{"title":"Yamaha","description":null,"products":[{"product_id":"mg166c-usb","title":"Yamaha MG166C-USB 20-Input USB Mixing Console","description":"\u003cp\u003eDirect digital recording capability with the supplied Cubase AI4 software\u003c\/p\u003e\u003ch3\u003eUSB models for live recording\u003c\/h3\u003e\u003cp\u003eWhether you have a mixing applications that involves only a few channels, or up to 32 inputs with substantial signal routing versatility, Yamaha's MG-series offers a console that will give you the capacity, control, and performance you deserve. All models are remarkably compact and lightweight for superior handling and portability, but absolutely no compromises have been made in terms of features, performance, or durability. The MG mixers offer an extraordinary blend of technology: some inherited from professional Yamaha mixing consoles you're likely to see in distinguished halls throughout the world, and some developed specifically to deliver optimum performance in the MG-console format. In either case these performance-packed mixers are founded on a world-spanning network of human and technological resources that crystallize to deliver features that really matter, and sound that is undeniably superior.\u003c\/p\u003e\u003ch3\u003eEasy live recording with bundled Cubase AI\u003c\/h3\u003e\u003cp\u003eCubase AI4 harnesses the power of the Steinberg Cubase 4 digital audio workstation for use with Yamaha MG \"USB\" mixers, providing a powerful set of advanced software tools that are easy to use while significantly expanding the mixers' recording and production capabilities. Cubase AI4 offers direct digital connectivity to the stereo buses of MG \"USB\" models for audio recording and editing. It also features a range of MIDI sequencing capabilities, an entire suite of VST effect plug-ins, and a HALion One sample player featuring selected waves from the famed Yamaha Motif synthesizers.\u003c\/p\u003e\u003ch3\u003eCubase AI4 Features\u003c\/h3\u003e\u003cp\u003eCubase 4 audio engine.\u003c\/p\u003e\u003cp\u003e48 audio tracks and up to 64 MIDI tracks.\u003c\/p\u003e\u003cp\u003e25 VST effect plug-ins, including 15 new VST3 plug-in effects.\u003c\/p\u003e\u003cp\u003eHALion One software sample player with selected Motif waves.\u003c\/p\u003e\u003cp\u003ePlug and Play VST\/MIDI setup.\u003c\/p\u003e\u003cp\u003eStudio Connections Integration.\u003c\/p\u003e\u003cp\u003eFile Interchange between Steinberg software and Yamaha hardware.\u003c\/p\u003e\u003cp\u003e20 MIDI music styles and 480 audio drum loops included.\u003c\/p\u003e\u003ch3\u003eBuilt-in SPX Digital Effects (MG166CX-USB only)\u003c\/h3\u003e\u003cp\u003eThere's an astonishing amount of signal processing power packed into the compact chassis of the MG \"CX\" mixers. They incorporate a versatile digital multi-effect processor that provides a range of reverb, delay, modulation, and distortion programs you can use to refine and define your sound. Each of the 16 effect programs has a number of editable parameters as well as effect on\/off switching capability and return level control. You can even blend the effects into the aux sends for \"wet\" monitoring, so the performers can hear the effects too. If you need to keep both hands free to play an instrument or perform other operations, an optional footswitch can be connected to the mixer's effect footswitch jack for convenient on\/off switching.\u003c\/p\u003e\u003ch3\u003eLightweight, Portable Designs\u003c\/h3\u003e\u003cp\u003eDesigning a lightweight mixer is not too difficult, but designing a lightweight, compact mixer that delivers serious performance is another matter. The Yamaha design team went to extraordinary lengths in the MG series, including in-depth material and structural analysis, to bring you maximum manageability and maximum performance in the same packages. The result is that you can easily pop the smallest models into your briefcase or shoulder bag and take with you anywhere. Even the larger models can be tucked under an arm and carried around quite easily. But the performance you'll get at the studio, club, hall, or anywhere you choose to use these fine mixers is far from lightweight. Every one of the MG series mixers provides significant space savings along with huge performance benefits.\u003c\/p\u003e\u003ch3\u003eVersatile Connectivity and Pro-class Connectors\u003c\/h3\u003e\u003cp\u003eTop-mounted input and output connectors make setting up and re-patching your system quick and easy. All models feature high-quality Neutrik™ balanced XLR connectors on mono microphone\/line channels and XLR-equipped stereo channels. These professional-class connectors were subjected to extensive testing by the Yamaha design team, and were chosen for the MG mixers for their superior reliability and sonic qualities. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels provide phone jack and pin jack connectors for compatibility with a wide range of sources. Mono input channels also feature insert I\/O connectors that let you patch external signal processing gear into those channels as required. Separate pinjack 2TR inputs are provided to accept the output from a CD player or similar stereo source.\u003c\/p\u003e\u003ch3\u003eBuilt-in Channel Compressors\u003c\/h3\u003e\u003cp\u003eThis advanced feature can be a tremendous advantage in achieving great vocal sound, as well as to refine the sound of bass, guitar, and other sources. You won't find built-in channel compression on too many other mixers in this class, but in the new MG mixers you have Yamaha's innovative one-knob compression feature on several of the mono input channels. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and timeconsuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.\u003c\/p\u003e\u003ch3\u003eHigh-performance Microphone Preamplifiers with Switchable Phantom Power\u003c\/h3\u003e\u003cp\u003eMicrophone preamplifiers are critical in any mixer, and a performance bottleneck in many. That's why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. Gain trim covers a wide -60dB ~ -16dB range for microphones (-34dB ~ +10dB for line input), so you'll be able to achieve optimum level matching with just about any source. All microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones.\u003c\/p\u003e\u003ch3\u003e3-band Channel EQ and High-pass Filters\u003c\/h3\u003e\u003cp\u003eBuilding a truly useful, musical-sounding channel equalizer is no easy task, but Yamaha has decades of experience in building pro consoles to draw on. You reap the benefits in the MG series mixers: all mono channels feature 3-band equalizers with LOW, MID, and HIGH controls. Depending on the model some of all of the stereo channels have 2-band EQ for smooth equalization of stereo sources. Although not directly related to the equalizer circuitry, all inputs also feature 80 Hz low-pass filters that can be used to eliminate subsonic noise that is outside the equalizers' range.\u003c\/p\u003e\u003ch3\u003eAux\/Effect Sends\u003c\/h3\u003e\u003cp\u003eAll models except the MG82CX have from one to three AUX sends for convenient to processing and monitor systems. Master send controls are also provided, as are RETURN level controls for the AUX and STEREO busses. \"CX\" models have EFFECT send controls on all channels that adjust the level of the signal sent from the corresponding channel to the mixer's internal multi-effect system. The same signal can also be sent to external effect processors via the mixer's EFFECT SEND jack.\u003c\/p\u003e\u003ch3\u003eTwo, Four or Six Buses (Stereo and Group)\u003c\/h3\u003e\u003cp\u003eThe smallest models in the lineup - the MG82CX and MG102C - have a single stereo bus (i.e. two mono buses). All other models additionally feature one or two stereo group buses and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.\u003c\/p\u003e\u003ch3\u003eSmooth 60-millimeter Faders \u0026amp; Illuminated Channel ON Switches\u003c\/h3\u003e\u003cp\u003eWhile the MG82CX and MG102C feature rotary faders, channel and master level control on all other models is accomplished via reliable, highperformance 60-millimeter linear faders that provide smooth, noise-free operation. When you have more than a few channels the direct visual indication of relative level settings can be an important advantage. Models with linear faders also feature illuminated channel ON switches that can be used to individually add or remove channels from the mix without having to change the positions of the channel faders.\u003c\/p\u003e\u003ch3\u003eBright Meters for Visual Level Monitoring\u003c\/h3\u003e\u003cp\u003eAccurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read multi-segment LED meters make it easy to control system levels for optimum overall performance.\u003c\/p\u003e\u003ch3\u003eEasy Operation\u003c\/h3\u003e\u003cp\u003eAll switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback.\u003c\/p\u003e\u003ch3\u003eP.T. Yamaha Music manufacturing Asia — Manufacturing the electronic instruments and PA products\u003c\/h3\u003e\u003cp\u003eFrom the initial design to final manufacturing, all production processes for the Yamaha MG series mixing console are performed entirely inside the company. Moreover, every product that comes off our production line must pass strict quality controls using the sophisticated test instruments. Thus, all of this enables us to deliver the highest quality products to you.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Total Harmonic Distortion\u003c\/td\u003e\n\u003ctd\u003eLess than 0.1 % (THD+N) 20 Hz - 20 kHz @ +14 dBu (ST OUT)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Frequency Response\u003c\/td\u003e\n\u003ctd\u003eResponse 0, +1, -3 dB 20 Hz - 20 kHz @ +4 dBu (ST OUT)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Hum \u0026amp; Noise\u003c\/td\u003e\n\u003ctd\u003e-128 dBu Equivalent Input Noise\/ -98 dBu Residual Output Noise 20 Hz - 20 kHz, Rs = 150 Ω, Input Gain = Maximum\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input Connectors\u003c\/td\u003e\n\u003ctd\u003eMIC: 10, LINE: 8 mono + 4 stereo, CH INSERT: 8, AUX RTN: 1 stereo, 2TR IN: 1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Output Connectors\u003c\/td\u003e\n\u003ctd\u003eST: 2, AUX SEND: 3, CH INSERT: 8, REC: 1 stereo, MONITOR: 1 stereo, GROUP: 4 Phone: 1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-70 dB @ 1 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Phantom Power\u003c\/td\u003e\n\u003ctd\u003e+ 48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input HPF\u003c\/td\u003e\n\u003ctd\u003eCH 1-8, CH 9\/10-11\/12, 80Hz, 12dB\/oct\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › High\u003c\/td\u003e\n\u003ctd\u003e10 k Hz: shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › Mid\u003c\/td\u003e\n\u003ctd\u003e2.5 k Hz: peaking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › Low\u003c\/td\u003e\n\u003ctd\u003e100 Hz: shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Mid\u003c\/td\u003e\n\u003ctd\u003e2.5 k Hz: peaking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Low\u003c\/td\u003e\n\u003ctd\u003e100 Hz: shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Compressor (COMP)\u003c\/td\u003e\n\u003ctd\u003econtrol x 1 (Gain\/Threshold\/Ratio), CH 1-6\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › LED Level Meter \/ Pre Monitor Level\u003c\/td\u003e\n\u003ctd\u003e2 x 12 points LED meter (PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB) PEAK lights if the signal comes within 3 dB of the clipping level.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Peak Indicator\u003c\/td\u003e\n\u003ctd\u003eRed LED turns on when post EQ (ST CH: or post Mic HA) signal reaches -3dB below clipping (17dBu).\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › USB Audio \/ USB IN\/OUT\u003c\/td\u003e\n\u003ctd\u003eSampling Frequency = 44.1kHz or 48kHz (depend on the application of PC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Power Supply Adapter\u003c\/td\u003e\n\u003ctd\u003ePA-30: AC 35VCT, 1.4A, Cable Length = 3.6m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Net Weight\u003c\/td\u003e\n\u003ctd\u003e5.3 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Power Consumption\u003c\/td\u003e\n\u003ctd\u003e30 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Product Dimension (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e478 mm x 105 mm x 496 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268732363007,"sku":"MG166C-USB","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_d93e206f-cb6f-4d57-9f4a-de560d6b32db.jpg?v=1790011481"},{"product_id":"ql1","title":"Yamaha QL1 Digital Mixing Console","description":"\u003cp\u003e16 + 2 fader configuration in a compact, rack mountable unit.\u003c\/p\u003e\u003cli\u003eMix channels: 32 mono, 8 stereo.\u003c\/li\u003e\u003cli\u003eBusses: 16 mix, 8 matrix (Input to Matrix supported).\u003c\/li\u003e\u003cli\u003eLocal I\/O: 16 in, 8 out.\u003c\/li\u003e\u003cli\u003eFader configuration: 16 + 2 (Master).\u003c\/li\u003e\u003cli\u003eRack mountable with optional RK1 Rack Mount Kit.\u003c\/li\u003e\u003ch3\u003ePure, Natural Sound Plus Powerful Built-in Processing for Broad Creative Control\u003c\/h3\u003e\u003cp\u003eQL series consoles featured circuitry and components that had been designed and selected with the utmost care, achieving outstanding audio purity from input to output. With that solid sonic foundation, it became possible to take full advantage of built-in premium internal processors such as the Portico 5033\/5043 created in cooperation with Rupert Neve, to shape and create as required. For a wide range of speech applications built-in automatic mixing functionality from Dan Dugan Sound Design provided optimum channel balance while allowing the operator to concentrate fully on optimizing the overall sound.\u003c\/p\u003e\u003ch3\u003eRefined Control for Smooth Operation\u003c\/h3\u003e\u003cp\u003eQL series consoles featured large touch-panel displays as well as \"Touch and Turn\" knobs that made up a remarkably smooth, efficient control interface. Attention was paid to details such as fader feel and channel name display visibility in order to deliver a sophisticated overall operating experience. Remote control and offline setup capability via an iPad or computer added even more refinement to an already state-of-the-art operating environment.\u003c\/p\u003e\u003ch3\u003eExpandable All-in-One Support for Any Application\u003c\/h3\u003e\u003cp\u003eIn addition to ample analog input and output capacity, QL series consoles featured the same Dante audio networking protocol that provided broad connectivity in the CL consoles. There was also an innovative \"Port to Port\" feature that can patch any input port to any output port so the QL console can function as a remote I\/O device for any other QL or CL series console, for example. Other flexibility enhancing features such as 2-track and multitrack recording capability, and dual MY expansion slots that allow processing capability or I\/O to be added as required, made the QL consoles suitable for use as central components in an extensive variety of sound applications.\u003c\/p\u003e\u003ch3\u003eIt All Begins with Natural Sound\u003c\/h3\u003e\u003cp\u003eIn order to take maximum advantage of evolved processing potential to sculpt creative new soundscapes, the engineer must have uncolored, natural sound as a starting point. Yamaha’s unwavering natural sound philosophy is fully implemented in the QL series, resulting in accurate reproduction that is faithful to the source.\u003c\/p\u003e\u003ch3\u003eEvery Component Contributes to Superior Sonic Precision\u003c\/h3\u003e\u003cp\u003eFull creative freedom can only be achieved when the sonic foundation is accurate, uncolored, and faithful to the source. The same pure, natural sound that is a highly regarded feature of the CL series is achieved in the compact QL series consoles as well. Every detail, from mechanical construction through port location, power supply, grounding, and individual components has been painstakingly analyzed and brought together in a system that affords extraordinary audio quality. Noise that can affect digital mixer performance in a number of ways has also been thoroughly scrutinized and effectively eliminated. Because it can affect AD\/ DA converter performance, system clock jitter has been subject to detailed analysis and optimized by revising the internal FPGA layout and rerouting the clock signal. All of these details combine to realize performance that not only passes the strictest scientific tests, but also satisfies the critical ears of some of the most demanding sound engineers in the business.\u003c\/p\u003e\u003ch3\u003eKeeping the Legacy Alive\u003c\/h3\u003e\u003cp\u003eWhen it’s time to build creatively on the uncolored sonic foundation provided by the QL consoles, a selection of powerful processors is ready to refine your sound. Yamaha digital technology accurately reproduces the quality and performance of time-honored analog devices that are renowned for their musical sound, as well as speech mixing technology that revolutionized the industry with unprecedented consistency and clarity. The technology that achieves all of this reflects Yamaha’s respect for the legacy of masters who have given us some of our most valued audio capabilities. It also gives today’s sound engineers the support they need to create for the future.\u003c\/p\u003e\u003ch3\u003eVCM Technology and Rupert Neve\u003c\/h3\u003e\u003cp\u003eAll of the processing capability that was packed into the CL series consoles is provided in the QL consoles as well. Most of those processors are based on Virtual Circuit Modeling (VCM) technology developed by “Dr. K” (Toshifumi Kunimoto) and his team at “K’s lab,” Yamaha’s stateof-the-art digital technology research facility. VCM technology precisely models the circuitry and performance of analog audio devices, right down to the characteristics of individual components such as resistors and capacitors. VCM simulations are so realistic and musical that even the legendary Rupert Neve, a master who built his reputation on analog sound, has given it his approval and collaborated in developing VCM versions of his Portico 5033 and 5043 EQ and compressor, both provided as on-board processors in the QL consoles.\u003c\/p\u003e\u003ch3\u003eRevolutionary Dan Dugan Automatic Mixer Built In\u003c\/h3\u003e\u003cp\u003eThanks to in-depth collaboration with Dan Dugan Sound Design, renowned Dan Dugan automatic microphone mixing with its advanced algorithms is built into the QL series consoles. Setup is easy: just insert the processor into up to 16 channels for automatically optimized microphone gain distribution. Gain control is smooth and natural, as though experienced human operators were doing the mix. The system also effectively reduces feedback and comb filter issues. For speech applications, especially non-scripted situations, this allows the operator to concentrate on details other than fader operation for consistently high-quality mixes.\u003c\/p\u003e\u003cli\u003eMore information about \"Dan Dugan Automatic Mixer\"\u003c\/li\u003e\u003ch3\u003eRefined Interface for Intuitive Control\u003c\/h3\u003e\u003cp\u003eOperators coming from analog or digital consoles will quickly become comfortable with the QL consoles. Years of accumulated knowhow and feedback from users worldwide have been applied in creating an interface that is simple while providing refined operation that responds fully to the demands of a broad spectrum of real-world applications.\u003c\/p\u003e\u003ch3\u003eStraightforward “Touch and Turn” Operation\u003c\/h3\u003e\u003cp\u003eTouch and Turn operation, introduced in the CL series, has been enthusiastically adopted by sound engineers everywhere. The QL series offers the same operational advantage: touch the parameter you want to control on the screen, then rotate the Touch and Turn knob that is below and to the right of the screen to adjust as required. The color displayed below the knob changes to match that of the selected parameter, for quick confirmation and error-free control. It’s simple, responsive, and very intuitive.\u003c\/p\u003e\u003ch3\u003eThe Yamaha Selected Channel System\u003c\/h3\u003e\u003cp\u003eThe Yamaha Selected Channel interface provides a comprehensive overview of available channel parameters with direct selection capability via its large touch-panel display. The display is the same type that was provided on the CL series consoles, offering high visibility and smooth response for stress free operation. Hands-on control via dedicated physical controllers as well as an innovative Touch and Turn knob provides speedy access to essential QL console parameters for a fast, efficient workflow.\u003c\/p\u003e\u003ch3\u003eAdvanced Features Backed by Efficient Design\u003c\/h3\u003e\u003cp\u003eYou can have features galore, but if they’re not well integrated into a smoothly operating system that provides easy access, their value will be greatly reduced. Design of the QL series faders and knobs extends to the finest details of form and materials. High visibility channel name displays and colors add to overall operation ease and efficiency as well. The interface is the vital connection between console and engineer, and we have treated it with appropriate care and respect.\u003c\/p\u003e\u003ch3\u003eFaders Designed for Fit, Feel, and Visual Feedback\u003c\/h3\u003e\u003cp\u003eThe operator’s sonic intent is conveyed to the console primarily through the faders. Inheriting the sports car bucket seat styling of the CL series faders, the QL faders provide comfortable, sure operation regardless of where you finger rests on the knob. Even the fader knob materials have been selected for optimum feel. The sides of the knobs are specially sculpted to allow the fader scale on the panel to be easily seen from just about any angle.\u003c\/p\u003e\u003ch3\u003eSelected Channel Controls for Direct, Instant Access\u003c\/h3\u003e\u003cp\u003eThe main Selected Channel parameters are assigned to the knobs located to the right of the display for immediate access at any time. In addition to User Defined Keys to which parameters can be freely assigned, another traditional Yamaha digital mixing console feature, the QL consoles also have on-screen User Defined Knobs that provide the same assignable freedom for variable parameters. In combination, the User Defined Knobs and User Defined Keys can significantly enhance operation speed and efficiency.\u003c\/p\u003e\u003ch3\u003eComprehensive Fader Bank Section\u003c\/h3\u003e\u003cp\u003eAll analog inputs are assigned to one Fader Bank, while other input and output channels are accessed by switching banks. Four Custom Fader Banks are also provided, and these allow the user to set up any combination of channels required for maximum efficiency in any application. Custom Fader setups can also be stored with scenes and instantly recalled when needed.\u003c\/p\u003e\u003ch3\u003eHigh Visibility Channel Names and Colors\u003c\/h3\u003e\u003cp\u003eMiniature display panels above each channel fader show the channel name as well as fader setting. There’s also a color bar that glows in eight colors, matching the channel colors shown in the main touch-panel display for easy visual identification. The eight colors plus “black” provide a total of nine color groupings. These high-visibility displays offer excellent legibility in bright outdoor lighting as well in dim indoor settings.