-frame bodies, and boasts exceptional resolving power that can keep up with the latest ultra-high-resolution cameras.\u003cbr\u003e\u003cbr\u003eThe lens’s advanced optical design produces sharp, high-contrast results from the center of the frame to the far corners, and together with its F2 aperture and wide angle-of-view it’s an excellent choice for night sky photography, events and interiors. Owing to its compact size the lens can be carried around effortlessly, which makes it perfect for day-to-day use. The high quality, all-metal construction, which is found on all of Sigma’s I series models, makes the experience of owning and operating this lens extremely satisfying.\u003cbr\u003e\u003cbr\u003eThis new full-frame 24mm F2 prime is designed for photographers who need a sharp, fast, robust, wide-angle optic that will not weigh them down. It is available for L-Mount and Sony E-mount systems.\u003c\/p\u003e\n\u003ch3\u003eI series Premium Compact Primes for mirrorless users\u003c\/h3\u003e\n\u003cp\u003eThe Sigma I series features full-frame-compatible lenses that offer mirrorless users a new and better alternative, both in the experience of shooting with the lens and in the impressive results it is able to achieve.\u003cbr\u003e\u003cbr\u003eOne of the key advantages of mirrorless cameras is their smaller form-factor, and this new 24mm optic is designed to be perfectly matched to these more compact systems without sacrificing performance. This combination of superb optical quality with exceptional portability, not previously possible with DSLR systems, will bring new opportunities to this and future generations of photographers.\u003cbr\u003e\u003cbr\u003eSimultaneously, Sigma is aware that, in this day and age when we have such huge diversity when it comes to what we use to photograph, as represented by smartphones, people look for something more than a mere act of “taking pictures” when they choose to own a camera and lenses.\u003cbr\u003e\u003cbr\u003eSigma’s excellence in development and processing technologies has been built up since it was founded in 1961, and has become further sophisticated with the introduction of the Sigma Global Vision in 2012. With this as a base Sigma has given careful thought to how photographers use and enjoy their lenses, including optical design, advanced functionality, build quality and the experience of picking up and using the lens, and with all of this carefully considered the I series was born.\u003c\/p\u003e\n\u003cp\u003e20mm, 24mm, 35mm, 50mm and 65mm - five lenses with F2 brightness in the lineup\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e20mm F2 DG\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e24mm F2 DG\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e35mm F2 DG\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e50mm F2 DG\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e65mm F2 DG\u003c\/p\u003e\n\u003ch3\u003eNew standards of optical performance for the Contemporary line\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 24mm F2 DG | Contemporary, like the  Sigma 35mm F2 DG | Contemporary  and the  Sigma 65mm F2 DG | Contemporary  , combines the highest level of optical performance even at its maximum aperture of F2 and a well-balanced body.\u003c\/p\u003e\n\u003cp\u003eThe lens uses two SLD glass elements and one FLD glass element to correct axial chromatic aberration, which is a particular concern with bright lenses. It also incorporates two high-precision glass-molded aspherical elements, made possible by the processing technology of Sigma’s sole production facility in Aizu. This has enabled the total number of lens elements to be kept down and the size and weight of the lens to be reduced, while providing excellent correction of various aberrations.\u003c\/p\u003e\n\u003cp\u003eIn anticipation of wide-angle lens applications, Sigma’s optical designers have ensured the lens resolution is extremely high, and is uniform from the center to the periphery of the image. Sagittal coma flare is also well suppressed, giving the lens a high degree of rendering power that makes it ideal for night sky photography.\u003c\/p\u003e\n\u003cp\u003eThe AF drive system incorporates a quiet, high-speed stepping motor. This allows photographers to capture every detail of the spacious 24mm scene with light AF.\u003c\/p\u003e\n\u003ch3\u003eUse of multiple high-precision aspherical glass molded lenses\u003c\/h3\u003e\n\u003cp\u003eThe surface of molds for glass molding, which is a process that forms optical components by pressing glass materials at high temperatures, requires ultra-high precision. Sigma uses high-precision molds whose surfaces are controlled with an accuracy of ±5 nanometers (0.000005 mm) or smaller. High precision aspherical glass molded lenses archives both good aberration correction and compact lens size.\u003c\/p\u003e\n\u003cp\u003eMold for aspherical glass molded lenses\u003c\/p\u003e\n\u003ch3\u003eExceptional I series build quality with a compact form-factor\u003c\/h3\u003e\n\u003cp\u003eAll I series lenses have an all-metal construction. The precision-cut aluminum parts not only give the barrel a sleek, stylish finish, but provide superb durability that improves the quality of the entire product. Metal materials are also used in internal structures that slide with the operation ring for added robustness. These high-precision components crafted with Sigma’s cutting-edge metalworking technology are also used in  Sigma’s CINE LENS  line-up for professional cinematographers and provide a tactile, ergonomic feel that make the lens a pleasure to use.\u003c\/p\u003e\n\u003cp\u003eThe cover ring between the focus ring and the aperture ring has hairline processing that is also used for the rear cylinder of the Art line. This covering functions as a finger hold when attaching or detaching the lens.\u003c\/p\u003e\n\u003ch3\u003eMagnetic metal lens cap\u003c\/h3\u003e\n\u003cp\u003eThe I series lenses are accompanied by a dedicated magnetic metal lens cap, in addition to a normal plastic cap. This dedicated metal cap clips to the front surface of the lens magnetically. It is no exaggeration to say that this meticulously crafted cap represents the finishing touch for the I series.\u003c\/p\u003e\n\u003ch3\u003eMagnetic metal lens cap holder LENS CAP HOLDER CH-11 (sold separately)\u003c\/h3\u003e\n\u003cp\u003eWhen a cap is removed from the lens it should have a proper place where it can be kept. Using this as a starting point, a cap holder using the magnetic force of the dedicated cap was created.\u003cbr\u003eWith the cap attached to the ring plate, and the plate clipped to a bag or belt, the cap is always within easy reach and is less likely to get lost. Plus, its elegant design is a stylish addition to a photographer’s equipment.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv p=\"\"\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e13 elements in 11 groups (2 SLD, 1 FLD, and 2 aspherical lens elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e84.1°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e9(Rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e24.5cm \/ 9.7in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:6.7\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ62mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ70mm × 72mm \/ φ2.8in. × 2.8in. | Sony E-mount：φ70mm × 74mm \/ φ2.8in. × 2.9in. | *The length of a lens is measured from the filter surface to its mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：365g \/ 12.9oz. | Sony E-mount：360g \/ 12.7oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eC021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eLENS HOOD（LH656-05B／LH656-05S） | MAGNETIC METAL LENS CAP（LCF62-02 MB／LCF62-02 MS） | FRONT CAP（LCF-62 IV） | REAR CAP（LCR III） | Pouch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eLens construction: 13 elements in 11 groups, with 1 FLD, 2 SLD and 2 aspherical lens elements | Compatible with high-speed autofocus | Support DMF and AF+MF | LENS HOOD（LH656-05B／LH656-05S） | Magnetic metal lens cap （LCF62-02 MB／LCF62-02 MS） | Compatible with Sigma USB DOCK UD-11 (sold separately \/ for L-Mount only) | Designed to minimize flare and ghosting | Every single lens undergoes Sigma’s proprietary MTF measuring system | 9-blade rounded diaphragm | High-precision, durable brass bayonet mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount (Black)","offer_id":50729750855935,"sku":"4B3965","price":65200.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount (Black)","offer_id":50729750888703,"sku":"4B3969","price":65200.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount (Silver)","offer_id":50729750921471,"sku":"4S3969","price":65200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_eed09a1d-5bf3-4548-b20d-b23446d453d0.png?v=1792514246"},{"product_id":"105mm-f2-8-dg-dn-macro-art","title":"Sigma 105mm F2.8 DG DN Macro | Art Full-frame mirrorless camera lens","description":"\u003ch2\u003eMake everyday details | more magnificent.\u003c\/h2\u003e\n\u003cp\u003ePerformance exceeds expectations Sigma Art line introduces a supreme edition to classic macro lenses\u003c\/p\u003e\n\u003cp\u003eMid-telephoto macro lenses give photographers a boost to creativity and a versatile working distance, which makes the lenses a favorite among professionals as part of their basic gear. Introduced as the first macro lens for mirrorless cameras in the Art line of lenses for mirrorless cameras, the 105mm F2.8 DG DN MACRO | Art packs the highest level of performance expected of a mid-telephoto macro lens into its body, from its superb optical performance to excellent build quality.\u003c\/p\u003e\n\u003cp\u003eBeyond being a high-spec macro lens that excels in a wide range of settings, the Sigma 105mm F2.8 DG DN MACRO | Art is ideal for macro shooting or portraits. It can also give photographers an opportunity to rediscover a new way of looking at or enjoying things such as unexpected beauty or something precious in everyday life through its perspective that is unique to a macro lens. It provides performance that goes far beyond the expectation or imagination of what a “classic mid-telephoto macro lens” can be.\u003c\/p\u003e\n\u003ch3\u003eEverything required in a mid-telephoto macro lens has been achieved at highest levels\u003c\/h3\u003e\n\u003cp\u003eThe latest optical design of the 105mm F2.8 DG DN MACRO | Art ensures exceptional sharpness at all shooting distances from extreme close-up, which is crucial in macro shooting, all the way up to infinity. In addition, its aberration correction places a particular focus on longitudinal chromatic aberration which cannot be handled by the in-camera aberration correction. The superior optical design produces clear images with both delicate rendering and free of color bleeding.\u003cbr\u003e\u003cbr\u003e Bokeh was one of the focuses in the 105mm F2.8 DG DN MACRO | Art design, which figures largely in mid-telephoto shooting. The ample volume of peripheral light helps create beautiful bokeh circles, while natural bokeh effect in the background, as well as foreground, gives more flexibility to photographic expressions.\u003cbr\u003e\u003cbr\u003e Furthermore, when equipped with the TC-1411 (1.4x) or TC-2011 (2.0x), Sigma’s latest models of teleconverters designed exclusively for the use with L-Mount lenses, it allows photographers to shoot macro at even higher macro magnifications while keeping the working distance.\u003cbr\u003e\u003cbr\u003e The 105mm F2.8 DG DN MACRO | Art has achieved everything that is required of a mid-telephoto macro lens at the highest levels.\u003cbr\u003e\u003cbr\u003e Performance data\u003c\/p\u003e\n\u003ch3\u003eSigma Art line class optical and AF performance\u003c\/h3\u003e\n\u003cp\u003eThe Sigma Art line lenses prioritize optical performance above all else in their design. This applies to the 105mm F2.8 DG DN MACRO | Art, which produces outstanding rendering performance from the center of the frame all the way up to the edges. It excellently handles comatic aberration, which often happens at the edges. On the other hand, its abilities to minimize ghosting and flare, which have been validated through rigorous testing from the early stages of its development, ensures that it performs well in backlit conditions. \u003cbr\u003e On top of optimization for the latest functionalities, such as face\/eye detection AF, which is something mirrorless camera systems do well, it incorporates a powerful Hyper-Sonic Motor (HSM) in its focus motor system to achieve high-precision, quiet AF operation. \u003cbr\u003e All of these elements are brought to life using advanced production technology at the Aizu Factory, Sigma’s only production site, giving the 105mm F2.8 DG DN MACRO | Art the highest levels of performance worthy of the Sigma Art line.\u003c\/p\u003e\n\u003cp\u003eSLD glass\u003c\/p\u003e\n\u003ch3\u003eA full range of functionalities and an excellent build quality\u003c\/h3\u003e\n\u003cp\u003eOn its body, the 105mm F2.8 DG DN MACRO | Art features a\n\u003c\/p\u003e\u003cp\u003e1\u003c\/p\u003e\n\u003cp\u003eFocus Mode Switch, \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e2\u003c\/p\u003e\n\u003cp\u003eFocus limiter setting which comes in handy during macro shooting, and the\u003c\/p\u003e\n\u003cp\u003e3\u003c\/p\u003e\n\u003cp\u003eAFL button*1 to which users may assign select functions. The\u003c\/p\u003e\n\u003cp\u003e4\u003c\/p\u003e\n\u003cp\u003eAperture ring, which is designed to help users work intuitively, has an\u003c\/p\u003e\n\u003cp\u003e5\u003c\/p\u003e\n\u003cp\u003eAperture ring click switch to turn ON or OFF the clicking sound that isn’t required by some users when shooting macro. It also comes with a\u003c\/p\u003e\n\u003cp\u003e6\u003c\/p\u003e\n\u003cp\u003eAperture ring lock switch*2 for a ring lock system. Its enhanced functions allow users to customize their shooting operations in accordance with their shooting styles. \u003cbr\u003e The lens also has a\u003c\/p\u003e\n\u003cp\u003e7\u003c\/p\u003e\n\u003cp\u003edust and splash resistant structure* with a water- and oil-repellent coating, which is built to handle all manner of shooting conditions. The rings and switches, meanwhile, have a build quality that is superb in terms of durability, as well as how they work and how they feel. \u003cbr\u003e With levels of user-friendliness, adaptability to the environment, and smoothness of operation that are designed for professional uses, the 105mm F2.8 DG DN MACRO | Art pushes the boundaries for photographers and gives them wider creative possibilities.\u003c\/p\u003e\n\u003cp\u003e*1 Limited to compatible cameras. Also, the functions depend on the camera. \u003cbr\u003e *2 When turned ON at the position A, the iris ring is locked at A. When turned ON at a position other than A, it is locked within the range between the maximum to minimum apertures and will not engage at the position A. \u003cbr\u003e *Although this construction allows the lens to be used in light rain, it is not the same as being waterproof.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv p=\"\"\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e17 elements in 12 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e23.3°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e9 (Rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e29.5cm \/ 11.6in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ62mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ74mm × 133.6mm \/ φ2.9in. × 5.3in. Sony E-mount：φ74mm × 135.6mm \/ φ2.9in. × 5.3in. *The length of a lens is measured from the filter surface to its mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：715g \/ 25.2oz. Sony E-mount：710g \/ 25.0oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eA020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eCase | LENS HOOD LH653-01 | FRONT CAP LCF-62mm III | REAR CAP LCR II\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eLens construction: 17 elements in 12 groups, with 1 SLD lens | Compatible with high-speed autofocus | Lens Hood（LH653-01） | Compatible with Sigma TELECONVERTER TC-1411, TC-2011 | Compatible with Sigma USB DOCK UD-11 (sold separately \/ for L-Mount only) | Designed to minimize flare and ghosting | Support DMF, AF+MF | 9-blade rounded diaphragm | High-precision, durable brass bayonet mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729750954239,"sku":"260965","price":93800.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729750987007,"sku":"260969","price":93800.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_71c67d71-f0b1-4f10-85de-644ed9141632.png?v=1792514247"},{"product_id":"17mm-f4-dg-contemporary","title":"Sigma 17mm F4 DG | Contemporary Full-frame mirrorless camera lens","description":"\u003ch2\u003eUltra wide in sight. Tiny in size.\u003c\/h2\u003e\n\u003cp\u003eCompact, lightweight and high-performance ultra-wide-angle 17mm lens with an impressive minimum focusing distance. Now available as a “Premium Compact Prime” I series lens.\u003c\/p\u003e\n\u003cp\u003e“Compact, lightweight and high-performance ultra-wide-angle lens”. Using the latest technology, the 17mm had been created without compromise, despite its challenging design concept. Its wide-angle of view creates impactful landscape images with a unique perspective and, thanks to its minimum close focusing distance of 12cm, the lens can be enjoyed in a variety of alternative ways, including close-up photography and hand-held selfies.\u003cbr\u003e The optical design has been created exclusively for mirrorless camera systems, which helps reduce lens flare and ghosting that results in excellent image rendering. The all-metal lens barrel highlights Sigma’s craftsmanship and attention to detail, making the Sigma 17mm F4 DG | Contemporary a pleasure to use on every shoot.\u003c\/p\u003e\n\u003ch3\u003e“Ultra-wide-angle lens” that matches the optical performance standards set by the Sigma Contemporary line of lenses.\u003c\/h3\u003e\n\u003cp\u003eThe lens construction consists of two SLD glass elements and three aspherical lens elements. Aspherical lenses are used for both the front and rear optics. This not only keeps the size of the lens compact but also helps with correcting lens aberrations. As a result, the lens features a φ55mm filter thread (which is smaller than comparable lenses of similar focal lengths) which makes it easy to change filters between Sigma I series lenses that share the same filter size. * Its construction also helps minimize flare and ghosting that is commonly found in ultra-wide-angle lenses, creating clear images in any environment. This is a lens with truly modern performance, thanks to the advanced processing and production technologies at Sigma’s only production facility in Aizu.\u003cbr\u003e A highlight of using the 17mm is the impressive minimum focusing distance of 12cm. Capture close-up macro style images in remarkable detail with expansive backgrounds. It is also suitable for selfies and vlogging, where items need to be shown at an arms-reach. A quiet, high-speed stepping motor drives the AF delivering fast and accurate results in both stills and video.\u003cbr\u003e\u003cbr\u003e *In addition to the 17mm F4 DG | Contemporary, I series lenses with a φ55mm filter thread include the 24mm F3.5 DG | Contemporary, 45mm F2.8 DG | Contemporary, and 90mm F2.8 DG | Contemporary (as of February 2025).\u003c\/p\u003e\n\u003ch3\u003eBeyond “beautiful pictures” \u003cbr\u003e―the value provided by the Sigma’s I series\u003c\/h3\u003e\n\u003cp\u003eThe Sigma I series features full-frame compatible lenses that offer new value to mirrorless systems. The combination of superb optical performance with a level of compactness that is perfectly suited to smaller and lighter modern mirrorless cameras will bring you new opportunities for a perfect shot. Sigma is aware that in today’s world we have a wide range of camera choices, especially with the increase in mobile phone ownership. But with many people look for something more than a mere act of “taking pictures” when they choose to own a camera and lenses, I series lenses offer the ultimate combination of superb optical performance, outstanding usability and compact form-factor. Sigma’s excellence in development and production technologies has been built up since our founding in 1961 and became increasingly sophisticated with the introduction of the Sigma Global Vision brand in 2012. With this as a base, Sigma has given careful thought to the quality of the products, the feeling of using it and the pleasure of owning it. This is how the I series was born.\u003c\/p\u003e\n\u003ch3\u003eExceptional I series build quality with a compact form-factor\u003c\/h3\u003e\n\u003cp\u003eAll I series lenses have an all-metal construction. The precision-cut aluminum parts not only give the barrel a sleek, stylish finish, but provide superb durability that improves the quality of the entire product. Metal materials are also used in internal structures that slide with the operation ring for added robustness. These high-precision components crafted with Sigma’s cutting-edge metalworking technology are also used in Sigma’s CINE LENS line-up for professional cinematographers and provide a tactile, ergonomic feel that make the lens a pleasure to use. What is more with the I series is that this high build quality is condensed into a palm-sized lens body. The Sigma 17mm F4 DG | Contemporary is one of the smallest in the series. Combine with multiple I series lenses to create a remarkably compact shooting system that is lightweight and small in size.\u003c\/p\u003e\n\u003ch3\u003eMagnetic metal lens cap\u003c\/h3\u003e\n\u003cp\u003eI series lenses are accompanied by a dedicated magnetic metal lens cap, in addition to a normal plastic cap. This dedicated metal cap clips to the front surface of the lens magnetically. It is no exaggeration to say that this meticulously crafted cap represents the finishing touch for the I series.\u003c\/p\u003e\n\u003ch3\u003eMagnetic metal lens cap holder LENS CAP HOLDER CH-11 (sold separately)\u003c\/h3\u003e\n\u003cp\u003eWhen a cap is removed from the lens it should have a proper place where it can be kept. Using this as a starting point, a cap holder using the magnetic force of the dedicated cap was created.\u003cbr\u003e With the cap attached to the ring plate, and the plate clipped to a bag or belt, the cap is always within easy reach and is less likely to get lost. Plus, its elegant design is a stylish addition to a photographer’s equipment.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv p=\"\"\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e9 elements in 8 groups (2 SLD, 3 aspherical lens elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e103.7°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e7 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e12cm \/ 4.8in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:3.6\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ55mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ64.0mm × 48.8mm \/ 2.5in. × 1.9in. | Sony E-mount：φ64.0mm × 50.8mm \/ 2.5in. × 2.0in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：225g \/ 7.9oz. | Sony E-mount：220g \/ 7.8oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eC023\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eLENS HOOD（LH576-06B／LH576-06S） | MAGNETIC METAL LENS CAP（LCF55-02 MB／LCF55-02 MS） | FRONT CAP（LCF-55 IV） | REAR CAP（LCR III） | Pouch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eLens construction: 9 elements in 8 groups with 2 SLD and 3 aspherical lens elements | Compatible with high-speed autofocus | Support DMF and AF+MF | Compatible with AF assist (Sony E-mount only) | LENS HOOD（LH576-06B／LH576-06S） | MAGNETIC METAL LENS CAP（LCF55-02 MB／LCF55-02 MS） | Compatible with Sigma USB DOCK UD-11 (sold separately \/ for L-Mount only) | Designed to minimize flare and ghosting | Every single lens undergoes SIGMA's proprietary MTF measuring system | 7-blade rounded diaphragm | High-precision, durable brass bayonet mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount (Black)","offer_id":50729751052543,"sku":"41B965","price":58200.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount (Black)","offer_id":50729751085311,"sku":"41B969","price":58200.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount (Silver)","offer_id":50729751118079,"sku":"41S969","price":58200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_cb1c9fbe-e4db-4af4-b220-f8aa62a1b444.png?v=1792514247"},{"product_id":"50-120mm-f2-8-dc-os-contemporary","title":"Sigma 50-120mm F2.8 DC OS | Contemporary APS-C mirrorless camera lens","description":"\u003ch3\u003eEasier to carry, with nothing given up: a new standard for APS-C telephoto zooms\u003c\/h3\u003e\n\u003cp\u003eA highly versatile zoom range of approximately 75-180mm in 35mm equivalent terms, a constant F2.8 aperture, uncompromising optical performance and full-fledged shooting features are all condensed into a compact body just 99mm long and weighing a mere 390g\u003csup\u003e*\u003c\/sup\u003e. It meets every high portability and mobility requirement of an APS-C lens, while raising the class’ standard for both performance and functionality, making it a definitive APS-C telephoto zoom lens. \u003cbr\u003e \u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003e* The figures are for Sony E-mount.\u003c\/p\u003e\n\u003ch3\u003eA high-performance constant F2.8 zoom series, from wide-angle to telephoto\u003c\/h3\u003e\n\u003cp\u003eWith the Sigma 50-120mm F2.8 DC OS | Contemporary joining the Sigma 10-18mm F2.8 DC DN | Contemporary and Sigma 18-50mm F2.8 DC DN | Contemporary already on the market, the constant F2.8 zoom series is now complete, covering everything from ultra-wide-angle to telephoto. All three lenses together weigh less than 1kg, making it possible to put together a system that combines high performance with genuine mobility.\u003c\/p\u003e\n\u003ch3\u003eLavish optical construction \u003c\/h3\u003e\n\u003cp\u003eAn optical construction that combines one FLD glass element, three SLD glass elements and four aspherical elements in exactly the right arrangement achieves both high optical performance and compact dimensions. Throughout the zoom range, from the center of the frame to the edges, various optical aberrations are corrected to achieve exceptionally high contrast.\u003c\/p\u003e\n\u003ch3\u003eRendering that only a telephoto lens can deliver\u003c\/h3\u003e\n\u003cp\u003eThe large bokeh and compression effect of a telephoto lens equivalent to approximately 180mm in 35mm terms enable expression that ranges from portraiture that makes the subject stand out to flat product photography where perspective is kept in check.\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize focus breathing\u003c\/h3\u003e\n\u003cp\u003eThe optical design minimizes focus breathing. Because shifts in the angle of view during focusing are suppressed, the lens supports natural video expression with little change in composition.\u003c\/p\u003e\n\u003ch3\u003eFeatures that assist comfortable shooting\u003c\/h3\u003e\n\u003cp\u003eIn addition to high-speed AF driven by an HLA (High-response Linear Actuator) linear motor, the OS2 image stabilization algorithm delivers 6.5 stops of optical stabilization at the wide end and 4.5 stops\u003csup\u003e*\u003c\/sup\u003e at the telephoto end. Everything a telephoto zoom needs for demanding shooting conditions is brought together here in optimal balance. \u003cbr\u003e\u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003e* Based on CIPA guidelines. (Measured at a focal length of 50mm and 120mm using an APS-C mirrorless camera)\u003c\/p\u003e\n\u003ch3\u003eAn intuitive, easy-to-understand control layout \u003c\/h3\u003e\n\u003cp\u003eSwitches such as the focus mode switch and the OS switch have been removed, giving the lens a minimal, easy-to-understand interface that stays intuitive to operate despite its high functionality.\u003c\/p\u003e\n\u003ch3\u003eDust- and splash-resistant structure\u003csup\u003e*\u003c\/sup\u003e and water- and oil-repellent coating\u003c\/h3\u003e\n\u003cp\u003eIn addition to a dust- and splash-resistant structure, the frontmost surface of the lens has a water- and oil-repellent coating, allowing photographers to shoot without concern even in difficult outdoor environments. \u003cbr\u003e\u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003e* The product is designed to be dust- and splash-resistant but is not waterproof. When using the lens near water, etc., take care not to allow large amounts of water to splash on it. If water gets inside the lens, it may cause a major malfunction.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eCanon RF Mount,FUJIFILM X Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eAPS-C [DC]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e18 elements in 13 groups (1 FLD, 3 SLD, 4 aspherical elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003eCanon RF Mount: 30.0°-12.8° | FUJIFILM X Mount: 31.7°-13.5° | Sony E-mount: 31.7°-13.5°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e11 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e23cm(W) - 55cm(T) \/ 9.1in.(W) - 21.7in.(T)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:3（W） - 1:4.7（T）\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ55mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eCanon RF Mount: φ69.0mm x 97.0mm \/ φ2.7in. x 3.8in. | FUJIFILM X Mount: φ66.8mm x 99.3mm \/ φ2.6in. x 3.9in. | Sony E-mount: φ66.8mm x 99.0mm \/ φ2.6in. x 3.9in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eCanon RF Mount: 410g \/ 14.5oz. | FUJIFILM X Mount: 390g \/ 13.8oz. | Sony E-mount: 390g \/ 13.8oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eC026\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003ePouch Lens Hood LH585-01 | Front Cap LCF-55 IV | Rear Cap LCR III\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eMount Conversion Service available | Every single lens undergoes Sigma’s proprietary MTF measuring system\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729751150847,"sku":"694965","price":79000.0,"currency_code":"INR","in_stock":true},{"title":"Canon RF-mount","offer_id":50729751183615,"sku":"694972","price":79000.0,"currency_code":"INR","in_stock":true},{"title":"Fujifilm X-mount","offer_id":50729751216383,"sku":"694975","price":79000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_4359be08-b7a8-487c-84cc-6d475d78b831.png?v=1792514247"},{"product_id":"90mm-f2-8-dg-contemporary","title":"Sigma 90mm F2.8 DG | Contemporary Full-frame mirrorless camera lens","description":"\u003ch3\u003eI series Premium Compact Primes for mirrorless users\u003c\/h3\u003e\n\u003cp\u003eThe Sigma I series features full-frame-compatible lenses that offer mirrorless users a new and better alternative, both in the experience of shooting with the lens and in the impressive results it is able to achieve.\u003cbr\u003e\u003cbr\u003e One of the key advantages of mirrorless cameras is their smaller form-factor, and this new 90mm optic is designed to be perfectly matched to these more compact systems without sacrificing performance. This combination of superb optical quality with exceptional portability, not previously possible with DSLR systems, will bring new opportunities to this and future generations of photographers.\u003cbr\u003e\u003cbr\u003e Simultaneously, Sigma is aware that, in this day and age when we have such huge diversity when it comes to what we use to photograph, as represented by smartphones, people look for something more than a mere act of “taking pictures” when they choose to own a camera and lenses.\u003cbr\u003e Sigma’s excellence in development and processing technologies has been built up since it was founded in 1961, and has become further sophisticated with the introduction of the Sigma Global Vision in 2012. With this as a base Sigma has given careful thought to how photographers use and enjoy their lenses, including optical design, advanced functionality, build quality and the experience of picking up and using the lens, and with all of this carefully considered the I series was born.\u003c\/p\u003e\n\u003cp\u003eEspecially compact even in the I series - wide-angle, standard, and mid-telephoto lenses in the lineup\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e17mm F4 DG\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e24mm F3.5 DG\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e45mm F2.8 DG\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e90mm F2.8 DG\u003c\/p\u003e\n\u003ch3\u003eNew standards of optical performance for the Contemporary line\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 90mm F2.8 DG | Contemporary boasts exceptional optical performance with a ultra-high resolving power to match the latest high-resolution mirrorless cameras.\u003cbr\u003e\u003cbr\u003e The lens is built using the very latest optical technology, and includes five SLD glass elements. This helps to reduce axial chromatic aberration that cannot be corrected in-camera, allowing the lens to achieve high resolution and clear image quality with no color bleeding. A high-precision glass molded aspherical lens provides both high resolution and beautiful bokeh. Photographers can enjoy shooting with soft, large bokeh without coloration and this is something that only a full-frame lens is able to deliver.\u003cbr\u003e\u003cbr\u003e The lens also utilizes the camera’s optical correction functionality, which is an advantage of mirrorless systems, Sigma’s optical designers were therefore able to concentrate on correcting aberrations that can only be corrected by the optical design, thereby improving rendering performance and reducing the size and weight of the lens.\u003cbr\u003e\u003cbr\u003e With a minimum focusing distance of 50cm and a maximum magnification ratio of 1:5, close-up macro-style photography is possible. The lens highlights the subject, allowing photographers to focus in on fine details or create more abstract compositions.\u003cbr\u003e\u003cbr\u003e The AF drive system incorporates a quiet, high-speed stepping motor, making it suitable for still images as well as video recording.\u003c\/p\u003e\n\u003ch3\u003eUse of high-precision aspherical glass molded lenses\u003c\/h3\u003e\n\u003cp\u003eThe surface of molds for glass molding, which is a process that forms optical components by pressing glass materials at high temperatures, requires ultra-high precision. Sigma uses high-precision molds whose surfaces are controlled with an accuracy of ±5 nanometers (0.000005 mm) or smaller. High precision aspherical glass molded lenses archives both good aberration correction and compact lens size.\u003c\/p\u003e\n\u003cp\u003eMold for aspherical glass molded lenses\u003c\/p\u003e\n\u003ch3\u003eExceptional I series build quality with a compact form-factor\u003c\/h3\u003e\n\u003cp\u003eAll I series lenses have an all-metal construction. The precision-cut aluminum parts not only give the barrel a sleek, stylish finish, but provide superb durability that improves the quality of the entire product. Metal materials are also used in internal structures that slide with the operation ring for added robustness. These high-precision components crafted with Sigma’s cutting-edge metalworking technology are also used in  Sigma’s CINE LENS  lineup for professional cinematographers and provide a tactile, ergonomic feel that make the lens a pleasure to use.\u003c\/p\u003e\n\u003cp\u003eThe 90mm F2.8 DG | Contemporary shares the same φ64mm maximum diameter and 55mm filter size \u003csup\u003e ＊1 \u003c\/sup\u003e as the  24mm F3.5 DG | Contemporary  and the  45mm F2.8 DG | Contemporary  , making them a natural trio, especially for filmmakers who use filters more regularly. With a combined weight of only 740g \/ 26.1oz. \u003csup\u003e ＊2 \u003c\/sup\u003e , these three lenses (wide-angle, standard, mid-telephoto) can be used in tandem as part of a high-spec and compact camera system that covers a wide range of shooting situations.\u003c\/p\u003e\n\u003cp\u003e*1 In addition to the 90mm F2.8 DG | Contemporary, I series lenses with a φ55mm filter thread include the 24mm F3.5 DG | Contemporary, 45mm F2.8 DG | Contemporary, and 17mm F4 DG | Contemporary (as of February 2025). \u003cbr\u003e *2 The figures are for L-Mount.\u003c\/p\u003e\n\u003ch3\u003eMagnetic metal lens cap\u003c\/h3\u003e\n\u003cp\u003eThe I series lenses are accompanied by a dedicated magnetic metal lens cap, in addition to a normal plastic cap. This dedicated metal cap clips to the front surface of the lens magnetically. It is no exaggeration to say that this meticulously crafted cap represents the finishing touch for the I series.\u003c\/p\u003e\n\u003ch3\u003eMagnetic metal lens cap holder LENS CAP HOLDER CH-11 (sold separately)\u003c\/h3\u003e\n\u003cp\u003eWhen a cap is removed from the lens it should have a proper place where it can be kept. Using this as a starting point, a cap holder using the magnetic force of the dedicated cap was created.\u003cbr\u003e With the cap attached to the ring plate, and the plate clipped to a bag or belt, the cap is always within easy reach and is less likely to get lost. Plus, its elegant design is a stylish addition to a photographer’s equipment.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv p=\"\"\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e11 elements in 10 groups (5 SLD and 1 aspherical lens elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e27.0°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e9(Rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e50cm \/ 19.7in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ55mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ64mm × 59.7mm \/ φ2.5in. × 2.4in. | Sony E-mount：φ64mm × 61.7mm \/ φ2.5in. × 2.4in. | *The length of a lens is measured from the filter surface to its mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：295g \/ 10.4oz. | Sony E-mount：295g \/ 10.4oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eC021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eLENS HOOD（LH576-05B／LH576-05S） | MAGNETIC METAL LENS CAP（LCF55-02 MB／LCF55-02 MS） | FRONT CAP（LCF-55 IV） | REAR CAP（LCR III） | Pouch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eLens construction: 11 elements in 10 groups, with 5 SLD and 1 aspherical lens elements | Compatible with high-speed autofocus | Support DMF and AF+MF | LENS HOOD （LH576-05B／LH576-05S） | Magnetic metal lens cap （LCF55-02 MB／LCF55-02 MS） | Compatible with Sigma USB DOCK UD-11 (sold separately \/ for L-Mount only) | Designed to minimize flare and ghosting | Every single lens undergoes Sigma’s proprietary MTF measuring system | 9-blade rounded diaphragm | High-precision, durable brass bayonet mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount (Black)","offer_id":50729751249151,"sku":"26B965","price":65300.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount (Black)","offer_id":50729751281919,"sku":"26B969","price":65300.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount (Silver)","offer_id":50729751314687,"sku":"26S969","price":65300.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_cfcb6eed-b7c0-4b56-b23b-3153ef668b6f.png?v=1792514247"},{"product_id":"24mm-f3-5-dg-contemporary","title":"Sigma 24mm F3.5 DG | Contemporary Full-frame mirrorless camera lens","description":"\u003ch3\u003eI series | A new photographic experience, “Premium Compact Primes”for mirrorless users\u003c\/h3\u003e\n\u003cp\u003eThe Sigma I series features full-frame-compatible lenses that offer mirrorless users a new and better alternative, both in the experience of shooting with the lens and in the impressive results it is able to achieve.\u003cbr\u003eOne of the key advantages of mirrorless cameras is their smaller form-factor, and this new 24mm optic is designed to be perfectly matched to these more compact systems without sacrificing performance. This combination of superb optical quality with exceptional portability, not previously possible with DSLR systems, will bring new opportunities to this and future generations of photographers.\u003cbr\u003eSimultaneously, Sigma is aware that, in this day and age when we have such huge diversity when it comes to what we use to photograph, as represented by smartphones, people look for something more than a mere act of “taking pictures” when they choose to own a camera and lenses. \u003cbr\u003eSigma’s excellence in development and processing technologies has been built up since its founding in 1961, and has become further sophisticated with the introduction of the Sigma Global Vision in 2012. With this as a base, Sigma has given careful thought how photographers use and enjoy their lenses, including optical design, advanced functionality, build quality and the experience of picking up and using the lens, and with all of this carefully considered, the I series was born.\u003c\/p\u003e\n\u003ch3\u003eBeautiful details and bokeh for every scene\u003c\/h3\u003e\n\u003cp\u003eThe high resolving power of the 24mm F3.5 DG | Contemporary covers the entire image from the center to the edges, which means photographers can rely on edge-to-edge sharpness at all apertures when shooting wide-angle scenes. With a minimum focus distance of around 10cm and a maximum reproduction ratio of 1:2, it enables photographers to explore a subject more freely, from capturing distant landscapes to photographing close-ups of smaller objects.\u003cbr\u003e\u003cbr\u003eIn addition to the attractive bokeh, it also gives photographers near-circular out-of-focus highlights, even at the edges of the frame. This helps create a close-up image of an in-focus subject with a blurred background, a technique that is very useful in a variety of settings. The lens features the latest optical design optimized for mirrorless systems. This includes high-precision, glass-molded aspherical elements created with advanced processing technology, and SLD glass and high refractive index glass elements. Together they make it possible to combine high optical performance with compactness. In addition, the smooth focus drive system designed around a quiet and fast stepping motor also makes the 24mm F3.5 DG | Contemporary a desirable choice for shooting video.\u003cbr\u003e\u003cbr\u003ePerformance data\u003c\/p\u003e\n\u003ch3\u003eUse of multiple high-precision aspherical glass molded lenses\u003c\/h3\u003e\n\u003cp\u003eThe surface of molds for glass molding, which is a process that forms optical components by pressing glass materials at high temperatures, requires ultra-high precision. Sigma uses high-precision molds whose surfaces are controlled with an accuracy of ±5 nanometers (0.000005 mm) or smaller. High precision aspherical glass molded lenses archives both good aberration correction and compact lens size.\u003c\/p\u003e\n\u003cp\u003e*Mold for aspherical glass molded lenses\u003c\/p\u003e\n\u003ch3\u003eExceptional I series build quality with a compact form-factor\u003c\/h3\u003e\n\u003cp\u003eAll I series lenses have an all-metal construction. The precision-cut aluminum parts not only give the barrel a sleek, stylish finish, but provide superb durability, which improves the quality of the entire product. Metal materials are also used in internal structures that slide with the operation ring for added robustness. These high-precision components crafted with Sigma’s cutting-edge metalworking technology are also used in Sigma’s cine lens line-up for professional cinematographers and provides an exquisite feel to touch as well as sound effects, making photographers want to reach for it and play with it over and over again.\u003cbr\u003eWith a pairing with the 45mm F2.8 DG | Contemporary in mind, the 24mm F3.5 DG | Contemporary is compatible with the same filter size of 55mm, with a matching outermost diameter and similar overall lengths. With a combined weight of only 440g \/ 15.5oz.*, these two lenses can be used in tandem as part of a high-spec and compact camera system that covers a wide range of shooting situations.\u003c\/p\u003e\n\u003ch3\u003eMagnetic metal lens cap\u003c\/h3\u003e\n\u003cp\u003eThe I series lenses are accompanied by a dedicated magnetic metal lens cap, in addition to a normal plastic cap. This dedicated metal cap clips to the front surface of the lens magnetically. It is no exaggeration to say that this meticulously crafted cap represents the finishing touch for the I series.\u003c\/p\u003e\n\u003ch3\u003eMagnetic metal lens cap holder LENS CAP HOLDER CH-11 (sold separately)\u003c\/h3\u003e\n\u003cp\u003eWhen a cap is removed from the lens it should have a proper place where it can be kept. Using this as a starting point, a cap holder using the magnetic force of the dedicated cap was created. \u003cbr\u003eWith the cap attached to the ring plate, and the plate clipped to a bag or belt, the cap is always within easy reach and is less likely to get lost. Plus, its elegant design is a stylish addition to a photographer’s equipment.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv p=\"\"\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e10 elements in 8 groups (1 SLD and 3 aspherical lens elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e84.1°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e7（Rounded diaphragm）\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e10.8cm \/ 4.3in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ55mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ64mm x 48.8mm \/ φ2.5in. x 1.9in. | Sony E-mount：φ64mm x 50.8mm\/ φ2.5in. x 2.0in. | *The length of a lens is measured from the filter surface to its mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：225g \/ 7.9oz. | Sony E-mount：230g \/ 8.1oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eC021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eLENS HOOD（LH576-04B／LH576-04S） | MAGNETIC METAL LENS CAP（LCF55-02 MB／LCF55-02 MS） | FRONT CAP（LCF-55 IV） | REAR CAP（LCR III） | Pouch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eLens construction: 10 elements in 8 groups, with 1 SLD glass and 3 aspherical lenses | Compatible with high-speed autofocus | Supports DMF, AF+MF | LENS HOOD（LH576-04B／LH576-04S） | Magnetic metal lens cap（LCF55-02 MB／LCF55-02 MS） | Compatible with Sigma USB DOCK UD-11 (sold separately \/ for L-Mount only) | Designed to minimize flare and ghosting | Every single lens undergoes Sigma’s proprietary MTF measuring system | 7-blade rounded diaphragm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount (Black)","offer_id":50729751347455,"sku":"4B4965","price":51500.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount (Black)","offer_id":50729751380223,"sku":"4B4969","price":51500.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount (Silver)","offer_id":50729751412991,"sku":"4S4969","price":51500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_767876da-8c7c-4d3b-b1a8-c3c67dfe5a8a.png?v=1792514248"},{"product_id":"12mm-f1-4-dc-contemporary","title":"Sigma 12mm F1.4 DC | Contemporary APS-C mirrorless camera lens","description":"\u003ch3\u003eThe widest angle of view of 12mm among F1.4 lenses for APS-C cameras\u003c\/h3\u003e\n\u003cp\u003eThe world’s first*1 lens to achieve a 12mm focal length with a large F1.4 aperture. The ultra-wide angle of 12mm (equivalent to 18mm,*2 in 35mm format) captures the entire scene in front of you, while the dynamic angle of view and brightness of F1.4 enable highly impressive photography even in low-light conditions, such as nighttime street photography. Additionally, the ultra-wide angle is ideal for group selfies and vlogging. Whether shooting stills or video, the Sigma 12mm F1.4 DC | Contemporary offers high flexibility and diverse possibilities in creative expression.\u003c\/p\u003e\n\u003cp\u003e*1 As an AF-compatible interchangeable lens for APS-C cameras. (As of August 2025, by Sigma.)\u003cbr\u003e *2. Equivalent to 19mm for Canon RF Mount.\u003c\/p\u003e\n\u003ch3\u003eOutstanding optical performance across the entire image\u003c\/h3\u003e\n\u003cp\u003eThree double-sided aspherical lenses and two SLD glass elements are effectively arranged to achieve high optical performance from a wide-open aperture of F1.4. Sagittal coma flare is also well corrected, ensuring clear, crisp images from edge to edge, even in starry night scenes where fine details and sharpness are essential.\u003c\/p\u003e\n\u003ch3\u003eCompact and lightweight design for excellent portability\u003c\/h3\u003e\n\u003cp\u003eThe effective placement of double-sided aspherical elements has resulted in a compact and lightweight design with a total length of 69.4mm and a weight of 225g*1, despite its ultra-wide angle and large aperture.\u003cbr\u003e This ensures high mobility, making the lens easy to carry around for travel and outdoor scenes. The lens is also compatible with shooting grips and gimbals.\u003cbr\u003e Photographers and filmmakers can enjoy the dynamic expression unique to a 12mm F1.4 lens, effortlessly.\u003c\/p\u003e\n\u003cp\u003e*1 The figure is for Sony E-mount.\u003c\/p\u003e\n\u003ch3\u003eSmooth, responsive autofocus powered by a stepping motor\u003c\/h3\u003e\n\u003cp\u003eHigh-speed, high-precision autofocus is achieved by driving a lightweight focus lens with a stepping motor that enables precise control. Whether shooting still images or videos, the Sigma 12mm F1.4 DC | Contemporary captures important moments without missing a beat. In addition to everyday snapshots, the lens delivers high tracking performance in scenes with movement, enabling high-quality video production.\u003c\/p\u003e\n\u003ch3\u003eMinimal focus breathing\u003c\/h3\u003e\n\u003cp\u003eFocus breathing is suppressed, minimizing changes in the angle of view caused by focus shift and enabling smooth, natural-looking focus pulls when recording video.\u003c\/p\u003e\n\u003ch3\u003eAperture ring with various functions\u003c\/h3\u003e\n\u003cp\u003eEquipped with an aperture ring for intuitive control of the aperture. The Canon RF Mount version has a control ring instead of an aperture ring, allowing functions to Designed to minimize flare and ghosting\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize flare and ghosting\u003c\/h3\u003e\n\u003cp\u003eUsing advanced simulation technology, flare and ghosting have been largely eliminated, ensuring that the lens renders rich, high-contrast results in all conditions.\u003c\/p\u003e\n\u003ch3\u003eDust- and splash-resistant structure*1 \/ water- and oil-repellent coating\u003c\/h3\u003e\n\u003cp\u003eIn addition to a dust- and splash-resistant structure*1 , the frontmost surface of the lens has a water- and oil-repellent coating applied, so that the lens can be used safely even in harsh outdoor environments.\u003c\/p\u003e\n\u003cp\u003e*1 The product is designed to be dust- and splash-resistant but is not waterproof. When using the lens near water, etc., \u003cbr\u003e take care not to allow large amounts of water to splash on it. If water gets inside the lens, it may cause a major malfunction and render the lens unrepairable.\u003c\/p\u003e\n\u003ch3\u003eA comprehensive lineup of F1.4 prime lenses for APS-C mirrorless cameras\u003c\/h3\u003e\n\u003cp\u003eThe Sigma Contemporary line offers a wide range of F1.4 prime lenses for APS-C cameras. Based on the concept of combining exceptional resolution with a compact, lightweight design, Sigma has achieved a full lineup of F1.4 lenses across key focal lengths―16mm, 23mm 30mm, and 56mm and now 12mm. The addition of the Sigma 12mm F1.4 DC | Contemporary further expands the large-aperture lens series, delivering outstanding optical performance, while maintaining the mobility suited to APS-C mirrorless systems.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eCanon RF Mount,FUJIFILM X Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eAPS-C [DC]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e14 elements in 12 groups (2 SLD, 3 aspherical elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003eCanon RF Mount: 96.4° | FUJIFILM X Mount: 99.6° | Sony E-mount: 99.6°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e9 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e17.2cm \/ 6.8in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:8.4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ62mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eCanon RF Mount: φ69.0mm x 67.4mm \/ φ2.7in. x 2.7in. | FUJIFILM X Mount: φ68.0mm x 69.7mm \/ φ2.7in. x 2.7in. | Sony E-mount: φ68.0mm x 69.4mm \/ φ2.7in. x 2.7in. *The length of a lens is measured from the front of the lens to its mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eCanon RF Mount: 250g \/ 8.8oz. | FUJIFILM X Mount: 235g \/ 8.3oz. | Sony E-mount: 225g \/ 7.9oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eC025\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003ePOUCH | LENS HOOD LH652-01 | FRONT CAP LCF-62 IV | REAR CAP LCR III\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eMount Conversion Service available | Every single lens undergoes Sigma’s proprietary MTF measuring system\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729757933823,"sku":"416965","price":58100.0,"currency_code":"INR","in_stock":true},{"title":"Canon RF-mount","offer_id":50729757966591,"sku":"416972","price":58100.0,"currency_code":"INR","in_stock":true},{"title":"Fujifilm X-mount","offer_id":50729757999359,"sku":"416975","price":58100.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_1b03f9c8-76f8-4c24-bed8-a3f5c5b736c1.png?v=1792514249"},{"product_id":"18-50mm-f2-8-dc-dn-contemporary","title":"Sigma 18-50mm F2.8 DC DN | Contemporary APS-C mirrorless camera lens","description":"\u003ch2\u003eStunning versatility.\u003c\/h2\u003e\n\u003cp\u003eA large F2.8 aperture zoom lens that need never leave your camera This exceptionally small, light and bright standard zoom for crop-sensor mirrorless cameras is the ultimate workhorse lens.\u003c\/p\u003e\n\u003cp\u003eThis APS-C size mirrorless zoom lens has a versatile full-frame equivalent zoom range of 27-75mm, which makes it ideal for a wide range of photo and video applications including landscapes, portraits, street photography, architecture and events. It can also be used for macro-style close-up photography owing to its maximum magnification of 1:2.8\u003csup\u003e*1\u003c\/sup\u003e, which allows a minimum focusing distance of just 12.1cm. In terms of its bright F2.8 aperture, it makes for easier hand-held low-light shooting and provides a shallow depth-of-field for high-impact results.\u003c\/p\u003e\n\u003cp\u003eAutofocus is exceptionally fast and quiet thanks to the stepping motor, which can be particularly useful when shooting video, or fast-moving subjects such as children and animals. The lens’ exceptionally small and light form factor that weighs less than 300g makes it perfect as a first interchangeable lens, and as a sub-lens for full-frame bodies\u003csup\u003e *2\u003c\/sup\u003e, as well as for various shooting situations.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e *1 The minimum focusing distance and maximum magnification ratio are both values at the wide end. \u003cbr\u003e *2 Please switch to APS-C crop mode when used on full-frame cameras. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eLarge F2.8 aperture and superb image quality\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 18-50mm F2.8 DC DN | Contemporary covers 27mm to 75mm in the 35mm format, and has a wide aperture of F2.8 throughout the entire zoom range. This makes it easy to achieve blurry backgrounds, which is ideal for shooting attractive portraits and close-ups. The bokeh is smooth and attractive so doesn’t distract from the in-focus subject.\u003cbr\u003e\u003cbr\u003eThe lens’s three high-precision glass-molded aspherical elements coupled with the minimization of the total number of elements yields superb optical quality without excessive weight, and the use of in-camera aberration correction further eliminates optical imperfections such as distortion and vignetting. This has all been made possible by the latest optical design technology at Sigma’s only production base in Aizu, where all Sigma lenses are built.\u003c\/p\u003e\n\u003ch3\u003eAbout the minimum focusing distance\u003c\/h3\u003e\n\u003cp\u003eWith an emphasis on making the lens as versatile as possible in a wide variety of shooting conditions, Sigma designed the lens with a minimum focusing distance of 12.1cm and maximum magnification of 1:2.8*, making it also ideal for close-ups.\u003cbr\u003e\u003cbr\u003e* The minimum focusing distance and maximum magnification are both values at the wide end. \u003cbr\u003e* Remove the lens hood from the lens before use when photographing at the minimum focusing distance at the wide-angle end.\u003c\/p\u003e\n\u003ch3\u003eExceptionally compact and lightweight body ideal for mirrorless cameras\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 18-50mm F2.8 DC DN | Contemporary is remarkably compact, matching the portability of APS-C mirrorless camera bodies. This makes it a perfect workhorse lens that is ideal for general day-to-day use. The lens is currently the smallest and lightest in its class, boasting a maximum diameter of φ65.4mm, a length of 74.5mm and weight of 290g\u003csup\u003e*\u003c\/sup\u003e, yet still maintains a constant aperture of F2.8.\u003c\/p\u003e\n\u003cp\u003e* The values are for L-Mount.\u003c\/p\u003e\n\u003cp\u003eTo keep the lens as light as possible, Sigma constructed the body from carefully selected materials. A polycarbonate called Thermally Stable Composite (TSC) was used for the construction of the barrel, which is sleek, robust, and importantly has a thermal conductivity close to that of aluminum. This ensures stable performance and good operability when used in changing temperatures. By deliberately using metal for some of the internal structure, the parts could be much thinner and have a higher rigidity, ensuring the lens can stand up to frequent, heavy use.\u003c\/p\u003e\n\u003ch3\u003eA lineup of high-performance zoom lenses with a constant F2.8 aperture from wide-angle to telephoto\u003c\/h3\u003e\n\u003cp\u003eCombined with the Sigma 10-18mm F2.8 DC DN | Contemporary and Sigma 50-120mm F2.8 DC OS | Contemporary, this completes a constant F2.8 zoom lens series covering everything from ultra-wide-angle to telephoto. Weighing under 1 kg\u003csup\u003e*\u003c\/sup\u003e in total for all three lenses, this exceptionally compact setup delivers both high performance and outstanding mobility.\u003cbr\u003e\u003csmall\u003e* The value is for Sony E-Mount.\u003c\/small\u003e\u003c\/p\u003e\n\u003ch3\u003eSupports various shooting situations\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 18-50mm F2.8 DC DN | Contemporary has fast and near-silent AF that makes it perfectly suited to a range of photographic applications, including shooting in quiet environments, recording videos and capturing fast-moving subjects. This has been achieved by using a stepping motor as the AF actuator. Since it is small and lightweight, it can be used flexibly in situations such as handheld shooting, which requires high mobility, gimbal shooting, one-man operation video shooting and vlogging.\u003cbr\u003e\u003cbr\u003eCombined with the “Pocketable Full-Frame” Sigma fp, the total weight is only 712g, and it can also be useful as a sub-lens for full-frame cameras (used in crop mode) to keep weight down. The 18-50mm F2.8 DC DN | Contemporary, which combines compactness, light weight, high performance, and large aperture, supports a variety of shooting situations, from introductory single-lens mirrorless cameras to video shooting and combination with full-frame cameras.\u003c\/p\u003e\n\u003cp\u003eExamples of the lens used in combination with full-frame cameras in APS-C format\u003c\/p\u003e\n\u003cp\u003eSIGMA fp L\u003c\/p\u003e\n\u003cp\u003eCamera Effective Pixels Approx. 61 MP\u003c\/p\u003e\n\u003cp\u003eCrop Setting : 6.2K crop\u003c\/p\u003e\n\u003cp\u003e（Equivalent to approx.1.5 the focal length of the lens）\u003c\/p\u003e\n\u003cp\u003eStill image Recording Pixels : 6,240 × 4,144\u003c\/p\u003e\n\u003cp\u003eMovie Recording Pixels : 3,840 x 2,160 (UHD 4K)\u003c\/p\u003e\n\u003cp\u003eSIGMA fp\u003c\/p\u003e\n\u003cp\u003eCamera Effective Pixels Approx. 24.6 MP\u003cbr\u003eCrop Setting : APS-C crop\u003cbr\u003e（Equivalent to approx.1.5 the focal length of the lens)\u003cbr\u003eStill image Recording Pixels : 3,840 × 2,560\u003cbr\u003eMovie Recording Pixels : 3,840 x 2,160 (UHD 4K)\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv p=\"\"\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Canon RF Mount,FUJIFILM X Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eAPS-C [DC]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e10 groups, 13 elements (1 SLD and 3 aspherical lenses)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003eL-Mount：76.5°（W）-31.7°（T） Canon RF Mount：73.4°（W）-30.0°（T） FUJIFILM X Mount：76.5°（W）-31.7°（T） Sony E-mount：76.5°（W）-31.7°（T）\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e7 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e12.1（W）-30（T）cm \/ 4.8（W）-11.9（T）in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:2.8（W）-1:5（T）\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ55mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ65.4mm × 74.5mm \/ φ2.6in. × 2.9in. Canon RF Mount：φ69.2mm × 74.5mm \/ φ2.7in. × 2.9in. FUJIFILM X Mount：φ61.6mm × 76.8mm \/ φ2.4in. × 3.0in. Sony E-mount：φ61.6mm × 76.5mm \/ φ2.4in. × 3.0in. *The length of a lens is measured from the filter surface to its mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：290g \/ 10.2oz. Canon RF Mount：300g \/ 10.6oz. FUJIFILM X Mount：285g \/ 10.1oz. Sony E-mount：290g \/ 10.2oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eC021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eLENS HOOD LH582-02 | FRONT CAP LCF-55mm III | REAR CAP LCR II\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eLens construction: 13 elements in 10 groups | Compatible with high-speed autofocus | Support DMF and AF+MF | Petal type lens hood（LH582-02） | Compatible with Sigma USB DOCK UD-11(sold separately \/ for L-Mount only) | Designed to minimize flare and ghosting | Every single lens undergoes Sigma’s proprietary MTF measuring system | 7-blade rounded diaphragm | High-precision, durable brass bayonet mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729757802751,"sku":"585965","price":57400.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729757835519,"sku":"585969","price":57400.0,"currency_code":"INR","in_stock":true},{"title":"Canon RF-mount","offer_id":50729757868287,"sku":"585972","price":57400.0,"currency_code":"INR","in_stock":true},{"title":"Fujifilm X-mount","offer_id":50729757901055,"sku":"585975","price":57400.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_e210c009-d249-497d-8000-6a6a32294d00.png?v=1792514249"},{"product_id":"500mm-f5-6-dg-dn-os-sports","title":"Sigma 500mm F5.6 DG DN OS | Sports Full-frame mirrorless camera lens","description":"\u003ch2\u003eThe crystallization of technology. | A whole new ultra-telephoto experience.\u003c\/h2\u003e\n\u003cp\u003eClear, sharp images and amazing mobility A handy-size 500mm that offers a whole new shooting experience\u003c\/p\u003e\n\u003cp\u003eThe Sigma 500mm F5.6 DG DN OS | Sports is an ultra-telephoto prime lens exclusively for mirrorless cameras that features a 500mm focal length with outstanding image quality in a remarkably compact and lightweight body. By incorporating multiple large-diameter, exclusive low-dispersion glass elements that are challenging to process, Sigma succeeded in significantly downsizing the lens construction without the use of diffractive optical elements. At the same time, the lens has achieved high resolving power that meets the expectations for a 500mm prime lens. The lens body, composed mainly of high-precision engineering plastic parts, has excellent build quality and weather resistance, including dust and splash resistant structure \u003csup\u003e * \u003c\/sup\u003e , despite its compact size. With its rich descriptive power and incredibly compact size for its focal length, the handy-size Sigma 500mm F5.6 DG DN OS | Sports offers a whole new photographic experience for wildlife, aviation, sports and other fast-action photographers.\u003c\/p\u003e\n\u003cp\u003e\u003csup\u003e * The structure is designed to be dust and splash resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable. \u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003ePerfect for hand-held shooting, a 500mm lens with unparalleled optical performance\u003c\/h3\u003e\n\u003cp\u003eThe latest optical design using exclusive low-dispersion glass elements has succeeded in achieving both an extremely compact lens construction and high optical performance with excellent correction of aberrations. In addition to its size that allows hand-held shooting, the high-speed AF with HLA (High-response Linear Actuator) and the OS2 optical stabilization algorithm support comfortable shooting.\u003c\/p\u003e\n\u003ch3\u003eHigh optical performance and compact lens construction\u003c\/h3\u003e\n\u003cp\u003eThe latest optical design has succeeded in significantly downsizing the optical system for a 500mm ultra-telephoto lens. By utilizing exclusive low-dispersion convex elements at the front of the lens, the lens delivers both a high aberration correction capability and a short overall length. The high level of production technology at Sigma ’s only manufacturing base, the Aizu factory, provides the exacting precision necessary for processing the exclusive low-dispersion glass elements with a large aperture. The lens has excellent correction of all aberrations, especially axial chromatic aberration, which cannot be corrected by the camera body, ensuring a stable high resolution from the center to the periphery of the image.\u003c\/p\u003e\n\u003ch3\u003eExcellent backlight resistance\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 500mm F5.6 DG DN OS | Sports uses refractive lenses in its optical system to prevent flare and ghosting that are characteristics of diffractive optical elements, allowing for clear images without concern for flare or ghosting even in backlit conditions or when a light source is included in the image. Furthermore, measures are taken against all conditions of incident light based on state-of-the-art simulation technology.\u003c\/p\u003e\n\u003ch3\u003eHigh-speed AF with a linear motor HLA\u003c\/h3\u003e\n\u003cp\u003eA linear motor HLA (High-response Linear Actuator) is used for the actuator, which is characterized by its high driving accuracy owing to the advanced electronic control, as well as its quietness. The HLA enables fast and accurate autofocus even in ultra-telephoto photography, such as sports and bird, where extremely precise focusing is required.\u003c\/p\u003e\n\u003ch3\u003eOS2 algorithm in optical stabilizer function\u003c\/h3\u003e\n\u003cp\u003eThe latest OS2 optical stabilization algorithm provides an outstanding image stabilization effect of 5.0 stops\u003csup\u003e*\u003c\/sup\u003e. The lens is equipped with two OS modes: Mode 1 is suitable for general shooting, and Mode 2 is ideal for panning shots of motorsports and other sports. In Mode 2, Sigma’s Intelligent OS, an algorithm specially designed for panning shots, enables effective image stabilization even when the camera is moved vertically or diagonally, irrespective of the horizontal and vertical orientation. This ensures that the subject’s movement can be captured without losing the panning shot effect.\u003c\/p\u003e\n\u003cp\u003e* Based on CIPA guidelines (Measured at 500mm with a 35mm full-frame image sensor)\u003c\/p\u003e\n\u003ch3\u003eCompact, lightweight and excellent build quality\u003c\/h3\u003e\n\u003cp\u003eThe lens body has been designed to be small and lightweight in line with the optical system, which has been made significantly more compact. Not only is the lens easy to handle in hand-held use, but it also has the weather resistance of Sigma’s Sports line specifications and the excellent build quality that Sigma prides itself on in terms of texture and the operating quality of each ring and control.\u003c\/p\u003e\n\u003ch3\u003eHigh-precision TSC* parts enable both high performance and compact, lightweight design\u003c\/h3\u003e\n\u003cp\u003eIn order to achieve such a compact, lightweight and robust body, materials such as TSC and magnesium have been used in appropriate places. In particular, the production of a large TSC part that integrates functions as an internal structure, as well as an exterior part to reduce size and weight of the lens are manufactured with micron-level precision and they also have a sleek finish that gives the lens its premium feel. The sophisticated processing and production technology of the Aizu factory, Sigma's only manufacturing base in Japan, enables the high degree of precise production and ensures the high performance and durability of the lens.