\u003c\/p\u003e\u003ch3\u003eFlexible Network Capability in an All-in-one Console\u003c\/h3\u003e\u003cp\u003eNetwork capability is essential in today’s live sound applications, and the QL series offers all you need. In addition to their all-in-one capabilities, QL series consoles come with the widely implemented Dante digital audio networking protocol, developed by Audinate, as a standard feature. That means the QL consoles can be combined with other Dante capable devices, such as CL series consoles and R series I\/O rack units, to flexibly create systems for applications of just about any scale or complexity.\u003c\/p\u003e\u003ch3\u003eOne Console May Be All You Need\u003c\/h3\u003e\u003cp\u003eEach QL series console provides extensive built-in input and output capacity that can handle a variety of applications without the need for stage boxes or other external equipment (32 inputs and 16 outputs on the QL5, and 16 ins and 8 outs on the QL1). For many jobs all you need is one console, and that means vastly superior portability as well as speedy setup.\u003c\/p\u003e\u003ch3\u003eSuperior Dante Networking Built In\u003c\/h3\u003e\u003cp\u003ePrecision synchronization technology achieves low latency and low jitter as well as high sample accuracy in a network that is fast and simple to set up. Individual IDs assigned to each device on a Dante network allow automatic device detection as well as easy patching. Speedy setup leaves more time for the all-important job of setting up the mix.\u003c\/p\u003e\u003ch3\u003eRedundancy for Reliability\u003c\/h3\u003e\u003cp\u003eCables and switches can malfunction, but with Dante’s support for redundant connections a problem on the network won’t stop the show. Redundant primary and secondary connections can be set up in a star network configuration so that problems in any part of the network won’t interrupt the signal flow or bring the entire network down.\u003c\/p\u003e\u003ch3\u003e“Port to Port” Enhances System Versatility\u003c\/h3\u003e\u003cp\u003e“Port to Port” is a new Yamaha feature that allows QL series console inputs and outputs to be put to use as elements of a larger system, providing unprecedented capabilities for interconnecting front-of-house and monitor consoles, and much more. Gain Compensation enhances the versatility of this feature even more.\u003c\/p\u003e\u003cli\u003eMore information about \"Port to Port\"\u003c\/li\u003e\u003ch3\u003eCapable Systems with Fewer Devices\u003c\/h3\u003e\u003cp\u003eThe ability to directly connect input ports to output ports without going through mixing channels provides unprecedented freedom for routing signals between the analog, Dante, and MY slot inputs and outputs. For example, a QL console could be used as an I\/O device for another QL or CL series console while simultaneously functioning as a monitor console. Not only is just one QL console required for both monitor and I\/O use, but analog gains can be remotely controlled from the front-of-house QL or CL console. It’s also possible to mix analog signals received at the console while directly transmitting them to a multitrack recording system via Dante, for example. The possibilities are vast.\u003c\/p\u003e\u003ch3\u003eI\/O Rack Sharing without Gain Complications\u003c\/h3\u003e\u003cp\u003eWhen sharing inputs between multiple consoles using Dante networking and Port to Port capability, gain adjustments made from one console could potentially disrupt the mix balance at another. The Gain Compensation function prevents such problems from occurring. Gain compensation is automatically applied at the digital stage so that the total gain sent out via the network remains constant.\u003c\/p\u003e\u003ch3\u003eEverything You Need for Creative Engineering\u003c\/h3\u003e\u003cp\u003eQL series console include a virtual processing rack that lets the operator approach selecting and patching internal processors in a way that’s similar to working with external rack-mounted devices. All of the high-quality processors that received rave reviews in the CL series are provided in the QL series consoles as well. Top-quality sound-shaping tools for creative engineering are ready and accessible whenever they’re needed.\u003c\/p\u003e\u003ch3\u003ePremium Rack\u003c\/h3\u003e\u003cp\u003eUp to eight VCM processors, including the Portico processors developed in cooperation with Rupert Neve Designs that are standards in leading recording studios throughout the world, can be mounted in the virtual rack and used to deliver the kind of performance that only high-end analog outboard processors have previously been capable of. More importantly, that studio quality and musical tonality are available for live sound applications.\u003c\/p\u003e\u003cp\u003ePortico 5033\/5043: These devices immaculately model the full sonic depth and breadth of the original analog equalizer and compressor\/limiter modules by Rupert Neve. They are not only ideal for adding first-class studio-quality processor sound to your mix, but are also remarkably easy to set up for optimum effect. Merely inserting these outstanding models in the signal path can enhance the sound.\u003c\/p\u003e\u003cp\u003eU76: A studio standard that is ideal for a wide range of applications. It even features a RATIO “ALL” button that simulates the effect of engaging all of the ratio buttons on the original.\u003c\/p\u003e\u003cp\u003eOpt-2A: This is a model of one of the most widely used optical studio compressors from the 1960’s. The distinctive and highly regarded compression and release characteristics of the original are recreated with remarkable precision.\u003c\/p\u003e\u003cp\u003eEQ-1A: The classic studio equalizer that is the basis for this model is still in demand today, highly prized for the musical response of its vacuum tube and transformer EQ circuitry, as well as its distinctive boost\/cut characteristics.\u003c\/p\u003e\u003cp\u003eDynamic EQ: This original EQ module detects level variations in specified frequency bands in real time, dynamically adjusting EQ gain to provide pinpoint compression, limiting, and de-essing. A refined interface contributes to fast, easy operation.\u003c\/p\u003e\u003cp\u003eBuss Comp 369: The K's Lab team has created an accurate VCM (Virtual Circuitry Modeling) model of an acclaimed buss compressor that is relied on in broadcast and recording studios around the world. As the name implies, Buss Comp 369 is ideal for inserting on the stereo mix buss for increased loudness, more uniform levels, and warm overall sound. It is an excellent choice for live sound as well as broadcast applications.\u003c\/p\u003e\u003cp\u003eMBC4 Multiband Compressor: The MBC4 is a four-band multiband compressor for the console's Premium Rack, combining a refined GUI with advanced VCM modeling for high overall operability and sonic performance. The musical response of highly regarded analog compressors was studied in depth and recreated in detail in the MBC4, providing flexible dynamics processing while retaining the integrity and musicality of the source.\u003c\/p\u003e\u003ch3\u003eEffect Rack\u003c\/h3\u003e\u003cp\u003eUp to eight of the 46 available ambience effects and 8 available insert effects can be mounted in the QL virtual rack. That selection includes a number of high-end Yamaha REV-X reverb processors for sophisticated sonic control. Any of the mounted effects can be individually switched to graphic EQ operation as required.\u003c\/p\u003e\u003cp\u003eComp 276: This model is a composite of several analog compressors that were popular in recording studios in the 70’s. Anyone who is familiar with the originals will recognize the characteristic punch and fatness this device delivers.\u003c\/p\u003e\u003cp\u003eOpen Deck: Here’s a unique effect that models both the analog circuitry of well-known professional tape decks plus the characteristics of the tape used with them. You can simply choose a deck that offers the sound you need, or combine different recording and playback decks for a range of useful variations.\u003c\/p\u003e\u003cp\u003eComp 260: The compressor\/limiter modeled in this device was all the rage in the late 70’s, featuring solid-state RMS level detection circuitry and VCAs for level control. The sonic signature of this model is unmistakable.\u003c\/p\u003e\u003cp\u003eEQ 601: For a sweet analog EQ sound, this model recreates a popular circuit topology from the 70’s.\u003c\/p\u003e\u003ch3\u003eGEQ Rack\u003c\/h3\u003e\u003cp\u003eThe GEQ rack is ideal for inserting graphic EQ into the output and other busses. Up to eight 31-band graphic equalizers can be mounted, and any of those can be switched for use as dual 15-band “Flex15GEQ” equalizers that can control any 15 bands selected from the 31 bands available. With eight rack slots, that allows for a maximum of 16 simultaneous EQ processors. Dan Dugan Automixer units can be inserted in the input channels via the GEQ rack, providing up to 16 channels of automix for speech applications.\u003c\/p\u003e\u003ch3\u003e2-track\/Multitrack Recording and Playback\u003c\/h3\u003e\u003cp\u003eWhether you want basic 2-track recording and playback, or full-blown multitrack recording and playback capability, the QL series consoles make it easy. There’s direct 2-track recording to standard USB flash drives, or serious multitrack recording to a DAW via Dante. Multitrack playback is handy for “virtual sound checks” when the musicians aren’t available, and 2-track playback is for background music, and sound effects.\u003c\/p\u003e\u003ch3\u003eConvenient 2-track Recording to USB Flash Drive\u003c\/h3\u003e\u003cp\u003eA standard USB flash drive plugged into the front-panel USB port serves as media for direct 2-track recording in mp3 format. There’s no need to carry external recording equipment around, and the recording can be handed to performers as soon as the show is finished, for example. Sound files in mp3, AAC, or WMA format saved on the flash drive from a computer or other source can be played back too, for convenient BGM or sound effects without the need for extra playback equipment.\u003c\/p\u003e\u003ch3\u003eNuendo Live multi-track live recording software is bundled.\u003c\/h3\u003e\u003cp\u003eThe QL series consoles even make live multitrack recording easy. With Dante Virtual Soundcard software it becomes possible to transfer audio directly to a Windows or Mac computer connected to the Dante network. With an appropriate DAW such as Steinberg Nuendo Live (bundled) running on the computer, up to 64 tracks can be recorded simultaneously. In addition to being the best way to create professional quality recordings of live performances, this capability is ideal for creating the tracks needed for virtual sound checks.\u003c\/p\u003e\u003cli\u003eMore information about Nuendo Live.\u003c\/li\u003e\u003ch3\u003eExpandable Capacity and Functionality\u003c\/h3\u003e\u003cp\u003eConsole I\/O and functions can be customized simply by inserting appropriate Yamaha or third-party expansion cards into the Mini-YGDAI expansion slots provided. QL series consoles feature dual Mini-YGDAI slots that can accept expansion cardsselected from a lineup of more than 30 types.\u003c\/p\u003e\u003ch3\u003eCascade for Large Systems\u003c\/h3\u003e\u003cp\u003eMultiple QL consoles can be cascade connected via I\/O cards such as the MY16-AE to create systems that offer the high channel capacities required by larger applications. QL consoles can also be cascaded to the other Yamaha digital consoles such as CL series for broad system flexibility\u003c\/p\u003e\u003ch3\u003eLake Processing\u003c\/h3\u003e\u003cp\u003eLake processing has become a standard for speaker processing in live sound applications, and it can easily be added to QL consoles via the MY card slots. The MY8-LAKE expansion card, developed through technical cooperation between Yamaha and Lab.gruppen, offers Mesa EQ, Ideal Graphic EQ, Linear Phase EQ, and other processing features that are capable of achieving ideal tuning in a wide variety of environments regardless of size, acoustic characteristics, or the types of speakers used. Mesa EQ with its symmetrical curve can be inserted into input channels and used for creative sound shaping as well as speaker processing. The possibilities are endless. The Lake Controller computer application can be used for central management and control of all Lake devices in the system, and it works well with Smaart acoustic measurement tools for effective overall speaker tuning.\u003c\/p\u003e\u003cli\u003eMore information about MY8-LAKE.\u003c\/li\u003e\u003ch3\u003eTight iPad and Computer Integration\u003c\/h3\u003e\u003cp\u003eWith the “QL StageMix” app for iPad it is possible to mix remotely from audience seating or the performer’s positions in front of floor monitors, for example. The QL5 even includes stays that will support an iPad on the left side of its panel, sleekly integrating of the iPad into the QL interface. There’s also the “QL Editor” application for Windows and Mac computers, allowing console parameters to be set up via the computer, on or off line. The QL Editor is a great way to manage scene and patch list data, for example, and keyboard entry capability can be a timesaving advantage for typing channel names, etc. QL StageMix and QL Editor are great time savers, and they can be used simultaneously.\u003c\/p\u003e\u003cli\u003eMore information about QL StageMix.\u003c\/li\u003e\u003ch3\u003eSmart Looks and Flexible Design for Custom Control Panels\u003c\/h3\u003e\u003cp\u003eNo specialized programming skills are required. An intuitive interface makes it easy to create faders for volume control and switches for channel on\/off, for example, and position photographs or other graphic elements on the tablet screen as required to create original control panels that are ideally suited to individual applications and users. In addition, ProVisionaire Touch and ProVisionaire Control can control CL\/QL\/TF series digital mixers, MTX and MRX series processors, XMV series and PC-D\/PC-DI series power amplifiers, R series (ADDA) and Tio1608-D I\/O rack, DZR-D series powered loudspeakers and DXS XLF-D powered subwoofers and Nexo NXAMPmk2 powered TD controller. It is easy to combine those parameters onto the one screen.\u003c\/p\u003e\u003cli\u003eMore information about ProVisionaire Touch\u003c\/li\u003e\u003cli\u003eMore information about ProVisionaire Control\u003c\/li\u003e\u003ch3\u003eToday’s Mix Data for Tomorrow’s Show\u003c\/h3\u003e\u003cp\u003eSince QL and CL series mix data are compatible, data created on either type of console can be directly read and used by the other. The time and effort spent setting up mix data for one job can be carried over to other jobs. Moreover, the Yamaha Console File Converter application provides compatibility with PM5D, M7CL, and LS9 consoles as well. All the data you have carefully crafted can be put to good use in future situations.\u003c\/p\u003e\u003cli\u003eMore information about Console File Converter.\u003c\/li\u003e\u003ch3\u003eFeatures Optimized for Live Sound\u003c\/h3\u003e\u003cp\u003eAlthough there are as many ways to use a mixing console as there are sound engineers, extensive feedback from audio professionals has made it possible to provide a feature set that is ideally suited to the real-world needs of demanding live sound applications.\u003c\/p\u003e\u003ch3\u003e300 Scene Memories\u003c\/h3\u003e\u003cp\u003eUp to 300 complete console setups can be stored as “scenes” and instantly recalled whenever needed. Scene Preview is also supported, and scenes can be individually loaded from or saved to a USB flash drive.\u003c\/p\u003e\u003ch3\u003eVersatile Input and Output Delays\u003c\/h3\u003e\u003cp\u003eUp to 1000 ms delay on input channels facilitates precise microphone phase compensation, while up to 1000 ms delay on the output ports is useful for speaker distance compensation and room tuning.\u003c\/p\u003e\u003ch3\u003eAmple EQ and Dynamics Processing\u003c\/h3\u003e\u003cp\u003eAll channels feature 4-band parametric EQ and two dynamics processors (one dynamic processor on outputs). De-esser can also be selected for band pass type EQ.\u003c\/p\u003e\u003ch3\u003e16 DCA Groups\u003c\/h3\u003e\u003cp\u003e16 DCA groups allow flexible grouping of multiple input channels for simultaneous control.\u003c\/p\u003e\u003ch3\u003e8 Mute Groups\u003c\/h3\u003e\u003cp\u003eMultiple channels can be assigned to any of 8 mute groups for instant muting or un-muting, with a new Dimmer Level function.\u003c\/p\u003e\u003ch3\u003e12 User Defined Keys\u003c\/h3\u003e\u003cp\u003eA large number of console functions including Sends on Fader, Tap Tempo, and Set by Sel can be assigned to 12 User Defined Keys for instant hands-on access.\u003c\/p\u003e\u003ch3\u003eMultiple User Key Sets\u003c\/h3\u003e\u003cp\u003eLimited access to CL console functions can be provided for less experienced operators and accident prevention via multiple User Key sets that can be stored in the console itself as well as on USB memory.\u003c\/p\u003e\u003ch3\u003e5-in\/5-out GPI Interface\u003c\/h3\u003e\u003cp\u003eA 5-input\/5-output GPI interface allows the CL consoles to respond to input from external switches, as well as to transmit on\/off status to external devices.\u003c\/p\u003e\u003ch3\u003eHelp File\u003c\/h3\u003e\u003cp\u003eSimply tap the on-screen “Help” button to access the onboard operation manual. Once loaded all essential information is available directly via the console’s display, so you won’t need to keep the printed manual with you.\u003c\/p\u003e\u003ch3\u003ePure, Natural Sound Plus Powerful Built-in Processing for Broad Creative Control\u003c\/h3\u003e\u003cp\u003eThe Yamaha sound begins with reproduction that is faithful to the source. QL series consoles feature circuitry and components that have been designed and selected with the utmost care, achieving outstanding audio purity from input to output. With that solid sonic foundation it becomes possible to take full advantage of built-in premium internal processors such as the Portico 5033\/5043 created in cooperation with Rupert Neve, to shape and create as required. For a wide range of speech applications built-in automatic mixing functionality from Dan Dugan Sound Design provides optimum channel balance while allowing the operator to concentrate fully on optimizing the overall sound.\u003c\/p\u003e\u003ch3\u003eRefined Control for Smooth Operation\u003c\/h3\u003e\u003cp\u003eThe ability to respond swiftly and surely to multiple, rapidly changing demands is essential for effective live sound support. QL series consoles feature large touch-panel displays as well as “Touch and Turn” knobs that make up a remarkably smooth, efficient control interface. Attention has also been paid to details such as fader feel and channel name display visibility in order to deliver a sophisticated overall operating experience. Remote control and offline setup capability via an iPad or computer adds even more refinement to an already state-of-the-art operating environment.\u003c\/p\u003e\u003ch3\u003eExpandable All-in-One Support for Any Application\u003c\/h3\u003e\u003cp\u003eIn addition to ample analog input and output capacity, QL series consoles feature the same Dante audio networking protocol that provides broad connectivity in the CL consoles. There's also an innovative “Port to Port” feature that can patch any input port to any output port so the QL console can function as a remote I\/O device for any other QL or CL series console, for example. Other flexibility enhancing features such as 2-track and multitrack recording capability, and dual MY expansion slots that allow processing capability or I\/O to be added as required, make the QL consoles suitable for use as central components in an extensive variety of sound applications.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sampling frequency rate › Internal\u003c\/td\u003e\n\u003ctd\u003e44.1kHz \/ 48kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sampling frequency rate › External\u003c\/td\u003e\n\u003ctd\u003e44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Signal delay\u003c\/td\u003e\n\u003ctd\u003eLess than 2.5ms, INPUT to OMNI OUT, Fs= 48kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Fader\u003c\/td\u003e\n\u003ctd\u003e100mm motorized, Resolution=1024steps, +10dB to –138dB, –∞dB all faders\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003eLess than 0.05% 20Hz-20kHz@+4dBu into 600Ω, INPUT to OMNI OUT, Input Gain= Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003e+0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, INPUT to OMNI OUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dynamic range\u003c\/td\u003e\n\u003ctd\u003e112dB typ.: DA Converter \/ 108dB typ.: INPUT to OMNI OUT, Input Gain = Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e-128dBu typ., Equivalent Input Noise, Input Gain=Max\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e-88dBu, Residual output noise, ST master off\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-100dB*1, adjacent INPUT\/OMNI OUT channels, Input Gain = Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003e100-240V 50\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e135W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e468mm(18.4in )\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e272mm(10.7in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e562mm(22.1in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e14.7kg(32.4lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eOwner’s Manual, power cord, DVS license sheet, Nuendo Live\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Options\u003c\/td\u003e\n\u003ctd\u003eRackmount kit RK1, Mini-YGDAI cards *2 , Gooseneck Lamp LA1L\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eOperating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268732231935,"sku":"QL1","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_f75cc9f1-840d-4e27-87d2-e3f1f49f5fc7.jpg?v=1790011481"},{"product_id":"swp1-8mmf","title":"Yamaha SWP1-8MMF L2 Switch","description":"\u003cp\u003eThe SWP1 series L2 switch is ideal for Dante network systems. It features eight etherCON ports, one opticalCON port, and an option slot for one more port as needed.\u003c\/p\u003e\u003cli\u003eetherCON Connectors: 4 front \/ 4 rear\u003c\/li\u003e\u003cli\u003eopticalCON Connectors: 1 front\u003c\/li\u003e\u003cli\u003eOptional optical module slot: 1 front\u003c\/li\u003e\u003cli\u003ePower consumption: 11W\u003c\/li\u003e\u003cli\u003eDimensions (WxHxD): 480 x 44 x 362mm (18.9\" x 1.7\" x 14.2\")\u003c\/li\u003e\u003cli\u003eNet Weight: 4.2 kg (9.3 lbs)\u003c\/li\u003e\u003ch3\u003eYamaha Switches with Dante Optimization and Network Visibility\u003c\/h3\u003e\u003cp\u003eComplex network switch setup that was previously better left to an IT technician can now be easily accomplished by anyone. A simple switch setting is all it takes to optimize SWP1 series network switches for Dante operation, and a dedicated computer application called Yamaha LAN Monitor provides “network visibility” for comprehensive monitoring and control.\u003c\/p\u003e\u003cp\u003eYamaha first entered the network device business in 1995, and has grown to hold a significant share of Japan’s small to medium enterprise and SOHO network market. Yamaha gigabit L2 switches that could be linked to Yamaha routers\/firewalls were introduced in 2011, with features that significantly reduced the network setup, maintenance, and management workload.