\u003cbr\u003e\u003cbr\u003e* TSC (Thermally Stable Composite) is a type of polycarbonate with a thermal expansion rate similar to that of aluminum. It has a high affinity to metal parts which contributes to high quality product manufacturing.\u003c\/p\u003e\n\u003ch3\u003eWeatherability of Sports line specifications\u003c\/h3\u003e\n\u003cp\u003eThe mount connection, manual focus ring, switches and exterior connection are all dust and splash resistant to prevent dust and dirt from entering the lens. Further, the front element of the lens features a water and oil repellent coating to facilitate maintenance when water droplets or dust adhere to the lens.\u003c\/p\u003e\n\u003ch3\u003eCover-type lens hood included\u003c\/h3\u003e\n\u003cp\u003eA lightweight, high-strength, exclusive cover-type lens hood made of TSC is included. The tip of the hood is rubberized to protect the lens from abrasion and scratches caused by placing the lens upside down.\u003c\/p\u003e\n\u003ch3\u003eA wealth of functions to assist in a variety of shooting situations\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 500mm F5.6 DG DN OS | Sports is equipped with a full range of assist functions including an aperture ring and three AFL buttons\u003csup\u003e*\u003c\/sup\u003e ready to be assigned to preferred functions using the camera. The L-Mount version is also compatible with Sigma’s tele converters for AF-enabled shooting at ultra-telephoto focal lengths of up to 1,000mm.\u003c\/p\u003e\n\u003cp\u003e* Function available on supported cameras only. Available functions may vary depending on the camera used.\u003c\/p\u003e\n\u003ch3\u003eFull range of customizable functions\u003c\/h3\u003e\n\u003cp\u003eEquipped with a Focus Limiter switch, the lens enables users to limit the focus driving range during AF when necessary, allowing quick and precise focusing. Further, the lens features three AFL buttons which can be assigned to a range of functions via the menu on selected cameras. The AFL buttons are easy to operate regardless of how the camera is oriented, and make accessing important settings quick and easy. For the L-Mount version, the Sigma USB DOCK UD-11 can be used to set OS operation or the focus limiter range for the Custom Mode switch\u003csup\u003e*\u003c\/sup\u003e.\u003c\/p\u003e\n\u003cp\u003e* The assigned setting for lenses for Sony E-mount cannot be changed from the default setting because a USB DOCK for the mount is not available. The default setting allows users to switch the visibility of the OS effect in the viewfinder and live view. For more information about the Custom Mode switch, please refer to this page.\u003c\/p\u003e\n\u003ch3\u003eEquipped with an aperture ring\u003c\/h3\u003e\n\u003cp\u003eIn addition to an aperture ring, the lens is also equipped with an aperture ring click switch and an aperture ring lock switch, allowing for aperture operation suited to the shooting application.\u003c\/p\u003e\n\u003ch3\u003eDetachable tripod socket\u003c\/h3\u003e\n\u003cp\u003eThe lightweight and sturdy magnesium alloy tripod socket is Arca-Swiss compatible. The detachable socket comes with a ring that clicks into position at 90° intervals.\u003cbr\u003e\u003cbr\u003e* The tripod socket TS-151 is compatible with the Sigma 70-200mm F2.8 DG DN OS | Sports.\u003c\/p\u003e\n\u003ch3\u003eTele Converter for L-Mount (1.4x \/ 2.0x)\u003c\/h3\u003e\n\u003cp\u003eThe L-Mount version of the lens is compatible with the Sigma TELE CONVERTER TC-1411 (1.4x) and TC-2011 (2.0x). Using a tele converter, the focal length can be multiplied by 1.4x and even 2x, for AF-enabled shooting at ultra-telephoto focal lengths of up to 1,000mm.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e20 elements in 14 groups (3 FLD, 2 SLD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e5.0°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e11 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e320cm \/ 126.0in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:6\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ107.6mm x 234.6mm \/ φ4.2in. x 9.2in. | Sony E-mount：φ107.6mm x 236.6mm \/ φ4.2in. x 9.3in. | *The length of a lens is measured from the front of the lens to its mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：1,370g \/ 48.3oz. | Sony E-mount：1,365g \/ 48.1oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eS024\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eCASE | LENS HOOD LH1034-02 | TRIPOD SOCKET TS-151 | FRONT CAP LCF-95mm III | REAR CAP LCR II\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eLens construction: 20 elements in 14 groups (3 FLD, 2 SLD elements) | Compatible with high-speed autofocus | Supports DMF and AF+MF | Compatible with AF assist (for Sony E-mount only) | OS switch | Custom Mode switch | LENS HOOD LH1034-02 | TRIPOD SOCKET TS-151 *Detachable lens foot type | Compatible with Sigma TELE CONVERTER TC-1411 \/ TC-2011 (sold separately \/ for L-Mount only) | Compatible with Sigma USB DOCK UD-11 (sold separately \/ for L-Mount only) | Designed to minimize flare and ghosting | Every single lens undergoes Sigma’s proprietary MTF measuring system | 11-blade rounded diaphragm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729758032127,"sku":"186965","price":335100.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729758064895,"sku":"186969","price":335100.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_a6f95874-9e54-4f03-8af2-75b82afd5e60.png?v=1792514249"},{"product_id":"mount-converter-mc-11","title":"Sigma Mount Converter MC-11","description":"\u003ch3\u003eA new device that expands the possibilities of lenses, making them more valuable than ever.\u003c\/h3\u003e\n\u003cp\u003eThe new MOUNT CONVERTER MC-11 allows you to use your SIGMA SA-mount and Sigma EOS mount interchangeable lenses with the Sony E-mount camera body.\u003cbr\u003eUntil now, the market has seen the introduction of many methods for using lenses from one camera system with a body from a different system. In the digital age, however, camera systems have become much more complex, and it is challenging to create a mount converter that aligns both the mechanics and software of the lens and body. Creating a converter that matches lenses for current DSLRs to bodies for mirrorless interchangeable-lens camera systems is even more challenging. Now the market demands a converter that goes beyond simply aligning the flange back distance to retaining full functionality.\u003cbr\u003eMOUNT CONVERTER MC-11 incorporates the digital data necessary to provide fast and smooth AF for compatible lenses as well as OS features and functions of the camera that help control peripheral brightness and correct transverse chromatic aberration, distortion, and more.\u003cbr\u003eIn addition, since Sony E-mount camera bodies do not require mechanical integration with lenses for aperture control, the MOUNT CONVERTER MC-11 makes SIGMA SA-mount interchangeable lenses and Sigma interchangeable lenses for Canon cameras fully compatible with the automatic exposure control of Sony E-mount camera bodies.\u003cbr\u003e\u003cbr\u003eMOUNT CONVERTER MC-11 is ideal for professional photographers who use different camera systems depending on the subject, as well as amateur photographers who enjoy using a variety of camera systems. Increasing the compatibility of lenses with different camera systems makes these assets more valuable than ever. In addition, users of Sony E-mount camera bodies will enjoy an immediate increase in the number of lenses available to them.\u003c\/p\u003e\n\u003ch3\u003eMore flexible use of valuable lens assets\u003c\/h3\u003e\n\u003cp\u003eWith the MOUNT CONVERTER MC-11, users of SIGMA SA-mount interchangeable lenses and Sigma EOS mount interchangeable lenses for Canon camera bodies* can use them with Sony E-mount camera systems. Users of multiple mounts will enjoy more flexible use of their valuable lens assets.\u003cbr\u003e * Please see compatibility chart below\u003c\/p\u003e\n\u003ch3\u003eFast and smooth autofocus performance\u003c\/h3\u003e\n\u003cp\u003eWhen used with a camera body that is compatible with Fast Hybrid AF, AF-S mode delivers extremely fast and smooth autofocus performance. With other camera bodies, contrast detection AF offers very high-precision autofocusing.*\u003cbr\u003e * Please see compatibility chart below\u003c\/p\u003e\n\u003ch3\u003eEasy-to-use interface\u003c\/h3\u003e\n\u003cp\u003eThe LED display on the MOUNT CONVERTER MC-11 makes it easy to know whether an attached lens is compatible or not and whether the mount converter control data needs to be updated for operation with that lens.\u003c\/p\u003e\n\u003ch3\u003eIncludes necessary data\u003c\/h3\u003e\n\u003cp\u003eMOUNT CONVERTER MC-11 incorporates the data necessary for each compatible lens and uses a dedicated control program to optimize AF drive, aperture control, and other functions. It is compatible with functions of the camera that maintain peripheral brightness and correct transverse chromatic aberration, distortion, and more. As new compatible lenses are released, control data for MOUNT CONVERTER MC-11 can be updated via a personal computer.\u003cbr\u003eNote: Lens data updates require the installation of the latest version of Sigma Optimization Pro on your personal computer.\u003c\/p\u003e\n\u003ch3\u003eOther features\u003c\/h3\u003e\n\u003cp\u003eCompatible with optical stabilization features of both lens and camera body\u003cbr\u003e\u003cbr\u003eThe compatibility of MOUNT CONVERTER MC-11 with the OS features of both the lens and the camera body makes possible superior correction of camera shake and other stability issues. When used with a camera body that features an OS function, MOUNT CONVERTER MC-11 allows angle shake correction in the lens for superior corrective performance.\u003c\/p\u003e\n\u003cp\u003eFlocking inside barrel helps prevent internal reflections\u003c\/p\u003e\n\u003cp\u003eMOUNT CONVERTER MC-11 features flocking in its interior to help prevent internal reflections and a reduction in lens performance.\u003c\/p\u003e\n\u003cp\u003eCompatibility with Exif data\u003c\/p\u003e\n\u003cp\u003eLens type, focal length, F number, and other tags are embedded as Exif data in the image file.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":50729758097663,"sku":"89E965","price":27100.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_9618041f-66e1-4ca8-88be-3c3b8447b91a.png?v=1792514250"},{"product_id":"28-105mm-f2-8-dg-dn-art","title":"Sigma 28-105mm F2.8 DG DN | Art Full-frame mirrorless camera lens","description":"\u003ch3\u003eConstant F2.8 aperture across a versatile 28-105mm zoom\u003c\/h3\u003e\n\u003cp\u003eMany conventional zoom lenses which have a reach up to 105mm do not offer a constant F2.8 aperture, usually dropping to F4 at the long end. But the Sigma 28-105mm F2.8 DG DN | Art delivers the same impressive light-gathering and depth-of-field benefits across the whole focal range. The lens offers all of this along with extremely high optical performance thanks to the thorough suppression of optical aberrations within each lens group. And with its outstanding close-focusing capability when zoomed in, macro-style results are also possible.\u003c\/p\u003e\n\u003ch3\u003eA versatile F2.8 aperture perfect for portraits and low light\u003c\/h3\u003e\n\u003cp\u003eWith its fast aperture across the whole focal range, the Sigma 28-105mm F2.8 DG DN | Art is a true workhorse lens that can be used for almost any type of photography. Scenic photographers can shoot wide-angle landscapes, using the F2.8 aperture for low-light scenes and twilight urban views, while the middle focal lengths tackle dimly lit documentary and street subjects, allowing shutter speeds one stop faster than comparable lenses. At the long end, popular portrait focal lengths from 85mm and 105mm, combined with the F2.8 maximum aperture, produce a shallow depth-of-field that will isolate a subject impressively against large and beautiful bokeh.\u003c\/p\u003e\n\u003ch3\u003eFill the frame with superb close-up performance\u003c\/h3\u003e\n\u003cp\u003eAchieving a minimum focus distance of just 40cm across its entire zoom range, the Sigma 28-105mm F2.8 DG DN | Art can get you closer to your subject, filling the frame with detail and texture. At its 105mm setting, this creates a very useful maximum magnification ratio of 1:3.1 for powerful macro-style results.\u003c\/p\u003e\n\u003ch3\u003eSuperior optical performance across the full zoom and focus range\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 28-105mm F2.8 DG DN | Art operates without compromise, suppressing aberrations very effectively within each lens group, and throughout the entire zoom and focal range. This ensures the lens has a consistent performance even with such a long zoom range. This is thanks to the lens’s premium optical design, which includes two FLD, one SLD and five aspherical elements, the first grouping of which uses a large-diameter φ66.4mm element that is extremely difficult to produce and only available thanks to Sigma’s advanced manufacturing technology at its sole production base in Aizu, Japan.\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize flare and ghosting\u003c\/h3\u003e\n\u003cp\u003eUsing advanced simulation technology, flare and ghosting have been largely eliminated, ensuring that the lens renders rich, high-contrast results in all conditions. In addition, Sigma’s Nano Porous Coating and Super Multi-Layer Coating have been applied to further suppress flare and ghosting.\u003c\/p\u003e\n\u003ch3\u003eMinimal focus breathing\u003c\/h3\u003e\n\u003cp\u003eVital for film-makers who demand consistent framing, the lens has been designed to keep focus breathing to a minimum. This ensures that any changes to the angle-of-view due to focus shift are minimized across the entire zoom range, ensuring natural-looking focus pulls when recording video, and easier image alignment when focus stacking.\u003c\/p\u003e\n\u003ch3\u003eSuperb portability thanks to a weight of less than 1kg\u003c\/h3\u003e\n\u003cp\u003eStandard zooms should be small and light enough for all-day hand-held shooting, so the Sigma 28-105mm F2.8 DG DN | Art has been designed with portability in mind. It combines five aspherical elements effectively in place to shorten the overall length, and a magnesium-alloy construction around the mount, keeping the weight of the lens to less than 1kg. This ensures the lens has superb portability similar to shorter standard zoom lenses, while providing a wider zoom range.\u003c\/p\u003e\n\u003ch3\u003eExcellent optical performance in a streamlined body\u003c\/h3\u003e\n\u003cp\u003eBy using five aspherical elements in its optical construction, Sigma has succeeded in significantly shortening the lens’s total length without any compromise to sharpness and image quality. This advanced configuration was only made possible by continuous technological innovation and cutting-edge manufacturing processes at Sigma’s sole production base in Aizu, Japan.\u003c\/p\u003e\n\u003ch3\u003eSmarter design means lower weight\u003c\/h3\u003e\n\u003cp\u003eConstant F2.8 zoom lenses can be heavy, but by optimising the design and materials of each part of the Sigma 28-105mm F2.8 DG DN | Art, Sigma has achieved a remarkably light weight of less than 1kg. The use of magnesium-alloy rather than aluminum for the lens barrel around the mount has reduced the weight of these parts alone by two-thirds, while ensuring rigidity.\u003c\/p\u003e\n\u003ch3\u003eProfessional features, fast AF and excellent build quality\u003c\/h3\u003e\n\u003cp\u003eIn addition to high-speed AF delivered by its linear motor HLA (High-response Linear Actuator), the Sigma 28-105mm F2.8 DG DN | Art packs in a range of features that help deliver the best possible results in every shooting situation. These include a dust- and splash-resistant structure and water- and oil-repellent coating, as well as a zoom lock switch, a de-clickable aperture ring, AFL buttons and the focus ring for easier handling including shooting with MF.\u003c\/p\u003e\n\u003ch3\u003eA linear motor HLA for rapid and accurate AF\u003c\/h3\u003e\n\u003cp\u003eThe lens incorporates a linear motor HLA (High-response Linear Actuator) that delivers a maximum drive speed, ensuring responsive, precise and smooth AF. With its high level of quietness, the motor also provides noise-free video capability.\u003c\/p\u003e\n\u003ch3\u003eAn aperture ring for improved ergonomics\u003c\/h3\u003e\n\u003cp\u003eFor quick changes to exposure, or a more traditional way of shooting, the lens is equipped with a dedicated aperture ring, allowing the user to change aperture via the lens if preferred. An aperture ring click switch is a useful tool for film-makers, and a lock switch helps ensure the aperture ring is not knocked out of its setting accidentally.\u003c\/p\u003e\n\u003ch3\u003eTwo AFL buttons* for added customization\u003c\/h3\u003e\n\u003cp\u003eLocated on the side and on top of the barrel, two customizable AFL buttons can easily be reached in either horizontal or vertical shooting positions, ensuring more ergonomic handling.\u003cbr\u003e\u003cbr\u003e\u003csup\u003e* Assignment of functions is limited to supported cameras and assignable functions vary depending on the camera.\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003eZoom lock switch to keep the zoom ring secure\u003c\/h3\u003e\n\u003cp\u003eThe lens is equipped with a zoom lock switch that holds the zoom mechanism in place at its wide end, preventing it from extending unintentionally under its own weight when carried. The lock can be released by the switch, or by turning the zoom ring for a faster and more flexible workflow.\u003c\/p\u003e\n\u003ch3\u003eWeather-resistant structure for challenging conditions\u003c\/h3\u003e\n\u003cp\u003eThe lens has a dust- and splash-resistant structure* that keeps it free of contaminants in harsh outdoor environments. The front element also features a water- and oil-repellent coating that helps keep it clean in adverse shooting conditions.\u003cbr\u003e\u003cbr\u003e\u003csup\u003e* The structure is designed to be dust- and splash-resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003ePetal-type hood\u003c\/h3\u003e\n\u003cp\u003eA dedicated petal-shaped hood is supplied. A locking mechanism is provided for secure attachment.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e18 elements in 13 groups (2 FLD, 1 SLD, and 5 aspherical elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e75.4°-23.3°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e12 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e40cm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:3.1(at 105mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ87.8mm x 157.9mm \/ φ3.5in. x 6.2in. | Sony E-mount：φ87.8mm x 159.9mm \/ φ3.5in. x 6.3in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：995g \/ 35.1oz. | Sony E-mount：990g \/ 34.9oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eA024\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eCase | LENS HOOD LH878-07 | FRONT CAP LCF-82 III | REAR CAP LCR II\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eCompatible with high-speed autofocus | Supports DMF and AF+MF | Compatible with AF assist (for Sony E-mount only) | Lens Hood LH878-07 | Compatible with Sigma USB DOCK UD-11 (sold separately \/ for L-Mount only) | Designed to minimize flare and ghosting | Mount Conversion Service available | High-precision, durable brass bayonet mount | “Made in Aizu, Japan” craftsmanship | Every single lens undergoes Sigma’s proprietary MTF measuring system\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729758130431,"sku":"636965","price":163500.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729758163199,"sku":"636969","price":163500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_2d307db7-beea-45bd-8437-48b195401069.png?v=1792514250"},{"product_id":"20-200mm-f3-5-6-3-dg-contemporary","title":"Sigma 20-200mm F3.5-6.3 DG | Contemporary Full-frame mirrorless camera lens","description":"\u003ch3\u003eZoom versatility meets expressive ultra-wide 20mm ― in one lens.\u003c\/h3\u003e\n\u003cp\u003eThe lens covers the ultra-wide angle of 20mm, which has been difficult to achieve with conventional high-power zoom lenses. Handling everything from majestic landscapes to sports, the lens perfectly captures both scenes unique to ultra-wide angles and applications that take advantage of its telephoto range. With a comprehensive zoom range of 20mm to 200mm, this ultimate all-in-one zoom lens delivers stunning details across a wide variety of shooting situations.\u003c\/p\u003e\n\u003ch3\u003eMaximum magnification ratio of 1:2 at the focal lengths of 28-85mm\u003c\/h3\u003e\n\u003cp\u003eThe lens achieves a maximum magnification ratio of 1:2 at the focal lengths from 28mm to 85mm, enabling photographers to enjoy a broad range of half-macro photography with different angles of view, from wide macro shots that boldly incorporate the background by moving closer to the subject, to medium telephoto macro shots that highlight the subject at a natural distance.\u003c\/p\u003e\n\u003ch3\u003eThoroughly compact and lightweight design\u003c\/h3\u003e\n\u003cp\u003eThis lens is the world's first to achieve a vast zoom range from ultra-wide 20mm to telephoto 200mm, while weighing only 550g and measuring just 115.5mm in length\u003csup\u003e*1\u003c\/sup\u003e. The zoom ring diameter is a very slim 70.4mm, making it highly portable. Without worrying about size or weight, the lens provides extensive creative flexibility in any situation, from everyday snapshots to travel photography.\u003c\/p\u003e\n\u003cp\u003e*1 The figures are for L-Mount.\u003c\/p\u003e\n\u003ch3\u003eOptical and mechanical design realizing both compact size and high performance\u003c\/h3\u003e\n\u003cp\u003eIncorporating high-refractive-index glass materials reduces lens movement during zooming. This enables a simple internal structure and slim lens body.\u003cbr\u003e The optical design, which properly positions four double-sided aspherical lenses, one FLD glass, and three SLD glass elements, combined with an internal mechanism that maintains high precision in each zoom group, also delivers high performance across the entire zoom range.\u003c\/p\u003e\n\u003ch3\u003eHLA-driven high-speed AF\u003c\/h3\u003e\n\u003cp\u003eTo help photographers capture even the most fleeting moments, the lens uses an HLA (High-response Linear Actuator) to achieve high-speed autofocus functionality with excellent drive accuracy.\u003c\/p\u003e\n\u003ch3\u003eDust- and splash-resistant structure\u003csup\u003e*1\u003c\/sup\u003e and water- and oil-repellent coating\u003c\/h3\u003e\n\u003cp\u003eIn addition to a dust- and splash-resistant structure, the front element of the lens features a water- and oil-repellent coating, allowing photographers to shoot without concerns even in harsh outdoor environments.\u003c\/p\u003e\n\u003cp\u003e*1 The structure is designed to be dust- and splash- resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.\u003c\/p\u003e\n\u003ch3\u003eEquipped with a zoom lock switch at the wide end\u003c\/h3\u003e\n\u003cp\u003eThe lens features a zoom lock switch that can be fixed at the wide end to prevent the lens from extending unintentionally under its own weight. The lock can be released not only by the switch but also via zoom operation, allowing for flexible handling of even impromptu shooting.\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize flare and ghosting\u003c\/h3\u003e\n\u003cp\u003eFlare and ghosting, which reduce image quality, are addressed under all conditions of incident light, based on the most advanced simulation technology. High backlight resistance enables clear and sharp images under any lighting conditions.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e18 elements in 14 groups (1 FLD, 3 SLD, 4 aspherical elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e94.5-12.3°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e9 (Rounded Diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22-40\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e16.5cm \/ 6.5in. at f=28mm | 25cm(W) - 65cm(T) \/ 9.9in.(W) - 25.6in.(T)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:2 at f=28-85mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ72mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount: φ77.2mm x 115.5mm \/ φ3.0in. x 4.5in. | Sony E-mount: φ77.2mm x 117.5mm \/ φ3.0in. x 4.6in. | *The length of a lens is measured from the front of the lens to its mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount: 550g \/ 19.4oz. | Sony E-mount: 540g \/ 19.0oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eC025\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003ePOUCH | LENS HOOD LH756-02 | FRONT CAP LCF-72 IV | REAR CAP LCR III\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eMount Conversion Service available | Support for switching between linear and non-linear focus ring settings (for L-Mount only)* * Only cameras that are compatible with the system are allowed to use the system. | Compatible with Sigma USB Dock UD-11 (sold separately \/ for L-Mount only) | Every single lens undergoes Sigma’s proprietary MTF measuring system\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729758195967,"sku":"796965","price":92800.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729758228735,"sku":"796969","price":92800.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_b89e4b97-842b-4cd9-9b2b-b1e80b8eefcc.png?v=1792514251"},{"product_id":"50mm-f1-2-dg-dn-art","title":"Sigma 50mm F1.2 DG DN | Art Full-frame mirrorless camera lens","description":"\u003ch3\u003eHighest descriptive power to take advantage of F1.2 brightness\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 50mm F1.2 DG DN | Art has been designed with an emphasis on high resolution from the maximum aperture to the full focus range and large, beautiful bokeh expression. The contrast between the sharpness of the focus surface and the melting bokeh effect creates a three-dimensional effect thanks to its F1.2 aperture. In addition, the 13-blade diaphragm allows for beautiful bokeh expressions. Focus breathing is also well-suppressed that the F1.2 rendering can be fully utilized in video recording.\u003c\/p\u003e\n\u003ch3\u003eBrightness of F1.2 maximum aperture and high resolution from minimum to infinity focus\u003c\/h3\u003e\n\u003cp\u003eThe latest optical design achieves high resolving power with each aberration thoroughly suppressed from the maximum aperture. The lens is capable of rendering details without color bleeding in any situation. In addition, the incorporated floating focus is advantageous in improving short-range performance, ensuring a stable, high-level image quality throughout the entire range from the minimum focusing distance to infinity.\u003c\/p\u003e\n\u003ch3\u003eRich and beautiful bokeh without color bleeding\u003c\/h3\u003e\n\u003cp\u003eBy correcting spherical aberration, sagittal coma flare, axial chromatic aberration, and other aberrations, the lens delivers natural bokeh images that blur smoothly and without color bleeding from the focal plane. Double-line bokeh is also suppressed, allowing users to take advantage of the mellow bokeh effect in their expression.\u003c\/p\u003e\n\u003ch3\u003eRounded diaphragm with 13 blades\u003c\/h3\u003e\n\u003cp\u003eThe lens incorporates Sigma's first 13-blade diaphragm, which maintains a circular shape even when stopped down from the maximum aperture. The surface accuracy of the aspherical lens has been enhanced to the utmost to enable smooth and beautiful round bokeh expressions.\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize focus breathing\u003c\/h3\u003e\n\u003cp\u003eOptimization of the focus group arrangement and aspherical shape significantly suppresses focus breathing. The change in angle of view due to focus shift is minimized, creating a natural-looking focus shift when recording video.\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize flare and ghosting\u003c\/h3\u003e\n\u003cp\u003eFlare and ghosting, which reduce image quality, are addressed under all conditions of incident light, based on the most advanced simulation technology. High backlight resistance enables clear and sharp images under any lighting conditions.\u003c\/p\u003e\n\u003ch3\u003eLightest weight lens body in its class*, suitable for a wide range of applications\u003c\/h3\u003e\n\u003cp\u003eBy uncompromisingly pursuing high optical performance and portability, which are inherently contradictory, the highest level of performance has been condensed into the lightest lens body in its class. The Sigma 50mm F1.2 DG DN | Art can be used not only in limited situations and applications, but in all kinds of shooting environments.\u003cbr\u003e\u003cbr\u003e* As an AF 50mm F1.2 interchangeable lens for full-frame mirrorless cameras. (As of March 2024 by Sigma)\u003c\/p\u003e\n\u003ch3\u003eDual HLA incorporating a new system\u003c\/h3\u003e\n\u003cp\u003eA new system was developed that significantly reduces the volume while maintaining the same thrust of the HLA, which is characterized by its high driving accuracy and quietness, and is featured in each of the two focus groups. This technological innovation has realized both high-speed autofocus and a compact lens body.\u003c\/p\u003e\n\u003ch3\u003eNew smaller and lighter HLA design\u003c\/h3\u003e\n\u003cp\u003eBy precisely controlling the configuration of multiple magnets, the HLA provides sufficient thrust to quickly move the lens's large-diameter focus elements, while achieving an approximate 25% reduction in unit thickness from the previous HLA design as well as a 44% reduction in total weight.\u003c\/p\u003e\n\u003ch3\u003eLens construction and mechanical design stripped down to the absolute minimum\u003c\/h3\u003e\n\u003cp\u003eEach piece of glass is made as thin as possible while employing glasses with a high refractive index and four aspherical lenses. The high level of production technology at Sigma’s only manufacturing base, the Aizu factory, provides the exacting precision necessary for processing these thin glass elements and making this mass production possible. In addition, the floating focus construction ensures high performance while shortening the overall length, resulting in a compact lens. In the mechanical design phase, emphasis was placed on weight reduction. Through the systematic elimination of individual components, Sigma attained the distinction of producing the lightest lens in its class, weighing a mere 745g \/ 26.3oz.*\u003cbr\u003e\u003cbr\u003e* These figures are for L-Mount.\u003c\/p\u003e\n\u003cp\u003eAspherical lens\u003c\/p\u003e\n\u003cp\u003e\u003csup\u003eLens Construction: 17 elements in 12 groups (4 aspherical elements)\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003eA wealth of functions for professional use and excellent build quality\u003c\/h3\u003e\n\u003cp\u003eIn addition to various functions that support photography, such as the AFL button \u003csup\u003e*\u003c\/sup\u003e and an aperture ring, the construction of the lens body itself and its high-quality touch and feel are also pursued. The Sigma 50mm F1.2 DG DN | Art is designed with high functionality and reliability to meet the stringent demands of professionals, as well as excellent build quality for long-lasting, reliable use.\u003cbr\u003e\u003cbr\u003e* Function available on supported cameras only. Available functions may vary depending on the camera used.\u003c\/p\u003e\n\u003ch3\u003eProud to be a tool of expression, excellent build quality with Sigma’s Art line specifications\u003c\/h3\u003e\n\u003cp\u003eBy assembling high-precision parts made of lightweight and strong TSC* and other materials, the lens has the high level of rigidity and durability of Sigma’s Art line specifications without sacrificing portability, as well as excellent build quality that allows for long-lasting and reliable use as a photographic tool.\u003cbr\u003e\u003cbr\u003e* TSC (Thermally Stable Composite) is a type of polycarbonate with a thermal expansion rate similar to that of aluminum. It has a high affinity to metal parts, which contributes to high quality product manufacturing.\u003c\/p\u003e\n\u003ch3\u003eVarious shooting assist functions\u003c\/h3\u003e\n\u003cp\u003eThe lens is equipped with an AFL button which can be assigned to a range of functions via the menu on selected cameras. In addition to the aperture ring, the lens is equipped with an aperture ring lock switch and a click switch to turn the click on and off.\u003c\/p\u003e\n\u003ch3\u003eDust and splash resistant structure* and water and oil repellent coating\u003c\/h3\u003e\n\u003cp\u003eIn addition to a dust and splash resistant structure, the front element of the lens features a water and oil repellent coating, allowing photographers to shoot without concerns even in harsh outdoor environments.\u003cbr\u003e\u003cbr\u003e* The structure is designed to be dust and splash resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.\u003c\/p\u003e\n\u003ch3\u003eIncluding a petal-type hood with lock\u003c\/h3\u003e\n\u003cp\u003eA dedicated petal-shaped hood is supplied. A locking mechanism is provided for secure attachment.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e17 elements in 12 groups (4 aspherical elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e46.8°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e13 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e40cm \/ 15.8in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:6.2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ72mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ81.0mm x 108.8mm \/ φ3.2in. x 4.3in. | Sony E-mount：φ81.0mm x 110.8mm \/ φ3.2in. x 4.4in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：745g \/ 26.3oz. | Sony E-mount：740g \/ 26.1oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eA024\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eCASE | LENS HOOD LH782-03 | FRONT CAP LCF-72mm III | REAR CAP LCR II\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eCompatible with high-speed autofocus | Supports DMF and AF+MF | Compatible with AF assist (for Sony E-mount only) | Compatible with Sigma USB DOCK UD-11 (sold separately \/ for L-Mount only) | Designed to minimize flare and ghosting | Every single lens undergoes Sigma’s proprietary MTF measuring system | 13-blade rounded diaphragm | High-precision, durable brass bayonet mount | Mount Conversion Service available | “Made in Aizu, Japan“ craftsmanship\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729758294271,"sku":"316965","price":154200.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729758327039,"sku":"316969","price":154200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_66e5a51b-415f-4261-8cfe-903255172ee2.png?v=1792514251"},{"product_id":"135mm-f1-4-dg-art","title":"Sigma 135mm F1.4 DG | Art Full-frame mirrorless camera lens","description":"\u003ch3\u003eUnmatched large bokeh opens up new expressive possibilities\u003c\/h3\u003e\n\u003cp\u003eThe most notable feature of the Sigma 135mm F1.4 DG | Art is its extremely large bokeh. The effective aperture diameter\u003csup\u003e*1\u003c\/sup\u003e of the 135mm F1.4 lens produces exceptional bokeh, which is larger than that of the Sigma 105mm F1.4 DG HSM | Art known as “Bokeh Master,” and is comparable to that of the Sigma 200mm F2 DG OS | Sports.\u003cbr\u003e \u003cbr\u003e The natural perspective unique to 135mm, together with its overwhelming bokeh, highlights the subject and creates dimensional portraits achievable only with this lens.\u003c\/p\u003e\n\u003cp\u003e*1 The effective aperture diameter is calculated by dividing the focal length by the F-number. It refers to the diameter of the light beam that forms an image at the center of the image sensor. A larger effective aperture results in a shallower depth of field and more pronounced bokeh.\u003c\/p\u003e\n\u003ch3\u003eOptical design optimized to produce the natural bokeh\u003c\/h3\u003e\n\u003cp\u003eThorough correction of chromatic aberration, which is common in telephoto lenses, achieves clear bokeh without color bleeding.\u003cbr\u003e The design also minimizes vignetting, rendering natural, near-circular bokeh even at the edges―fully utilizing the wide-open aperture.\u003c\/p\u003e\n\u003ch3\u003eSigma’s craftsmanship behind the beautiful bokeh\u003c\/h3\u003e\n\u003cp\u003eA 13-blade diaphragm maintains a circular bokeh shape, while exceptional precision in aspherical lens processing further enhances its smoothness.\u003cbr\u003e This beautiful, natural bokeh is the result of Sigma’s know-how gained through development of F1.4 prime lenses over many years and the advanced manufacturing technology cultivated at its Aizu factory.\u003c\/p\u003e\n\u003ch3\u003eClear subject detail even at maximum aperture\u003c\/h3\u003e\n\u003cp\u003eFour large FLD glass elements are positioned, along with strategically placed high-dispersion glass elements to thoroughly suppress axial chromatic aberration, which tends to be more pronounced in large-aperture telephoto lenses. As a result, the lens delivers crisp subject detail even when shot wide open, making full use of the exceptionally shallow depth of field unique to a 135mm F1.4.\u003c\/p\u003e\n\u003ch3\u003eFloating focus system for consistent sharpness\u003c\/h3\u003e\n\u003cp\u003eA floating focus system moves the two focus lens groups independently, ensuring consistently high resolution across the entire focus range.\u003c\/p\u003e\n\u003ch3\u003eDual HLA for fast, precise autofocus\u003c\/h3\u003e\n\u003cp\u003eEach of the two focus groups is driven by its own HLA (High-response Linear Actuator), forming a dual HLA system.\u003cbr\u003e By incorporating two distinct types of HLAs, each optimized for the movement range of a focus group, the dual HLA system ensures both the high thrust needed for large-aperture telephoto lenses and fast, precise AF performance. This allows even fleeting expressions and fast-moving subjects to be captured with exceptional reliability.\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize flare and ghosting\u003c\/h3\u003e\n\u003cp\u003eFlare and ghosting, which reduce image quality, are addressed under all conditions of incident light, based on the most advanced simulation technology and Sigma’s Super Multi-Layer Coating. High backlight resistance enables clear and sharp images under any lighting conditions.\u003c\/p\u003e\n\u003ch3\u003eVarious shooting assist functions\u003c\/h3\u003e\n\u003cp\u003eThe lens is equipped with an AFL button in two locations, which can be assigned to a range of functions via the menu on selected cameras. In addition to the aperture ring, the lens is equipped with an aperture ring lock switch and a click switch to turn the click on and off.\u003c\/p\u003e\n\u003ch3\u003eDust- and splash-resistant structure\u003csup\u003e*1\u003c\/sup\u003e and water- and oil-repellent coating\u003c\/h3\u003e\n\u003cp\u003eIn addition to a dust- and splash-resistant structure, the front element of the lens features a water- and oil-repellent coating, allowing photographers to shoot without concerns even in harsh outdoor environments.\u003c\/p\u003e\n\u003cp\u003e*1 The structure is designed to be dust- and splash- resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.\u003c\/p\u003e\n\u003ch3\u003eExcellent build quality of Sigma’s Art line specifications\u003c\/h3\u003e\n\u003cp\u003eMetal components such as aluminum and magnesium alloys are combined with engineering plastics like TSC\u003csup\u003e*2\u003c\/sup\u003e, strategically placed throughout the construction. This balances the durability required to support the optical system of a large-diameter lens with the lightweight design necessary for comfortable handling. The Art line offers remarkable rigidity, durability, and build quality for long-term reliability as a tool of expression.\u003c\/p\u003e\n\u003cp\u003e*2 TSC (Thermally Stable Composite) is a type of polycarbonate with a thermal expansion rate similar to that of aluminium. It has a high affinity to metal parts, which contributes to high quality product manufacturing.\u003c\/p\u003e\n\u003ch3\u003eArca-Swiss compatible tripod socket for long studio shoots\u003c\/h3\u003e\n\u003cp\u003eThe lens comes with a lightweight yet robust tripod socket made of magnesium alloy, compatible with Arca-Swiss clamps. It provides excellent stability during studio sessions and extended shooting, helping photographers stay focused on their creative expression. The tripod socket is also removable and can be replaced with the supplied protective cover.\u003c\/p\u003e\n\u003ch3\u003eSupplied hood with a button-type locking mechanism\u003c\/h3\u003e\n\u003cp\u003eThe supplied hood is equipped with a button-type locking mechanism for secure attachment and removal. It is constructed from CFRP, a polycarbonate material reinforced with carbon fiber, making it both lightweight and durable.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e17 elements in 13 groups (4 FLD, 2 aspherical elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e18.2°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e13 (Rounded Diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e110cm \/ 43.4in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:6.9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ105mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount: φ111.7mm x 135.5mm \/ φ4.4in. x 5.3in. | Sony E-mount: φ111.7mm x 137.5mm \/ φ4.4in. x 5.4in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount: 1,430g \/ 50.4oz. | Sony E-mount: 1,420g \/ 50.1oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eA025\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003ePouch | Lens Hood LH1126-01 | Front Cap LCF-105 IV | Rear Cap LCR III | Tripod Socket TS-181 | Protective Cover PT-61 | Shoulder Strap\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eMount Conversion Service available | Support for switching between linear and non-linear focus ring settings (for L-Mount only) | Compatible with Sigma USB Dock UD-11 (sold separately \/ for L-Mount only) | Every single lens undergoes Sigma’s proprietary MTF measuring system\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729758359807,"sku":"241965","price":197200.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729758392575,"sku":"241969","price":197200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_f59a4cf6-088d-4b28-b6ee-17d190180459.png?v=1792514252"},{"product_id":"mount-converter-mc-31","title":"Sigma Mount Converter MC-31","description":"\u003ch3\u003eA new converter that increases the expandability of the L-Mount\u003c\/h3\u003e\n\u003cp\u003eSigma MOUNT CONVERTER MC-31 is a converter that allows PL mount lenses to be used on L-Mount cameras.\u003cbr\u003eBy using Sigma MOUNT CONVERTER MC-31, users can use PL mount cine lenses, which are widely used in the filmmaking industry, on the Sigma fp and other L-Mount cameras.\u003c\/p\u003e\n\u003ch3\u003eShim adjustments\u003c\/h3\u003e\n\u003cp\u003eMC-31 has shim adjustments on two points of the mount. Adjustments can be made with a shim kit (Supplied) on the camera side of the mount\n\u003c\/p\u003e\u003cp\u003e2\u003c\/p\u003e\n\u003cp\u003e,or a shim for ARRI digital cameras on the lens side\u003c\/p\u003e\n\u003cp\u003e1\u003c\/p\u003e\n\u003cp\u003e.\u003c\/p\u003e\n\u003ch3\u003eAll-metal construction for excellent durability\u003c\/h3\u003e\n\u003cp\u003eWith an aluminum-alloy body\n\u003c\/p\u003e\u003cp\u003e4\u003c\/p\u003e\n\u003cp\u003eand strong brass mount and locking ring\u003c\/p\u003e\n\u003cp\u003e5\u003c\/p\u003e\n\u003cp\u003e,MC-31 boasts excellent durability. It is also designed to be secured on the mount of the Sigma fp with a screw thread\u003c\/p\u003e\n\u003cp\u003e3\u003c\/p\u003e\n\u003cp\u003e,ensuring an even more secure connection between the lens and the camera. This allows users to shoot steady without the lens rattling even after the long-term use.\u003c\/p\u003e\n\u003ch3\u003eSupport foot\u003c\/h3\u003e\n\u003cp\u003eThe removable support foot\n\u003c\/p\u003e\u003cp\u003e6\u003c\/p\u003e\n\u003cp\u003eallows MC-31 to be attached to a tripod or other filmmaking accessories such as a camera cage.\u003c\/p\u003e\n\u003ch3\u003eSuitable for various shooting conditions\u003c\/h3\u003e\n\u003cp\u003eWith the screw thread removed, the stopper of the locking ring is released. This makes it possible to use MC-31 with a PL mount lens that requires tighter mounting than the MC-31’s specifications, allowing the lens to lock securely in place on the converter.\u003cbr\u003eThe markings on the upper part of the converter are in the same luminous paint as the one used for Sigma CINE LENS, helping make it easier to replace or adjust a lens in the dark.\u003c\/p\u003e\n\u003ch3\u003eFull-fledged filmmaking is possible by combining fp and PL mount lens\u003c\/h3\u003e\n\u003cp\u003e2019, Sigma launched a L-Mount camera, Sigma fp.\u003cbr\u003eSigma fp, the world’s smallest and lightest full-size mirrorless camera supports cinema camera-like user interfaces, which means that it can be taken straight to filmmaking settings. The small-size body translates into a smaller system as a whole, which in turn opens new possibilities for the forms of video creation that would have been difficult to achieve with bulky equipment, such as shooting in narrow space or extreme close-ups.\u003cbr\u003eBy using MC-31, not only Sigma CINE LENSES, but also other manufactures PL mount lenses are available to use on Sigma fp. The MC-31 Contributes to further expansion of the shooting system.\u003c\/p\u003e\n\u003ch3\u003eL-MOUNT\u003c\/h3\u003e\n\u003cp\u003eIn 2018, Leica, Panasonic and Sigma launched the L-Mount Alliance, and announced that the three companies were to develop their own camera systems based around the same L-Mount standard.\u003cbr\u003eThe L-Mount realizes a camera system that goes beyond the boundaries between manufacturers, with unprecedented levels of scalability and possibilities.\u003cbr\u003eFor details on the latest L-mount products and development status, please see below.\u003cbr\u003e* The L-Mount Trademark is a registered Trademark of Leica Camera AG.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum diameter\u003c\/td\u003e\n\u003ctd\u003e84.4mm \/ 3.3in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFull length\u003c\/td\u003e\n\u003ctd\u003e42mm \/ 1.6in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount reference plane spacing\u003c\/td\u003e\n\u003ctd\u003e32mm \/ 1.2in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e330g \/ 11.6oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":50729758425343,"sku":"89A969","price":86000.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_678819bb-945e-4748-ba43-e00729577094.png?v=1792514251"},{"product_id":"28-45mm-f1-8-dg-dn-art","title":"Sigma 28-45mm F1.8 DG DN | Art Full-frame mirrorless camera lens","description":"\u003ch2\u003eThe world's first* F1.8 full-frame mirrorless zoom\u003c\/h2\u003e\n\u003cp\u003eThe Sigma 28-45mm F1.8 DG DN | Art is the world's first full-frame zoom lens with a constant maximum aperture of F1.8, delivering sharpness and clarity comparable to that of a prime lens.\u003c\/p\u003e\n\u003cp\u003eAlready the pioneer of unique, large-aperture zoom lenses including the Sigma 18-35mm F1.8 DC HSM | Art and the Sigma 24-35mm F2 DG HSM | Art, Sigma introduces another fast, portable and versatile tool to its Art lineup.\u003c\/p\u003e\n\u003cp\u003eIn addition to its unprecedented brightness, the Sigma 28-45mm F1.8 DG DN | Art delivers sharpness and clarity comparable to that of a prime lens throughout its entire zoom range. Also equipped with fast and precise AF and superior operability, this innovative optic turns a new page in the history of zoom lenses and their creative possibilities. It is a lens that will inspire full-frame film-makers, while bringing unparalleled versatility to stills photographers.\u003c\/p\u003e\n\u003cp\u003e\u003csup\u003e* As of June 2024 by Sigma\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003eThe world's first* full-frame, F1.8 maximum aperture zoom lens\u003c\/h3\u003e\n\u003cp\u003eSigma has successfully developed the world's first full-frame zoom lens with a maximum aperture of F1.8. The Sigma 28-45mm F1.8 DG DN | Art incorporates an inner zoom mechanism, a minimum focusing distance of 30cm across the entire zoom range, and a filter size of φ82mm. Despite its advanced feature-set, the lens weighs less than 1kg, making it a portable and versatile option for either hand-held shooting or a gimbal setup.\u003cbr\u003e\u003cbr\u003e* As of June 2024 by Sigma\u003c\/p\u003e\n\u003ch3\u003eConstant maximum aperture of F1.8\u003c\/h3\u003e\n\u003cp\u003eOnce a privilege reserved only for prime lenses, the maximum F1.8 aperture allows full-frame camera users to expose hand-held in low light and produce beautiful bokeh, while enjoying the flexibility of a zoom. This unique optical achievement has been created through Sigma's accumulated optical design experience and advanced production technology at the company’s sole production base in Aizu, Japan.\u003c\/p\u003e\n\u003ch3\u003ePractical and stable inner zoom\u003c\/h3\u003e\n\u003cp\u003eEmploying an inner zoom mechanism, the overall length of the lens remains constant when the focal length or focus distance changes. This means the lens is easy to use when shooting hand-held, highly stable when mounted on a tripod or gimbal, and more resistant to dust and water contamination.\u003c\/p\u003e\n\u003ch3\u003eConsistent close focus\u003c\/h3\u003e\n\u003cp\u003eThe minimum focusing distance is a constant 30cm across the entire zoom range, with a maximum magnification ratio of 1:4 at the telephoto end, providing excellent close-up shooting capabilities. As well as offering precise focus in confined spaces, the lens can therefore be used close to a subject without affecting sharpness when using the zoom.\u003c\/p\u003e\n\u003ch3\u003ePremium build at a lighter weight\u003c\/h3\u003e\n\u003cp\u003eBy rights, such a fast zoom should be big and heavy, but while the lens’s rigidity and durability protect its sophisticated optical design, this is achieved at a weight of less than 1kg. What’s more, this reliable photographic tool uses a versatile filter size of φ82mm, meaning no compromise in portability or convenience.\u003c\/p\u003e\n\u003ch3\u003eExcellent optical performance comparable to that of a prime lens\u003c\/h3\u003e\n\u003cp\u003eWith each optical aberration meticulously corrected throughout the zoom range, the Sigma 28-45mm F1.8 DG DN | Art rivals prime lenses for clarity and definition. Thanks to its advanced coatings, the lens produces clear images, even in backlit environments, while focus breathing is thoroughly suppressed, bringing expressive power to film-makers and photographers.\u003c\/p\u003e\n\u003ch3\u003eThe pinnacle of optical quality in a zoom\u003c\/h3\u003e\n\u003cp\u003eThrough the effective arrangement of 5 SLD elements and 3 aspherical elements, aberrations are rigorously corrected. Axial chromatic aberration, which is particularly noticeable with large-aperture lenses, has been thoroughly suppressed, and the lens delivers clear images with minimal coloration, from sharply focused details to large, smooth bokeh.\u003c\/p\u003e\n\u003ch3\u003eSuppression of focus breathing\u003c\/h3\u003e\n\u003cp\u003eWhen using regular lenses, the angle-of-view can change as focus moves from near to far, affecting precise composition. With the Sigma 28-45mm F1.8 DG DN | Art this focus breathing is suppressed, enabling natural focus pulls when shooting video.\u003c\/p\u003e\n\u003ch3\u003eMinimal flare and ghosting\u003c\/h3\u003e\n\u003cp\u003eFlare and ghosting, which reduce image quality, have been largely eliminated using advanced simulation technology, ensuring the lens renders rich, high-contrast results in all conditions. In addition, in order to keep flare and ghosting to a minimum, the lens uses Sigma’s Nano Porous Coating and Super Multi-Layer Coating, producing superior resistance to backlighting and enabling clear, saturated images in all lighting conditions.\u003c\/p\u003e\n\u003ch3\u003eHigh-speed AF speed and innovative features\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 28-45mm F1.8 DG DN | Art delivers a range of professional features as impressive as its outstanding optical performance. With high-speed and adaptable AF, a durable weather-resistant structure, a de-clickable aperture ring, smooth manual focusing and on-barrel AFL buttons, all features combine to create a versatile photographic tool capable of responding to any situation.\u003c\/p\u003e\n\u003ch3\u003eFaster focus with a linear motor\u003c\/h3\u003e\n\u003cp\u003eThe lens’s AF mechanism uses an HLA (High-response Linear Actuator) to combine accelerated focusing speed with exquisite precision. And because the motor is near-silent it allows video recording without noise.\u003c\/p\u003e\n\u003ch3\u003ePrecise and comfortable manual focusing\u003c\/h3\u003e\n\u003cp\u003eTo deliver delicate and accurate manual focus, the lens employs a by-wire driven focus ring with optimum torque setting, high resolution and an adjustable rotation angle between 90° and 720°*. This allows film-makers to pull focus with organic smoothness, and photographers to focus manually with outstanding accuracy.\u003cbr\u003e\u003cbr\u003e\u003csup\u003e* Only for L-Mount, and with compatible cameras.\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003eAperture ring refinements\u003c\/h3\u003e\n\u003cp\u003eThe lens is equipped with an aperture ring as well as an aperture ring click switch and an aperture ring lock switch, allowing for aperture operation suitable for various shooting situations.\u003c\/p\u003e\n\u003ch3\u003eEquipped with two AFL buttons\u003c\/h3\u003e\n\u003cp\u003eLocated on the side and on top of the barrel, two customizable* AFL buttons can be easily reached in either horizontal or vertical shooting positions.\u003cbr\u003e\u003cbr\u003e\u003csup\u003e* Assignment of functions is limited to supported cameras and assignable functions vary depending on the camera.\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003eBuilt to withstand the elements\u003c\/h3\u003e\n\u003cp\u003eIn addition to a dust- and splash-resistant body*, the frontmost surface of the lens is coated with a water- and oil-repellent coating so that it can be used safely even in harsh outdoor environments.\u003cbr\u003e\u003cbr\u003e\u003csup\u003e* The product is designed to be dust- and splash-resistant but is not waterproof. When using the lens near water, etc., take care not to allow large amounts of water to splash on it. If water gets inside the lens, it may cause a major malfunction and render the lens unrepairable.\u003c\/sup\u003e\u003c\/p\u003e\n\u003ch3\u003eIncludes locking petal-type hood\u003c\/h3\u003e\n\u003cp\u003eA petal-type hood is included to shield the lens from light. It has a locking mechanism for secure attachment and can be reversed for easier storage.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e18 elements in 15 groups (5 SLD, 3 aspherical elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e75.4-51.3°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e11 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e30cm \/ 11.9in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:4 at f=45mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ87.8mm x 151.4mm \/ φ3.5in. x 6.0in. | Sony E-mount：φ87.8mm x 153.4mm \/ φ3.5in. x 6.0in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：960g \/ 33.9oz. | Sony E-mount：950g \/ 33.5oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eA024\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eCASE | LENS HOOD LH878-06 | FRONT CAP LCF-82 III | REAR CAP LCR II\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eCompatible with high-speed autofocus | Supports DMF and AF+MF | Compatible with AF assist (for Sony E-mount only) | Petal-type hood with lock LH878-06 | Compatible with Sigma USB DOCK UD-11 (sold separately \/ for L-Mount only) | Designed to minimize flare and ghosting | Every single lens undergoes Sigma’s proprietary MTF measuring system | High-precision, durable brass bayonet mount | Mount Conversion Service available | “Made in Aizu, Japan” craftsmanship\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729758490879,"sku":"612965","price":147300.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729758523647,"sku":"612969","price":147300.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_b159170e-284f-439b-b5fa-00c5f945b1fd.png?v=1792514252"},{"product_id":"20-60mm-f2-8-4-dg-contemporary","title":"Sigma 20-60mm F2.8-4 DG | Contemporary Full-frame mirrorless camera lens","description":"\u003ch3\u003e20-60mm: Freedom to compose\u003c\/h3\u003e\n\u003cp\u003eFrom an expansive 20mm ultra-wide to a natural 60mm perspective, this lens delivers a wide range of expression in a versatile zoom. Capture everything from sweeping landscapes to everyday snapshots and portraits—without changing lenses.\u003cbr\u003e With a maximum aperture of F2.8 at 20mm, you can shoot confidently in low light environments such as indoors and nightscapes, while keeping ISO low.\u003c\/p\u003e\n\u003ch3\u003eBringing 20mm into your everyday\u003c\/h3\u003e\n\u003cp\u003eWeighing just 385g\u003csup\u003e*1\u003c\/sup\u003e, this 3x zoom achieves an incredibly compact design—remarkable for an ultra-wide lens starting at F2.8. Its slim form fits easily into any bag, making it ideal for everything from daily snapshots and travel to hiking and video creation. Experience full-frame rendering performance with unprecedented portability.\u003cbr\u003e \u003cbr\u003e\n\u003c\/p\u003e\u003cp\u003e*1. The figure is for L-Mount.\u003c\/p\u003e\n\u003ch3\u003eConsistent high optical performance across the entire zoom range\u003c\/h3\u003e\n\u003cp\u003eWhile prioritizing improved potability, no compromises have been made in image quality. The optical design—featuring 15 elements in 13 groups, including three aspherical lenses and three SLD glass elements—delivers consistent sharpness throughout the entire zoom range. From everyday scenes to breathtaking travel moments, it renders every detail with striking clarity.\u003c\/p\u003e\n\u003ch3\u003eMacro capabilities for versatile expression\u003c\/h3\u003e\n\u003cp\u003eImpressive close-up capability expands shooting versatility.\u003cbr\u003e With a minimum focusing distance of 15.8 cm at 28mm and a maximum magnification ratio of 1:2.3 at 35mm, this lens delivers richly detailed close-up images approaching half-macro performance.\u003cbr\u003e Even at the 60mm telephoto end, it maintains a high magnification of 1:2.9—ensuring a seamless shooting experience across the zoom range, allowing full focus on composition without concern for subject distance.\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize flare and ghosting\u003c\/h3\u003e\n\u003cp\u003eFlare and ghosting, which reduce image quality, are addressed under all conditions of incident light, based on the most advanced simulation technology. High backlight resistance enables clear and sharp images under any lighting conditions.\u003c\/p\u003e\n\u003ch3\u003eFast and quiet autofocusing with HLA system\u003c\/h3\u003e\n\u003cp\u003eA linear motor HLA (High-response Linear Actuator) is employed for the AF actuator, delivering high-speed autofocus with high-precision drive to capture decisive moments.\u003cbr\u003e It also offers outstanding tracking performance for fast-moving subjects, even at high frame rates. Engineered for modern hybrid shooting, it ensures seamless performance across stills and video.\u003c\/p\u003e\n\u003ch3\u003eMinimal focus breathing\u003c\/h3\u003e\n\u003cp\u003eThe lens is designed to minimize changes in the angle of view caused by focusing, enabling smooth, natural-looking focus pulls when recording video.\u003c\/p\u003e\n\u003ch3\u003eDust- and splash-resistant structure\u003csup\u003e*1\u003c\/sup\u003e \/ water- and oil-repellent coating\u003c\/h3\u003e\n\u003cp\u003eIn addition to a dust- and splash-resistant structure , the frontmost surface of the lens has a water- and oil-repellent coating applied, allowing photographers to shoot without concern even in harsh outdoor environments.\u003cbr\u003e \u003cbr\u003e *1. The product is designed to be dust- and splash-resistant but is not waterproof. When using the lens near water, etc., take care not to allow large amounts of water to splash on it. If water gets inside the lens, it may cause a major malfunction.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e15 elements in 13 groups (3 SLD, 3 aspherical elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003eL-Mount: 94.5°-39.6° | Sony E-mount: 94.5°-39.6°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e9 (Rounded Diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22-32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e15.8cm \/ 6.3in. at f=28mm | 20cm(W) - 25cm(T) \/ 7.9in.(W) - 9.9in.(T)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:2.3 at f=35mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ67mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount: φ72.2mm x 86.0mm \/ φ2.8in. x 3.4in. | Sony E-mount: φ72.2mm x 88.0mm \/ φ2.8in. x 3.5in. | *The length of a lens is measured from the front of the lens to its mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount: 385g \/ 13.6oz. | Sony E-mount: 375g \/ 13.2oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eC026\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003ePOUCH | Lens Hood LH706-04 | Front Cap LCF-67 IV | Rear Cap LCR III\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eMount Conversion Service available | Support for switching between linear and non-linear focus ring settings (for L-Mount only) *Only on supported cameras. | Compatible with Sigma USB Dock UD-11 (sold separately \/ for L-Mount only) | Every single lens undergoes Sigma’s proprietary MTF measuring system\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729758589183,"sku":"666965","price":84700.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729758621951,"sku":"666969","price":84700.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_2bca8f6e-817f-4dd5-a644-7b21139d371e.png?v=1792514252"},{"product_id":"50mm-f1-4-dg-dn-art","title":"Sigma 50mm F1.4 DG DN | Art Full-frame mirrorless camera lens","description":"\u003ch3\u003eThe \"Art F1.4\" standard with uncompromising optical performance\u003c\/h3\u003e\n\u003cp\u003eBased on the latest optical design technology, the lens incorporates 14 elements in 11 groups, with 3 aspherical lenses and 1 SLD glass element. The lens effectively suppresses various aberrations such as astigmatism and field curvature, which cannot be corrected in-camera. Despite the large aperture of F1.4, the image formation performance on the periphery of the image has been pursued and sagittal coma flare has been minimized to the extent that the lens can withstand even challenging star and night scenes, with demanding severe point light source imaging, from wide open. In addition to clear image quality with no color blur throughout the entire image circle, the large, natural bokeh beauty of F1.4 can be fully utilized in photography.\u003c\/p\u003e\n\u003ch3\u003eHigh-speed AF for nimble and comfortable shooting\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 50mm F1.4 DG DN | Art is the first in the Art line exclusively designed for full-frame mirrorless cameras to adopt the “HLA” linear motor (High-response Linear Actuator) . In addition, by using a single double-sided aspheric lens as the focus element, the lens offers fast and quiet focusing and high tracking performance despite its large aperture. With a maximum aperture of 1.4 and a high-performance AF system, the lens can be used in a variety of situations, including shooting in dark places, shooting moving subjects, snapshots, and even video.\u003c\/p\u003e\n\u003ch3\u003eHigh performance, yet slim and compact\u003c\/h3\u003e\n\u003cp\u003eThe development of the Sigma 50mm F1.4 DG DN | Art was focused on slimming down the lens barrel by reducing the weight of a focus lens and optimizing the lens unit layout, to pursue the “optimum size” for mirrorless systems without compromising the “maximum emphasis on optical performance” concept of Sigma’s Art line. This lens has succeeded in achieving both top-class performance, and the size required for a light and mobile photographic tool.\u003c\/p\u003e\n\u003ch3\u003eFull range of functions and high build quality\u003c\/h3\u003e\n\u003cp\u003eThe lens barrel is equipped with a Focus Mode switch, an Aperture ring click switch to turn the click on and off, an Aperture ring lock switch to prevent unintended operation, and an AFL button to assign any function from the camera. These features are designed for intuitive operation during shooting.\u003c\/p\u003e\n\u003ch3\u003eDust and Splash Resistant Structure for security in various shooting situations\u003c\/h3\u003e\n\u003cp\u003eThe lens is equipped with a dust and splash resistant structure, and the front element of the lens is applied with a water and oil repellent coating, making it suitable for a wide range of shooting environments. The lens is compact, lightweight, and easy to use, while at the same time ensuring high build quality assured by the Aizu factory’s reliable processing technology of “Made in Japan”.\u003c\/p\u003e\n\u003ch3\u003eDG DN \"Art F1.4\" series lineup includes 5 lenses from 20mm to 85mm\u003c\/h3\u003e\n\u003cp\u003e20mm F1.4 DG DN | Art, 24mm F1.4 DG DN | Art, 35mm F1.4 DG DN | Art, 50mm F1.4 DG DN | Art, 85mm F1.4 DG DN | Art\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e11 groups, 14 elements\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e46.8°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e11 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e45cm \/ 17.8in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:6.8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ72mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ78.2mm × 109.5mm \/ φ3.1in. x 4.3in. Sony E-mount：φ78.2mm × 111.5mm \/ φ3.1in. × 4.4in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：670g \/ 23.6oz. | Sony E-mount：660g \/ 23.3oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eA023\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eCase | LENS HOOD LH782-02 | FRONT CAP LCF-72mm III | REAR CAP LCR II\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eLens construction: 14 elements in 11 groups (1 SLD and 3 aspherical lenses) | Compatible with high-speed autofocus | Support for DMF, AF + MF | Compatible with AF assist (Sony E-mount only) | Support for switching between linear and non-linear focus ring settings (L-Mount only) | Petal type LENS HOOD LH782-02 | Compatible with Sigma USB DOCK UD-11 (sold separately; L-Mount only) | Designed to minimize flare and ghosting | Every single lens undergoes Sigma’s proprietary MTF measuring system | 11-blade rounded diaphragm | High-precision, durable brass bayonet mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729760063743,"sku":"315965","price":95900.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729760096511,"sku":"315969","price":95900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_0e3f6511-8ac0-4a78-a5d5-e95684766b4e.png?v=1792514253"},{"product_id":"tele-converter-tc-1411","title":"Sigma Tele Converter TC-1411","description":"\u003ch3\u003eTeleconverters designed exclusively for L-Mount lenses\u003c\/h3\u003e\n\u003cp\u003eThe Sigma TELE CONVERTER TC-1411 \/ TC-2011 are teleconverters designed exclusively for the use with Sigma L-Mount lenses. Mounted between a lens and a camera body, the TC-1411 magnifies the focal length of the camera by 1.4x, and the TC-2011 by 2x.\u003cbr\u003eThe superior optical performance of the Sigma Contemporary, Art and Sports lines of lenses is the result of efforts to pursue the highest levels of image quality. The Sigma TELE CONVERTER TC-1411\/TC-2011 upholds the image quality of the original lens to the utmost, while extending the focal length.\u003cbr\u003eIn addition, the new teleconverters have a dust- and splash-proof construction comparable to that of the Sports line lenses, and can withstand harsh outdoor shooting environments when combined with a dust- and splash-proof camera body and lens.\u003cbr\u003eThese lightweight and compact accessories are capable of single-handedly, providing an “ultra telephoto” angle of view for telephoto and macro lenses, while upgrading the performance of the original lenses; the Sigma TELE CONVERTER TC-1411\/TC-2011 will be a new special gear for users.\u003c\/p\u003e\n\u003ch3\u003eOutstanding optical performance\u003c\/h3\u003e\n\u003cp\u003eRemarkable optical performance enabled by the latest design to provide a high shooting ratio while upholding the high performance of the original lens.\u003c\/p\u003e\n\u003ch3\u003eA choice of 1.4x or 2x magnification factor\u003c\/h3\u003e\n\u003cp\u003eAccording to usage, two magnification factors to choose from.