\u003c\/p\u003e\u003cp\u003e20 years later audio networking has become one of the fastest growing, most highly valued technologies in the live sound and pro audio fields. An expanding range of Dante capable Yamaha products, including the highly regarded CL series digital mixing consoles, continues to lead the way. SWP1 series network switches are a solution the pro audio market has been waiting for, offering an ideal balance of IT and pro audio know-how that only Yamaha can provide.\u003c\/p\u003e\u003cp\u003eThe SWP1 series makes audio network setup, monitoring, and operation easier and more convenient than ever before.\u003c\/p\u003e\u003ch3\u003eDIP Switch Dante Optimization\u003c\/h3\u003e\u003cp\u003eSimple Dante networks are not difficult to set up and operate, but as network complexity grows the switches used need to be optimized for Dante operation in order to achieve maximum stability. Setting up QoS, IGMP Snooping, and other parameters on an intelligent switch can be a complex task, requiring specialized knowledge that is more the domain of IT technicians than audio engineers. The SWP1 series allows a Dante optimized setup to be recalled by simply flipping one DIP switch. No expertise or training is required.\u003c\/p\u003e\u003ch3\u003e3 Preset VLAN Types\u003c\/h3\u003e\u003cp\u003eA truly efficient network should be able to handle multiple services simultaneously: Dante communication, StageMix and other smart device functions, computer software that allows digital mixer or power amplifier control, and perhaps more. But the more communication you combine on one network, the greater the chance for interference and problems. The use of virtual VLAN domains to isolate the various types of data is the ideal solution, but this type of setup also requires some IT expertise. The SWP1 series includes three VLAN presets that can be simply selected via a DIP switch. There’s also a USER mode that allows fully customized VLAN setup.\u003c\/p\u003e\u003cp\u003e*SWP1-8 ports 9 and 10, SWP1-8MMF port 10, and SWP1-16MMF port 18 become available when the optional MMF-SWP1 is installed.\u003c\/p\u003e\u003ch3\u003eNetwork Visibility\u003c\/h3\u003e\u003cp\u003eEffective Dante network management hinges on a range of parameters such as network traffic, switch status, and individual Dante device information. The dedicated Yamaha LAN Monitor application provides a comprehensive single-screen view of all necessary parameters when used with SWP1 series switches. We refer to this type of graphical overview as “network visbility.” You can even take a snapshot of the normal network status and set an alarm to warn you if any of the parameters changes, so that problems can be identified and resolved quickly and easily. The Dante Controller application can also be launched from the Yamaha LAN Monitor with a single click, providing a total Dante network solution on a single computer.\u003c\/p\u003e\u003cli\u003eClick here for more Yamaha LAN Monitor information.\u003c\/li\u003e\u003cp\u003e*The software name of Yamaha Audio Network Monitor has been changed to Yamaha LAN Monitor.\u003c\/p\u003e\u003ch3\u003eetherCON Connectors for Live Sound Reliability\u003c\/h3\u003e\u003cp\u003eReliability is essential in live sound applications. Nothing can be allowed to interrupt the show. Conventional network switches usually have RJ45 connectors to match the connectors on the computers to which they will be connected, but the SWP1 series features durable, reliable etherCON connectors that are directly compatible with the etherCON connectors on Yamaha CL\/QL series consoles and other Dante capable devices.\u003c\/p\u003e\u003ch3\u003eOptical Fiber and Network Redundancy Support (option required for redundancy)\u003c\/h3\u003e\u003cp\u003eThe SWP1-8MMF and SWP1-16MMF include multi-mode fiber capable opticalCON connectors. Both models allow transmission over distances of up to 300 meters. The optional MMF-SWP1 optical fiber module can be added to allow two optical fiber cables to be run for redundant connection. Rapid spanning tree protocol (RSTP) is also supported for redundant connections.\u003c\/p\u003e\u003ch3\u003eEXT DC INPUT for Power Supply Redundancy\u003c\/h3\u003e\u003cp\u003eSWP1 series switches include an XLR-4-32 type EXT DC INPUT connector in addition to the standard AC IN connector. +24V DC supplied to the EXT DC INPUT connector provides redundant power that can keep the device running if a problem occurs in the AC supply. For further reliability the AC connector is a locking type (V-Lock) that minimizes the possibility of accidental disconnection.\u003c\/p\u003e\u003cp\u003eYamaha SWP1 series network switches were specifically created to give users maximum benefit with the greatest possible setup and operating ease. They allow one-touch Dante optimization plus advanced network visibility while taking full advantage of Dante audio flow management capabilities. Yamaha LAN Monitor software works with the SWP1 series to allow comprehensive monitoring and management of not only any connected SWP1 series switches, but connected Dante devices as well. Yamaha’s original L2MS (Layer 2 Management Service) protocol extends “network visibility” capability to any Dante devices connected to SWP1 series switches.\u003c\/p\u003e\u003ch3\u003eLAN Mapping for a Complete Network Overview\u003c\/h3\u003e\u003cp\u003eUnderstanding how multiple switches installed in different locations are connected, plus how network devices are connected to those switches, can be a difficult, time-consuming task. The Yamaha LAN Monitor makes overall network topology clearly visible, giving the user a comprehensive overview of how multiple switches and Dante network devices are interconnected. Simply connect a computer to the nearest SWP1 switch and launch the Yamaha LAN Monitor software.\u003c\/p\u003e\u003ch3\u003ePort Status and Bandwidth Utilization\u003c\/h3\u003e\u003cp\u003eThe Yamaha LAN Monitor includes a port status and bandwidth display that clearly shows the connection status of each network switch port, information about the connected devices, the communication speed at each port, and the bandwidth utilization at each port.\u003c\/p\u003e\u003ch3\u003eDante Device Info\u003c\/h3\u003e\u003cp\u003eDevice information and monitoring is also available for any Dante devices connected to SWP\/SWR\/SWX series switches on the network. The ability to monitor primary and secondary port status as well as transmit and receive flow is important to achieving stable, reliable Dante audio communication. This capability lets you keep an eye on the overall “health” of the network.\u003c\/p\u003e\u003ch3\u003e1-click Dante Controller Launch\u003c\/h3\u003e\u003cp\u003eA Dante Controller button at the top of the Yamaha LAN Monitor interface lets you launch the Dante Controller with a single click (the Dante Controller software must be installed on the computer). Seamless switching between the Yamaha LAN Monitor and Dante Controller provides total Dante network control from a single computer.\u003c\/p\u003e\u003ch3\u003eSnapshot Function Makes Troubleshooting Easy\u003c\/h3\u003e\u003cp\u003eA \"snapshot\" can be taken of the network status when setting up. The software can then automatically keep track of the settings and alert the user of any changes. A snapshot can be taken of the network during rehearsal, then the user would be alerted if a cable is disconnected, if a device is turned off, or if a wrong connection is made prior to the performance, for example.\u003c\/p\u003e\u003ch3\u003eEnhanced Device ID with Icons, Labels, and Comments\u003c\/h3\u003e\u003cp\u003eIdentifying devices connected to a switch by only their IP or MAC address is a difficult and error-prone approach. Connected Dante devices are identified by a Dante icon as well as a device ID previously set up via the Dante Controller software. You can also enter additional info, such as the location of the device, in the Label and Comment fields.\u003c\/p\u003e\u003ch3\u003eDetailed Switch Settings and Firmware Updates\u003c\/h3\u003e\u003cp\u003eThe web GUI for each device can be recalled to provide access to “deep” settings and allow firmware updates.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Number of LAN ports (1000BASE-T\/100BASE-TX\/10BASE-T, etherCON connector)\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Number of SFP ports (1000BASE-SX, opticalCON connector)\u003c\/td\u003e\n\u003ctd\u003e2 (1 optical module is installed as standard)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Console port\u003c\/td\u003e\n\u003ctd\u003e1 (RJ-45)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Automatic negotiation\u003c\/td\u003e\n\u003ctd\u003eAvailable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Auto MDI\/MDI-X\u003c\/td\u003e\n\u003ctd\u003eAvailable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Switching capacity\u003c\/td\u003e\n\u003ctd\u003e20 Gbit\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Throughput\u003c\/td\u003e\n\u003ctd\u003e15 Mpps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum number of MAC addresses\u003c\/td\u003e\n\u003ctd\u003e16,384\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frame buffer\u003c\/td\u003e\n\u003ctd\u003e1024 kB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › VLAN\u003c\/td\u003e\n\u003ctd\u003ePort VLAN, Tag VLAN (IEEE802.1Q), Private VLAN\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum number of VLANs\u003c\/td\u003e\n\u003ctd\u003e256 (VLAN ID 1-4,094) *VLAN ID 1 is the default VLAN ID.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › IP multicast\u003c\/td\u003e\n\u003ctd\u003eIGMP Snooping (v1\/v2\/v3)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › QoS\u003c\/td\u003e\n\u003ctd\u003e8 egress queues, Policy-based QoS, Remarking (CoS, ToS, DSCP), Scheduling (SP, WRR)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Flow control\u003c\/td\u003e\n\u003ctd\u003eIEEE802.3x (Full-duplex), back pressure (Half-duplex)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Support functions\u003c\/td\u003e\n\u003ctd\u003eStorm control, HOL blocking prevention, Loop detection, ACL, SNMP agents, Link aggregation (IEEE 802.3ad LACP, Static), Spanning tree (STP*, RSTP*, MSTP), Port mirroring, Port shutdown, Link speed down shift, Packet counter, Power saving mode (IEEE802.3az EEE; Disabled in DANTE mode), DHCP client, Logging, Firmware download via TFTP\/HTTP, Config file download via TFTP *STP and RSTP are supported v\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › DIP switches\u003c\/td\u003e\n\u003ctd\u003eCONFIG, VLAN PRESET\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Indicators\u003c\/td\u003e\n\u003ctd\u003eFront: POWER, LED MODE×4, PORT×8×2*, SFP×2 *The LED MODE button allows the PORT lamps to be switched between indicating LINK\/ACT-SPEED, STATUS, or VLAN.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Operating temperature\u003c\/td\u003e\n\u003ctd\u003e0 to 40°C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Storage temperature\u003c\/td\u003e\n\u003ctd\u003e-20 to 60°C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power supply (AC IN inlet)\u003c\/td\u003e\n\u003ctd\u003eAC100V-240V, 50\/60Hz, Internal power supply (no power switch), Power supply inlet: locking type\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power supply (EXT DC INPUT inlet)\u003c\/td\u003e\n\u003ctd\u003eExternal power supply requirements: 24VDC±2V, 1A, XLR-4-32 type Connector\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum power consumption\u003c\/td\u003e\n\u003ctd\u003e11 W, 0.21 A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Heat dissipation\u003c\/td\u003e\n\u003ctd\u003e9.5 kcal\/h\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Chassis\u003c\/td\u003e\n\u003ctd\u003eMetal case, no fan\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hazardous substances management\u003c\/td\u003e\n\u003ctd\u003eRoHS compliant\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e480mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e44mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e362mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Weight\u003c\/td\u003e\n\u003ctd\u003e4.2 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003ePower cord, Owner's manual\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Options\u003c\/td\u003e\n\u003ctd\u003eMMF-SWP1 (Optical expansion unit), PA-700 (AC adaptor)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268732264703,"sku":"SWP1-8MMF","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_db3db481-3969-4f0e-85ad-595b4e715ef6.jpg?v=1790011481"},{"product_id":"hph-mt5w","title":"Yamaha HPH-MT5W Studio Monitor Headphones","description":"\u003cp\u003eHigh-grade monitor headphones that deliver a balanced sound faithful to the source. Perfect for in the studio, music production at home, or for personal listening. Great portability thanks to the folding arm and 250g light weight hardware designing.\u003c\/p\u003e\u003cli\u003e40 mm custom drivers with CCAW voice coils deliver a broad frequency range from 20Hz to 20kHz\u003c\/li\u003e\u003cli\u003eClosed-back, circumaural design for excellent isolation\u003c\/li\u003e\u003cli\u003e250g light weight, smooth synthetic leather and low-resistance cushions ensure stress-free wearability\u003c\/li\u003e\u003cli\u003eThree-dimensional arm pivot construction and adjustable slider length alleviate fatigue when working for extended periods\u003c\/li\u003e\u003cli\u003eMoveable earcups allow single-ear monitoring\u003c\/li\u003e\u003cli\u003eThick, durable ABS housing and folding arm ideal for use in tough working environments or travel\u003c\/li\u003e\u003cli\u003eStraight 3 m cable suitable for use in a wide variety of applications *6.3 mm diameter standard stereo plug adaptor included\u003c\/li\u003e\u003cli\u003eConvenient carrying bag included\u003c\/li\u003e\u003ch3\u003eA LEGEND TRANSFORMED\u003c\/h3\u003e\u003cp\u003eIt takes a true original to become an industry standard, and since their inception Yamaha’s NS-10M studio monitor speakers have become a mainstay of professional studios the world over, renowned for their legendary accuracy. From the NS-10M to the MSP and HS Series, Yamaha has remained faithful to a design philosophy focused on delivering the sonic accuracy that provides sound professionals with the perfect platform upon which to develop and establish their own signature sound. MT Series studio monitor headphones remain true to this fundamental concept, delivering precision sound reproduction that meets the demanding requirements of today’s professional studio and monitoring applications.\u003c\/p\u003e\u003cp\u003eWith unmatched fidelity in a sturdy yet stylish design, and the durability to hold up to the rigors of the road, Yamaha’s MT Series headphones offer a level of comfort you’ll be thankful for after long hours in a critical listening environment.\u003c\/p\u003e\u003cp\u003eHigh-grade monitor headphones that deliver a balanced sound faithful to the source. Perfect for in the studio, music production at home, or for personal listening. Comfortable monitoring even during lengthy, extended sessions thanks to ultra light weight 250g hardware.\u003c\/p\u003e\u003ch3\u003eDrivers\u003c\/h3\u003e\u003cp\u003eMT5 headphones feature custom drivers equipped with CCAW voice coils and powerful neodymium magnets. Made from aluminium wire coated in highly conductive copper, these lightweight yet powerful drivers provide a wide frequency response of 20 Hz-20 kHz, and deliver flat and high-resolution sound that meets the demands of professional monitoring.\u003c\/p\u003e\u003ch3\u003eOther acoustic components\u003c\/h3\u003e\u003cp\u003eFrom the arms to the ear cups, all acoustic components in MT5 headphones have been designed to deliver the accurate sound possible by completely eliminating extraneous resonance.\u003c\/p\u003e\u003cp\u003eFor professional users who perform critical listening and studio recording, it is important that their headphones fit in a way that prevents fatigue during extended listening sessions, and isolation that allows concentration while working. HPH-MT5 headphones provide superb comfort and isolation, and are specifically designed to meet the high standards of professional users.\u003c\/p\u003e\u003ch3\u003eDesign\u003c\/h3\u003e\u003cp\u003eMT5 headphones feature a sleek, stylish design with a closed-back, circumaural configuration that provides a comfortable fit and excellent isolation.\u003c\/p\u003e\u003ch3\u003eEar pads\u003c\/h3\u003e\u003cp\u003eMT5 headphones are equipped with large ear pads for an extremely comfortable fit. Smooth synthetic leather and low-resistance cushions that absorb excess vibrations provide stress-free wearability and high levels of isolation—ideal for studio recording and live mix monitoring.\u003c\/p\u003e\u003ch3\u003eWearability\u003c\/h3\u003e\u003cp\u003eA three-dimensional arm pivot construction and highly adjustable slider length allows the angle of the ear pads to fit the shape of the wearer’s head perfectly, helping to alleviate fatigue when working for extended periods. MT5 headphones also feature moveable earcups, allowing single-ear monitoring when required.\u003c\/p\u003e\u003cp\u003eBuilt for professional use, HPH-MT5 headphones feature a sleek, simple construction with the durability to withstand the rigors of road travel. Whether you’re recording or mixing in the studio, doing live sound for an outdoor gig, or even checking tracks on the move, the MT5 headphones are a flexible monitoring solution for the professional user.\u003c\/p\u003e\u003ch3\u003eHousing, support-arms and headband\u003c\/h3\u003e\u003cp\u003eEach component in the MT5 headphones has been developed with durability and light weight in mind with the portability of folding arm.\u003c\/p\u003e\u003ch3\u003eConnectivity\u003c\/h3\u003e\u003cp\u003eMT5 headphones have been designed to make users aware of the cable without being hindered by it, while providing enough length for monitoring applications where mobility is a consideration. The detachable straight 3 meter cable come equipped with a corrosion-resistant gold-plated stereo mini-plug and a gold-plated 6.3 mm stereo adaptor.\u003c\/p\u003e\u003ch3\u003eDesign the tools that are trusted by professionals.\u003c\/h3\u003e\u003ch3\u003eDesigners Message\u003c\/h3\u003e\u003cp\u003eThe HPH-MT series continues the design philosophy of Yamaha’s studio monitor speakers, which is to deliver faithful reproduction of the source signal. The design of the MT7—the first product in the series to be released—features a tuning forks mark in the center of a circular housing, with the headphone arm offset in a configuration that is simple yet durable and stylish. The MT5 and MT8 follow the same basic design philosophy with the addition of a folding mechanism and a detachable cable, completing a new high-performance lineup. These additional capabilities brought with them a problem: the durability of the movable sections. By adding a rounded “waist” to the folding mechanism connecting the two arms to the broad headband, we were able to give it a rational strength without compromising on the flexibility of the mechanism. This “waist” also serves as somewhere for the fingers to grip when adjusting the slide.\u003c\/p\u003e\u003cp\u003eAlthough these headphones are intended for commercial use, we didn’t want to give them a rough, rugged feel, and I believe that the waist adds elegance to the overall form while giving it a shape that is typically Yamaha.\u003c\/p\u003e\u003cp\u003eOur goal was to create a tool that would serve as a partner for professional users. These headphones possess a silhouette that has been designed to create a circle extending from the housing through to the headband when worn, enhancing the unity between the headphones and the user. This series features a housing with a tranquil aspect, giving no hint of the complex internal construction required to deliver precision playback, in a sleek, ornamentation-free form that offers a superb fit. Yamaha’s design philosophy stresses that the user is always central to any product design, and we would be delighted to be able to craft “partners” that people can trust to assist them behind the scenes for extended periods.\u003c\/p\u003e\u003cli\u003eYamaha Design \"Synapses\"\u003c\/li\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Type\u003c\/td\u003e\n\u003ctd\u003eClosed-back, Circumaural (Over Ear)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency Response\u003c\/td\u003e\n\u003ctd\u003e20Hz - 20kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sensitivity (SPL)\u003c\/td\u003e\n\u003ctd\u003e100dB\/mW\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum Input Power\u003c\/td\u003e\n\u003ctd\u003e1600 mW (at 1kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Impedance\u003c\/td\u003e\n\u003ctd\u003e51 Ω (at 1kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Driver Unit\u003c\/td\u003e\n\u003ctd\u003e40 mm, Dynamic, CCAW Voice Coil\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Cable\u003c\/td\u003e\n\u003ctd\u003e3.0m (9.8ft), straight cable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Connector\u003c\/td\u003e\n\u003ctd\u003e3.5mm (1\/8”) stereo with 6.3mm (1\/4”) stereo adaptor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e165 x 203 x 88 mm (6.5\" x 8.0\" x 3.5\") (Without cable\u0026amp;plug)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Weight\u003c\/td\u003e\n\u003ctd\u003e245g (0.5lbs) (Without cable\u0026amp;plug)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003e3.0m Straight cable, Threaded 6.3mm (1\/4\") gold-plated adaptor, Nylon carrying bag\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268732297471,"sku":"HPH-MT5W","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_0e04eac2-3410-4e3f-870d-e0e7d24ef0fd.jpg?v=1790011482"},{"product_id":"01v96i","title":"Yamaha 01V96i Digital Mixing Console","description":"\u003cp\u003eBuilding on the proven configuration of its predecessors, the new 01V96i now offers USB 2.0 connectivity along with new multi-track recording features and improved sonic quality.\u003c\/p\u003e\u003cli\u003e16 in\/16 out live audio streaming at 96kHz via USB2.0 for direct multitrack recording and playback.\u003c\/li\u003e\u003cli\u003e24bit\/96kHz performance with improved studio-quality head amps.\u003c\/li\u003e\u003cli\u003eFull suite of Yamaha VCM effects and high-resolution REV-X reverbs.\u003c\/li\u003e\u003cli\u003e96kHz internal effects and top-quality compression, gating and delay.\u003c\/li\u003e\u003cli\u003ePowerful mixing capacity with up to 40 inputs and 20 buses at 96kHz.\u003c\/li\u003e\u003cli\u003eI\/O expansion slot accepts mini-YGDAI cards for up to 16 additional channels of I\/O in a variety of analog or digital formats.\u003c\/li\u003e\u003cli\u003eCascade Link function allows two 01V96i consoles to be connected to provide up to 80 input channels.\u003c\/li\u003e\u003cli\u003ePrecision 100mm motor faders and scene memory with recall safe and global paste functions.\u003c\/li\u003e\u003cli\u003eBundled with the latest Cubase AI.\u003c\/li\u003e\u003cli\u003eCompatible with both Windows or Macintosh versions of 01V96i Editor for offline data management and online control.