\u003c\/p\u003e\n\u003ch3\u003eCompatible with autofocus\u003c\/h3\u003e\n\u003cp\u003eAF is effective at all aperture and all focal lengths.\u003c\/p\u003e\n\u003ch3\u003eDust- and splash-proof\u003c\/h3\u003e\n\u003cp\u003eDust- and splash-proof construction comparable to that of the Sports line lenses.\u003c\/p\u003e\n\u003ch3\u003eEvery single converter undergoes Sigma's proprietary MTF measuring system \"A1\"\u003c\/h3\u003e\n\u003cp\u003eWe used to measure lens performance with an MTF measuring system using conventional sensors. However, we’ve now developed our own proprietary MTF (modulation transfer function) measuring system (A1) using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of our quality control inspections. The Sigma TELE CONVERTER TC-1411 and TC-2011 will all be checked using this “A1” before they are shipped.\u003c\/p\u003e\n\u003ch3\u003e\"Made in Japan\" craftsmanship\u003c\/h3\u003e\n\u003cp\u003eAll Sigma’s manufacturing – right down to the molds and parts – is carried out under an integrated production system, entirely in Japan. We are now one of the very few manufacturers whose products are solely “made in Japan”. We like to think our products are somehow imbued with the essence of our homeland, blessed as it is with clean air and water, and focused, hard-working people. We pride ourselves on the authentic quality of Sigma products, born of a marriage between highly attuned expertise and intelligent, advanced technology. Our sophisticated products have satisfied professionals and lovers of photography all over the world, because our manufacturing is based on genuine craftsmanship, underpinned by the passion and pride of our experts.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens construction\u003c\/td\u003e\n\u003ctd\u003e7 elements in 4 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eShooting Range \/ Shooting Ratio\u003c\/td\u003e\n\u003ctd\u003e1.4 times of magnification from the original lens\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum dimension\u003c\/td\u003e\n\u003ctd\u003eφ65.2mm\/ φ2.6in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLength\u003c\/td\u003e\n\u003ctd\u003e33.1mm\/ 1.3in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount reference plane spacing\u003c\/td\u003e\n\u003ctd\u003e17.2mm \/ 0.7in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e175g\/ 6.2oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":50729760129279,"sku":"825969","price":48700.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_d374fa50-ca62-48b0-9962-d1f50be92879.png?v=1792514253"},{"product_id":"14-24mm-f2-8-dg-dn-art","title":"Sigma 14-24mm F2.8 DG DN | Art Full-frame mirrorless camera lens","description":"\u003ch3\u003eNewly developed high-performance lens series for full-frame mirrorless cameras\u003c\/h3\u003e\n\u003cp\u003eWith mirrorless cameras emerging at an accelerated pace, expectations towards lenses suited for high-performance full-frame mirrorless cameras are growing. Unfortunately, many photographers may feel that they have little choices for mirrorless lens systems in terms of performance, size, extensive lineup, and due to the burden of having to use multiple systems. Sigma has thus developed and proposes this new full-frame mirrorless lens series as the optimal solution to this challenge. \u003cbr\u003e Sigma will develop interchangeable lenses with unprecedented specifications and performance by designs that benefit from the short flange focal length feature of mirrorless cameras while retaining the concepts of “Contemporary,” “Art,” and “Sports.” We will announce three models as the first lenses from this series.\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e45mm F2.8 DG DN\u003c\/p\u003e\n\u003cp\u003eCompact size is realized while maintaining high image quality and is compatible with full-frame mirrorless cameras. This prime lens refines the concept of the Contemporary line.\u003c\/p\u003e\n\u003cp\u003eART\u003cbr\u003e35mm F1.2 DG DN\u003c\/p\u003e\n\u003cp\u003eThe world’s first* 35mm F1.2 as L-Mount and Sony E-mount lens for full-frame mirrorless system. The high image quality of the Art line that pursues ultimate performance is realized \u003cbr\u003e by F1.2 maximum aperture.\u003c\/p\u003e\n\u003cp\u003e* As an autofocus lens\u003c\/p\u003e\n\u003cp\u003eART\u003cbr\u003e14-24mm F2.8 DG DN\u003c\/p\u003e\n\u003cp\u003eLarge-diameter, ultra-wide-angle zoom lens for full-frame mirrorless cameras. \u003cbr\u003e While pursuing the ultimate image quality of the Art line, the size is reduced thanks to the exclusive design for mirrorless cameras.\u003c\/p\u003e\n\u003ch3\u003eHigh-resolution image quality developed with exclusive low dispersion glass elements and NPC(Nano Porous Coating)\u003c\/h3\u003e\n\u003cp\u003eOne FLD glass and five SLD glass elements are appropriately arranged to suppress chromatic aberration to the edge of the frame. Three aspherical lenses, including a large-diameter aspherical lens at the foremost surface, are used to effectively minimize coma flare, etc., thereby achieving mind-blowing resolution.\u003c\/p\u003e\n\u003ch3\u003eSigma’s unique coating technology Nano Porous Coating\u003c\/h3\u003e\n\u003cp\u003eThe super multi-layer coating is combined with Sigma’s unique coating technology “NPC (Nano Porous Coating)”. The lens has been designed to be less susceptible to strong incident light such as backlight. \u003cbr\u003e “NPC (Nano Porous Coating)” incorporates porous silica as the coating material. The porous silica layer has nano-sized holes with air inside. Having holes of this size enables a large reduction in the refractive index, allowing the reflectance to be lowered more than conventional anti-reflective coatings. As a result, reflected light causing flares and ghosting is sharply reduced, achieving clear image quality.\u003c\/p\u003e\n\u003ch3\u003eSubstantial functions enable user confidence, even in tough environments\u003c\/h3\u003e\n\u003cp\u003eIncorporating a stepping motor enables the high speed, quiet AF drive. Shooting is comfortable even in target AF such as Face\/Eye Detection AF and during video shooting. The\n\u003c\/p\u003e\u003cp\u003e1\u003c\/p\u003e\n\u003cp\u003eAFL button which can be assigned with various functions widens the range of operations available on the lens. Furthermore, the lens features a\u003c\/p\u003e\n\u003cp\u003e2\u003c\/p\u003e\n\u003cp\u003edust and splash resistant structure along with a water- and oil-repellent coating on the frontmost surface of the lens, which further supports shooting in various environments.\u003c\/p\u003e\n\u003cp\u003e*1 Function available on supported cameras only. Available corrections may vary depending on the camera model. \u003cbr\u003e *2 Although this construction allows the lens to be used in light rain, it is not the same as being waterproof.\u003c\/p\u003e\n\u003ch3\u003eRear filter holder as a standard accessory\u003c\/h3\u003e\n\u003cp\u003eThe lens comes with a rear filter holder equipped with a fall prevention lock for attaching sheet type rear filters for shooting starry skies.\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize flare and ghosting\u003c\/h3\u003e\n\u003cp\u003eFrom an early stage in the lens design process, flare and ghosting have been measured to establish an optical design resistant to strong incident light sources such as backlighting. Sigma’s Super Multi-Layer Coating reduces flare and ghosting to help photographers produce sharp and high contrast images even in backlit conditions.\u003c\/p\u003e\n\u003ch3\u003eRounded diaphragm\u003c\/h3\u003e\n\u003cp\u003eThe 11-blade rounded diaphragm creates an attractive blur in the out-of-focus areas of the image.\u003c\/p\u003e\n\u003ch3\u003eCompatible with Lens Aberration Correction\u003c\/h3\u003e\n\u003cp\u003eMatching the optical characteristics of the lens, this function performs in-camera corrections of peripheral illumination, chromatic aberrations, distortion, and more, to further enhance image quality.\u003c\/p\u003e\n\u003cp\u003eNote: \u003cbr\u003e ・Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model. \u003cbr\u003e ・On cameras where lens aberration correction is controlled with ‘ON’ or ‘OFF’ in the camera menu, please set all aberration correction functions to ‘ON’(AUTO).\u003c\/p\u003e\n\u003ch3\u003eHigh-precision,rugged brass bayonet mount\u003c\/h3\u003e\n\u003cp\u003eThe brass mount combines high precision with rugged construction. Its treated surfaces and enhanced strength contribute to the exceptional durability of the lens.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e18 elements in 13 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e114.2 - 84.1°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e11 (Rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e28cm \/ 11in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:7.3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e-\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ85.0mm × 131.0mm \/ φ3.3in. × 5.2in. Sony E-mount：φ85.0mm × 133.0mm \/ φ3.3in. × 5.2in. *The length of a lens is measured from the filter surface to its mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：795g \/ 28.0oz. Sony E-mount：795g \/ 28.0oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eA019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eCase | COVER LENS CAP LC850-01 | REAR CAP LCR II\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729760162047,"sku":"213965","price":151700.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729760194815,"sku":"213969","price":151700.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_15856bf2-f6ce-49dc-a14e-8b64f6fc966a.png?v=1792514253"},{"product_id":"28-70mm-f2-8-dg-dn-contemporary","title":"Sigma 28-70mm F2.8 DG DN | Contemporary Full-frame mirrorless camera lens","description":"\u003ch3\u003eDesign based on Sigma’s Art line, with the same uncompromising optical performance\u003c\/h3\u003e\n\u003cp\u003eThe optical design of the Sigma 28-70mm F2.8 DG DN | Contemporary is based on the 24-70mm F2.8 DG DN | Art, which is renowned for its outstanding optical performance throughout its zoom range. True to the Contemporary line’s core concept, the 28-70mm F2.8 DG DN | Contemporary was developed to offer the right balance of performance and portability, and as such, this large-aperture standard zoom delivers outstanding image quality that rivals Art line lenses in a body light enough for day-to-day use. Building on state-of-the-art technology, the 28-70mm F2.8 DG DN | Contemporary has an advanced optical design that includes three aspherical, two FLD, and two SLD elements. Despite using fewer elements in total than the 24-70mm F2.8 DG DN | Art, the design results in a thorough correction of axial chromatic aberration and sagittal coma aberration, which cannot be corrected in-camera, allowing users to create images that are uniformly sharp from the center to the edges of the frame. Along with its anti-ghosting design, the use of Super Multi-Layer Coating and Nano Porous Coating means well-controlled flare for high-contrast results in backlit conditions. It also features a water and oil repellant coating on the front side of the lens. \u003cbr\u003e\u003cbr\u003e In short, the Sigma 28-70mm F2.8 DG DN | Contemporary combines all of the key optical features required of a large-aperture standard zoom lens, which are essential for photographing a wide variety of subjects in a range of shooting conditions.\u003c\/p\u003e\n\u003ch3\u003eComparison of the two optimal solutions to standard zoom lenses with F2.8 brightness throughout the zoom range.\u003c\/h3\u003e\n\u003cp\u003eWith the addition of the new 28-70mm F2.8 DG DN | Contemporary, Sigma now provides two optimal solutions of standard F2.8 zoom lens for mirrorless cameras ― the new 28-70mm F2.8 DG DN | Contemporary achieves remarkable portability and offers the same optical performance, as the existing 24-70mm F2.8 DG DN | Art which is for pro-use with the highest levels of performance throughout its focal range.\u003c\/p\u003e\n\u003ch3\u003eA 28–70mm lens with no compromise on optical performance or portability\u003c\/h3\u003e\n\u003cp\u003e28-70mm F2.8 DG DN | Contemporary\u003c\/p\u003e\n\u003cp\u003eFocal length \/ F value : 28-70mm F2.8 \u003cbr\u003e Lens construction : 16 elements in 12 groups, with 2 FLD lens, 2 SLD lens and 3 Aspherical lenses \u003cbr\u003e Minimum focusing distance, Maximum magnification ratio : 19-38cm, 1:3.3(W) – 1:4.6(T) \u003cbr\u003e Coating : Super Multi-Layer Coating, Nano Porous Coating, Water and oil repellent coating \u003cbr\u003e Mechanism : Focus Mode Switch \u003cbr\u003e Dust and splash resistant : Dust and splash resistant structure (Applied to the mount only) \u003cbr\u003e Hood : Petal-type lens hood \u003cbr\u003e Filter size : φ67mm \u003cbr\u003e 470g*\u003csup\u003e1\u003c\/sup\u003e, φ72.2mm×101.5mm\u003c\/p\u003e\n\u003cp\u003e*1 for L-Mount\u003c\/p\u003e\n\u003ch3\u003eA lightweight and compact body ― \u003cbr\u003eideal for day-to-day use\u003c\/h3\u003e\n\u003cp\u003eBeing slightly less wide-angle than the 24-70mm F2.8 DG DN | Art has allowed a significant reduction in the size of the 28-70mm F2.8 DG DN | Contemporary lens body. In order to fit with the design concept of the Contemporary line, which balances performance with portability, the new lens features a simpler dust and splash resistant structure and smaller switches. This makes it the smallest and lightest lens in its class*.\u003cbr\u003e The new lens features just one lightweight focusing element, which keeps the AF unit small. This, along with a quiet and fast stepping motor, makes for responsive and near-silent autofocus performance.\u003cbr\u003e The 28-70mm F2.8 DG DN | Contemporary weighs in at 470g, and when attached to the Sigma fp, the entire setup is 890g. The supreme portability afforded by a camera system that weighs less than 1kg gives photographers a huge amount of freedom and flexibility to achieve their creative vision. It’s also a perfect combination for filmmakers looking for a high-performance, lightweight, easy-to-handle camera system that works well with a gimbal and other accessories.\u003cbr\u003e A large-aperture, standard zoom lens that is light and small enough for casual outings, the 28-70mm F2.8 DG DN | Contemporary will open up new photographic possibilities for better and more creative results.\u003cbr\u003e\u003cbr\u003e * As a standard zoom lens for full-frame mirrorless cameras with F2.8 brightness throughout the zoom range (Source: Sigma, as of February 2021)\u003c\/p\u003e\n\u003ch3\u003eSuperb build quality with exceptional attention to detail that provides an exceptional user experience\u003c\/h3\u003e\n\u003cp\u003eWith priority given to optimal portability, the body of the Sigma 28-70mm F2.8 DG DN | Contemporary consists primarily of lightweight parts. While conventional wisdom states that it is more difficult to ensure processing accuracy for plastic parts than metal parts, there has been no compromise whatsoever on build quality for the 28-70mm F2.8 DG DN | Contemporary. One reason for this is that it uses a type of polycarbonate called TSC (Thermally Stable Composite), which has a comparable level of thermal shrinkage to aluminum. This helps reduce differences between the thermal shrinkage of the metal and non-metal parts, ensuring stable levels of performance even in an environment with extreme temperature changes. The use of polycarbonates in the construction of zoom and focus rings can make their operation feel less premium, but with careful treatment to the precision of these parts and adjusting the movement with the lubricant appropriately, the rings offer a precise action with an exceptionally high-quality feel.\u003cbr\u003e What allows us to achieve these precisely produced parts and such premium aesthetics is the impressive standard of manufacturing technology and rigorous quality control we have at the Sigma Aizu Factory.\u003cbr\u003e The Sigma 28-70mm F2.8 DG DN | Contemporary offers a new and improved photographic experience for mirrorless users who require a fast aperture standard zoom lens. Its premium, intuitive build makes it as exciting to use the lens as it is to see the incredible images it can produce, inspiring you to start achieving your creative potential.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e12 groups, 16 elements (2 FLD elements, 2 SLD elements, 3 aspherical elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e75.4°~34.3°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e9 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e19 (W)-38 (T)cm \/ 7.5(W)-15 (T)in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:3.3 (W) - 1:4.6 (T)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ67mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ72.2mm×101.5mm \/ φ2.8in.×4.0in. | Sony E-mount：φ72.2mm×103.5mm \/ φ2.8in.×4.1in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：470g \/ 16.6oz. | Sony E-mount：470g \/ 16.6oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eC021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eLENS HOOD LH706-01 | FRONT CAP LCF-67mm III | REAR CAP LCR II\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eLens construction: 16 elements in12 groups, with 2 FLD elements, 2 SLD elements and 3 aspherical elements | Support DMF, AF+MF | Petal-type lens hood | Compatible with Sigma USB DOCK UD-11 (sold separately \/ for L-Mount only) | Designed to minimize flare and ghosting | Every single lens undergoes Sigma’s proprietary MTF measuring system “A1” | 9-blade rounded diaphragm | High-precision, durable brass bayonet mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729760293119,"sku":"592965","price":95700.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729760325887,"sku":"592969","price":95700.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_bf5d0048-9c9c-4708-ad56-6db5d80fc096.png?v=1792514254"},{"product_id":"200mm-f2-dg-os-sports","title":"Sigma 200mm F2 DG OS | Sports Full-frame mirrorless camera lens","description":"\u003ch3\u003eExcellent resolution even at maximum aperture\u003c\/h3\u003e\n\u003cp\u003eBy adopting an optical design of 19 elements in 14 groups, including 2 FLD and 2 SLD glass elements, axial chromatic aberration and magnification chromatic aberration, which are easily noticeable in telephoto lenses, are thoroughly corrected, achieving exceptionally high optical performance. Even at wide-open aperture, it delivers finely detailed rendering that maintains high resolution and contrast from the center to the edges of the frame.\u003c\/p\u003e\n\u003ch3\u003eImpressive portraits made possible by the exceptional bokeh\u003c\/h3\u003e\n\u003cp\u003eWith the large bokeh enabled by the F2 aperture, which boasts twice the light amount of F2.8, and the compression effect of the 200mm focal length, the lens delivers a gorgeous background blur that brings out the subject, achieving a unique expression. Combined with its exceptional optical performance, it makes it possible to take impressive portraits like no other.\u003c\/p\u003e\n\u003ch3\u003eAlso powerful for indoor sports photography\u003c\/h3\u003e\n\u003cp\u003eThe F2 brightness allows for a faster shutter speed even in low-light environments, making it a powerful tool for indoor sports photography. The large bokeh enhances the movements and expressions of the athletes, creating dynamic images, and with the high-speed AF made possible by the HLA (High-response Linear Actuator) motor and Optical Stabilization (OS), that decisive moment is not missed, even in fast-moving sports scenes.\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize flare and ghosting\u003c\/h3\u003e\n\u003cp\u003eUsing advanced simulation technology, flare and ghosting have been largely eliminated, ensuring that the lens renders rich, high-contrast results in all conditions. In addition, Sigma’s Nano Porous Coating and Super Multi-Layer Coating have been applied to further suppress flare and ghosting.\u003c\/p\u003e\n\u003ch3\u003eHLA-driven high-speed AF\u003c\/h3\u003e\n\u003cp\u003eThe HLA (High-response Linear Actuator) motor is incorporated, achieving high-speed AF. It combines accelerated focusing speed with outstanding accuracy.\u003c\/p\u003e\n\u003ch3\u003ePowerful optical stabilization using the OS2 algorithm\u003c\/h3\u003e\n\u003cp\u003eThe OS2 optical stabilization algorithm provides an outstanding image stabilization effect of 6.5 stops*1. The lens is equipped with two OS modes: Mode 1 is suitable for general shooting, and Mode 2 is ideal for panning shots of motorsports and other sports. In Mode 2, Sigma’s Intelligent OS, an algorithm specially designed for panning shots, enables effective image stabilization even when the camera is moved vertically or diagonally, regardless of the horizontal and vertical orientation. This ensures that the subject’s movement can be captured without losing the panning shot effect.\u003c\/p\u003e\n\u003cp\u003e*1. Based on CIPA guidelines. (Measured at a focal length of 200mm with a 35mm full-frame camera)\u003c\/p\u003e\n\u003ch3\u003eThermal insulation paint for perfect lens performance\u003c\/h3\u003e\n\u003cp\u003eThe exterior of the lens body is coated with a thermal insulation paint that effectively suppresses heat absorption from sunlight. This prevents the lens from heating up, even during long outdoor shoots in sunny weather.\u003c\/p\u003e\n\u003ch3\u003eWeatherability of Sigma’s Sports line specifications\u003c\/h3\u003e\n\u003cp\u003eThe mount joints, manual focus ring, zoom ring, custom switches, and exterior joints are all protected from dust and splash by a dust- and splash-resistant structure*1. Further, the frontmost surface of the lens is coated with a water- and oil-repellent coating to facilitate maintenance when water droplets or dust adhere to the lens.\u003c\/p\u003e\n\u003cp\u003e*1. The structure is designed to be dust- and splash-resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.\u003c\/p\u003e\n\u003ch3\u003eNewly designed tripod socket\u003c\/h3\u003e\n\u003cp\u003eA new tripod socket, TS-171, has been designed with its use as a carrying handle in mind, featuring a longer base and wider spacing between it and the lens. The tripod ring incorporates a 90° click mechanism, allowing for smooth and secure rotation, and the foot is compatible with Arca-Swiss type clamps.\u003c\/p\u003e\n\u003ch3\u003eEquipped with various functions to support shooting\u003c\/h3\u003e\n\u003cp\u003eThere are various functions to support shooting, including AFL buttons in three different locations, a focus mode switch, a focus limiter switch, an OS switch (Mode 1\/2), and a custom mode switch.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e19 elements in 14 groups (2 FLD, 2 SLD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003eL-Mount: 12.3° | Sony E-mount: 12.3°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e11\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e170cm \/ 67.0in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:7.6\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ105mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount: φ118.9mm x 201.0mm \/ φ4.7in. x 7.9in. | Sony E-mount: φ118.9mm x 203.0mm \/ φ4.7in. x 8.0in. | *The length of a lens is measured from the front of the lens to its mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount: 1,820g \/ 64.2oz. | Sony E-mount: 1,800g \/ 63.5oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eS025\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003ePouch | Lens Hood LH1139-01 | Front Cap LCF-105 IV | Rear Cap LCR III | Shoulder Strap | Tripod Socket TS-171\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eOS Switch | Focus Limiter switch | Custom Mode Switch | Mount Conversion Service available | Support for switching between linear and non-linear focus ring settings (for L-Mount only)* * Only cameras that are compatible with the system are allowed to use the system. | Compatible with Sigma USB Dock UD-11 (sold separately \/ for L-Mount only) | Every single lens undergoes Sigma’s proprietary MTF measuring system\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729760227583,"sku":"227965","price":330900.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729760260351,"sku":"227969","price":330900.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_c79723e2-19e3-47b6-9319-fb64ed59ff5b.png?v=1792514254"},{"product_id":"tele-converter-tc-2011","title":"Sigma Tele Converter TC-2011","description":"\u003ch3\u003eTeleconverters designed exclusively for L-Mount lenses\u003c\/h3\u003e\n\u003cp\u003eThe Sigma TELE CONVERTER TC-1411 \/ TC-2011 are teleconverters designed exclusively for the use with Sigma L-Mount lenses. Mounted between a lens and a camera body, the TC-1411 magnifies the focal length of the camera by 1.4x, and the TC-2011 by 2x.\u003cbr\u003eThe superior optical performance of the Sigma Contemporary, Art and Sports lines of lenses is the result of efforts to pursue the highest levels of image quality. The Sigma TELE CONVERTER TC-1411\/TC-2011 upholds the image quality of the original lens to the utmost, while extending the focal length.\u003cbr\u003eIn addition, the new teleconverters have a dust- and splash-proof construction comparable to that of the Sports line lenses, and can withstand harsh outdoor shooting environments when combined with a dust- and splash-proof camera body and lens.\u003cbr\u003eThese lightweight and compact accessories are capable of single-handedly, providing an “ultra telephoto” angle of view for telephoto and macro lenses, while upgrading the performance of the original lenses; the Sigma TELE CONVERTER TC-1411\/TC-2011 will be a new special gear for users.\u003c\/p\u003e\n\u003ch3\u003eOutstanding optical performance\u003c\/h3\u003e\n\u003cp\u003eRemarkable optical performance enabled by the latest design to provide a high shooting ratio while upholding the high performance of the original lens.\u003c\/p\u003e\n\u003ch3\u003eA choice of 1.4x or 2x magnification factor\u003c\/h3\u003e\n\u003cp\u003eAccording to usage, two magnification factors to choose from.\u003c\/p\u003e\n\u003ch3\u003eCompatible with autofocus\u003c\/h3\u003e\n\u003cp\u003eAF is effective at all aperture and all focal lengths.\u003c\/p\u003e\n\u003ch3\u003eDust- and splash-proof\u003c\/h3\u003e\n\u003cp\u003eDust- and splash-proof construction comparable to that of the Sports line lenses.\u003c\/p\u003e\n\u003ch3\u003eEvery single converter undergoes Sigma's proprietary MTF measuring system \"A1\"\u003c\/h3\u003e\n\u003cp\u003eWe used to measure lens performance with an MTF measuring system using conventional sensors. However, we’ve now developed our own proprietary MTF (modulation transfer function) measuring system (A1) using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of our quality control inspections. The Sigma TELE CONVERTER TC-1411 and TC-2011 will all be checked using this “A1” before they are shipped.\u003c\/p\u003e\n\u003ch3\u003e\"Made in Japan\" craftsmanship\u003c\/h3\u003e\n\u003cp\u003eAll Sigma’s manufacturing – right down to the molds and parts – is carried out under an integrated production system, entirely in Japan. We are now one of the very few manufacturers whose products are solely “made in Japan”. We like to think our products are somehow imbued with the essence of our homeland, blessed as it is with clean air and water, and focused, hard-working people. We pride ourselves on the authentic quality of Sigma products, born of a marriage between highly attuned expertise and intelligent, advanced technology. Our sophisticated products have satisfied professionals and lovers of photography all over the world, because our manufacturing is based on genuine craftsmanship, underpinned by the passion and pride of our experts.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens construction\u003c\/td\u003e\n\u003ctd\u003e8 elements in 4 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eShooting Range \/ Shooting Ratio\u003c\/td\u003e\n\u003ctd\u003e2.0 times of magnification from the original lens\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum dimension\u003c\/td\u003e\n\u003ctd\u003eφ65.2mm\/ φ2.6in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLength\u003c\/td\u003e\n\u003ctd\u003e46.9mm\/ 1.8in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMount reference plane spacing\u003c\/td\u003e\n\u003ctd\u003e31.2mm\/ 1.2in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e205g\/ 7.2oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":50729760391423,"sku":"826969","price":53200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_0f37b934-f6b4-4ffc-8dcc-a0ba0a921eb8.png?v=1792514254"},{"product_id":"50mm-f2-dg-contemporary","title":"Sigma 50mm F2 DG | Contemporary Full-frame mirrorless camera lens","description":"\u003ch2\u003eCompact 50mm. Big Surprise.\u003c\/h2\u003e\n\u003cp\u003ePerformance beyond expectations condensed into a small body. 50mm F2 joins the “Premium Compact Prime” I series.\u003c\/p\u003e\n\u003cp\u003eThe Sigma 50mm F2 DG | Contemporary features high optical performance with a bright F2 aperture, that creates expressive images with a shallow depth of field and beautiful bokeh effects. With its compact size, this popular classic focal length is perfect for portraits, street and everyday photography. The lens has been designed to be used over a long period of time. Using that same technology that Sigma used to create the Sigma CINE lens range, the 50mm F2 DG | Contemporary uses an all-metal construct that is robust and provides a premium feel.\u003cbr\u003e All these elements combine to create an exceptionally versatile lens that can be used in a variety of creative ways to create images in outstanding definition. Perfectly suited to new photographers looking to take the next step, professionals who require reliable lenses and photographers who prefer smaller full-frame lenses that offer the best optical quality.\u003c\/p\u003e\n\u003ch3\u003e“Standard lens” that matches the optical performance standards set by the Sigma Contemporary line of lenses.\u003c\/h3\u003e\n\u003cp\u003eSigma I series lenses are developed around the concept of “Compact everyday lenses with outstanding image quality” and the Sigma 50mm F2 DG | Contemporary is exactly that. It features high-quality optics in a compact size, perfect for a wide variety of photographic styles. Built from the ground up for mirrorless cameras, the Sigma 50mm F2 DG | Contemporary is constructed using a single SLD glass element and three aspherical lens elements that are excellent at correcting various types of aberration for clear, high-definition images.\u003cbr\u003e The conflicting ideals of improving optical performance while reducing body size and weight are achieved through the latest optical design, and the processing and production technologies at Sigma’s only production facility in Aizu.\u003cbr\u003e The 50mm focal length is mostly known for portrait photography, so careful consideration was taken when designing the lens, focusing on the smoothness of the bokeh created by the F2 aperture. Its optical design gives smooth transitions from in-focus to out-of-focus areas, and helps minimize flare and ghosting caused by backlit environments. The quiet stepping motor provides quick, reliable autofocusing for both stills and video.\u003c\/p\u003e\n\u003ch3\u003eExpanding the I series lineup. \u003cbr\u003e“Creating pictures that are beyond beautiful”.\u003c\/h3\u003e\n\u003cp\u003eThe Sigma I series features full-frame compatible lenses that offer new value to mirrorless systems. The combination of superb optical performance with a level of compactness that is perfectly suited to smaller and lighter modern mirrorless cameras will bring you new opportunities for a perfect shot. Sigma is aware that in today’s world we have a wide range of camera choices, especially with the increase in mobile phone ownership. But with many photographers looking for something more than something that simply captures images when they choose to own a camera and lens, I series lenses offer the ultimate combination of superb optical performance, outstanding usability and compact form-factor. Sigma’s excellence in development and production technologies has been built up since our founding in 1961 and became increasingly sophisticated with the introduction of the Sigma Global Vision brand in 2012. With this as a base, Sigma has given careful thought to the quality of the products, the feeling of using it and the pleasure of owning it. This is how the I series was born.\u003c\/p\u003e\n\u003ch3\u003eExceptional I series build quality with a compact form-factor\u003c\/h3\u003e\n\u003cp\u003eAll I series lenses have an all-metal construction. The precision-cut aluminum parts not only give the barrel a sleek, stylish finish, but provide superb durability that improves the quality of the entire product. Metal materials are also used in internal structures that slide with the operation ring for added robustness. These high-precision components crafted with Sigma’s cutting-edge metalworking technology are also used in Sigma’s CINE LENS lineup for professional cinematographers and provide a tactile, ergonomic feel that make the lens a pleasure to use.\u003cbr\u003e A smooth hairline cover ring is used between the focus and aperture rings to act as a finger hold when attaching and detaching the lens.\u003c\/p\u003e\n\u003ch3\u003eMagnetic metal lens cap\u003c\/h3\u003e\n\u003cp\u003eI series lenses are accompanied by a dedicated magnetic metal lens cap, in addition to a normal plastic cap. This dedicated metal cap clips to the front surface of the lens magnetically. It is no exaggeration to say that this meticulously crafted cap represents the finishing touch for the I series.\u003c\/p\u003e\n\u003ch3\u003eMagnetic metal lens cap holder LENS CAP HOLDER CH-11 (sold separately)\u003c\/h3\u003e\n\u003cp\u003eWhen a cap is removed from the lens it should have a proper place where it can be kept. Using this as a starting point, a cap holder using the magnetic force of the dedicated cap was created.\u003cbr\u003e With the cap attached to the ring plate, and the plate clipped to a bag or belt, the cap is always within easy reach and is less likely to get lost. Plus, its elegant design is a stylish addition to a photographer’s equipment.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv p=\"\"\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e11 elements in 9 groups (1 SLD and 3 aspherical lens elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e46.8°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e9 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e45cm \/ 17.8in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:6.9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ58mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ70.0mm × 68.0mm \/ φ2.8in. × 2.7in. | Sony E-mount：φ70.0mm × 70.0mm \/ φ2.8in. × 2.8in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：350g \/ 12.3oz. | Sony E-mount：345g \/ 12.2oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eC023\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eLENS HOOD（LH633-02B／LH633-02S） | MAGNETIC METAL LENS CAP（LCF58-02 MB／LCF58-02 MS） | FRONT CAP（LCF-58 IV） | REAR CAP（LCR III） | Pouch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eLens construction: 11 elements in 9 groups with 1 SLD and 3 aspherical lens elements | Compatible with high-speed autofocus | Support DMF and AF+MF | Compatible with AF assist (Sony E-mount only) | LENS HOOD （LH633-02B／LH633-02S） | Magnetic metal lens cap （LCF58-02 MB／LCF58-02 MS） | Compatible with Sigma USB DOCK UD-11 (sold separately \/ for L-Mount only) | Designed to minimize flare and ghosting | Every single lens undergoes Sigma’s proprietary MTF measuring system | 9-blade rounded diaphragm | High-precision, durable brass bayonet mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount (Black)","offer_id":50729760424191,"sku":"31B965","price":65200.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount (Black)","offer_id":50729760456959,"sku":"31B969","price":65200.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount (Silver)","offer_id":50729760489727,"sku":"31S969","price":65200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_917d1896-b884-4041-a043-dac1cf90f21b.png?v=1792514254"},{"product_id":"14mm-f1-4-dg-art","title":"Sigma 14mm F1.4 DG | Art Full-frame mirrorless camera lens","description":"\u003ch3\u003eUltra wide-angle 14mm with a maximum aperture of F1.4 and outstanding optical performance\u003c\/h3\u003e\n\u003cp\u003eThis world-first performance was achieved by applying the best of Sigma’s optical technologies, from the design to the lens manufacturing process. 19 elements in 15 groups, including 1 SLD glass element, 3 FLD glass elements, and 4 aspherical lens elements, make up a luxurious lens configuration. This allows for advanced aberration correction and a high degree of precision in the lens construction. This allows both advanced aberration correction and F1.4 brightness. In particular, sagittal coma flare, which distorts the shape of stars, has been carefully corrected, and even at the widest aperture, the lens delivers high image reproducibility right to the periphery of the image. Ghosting and flare are also thoroughly addressed through both optical design and coatings. This allows for clear, crisp shooting of starry sky and night scenes. Optimized for starscapes, which require extremely high performance, this lens delivers images that exceed expectations in any scene, including landscapes, architecture snapshots, portraits, and indoor photography.\u003c\/p\u003e\n\u003cp\u003eThe largest class φ79mm aspherical lens element\u003c\/p\u003e\n\u003ch3\u003eAbundant functions and accessories to support starscape photography\u003c\/h3\u003e\n\u003cp\u003eThe 14mm F1.4 DG | Art is equipped with a wealth of features to support starscape photography. This fully backs up the fun of starscape photography.\u003c\/p\u003e\n\u003ch3\u003eTripod Socket\u003c\/h3\u003e\n\u003cp\u003eIncludes a detachable tripod socket compatible with Arca-Swiss type. As the 14mm F1.4 DG | Art is heavier on the front side, attaching the tripod socket helps it mount on a tripod in a more stable way. The shape is designed to prevent interference even when using the lens heater.\u003c\/p\u003e\n\u003ch3\u003eMFL (Manual Focus Lock) Switch\u003c\/h3\u003e\n\u003cp\u003eWhen the MFL switch is set to “LOCK”, the focus ring operation will be disabled. It prevents focus shift caused by unintentional operation of the focus ring. This is useful for long time exposure photography, etc., where the focus should be fixed.\u003c\/p\u003e\n\u003ch3\u003eLens Heater Retainer\u003c\/h3\u003e\n\u003cp\u003eA lip at the front of the lens prevents the lens heater* from protruding into the front of the lens and causing vignetting on the periphery of the screen.\u003cbr\u003e\u003cbr\u003e*A belt-shaped heater that is wrapped around the lens to prevent condensation from forming inside the lens when the temperature drops.\u003cbr\u003e*Lens heater is not included.\u003c\/p\u003e\n\u003ch3\u003eRear filter Holder\u003c\/h3\u003e\n\u003cp\u003eA rear filter holder is provided as standard equipment at the lens mount for attaching a sheet-type rear filter. A lock mechanism is also provided to prevent the filter from falling out.\u003c\/p\u003e\n\u003ch3\u003eSpecial front cap with locking mechanism and filter slots\u003c\/h3\u003e\n\u003cp\u003eIncludes a cover-type front cap with locking mechanism. It also has newly developed filter slots that can hold two rear filters depending on the application. The cap is specially designed for the 14mm F1.4 DG | Art to protect the sheet filters from scratches and dirt while ensuring that they are not mistakenly taken out or forgotten.\u003c\/p\u003e\n\u003ch3\u003eSignature Art line features and high build quality\u003c\/h3\u003e\n\u003cp\u003eIn addition to functions specifically designed for shooting starscapes, the lens is equipped with various functions to assist in shooting, including an AFL button to which any function can be assigned and an aperture ring. The body is dust and splash resistant, and the frontmost surface of the lens is coated with a water and oil repellent coating, so you can shoot outdoors in harsh environments with peace of mind. The HLA (High-response Linear Actuator) enables high-speed, quiet, and highly accurate autofocusing. In order to maintain performance while supporting a lens with a large aperture, the lens has a robust internal structure and uses lightweight materials such as polycarbonate TSC (Thermally Stable Composite), which has a thermal shrinkage rate equivalent to that of aluminum, and magnesium in appropriate locations to reduce weight while ensuring robustness. The lens body is built with the high build quality of the Art line specifications, allowing the user to fully enjoy the unique performance of the lens in any environment, including shooting starscapes.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e19 elements in 15 groups (3 FLD, 1 SLD, and 4 aspherical elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e114.2°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e11 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e30cm \/ 11.9in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:11.9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e-\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ101.4mm × 149.9mm \/ φ4.0in. × 5.9in. Sony E-mount：φ101.4mm × 151.9mm \/ φ4.0in. × 6.0in. * The length of a lens is measured from the filter surface to its mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：1,170g \/ 41.3oz. Sony E-mount：1,160g \/ 40.9oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eA023\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eCOVER LENS CAP LC1014-02 | REAR CAP LCR III | TRIPOD SOCKET TS-141 | PROTECTIVE COVER PT-42\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eLens construction: 19 elements in 15 groups (3 FLD, 1 SLD, and 4 aspherical elements) | Compatible with high-speed autofocus | Support DMF and AF+MF | Compatible with AF assist (Sony E-mount only) | TRIPOD SOCKET TS-141 supplied | Special front cap with locking mechanism and filter slot: COVER LENS CAP LC1014-01(NEW) | Compatible with Sigma USB DOCK UD-11 (sold separately \/ for L-Mount only) | Designed to minimize flare and ghosting | Every single lens undergoes Sigma’s proprietary MTF measuring system | 11-blade rounded diaphragm | High-precision, durable brass bayonet mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729760948479,"sku":"45P965","price":154200.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729760981247,"sku":"451969","price":154200.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_a8046936-2d96-4d09-9975-e4b4be0b4d66.png?v=1792514255"},{"product_id":"20mm-f1-4-dg-dn-art","title":"Sigma 20mm F1.4 DG DN | Art Full-frame mirrorless camera lens","description":"\u003ch3\u003eHighest optical performance on a new level\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 20mm F1.4 DG DN | Art delivers exceptionally detailed results that easily satisfy the high demands of professional photography and other high-end applications. With 17 glass elements arranged in 15 groups, including two SLD, three aspherical glass elements and the largest class double-sided aspherical glass element in Sigma’s history, the 20mm F1.4 DG DN | Art rigorously suppresses various optical aberrations such as sagittal coma flare or image distortion to produce highly-detailed images with exceptional sharpness and accuracy from the center to the furthest corners, allowing photographers to make use of the entire field of view afforded by its ultra-wide viewing angle. This ultimate astrophotography lens is the culmination of the unparalleled manufacturing technology of Sigma’s sole production base in Aizu, Japan, as well as the company’s know-how and experience with large-aperture wide-angle lenses, such as the Sigma 20mm F1.4 DG HSM | Art, the Sigma 14mm F1.8 DG HSM | Art and the Sigma 14-24mm F2.8 DG DN | Art.\u003c\/p\u003e\n\u003cp\u003eThe largest class double-sided aspherical glass element\u003c\/p\u003e\n\u003cp\u003eDesigned for perfect results even in the most demanding conditions\u003c\/p\u003e\n\u003ch3\u003eThe new MFL (Manual Focus Lock) switch\u003c\/h3\u003e\n\u003cp\u003eWhen the MFL switch is set to “LOCK”, the focus ring operation will be disabled.\u003c\/p\u003e\n\u003cp\u003eThis is to prevent the focus ring from accidentally being moved, which would cause out-of-focus images.\u003c\/p\u003e\n\u003ch3\u003eSupport front and rear filters\u003c\/h3\u003e\n\u003cp\u003eThe lens also comes with a rear filter holder, allowing photographers the freedom to combine multiple filters to suit a huge variety of shooting situations for near-unlimited creative potential at an ultra-wide viewing angle—for example, using a front filter to reduce light pollution and a softening filter on the rear to take impressive, sharp photographs of nightly landscapes with star-filled skies.\u003c\/p\u003e\n\u003ch3\u003eLens heater retainer\u003c\/h3\u003e\n\u003cp\u003eFurther, the lens also equips a lens heater retainer, meaning that lens heaters used to prevent internal condensation as the temperature drops on longer night shoots will stay securely attached to the barrel without protruding into the image and causing unsightly vignetting. With its brilliant optical power and its full range of useful features despite its compact and lightweight body, the Sigma 20mm F1.4 DG DN | Art is the ultimate choice when photographing the night sky.\u003c\/p\u003e\n\u003ch3\u003eSuperb build quality and usability with uncompromising attention to detail\u003c\/h3\u003e\n\u003cp\u003eIts dust- and splash-resistant structure* and the water- and oil-repellent coating on the front glass element make the Sigma 20mm F1.4 DG DN | Art safe to use during longer outdoor shoots, especially during the night.\u003cbr\u003e* Although this construction allows the lens to be used in light rain, it is not the same as being waterproof.\u003c\/p\u003e\n\u003cp\u003eThoughtful features such as a focus mode switch, a customizable AFL* button, and an aperture ring lock switch enhance the lens usability. An aperture ring click switch can be used to turn the aperture ring click on and off, allowing photographers to enjoy the sound and feel of the click, as well as smooth aperture operation during video recording. \u003cbr\u003e The robust body is built from a combination of aluminum and Thermally Stable Composite (TSC), giving it a sleek finish, and the included petal-shaped lens hood is equipped with a lock mechanism to keep the hood securely fastened to the lens, and the rubberized grip area makes attaching and removing the hood a quick and easy process. Manufactured in Japan with an uncompromising approach towards every single detail, the Sigma 20mm F1.4 DG DN | Art offers photographers an exceptional experience with high-end results even in the most difficult conditions, thanks to its outstanding optical performance, exceptional build quality perfect for professional use, brilliant and precise ergonomics, and a range of useful features.\u003c\/p\u003e\n\u003cp\u003e* Only on compatible cameras. Available functions may vary depending on the camera used.\u003c\/p\u003e\n\u003cp\u003eDG DN Art F1.4 series lineup\u003c\/p\u003e\n\u003cp\u003eART\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e20mm F1.4 DG DN\u003c\/p\u003e\n\u003cp\u003eART\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e24mm F1.4 DG DN\u003c\/p\u003e\n\u003cp\u003eART\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e35mm F1.4 DG DN\u003c\/p\u003e\n\u003cp\u003eART\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e85mm F1.4 DG DN\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e17 elements in 15 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e94.5 °\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e11 (Rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e23cm \/ 9.1in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:6.1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ87.8mm × 111.2mm \/ φ3.5in. × 4.4in. Sony E-mount：φ87.8mm × 113.2mm \/ φ3.5in. × 4.5in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：635g \/ 22.4oz. Sony E-mount：630g \/ 22.2oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eA022\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eCase | Petal-type LENS HOOD LH878-04 | FRONT CAP LCF-82 III | REAR CAP LCR II | GUIDE PLATE GP-21\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eLens construction: 17 elements in 15 groups | Compatible with high-speed autofocus | Compatible with front filter (φ82mm) | Support for DMF and AF+MF | Compatible with AF Assist (Sony E-mount only) | Petal-type LENS HOOD (LH878-04) | Compatible with Sigma USB DOCK UD-11 (sold separately; L-Mount only) | Designed to minimize flare and ghosting | Every single lens is evaluated with Sigma’s proprietary MTF measuring system | 11-blade rounded diaphragm | High-precision, durable brass bayonet mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729761145087,"sku":"414965","price":108400.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729761177855,"sku":"414969","price":108400.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_e1c4c2f8-00df-4ecd-90b1-579c9ba4b4aa.png?v=1792514255"},{"product_id":"300-600mm-f4-dg-os-sports","title":"Sigma 300-600mm F4 DG OS | Sports Full-frame mirrorless camera lens","description":"\u003ch3\u003eExceptional versatility in the ultra-telephoto range\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 300-600mm F4 DG OS | Sports extends the capabilities of a 600mm F4 prime lens with the freedom to zoom out all the way to 300mm without compromising optical performance. Its inner zoom mechanism minimizes center of gravity fluctuations throughout the entire zoom range, making it a versatile and easy-to-use tool for an unprecedented range of shooting situations.\u003c\/p\u003e\n\u003ch3\u003eExtremely high optical performance\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 300-600mm F4 DG OS | Sports features 28 lens elements in 21 groups, including 6 FLD and 1 SLD glass elements, anomalous dispersion glass, and high refractive index glass. Its optical design provides excellent correction of various optical aberrations, such as chromatic aberration, throughout the entire zoom range. Although a zoom lens, the Sigma 300-600mm F4 DG OS | Sports delivers the unparalleled optical performance of a prime lens.\u003c\/p\u003e\n\u003ch3\u003eHLA-driven high-speed AF\u003c\/h3\u003e\n\u003cp\u003eDespite its large aperture of F4, the Sigma 300-600mm F4 DG OS | Sports features a lightweight focus lens group thanks to the use of a high-thrust HLA (High-response Linear Actuator) motor, optimized optical power arrangement and state-of-the-art glass materials. The result is a high-speed autofocus functionality with outstanding accuracy.\u003c\/p\u003e\n\u003ch3\u003ePowerful Optical Stabilization function driven by the OS2 algorithm\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 300-600mm F4 DG OS | Sports delivers exceptional optical stabilization of 5.5 stops* at 600mm. Powered by Sigma’s sophisticated OS2 algorithm and featuring a drive unit with a specially designed actuator and high-precision sensor, this lens effortlessly meets the demands of a large-aperture ultra-telephoto.\u003cbr\u003e\u003cbr\u003eAdditionally, photographers have the choice between two OS modes: Mode 1 is suitable for most still photography and video situations, while Mode 2 was specially designed for panning shots. Driven by Sigma’s Intelligent OS algorithm, this mode stabilizes the image during horizontal, vertical, or diagonal movements, regardless of the camera’s orientation, enabling photographers to capture moving subjects with professional precision.\u003cbr\u003e\u003cbr\u003e* Based on CIPA guidelines. (Measured at a focal length of 600mm with a 35mm full-frame camera)\u003c\/p\u003e\n\u003ch3\u003eCombines high robustness and mobility\u003c\/h3\u003e\n\u003cp\u003eThe lens barrel is made of magnesium alloy for the main parts and the hood is made of carbon, achieving both high robustness and light weight. In addition, the optical design with the center of gravity toward the camera greatly improves the weight balance, which tends to be front-heavy.\u003c\/p\u003e\n\u003ch3\u003eThermal insulation paint for perfect lens performance\u003c\/h3\u003e\n\u003cp\u003eThe exterior of the lens body is coated with a thermal insulation paint that effectively suppresses heat absorption from sunlight. This prevents the lens from heating up, even during long outdoor shoots in sunny weather, such as nature or motorsports photography.\u003c\/p\u003e\n\u003ch3\u003eNew function ring adds extended functionality\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 300-600mm F4 DG OS | Sports features a newly added function ring that further expands the options of the lens. The focus ring offers two different modes, selected via its setting switch:\u003cbr\u003e\u003cbr\u003eFocus Preset Mode:\u003cbr\u003eBy turning the function ring to the left or right, the focus can be instantly shifted to a pre-registered focus position. This is useful when frequently shooting at a fixed focus position.\u003cbr\u003e\u003cbr\u003ePower Focus Mode:\u003cbr\u003eFocusing at a constant speed is possible by operating the function ring. This allows for smooth focus shift during movie shooting as well as for focusing with minimal movement when shooting hand-held. Focusing speed can be changed in two steps depending on the angle at which the function ring is operated.\u003c\/p\u003e\n\u003ch3\u003eDurable and easy-to-handle tripod socket\u003c\/h3\u003e\n\u003cp\u003eThe tripod socket's rotating mechanism uses bearings for both high durability and smooth rotation with an optional click\/declick mechanism for each 90° angle to assist in accuracy. The tripod socket foot is compatible with Arca-Swiss type clamps, but can be easily removed and replaced with different interchangeable tripod sockets (available separately) to suit a variety of situations and preferences.\u003c\/p\u003e\n\u003ch3\u003eEquipped with a drop-in filter holder\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 300-600mm F4 DG OS | Sports features a drop-in filter holder for standard ø40.5mm filters. In addition, Sigma has developed a new drop-in circular polarizing filter and a variable ND filter (available separately) that can be adjusted by approximately 7-stops while dropped into the lens.\u003c\/p\u003e\n\u003ch3\u003eWeatherability of Sigma’s Sports line specifications\u003c\/h3\u003e\n\u003cp\u003eThe mount joints, manual focus ring, zoom ring, custom switches and other control switches, and exterior joints are all protected from dust and splash by a dust- and splash-resistant structure*. Further, the frontmost surface of the lens is coated with a water- and oil-repellent coating to facilitate maintenance when water droplets or dust adhere to the lens.\u003cbr\u003e\u003cbr\u003e* The structure is designed to be dust- and splash-resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.\u003c\/p\u003e\n\u003ch3\u003eVarious functions to support shooting\u003c\/h3\u003e\n\u003cp\u003eThe lens features a variety of buttons and switches to accommodate individual preferences and the demands of different shooting situations, including AFL buttons in four different locations, a focus mode switch, a focus limiter switch, an OS mode switch (Mode 1 or Mode 2), and a custom mode switch. The L-Mount version of the lens is also compatible with Tele Converters (TC-1411\/TC-2011) for AF-enabled shooting at a maximum focal length of 1,200mm.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e28 elements in 21 groups (6 FLD, 1 SLD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e8.2-4.1°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e13 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e280(W)-450(T)cm \/ 110.3(W)-177.2(T)in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1: 6 at f=470mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ40.5mm (Rear)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ167.0mm x 467.9mm \/ φ6.6in. x 18.4in. | Sony E-mount：φ167.0mm x 469.9mm \/ φ6.6in. x 18.5in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：3,985g \/ 140.6oz. | Sony E-mount：3,970g \/ 140.0oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eS025\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eCASE | LENS HOOD LH1615-01 | COVER LENS CAP LC-598E | REAR CAP LCR III | SHOULDER STRAP | TRIPOD SOCKET TS-161 | DROP IN FILTER HOLDER RFH-21\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eFunction Ring The focus ring offers two different modes, selected via its setting switch: | Custom Mode Switch | Drop In Filter Holder | OS Switch | Compatible with Signa Tele Converter TC-1411 \/ TC-2011 (sold separately \/ for L-Mount only) | Compatible with SIGMA USB DOCK UD-11 (sold separately \/ for L-Mount only) | Every single lens undergoes SIGMA’s proprietary MTF measuring system | Mount Conversion Service available | Compatible with high-speed autofocus | Supports DMF and AF+MF | Designed to minimize flare and ghosting | Compatible with AF assist (for Sony E-mount only) | Petal-type hood\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729761210623,"sku":"598965","price":701800.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729761243391,"sku":"598969","price":701800.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_1fd94abe-2320-49aa-929d-079d3f2f58c5.png?v=1792514256"},{"product_id":"tripod-socket-ts-111-kit","title":"Sigma Tripod Socket TS-111 Kit","description":"\u003cp\u003eThe ring shape tripod socket incorporates lightweight and durable magnesium alloy. Compatible with Arca-Swiss platforms and clamps.\u003c\/p\u003e\u003cp\u003eCompatible products: 105mm F1.4 DG HSM | Art, 100-400mm F5-6.3 DG DN OS | Contemporary\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":50729761276159,"sku":"2597ZN","price":15700.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_1d3ed3bb-4768-4f34-891f-8b0eed749bb2.png?v=1792514256"},{"product_id":"56mm-f1-4-dc-dn-contemporary","title":"Sigma 56mm F1.4 DC DN | Contemporary APS-C mirrorless camera lens","description":"\u003ch2\u003eCompact, lightweight and remarkable image quality | ―a mid-tele lens for APS-C mirrorless\u003c\/h2\u003e\n\u003cp\u003eOffering an opportunity to experience the fun of shooting wide open, with F1.4 brightness\u003c\/p\u003e\n\u003cp\u003eThe first of the series is the standard lens 30mm F1.4 DC DN | Contemporary , and the second is the wide-angle lens 16mm F1.4 DC DN | Contemporary . The third addition is this smallest mid-tele lens in its class, 56mm F1.4 DC DN | Contemporary. While retaining the compact, lightweight, and outstanding image quality concepts of the Contemporary line, thanks to Sigma’s leading-edge technology, this lens provides the amount of bokeh and admirable brightness expected from F1.4 lenses even in the mid-tele range. This addition completes the large aperture series comprised of portable wide-angle, standard, and telephoto lenses.\u003c\/p\u003e\n\u003ch3\u003eA member of the high-performance Contemporary line, featuring Sigma’s latest technologies\u003c\/h3\u003e\n\u003cp\u003eSmooth AF ideal for video shooting\u003cbr\u003e\u003cbr\u003eThe combination of optical design for video AF and use of the stepping motor enables smooth and quiet autofocus. This lens is also compatible with the Sony E-mount Fast Hybrid AF, achieving precise AF tracking. By using the face recognition or eye AF functions of cameras, focus will continuously be on the face or the eye even if the subject moves during the shoot.\u003c\/p\u003e\n\u003ch3\u003eHigh-precision, rugged brass bayonet mount\u003c\/h3\u003e\n\u003cp\u003eThe brass mount combines high precision with rugged construction. Its treated surfaces and enhanced strength contribute to the exceptional durability of the lens.\u003c\/p\u003e\n\u003ch3\u003eMount with Dust and Splash Resistant Structure\u003c\/h3\u003e\n\u003cp\u003eThe mount features a special sealing* to make the lens an excellent choice in a wide variety of conditions.\u003cbr\u003e\u003cbr\u003e* Except for Canon EF-M mount\u003c\/p\u003e\n\u003ch3\u003eImpressively compact construction with image quality rivaling Sigma's Art line.\u003c\/h3\u003e\n\u003cp\u003eTo achieve such a compact construction, lens design is considered based on the capabilities of the camera body function to correct* peripheral light amount and distortion. Moreover, axial color aberration, which is difficult to eliminate by image processing, is efficiently corrected by incorporating an SLD glass element. A compactness and lightweight construction combined with superb image quality is achieved.\u003c\/p\u003e\n\u003cp\u003e* Limited to what the camera supports.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e EOS-M series cameras incompatible with aberration correction \u003c\/strong\u003e \u003cbr\u003e Cameras incompatible with distortion correction \u003cbr\u003e EOS M5, EOS M6, EOS M100, EOS M10, EOS M3, EOS M2, EOS M\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize flare and ghosting\u003c\/h3\u003e\n\u003cp\u003eFrom an early stage in the lens design process, flare and ghosting have been measured to establish an optical design resistant to strong incident light sources such as backlighting. Sigma’s Super Multi-Layer Coating reduces flare and ghosting to help photographers produce sharp and high contrast images even in backlit conditions. The included lens hood can be attached to block out extraneous light, which can have a negative effect on rendering performance.\u003c\/p\u003e\n\u003ch3\u003eThe only three F1.4 AF lens system for APS-C Sony E-mount mirrorless cameras\u003c\/h3\u003e\n\u003cp\u003eThe lens benefits from an open aperture of F1.4 to achieve sufficient amount of bokeh and admirable brightness even with APS-C size cameras which tend to have smaller bokeh effects compared to 35mm full size systems. Its compact and lightweight body is perfect for daily use, capable of capturing various scenes ranging from portraits to snapshots, as well as night view.\u003c\/p\u003e\n\u003ch3\u003eRounded diaphragm\u003c\/h3\u003e\n\u003cp\u003eThe 9-blade rounded diaphragm creates an attractive blur in the out-of-focus areas of the image.\u003c\/p\u003e\n\u003ch3\u003eSigma DC DN SERIES\u003c\/h3\u003e\n\u003cp\u003eOver the years, Sigma has built an extensive lineup of bright prime lenses ranging from wide-angle to telephoto. Now, for mirrorless cameras, Sigma is developing a range of interchangeable lenses that feature a lightweight, compact package for convenient daily shooting while delivering superior performance and covering the key focal lengths.\u003cbr\u003e\u003cbr\u003eDeveloped to feature a lightweight, compact package for everyday use, Sigma DN lenses for mirrorless cameras deliver superior performance covering the key focal lengths. The new lens builds on the success of the 30mm F1.4 DC DN | Contemporary, which Sigma released in 2016 as the first in a new series of prime lenses for mirrorless cameras. The 16mm F1.4 DC DN | Contemporary also combines F1.4 brightness with top-level optical performance.\u003cbr\u003e\u003cbr\u003eThe first in this Sigma series of prime lenses for mirrorless cameras was the standard prime 30mm F1.4 DC DN | Contemporary, then the wide-angle prime 16mm F1.4 DC DN | Contemporary, and now followed by the telephoto 56mm F1.4 DC DN | Contemporary, Sigma has made a new and complete system for mirrorless camera users.\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e16mm F1.4 DC DN\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e30mm F1.4 DC DN\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e56mm F1.4 DC DN\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv p=\"\"\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Canon EF-M mount,Canon RF Mount,FUJIFILM X Mount,Micro Four Thirds mount,Nikon Z mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eAPS-C [DC]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e10 elements in 6 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003eL-Mount：28.5° Canon EF-M mount：26.9° Canon RF Mount：26.9° FUJIFILM X Mount：28.5° Micro Four Thirds mount：21.9° Nikon Z mount：28.5° Sony E-mount：28.5°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e9(Rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e50cm \/ 19.7in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:7.4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ55mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ66.5mm × 57.5mm \/ φ2.6in. × 2.3in. Canon EF-M mount：φ66.5mm × 59.5mm \/ φ2.6in. × 2.3in. Canon RF Mount：φ69.0mm × 57.5mm \/ φ2.7in. × 2.3in. FUJIFILM X Mount：φ66.5mm × 59.8mm \/ φ2.6in. × 2.4in. Micro Four Thirds mount：φ66.5mm × 58.1mm \/ φ2.6in. × 2.3in. Nikon Z mount：φ70.0mm × 61.5mm \/ φ2.8in. × 2.4in. Sony E-mount：φ66.5mm × 59.5mm \/ φ2.6in. × 2.3in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：285g \/ 10.1oz. Canon EF-M mount：280g \/ 9.9oz. Canon RF Mount：290g \/ 10.2oz. FUJIFILM X Mount：280g \/ 9.9oz. Micro Four Thirds mount：256g \/9.0oz. Nikon Z mount：295g \/10.4oz. Sony E-mount：280g \/9.9oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eC018\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eLENS HOOD LH582-01 | FRONT CAP LCF-55mm III | REAR CAP LCR II\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729761407231,"sku":"351965","price":50100.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729761439999,"sku":"351969","price":50100.0,"currency_code":"INR","in_stock":true},{"title":"Canon RF-mount","offer_id":50729761472767,"sku":"351972","price":50100.0,"currency_code":"INR","in_stock":true},{"title":"Nikon Z-mount","offer_id":50729761505535,"sku":"351973","price":53700.0,"currency_code":"INR","in_stock":true},{"title":"Fujifilm X-mount","offer_id":50729761538303,"sku":"351975","price":50100.0,"currency_code":"INR","in_stock":true},{"title":"Canon EF-M mount","offer_id":50729761571071,"sku":"351971","price":50100.0,"currency_code":"INR","in_stock":true},{"title":"Micro Four Thirds (MFT)","offer_id":50729761603839,"sku":"351963","price":50100.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_338f0bed-42ac-4a00-96e1-4aadf7daa118.png?v=1792514256"},{"product_id":"150-600mm-f5-6-3-dg-dn-os-sports","title":"Sigma 150-600mm F5-6.3 DG DN OS | Sports Full-frame mirrorless camera lens","description":"\u003ch2\u003eCapture the magic | through your finder.\u003c\/h2\u003e\n\u003cp\u003eIntroducing the Sigma 150-600mm F5-6.3 DG DN OS | Sports, a powerful ultra-telephoto zoom and the first ever Sports line lens for mirrorless systems. This portable and practical optic revolutionizes the way mirrorless users capture wildlife, motorsport and other fast-action subjects.\u003c\/p\u003e\n\u003cp\u003eThe 150–600mm F5-6.3 DG DN OS | Sports is Sigma Sports line’s first ultra-telephoto zoom lens, designed from the ground up specifically for full-frame mirrorless cameras. It offers outstanding levels of performance, functionality, and build quality required for ultra-telephoto shooting in the most demanding situations. \u003cbr\u003e Image quality is exceptional, with ultra-high-performance glass capable of delivering ultra-sharp results even on the highest resolution cameras. The lens displays beautiful bokeh throughout its zoom range, and optical aberrations are kept well under control. It can be used with Sigma’s 1.4× and 2× L-Mount teleconverters, with AF effective up to 1200mm.\u003c\/p\u003e\n\u003cp\u003eFast and accurate autofocus owing to an AF unit equipped with a \u003cspan data-commodal-id=\"commodalID_193b4e1ec48126\" data-modalelm-technology-id=\"5805\"\u003e(*)high-precision magnetic sensor\u003c\/span\u003e, combined with the image stabilization algorithm “OS2” that enables image stabilization of approximately 6.5 stops at the wide end and approximately 5.5 stops at the telephoto end\u003csup\u003e*1\u003c\/sup\u003e makes this a highly responsive lens that can handle even the most challenging subjects. It has a Dual Action Zoom system that includes straight and ring zoom, a dust and splash resistant structure\u003csup\u003e*2\u003c\/sup\u003e, and customizable switches helping photographers and filmmakers adapt quickly and easily to virtually any shooting environment.\u003c\/p\u003e\n\u003cp\u003eCapture the long-reach images you have always wanted with an ultra-telephoto lens—that’s the visual experience you will enjoy with the 150-600mm F5-6.3 DG DN OS | Sports, the first ultra-telephoto lens for mirrorless systems from Sigma Sports line.\u003c\/p\u003e\n\u003cp\u003e*1 Firmware Ver.1.1 for L-Mount and firmware Ver.0.3 or later for Sony E-mount are required. \u003cbr\u003e *1 Based on CIPA guidelines (measured in 150mm and 600mm with a 35mm full-size image sensor) \u003cbr\u003e *2 Although this construction allows the lens to be used in light rain, it is not the same as being waterproof.