\u003c\/li\u003e\u003ch3\u003eCapture The Perfect Moment\u003c\/h3\u003e\u003cp\u003eSometimes everything just comes together—and when it does, the new 01v96i is there to capture that perfect moment for you in stunning 96kHz sound. Since its initial release in 1998, the 01V has been the mixer of choice for a wide variety of applications, ranging from recording and production environments to live sound and installation setups. The 01V96i represents the next step in the evolution of an industry standard, building on the proven configuration of its predecessors to create a compact digital mixer that meets the needs of an expanding user base. Now, with 16 in\/16 out USB 2.0 audio streaming at an impressive 96kHz, the latest version of Steinberg's Cubase AI, the full suite of Yamaha's acclaimed Virtual Circuitry Modeling DSP effects and newly improved studio quality head amps, the next generation 01V96i will take every aspect of your mixing and recording to the next level.\u003c\/p\u003e\u003ch3\u003e96kHz Multi-track Live Recording with A Single Connection.\u003c\/h3\u003e\u003cp\u003eTo meet the increasing demand for multi-track recording and playback in live sound applications, the 01V96i now features USB 2.0 connectivity—allowing you to effectively take your studio on the road with you. With 16 in\/16 out live audio streaming at 96kHz and seamless DAW integration requiring just a single connection, it has never been easier to capture, edit and produce high quality, professional level recordings. USB connectivity also provides extensive two-way communication of MIDI data allowing you to seamlessly combine the precise physical control of your console with all the capability of the latest Cubase AI software that comes bundled with the 01V96i.\u003c\/p\u003e\u003ch3\u003eEvery Masterpiece Started with A Blank Canvas. Shouldn't Yours?\u003c\/h3\u003e\u003cp\u003eAt Yamaha, we believe that the signature on your sound should be your own, not ours. With this philosophy in mind, the 01V96i—like all of our higher-end digital mixing consoles—was designed to provide outstanding sonic transparency, giving you the purest signal reproduction possible as a starting point. With this clear, unaltered medium as the foundation, all of the color, shape and expressive elements of your sound are entirely in your hands.\u003c\/p\u003e\u003cp\u003eSo now you've got your canvas— time to add color. Yamaha's acclaimed VCM effects faithfully model the analog circuitry of classic effect units right down to the very last resistor and capacitor, bringing the richness and warmth of analog to a digital environment. So whether you're bringing vocals to life with a classic Yamaha SPX reverb, or smoothing out a bassline with a classic compressor from the 70's, you can depend on Yamaha's flexible digital processing to produce stunning vintage authenticity.\u003c\/p\u003e\u003cp\u003e- 24bit\/96kHz Performance with Improved Studioquality Head amps\u003c\/p\u003e\u003cp\u003eUnlike some digital consoles that achieve operation in 96kHz mode with a reduced number of tracks, 01V96i imposes no such limitations at any of the provided sampling rates, with high resolution 96kHz and 32bit internal processing (58-bit accumulator) as the standard. What's more, all onboard A\/D and D\/A conversion makes use of top-performance 24bit\/96kHz converters. This is particularly important with the 01V96i because it features improved, studio-quality head amps that offer extremely high resolution and a remarkable sense of “air”. With onboard converters operating at the full 24bits and 96kHz, you can be sure that nothing is lost in the digital representation of the warm, transparent output from these exceptional preamps.\u003c\/p\u003e\u003cp\u003e- 96kHz Internal Effects and Top-quality Compression, Gating and Delay\u003c\/p\u003e\u003cp\u003eWhat's the point of having 24bit\/ 96kHz audio if you have to convert down to a lower sampling rate for effect processing? That's exactly what's happening if you're using hardware or software processors that don't offer 24bit\/ 96kHz performance anywhere in your signal chain. That's why Yamaha included a comprehensive range of 96kHz compatible stereo effects. The 01V96i also features flexible, independent channel compression and gating\/ducking processors for dynamics control, 4-band parametric channel equalizers that offer extra versatility with switchable “type I” or “type II” EQ algorithms, as well as a channel delay. All channel processors, except for channel delay, come with an extensive selection of presets in a range of “libraries”that can simply be used unmodified or edited to suit specific requirements. All channel functions except gating are also provided on all output buses.\u003c\/p\u003e\u003ch3\u003eFull Suite of Yamaha VCM Effects and High Resolution REV-X Reverbs.\u003c\/h3\u003e\u003cp\u003e[Channel Strip]\u003c\/p\u003e\u003cp\u003e- Bring Back The Classics -\u003c\/p\u003e\u003cp\u003eThe Channel Strip consists of 5 models that employ VCM (Virtual Circuitry Modeling) technology to recreate the sound and characteristics of several classic compression and EQ units from the 70's. Not only do these models faithfully capture the unique saturation of analog circuitry – in part thanks to precise modeling of the original FET gain reduction, tube\/transformer buffer amplifier, VCA and RMS detector circuits – but they have also been fine-tuned by leading engineers and feature carefully selected parameters in a simple interface that makes it easier than ever to create the ideal sound.\u003c\/p\u003e\u003cp\u003e[Master Strip]\u003c\/p\u003e\u003cp\u003e- A Reel Advantage -\u003c\/p\u003e\u003cp\u003eThe Master Strip employs VCM technology to recreate both the analog circuitry and tape characteristics that shaped the sound of open-reel tape recorders. Because of their ability to smooth out peak levels and tidy up the response, many high-end recording studios still maintain open-reel recorders such as the Studer A80 mk I, A80 mk IV and A820, and the Ampex ATR100 and others from the 70's and 80's to be used to provide tape compression at the mastering stage. Different types of tape – new BASF, old Ampex, etc. – are also selected and used according to the unique sounds they produce. Open Deck provides models of four machine types: Swiss '70, Swiss '78, Swiss '85, and American '70. You can even combine different record and playback decks for a wider range of variation. You also have a choice of “old” and “new” tape types, tape speed, bias, and EQ settings that can vary the “focus” of the sound, distortion, and saturation characteristics. Now you can easily take advantage of top-end analog sound-shaping techniques in real time using the Yamaha 01V96i digital console.\u003c\/p\u003e\u003cp\u003e[Vintage Stomp]\u003c\/p\u003e\u003cp\u003e- Phasers on Stun -\u003c\/p\u003e\u003cp\u003eStunning authenticity, that is. Vintage Stomp gives you three distinctly different phasers modeled after the most sought-after stompbox effects units of the 70's. Yamaha's VCM technology gives these outstanding recreations all the warmth and atmosphere of the original vintage units, and combines it with the control and processing flexibility that a digital environment affords.\u003c\/p\u003e\u003cp\u003e[Reverb]\u003c\/p\u003e\u003cp\u003e- Bring Your Mix to Life -\u003c\/p\u003e\u003cp\u003eThese high-resolution reverbs employ the latest \"REV-X\" algorithms first introduced in Yamaha's SPX2000 Digital Multi Effects Processor. The REV-X programs feature the richest reverberation and smoothest decay available, based on years of dedicated research and development. REV-X Hall, REV-X Room, and REV-X Plate programs are provided, with new parameters such as room size and decay envelopes that offer unprecedented definition and finer nuance control. The REV-X Hall and REV-X Room programs have a very open sound, while REV-X Plate delivers a brighter tonality that is ideal for vocals. All models deliver dense, warm reverb that does not interfere with the natural timbre of the source.\u003c\/p\u003e\u003ch3\u003ePowerful Mixing Capacity,Versatility and Expandability\u003c\/h3\u003e\u003cp\u003eDon't let its compact construction fool you— the 01V96i has tremendous mixing capacity for a console its size, making it extremely versatile and suitable for a wide range of studio and sound reinforcement applications.\u003c\/p\u003e\u003cp\u003e- 40 Input\/20 Bus Mixing at 96kHz\u003c\/p\u003e\u003cp\u003eWith up to 40 simultaneous inputs and 20 buses at 96kHz, the 01V96i delivers large console power in a rack-mount sized package. Offering a main stereo bus, eight individual mixing buses, two solo buses, and eight auxiliary buses —a total of 20 in all— the 01V96i gives you plenty of signal-routing options to adapt to just about any mixing requirements.\u003c\/p\u003e\u003cp\u003e- Comprehensive Connectivity\u003c\/p\u003e\u003cp\u003eRight out of the box the 01V96i offers 16 analog channel inputs—12 with improved studio-quality head amps-—and on the digital front, 8-channel optical ADAT, coaxial 2-track inputs and 16 inputs via USB. Analog outputs include the main stereo output, stereo monitor outputs, a stereo 2-track output, four OMNI outputs, 12 channel TRS insert points and a headphones output, matched with coaxial 2-track outputs and 8-channel optical ADAT for digital output. When you need more, Yamaha offers a range of mini-YGDAI expansion cards that can be inserted into the 01V96i’s expansion slot. From traditional analog audio formats to standard digital audio and dedicated third-party proprietary network protocols, Mini-YGDAI cards make it easy to add I\/O in a wide variety of audio and network formats to 01V96i.\u003c\/p\u003e\u003cp\u003e- Cascade Link for Ultimate Expandability\u003c\/p\u003e\u003cp\u003eWhen your situation demands a high capacity setup—particularly for live sound reinforcement applications— the \"01V96i Cascade Link\" allows you to run two units cascaded giving you up to 80 channels of mixing capability. One simple connection for all the power you would ever need.\u003c\/p\u003e\u003ch3\u003eThe Digital Advantage\u003c\/h3\u003e\u003cp\u003eThe benefits of digital technology are innumerable in terms of functionality, cost and space. However the physical, intuitive aspects of analog style mixers can never be discounted either. Our motto in designing the console: mix with your ears, not with your eyes. It was with this philosophy in mind that we made the best use of the technology at our disposal to offer digital features that make a difference, without overshadowing the familiar analog attributes of mixing.\u003c\/p\u003e\u003cp\u003e- Fast Flexible Patching\u003c\/p\u003e\u003cp\u003ePatching and assigning channels has always been one of the most trying aspects of mixing with an analog console. Using the 01V96i's versatile, easy-to-use patching system, all available inputs, outputs, effects, channel inserts —and now USB I\/O— can be assigned to any of the console's channels or outputs. For example, any of the effect processors can be assigned to an auxiliary bus for send-type operation, or inserted directly\u003c\/p\u003e\u003cp\u003einto any input channel as required. Centralized control means you'll never have to run around to physically re-patch cables whenever you need to reconfigure the system. Patch setups can be stored in the 01V96i patch library for instant recall at any time.\u003c\/p\u003e\u003cp\u003e- Precision Motor Faders That Do More Than Just Mix\u003c\/p\u003e\u003cp\u003eAll of Yamaha's professional digital mixing consoles feature motor faders for a reason. A mixing engineer needs to be able to see exactly where levels are at all times, and without motor faders, every time you recall a previously stored scene or remotely control your mixer from external devices, the mix you hear will be totally different from what is represented by the faders on the console. This can cause considerable confusion and affect your workflow dramatically. Why run the risk of blowing your mix by compromising on such a crucial feature? Yamaha's 100mm motor faders are the end result of the extensive research and analysis put into making our top-line digital mixers. With the intuitive, physical control they afford, these precision faders will ensure that your previously stored settings not only sound exactly the same, but look just as they did when you saved them. What's more, multiple monitor mixes can be recalled and modified instantly and intuitively via the sends on fader function.\u003c\/p\u003e\u003cp\u003e- Intuitive \"Selected Channel\"\u003c\/p\u003e\u003cp\u003e“Selected Channel” controls are the \"hands-on\" channel controls for the currently selected input and output channel, with analog style buttons and knobs that allow you direct access and control of essential parameters. This Yamaha-designed configuration has become a classic as well the de-facto industry standard, and is familiar territory to most experienced engineers.\u003c\/p\u003e\u003cp\u003e- Layer Switching and Fader Mode\u003c\/p\u003e\u003cp\u003eOne of the greatest advantages of digital control is that it adds extraordinary power and flexibility to your console without taking up valuable space. The 01V96i has 16 channel faders and one stereo master fader. The channel faders can be instantly switched to handle input channels 1-16, 17-32, MASTER (8 AUX and 8 BUSES) or REMOTE via the console's LAYER switches. In the REMOTE layer, you can control major DAW software or create custom fader layers with which you can assign any in\/out channels you like. The Fader MODE keys switch the 01V96i faders between fader and auxiliary level control instantaneously. Powered by fast, precise motor-driven mechanisms, the faders respond immediately by moving to the settings of the corresponding mode.\u003c\/p\u003e\u003cp\u003e- Versatile Channel Pairing\u003c\/p\u003e\u003cp\u003eIn addition to being able to pair faders \"horizontally,\" corresponding faders in adjacent layers can be “vertically” paired, allowing each physical channel fader to be used for stereo channel control. Multiple stereo channels can thus be controlled from a single layer with a whole list of linked parameters.\u003c\/p\u003e\u003ch3\u003eBorn Versatile, Tuned for Live\u003c\/h3\u003e\u003cp\u003eThe 01V has been used in a wide variety of applications due to its exceptional versatility. Highly customizable, the 01V96i can be configured to meet specific demands of various environments and greatly benefit your operation of the console. In live situations in particular, the console's personalized functions add a familiar touch while streamlining your workflow tremendously.\u003c\/p\u003e\u003cp\u003e- Grouping Function\u003c\/p\u003e\u003cp\u003eYou can group faders and mutes from any selected input channels or output buses and store the settings in multiple banks. The group function is very convenient for various applications including sound reinforcement.\u003c\/p\u003e\u003cp\u003e- User Defined Keys for Customized Control of Your Console\u003c\/p\u003e\u003cp\u003eEight user-defined keys allow you to customize how you interact with your console. These keys can be assigned to control any functions you choose. You could, for example, assign them to switch scenes, copy\/paste channels or flip display pages and numerous other functions that can give you a tremendous advantage in live sound applications. The Instant Group Assignment function allows you to use these keys to set up mute group masters quickly— ideal for live applications where groups of instruments or sound sources need to be muted instantly.\u003c\/p\u003e\u003cp\u003e- Scene Memory — Instant Recall Is Just A Click Away\u003c\/p\u003e\u003cp\u003eThe ability to store and recall all console parameters in an instant is a huge advantage for sound reinforcement applications. You can instantly switch \"scenes\" during a performance, as well as recall the basic settings for a show at different venues, then tweak to optimize the sound for that environment. This can dramatically reduce setup time and benefit your workflow tremendously. All scene data can also be managed offline on a personal computer using the 01V96i Editor. You can do basic setup on your laptop, and then transfer the data to the console at the venue. 01V96i digital mixing console also lets you recall a scene with fade time, or apply “recall safe” for only the specified parameters and channels, or globally for added creative control and flexibility. There’s even a global paste function that lets you simultaneously paste selected parameters from one scene to multiple scenes – your EQ and AUX settings from final rehearsal, for example, can easily be copied to all other scenes that will be used during the performance.\u003c\/p\u003e\u003cp\u003e- Seamless DAW Integration\u003c\/p\u003e\u003cp\u003eIn addition to its extensive stand-alone capabilities, the 01V96i can seamlessly integrate with your computer-based DAW. In addition to the bi-directional 16 x 16 USB2.0 audio integration, the 01V96i also functions as a powerful controller for your Digital Audio Workstation (DAW). This provides that familiar hands-on feel when recording, mixing and editing your tracks. Control templates are provided for Avid ProTools®, Steinberg Cubase® and Nuendo® while the general DAW mode supports a range of other DAWs. MIDI control tables can also be created to provide compatibility with MIDI-compatible DAW systems.\u003c\/p\u003e\u003ch3\u003e01V96i EDITOR\u003c\/h3\u003e\u003cp\u003eAvailable for MAC and Windows platforms, 01V96i Editor is a total management software package that gives you complete control of all the console's parameters via your computer. Editor provides comprehensive monitoring as well as real-time display of selected channel status once it is connected to the console and online. Offline you can edit and manage scene data, patch lists, and other functions for a significant boost in control and work efficiency. If you are using a rental or another installed console, you can easily save your settings to a computer, then load them into the other console at your convenience. 01V96i Editor also makes an effective tool for safely managing your backups.\u003c\/p\u003e\u003ch3\u003eCubase AI - The Perfect Complement\u003c\/h3\u003e\u003cp\u003eWith Cubase, Steinberg has essentially redefined music production software in their pursuit to provide users with the most advanced, comprehensive DAW software available. The 01V96i comes with the latest version of Cubase AI to give you a flexible, intuitive platform to realize your full creative potential.\u003c\/p\u003e\u003cp\u003eWith Cubase Al you get a stripped-down version of the Steinberg Cubase advanced music production system, using the same core technologies and interface that have won this series worldwide acclaim. Together with the 01V96i, both MAC and Windows PC users will have access to a full system solution with all the tools they need for composing, recording, editing and mixing studio-quality music whether you're in the studio or not.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › Mixing channels\u003c\/td\u003e\n\u003ctd\u003e32 Mono + 4 Stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › GROUP\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › AUX\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › MAIN\u003c\/td\u003e\n\u003ctd\u003eStereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › Input channel functions\u003c\/td\u003e\n\u003ctd\u003eGate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › Output channel functions\u003c\/td\u003e\n\u003ctd\u003eAttenuator, 4-band PEQ, Compressor, Delay\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › On-board processors\u003c\/td\u003e\n\u003ctd\u003e4x SPX multi effectors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Mic inputs\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Phantom power\u003c\/td\u003e\n\u003ctd\u003e+48V DC; ON\/OFF per 4ch\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Line inputs\u003c\/td\u003e\n\u003ctd\u003e2x Stereo, 2x 2tr in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › AD converter\u003c\/td\u003e\n\u003ctd\u003e24-bit; 128-time over sampling\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Line outputs\u003c\/td\u003e\n\u003ctd\u003eStereo output, Monitor output, 4x Omni output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › DA converter\u003c\/td\u003e\n\u003ctd\u003e24-bit; 128-time over sampling\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Digital I\/O\u003c\/td\u003e\n\u003ctd\u003eADAT (8-in\/8-out), 2tr in\/out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Expansion slots\u003c\/td\u003e\n\u003ctd\u003eMini-YGDAI (16-in\/16-out)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Control and others\u003c\/td\u003e\n\u003ctd\u003eTo Host(USB), MIDI, Word clock I\/O\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Internal processing\u003c\/td\u003e\n\u003ctd\u003e32bit, Accumulator: 58bit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sampling frequency rate › Internal\u003c\/td\u003e\n\u003ctd\u003e44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sampling frequency rate › External\u003c\/td\u003e\n\u003ctd\u003e44.1kHz\/88.2kHz (-10%) - 48kHz\/96kHz (+6%)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Signal delay\u003c\/td\u003e\n\u003ctd\u003eLess than 1.6ms CH INPUT to STEREO OUT (@SampIing frequency = 48kHz) \/ Less than 0.8ms CH INPUT to STEREO OUT (@SampIing frequency = 96kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003eCH INPUT to STEREO OUT: Less than 0.05%, 20Hz to 20kHz @+14dBu into 600Ω \/ Less than 0.01%, 1kHz @+24dBu into 600Ω (@SampIing frequency = 48kHz) \/ Less than 0.05%, 20Hz to 40kHz @+14dBu into 600Ω \/ Less than 0.01%, 1kHz @+24dBu into 600Ω (@SampIing frequency = 96kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003eCH INPUT to STEREO OUT: 0.5, -1.5dB, 20Hz - 20kHz @+4dBu into 600Ω(@SampIing frequency = 48kHz) \/ 0.5, -1.5dB, 20Hz - 40kHz @+4dBu into 600Ω(@SampIing frequency = 96kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dynamic range\u003c\/td\u003e\n\u003ctd\u003e110dB typ. DA Converter (STEREO OUT) \/ 105dB typ. AD+DA (to STEREO OUT) @fs=48kHz \/ 105dB typ. AD+DA (to STEREO OUT) @fs=96kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e-128dBu Equivalent Input Noise.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e-86dBu residual output noise. STEREO OUT: STEREO OUT off. \/ -86dBu (90dB S\/N) STEREO OUT: STEREO fader at nominal level and all CH INPUT faders at minimum level. \/ -64dBu (68dB S\/N) STEREO OUT: STEREO fader at nominal level and one CH INPUT fader at nominal level\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-80dB adjacent input channels (CH1-12) \/ -80dB adjacent input channels (CH13-16) \/ -80dB input to output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003eAC100V, 120V, 220-240V 50\/60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e90W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e436mm; 17-1\/8in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e148mm; 5-7\/8in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e548mm; 21-5\/8in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e14kg; 30.86lbs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eFader: 100mm motorized x17\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268732395775,"sku":"01V96i","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_34c0d71b-a5a5-4398-b4a8-3334e1d8311f.jpg?v=1790011481"},{"product_id":"swp2-10mmf","title":"Yamaha SWP2-10MMF L2 Switch","description":"\u003cp\u003eThe SWP2 series L2 switch is ideal for Dante 96kHz network systems. It features 10 etherCON ports and two multi mode fiber opticalCON ports.\u003c\/p\u003e\u003cli\u003eetherCON Connectors: 4 front \/ 6 rear\u003c\/li\u003e\u003cli\u003eopticalCON Connectors: 2 front\u003c\/li\u003e\u003cli\u003eDimensions (WxHxD): 480 x 44 x 362 mm (18.9\" x 1.7\" x 14.2\")\u003c\/li\u003e\u003cli\u003eNet Weight: 4.6 kg (10.1 lbs)\u003c\/li\u003e\u003cli\u003eIn-build RADIUS server for advanced security management\u003c\/li\u003e\u003ch3\u003eDante Ready Switches with Visual Network Monitoring\u003c\/h3\u003e\u003cp\u003eComplex network switch setup that was previously better left to an IT technician can now be easily accomplished by anyone. A simple switch setting is all it takes to optimize SWP series network switches for Dante operation, and a dedicated computer application called Yamaha LAN Monitor provides “network visibility” for comprehensive monitoring and control.\u003c\/p\u003e\u003ch3\u003eDeveloped since 1995\u003c\/h3\u003e\u003cp\u003eYamaha entered the router business in 1995, and has grown to hold a significant share of Japan’s small to medium enterprise and SOHO network market. Yamaha gigabit L2 switches that could be linked to Yamaha routers\/firewalls were introduced in 2011, with features that significantly reduced the network setup, maintenance, and management workload.\u003c\/p\u003e\u003ch3\u003eSimple set up, comprehensive network monitoring and easy trouble shooting\u003c\/h3\u003e\u003cp\u003eSWP series has been designed specifically for sound installation and live sound networking, with simple DIP switch Dante optimization and comprehensive graphical interfacing via a computer application. The SWP2 series support 10 gigabit, allowing operation without fear of insufficient bandwidth even on a Dante network that is set to a sampling frequency of 96kHz. SWP2 series network switches were born out of a desire to give our customers easier solutions that they could operate with confidence, without the need for any special networking know-how.\u003c\/p\u003e\u003ch3\u003eA refined Yamaha solution\u003c\/h3\u003e\u003cp\u003eYamaha Pro Audio is known around the globe as a provider of innovative, top-quality solutions for the sound industry. The Yamaha lineup includes a number of world-standard mixing consoles, signal processors incorporating industry-leading DSP technology, power amplifiers based on energy-efficient drive technology, and an extensive range of speakers suitable for everything from live sound to commercial installations. SWP series network switches are a solution the pro audio market has been waiting for, offering an ideal a balance of IT and pro audio know-how that only Yamaha could provide.\u003c\/p\u003e\u003ch3\u003eDIP Switch Dante Optimization\u003c\/h3\u003e\u003cp\u003eSimple Dante networks are not difficult to set up and operate, but as network complexity grows the switches used need to be optimized for Dante operation in order to achieve maximum stability. Setting up QoS, IGMP Snooping, and other parameters on an intelligent switch can be a complex task, requiring specialized knowledge that is more the domain of IT technicians than audio engineers. The SWP2 series allows a Dante optimized setup to be recalled by simply flipping one DIP switch. No expertise or training is required.\u003c\/p\u003e\u003ch3\u003e3 Preset VLAN Types\u003c\/h3\u003e\u003cp\u003eA truly efficient network should be able to handle multiple services simultaneously: Dante communication, StageMix and other smart device functions, computer software that allows digital mixer or power amplifier control, and perhaps more. But the more communication you combine on one network, the greater the chance for interference and problems. The use of virtual VLAN domains to isolate the various types of data is the ideal solution, but this type of setup also requires some IT expertise. The SWP2 series includes three VLAN presets that can be simply selected via a DIP switch. There’s also a USER mode that allows fully customized VLAN setup.\u003c\/p\u003e\u003ch3\u003eetherCON Connectors for Live Sound Reliability\u003c\/h3\u003e\u003cp\u003eReliability is essential in live sound applications. Nothing can be allowed to interrupt the show. Conventional network switches usually have RJ45 connectors to match the connectors on the computers to which they will be connected, but the SWP series features durable, reliable etherCON connectors that are directly compatible with the etherCON connectors on Yamaha CL\/QL series consoles and other Dante capable devices.\u003c\/p\u003e\u003ch3\u003e10G uplink Optical Fiber, Network Redundancy Support\u003c\/h3\u003e\u003cp\u003eThe SWP2 series equips the 10G uplink optical ports, allowing operation without fear of insufficient bandwidth even on a Dante network that is set to a sampling frequency of 96 kHz. It is a scalable solution that grows with a 96kHz Dante network system. The SWP2-10MMF includes multi-mode fiber capable opticalCON connectors and SWP2-10SMF includes single-mode fiber capable opticalCON connectors. Both multi and single-mode models allow for longer distance transmission. MMF models allow transmission over distance of up to 300 meters and SMF model allows transmission over distance of up to 10 kilometers. SWP2 series can be added to allow two optical fiber cables to be run for redundant connection. Spanning tree protocol (MSTP) is also supported for redundant connections.\u003c\/p\u003e\u003ch3\u003eIntelligent Security Management\u003c\/h3\u003e\u003cp\u003eAugmenting the VLAN functionality included in the SWP2 series is built-in RADIUS server function. By setting up one switch as a RADIUS server and linking other switches to it, unauthorized network access can be effectively blocked for enhanced security, even in complex large-scale installations. Device authentication can be set up quickly and easily via a web-based GUI.\u003c\/p\u003e\u003cli\u003eWeb GUI (SWP2 Technical Data)\u003c\/li\u003e\u003ch3\u003eEXT DC INPUT for Power Supply Redundancy\u003c\/h3\u003e\u003cp\u003eSWP series switches include an XLR-4-32 type EXT DC INPUT connector in addition to the standard AC IN connector. +24V DC supplied to the EXT DC INPUT connector provides redundant power that can keep the device running if a problem occurs in the AC supply. For further reliability the AC connector is a locking type (V-Lock) that minimizes the possibility of accidental disconnection.\u003c\/p\u003e\u003cp\u003eEffective Dante network management hinges on a range of parameters such as network traffic, switch status, and individual Dante device information. The dedicated Yamaha LAN Monitor application provides a comprehensive single-screen view of all necessary parameters when used with SWP\/SWR series switches. We refer to this type of graphical overview as “network visbility.” You can even take a snapshot of the normal network status and set an alarm to warn you if any of the parameters changes, so that problems can be identified and resolved quickly and easily. The Dante Controller application can also be launched from the Yamaha LAN Monitor with a single click, providing a total Dante network solution on a single computer.\u003c\/p\u003e\u003cli\u003eClick here for more Yamaha LAN Monitor information.\u003c\/li\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Number of LAN ports (1000BASE-T\/100BASE-TX\/10BASE-T, etherCON connector)\u003c\/td\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Number of SFP+ ports (10GBASE-SR, opticalCON DUO connector)\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Number of SFP+ ports (10GBASE-LR, opticalCON DUO connector)\u003c\/td\u003e\n\u003ctd\u003e0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Console port\u003c\/td\u003e\n\u003ctd\u003e1 (RJ-45)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Automatic negotiation\u003c\/td\u003e\n\u003ctd\u003eAvailable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Auto MDI\/MDI-X\u003c\/td\u003e\n\u003ctd\u003eAvailable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › DIP switches\u003c\/td\u003e\n\u003ctd\u003eCONFIG, VLAN PRESET\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Indicators\u003c\/td\u003e\n\u003ctd\u003eFront: POWER, LED MODE×4, PORT×10×2*, SFP+ ×2×2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Operating temperature\u003c\/td\u003e\n\u003ctd\u003e0 to 40°C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Storage temperature\u003c\/td\u003e\n\u003ctd\u003e-20 to 60°C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power supply (AC IN inlet)\u003c\/td\u003e\n\u003ctd\u003eAC100V-240V, 50\/60Hz, Internal power supply (no power switch), Power supply inlet: locking type\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power supply (EXT DC INPUT inlet)\u003c\/td\u003e\n\u003ctd\u003e24VDC±2V, 0.78A, XLR-4-32 type Connector\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum power consumption\u003c\/td\u003e\n\u003ctd\u003e21W, 0.35A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Heat dissipation\u003c\/td\u003e\n\u003ctd\u003e18.5 kcal\/h\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Body material\u003c\/td\u003e\n\u003ctd\u003eMetal case, no fan\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hazardous substances management\u003c\/td\u003e\n\u003ctd\u003eRoHS compliant\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e18.9\" \/ 480mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e1.7\" \/ 44mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e14.3\" \/ 362 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Weight\u003c\/td\u003e\n\u003ctd\u003e9.9 lbs \/ 4.5 kg (excluding accessories)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003ePower cord, Owner's manual\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Options\u003c\/td\u003e\n\u003ctd\u003ePA-700 (AC adaptor)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268732920063,"sku":"SWP2-10MMF","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_d8f1f5c3-4476-41dd-9cf0-e240fde370da.png?v=1790011483"},{"product_id":"ql5","title":"Yamaha QL5 Digital Mixing Console","description":"\u003cp\u003e32 + 2 fader configuration adapts to a wide range of channel layouts. The QL5 is a compact console with large-scale capabilities.\u003c\/p\u003e\u003cli\u003eMix channels: 64 mono, 8 stereo.\u003c\/li\u003e\u003cli\u003eBusses: 16 mix, 8 matrix (Input to Matrix supported).\u003c\/li\u003e\u003cli\u003eLocal I\/O: 32 in, 16 out.\u003c\/li\u003e\u003cli\u003eFader configuration: 32 + 2 (Master).\u003c\/li\u003e\u003cli\u003eStainless steel iPad support stays.\u003c\/li\u003e\u003ch3\u003ePure, Natural Sound Plus Powerful Built-in Processing for Broad Creative Control\u003c\/h3\u003e\u003cp\u003eQL series consoles featured circuitry and components that had been designed and selected with the utmost care, achieving outstanding audio purity from input to output. With that solid sonic foundation, it became possible to take full advantage of built-in premium internal processors such as the Portico 5033\/5043 created in cooperation with Rupert Neve, to shape and create as required. For a wide range of speech applications built-in automatic mixing functionality from Dan Dugan Sound Design provided optimum channel balance while allowing the operator to concentrate fully on optimizing the overall sound.\u003c\/p\u003e\u003ch3\u003eRefined Control for Smooth Operation\u003c\/h3\u003e\u003cp\u003eQL series consoles featured large touch-panel displays as well as \"Touch and Turn\" knobs that made up a remarkably smooth, efficient control interface. Attention was paid to details such as fader feel and channel name display visibility in order to deliver a sophisticated overall operating experience. Remote control and offline setup capability via an iPad or computer added even more refinement to an already state-of-the-art operating environment.\u003c\/p\u003e\u003ch3\u003eExpandable All-in-One Support for Any Application\u003c\/h3\u003e\u003cp\u003eIn addition to ample analog input and output capacity, QL series consoles featured the same Dante audio networking protocol that provided broad connectivity in the CL consoles. There was also an innovative \"Port to Port\" feature that can patch any input port to any output port so the QL console can function as a remote I\/O device for any other QL or CL series console, for example. Other flexibility enhancing features such as 2-track and multitrack recording capability, and dual MY expansion slots that allow processing capability or I\/O to be added as required, made the QL consoles suitable for use as central components in an extensive variety of sound applications.\u003c\/p\u003e\u003ch3\u003eIt All Begins with Natural Sound\u003c\/h3\u003e\u003cp\u003eIn order to take maximum advantage of evolved processing potential to sculpt creative new soundscapes, the engineer must have uncolored, natural sound as a starting point. Yamaha’s unwavering natural sound philosophy is fully implemented in the QL series, resulting in accurate reproduction that is faithful to the source.\u003c\/p\u003e\u003ch3\u003eEvery Component Contributes to Superior Sonic Precision\u003c\/h3\u003e\u003cp\u003eFull creative freedom can only be achieved when the sonic foundation is accurate, uncolored, and faithful to the source. The same pure, natural sound that is a highly regarded feature of the CL series is achieved in the compact QL series consoles as well. Every detail, from mechanical construction through port location, power supply, grounding, and individual components has been painstakingly analyzed and brought together in a system that affords extraordinary audio quality. Noise that can affect digital mixer performance in a number of ways has also been thoroughly scrutinized and effectively eliminated. Because it can affect AD\/ DA converter performance, system clock jitter has been subject to detailed analysis and optimized by revising the internal FPGA layout and rerouting the clock signal. All of these details combine to realize performance that not only passes the strictest scientific tests, but also satisfies the critical ears of some of the most demanding sound engineers in the business.\u003c\/p\u003e\u003ch3\u003eKeeping the Legacy Alive\u003c\/h3\u003e\u003cp\u003eWhen it’s time to build creatively on the uncolored sonic foundation provided by the QL consoles, a selection of powerful processors is ready to refine your sound. Yamaha digital technology accurately reproduces the quality and performance of time-honored analog devices that are renowned for their musical sound, as well as speech mixing technology that revolutionized the industry with unprecedented consistency and clarity. The technology that achieves all of this reflects Yamaha’s respect for the legacy of masters who have given us some of our most valued audio capabilities. It also gives today’s sound engineers the support they need to create for the future.\u003c\/p\u003e\u003ch3\u003eVCM Technology and Rupert Neve\u003c\/h3\u003e\u003cp\u003eAll of the processing capability that was packed into the CL series consoles is provided in the QL consoles as well. Most of those processors are based on Virtual Circuit Modeling (VCM) technology developed by “Dr. K” (Toshifumi Kunimoto) and his team at “K’s lab,” Yamaha’s stateof-the-art digital technology research facility. VCM technology precisely models the circuitry and performance of analog audio devices, right down to the characteristics of individual components such as resistors and capacitors. VCM simulations are so realistic and musical that even the legendary Rupert Neve, a master who built his reputation on analog sound, has given it his approval and collaborated in developing VCM versions of his Portico 5033 and 5043 EQ and compressor, both provided as on-board processors in the QL consoles.\u003c\/p\u003e\u003ch3\u003eRevolutionary Dan Dugan Automatic Mixer Built In\u003c\/h3\u003e\u003cp\u003eThanks to in-depth collaboration with Dan Dugan Sound Design, renowned Dan Dugan automatic microphone mixing with its advanced algorithms is built into the QL series consoles. Setup is easy: just insert the processor into up to 16 channels for automatically optimized microphone gain distribution. Gain control is smooth and natural, as though experienced human operators were doing the mix. The system also effectively reduces feedback and comb filter issues. For speech applications, especially non-scripted situations, this allows the operator to concentrate on details other than fader operation for consistently high-quality mixes.\u003c\/p\u003e\u003cli\u003eMore information about \"Dan Dugan Automatic Mixer\"\u003c\/li\u003e\u003ch3\u003eRefined Interface for Intuitive Control\u003c\/h3\u003e\u003cp\u003eOperators coming from analog or digital consoles will quickly become comfortable with the QL consoles. Years of accumulated knowhow and feedback from users worldwide have been applied in creating an interface that is simple while providing refined operation that responds fully to the demands of a broad spectrum of real-world applications.\u003c\/p\u003e\u003ch3\u003eStraightforward “Touch and Turn” Operation\u003c\/h3\u003e\u003cp\u003eTouch and Turn operation, introduced in the CL series, has been enthusiastically adopted by sound engineers everywhere. The QL series offers the same operational advantage: touch the parameter you want to control on the screen, then rotate the Touch and Turn knob that is below and to the right of the screen to adjust as required. The color displayed below the knob changes to match that of the selected parameter, for quick confirmation and error-free control. It’s simple, responsive, and very intuitive.\u003c\/p\u003e\u003ch3\u003eThe Yamaha Selected Channel System\u003c\/h3\u003e\u003cp\u003eThe Yamaha Selected Channel interface provides a comprehensive overview of available channel parameters with direct selection capability via its large touch-panel display. The display is the same type that was provided on the CL series consoles, offering high visibility and smooth response for stress free operation. Hands-on control via dedicated physical controllers as well as an innovative Touch and Turn knob provides speedy access to essential QL console parameters for a fast, efficient workflow.\u003c\/p\u003e\u003ch3\u003eAdvanced Features Backed by Efficient Design\u003c\/h3\u003e\u003cp\u003eYou can have features galore, but if they’re not well integrated into a smoothly operating system that provides easy access, their value will be greatly reduced. Design of the QL series faders and knobs extends to the finest details of form and materials. High visibility channel name displays and colors add to overall operation ease and efficiency as well. The interface is the vital connection between console and engineer, and we have treated it with appropriate care and respect.\u003c\/p\u003e\u003ch3\u003eFaders Designed for Fit, Feel, and Visual Feedback\u003c\/h3\u003e\u003cp\u003eThe operator’s sonic intent is conveyed to the console primarily through the faders. Inheriting the sports car bucket seat styling of the CL series faders, the QL faders provide comfortable, sure operation regardless of where you finger rests on the knob. Even the fader knob materials have been selected for optimum feel. The sides of the knobs are specially sculpted to allow the fader scale on the panel to be easily seen from just about any angle.\u003c\/p\u003e\u003ch3\u003eSelected Channel Controls for Direct, Instant Access\u003c\/h3\u003e\u003cp\u003eThe main Selected Channel parameters are assigned to the knobs located to the right of the display for immediate access at any time. In addition to User Defined Keys to which parameters can be freely assigned, another traditional Yamaha digital mixing console feature, the QL consoles also have on-screen User Defined Knobs that provide the same assignable freedom for variable parameters. In combination, the User Defined Knobs and User Defined Keys can significantly enhance operation speed and efficiency.\u003c\/p\u003e\u003ch3\u003eComprehensive Fader Bank Section\u003c\/h3\u003e\u003cp\u003eAll analog inputs are assigned to one Fader Bank, while other input and output channels are accessed by switching banks. Four Custom Fader Banks are also provided, and these allow the user to set up any combination of channels required for maximum efficiency in any application. Custom Fader setups can also be stored with scenes and instantly recalled when needed.\u003c\/p\u003e\u003ch3\u003eHigh Visibility Channel Names and Colors\u003c\/h3\u003e\u003cp\u003eMiniature display panels above each channel fader show the channel name as well as fader setting. There’s also a color bar that glows in eight colors, matching the channel colors shown in the main touch-panel display for easy visual identification. The eight colors plus “black” provide a total of nine color groupings. These high-visibility displays offer excellent legibility in bright outdoor lighting as well in dim indoor settings.\u003c\/p\u003e\u003ch3\u003eFlexible Network Capability in an All-in-one Console\u003c\/h3\u003e\u003cp\u003eNetwork capability is essential in today’s live sound applications, and the QL series offers all you need. In addition to their all-in-one capabilities, QL series consoles come with the widely implemented Dante digital audio networking protocol, developed by Audinate, as a standard feature. That means the QL consoles can be combined with other Dante capable devices, such as CL series consoles and R series I\/O rack units, to flexibly create systems for applications of just about any scale or complexity.\u003c\/p\u003e\u003ch3\u003eOne Console May Be All You Need\u003c\/h3\u003e\u003cp\u003eEach QL series console provides extensive built-in input and output capacity that can handle a variety of applications without the need for stage boxes or other external equipment (32 inputs and 16 outputs on the QL5, and 16 ins and 8 outs on the QL1). For many jobs all you need is one console, and that means vastly superior portability as well as speedy setup.\u003c\/p\u003e\u003ch3\u003eSuperior Dante Networking Built In\u003c\/h3\u003e\u003cp\u003ePrecision synchronization technology achieves low latency and low jitter as well as high sample accuracy in a network that is fast and simple to set up. Individual IDs assigned to each device on a Dante network allow automatic device detection as well as easy patching. Speedy setup leaves more time for the all-important job of setting up the mix.\u003c\/p\u003e\u003ch3\u003eRedundancy for Reliability\u003c\/h3\u003e\u003cp\u003eCables and switches can malfunction, but with Dante’s support for redundant connections a problem on the network won’t stop the show. Redundant primary and secondary connections can be set up in a star network configuration so that problems in any part of the network won’t interrupt the signal flow or bring the entire network down.\u003c\/p\u003e\u003ch3\u003e“Port to Port” Enhances System Versatility\u003c\/h3\u003e\u003cp\u003e“Port to Port” is a new Yamaha feature that allows QL series console inputs and outputs to be put to use as elements of a larger system, providing unprecedented capabilities for interconnecting front-of-house and monitor consoles, and much more. Gain Compensation enhances the versatility of this feature even more.