\u003c\/p\u003e\n\u003cp data-modal-label=\"modalHighPrecision\"\u003e(*)high-precision magnetic sensor\u003cbr\u003e It is a sensor that can detect the position of the focus lens with a high degree of precision by using a magnetic signal. This is done in real time to improve AF accuracy.\u003c\/p\u003e\n\u003ch3\u003eUncompromising optical performance throughout the zoom range\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 150-600mm F5-6.3 DG DN OS | Sports offers outstanding optical performance throughout its zoom range and at all apertures, yielding professional quality results.\u003cbr\u003e\u003cbr\u003eBased on the latest optical design technology, its lens construction of 25 elements in 15 groups includes a range of special types of high-performance glass that ensures thorough control of different types of aberrations. This helps give images the resolution and clearest detail—not only at the tele end around 600mm, which is critical for an ultra-telephoto zoom, but also throughout its entire zoom range—with no compromise. The lens was designed with image quality in the out-of-focus areas in mind as well, with attractive compression and beautiful bokeh for creating eye-catching images that can only be achieved with a long focal length.\u003cbr\u003e\u003cbr\u003eThrough improvements to the optical and mechanical designs as well as extensive simulated testing, the lens has achieved high resistance to ghosting and flare. This helps ensure sharp and high-contrast images even in strong sunlight or in backlit conditions.\u003cbr\u003e\u003cbr\u003eAt the wide end of 150mm, the lens has an impressive minimum focusing distance of 58cm. On the L-Mount, the use of two dedicated teleconverters will allow you to shoot with AF up to 1200mm. With these features, this new ultra-telephoto lens is the perfect tool for tackling a broad range of shooting situations, giving you a greater freedom in your choice of composition.\u003c\/p\u003e\n\u003ch3\u003eCompatible with TELE CONVERTER TC-1411 \/ TC-2011 for L-Mount\u003c\/h3\u003e\n\u003cp\u003eThe lens is compatible with TELE CONVERTER TC-1411 (1.4x) and TC-2011 (2x).\u003c\/p\u003e\n\u003cp\u003eTELE CONVERTER TC-1411\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe Sigma TELE CONVERTER TC-1411 is a teleconverter designed exclusively for the use with Sigma L-Mount lenses. \u003cbr\u003eMounted between a lens and a camera body, the TC-1411 magnifies the focal length of the camera by 1.4x.\u003c\/p\u003e\n\u003cp\u003eTELE CONVERTER TC-2011\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe Sigma TELE CONVERTER TC-2011 is a teleconverter designed exclusively for the use with Sigma L-Mount lenses.\u003cbr\u003eMounted between a lens and a camera body, the TC-2011 magnifies the focal length of the camera by 2x.\u003c\/p\u003e\n\u003ch3\u003eFast, high-precision AF and impressive functionality\u003c\/h3\u003e\n\u003cp\u003eThe 150-600mm F5-6.3 DG DN OS | Sports comes with the pro-level functionality that defines the Sigma Sports line lens, which is designed for capturing fast-action subjects.\u003cbr\u003eWith an AF actuator controlled by a stepping motor, the lens combines fast and quiet autofocus with excellent tracking of moving objects. Furthermore, a (*)high-precision magnetic sensor enables highly accurate positioning for fast and high-precision AF. This is particularly impressive on an ultra-telephoto lens where the focus lens has to move a significant distance.\u003cbr\u003eThe OS function delivers effective image stabilization that offers an advantage of approximately 4 stops*1, which is ideal for hand-held shooting at slower shutter speeds. It is possible to change the OS settings using the OS switch and Custom Mode switch to best suit the shooting situation. The lens has a Focus Limiter switch offering three-zone AF modification, which helps to speed up AF performance, and on the L-Mount it is possible to set a custom focusing limit*2 via the Sigma USB DOCK UD-11. The lens also has three AFL buttons to which you can assign various functions on the camera side depending on the model of camera used. This ensures that key settings are able to be customized to suit your shooting style and be accessed easily so that you can adapt quickly to changing conditions.\u003cbr\u003eWith the fast and high-precision AF, 4 stops image stabilization, and a wide range of customizable functionality that comes with the Sigma 150-600mm F5-6.3 DG DN OS | Sports, the creative possibilities are limitless.\u003cbr\u003e\u003cbr\u003e*1 Based on CIPA guidelines (measured in 600mm with a 35mm full-size image sensor)\u003cbr\u003e*2 Function available on Sigma fp and fp L(it is necessary to update the camera’s firmware) .\u003cbr\u003e\u003cbr\u003e(*)high-precision magnetic sensor\u003cbr\u003eIt is a sensor that can detect the position of the focus lens with a high degree of precision by using a magnetic signal. This is done in real time to improve AF accuracy.\u003c\/p\u003e\n\u003cp\u003e1\u003c\/p\u003e\n\u003cp\u003eAFL buttons \u003cbr\u003e Various functions can be assigned to three AFL buttons on the camera side depending on the model of camera used.\u003c\/p\u003e\n\u003cp\u003e2\u003c\/p\u003e\n\u003cp\u003eZoom Torque switch \u003cbr\u003e The newly developed switch lets you change the zoom ring torque (resistance) and lock it at the wide end. \u003cbr\u003e L (Lock): The zoom ring fixed at the wide end. \u003cbr\u003e T (Tight): The zoom ring torque set on the higher side and kept at a focal length. This prevents the lens from extending or retracting due to its own weight when pointed either upward or downward. \u003cbr\u003e S (Smooth): The zoom ring torque set to low allows the lens to zoom in and out smoothly, suitable for straight zoom.\u003c\/p\u003e\n\u003cp\u003e3\u003c\/p\u003e\n\u003cp\u003eFocus Mode switch\u003c\/p\u003e\n\u003cp\u003e4\u003c\/p\u003e\n\u003cp\u003eFocus Limiter switch\u003c\/p\u003e\n\u003cp\u003e5\u003c\/p\u003e\n\u003cp\u003eOS switch \u003cbr\u003e The OS switch toggles between two OS settings: Mode 1 for general photography and Mode 2 for motor sports and other applications requiring panning.\u003c\/p\u003e\n\u003cp\u003e6\u003c\/p\u003e\n\u003cp\u003eCustom Mode switch \u003cbr\u003e Switch the OS effect.\u003c\/p\u003e\n\u003cp\u003e■Default setting: for Sony E-Mount \u003cbr\u003e OFF: Standard \u003cbr\u003e The OS effect is well-balanced and suitable for a wide variety of scenes. \u003cbr\u003e C1: Dynamic View Mode \u003cbr\u003e This mode offers a recognizable OS effect to the image in the viewfinder. This helps to ensure the composition of images quickly. \u003cbr\u003e C2: Moderate View Mode \u003cbr\u003e This mode is quickly able to ascertain the difference between fine composition adjustment and unwanted camera shake. It provides a natural and smooth viewfinder image even when composition is changed rapidly.\u003c\/p\u003e\n\u003cp\u003e■For L-Mount (with USB DOCK UD-11) \u003cbr\u003e The OS effect and a focus limiter setting can be assigned to either C1 or C2.\u003c\/p\u003e\n\u003cp\u003e*Function available on Sigma fp and fp L (it is necessary to update the camera’s firmware)\u003c\/p\u003e\n\u003ch3\u003eSupports USB DOCK UD-11 for L-Mount\u003c\/h3\u003e\n\u003cp\u003eWith the 150-600mm F5-6.3 DG DN OS | Sports, it is possible to set Custom Mode switch, update lens firmware, and adjust the sensitivity of the manual focus ring. It is also possible to change the focus limiter distance.\u003cbr\u003e\u003cbr\u003e*Function available on supported cameras only.\u003c\/p\u003e\n\u003cp\u003eUSB DOCK UD-11\u003c\/p\u003e\n\u003cp\u003eDesigned exclusively for the use with a Sigma Contemporary, Art, or Sports lens and its accessories, the Sigma USB DOCK allows users to update firmware and adjust the sensitivity of speed to the MF function* through the UD-11.\u003c\/p\u003e\n\u003cp\u003e* Scope of adjustment varies depending on specifications of the individual product.\u003c\/p\u003e\n\u003ch3\u003eOutstanding build quality optimized for ultra-telephoto photography\u003c\/h3\u003e\n\u003cp\u003eThe 150-600mm F5-6.3 DG DN OS | Sports combines the build quality that upholds the Sigma Sports line standards with excellent operability, taking into account different shooting environments and modes of operation expected with an ultra-telephoto lens.\u003cbr\u003eA dust and splash resistant structure*1 that stops water drops or dust from getting into the lens, combined with a water and oil repellent coating applied to the front element, gives you a peace of mind even in a harsh shooting environment.\u003cbr\u003eThe lens features a Dual Action Zoom, which supports both straight zoom and ring zoom, allowing you to change the angle of view in a quick and intuitive way. In addition, there is also a newly incorporated Zoom Torque switch, with which you can change the resistance of the zoom ring and lock it at the wide end, ensuring ease of zoom operation as well as elimination of zoom creep.\u003cbr\u003eOn the lens body there is a magnesium tripod socket attachable to an Arca Swiss type clamp. The foot is removable and may be replaced with an optional lens foot (replaceable lens foot type) or mounted on a monopod.\u003cbr\u003eThe lens body uses parts made of aluminum and TSC (Thermally Stable Composite), where they are most suitable. TSC is a type of polycarbonate with a thermal expansion rate similar to that of aluminum, ensuring the lens behaves consistently at different temperatures. By taking advantage of its design intended exclusively for mirrorless camera systems, the lens is both robust—an attribute essential for the Sports line of lensesーand compact and lightweight. Compared to the Sigma 150-600mm F5-6.3 DG OS HSM | Sports, which is also a Sports line lens but designed for SLR cameras, the new lens is lighter by 760g and shorter by 26.6mm*2.\u003cbr\u003e\u003cbr\u003e*1 Although this construction allows the lens to be used in light rain, it is not the same as being waterproof.\u003cbr\u003e*2 The 150-600mm F5-6.3 DG DN OS | Sports for L-Mount, compared to the 150-600mm F5-6.3 DG OS HSM | Sports for Sigma SA-mount.\u003c\/p\u003e\n\u003ch3\u003eDust and Splash Resistant Structure*\u003c\/h3\u003e\n\u003cp\u003eThis lens features a highly effective dust and splash resistant structure with special sealing at the mount connection, manual focus ring, zoom ring, and cover connection, allowing you to work in all types of weather.\u003cbr\u003e\u003cbr\u003e* Although this construction allows the lens to be used in light rain, it is not the same as being waterproof.\u003c\/p\u003e\n\u003ch3\u003eTripod socket\u003c\/h3\u003e\n\u003cp\u003eThe tripod socket with 90° click stops, made with a magnesium alloy that is both lightweight and tough, is incorporated to ensure easier changes of shooting position from vertical to horizontal and vice versa. It can be attached directly to an Arca Swiss type clamp.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv p=\"\"\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e25 elements in 15 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e16.4°-4.1°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e9 (Rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22-29\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e58-280cm \/ 22.8–110.2in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:2.9 (At a focusing distance of 180mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ95mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ109.4mm × 263.6mm \/ φ4.3in. x 10.4in. | Sony E-mount：φ109.4mm × 265.6mm \/ φ4.3in. x 10.5in. | *The length of a lens is measured from the filter surface to its mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：2,100g \/ 74.1oz. (Tripod socket included) | Sony E-mount：2,100g \/ 74.1oz. (Tripod socket included)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eS021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eCase | LENS HOOD LH1034-01 | COVER LENS CAP LC-747E | FRONT CAP LCF-95mm III | REAR CAP LCR II | TRIPOD SOCKET TS-121 | Shoulder Strap\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eLens construction: 25 elements in 15 groups, with 4 FLD and 2 SLD elements | Compatible with high-speed autofocus | Stepping motor | Support DMF and AF+MF | OS switch | Custom Mode switch | Zoom Torque switch | Tripod Socket (Replaceable lens foot type) TS-121 fixed | Cover Hood (LH1034-01) | Compatible with Sigma TELE CONVERTER TC-1411 \/ TC-2011 (sold separately \/ for L-Mount only) | Compatible with Sigma USB DOCK UD-11 (sold separately \/ for L-Mount only) | Compatible with Sigma TRIPOD SOCKET TS-81 (Replaceable lens foot type \/ sold separately) | Designed to minimize flare and ghosting | Eve\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729761636607,"sku":"747965","price":167100.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729761669375,"sku":"747969","price":167100.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_94ddca89-db06-4421-b1a8-810d664010a0.png?v=1792514257"},{"product_id":"20mm-f2-dg-contemporary","title":"Sigma 20mm F2 DG | Contemporary Full-frame mirrorless camera lens","description":"\u003ch2\u003eDynamism in the palm of your hand\u003c\/h2\u003e\n\u003cp\u003eExceptional optical performance and superb build quality give photographers the joy of creating images – introducing the new ultra-wide Sigma 20mm F2 DG | Contemporary\u003c\/p\u003e\n\u003cp\u003eThis all-new full-frame premium compact prime for mirrorless systems is the latest addition to Sigma’s I series lineup, combining a bright maximum aperture of F2, an ultra-wide 20mm focal length and stunning optical performance. The lens boasts an exceptionally small form factor, weighing in at just 370g and measuring just 72.4mm in length*, which makes it a highly practical optic that is portable enough for everyday shooting. It’s ideal for landscapes, wide-angle portraits, weddings and interiors, and is particularly well-suited to astrophotography owing to its very well-controlled sagittal coma flare. It is the fourth I series lens with an F2 aperture, joining a 24mm, 35mm and 65mm, which together make a well-matched lens set for L-Mount and Sony E-mount users.\u003cbr\u003e\u003cbr\u003e Remarkably, the 20mm F2 DG | Contemporary is almost identical in size and weight to the very compact Sigma 24mm F2 I series. A sleek, all metal design, with a signature I series magnetic lens cap, a manual aperture ring and exceptional production quality means using this lens is a highly intuitive and satisfying experience, making the photo-taking process even more enjoyable. This sharp and beautifully built I series prime, the Sigma 20mm F2 DG | Contemporary captures the essence of the I series, bringing a new level of user experience―the pleasure of owning and using a lens.\u003cbr\u003e\u003cbr\u003e *Figures are for L-Mount\u003c\/p\u003e\n\u003ch3\u003eI series “Premium Compact Primes” for mirrorless users\u003c\/h3\u003e\n\u003cp\u003eThe Sigma I series features full-frame compatible lenses that offer new value to mirrorless systems. The combination of superb optical performance with a level of compactness that is perfectly suited to smaller and lighter modern mirrorless cameras will bring you new opportunities for a perfect shot.\u003cbr\u003e\u003cbr\u003e Sigma is aware that in today’s world we have a wide range of camera choices, especially with the increase in mobile phone ownership. But with many photographers looking for something more than something that simply captures images when they choose to own a camera and lens, I series lenses offer the ultimate combination of superb optical performance, outstanding usability and compact form-factor.\u003cbr\u003e\u003cbr\u003e Sigma’s excellence in development and production technologies has been built up since our founding in 1961 and became increasingly sophisticated with the introduction of the Sigma Global Vision brand in 2012. With this as a base, Sigma has given careful thought to the quality of the products, the feeling of using it and the pleasure of owning it. This is how the I series was born.\u003c\/p\u003e\n\u003cp\u003e20mm, 24mm, 35mm ,50mm and 65mm five lenses with F2 brightness in the lineup\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e20mm F2 DG\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e24mm F2 DG\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e35mm F2 DG\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e50mm F2 DG\u003c\/p\u003e\n\u003cp\u003eCONTEMPORARY\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e65mm F2 DG\u003c\/p\u003e\n\u003ch3\u003eNew standards of optical performance for the Contemporary line\u003c\/h3\u003e\n\u003cp\u003eThe 20mm F2 DG | Contemporary achieves the highest level of optical performance even at the widest aperture setting of F2 from the center of the image to the periphery. Based on the latest optical design technology, the lens construction includes three high-precision glass-molded aspherical lens elements, one SLD element, and one FLD element to suppress a range of optical aberrations. The result is clear and sharp images even in the extreme corners of the frame. By focusing on the suppression of sagittal coma flare, which is difficult to correct in post-processing, accurate reproduction of very bright points of light has been achieved. This also provides extremely detailed results across the entire image, which is especially important for night sky photography.\u003cbr\u003e\u003cbr\u003e The lens’ optical design, as well as its Super Multi-Layer Coating and Nano Porous Coating (NPC), ensures very minimal flare and ghosting even when shooting into bright light sources. This makes it much easier to photograph backlit subjects and still achieve punchy, high contrast results.\u003c\/p\u003e\n\u003ch3\u003eUse of multiple high-precision aspherical glass molded lenses\u003c\/h3\u003e\n\u003cp\u003eThe surface of molds for glass molding, which is a process that forms optical components by pressing glass materials at high temperatures, requires ultra-high precision. Sigma uses high-precision molds whose surfaces are controlled with an accuracy of ±5 nanometers (0.000005 mm) or smaller. High precision aspherical glass molded lenses archives both good aberration correction and compact lens size.\u003c\/p\u003e\n\u003cp\u003eMold for aspherical glass molded lenses\u003c\/p\u003e\n\u003ch3\u003eSigma’s unique coating technology Nano Porous Coating\u003c\/h3\u003e\n\u003cp\u003eThe super multi-layer coating is combined with Sigma’s unique coating technology “NPC (Nano Porous Coating)”. The lens has been designed to be less susceptible to strong incident light such as backlight.\u003cbr\u003e “NPC (Nano Porous Coating)” incorporates porous silica as the coating material. The porous silica layer has nano-sized holes with air inside. Having holes of this size enables a large reduction in the refractive index, allowing the reflectance to be lowered more than conventional anti-reflective coatings. As a result, reflected light causing flares and ghosting is sharply reduced, achieving clear image quality.\u003c\/p\u003e\n\u003ch3\u003eExceptional I series build quality with a compact form-factor\u003c\/h3\u003e\n\u003cp\u003eAll I series lenses have an all-metal construction. The precision-cut aluminum parts not only give the barrel a sleek, stylish finish, but provide superb durability that improves the quality of the entire product. Metal materials are also used in internal structures that slide with the operation ring for added robustness. These high-precision components crafted with Sigma’s cutting-edge metalworking technology are also used in Sigma’s CINE LENS line-up for professional cinematographers and provide a tactile, ergonomic feel that make the lens a pleasure to use.\u003cbr\u003e The cover ring between the focus ring and the aperture ring has hairline processing that is also used for the rear cylinder of the Art line. This covering functions as a finger hold when attaching or detaching the lens.\u003c\/p\u003e\n\u003ch3\u003eMagnetic metal lens cap\u003c\/h3\u003e\n\u003cp\u003eI series lenses are accompanied by a dedicated magnetic metal lens cap, in addition to a normal plastic cap. This dedicated metal cap clips to the front surface of the lens magnetically. It is no exaggeration to say that this meticulously crafted cap represents the finishing touch for the I series.\u003c\/p\u003e\n\u003ch3\u003eMagnetic metal lens cap holder LENS CAP HOLDER CH-11 (sold separately)\u003c\/h3\u003e\n\u003cp\u003eWhen a cap is removed from the lens it should have a proper place where it can be kept. Using this as a starting point, a cap holder using the magnetic force of the dedicated cap was created.\u003cbr\u003e With the cap attached to the ring plate, and the plate clipped to a bag or belt, the cap is always within easy reach and is less likely to get lost. Plus, its elegant design is a stylish addition to a photographer’s equipment.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e13 elements in 11 groups (1 FLD, 1 SLD and 3 aspherical lens elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e94.5°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e9 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e22cm \/ 8.7in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:6.7\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ62mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ70mm × 72.4mm \/ φ 2.8in. x 2.9in. | Sony E-mount：φ70mm × 74.4mm \/ φ 2.8in. x 2.9in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：370g \/ 13.1oz. | Sony E-mount：370g \/ 13.1oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eC022\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eLENS HOOD（LH656-06B／LH656-06S） | MAGNETIC METAL LENS CAP（LCF62-02 MB／LCF62-02 MS） | FRONT CAP（LCF-62 IV） | REAR CAP（LCR III） | Pouch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eLens construction: 13 elements in 11 groups, with 1 FLD, 1 SLD and 3 aspherical lens elements | Compatible with high-speed autofocus | Support DMF and AF+MF | LENS HOOD（LH656-06B／LH656-06S） | Magnetic metal lens cap（LCF62-02 MB／LCF62-02 MS） | Compatible with Sigma USB DOCK UD-11 (sold separately \/ for L-Mount only) | Designed to minimize flare and ghosting | Every single lens undergoes Sigma’s proprietary MTF measuring system | 9-blade rounded diaphragm | High-precision, durable brass bayonet mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount (Black)","offer_id":50729762062591,"sku":"49B965","price":73500.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount (Black)","offer_id":50729762095359,"sku":"49B969","price":73500.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount (Silver)","offer_id":50729762128127,"sku":"49S969","price":73500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_05904627-2a45-4a60-a996-b850739f0f9b.png?v=1792514257"},{"product_id":"usb-dock-ud-01","title":"Sigma USB Dock UD-01","description":"\u003cp\u003eBy connecting a Sigma Art, Contemporary, or Sports lens to a computer with the Sigma USB DOCK, photographers can update the lens firmware and adjust focus position and other parameters. Exclusive Sigma Optimization Pro software makes customization easy. It is possible to select the autofocus speed and adjust the focus limiter and Optical Stabilizer (OS) function.\u003c\/p\u003e\n\u003ch3\u003eSIGMA Optimization Pro\u003c\/h3\u003e\n\u003cp\u003eSpecial Software “Sigma Optimization Pro” will offer the following customization.\u003c\/p\u003e\n\u003ch3\u003eFor Contemporary, Art, and Sports line\u003c\/h3\u003e\n\u003cp\u003eUpdating Lens Firmware\u003c\/p\u003e\n\u003cp\u003eIt is possible to update the lens firmware via the internet.\u003c\/p\u003e\n\u003cp\u003eFocus Setting\u003c\/p\u003e\n\u003cp\u003eMultiple focus setting options are available: 4 categories for fixed focal length lenses, and 16 categories (4 options for focal length) x (4 options for shooting distance) for zoom lenses.\u003c\/p\u003e\n\u003cp\u003eFull-time MF Setting*\u003c\/p\u003e\n\u003cp\u003eIt is possible to adjust the timing to operate the Full-time MF function by customizing how much rotation of the focus ring is required.\u003cbr\u003e * Not compatible with 17-70mm F2.8-4 DC MACRO OS HSM C013、18-200mm F3.5-6.3 DC MACRO OS HSM C014、18-300mm F3.5-6.3 DC MACRO OS HSM C014、18-35mm F1.8 DC HSM A013、30mm F1.4 DC HSM A013、24-105mm F4 DG OS HSM A013、35mm F1.4 DG HSM A012、120-300mm F2.8 DG OS HSM S013.\u003c\/p\u003e\n\u003ch3\u003eFor Sports line*\u003c\/h3\u003e\n\u003cp\u003eAF Speed Adjustment\u003c\/p\u003e\n\u003cp\u003eThere are 3 AF speed modes.\u003c\/p\u003e\n\u003cp\u003eFocus Limiter Adjustment\u003c\/p\u003e\n\u003cp\u003eOffering customization for the driving range of auto focus enables a photographer to exactly reflect the personal preference.\u003c\/p\u003e\n\u003cp\u003eOS Setting\u003c\/p\u003e\n\u003cp\u003eFor the Optical Stabilizer (OS), 3 unique view modes are available. This offers the most suited OS function for any shooting style.\u003cbr\u003e* Also compatible with the 150-600mm F5-6.3 DG OS HSM C015, 100-400mm F5-6.3 DG OS HSM C017.\u003c\/p\u003e\n\u003cp\u003eYou can download “Sigma Optimization Pro for Windows” and “Sigma Optimization Pro for Macintosh” from the link below.\u003c\/p\u003e\n\u003ch3\u003eCondition of Operation : Windows\u003c\/h3\u003e\n\u003cp\u003eThis software operates in the condition that meets with the following criteria;\u003c\/p\u003e\n\u003cp\u003eCPU : Intel Core2 Duo or faster processor\u003c\/p\u003e\n\u003cp\u003eOS : Windows 8.1, Windows 10, Windows 11\u003c\/p\u003e\n\u003cp\u003e1GB of available hard drive space.\u003c\/p\u003e\n\u003cp\u003e24-bit graphics card (approx. 16.7 million colors).\u003c\/p\u003e\n\u003cp\u003e1024 x 768 or higher screen resolution.\u003c\/p\u003e\n\u003cp\u003eUSB 1.1 as standard.\u003c\/p\u003e\n\u003ch3\u003eCondition of Operation : Mac OS\u003c\/h3\u003e\n\u003cp\u003eThis software operates in the condition that meets with the following criteria;\u003c\/p\u003e\n\u003cp\u003eOS : macOS Mojave 10.14, macOS Catalina 10.15, macOS Big Sur 11, macOS Monterey 12, macOS Ventura 13\u003c\/p\u003e\n\u003cp\u003eCPU : Intel Processor, Apple M Series Chip\u003c\/p\u003e\n\u003cp\u003e1GB of RAM\u003c\/p\u003e\n\u003cp\u003e1GB of available hard disk space\u003c\/p\u003e\n\u003cp\u003e24bit or more graphics card\u003c\/p\u003e\n\u003cp\u003e1024 x 768 or higher screen resolution.\u003c\/p\u003e\n\u003cp\u003eUSB 1.1 as standard.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":50729762193663,"sku":"878955","price":5700.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_321907ca-a393-4877-b4be-cc4b361027a6.png?v=1792514257"},{"product_id":"30mm-f1-4-dc-dn-contemporary","title":"Sigma 30mm F1.4 DC DN | Contemporary APS-C mirrorless camera lens","description":"\u003ch2\u003eCombining outstanding optical performance | and compact design Introducing | a new F1.4 standard lens for mirrorless cameras\u003c\/h2\u003e\n\u003cp\u003eOffering an opportunity to experience the fun of shooting wide open, with F1.4 brightness\u003c\/p\u003e\n\u003cp\u003eSigma 30mm F1.4 DC DN | Contemporary large-aperture standard lens gives owners of mirrorless cameras the opportunity to experience the fun of shooting wide open, with F1.4 brightness. Photographers will enjoy the beautiful bokeh effect that only a large-aperture lens can offer and the exceptionally sharp optical performance expected from a fine prime lens. Leveraging Sigma’s latest technologies and design insights, this new lens fulfills the concept of the Contemporary line, in which varied elements come together in optimal balance.\u003cbr\u003eA prime lens with a focal length of around 50mm and F1.4 brightness offers an angle of view very similar to human vision. The photographer can use the shallow depth of field at wide-open aperture to take stunning portraits and tabletop still life shots. Or he or she can close the aperture for greater depth of field and shoot landscapes or snapshots. In this way, standard lenses allow photographers to enjoy so many of the fundamental methods of photography and have thus been favorites for decades. Photographers can experience F1.4 brightness and standard lens functionality with a 35mm equivalent focal length of 60mm on the Micro Four Thirds system, 48mm on the Canon EF-M Mount system and 45mm on other systems.\u003c\/p\u003e\n\u003ch3\u003eA member of the high-performance Contemporary line, featuring Sigma’s latest technologies\u003c\/h3\u003e\n\u003cp\u003eFor optimal balance with light, compact camera bodies with a short flange back distance, Sigma designed the new Sigma 30mm F1.4 DC DN | Contemporary lens to be extremely compact. Moreover, the special design of the focus lens group allows fast and smooth AF performance for videography and more. This lens combines a compact design and comfortable operation while prioritizing outstanding image quality. Featuring Sigma’s latest technologies, this lens digitally corrects optical distortion.\u003c\/p\u003e\n\u003ch3\u003eExtra-long Hood (Supplied)\u003c\/h3\u003e\n\u003cp\u003eThe included lens hood is extra-long and features an antireflective coating to manage unwanted light. The hood also features rubber and anti-slip textures to make it easier for the photographer to hold while shooting.\u003c\/p\u003e\n\u003ch3\u003eTSC used for a more compact structure and enhanced performance\u003c\/h3\u003e\n\u003cp\u003eSince new material (*)TSC (Thermally Stable Composite) is highly elastic, it exhibits minimal deformation. Parts made of TSC are therefore less prone to develop gaps between each other over time. The Sigma 30mm F1.4 DC DN | Contemporary features a lens barrel and aperture parts made of TSC, which contribute both to the compactness of the lens and the smooth functioning of the aperture system. TSC helps increase the precision of cells holding lens elements and parts related to the focus lens group, further enhancing lens performance.\u003cbr\u003e\u003cbr\u003e(*)TSC (Thermally Stable Composite)\u003cbr\u003eTSC (Thermally Stable Composite) is a type of polycarbonate with a thermal expansion rate similar to that of aluminum. It has high affinity to metal parts which contributes to high quality product manufacturing.\u003c\/p\u003e\n\u003ch3\u003eCombining compactness with outstanding optical performance\u003c\/h3\u003e\n\u003cp\u003eThe front lens element features high-refractive index, high-dispersion glass for extra power and a shorter overall lens length. To optimize the lens for mirrorless cameras, two aspherical lens elements help ensure outstanding image quality and overall compactness. The Sigma 30mm F1.4 DC DN | Contemporary features Sigma’s inner focus technologies, while lighter lens elements in the focus lens group make possible a more compact actuator. Moreover, this lens offers outstanding stability whether the photographer is shooting handheld or has the camera placed on a surface. Structurally, the lens features materials and parts that contribute to its compact, lightweight structure. In summary, this is an unprecedented lens that combines outstanding optical performance with exceptional portability and usability.\u003c\/p\u003e\n\u003cp\u003eAspherical lens\u003c\/p\u003e\n\u003ch3\u003eMount with Dust and Splash Resistant Structure\u003c\/h3\u003e\n\u003cp\u003eThe mount features a special sealing* to make the lens an excellent choice in a wide variety of conditions.\u003cbr\u003e\u003cbr\u003e* Not featured on Sony E mount, Canon EF-M mount, and Micro Four Thirds mount.\u003c\/p\u003e\n\u003ch3\u003eImage quality rivaling that of our Art line lenses\u003c\/h3\u003e\n\u003cp\u003eA compact, lightweight lens offering outstanding image quality with F1.4 brightness\u003cbr\u003e\u003cbr\u003eIn addition to featuring an optimized layout and power distribution, this lens incorporates one aspherical lens element and one double aspherical lens element, as well as an element made of high-refractive index, high-dispersion glass with high anomalous partial dispersion. By effectively leveraging these technologies, the lens delivers an outstanding level of light to the edges of the image while minimizing transverse chromatic aberration. To correct distortion, the lens takes advantage of the image correction* capabilities of the mirrorless camera body, using the corrective power of the optical system to enhance sharpness. The final result is an extremely compact lens that delivers image quality that rivals that of our Art line lenses.\u003cbr\u003e\u003cbr\u003e* Limited to what the camera supports.\u003c\/p\u003e\n\u003ch3\u003eEOS-M series cameras incompatible with aberration correction\u003c\/h3\u003e\n\u003cp\u003eCameras incompatible with distortion correction\u003cbr\u003eEOS M5, EOS M6, EOS M100, EOS M10, EOS M3, EOS M2, EOS M\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize flare and ghosting\u003c\/h3\u003e\n\u003cp\u003eFrom an early stage in the lens design process, flare and ghosting have been measured to establish an optical design resistant to strong incident light sources such as backlighting. Sigma’s Super Multi-Layer Coating reduces flare and ghosting to help photographers produce sharp and high contrast images even in backlit conditions. The included lens hood can be attached to block out extraneous light, which can have a negative effect on rendering performance.\u003c\/p\u003e\n\u003ch3\u003eShallow depth of field for a beautiful bokeh effect\u003c\/h3\u003e\n\u003cp\u003eThe large-diameter lens with F1.4 brightness makes possible a shallow depth of field for a beautiful bokeh effect—unavailable until now in a standard lens for mirrorless cameras.\u003c\/p\u003e\n\u003ch3\u003eThe stepping motor delivers excellent autofocus with quiet performance.\u003c\/h3\u003e\n\u003cp\u003eThe optical design and stepping motor deliver smooth autofocus during video shooting. The lens design fully accommodates the Fast Hybrid AF of Sony E-mount cameras for super-fast autofocus functionality. Using face recognition AF results in consistent autofocusing on faces, even as the subjects move.\u003c\/p\u003e\n\u003ch3\u003eHigh-precision, rugged brass bayonet mount\u003c\/h3\u003e\n\u003cp\u003eThe brass mount combines high precision with rugged construction. Its treated surfaces and enhanced strength contribute to the exceptional durability of the lens.\u003c\/p\u003e\n\u003ch3\u003eRounded diaphragm\u003c\/h3\u003e\n\u003cp\u003eThe 9-blade rounded diaphragm creates an attractive blur in the out-of-focus areas of the image.