\u003c\/p\u003e\u003cli\u003eMore information about \"Port to Port\"\u003c\/li\u003e\u003ch3\u003eCapable Systems with Fewer Devices\u003c\/h3\u003e\u003cp\u003eThe ability to directly connect input ports to output ports without going through mixing channels provides unprecedented freedom for routing signals between the analog, Dante, and MY slot inputs and outputs. For example, a QL console could be used as an I\/O device for another QL or CL series console while simultaneously functioning as a monitor console. Not only is just one QL console required for both monitor and I\/O use, but analog gains can be remotely controlled from the front-of-house QL or CL console. It’s also possible to mix analog signals received at the console while directly transmitting them to a multitrack recording system via Dante, for example. The possibilities are vast.\u003c\/p\u003e\u003ch3\u003eI\/O Rack Sharing without Gain Complications\u003c\/h3\u003e\u003cp\u003eWhen sharing inputs between multiple consoles using Dante networking and Port to Port capability, gain adjustments made from one console could potentially disrupt the mix balance at another. The Gain Compensation function prevents such problems from occurring. Gain compensation is automatically applied at the digital stage so that the total gain sent out via the network remains constant.\u003c\/p\u003e\u003ch3\u003eEverything You Need for Creative Engineering\u003c\/h3\u003e\u003cp\u003eQL series console include a virtual processing rack that lets the operator approach selecting and patching internal processors in a way that’s similar to working with external rack-mounted devices. All of the high-quality processors that received rave reviews in the CL series are provided in the QL series consoles as well. Top-quality sound-shaping tools for creative engineering are ready and accessible whenever they’re needed.\u003c\/p\u003e\u003ch3\u003ePremium Rack\u003c\/h3\u003e\u003cp\u003eUp to eight VCM processors, including the Portico processors developed in cooperation with Rupert Neve Designs that are standards in leading recording studios throughout the world, can be mounted in the virtual rack and used to deliver the kind of performance that only high-end analog outboard processors have previously been capable of. More importantly, that studio quality and musical tonality are available for live sound applications.\u003c\/p\u003e\u003cp\u003ePortico 5033\/5043: These devices immaculately model the full sonic depth and breadth of the original analog equalizer and compressor\/limiter modules by Rupert Neve. They are not only ideal for adding first-class studio-quality processor sound to your mix, but are also remarkably easy to set up for optimum effect. Merely inserting these outstanding models in the signal path can enhance the sound.\u003c\/p\u003e\u003cp\u003eU76: A studio standard that is ideal for a wide range of applications. It even features a RATIO “ALL” button that simulates the effect of engaging all of the ratio buttons on the original.\u003c\/p\u003e\u003cp\u003eOpt-2A: This is a model of one of the most widely used optical studio compressors from the 1960’s. The distinctive and highly regarded compression and release characteristics of the original are recreated with remarkable precision.\u003c\/p\u003e\u003cp\u003eEQ-1A: The classic studio equalizer that is the basis for this model is still in demand today, highly prized for the musical response of its vacuum tube and transformer EQ circuitry, as well as its distinctive boost\/cut characteristics.\u003c\/p\u003e\u003cp\u003eDynamic EQ: This original EQ module detects level variations in specified frequency bands in real time, dynamically adjusting EQ gain to provide pinpoint compression, limiting, and de-essing. A refined interface contributes to fast, easy operation.\u003c\/p\u003e\u003cp\u003eBuss Comp 369: The K's Lab team has created an accurate VCM (Virtual Circuitry Modeling) model of an acclaimed buss compressor that is relied on in broadcast and recording studios around the world. As the name implies, Buss Comp 369 is ideal for inserting on the stereo mix buss for increased loudness, more uniform levels, and warm overall sound. It is an excellent choice for live sound as well as broadcast applications.\u003c\/p\u003e\u003cp\u003eMBC4 Multiband Compressor: The MBC4 is a four-band multiband compressor for the console's Premium Rack, combining a refined GUI with advanced VCM modeling for high overall operability and sonic performance. The musical response of highly regarded analog compressors was studied in depth and recreated in detail in the MBC4, providing flexible dynamics processing while retaining the integrity and musicality of the source.\u003c\/p\u003e\u003ch3\u003eEffect Rack\u003c\/h3\u003e\u003cp\u003eUp to eight of the 46 available ambience effects and 8 available insert effects can be mounted in the QL virtual rack. That selection includes a number of high-end Yamaha REV-X reverb processors for sophisticated sonic control. Any of the mounted effects can be individually switched to graphic EQ operation as required.\u003c\/p\u003e\u003cp\u003eComp 276: This model is a composite of several analog compressors that were popular in recording studios in the 70’s. Anyone who is familiar with the originals will recognize the characteristic punch and fatness this device delivers.\u003c\/p\u003e\u003cp\u003eOpen Deck: Here’s a unique effect that models both the analog circuitry of well-known professional tape decks plus the characteristics of the tape used with them. You can simply choose a deck that offers the sound you need, or combine different recording and playback decks for a range of useful variations.\u003c\/p\u003e\u003cp\u003eComp 260: The compressor\/limiter modeled in this device was all the rage in the late 70’s, featuring solid-state RMS level detection circuitry and VCAs for level control. The sonic signature of this model is unmistakable.\u003c\/p\u003e\u003cp\u003eEQ 601: For a sweet analog EQ sound, this model recreates a popular circuit topology from the 70’s.\u003c\/p\u003e\u003ch3\u003eGEQ Rack\u003c\/h3\u003e\u003cp\u003eThe GEQ rack is ideal for inserting graphic EQ into the output and other busses. Up to eight 31-band graphic equalizers can be mounted, and any of those can be switched for use as dual 15-band “Flex15GEQ” equalizers that can control any 15 bands selected from the 31 bands available. With eight rack slots, that allows for a maximum of 16 simultaneous EQ processors. Dan Dugan Automixer units can be inserted in the input channels via the GEQ rack, providing up to 16 channels of automix for speech applications.\u003c\/p\u003e\u003ch3\u003e2-track\/Multitrack Recording and Playback\u003c\/h3\u003e\u003cp\u003eWhether you want basic 2-track recording and playback, or full-blown multitrack recording and playback capability, the QL series consoles make it easy. There’s direct 2-track recording to standard USB flash drives, or serious multitrack recording to a DAW via Dante. Multitrack playback is handy for “virtual sound checks” when the musicians aren’t available, and 2-track playback is for background music, and sound effects.\u003c\/p\u003e\u003ch3\u003eConvenient 2-track Recording to USB Flash Drive\u003c\/h3\u003e\u003cp\u003eA standard USB flash drive plugged into the front-panel USB port serves as media for direct 2-track recording in mp3 format. There’s no need to carry external recording equipment around, and the recording can be handed to performers as soon as the show is finished, for example. Sound files in mp3, AAC, or WMA format saved on the flash drive from a computer or other source can be played back too, for convenient BGM or sound effects without the need for extra playback equipment.\u003c\/p\u003e\u003ch3\u003eNuendo Live multi-track live recording software is bundled.\u003c\/h3\u003e\u003cp\u003eThe QL series consoles even make live multitrack recording easy. With Dante Virtual Soundcard software it becomes possible to transfer audio directly to a Windows or Mac computer connected to the Dante network. With an appropriate DAW such as Steinberg Nuendo Live (bundled) running on the computer, up to 64 tracks can be recorded simultaneously. In addition to being the best way to create professional quality recordings of live performances, this capability is ideal for creating the tracks needed for virtual sound checks.\u003c\/p\u003e\u003cli\u003eMore information about Nuendo Live.\u003c\/li\u003e\u003ch3\u003eExpandable Capacity and Functionality\u003c\/h3\u003e\u003cp\u003eConsole I\/O and functions can be customized simply by inserting appropriate Yamaha or third-party expansion cards into the Mini-YGDAI expansion slots provided. QL series consoles feature dual Mini-YGDAI slots that can accept expansion cardsselected from a lineup of more than 30 types.\u003c\/p\u003e\u003ch3\u003eCascade for Large Systems\u003c\/h3\u003e\u003cp\u003eMultiple QL consoles can be cascade connected via I\/O cards such as the MY16-AE to create systems that offer the high channel capacities required by larger applications. QL consoles can also be cascaded to the other Yamaha digital consoles such as CL series for broad system flexibility\u003c\/p\u003e\u003ch3\u003eLake Processing\u003c\/h3\u003e\u003cp\u003eLake processing has become a standard for speaker processing in live sound applications, and it can easily be added to QL consoles via the MY card slots. The MY8-LAKE expansion card, developed through technical cooperation between Yamaha and Lab.gruppen, offers Mesa EQ, Ideal Graphic EQ, Linear Phase EQ, and other processing features that are capable of achieving ideal tuning in a wide variety of environments regardless of size, acoustic characteristics, or the types of speakers used. Mesa EQ with its symmetrical curve can be inserted into input channels and used for creative sound shaping as well as speaker processing. The possibilities are endless. The Lake Controller computer application can be used for central management and control of all Lake devices in the system, and it works well with Smaart acoustic measurement tools for effective overall speaker tuning.\u003c\/p\u003e\u003cli\u003eMore information about MY8-LAKE.\u003c\/li\u003e\u003ch3\u003eTight iPad and Computer Integration\u003c\/h3\u003e\u003cp\u003eWith the “QL StageMix” app for iPad it is possible to mix remotely from audience seating or the performer’s positions in front of floor monitors, for example. The QL5 even includes stays that will support an iPad on the left side of its panel, sleekly integrating of the iPad into the QL interface. There’s also the “QL Editor” application for Windows and Mac computers, allowing console parameters to be set up via the computer, on or off line. The QL Editor is a great way to manage scene and patch list data, for example, and keyboard entry capability can be a timesaving advantage for typing channel names, etc. QL StageMix and QL Editor are great time savers, and they can be used simultaneously.\u003c\/p\u003e\u003cli\u003eMore information about QL StageMix.\u003c\/li\u003e\u003ch3\u003eSmart Looks and Flexible Design for Custom Control Panels\u003c\/h3\u003e\u003cp\u003eNo specialized programming skills are required. An intuitive interface makes it easy to create faders for volume control and switches for channel on\/off, for example, and position photographs or other graphic elements on the tablet screen as required to create original control panels that are ideally suited to individual applications and users. In addition, ProVisionaire Touch and ProVisionaire Control can control CL\/QL\/TF series digital mixers, MTX and MRX series processors, XMV series and PC-D\/PC-DI series power amplifiers, R series (ADDA) and Tio1608-D I\/O rack, DZR-D series powered loudspeakers and DXS XLF-D powered subwoofers and Nexo NXAMPmk2 powered TD controller. It is easy to combine those parameters onto the one screen.\u003c\/p\u003e\u003cli\u003eMore information about ProVisionaire Touch\u003c\/li\u003e\u003cli\u003eMore information about ProVisionaire Control\u003c\/li\u003e\u003ch3\u003eToday’s Mix Data for Tomorrow’s Show\u003c\/h3\u003e\u003cp\u003eSince QL and CL series mix data are compatible, data created on either type of console can be directly read and used by the other. The time and effort spent setting up mix data for one job can be carried over to other jobs. Moreover, the Yamaha Console File Converter application provides compatibility with PM5D, M7CL, and LS9 consoles as well. All the data you have carefully crafted can be put to good use in future situations.\u003c\/p\u003e\u003cli\u003eMore information about Console File Converter.\u003c\/li\u003e\u003ch3\u003eFeatures Optimized for Live Sound\u003c\/h3\u003e\u003cp\u003eAlthough there are as many ways to use a mixing console as there are sound engineers, extensive feedback from audio professionals has made it possible to provide a feature set that is ideally suited to the real-world needs of demanding live sound applications.\u003c\/p\u003e\u003ch3\u003e300 Scene Memories\u003c\/h3\u003e\u003cp\u003eUp to 300 complete console setups can be stored as “scenes” and instantly recalled whenever needed. Scene Preview is also supported, and scenes can be individually loaded from or saved to a USB flash drive.\u003c\/p\u003e\u003ch3\u003eVersatile Input and Output Delays\u003c\/h3\u003e\u003cp\u003eUp to 1000 ms delay on input channels facilitates precise microphone phase compensation, while up to 1000 ms delay on the output ports is useful for speaker distance compensation and room tuning.\u003c\/p\u003e\u003ch3\u003eAmple EQ and Dynamics Processing\u003c\/h3\u003e\u003cp\u003eAll channels feature 4-band parametric EQ and two dynamics processors (one dynamic processor on outputs). De-esser can also be selected for band pass type EQ.\u003c\/p\u003e\u003ch3\u003e16 DCA Groups\u003c\/h3\u003e\u003cp\u003e16 DCA groups allow flexible grouping of multiple input channels for simultaneous control.\u003c\/p\u003e\u003ch3\u003e8 Mute Groups\u003c\/h3\u003e\u003cp\u003eMultiple channels can be assigned to any of 8 mute groups for instant muting or un-muting, with a new Dimmer Level function.\u003c\/p\u003e\u003ch3\u003e12 User Defined Keys\u003c\/h3\u003e\u003cp\u003eA large number of console functions including Sends on Fader, Tap Tempo, and Set by Sel can be assigned to 12 User Defined Keys for instant hands-on access.\u003c\/p\u003e\u003ch3\u003eMultiple User Key Sets\u003c\/h3\u003e\u003cp\u003eLimited access to CL console functions can be provided for less experienced operators and accident prevention via multiple User Key sets that can be stored in the console itself as well as on USB memory.\u003c\/p\u003e\u003ch3\u003e5-in\/5-out GPI Interface\u003c\/h3\u003e\u003cp\u003eA 5-input\/5-output GPI interface allows the CL consoles to respond to input from external switches, as well as to transmit on\/off status to external devices.\u003c\/p\u003e\u003ch3\u003eHelp File\u003c\/h3\u003e\u003cp\u003eSimply tap the on-screen “Help” button to access the onboard operation manual. Once loaded all essential information is available directly via the console’s display, so you won’t need to keep the printed manual with you.\u003c\/p\u003e\u003ch3\u003ePure, Natural Sound Plus Powerful Built-in Processing for Broad Creative Control\u003c\/h3\u003e\u003cp\u003eThe Yamaha sound begins with reproduction that is faithful to the source. QL series consoles feature circuitry and components that have been designed and selected with the utmost care, achieving outstanding audio purity from input to output. With that solid sonic foundation it becomes possible to take full advantage of built-in premium internal processors such as the Portico 5033\/5043 created in cooperation with Rupert Neve, to shape and create as required. For a wide range of speech applications built-in automatic mixing functionality from Dan Dugan Sound Design provides optimum channel balance while allowing the operator to concentrate fully on optimizing the overall sound.\u003c\/p\u003e\u003ch3\u003eRefined Control for Smooth Operation\u003c\/h3\u003e\u003cp\u003eThe ability to respond swiftly and surely to multiple, rapidly changing demands is essential for effective live sound support. QL series consoles feature large touch-panel displays as well as “Touch and Turn” knobs that make up a remarkably smooth, efficient control interface. Attention has also been paid to details such as fader feel and channel name display visibility in order to deliver a sophisticated overall operating experience. Remote control and offline setup capability via an iPad or computer adds even more refinement to an already state-of-the-art operating environment.\u003c\/p\u003e\u003ch3\u003eExpandable All-in-One Support for Any Application\u003c\/h3\u003e\u003cp\u003eIn addition to ample analog input and output capacity, QL series consoles feature the same Dante audio networking protocol that provides broad connectivity in the CL consoles. There's also an innovative “Port to Port” feature that can patch any input port to any output port so the QL console can function as a remote I\/O device for any other QL or CL series console, for example. Other flexibility enhancing features such as 2-track and multitrack recording capability, and dual MY expansion slots that allow processing capability or I\/O to be added as required, make the QL consoles suitable for use as central components in an extensive variety of sound applications.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sampling frequency rate › Internal\u003c\/td\u003e\n\u003ctd\u003e44.1kHz \/ 48kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sampling frequency rate › External\u003c\/td\u003e\n\u003ctd\u003e44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Signal delay\u003c\/td\u003e\n\u003ctd\u003eLess than 2.5ms, INPUT to OMNI OUT, Fs= 48kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Fader\u003c\/td\u003e\n\u003ctd\u003e100mm motorized, Resolution=1024steps, +10dB to –138dB, –∞dB all faders\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003eLess than 0.05% 20Hz-20kHz@+4dBu into 600Ω, INPUT to OMNI OUT, Input Gain= Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003e+0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, INPUT to OMNI OUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dynamic range\u003c\/td\u003e\n\u003ctd\u003e112dB typ.: DA Converter \/ 108dB typ.: INPUT to OMNI OUT, Input Gain = Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e-128dBu typ., Equivalent Input Noise, Input Gain=Max\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e-88dBu, Residual output noise, ST master off\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-100dB*1, adjacent INPUT\/OMNI OUT channels, Input Gain = Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003e100-240V 50\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e200W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e828mm(32.6in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e272mm(10.7in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e563mm(22.2in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e21.8kg(48.1lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eOwner’s Manual, dust cover, power cord, DVS license sheet, Nuendo Live\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Options\u003c\/td\u003e\n\u003ctd\u003eMini-YGDAI cards *2 , Gooseneck Lamp LA1L\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eOperating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268732887295,"sku":"QL5","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_ddb0d672-6811-4484-bf53-8bff6a76e87b.jpg?v=1790011483"},{"product_id":"hph-mt7","title":"Yamaha HPH-MT7 Studio Monitor Headphones","description":"\u003cp\u003eHigh-resolution monitor headphones that reproduce even the most subtle nuances of the source sound. In addition to mixing and recording in the studio, the HPH-MT7 headphones are perfect for mix monitoring in live performance applications thanks to their high sound pressure levels and durability.\u003c\/p\u003e\u003cli\u003e40 mm custom drivers with CCAW voice coils deliver a broad frequency range and accurate response\u003c\/li\u003e\u003cli\u003eClosed-back, circumaural design for excellent isolation\u003c\/li\u003e\u003cli\u003eSmooth synthetic leather and large low-resistance cushions ensure stress-free wearability and high levels of isolation\u003c\/li\u003e\u003cli\u003eThree-dimensional arm pivot construction and adjustable slider length alleviate fatigue when working for extended periods\u003c\/li\u003e\u003cli\u003eMoveable earcups allow single-ear monitoring\u003c\/li\u003e\u003cli\u003eThick ABS housing and rigid die-cast aluminum support-arms for use in the toughest working environments\u003c\/li\u003e\u003cli\u003eStraight 3 m cable suitable for use in a wide variety of applications *6.3 mm diameter standard stereo plug adaptor included\u003c\/li\u003e\u003cli\u003eConvenient carrying bag included\u003c\/li\u003e\u003ch3\u003eA LEGEND TRANSFORMED\u003c\/h3\u003e\u003cp\u003eIt takes a true original to become an industry standard, and since their inception Yamaha’s NS-10M studio monitor speakers have become a mainstay of professional studios the world over, renowned for their legendary accuracy. From the NS-10M to the MSP and HS Series, Yamaha has remained faithful to a design philosophy focused on delivering the sonic accuracy that provides sound professionals with the perfect platform upon which to develop and establish their own signature sound. MT Series studio monitor headphones remain true to this fundamental concept, delivering precision sound reproduction that meets the demanding requirements of today’s professional studio and monitoring applications.\u003c\/p\u003e\u003cp\u003eWith unmatched fidelity in a sturdy yet stylish design, and the durability to hold up to the rigors of the road, Yamaha’s MT Series headphones offer a level of comfort you’ll be thankful for after long hours in a critical listening environment.\u003c\/p\u003e\u003cp\u003eHPH-MT7 headphones are designed to deliver flat, high-resolution sound with precise stereo imaging at any sound pressure level, and to faithfully reproduce every nuance of the source signal with the highest level of accuracy possible. Yamaha has applied decades of accrued knowledge and expertise in professional and high-end audio equipment manufacturing to the design of each and every acoustic component in these headphones.\u003c\/p\u003e\u003ch3\u003eDrivers\u003c\/h3\u003e\u003cp\u003eMT7 headphones feature custom drivers equipped with CCAW voice coils and powerful neodymium magnets to achieve precise definition and control. Made from aluminum wire coated in highly conductive copper, these lightweight yet powerful drivers provide a broad frequency response of 15 Hz-25 kHz, and deliver flat, ultra high-resolution sound that meets the demands of modern professional monitoring.\u003c\/p\u003e\u003ch3\u003eOther acoustic components\u003c\/h3\u003e\u003cp\u003eFrom the arms to the earcups, all acoustic components in MT7 headphones have been designed to deliver the most accurate sound possible by completely eliminating extraneous resonance.\u003c\/p\u003e\u003cp\u003eFor professional audio engineers who perform critical listening and studio recording, it is important that their headphones fit in a way that prevents fatigue during extended listening sessions, and isolation that allows concentration while working. HPH-MT7 headphones provide superb comfort and isolation, and are specifically designed to meet the high standards of professional users.\u003c\/p\u003e\u003ch3\u003eDesign\u003c\/h3\u003e\u003cp\u003eMT7 headphones feature a sleek, stylish design with a closed-back, circumaural configuration that provides a comfortable fit and excellent isolation.