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Canon EF-M mount,Canon RF Mount,FUJIFILM X Mount,Micro Four Thirds mount,Nikon Z mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eAPS-C [DC]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e9 elements in 7 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003eL-Mount：50.7° Canon EF-M mount：48.2° Canon RF Mount：48.2° FUJIFILM X Mount：50.7° Micro Four Thirds mount：39.6° Nikon Z mount：50.7° Sony E-mount：50.7°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e9(Rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e30cm \/ 11.8in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:7\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ52mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ65.4mm × 71.3mm \/ φ2.6in. × 2.8in. Canon EF-M mount：φ64.8mm × 73.3mm \/ φ2.6in. × 2.9in. Canon RF Mount：φ69.0mm × 71.3mm \/ φ2.7in. × 2.8in. FUJIFILM X Mount：φ64.8mm × 73.6mm \/ φ2.6in. × 2.9in. Micro Four Thirds mount：φ64.8mm × 72.1mm \/ φ2.6in. × 2.8in. Nikon Z mount：φ70.0mm × 75.3mm \/ φ2.8in. × 3.0in. Sony E-mount：φ64.8mm × 73.3mm \/ φ2.6in. × 2.9in. *The length of a lens is measured from the filter surface to its mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：280g \/ 9.9oz. Canon EF-M mount：270g \/ 9.5oz. Canon RF Mount：285g \/ 10.1oz. FUJIFILM X Mount：275g \/ 9.7oz. Micro Four Thirds mount：260g \/ 9.2oz. Nikon Z mount：285g \/ 10.1oz. Sony E-mount：265g \/ 9.3oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eC016\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eLENS HOOD LH586-01 | FRONT CAP LCF-52mm III | REAR CAP LCR II\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729762226431,"sku":"302965","price":37400.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729762259199,"sku":"302969","price":37400.0,"currency_code":"INR","in_stock":true},{"title":"Canon RF-mount","offer_id":50729762291967,"sku":"302972","price":37400.0,"currency_code":"INR","in_stock":true},{"title":"Nikon Z-mount","offer_id":50729762324735,"sku":"302973","price":43500.0,"currency_code":"INR","in_stock":true},{"title":"Fujifilm X-mount","offer_id":50729762357503,"sku":"302975","price":37400.0,"currency_code":"INR","in_stock":true},{"title":"Canon EF-M mount","offer_id":50729762390271,"sku":"302971","price":37400.0,"currency_code":"INR","in_stock":true},{"title":"Micro Four Thirds (MFT)","offer_id":50729762423039,"sku":"302963","price":37400.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_82cb9953-7579-4b91-ace7-fb52d2079282.png?v=1792514257"},{"product_id":"60-600mm-f4-5-6-3-dg-dn-os-sports","title":"Sigma 60-600mm F4.5-6.3 DG DN OS | Sports Full-frame mirrorless camera lens","description":"\u003ch2\u003eThe decisive moment, | captured exactly as intended.\u003c\/h2\u003e\n\u003cp\u003eThe world's first and only*1 mirrorless 10x ultra-telephoto zoom, now available from Sigma.\u003c\/p\u003e\n\u003cp\u003eThe Sigma 60-600mm F4.5-6.3 DG DN OS | Sports is a high-power ultra-telephoto zoom lens exclusively for full-frame mirrorless cameras with a unique 10x focal length. The latest optical design delivers high optical performance throughout the entire zoom range, even with 10x zoom, which makes it capable of capturing any scene in high definition. The newly developed linear motor “HLA (High-response Linear Actuator)” delivers unprecedentedly fast and precise autofocusing. In addition, the newly developed algorithm “OS2” enables image stabilization of 7 stops at the wide end and 6 stops at the telephoto end.*2 Of course, it is also equipped with Dual Action Zoom, Dust and Splash Resistant Structure, as well as a wealth of customizable functions and specifications of Sigma’s Sports line to meet the needs of various shooting environments and situations. With its many features and stellar optical performance, this lens captures the moment with a rich sense of dynamism.\u003cbr\u003e The Sigma 60-600mm F4.5-6.3 DG DN OS | Sports is a one-of-a-kind ultra-telephoto zoom lens which combines high magnification with an extremely high level of image quality and mobility.\u003cbr\u003e\u003cbr\u003e *1 As an interchangeable lens exclusively for mirrorless, as of January, 2023 by Sigma\u003cbr\u003e *2 Based on CIPA guidelines (measured in 60mm and 600mm with a 35mm full-size image sensor)\u003c\/p\u003e\n\u003ch3\u003eThe one and only 60-600mm zoom lens, able to handle every situation from standard to ultra-telephoto all by itself\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 60-600mm F4.5-6.3 DG DN OS | Sports is an ultra-telephoto 10x zoom lens for full-frame mirrorless cameras that covers a zoom range of 60-600mm, a range only available from Sigma. It enables users to seamlessly capture scenes from close-ups to long distance shots without changing lenses, even in difficult situations such as air shows or professional sports events.\u003c\/p\u003e\n\u003ch3\u003eStable and high optical performance throughout the entire zoom range\u003c\/h3\u003e\n\u003cp\u003eSigma employed the latest optical design to effectively correct chromatic aberrations that tend to occur in the ultra-telephoto range using a variety of high quality materials, including FLD and SLD glass elements. The lens is capable of capturing every moment with uncompromising high image quality in the unique focal length range of 60-600mm.\u003cbr\u003e The minimum focusing distance is 45cm at the wide end, and at the focal length of 200mm, the lens offers a maximum magnification ratio of 1:2.4, allowing users to also enjoy the lens as a telephoto macro lens, adding to its overall versatility.\u003c\/p\u003e\n\u003ch3\u003eDual Action Zoom for intuitive framing\u003c\/h3\u003e\n\u003cp\u003eThe lens supports Dual Action Zoom, allowing users to use both rotary zooming by rotating the zoom ring and straight zooming by grasping the tip of the lens. This enables both precise and quick operation in any given situation.\u003c\/p\u003e\n\u003ch3\u003eHigh-speed AF owing to newly developed motor “HLA” to capture the decisive moment\u003c\/h3\u003e\n\u003cp\u003eThe autofocus of the Sigma 60-600mm F4.5-6.3 DG DN OS | Sports makes use of the newly developed linear motor “HLA (High-response Linear Actuator)”. This high-output linear motor and advanced electronic control realize a quiet autofocus with unparalleled high speed and high precision. The new motor also enables high focus-following performance, ensuring that the decisive moment is not missed in sports photography and any other situation where the subjects are in motion, from motor vehicles to birds in flight.\u003c\/p\u003e\n\u003ch3\u003eNewly developed optical stabilizer algorithm “OS2” with high compensation capability of up to 7 stops\u003c\/h3\u003e\n\u003cp\u003eThe OS (Optical Stabilizer) function employs Sigma’s newly developed algorithm “OS2”. The new algorithm significantly improves image stabilization performance, with 7 stops at the wide end and 6 stops at the telephoto end. \u003csup\u003e * \u003c\/sup\u003e This allows the lens to capture powerful and dynamic moments with a rich sense of motion. \u003cbr\u003e The lens is equipped with two OS modes: Mode 1 is suitable for general shooting, while Mode 2 is best suited for fast panning shots, such as those in motorsports and other dynamic situations. In Mode 2, Sigma’s Intelligent OS, an algorithm specially designed for panning shots, enables effective image stabilization even when the camera is moved vertically or diagonally, irrespective of the horizontal and vertical orientation. This ensures that the subject’s movement can be captured without losing the panning shot effect.\u003c\/p\u003e\n\u003cp\u003e* Based on CIPA guidelines (measured in 60mm and 600mm with a 35mm full-size image sensor)\u003c\/p\u003e\n\u003ch3\u003eMulti-material structure for lightweight and strong robustness\u003c\/h3\u003e\n\u003cp\u003eThe lens features a multi-material structure, in which materials such as magnesium, CFRP*1, and TSC*2 are optimally arranged according to their characteristics. As a result, the lens barrel is lighter in weight while retaining the same robustness as previous models, thereby providing high versatility in a variety of scenes and applications.\u003cbr\u003e\u003cbr\u003e*1 Carbon Fiber Reinforced Plastic, a light but strong material used in the interior and exterior fittings of aircraft, among many other applications.\u003cbr\u003e*2 Thermally Stable Composite, a polycarbonate with a thermal expansion rate similar to that of aluminum. Its high affinity to metal parts contributes to high manufacturing quality standards.\u003c\/p\u003e\n\u003ch3\u003eDust and Splash Resistant Structure for security in various shooting situations\u003c\/h3\u003e\n\u003cp\u003eThe mount connection, manual focus ring, zoom ring, switches, switch panel and exterior connection are all dust and splash resistant* to prevent dust and dirt from entering the lens. Further, the front element of the lens features a water and oil repellent coating to facilitate maintenance when water droplets or dust adhere to the lens.\u003cbr\u003e\u003cbr\u003e* The structure is designed to be dust and splash resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.\u003c\/p\u003e\n\u003ch3\u003eHigh customizability and build quality of Sigma’s Sports line\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 60-600mm F4.5-6.3 DG DN OS | Sports is equipped with substantial features of Sigma’s Sports line standard of high-mobility, high-performance lenses. Manufactured in Sigma’s sole production base in Aizu, Japan, the lens features an exceptional build quality that combines robustness with practicality and a high level of precision in every single detail.\u003c\/p\u003e\n\u003ch3\u003eCustomizable functions\u003c\/h3\u003e\n\u003cp\u003eEquipped with a Focus Limiter switch, the lens enables users to limit the focus driving range during AF when necessary, allowing quick and precise focusing.\u003c\/p\u003e\n\u003cp\u003eFurther, the lens features three AFL buttons* ready to be assigned to preferred functions using the camera. The AFL buttons are easy to operate regardless of how the camera is oriented or which settings are used.\u003cbr\u003eFor the L-Mount version, the Sigma USB DOCK UD-11 can be used to set OS operation or focus limiter range for the Custom Mode switch.\u003cbr\u003e\u003cbr\u003e* Only on compatible cameras. Available functions may vary depending on the camera used.\u003c\/p\u003e\n\u003ch3\u003eInterchangeable Tripod Socket\u003c\/h3\u003e\n\u003cp\u003eThe lens body incorporates an Arca Swiss compatible magnesium alloy tripod socket. The leg can be removed and replaced with other interchangeable tripod sockets (sold separately) or attached to a monopod, allowing for a multitude of different uses and situations.\u003c\/p\u003e\n\u003ch3\u003eTele Converter for L-Mount (1.4x \/ 2.0x)\u003c\/h3\u003e\n\u003cp\u003eThe L-Mount version of the lens is compatible with the Sigma TELE CONVERTER TC-1411 (1.4x) and TC-2011 (2.0x). Using a tele converter, the focal length can be multiplied by 1.4x and even 2x, for AF-enabled shooting at ultra-telephoto focal lengths of up to 1200mm.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eFull-frame [DG]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e27 elements in 19 groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e39.6°-4.1°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e9 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22-32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e45-260cm \/ 17.8-102.4in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:2.4 (at 200mm focal length)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ105mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ119.4mm×279.2mm \/ φ4.7in.×11.0in. | Sony E-mount：φ119.4mm×281.2mm \/ φ4.7in.×11.1in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：2,495g \/ 88.0oz. | Sony E-mount：2,485g \/ 87.7oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eS023\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003eCase | LENS HOOD LH1144-02 | COVER LENS CAP LC-740E | FRONT CAP LCF-105mm III | REAR CAP LCR II | TRIPOD SOCKET TS-121 | Shoulder Strap\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eLens construction: 27 elements in 19 groups (2 FLD and 3 SLD) | Compatible with high-speed autofocus | Support for DMF, AF + MF | Compatible with AF assist (Sony E-mount only) | OS switch | Custom Mode switch | Hood (LH1144-02) | Tripod Socket TS-121 (replaceable lens foot type) | Compatible with Sigma TELE CONVERTER TC-1411 \/ TC-2011 (sold separately \/ for L-Mount only) | Compatible with Sigma USB DOCK UD-11 (sold separately \/ for L-Mount only) | Designed to minimize flare and ghosting | Every single lens undergoes Sigma’s proprietary MTF measuring system | 9-blade rounded diaphragm | High-pr\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729762455807,"sku":"732965","price":234300.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729762488575,"sku":"732969","price":234300.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_02643458-939d-4f1d-ae64-3eec43a8df4c.png?v=1792514260"},{"product_id":"15mm-f1-4-dc-contemporary","title":"Sigma 15mm F1.4 DC | Contemporary APS-C mirrorless camera lens","description":"\u003ch3\u003eAn all-round wide-angle lens with exceptional portability\u003c\/h3\u003e\n\u003cp\u003eThis lens delivers a large F1.4 aperture and a focal length equivalent to 22.5mm on full-frame (24mm on Canon RF Mount), all in a compact, palm-sized body measuring just 64.8mm in length and weighing only 220g\u003csup\u003e*1\u003c\/sup\u003e.\u003cbr\u003e Whether shooting everyday street photography, portraits, travel landscapes, or cinematic video production—even for live commerce and webinars—this lens delivers high-quality performance. \u003cbr\u003e Its combination of outstanding portability and image quality makes professional-level expression possible wherever you go.\u003c\/p\u003e\n\u003cp\u003e*1. The figures are for Sony E-mount.\u003c\/p\u003e\n\u003ch3\u003eApproximately 50% lighter, delivering greater flexibility\u003c\/h3\u003e\n\u003cp\u003eAs a frequently used focal length, this lens pursues uncompromising compactness and lightweight design.\u003cbr\u003e One FLD glass element, three SLD glass elements, and three double-sided aspherical lenses are effectively arranged to achieve an approximately 30% shorter length and 50% lighter weight compared to the Sigma 16mm F1.4 DC DN | Contemporary.\u003cbr\u003e As the lightest lens in the Sigma F1.4 DC series, it accelerates creative freedom by further enhancing the mobility of APS-C cameras.\u003c\/p\u003e\n\u003ch3\u003ePursuing even higher optical performance\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 15mm F1.4 DC | Contemporary was developed with the goal of surpassing the highly acclaimed optical performance of the Sigma 16mm F1.4 DC DN | Contemporary. Particular emphasis was placed on improving edge-to-edge performance while thoroughly suppressing sagittal coma flare, which is often noticeable in large-aperture wide-angle lenses. The lens maintains uncompromising sharpness across the entire frame, even when shooting wide-open, delivering consistent performance from everyday street photography to starry landscapes.\u003c\/p\u003e\n\u003ch3\u003eRich expressive power with a large F1.4 aperture\u003c\/h3\u003e\n\u003cp\u003eThe lens delivers high optical performance even at its maximum aperture, allowing you to fully enjoy the distinctive rendering of F1.4. It excels in low-light conditions, such as dim indoor environments or nighttime street photography, while the nine-blade aperture produces beautiful circular bokeh that makes subjects stand out and adds a sense of depth, whether shooting stills or video.\u003c\/p\u003e\n\u003ch3\u003eDesigned to minimize flare and ghosting\u003c\/h3\u003e\n\u003cp\u003eUsing advanced simulation technology, flare and ghosting have been largely eliminated, ensuring that the lens renders clear, high-contrast results in any lighting condition.\u003c\/p\u003e\n\u003ch3\u003eIdeal for high-quality video production\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 15mm F1.4 DC | Contemporary, with its combination of portability and outstanding optical performance, enables high-quality video capture in any scene. Its F1.4 aperture creates a shallow depth of field that enhances three-dimensionality, producing impressive visuals. The lens is also well-suited for gimbal-based shooting, providing flexibility even in environments that demand mobility.\u003cbr\u003e Furthermore, the lens delivers stable, high image quality for business applications such as live commerce, webinars, and corporate promotions, making it ideal for creating engaging and realistic content.\u003c\/p\u003e\n\u003ch3\u003eSmooth, responsive autofocus powered by a stepping motor\u003c\/h3\u003e\n\u003cp\u003eHigh-speed, high-precision autofocus is achieved by driving a lightweight focus lens with a stepping motor that enables precise control. The Sigma 15mm F1.4 DC | Contemporary captures important moments without missing a beat, even in fast-moving scenes, while delivering excellent tracking performance for high-quality video production.\u003c\/p\u003e\n\u003ch3\u003eMinimal focus breathing\u003c\/h3\u003e\n\u003cp\u003eThe lens is designed to minimize changes in the angle of view caused by focusing, enabling smooth, natural-looking focus pulls when recording video.\u003c\/p\u003e\n\u003ch3\u003eAperture ring or control ring with various functions\u003c\/h3\u003e\n\u003cp\u003eEquipped with an aperture ring for intuitive control of the aperture. The Canon RF Mount version has a control ring instead of an aperture ring, allowing customizations of functions based on the user’s preferred settings.\u003c\/p\u003e\n\u003ch3\u003eDust- and splash-resistant structure\u003csup\u003e*1\u003c\/sup\u003e \/ water- and oil-repellent coating\u003c\/h3\u003e\n\u003cp\u003eIn addition to a dust- and splash-resistant structure1, the frontmost surface of the lens has a water- and oil-repellent coating applied, allowing photographers to shoot without concern even in harsh outdoor environments.\u003c\/p\u003e\n\u003cp\u003e*1. The product is designed to be dust- and splash-resistant but is not waterproof. When using the lens near water, etc., take care not to allow large amounts of water to splash on it. If water gets inside the lens, it may cause a major malfunction and render the lens unrepairable.\u003c\/p\u003e\n\u003cp\u003eSigma F1.4 DC series—Expanding creative possibilities with APS-C cameras\u003c\/p\u003e\n\u003cp\u003eSigma’s Contemporary line offers a wide range of F1.4 prime lenses for APS-C cameras, combining excellent resolution with compact, lightweight designs.\u003cbr\u003e With the addition of the Sigma 15mm F1.4 DC | Contemporary, the lineup of the Sigma F1.4 DC series has expanded further, enriching creative expression for APS-C cameras from ultra-wide-angle to mid-telephoto.\u003c\/p\u003e\n\u003cp\u003e12mm F1.4 DC\u003c\/p\u003e\n\u003cp\u003eAn ultra-wide-angle lens that captures expansive landscapes\u003c\/p\u003e\n\u003cp\u003e15mm F1.4 DC\u003c\/p\u003e\n\u003cp\u003eA wide-angle lens ideal for everyday street photography\u003c\/p\u003e\n\u003cp\u003e23mm F1.4 DC DN\u003c\/p\u003e\n\u003cp\u003eA versatile lens with a natural field of view suitable for a variety of subjects\u003c\/p\u003e\n\u003cp\u003e30mm F1.4 DC DN\u003c\/p\u003e\n\u003cp\u003eA standard lens that naturally captures everyday scenes\u003c\/p\u003e\n\u003cp\u003e56mm F1.4 DC DN\u003c\/p\u003e\n\u003cp\u003eA mid-telephoto lens that emphasizes subjects with beautiful bokeh\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eCanon RF Mount,FUJIFILM X Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eAPS-C [DC]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e13 elements in 11 groups (1 FLD, 3 SLD, 3 aspherical elements)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003eCanon RF Mount: 83.6° | FUJIFILM X Mount: 86.9° | Sony E-mount: 86.9°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e9 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e17.7cm \/ 7.0in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:7.9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ58mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eCanon RF Mount: φ69.0mm x 62.8mm \/ φ2.7in. x 2.5in. | FUJIFILM X Mount: φ64.0mm x 65.1mm \/ φ2.5in. x 2.6in. | Sony E-mount: φ64.0mm x 64.8mm \/ φ2.5in. x 2.6in. *The length of a lens is measured from the front of the lens to its mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eCanon RF Mount: 240g \/ 8.5oz. | FUJIFILM X Mount: 225g \/ 7.9oz. | Sony E-mount: 220g \/ 7.8oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eC026\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003ePOUCH | LENS HOOD LH612-01 | FRONT CAP LCF-58 IV | REAR CAP LCR III\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eMount Conversion Service available | Every single lens undergoes Sigma’s proprietary MTF measuring system\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729762586879,"sku":"406965","price":52500.0,"currency_code":"INR","in_stock":true},{"title":"Canon RF-mount","offer_id":50729762619647,"sku":"406972","price":52500.0,"currency_code":"INR","in_stock":true},{"title":"Fujifilm X-mount","offer_id":50729762652415,"sku":"406975","price":52500.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_9112b2e3-8f00-48c3-9b59-1dcae5feb6a9.png?v=1792514259"},{"product_id":"23mm-f1-4-dc-dn-contemporary","title":"Sigma 23mm F1.4 DC DN | Contemporary APS-C mirrorless camera lens","description":"\u003ch2\u003eA prime lens like a longtime friend\u003c\/h2\u003e\n\u003cp\u003eThe wide-angle lens ideal for APS-C mirrorless cameras joins the Contemporary line. High optical performance, F1.4 brightness, and compact enough to carry around every day.\u003c\/p\u003e\n\u003cp\u003eWith an easy-to-use angle of view of 35mm*, high optical performance, the brightness of a large F1.4 aperture, and a compact and lightweight lens body, Sigma’s experience accumulated in the Contemporary line has culminated in a lens that is ideal for use with APS-C mirrorless cameras. The lens offers excellent resolution from maximum aperture and the rich bokeh effects thanks to its F1.4 brightness. The lens demonstrates its descriptive power in a wide range of applications, including landscapes, portraits, and tabletop photography. In order to take advantage of the high mobility of mirrorless cameras, compactness of the lens body was also pursued. The Sigma’s Contemporary lineup includes several compact and lightweight F1.4 prime lenses in the APS-C format, which are surprisingly compact to carry around. If you want to keep your equipment light and small, but not compromise on image rendering performance, this lens is sure to meet your needs, and will be a lens you will never want to let go.\u003cbr\u003e\u003cbr\u003e *35mm equivalent\u003c\/p\u003e\n\u003ch3\u003eLarge aperture F1.4 brightness and excellent resolution from maximum aperture\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 23mm F1.4 DC DN | Contemporary has an easy-to-use angle of view equivalent to 35mm in 35mm format, as well as the brightness of a large F1.4 aperture and high descriptive power. The optics is composed of 13 elements in 10 groups, including 3 SLD glass elements and 2 aspherical lens elements, to achieve sharp, clear images. The lens delivers excellent resolving power from the maximum aperture. Furthermore, the large F1.4 aperture allows for large, beautiful bokeh effects. The compact, palm-size body allows you to enjoy the rich descriptive power of mirrorless cameras. Careful countermeasures against flare and ghosting enable clear shooting even in backlit environments.\u003c\/p\u003e\n\u003ch3\u003eCompact body optimized for APS-C mirrorless cameras\u003c\/h3\u003e\n\u003cp\u003eTo take advantage of the mobility of APS-C mirrorless cameras, the lens body is compact and lightweight, with a weight of 340g*, length of 76.9mm*, and filter diameter of 52mm. At the same time, the quality of the lens body itself has not been compromised. The high-precision machining technology of Sigma’s sole production facility in Aizu, Japan, has enabled the lens body to achieve the ideal balance between excellent optical performance based on the latest optical and mechanical design and compactness. The AF drive system uses a quiet, high-speed stepping motor. The latest algorithm enables quick focusing for easy shooting. \u003cbr\u003e\u003cbr\u003e *The figures are for L-Mount.\u003c\/p\u003e\n\u003ch3\u003eSupport for switching between linear and non-linear focus ring settings (for L-Mount only)\u003c\/h3\u003e\n\u003cp\u003eFor L-Mount cameras, it is possible to switch to “linear focus,” in which the focus shifts by a fixed amount according to the rotation angle of the focus ring.\u003cbr\u003e\u003cbr\u003e *Only for compatible L-Mount camera bodies.\u003c\/p\u003e\n\u003ch3\u003eExpands the variety of APS-C format F1.4 prime lenses\u003c\/h3\u003e\n\u003cp\u003eThe Sigma Contemporary line offers a wide variety of APS-C format F1.4 prime lenses. All of them share the concept of combining superior resolution with compactness and light weight. By combining them according to your needs, you can build a compact photographic system without compromising on image quality.\u003c\/p\u003e\n\u003cp\u003e16mm F1.4\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens Construction\u003c\/strong\u003e :\u003cbr\u003e16 elements in 13 groups\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAngle of View\u003c\/strong\u003e : 83.2°\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNumber of Diaphragm Blades\u003c\/strong\u003e :\u003cbr\u003e9(Rounded diaphragm)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e : 16\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimum Focusing Distance\u003c\/strong\u003e :\u003cbr\u003e25cm(9.8in.)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaximum Magnification Ratio\u003c\/strong\u003e :\u003cbr\u003e1:9.9\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFilter size\u003c\/strong\u003e : Φ67mm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDiameter\u003c\/strong\u003e : φ72.2mm(φ2.8in.)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLength\u003c\/strong\u003e : 90.3mm(3.6in.)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e : 415g(14.6oz.)\u003c\/p\u003e\n\u003cp\u003e23mm F1.4\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens Construction\u003c\/strong\u003e :\u003cbr\u003e13 elements in 10 groups\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAngle of View\u003c\/strong\u003e : 63.4°\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNumber of Diaphragm Blades\u003c\/strong\u003e :\u003cbr\u003e9(Rounded diaphragm)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e : 16\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimum Focusing Distance\u003c\/strong\u003e :\u003cbr\u003e25cm(9.8in.)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaximum Magnification Ratio\u003c\/strong\u003e :\u003cbr\u003e1:7.3\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFilter size\u003c\/strong\u003e : Φ52mm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDiameter\u003c\/strong\u003e : φ65.8mm(φ2.6in.)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLength\u003c\/strong\u003e : 76.9mm(3.0in.)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e : 340g(12.0oz.)\u003c\/p\u003e\n\u003cp\u003e30mm F1.4\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens Construction\u003c\/strong\u003e :\u003cbr\u003e9 elements in 7 groups\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAngle of View\u003c\/strong\u003e : 50.7°\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNumber of Diaphragm Blades\u003c\/strong\u003e :\u003cbr\u003e9(Rounded diaphragm)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e : 16\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimum Focusing Distance\u003c\/strong\u003e :\u003cbr\u003e30cm(11.8in.)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaximum Magnification Ratio\u003c\/strong\u003e :\u003cbr\u003e1:7\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFilter size\u003c\/strong\u003e : Φ52mm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDiameter\u003c\/strong\u003e : φ65.4mm(φ2.6in.)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLength\u003c\/strong\u003e : 71.3mm(2.8in.)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e : 280g(9.9oz.)\u003c\/p\u003e\n\u003cp\u003e56mm F1.4\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens Construction\u003c\/strong\u003e :\u003cbr\u003e10 elements in 6 groups\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAngle of View\u003c\/strong\u003e : 28.5°\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNumber of Diaphragm Blades\u003c\/strong\u003e :\u003cbr\u003e9(Rounded diaphragm)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e : 16\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimum Focusing Distance\u003c\/strong\u003e :\u003cbr\u003e50cm(19.7in.)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaximum Magnification Ratio\u003c\/strong\u003e :\u003cbr\u003e1:7.4\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFilter size\u003c\/strong\u003e : Φ55mm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDiameter\u003c\/strong\u003e : φ66.5mm(φ2.6in.)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLength\u003c\/strong\u003e : 57.5mm(2.3in.)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e : 285g(10.1oz.)\u003c\/p\u003e\n\u003cp\u003e*The figures are for L-Mount.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eCamera Type\u003c\/td\u003e\n\u003ctd\u003eMirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCorresponding Mount\u003c\/td\u003e\n\u003ctd\u003eL-Mount,Canon RF Mount,FUJIFILM X Mount,Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Format\u003c\/td\u003e\n\u003ctd\u003eAPS-C [DC]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Construction\u003c\/td\u003e\n\u003ctd\u003e13 elements in 10 groups (3 SLD and 2 aspherical elements）\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e63.4 °\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of Diaphragm Blades\u003c\/td\u003e\n\u003ctd\u003e9 (rounded diaphragm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focusing Distance\u003c\/td\u003e\n\u003ctd\u003e25cm \/ 9.8in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Magnification Ratio\u003c\/td\u003e\n\u003ctd\u003e1:7.3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003eφ52mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (Diameter × Length)\u003c\/td\u003e\n\u003ctd\u003eL-Mount：φ65.8mm × 76.9mm \/ φ2.6in. × 3.0in. | Canon RF Mount：φ69.0mm × 76.9mm \/ φ2.7in. × 3.0in. | FUJIFILM X Mount：φ65.8mm × 79.2mm \/ 2.6in. × 3.1in. | Sony E-mount：φ65.8mm× 78.9mm \/ 2.6in. × 3.1in. | ＊The length of a lens is measured from the filter surface to its mount.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003eL-Mount：340g \/ 12.0oz. | Canon RF Mount：345g \/ 12.2oz. | FUJIFILM X Mount：335g \/ 11.8oz. | Sony E-mount：330g \/ 11.6oz.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition Number\u003c\/td\u003e\n\u003ctd\u003eC023\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSupplied Accessories\u003c\/td\u003e\n\u003ctd\u003ePetal Type Lens Hood LH554-01 | FRONT CAP LCF-52 III | REAR CAP LCR II\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnology\u003c\/td\u003e\n\u003ctd\u003eLens construction: 13 elements in 10 groups with 3 SLD and 2 aspherical lens elements | Compatible with high-speed autofocus | Support DMF and AF+MF | Compatible with AF assist (Sony E-mount only) | Petal Type Lens Hood LH554-01 | Compatible with Sigma USB DOCK UD-11 (sold separately \/ for L-Mount only) | Designed to minimize flare and ghosting | Every single lens undergoes SIGMA's proprietary MTF measuring system | 9-blade rounded diaphragm | High-precision, durable brass bayonet mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Sony E-mount","offer_id":50729762685183,"sku":"348965","price":54400.0,"currency_code":"INR","in_stock":true},{"title":"L-Mount","offer_id":50729762717951,"sku":"348969","price":54400.0,"currency_code":"INR","in_stock":true},{"title":"Canon RF-mount","offer_id":50729762750719,"sku":"348972","price":54400.0,"currency_code":"INR","in_stock":true},{"title":"Fujifilm X-mount","offer_id":50729762783487,"sku":"348975","price":54400.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_5b7f06ce-1df6-4358-b30c-d4d60f6a3d97.png?v=1792514259"},{"product_id":"usb-dock-ud-11","title":"Sigma USB Dock UD-11","description":"\u003cp\u003eDesigned exclusively for the use with a Sigma Contemporary, Art, or Sports lens and its accessories, the Sigma USB DOCK allows users to update firmware and customize settings on lenses in these lineups.\u003cbr\u003eAs the latest addition to the lineup, the USB DOCK UD-11 is designed for two types of mirrorless camera mounts: the L-Mount and the CANON EF-M mount.\u003cbr\u003eIn addition to a firmware update function, users can adjust the sensitivity of speed to the MF function* through the UD-11. As for the connector type, it newly employs USB Type-C.\u003cbr\u003e* Scope of adjustment varies depending on specifications of the individual product.\u003c\/p\u003e\n\u003ch3\u003eConnecting with Sigma Optimization Pro\u003c\/h3\u003e\n\u003cp\u003eBy connecting the USB DOCK UD-11 to a compatible lens or an accessory, photographers can configure the following settings of the corresponding product via the exclusive Sigma Optimization Pro software.\u003c\/p\u003e\n\u003ch3\u003eFirmware updates\u003c\/h3\u003e\n\u003cp\u003ePhotographers can update the lens firmware*1, Sigma MOUNT CONVERTER MC-21*2, and Sigma TELE CONVERTER TC-1411\/TC-2011.\u003c\/p\u003e\n\u003cp\u003e*1 It is possible to update the lens firmware via the cameras that supports this function.\u003c\/p\u003e\n\u003cp\u003e*2 It is possible to update the mount converter MC-21 firmware via the camera.\u003c\/p\u003e\n\u003ch3\u003eMF function operation timing adjustment\u003c\/h3\u003e\n\u003cp\u003eUsers can customize the rotation sensitivity of focus ring on MF mode*1.\u003cbr\u003e*1 Firmware update of the lens may be required.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\u003cdiv\u003e\u003c\/div\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":50729762947327,"sku":"878969","price":8400.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_4cabda4c-d0bb-4599-8a69-e70986989ab5.png?v=1792514259"}],"url":"https:\/\/oneprogear.com\/collections\/sigma.oembed","provider":"OneProGear","version":"1.0","type":"link"}