\u003c\/p\u003e\u003ch3\u003eEar pads\u003c\/h3\u003e\u003cp\u003eMT7 headphones are equipped with large ear pads for an extremely comfortable fit. Smooth synthetic leather and low-resistance cushions that absorb excess vibrations provide stress-free wearability and high levels of isolation—ideal for studio recording and live mix monitoring situations in particular, where sound leakage is a concern.\u003c\/p\u003e\u003ch3\u003eWearability\u003c\/h3\u003e\u003cp\u003eA three-dimensional arm pivot construction and highly adjustable slider length allows the angle of the ear pads to fit the shape of the wearer’s head perfectly, helping to alleviate fatigue when working for extended periods. MT7 headphones also feature moveable earcups, allowing single-ear monitoring when required.\u003c\/p\u003e\u003cp\u003eBuilt for professional use, HPH-MT7 headphones feature a sleek, simple construction with the durability to withstand the rigors of road travel. Whether you’re recording or mixing in the studio, doing live sound for an outdoor gig, or even checking tracks on the move, the MT7 headphones are a flexible monitoring solution for the professional user.\u003c\/p\u003e\u003ch3\u003eHousing, support-arms and headband\u003c\/h3\u003e\u003cp\u003eEach component in the MT7 headphones has been developed with durability in mind. The solid ABS housing, die-cast aluminum support-arms, and sweat-resistant headband ensure that these headphones are able to endure extended use in any working environment.\u003c\/p\u003e\u003ch3\u003eConnectivity\u003c\/h3\u003e\u003cp\u003eMT7 headphones have been designed to make users aware of the cable without being hindered by it, while providing enough length for monitoring applications where mobility is a consideration. For added versatility, the straight, lightweight 3 meter cable comes equipped with a corrosion-resistant gold-plated stereo mini-plug and a gold-plated 6.3 mm stereo adaptor, allowing MT7 headphones to be used with both professional audio gear and portable audio players.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Type\u003c\/td\u003e\n\u003ctd\u003eClosed-back, Circumaural (Over Ear)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency Response\u003c\/td\u003e\n\u003ctd\u003e15 Hz - 25 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sensitivity (SPL)\u003c\/td\u003e\n\u003ctd\u003e99 dB\/mW\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum Input Power\u003c\/td\u003e\n\u003ctd\u003e1600 mW (at 1kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Impedance\u003c\/td\u003e\n\u003ctd\u003e49 Ω (at 1kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Driver Unit\u003c\/td\u003e\n\u003ctd\u003e40 mm, Dynamic, CCAW Voice Coil\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Cable\u003c\/td\u003e\n\u003ctd\u003e3.0 m (9.8 ft), straight\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Connector\u003c\/td\u003e\n\u003ctd\u003e3.5 mm (1\/8”) stereo with 6.3 mm (1\/4”) stereo adaptor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e170 x 195 x 98 mm (6.7\" x 7.7\" x 3.9\") (Without cable\u0026amp;plug)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Weight\u003c\/td\u003e\n\u003ctd\u003e360 g (0.8 lbs) (With cable\u0026amp;plug)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eThreaded 6.3 mm (1\/4\") gold-plated adaptor, Padded carrying bag\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268732952831,"sku":"HPH-MT7","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_5de4f95d-c434-4b10-8dc2-4548c3d152f7.jpg?v=1790011483"},{"product_id":"mg166cx-usb","title":"Yamaha MG166CX-USB 16-Input USB Mixing Console","description":"\u003cp\u003eDirect digital recording capability with the supplied Cubase AI4 software\u003c\/p\u003e\u003ch3\u003eUSB models for live recording\u003c\/h3\u003e\u003cp\u003eWhether you have a mixing applications that involves only a few channels, or up to 32 inputs with substantial signal routing versatility, Yamaha's MG-series offers a console that will give you the capacity, control, and performance you deserve. All models are remarkably compact and lightweight for superior handling and portability, but absolutely no compromises have been made in terms of features, performance, or durability. The MG mixers offer an extraordinary blend of technology: some inherited from professional Yamaha mixing consoles you're likely to see in distinguished halls throughout the world, and some developed specifically to deliver optimum performance in the MG-console format. In either case these performance-packed mixers are founded on a world-spanning network of human and technological resources that crystallize to deliver features that really matter, and sound that is undeniably superior.\u003c\/p\u003e\u003ch3\u003eEasy live recording with bundled Cubase AI\u003c\/h3\u003e\u003cp\u003eCubase AI4 harnesses the power of the Steinberg Cubase 4 digital audio workstation for use with Yamaha MG \"USB\" mixers, providing a powerful set of advanced software tools that are easy to use while significantly expanding the mixers' recording and production capabilities. Cubase AI4 offers direct digital connectivity to the stereo buses of MG \"USB\" models for audio recording and editing. It also features a range of MIDI sequencing capabilities, an entire suite of VST effect plug-ins, and a HALion One sample player featuring selected waves from the famed Yamaha Motif synthesizers.\u003c\/p\u003e\u003ch3\u003eCubase AI4 Features\u003c\/h3\u003e\u003cp\u003eCubase 4 audio engine.\u003c\/p\u003e\u003cp\u003e48 audio tracks and up to 64 MIDI tracks.\u003c\/p\u003e\u003cp\u003e25 VST effect plug-ins, including 15 new VST3 plug-in effects.\u003c\/p\u003e\u003cp\u003eHALion One software sample player with selected Motif waves.\u003c\/p\u003e\u003cp\u003ePlug and Play VST\/MIDI setup.\u003c\/p\u003e\u003cp\u003eStudio Connections Integration.\u003c\/p\u003e\u003cp\u003eFile Interchange between Steinberg software and Yamaha hardware.\u003c\/p\u003e\u003cp\u003e20 MIDI music styles and 480 audio drum loops included.\u003c\/p\u003e\u003ch3\u003eBuilt-in SPX Digital Effects (MG166CX-USB only)\u003c\/h3\u003e\u003cp\u003eThere's an astonishing amount of signal processing power packed into the compact chassis of the MG \"CX\" mixers. They incorporate a versatile digital multi-effect processor that provides a range of reverb, delay, modulation, and distortion programs you can use to refine and define your sound. Each of the 16 effect programs has a number of editable parameters as well as effect on\/off switching capability and return level control. You can even blend the effects into the aux sends for \"wet\" monitoring, so the performers can hear the effects too. If you need to keep both hands free to play an instrument or perform other operations, an optional footswitch can be connected to the mixer's effect footswitch jack for convenient on\/off switching.\u003c\/p\u003e\u003ch3\u003eLightweight, Portable Designs\u003c\/h3\u003e\u003cp\u003eDesigning a lightweight mixer is not too difficult, but designing a lightweight, compact mixer that delivers serious performance is another matter. The Yamaha design team went to extraordinary lengths in the MG series, including in-depth material and structural analysis, to bring you maximum manageability and maximum performance in the same packages. The result is that you can easily pop the smallest models into your briefcase or shoulder bag and take with you anywhere. Even the larger models can be tucked under an arm and carried around quite easily. But the performance you'll get at the studio, club, hall, or anywhere you choose to use these fine mixers is far from lightweight. Every one of the MG series mixers provides significant space savings along with huge performance benefits.\u003c\/p\u003e\u003ch3\u003eVersatile Connectivity and Pro-class Connectors\u003c\/h3\u003e\u003cp\u003eTop-mounted input and output connectors make setting up and re-patching your system quick and easy. All models feature high-quality Neutrik™ balanced XLR connectors on mono microphone\/line channels and XLR-equipped stereo channels. These professional-class connectors were subjected to extensive testing by the Yamaha design team, and were chosen for the MG mixers for their superior reliability and sonic qualities. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels provide phone jack and pin jack connectors for compatibility with a wide range of sources. Mono input channels also feature insert I\/O connectors that let you patch external signal processing gear into those channels as required. Separate pinjack 2TR inputs are provided to accept the output from a CD player or similar stereo source.\u003c\/p\u003e\u003ch3\u003eBuilt-in Channel Compressors\u003c\/h3\u003e\u003cp\u003eThis advanced feature can be a tremendous advantage in achieving great vocal sound, as well as to refine the sound of bass, guitar, and other sources. You won't find built-in channel compression on too many other mixers in this class, but in the new MG mixers you have Yamaha's innovative one-knob compression feature on several of the mono input channels. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and timeconsuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.\u003c\/p\u003e\u003ch3\u003eHigh-performance Microphone Preamplifiers with Switchable Phantom Power\u003c\/h3\u003e\u003cp\u003eMicrophone preamplifiers are critical in any mixer, and a performance bottleneck in many. That's why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. Gain trim covers a wide -60dB ~ -16dB range for microphones (-34dB ~ +10dB for line input), so you'll be able to achieve optimum level matching with just about any source. All microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones.\u003c\/p\u003e\u003ch3\u003e3-band Channel EQ and High-pass Filters\u003c\/h3\u003e\u003cp\u003eBuilding a truly useful, musical-sounding channel equalizer is no easy task, but Yamaha has decades of experience in building pro consoles to draw on. You reap the benefits in the MG series mixers: all mono channels feature 3-band equalizers with LOW, MID, and HIGH controls. Depending on the model some of all of the stereo channels have 2-band EQ for smooth equalization of stereo sources. Although not directly related to the equalizer circuitry, all inputs also feature 80 Hz low-pass filters that can be used to eliminate subsonic noise that is outside the equalizers' range.\u003c\/p\u003e\u003ch3\u003eAux\/Effect Sends\u003c\/h3\u003e\u003cp\u003eAll models except the MG82CX have from one to three AUX sends for convenient to processing and monitor systems. Master send controls are also provided, as are RETURN level controls for the AUX and STEREO busses. \"CX\" models have EFFECT send controls on all channels that adjust the level of the signal sent from the corresponding channel to the mixer's internal multi-effect system. The same signal can also be sent to external effect processors via the mixer's EFFECT SEND jack.\u003c\/p\u003e\u003ch3\u003eTwo, Four or Six Buses (Stereo and Group)\u003c\/h3\u003e\u003cp\u003eThe smallest models in the lineup - the MG82CX and MG102C - have a single stereo bus (i.e. two mono buses). All other models additionally feature one or two stereo group buses and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.\u003c\/p\u003e\u003ch3\u003eSmooth 60-millimeter Faders \u0026amp; Illuminated Channel ON Switches\u003c\/h3\u003e\u003cp\u003eWhile the MG82CX and MG102C feature rotary faders, channel and master level control on all other models is accomplished via reliable, highperformance 60-millimeter linear faders that provide smooth, noise-free operation. When you have more than a few channels the direct visual indication of relative level settings can be an important advantage. Models with linear faders also feature illuminated channel ON switches that can be used to individually add or remove channels from the mix without having to change the positions of the channel faders.\u003c\/p\u003e\u003ch3\u003eBright Meters for Visual Level Monitoring\u003c\/h3\u003e\u003cp\u003eAccurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read multi-segment LED meters make it easy to control system levels for optimum overall performance.\u003c\/p\u003e\u003ch3\u003eEasy Operation\u003c\/h3\u003e\u003cp\u003eAll switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback.\u003c\/p\u003e\u003ch3\u003eP.T. Yamaha Music manufacturing Asia — Manufacturing the electronic instruments and PA products\u003c\/h3\u003e\u003cp\u003eFrom the initial design to final manufacturing, all production processes for the Yamaha MG series mixing console are performed entirely inside the company. Moreover, every product that comes off our production line must pass strict quality controls using the sophisticated test instruments. Thus, all of this enables us to deliver the highest quality products to you.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Total Harmonic Distortion\u003c\/td\u003e\n\u003ctd\u003eLess than 0.1 % (THD+N) 20 Hz - 20 kHz @ +14 dBu (ST OUT)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Frequency Response\u003c\/td\u003e\n\u003ctd\u003e0, +1, -3 dB 20 Hz - 20 kHz @ +4 dBu (ST OUT)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Hum \u0026amp; Noise\u003c\/td\u003e\n\u003ctd\u003e-128 dBu Equivalent Input Noise\/ -98 dBu Residual Output Noise 20 Hz - 20 kHz, Rs = 150 Ω, Input Gain = Maximum\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input Connectors\u003c\/td\u003e\n\u003ctd\u003eMIC: 10, LINE: 8 mono + 4 stereo, CH INSERT: 8, AUX RTN: 1 stereo, 2TR IN: 1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Output Connectors\u003c\/td\u003e\n\u003ctd\u003eST: 2, AUX SEND: 2, EFFECT SEND: 1, CH INSERT: 8, REC: 1 stereo, MONITOR: 1 stereo, GROUP: 4 Phone: 1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-70 dB @ 1 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Phantom Power\u003c\/td\u003e\n\u003ctd\u003e+ 48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input HPF\u003c\/td\u003e\n\u003ctd\u003eCH 1-8, CH 9\/10-11\/12, 80Hz, 12dB\/oct\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › High\u003c\/td\u003e\n\u003ctd\u003e10 k Hz: shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › Mid\u003c\/td\u003e\n\u003ctd\u003e2.5 k Hz: peaking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › Low\u003c\/td\u003e\n\u003ctd\u003e100 Hz: shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › High\u003c\/td\u003e\n\u003ctd\u003e10 k Hz: shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Mid\u003c\/td\u003e\n\u003ctd\u003e2.5 k Hz: peaking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Low\u003c\/td\u003e\n\u003ctd\u003e100 Hz: shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Compressor (COMP)\u003c\/td\u003e\n\u003ctd\u003econtrol x 1 (Gain\/Threshold\/Ratio), CH 1-8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › LED Level Meter \/ Pre Monitor Level\u003c\/td\u003e\n\u003ctd\u003e2 x 12 points LED meter (PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB) PEAK lights if the signal comes within 3 dB of the clipping level.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Peak Indicator\u003c\/td\u003e\n\u003ctd\u003eRed LED turns on when post EQ (ST CH: or post Mic HA) signal reaches -3dB below clipping (17dBu).\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › USB Audio \/ USB IN\/OUT\u003c\/td\u003e\n\u003ctd\u003eSampling Frequency = 44.1kHz or 48kHz (depend on the application of PC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Power Supply Adapter\u003c\/td\u003e\n\u003ctd\u003ePA-30: AC 35VCT, 1.4A, Cable Length = 3.6m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Dimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e478 mm x 105 mm x 496 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Net Weight\u003c\/td\u003e\n\u003ctd\u003e5.5 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Internal Digital Effect\u003c\/td\u003e\n\u003ctd\u003e16 PROGRAM, PARAMETER control Foot Switch (Digital Effect, on\/off)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Power Consumption\u003c\/td\u003e\n\u003ctd\u003e35 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Options\u003c\/td\u003e\n\u003ctd\u003eFoot Switch (FC-5)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268733247743,"sku":"MG166CX-USB","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_7997669e-a438-4597-bf06-15541bfa789b.jpg?v=1790011483"},{"product_id":"01v96vcm","title":"Yamaha 01V96VCM Digital Mixing Console","description":"\u003cp\u003eThe 01V96VCM delivers the performance and reliability of Yamaha's acclaimed digital live sound and production consoles in a remarkably compact design that is perfect for home and professional applications where space is limited or maximum portability is required. It may be small but it can handle up to 40 inputs, and can be cascaded if more are required. And now, in addition to the many improvements that were implemented in the 01V96 Version 2, the 01V96VCM comes with a selection of Yamaha's unsurpassed VCM effects built in. Of course the entire console - effects included - features 24 bit\/96 kHz operation for ultimate resolution and sound quality that will satisfy the most demanding applications.\u003c\/p\u003e\u003ch3\u003eStill Small and Professional — Now with VCM Effects\u003c\/h3\u003e\u003cp\u003eThe 01V96VCM delivers the performance and reliability of Yamaha's acclaimed digital live sound and production consoles in a remarkably compact design that is perfect for home and professional applications where space is limited or maximum portability is required. It may be small but it can handle up to 40 inputs, and can be cascaded if more are required. And now, in addition to the many improvements that were implemented in the 01V96 Version 2, the 01V96VCM comes with a selection of Yamaha's unsurpassed VCM effects built in. Of course the entire console – effects included – features 24 bit\/96 kHz operation for ultimate resolution and sound quality that will satisfy the most demanding applications.\u003c\/p\u003e\u003ch3\u003ePrecise 24-bit\/96-kHz Audio and High-performance Head Amps\u003c\/h3\u003e\u003cp\u003eAdvanced custom DSP7 LSIs feature 32-bit internal processing (58-bit accumulator) at extremely high speed. Full functionality is provided when mixing all 40 channels at 96 kHz. All analog inputs and outputs – including the 16 microphone\/line inputs – employ precision 24-bit A\/D and D\/A converters for an outstanding 110-dB dynamic range. Top-performance head amplifiers provide precise, uncolored pre-amplification prior to A\/D conversion, and uncompromising Yamaha quality standards throughout make the 01V96 a worthy performer alongside other members of Yamaha's acclaimed production console lineup such as the DM2000, 02R96, and DM1000.\u003c\/p\u003e\u003ch3\u003e40-input 18-bus Mix Capacity at 96 kHz\u003c\/h3\u003e\u003cp\u003eAlthough it is a compact rack-size mixer, the 01V96 offers generous mixing capacity with up to 40 simultaneous inputs. All 40 input channels include four-band parametric EQ and up to 452 milliseconds of delay with variable feedback, while all channels except for stereo inputs 1 through 4 also provide a gate and compressor\/limiter. What's more, all of this functionality is available at 96 kHz. The output section also offers plenty of versatility with 18 buses: 8 group buses, 8 auxiliary buses, and a stereo bus. Group buses 1 through 8 also function as surround buses, and a Bus to Stereo function allows sound-reinforcement type sub-mixing. A \"Fix\" function automatically sets the auxiliary buses to nominal (0 dB) level, so they can be used as additional mix buses.\u003c\/p\u003e\u003ch3\u003eVersatile Connectivity and Expandability for a Wide Range of Applications\u003c\/h3\u003e\u003cp\u003eInputs 1 through 12 feature high-performance head amps that accept microphone and line-level sources, with 20-dB pads, -60 to -16 dB gain trim and balanced XLR and TRS phone jack connectors. Phantom power is switchable in 4-channel groups. Inputs 13 through 16 accept line-level sources via balanced TRS phone jacks, with trim adjustable from -20 to +10 dB as two stereo pairs or four independent mono channels. Analog outputs include the main stereo outs, stereo monitor outputs, a stereo 2-track output, four \"omni\" outputs, 12 channel insert outputs, and a phones output. All analog inputs and outputs employ precision 24-bit, 96-kHz converters. Digital I\/O is provided via 8-channel optical ADAT and coaxial 2-track inputs and outputs. The 01V96 also features an I\/O expansion slot that accepts Mini YGDAI (Yamaha General Digital Audio Interface) cards that support up to 16 additional channels of I\/O in analog or digital (AES\/EBU, ADAT, or TASCAM) format. The 01V96's inputs and outputs can be freely assigned via a flexible digital patching system that allows the console to be optimally configured for a wide range of music production and sound reinforcement applications, as well as installations.\u003c\/p\u003e\u003ch3\u003ePowerful Channel Functions with Flexible Control and Patching\u003c\/h3\u003e\u003cp\u003eAll 32 mono channels, the four stereo channels, eight group buses, eight auxiliary buses, and stereo bus feature powerful functions inherited from the DM2000 and 02R96. All mono channels include gate and compressor dynamics processing, while mono and stereo channels offer four-band parametric EQ, channel inserts, delay, surround and stereo panning, and phase. These same features with the sole exception of gating are also provided for the eight group and auxiliary buses as well as the stereo bus. Easy-access dedicated controllers are provided for EQ and panning. Control data is graphically displayed via an LCD screen, and can be saved in \"libraries\" for easy recall whenever recalled. All inputs, outputs, insert patch points, direct outputs, and effect sends and returns can be freely patched to configure the system as required via graphical on-screen \"digital patching\" displays: for example, you could patch one input to multiple channels, or assign the signal from one bus to multiple outputs.\u003c\/p\u003e\u003ch3\u003eFour Advanced Multi-effect Processors at 44.1\/48 kHz, or Two at 88.2\/96 kHz\u003c\/h3\u003e\u003cp\u003eIn 44.1\/48 kHz mode the 01V96 offers four high-performance stereo multi-effect processors that deliver the same quality as the effect processors provided on the DM2000, 02R96 and DM1000. A total of 44 presets include reverb, delay, chorus, and distortion programs. Original effect settings can be stored to any of 76 user library locations. The internal effects can be patched as send\/return or insert type effects.\u003c\/p\u003e\u003ch3\u003e01V96 Editor Software Supplied\u003c\/h3\u003e\u003cp\u003eThe 01V96 comes supplied with an advanced 01V96V2 Editor that runs on the Studio Manager application for Windows or Mac computers. The 01V96 connects to your computer via the TO HOST interface (USB), creating a production environment that goes beyond simple parameter viewers. The Console Window, Selected Channel Module, Patch Editor, Effect Editor, and Library Window can be accessed via the computer's expansive color display, and the main mixer functions can be edited offline. Memory management functions allow 01V96 data to be transferred to and from the computer where it can be managed and even shared via LAN or the Internet.\u003c\/p\u003e\u003ch3\u003eComprehensive Interface with Large LCD, 100-mm Motor Faders, and Dedicated Scene Memory Keys\u003c\/h3\u003e\u003cp\u003eA large 320 x 240 pixel LCD display clearly displays parameters and metering. 16 faders provide access to the console's 32 mono channels in two layers: 1 through 16 and 17 through 32. Add the stereo master and you have a total of 17 top-quality 100-millimeter motor faders. The bus and auxiliary faders are provided in a third layer, and a fourth \"remote\" layer is provided for external device control. The remote layer is user assignable, allowing you to place any desired combination of inputs and\/or buses in a single layer. The four stereo inputs have their own dedicated controls. Physical keys are provided for scene store and recall for fast, efficient scene management. Fade time can be individually specified for each channel, while recall safe can be specified for each channel and function. Your 01V96 data can even be managed on your personal computer using the supplied 01V96 Editor application.\u003c\/p\u003e\u003ch3\u003eVersatile Pairing and Grouping Functions Enhance Mixing Efficiency\u003c\/h3\u003e\u003cp\u003eIn addition to \"horizontal pairing\" of adjacent channels, the 01V96 allows \"vertical pairing\" of channels on different layers so that, for example, you can control up to 16 stereo sources from a single layer. Grouping functions include the familiar fader and mute grouping, as well as sophisticated EQ and dynamics grouping. The latter can be a great advantage when mixing surround sound.\u003c\/p\u003e\u003ch3\u003eI\/O Expansion Slot for Easy Expansion in a Variety of Formats\u003c\/h3\u003e\u003cp\u003eA Mini-YGDAI (Yamaha General Digital Audio Interface) expansion card slot supports up to 16 additional channels of digital I\/O in AES\/EBU, ADAT or TASCAM format, as well as a range of other interface cards including double-speed 96 kHz (AES\/EBU) digital I\/O cards, 96-kHz compatible AD\/DA cards, and a range of analog I\/O cards. The 01V96 expansion slot also accepts various YGDAI compatible cards available from third parties.\u003c\/p\u003e\u003ch3\u003eSophisticated DAW or Digital Recorder Integration\u003c\/h3\u003e\u003cp\u003eIn addition to its extensive stand-alone capabilities the 01V96 can integrate with your computer-based DAW (Digital Audio Workstation) or digital recorder to create an advanced digital production environment. The 01V96 can function as a physical controller for both recorder and mixer sections of your DAW. The standard library includes control compatibility with Digidesign Pro Tools® and Steinberg NUENDO® workstations, and the General DAW mode supports a range of other DAW systems. MIDI control tables can also be created to provide functionality with MIDI-compatible DAW systems.\u003c\/p\u003e\u003ch3\u003e01V96 Cascade Link and Other Advanced Capabilities\u003c\/h3\u003e\u003cp\u003eThe 01V96 Cascade Link function allows two 01V96 consoles to be connected to provide up to 80 input channels. The 01V96's light weight and compact rack-mountable size make it an unbeatable choice for a range of recording, live sound, and installed applications. A worthy member of the Yamaha digital production console lineup that includes the DM2000, 02R96 and DM1000, the 01V96 offers features and performance that are ideal for professional use. Important details include on-screen gain-reduction metering for dynamics processing, global recall safe, and password-protected console operation lock.\u003c\/p\u003e\u003ch3\u003eBuilt-in VCM Effects\u003c\/h3\u003e\u003cp\u003ePreviously available as \"add-on\" effect packages for top-line digital consoles, Yamaha's highly regarded VCM Channel Strip processors and REV-X reverb are now standard features on the 01V96VCM. These extraordinary effects are based on innovative Virtual Circuitry Modeling technology that actually models the original analog circuitry – right down to the last resistor and capacitor. VCM effects are capable of capturing subtleties that simple digital simulations cannot even approach, going beyond simple simulation and delivering the truly musical performance that makes classic analog gear invaluable even in today's digital production environment.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe 01V96VCM includes the Channel Strip package with COMP276, COMP260, and EQ601 effects that bring vintage analog compression and EQ to life in the digital domain. It also includes the same REV-X algorithm that is behind the unmatched performance of Yamaha's stand-alone SPX2000 signal processor, delivering the most natural reverb and ambience available anywhere.\u003c\/p\u003e\u003ch3\u003eChannel Strip\u003c\/h3\u003e\u003cp\u003eThis compressor and EQ effects faithfully captures the unique saturation effect of analog circuitry. Includes five models that employ VCM technology to recreate the sound and characteristics of classic compression and EQ units from the 70's. Fine-tuned by leading engineers, and featuring carefully selected parameters in a simple interface.\u003c\/p\u003e\u003ch3\u003eCompressor 276 (mono) \/ Compressor 276S (Stereo)\u003c\/h3\u003e\u003cp\u003eRecreate the fast response, frequency characteristics, and tube-amp saturation of the most in-demand analog compressors for studio use.\u003c\/p\u003e\u003ch3\u003eCompressor 260 (mono) \/ Compressor 260S (Stereo)\u003c\/h3\u003e\u003cp\u003eFeatures faithful modeling of the solid-state VCA and RMS detection circuitry of the late 70's for live sound reinforcement applications.\u003c\/p\u003e\u003ch3\u003eEqualizer 601\u003c\/h3\u003e\u003cp\u003eDelivers the unique characteristics of 70's analog EQ circuitry, featuring graphical editing capability on both the console and PC displays.\u003c\/p\u003e\u003ch3\u003eReverb\u003c\/h3\u003e\u003cp\u003eThese reverb effects employ the latest \"REV-X\" algorithms first introduced in Yamaha's SPX2000 Professional Multi Effect Processor. The REV-X programs feature the richest reverberation and smoothest decay available, based on years of dedicated research and development.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eREV-X Hall, REV-X Room, and REV-X Plate programs are provided, with new parameters such as room size and decay envelopes that offer unprecedented definition and finer nuance control.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe REV-X Hall and REV-X Room programs have a very open sound, while REV-X Plate delivers a brighter tonality that is ideal for vocals.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAll models deliver dense, warm reverb that does not interfere with the natural timbre of the source.\u003c\/p\u003e\u003ch3\u003eLearn more about...\u003c\/h3\u003e\u003cp\u003eBuilt-in Channel Strip (AE011) , Reverb (AE031), and optional ADD-ON EFFECTS such as Master Strip (AE021), Vintage Stomp (AE051)\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268733313279,"sku":"01V96VCM","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_24778c2c-6676-4c68-8cd3-f5d239dd937c.jpg?v=1790011483"},{"product_id":"rh5ma","title":"Yamaha RH5Ma Monitor Headphones","description":"\u003cp\u003eRH5MA monitor headphones are recognized by sound experts as superior monitoring headphones capable of producing extraordinarily accurate sound reproduction. These headphones are particularly proficient in the difficult low to mid-low frequencies and can flawlessly replicate even the most precise mix.\u003c\/p\u003e\u003ch3\u003eThe indisputable choice in headphones for the professionals of today\u003c\/h3\u003e\u003cp\u003eUnderstanding the ear is an instrument critically trained to demand perfection in sound reproduction, musicians know that high-quality headphoes are a vital component of any music system. Yamaha's complete headphone line utilizes the latest in technology, ergonomics, and sound quality for musical applications ranging from economy to professional level. From music creation to music reproduction, Yamaha audio equipment has been recognized as the industry standard for more than 30 years. Respected professionals depend on Yamaha to help them acnieve award-winning sound. Whether you are listening to music on-the-go or in the studio creating the next big hit, demand perfection. We do.\u003c\/p\u003e\u003ch3\u003eFeatures\u003c\/h3\u003e\u003cp\u003eRH5MA monitor headphones are recognized by sound experts as superior monitoring headphones capable of producing extraordinarily accurate sound reproduction. These headphones are particularly proficient in the difficult low to mid-low frequencies and can flawlessly replicate even the most precise mix.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize\/Weight › Dimensions › Code Length\u003c\/td\u003e\n\u003ctd\u003e8' oxygen-free copper cord\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize\/Weight › Weight › Weight\u003c\/td\u003e\n\u003ctd\u003e5.8 oz. without cord\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAmplifiers and Speakers › Speakers › Frequency Range\u003c\/td\u003e\n\u003ctd\u003e20 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAmplifiers and Speakers › Speakers › Nominal Impedance\u003c\/td\u003e\n\u003ctd\u003e32 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAmplifiers and Speakers › Speakers › Sensitivity\u003c\/td\u003e\n\u003ctd\u003e98 dB\/mW\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268733346047,"sku":"RH5Ma","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_7b7c0b6d-4831-459b-bc0e-11b9ebc910b2.jpg?v=1790011483"},{"product_id":"swp2-10smf","title":"Yamaha SWP2-10SMF L2 Switch","description":"\u003cp\u003eThe SWP2 series L2 switch is ideal for Dante 96kHz network systems. It features 10 etherCON ports and two single mode fiber opticalCON ports.\u003c\/p\u003e\u003cli\u003eetherCON Connectors: 4 front \/ 6 rear\u003c\/li\u003e\u003cli\u003eopticalCON Connectors: 2 front\u003c\/li\u003e\u003cli\u003eDimensions (WxHxD): 480 x 44 x 362 mm (18.9\" x 1.7\" x 14.2\")\u003c\/li\u003e\u003cli\u003eNet Weight: 4.6 kg (10.1 lbs)\u003c\/li\u003e\u003cli\u003eIn-build RADIUS server for advanced security management\u003c\/li\u003e\u003ch3\u003eDante Ready Switches with Visual Network Monitoring\u003c\/h3\u003e\u003cp\u003eComplex network switch setup that was previously better left to an IT technician can now be easily accomplished by anyone. A simple switch setting is all it takes to optimize SWP series network switches for Dante operation, and a dedicated computer application called Yamaha LAN Monitor provides “network visibility” for comprehensive monitoring and control.\u003c\/p\u003e\u003ch3\u003eDeveloped since 1995\u003c\/h3\u003e\u003cp\u003eYamaha entered the router business in 1995, and has grown to hold a significant share of Japan’s small to medium enterprise and SOHO network market. Yamaha gigabit L2 switches that could be linked to Yamaha routers\/firewalls were introduced in 2011, with features that significantly reduced the network setup, maintenance, and management workload.\u003c\/p\u003e\u003ch3\u003eSimple set up, comprehensive network monitoring and easy trouble shooting\u003c\/h3\u003e\u003cp\u003eSWP series has been designed specifically for sound installation and live sound networking, with simple DIP switch Dante optimization and comprehensive graphical interfacing via a computer application. The SWP2 series support 10 gigabit, allowing operation without fear of insufficient bandwidth even on a Dante network that is set to a sampling frequency of 96kHz. SWP2 series network switches were born out of a desire to give our customers easier solutions that they could operate with confidence, without the need for any special networking know-how.\u003c\/p\u003e\u003ch3\u003eA refined Yamaha solution\u003c\/h3\u003e\u003cp\u003eYamaha Pro Audio is known around the globe as a provider of innovative, top-quality solutions for the sound industry. The Yamaha lineup includes a number of world-standard mixing consoles, signal processors incorporating industry-leading DSP technology, power amplifiers based on energy-efficient drive technology, and an extensive range of speakers suitable for everything from live sound to commercial installations. SWP series network switches are a solution the pro audio market has been waiting for, offering an ideal a balance of IT and pro audio know-how that only Yamaha could provide.\u003c\/p\u003e\u003ch3\u003eDIP Switch Dante Optimization\u003c\/h3\u003e\u003cp\u003eSimple Dante networks are not difficult to set up and operate, but as network complexity grows the switches used need to be optimized for Dante operation in order to achieve maximum stability. Setting up QoS, IGMP Snooping, and other parameters on an intelligent switch can be a complex task, requiring specialized knowledge that is more the domain of IT technicians than audio engineers. The SWP2 series allows a Dante optimized setup to be recalled by simply flipping one DIP switch. No expertise or training is required.\u003c\/p\u003e\u003ch3\u003e3 Preset VLAN Types\u003c\/h3\u003e\u003cp\u003eA truly efficient network should be able to handle multiple services simultaneously: Dante communication, StageMix and other smart device functions, computer software that allows digital mixer or power amplifier control, and perhaps more. But the more communication you combine on one network, the greater the chance for interference and problems. The use of virtual VLAN domains to isolate the various types of data is the ideal solution, but this type of setup also requires some IT expertise. The SWP2 series includes three VLAN presets that can be simply selected via a DIP switch. There’s also a USER mode that allows fully customized VLAN setup.\u003c\/p\u003e\u003ch3\u003eetherCON Connectors for Live Sound Reliability\u003c\/h3\u003e\u003cp\u003eReliability is essential in live sound applications. Nothing can be allowed to interrupt the show. Conventional network switches usually have RJ45 connectors to match the connectors on the computers to which they will be connected, but the SWP series features durable, reliable etherCON connectors that are directly compatible with the etherCON connectors on Yamaha CL\/QL series consoles and other Dante capable devices.\u003c\/p\u003e\u003ch3\u003e10G uplink Optical Fiber, Network Redundancy Support\u003c\/h3\u003e\u003cp\u003eThe SWP2 series equips the 10G uplink optical ports, allowing operation without fear of insufficient bandwidth even on a Dante network that is set to a sampling frequency of 96 kHz. It is a scalable solution that grows with a 96kHz Dante network system. The SWP2-10MMF includes multi-mode fiber capable opticalCON connectors and SWP2-10SMF includes single-mode fiber capable opticalCON connectors. Both multi and single-mode models allow for longer distance transmission. MMF models allow transmission over distance of up to 300 meters and SMF model allows transmission over distance of up to 10 kilometers. SWP2 series can be added to allow two optical fiber cables to be run for redundant connection. Spanning tree protocol (MSTP) is also supported for redundant connections.\u003c\/p\u003e\u003ch3\u003eIntelligent Security Management\u003c\/h3\u003e\u003cp\u003eAugmenting the VLAN functionality included in the SWP2 series is built-in RADIUS server function. By setting up one switch as a RADIUS server and linking other switches to it, unauthorized network access can be effectively blocked for enhanced security, even in complex large-scale installations. Device authentication can be set up quickly and easily via a web-based GUI.\u003c\/p\u003e\u003cli\u003eWeb GUI (SWP2 Technical Data)\u003c\/li\u003e\u003ch3\u003eEXT DC INPUT for Power Supply Redundancy\u003c\/h3\u003e\u003cp\u003eSWP series switches include an XLR-4-32 type EXT DC INPUT connector in addition to the standard AC IN connector. +24V DC supplied to the EXT DC INPUT connector provides redundant power that can keep the device running if a problem occurs in the AC supply. For further reliability the AC connector is a locking type (V-Lock) that minimizes the possibility of accidental disconnection.\u003c\/p\u003e\u003cp\u003eEffective Dante network management hinges on a range of parameters such as network traffic, switch status, and individual Dante device information. The dedicated Yamaha LAN Monitor application provides a comprehensive single-screen view of all necessary parameters when used with SWP\/SWR series switches. We refer to this type of graphical overview as “network visbility.” You can even take a snapshot of the normal network status and set an alarm to warn you if any of the parameters changes, so that problems can be identified and resolved quickly and easily. The Dante Controller application can also be launched from the Yamaha LAN Monitor with a single click, providing a total Dante network solution on a single computer.\u003c\/p\u003e\u003cli\u003eClick here for more Yamaha LAN Monitor information.\u003c\/li\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Number of LAN ports (1000BASE-T\/100BASE-TX\/10BASE-T, etherCON connector)\u003c\/td\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Number of SFP+ ports (10GBASE-SR, opticalCON DUO connector)\u003c\/td\u003e\n\u003ctd\u003e0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Number of SFP+ ports (10GBASE-LR, opticalCON DUO connector)\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Console port\u003c\/td\u003e\n\u003ctd\u003e1 (RJ-45)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Automatic negotiation\u003c\/td\u003e\n\u003ctd\u003eAvailable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Auto MDI\/MDI-X\u003c\/td\u003e\n\u003ctd\u003eAvailable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › DIP switches\u003c\/td\u003e\n\u003ctd\u003eCONFIG, VLAN PRESET\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Indicators\u003c\/td\u003e\n\u003ctd\u003eFront: POWER, LED MODE×4, PORT×10×2*, SFP+ ×2×2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Operating temperature\u003c\/td\u003e\n\u003ctd\u003e0 to 40°C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Storage temperature\u003c\/td\u003e\n\u003ctd\u003e-20 to 60°C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power supply (AC IN inlet)\u003c\/td\u003e\n\u003ctd\u003eAC100V-240V, 50\/60Hz, Internal power supply (no power switch), Power supply inlet: locking type\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power supply (EXT DC INPUT inlet)\u003c\/td\u003e\n\u003ctd\u003e24VDC±2V, 0.78A, XLR-4-32 type Connector\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum power consumption\u003c\/td\u003e\n\u003ctd\u003e21W, 0.35A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Heat dissipation\u003c\/td\u003e\n\u003ctd\u003e18.5 kcal\/h\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Body material\u003c\/td\u003e\n\u003ctd\u003eMetal case, no fan\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hazardous substances management\u003c\/td\u003e\n\u003ctd\u003eRoHS compliant\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e18.9\" \/ 480mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e1.7\" \/ 44mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e14.3\" \/ 362 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Weight\u003c\/td\u003e\n\u003ctd\u003e9.9 lbs \/ 4.5 kg (excluding accessories)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003ePower cord, Owner's manual\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Options\u003c\/td\u003e\n\u003ctd\u003ePA-700 (AC adaptor)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268733378815,"sku":"SWP2-10SMF","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_2fa4cc87-88d0-4de1-9716-b668b06f7c9c.png?v=1790011485"},{"product_id":"hph-mt7w","title":"Yamaha HPH-MT7W Studio Monitor Headphones","description":"\u003cp\u003eHigh-resolution monitor headphones that reproduce even the most subtle nuances of the source sound. In addition to mixing and recording in the studio, the HPH-MT7W headphones are perfect for mix monitoring in live performance applications thanks to their high sound pressure levels and durability.\u003c\/p\u003e\u003cli\u003e40 mm custom drivers with CCAW voice coils deliver a broad frequency range and accurate response\u003c\/li\u003e\u003cli\u003eClosed-back, circumaural design for excellent isolation\u003c\/li\u003e\u003cli\u003eSmooth synthetic leather and large low-resistance cushions ensure stress-free wearability and high levels of isolation\u003c\/li\u003e\u003cli\u003eThree-dimensional arm pivot construction and adjustable slider length alleviate fatigue when working for extended periods\u003c\/li\u003e\u003cli\u003eMoveable earcups allow single-ear monitoring\u003c\/li\u003e\u003cli\u003eThick ABS housing and rigid die-cast aluminum support-arms for use in the toughest working environments\u003c\/li\u003e\u003cli\u003eStraight 3 m cable suitable for use in a wide variety of applications *6.3 mm diameter standard stereo plug adaptor included\u003c\/li\u003e\u003cli\u003eConvenient carrying bag included\u003c\/li\u003e\u003ch3\u003eA LEGEND TRANSFORMED\u003c\/h3\u003e\u003cp\u003eIt takes a true original to become an industry standard, and since their inception Yamaha’s NS-10M studio monitor speakers have become a mainstay of professional studios the world over, renowned for their legendary accuracy. From the NS-10M to the MSP and HS Series, Yamaha has remained faithful to a design philosophy focused on delivering the sonic accuracy that provides sound professionals with the perfect platform upon which to develop and establish their own signature sound. MT Series studio monitor headphones remain true to this fundamental concept, delivering precision sound reproduction that meets the demanding requirements of today’s professional studio and monitoring applications.\u003c\/p\u003e\u003cp\u003eWith unmatched fidelity in a sturdy yet stylish design, and the durability to hold up to the rigors of the road, Yamaha’s MT Series headphones offer a level of comfort you’ll be thankful for after long hours in a critical listening environment.\u003c\/p\u003e\u003cp\u003eHPH-MT7W headphones are designed to deliver flat, high-resolution sound with precise stereo imaging at any sound pressure level, and to faithfully reproduce every nuance of the source signal with the highest level of accuracy possible. Yamaha has applied decades of accrued knowledge and expertise in professional and high-end audio equipment manufacturing to the design of each and every acoustic component in these headphones.\u003c\/p\u003e\u003ch3\u003eDrivers\u003c\/h3\u003e\u003cp\u003eMT7 headphones feature custom drivers equipped with CCAW voice coils and powerful neodymium magnets to achieve precise definition and control. Made from aluminum wire coated in highly conductive copper, these lightweight yet powerful drivers provide a broad frequency response of 15 Hz-25 kHz, and deliver flat, ultra high-resolution sound that meets the demands of modern professional monitoring.\u003c\/p\u003e\u003ch3\u003eOther acoustic components\u003c\/h3\u003e\u003cp\u003eFrom the arms to the earcups, all acoustic components in MT7 headphones have been designed to deliver the most accurate sound possible by completely eliminating extraneous resonance.\u003c\/p\u003e\u003cp\u003eFor professional audio engineers who perform critical listening and studio recording, it is important that their headphones fit in a way that prevents fatigue during extended listening sessions, and isolation that allows concentration while working. HPH-MT7W headphones provide superb comfort and isolation, and are specifically designed to meet the high standards of professional users.\u003c\/p\u003e\u003ch3\u003eDesign\u003c\/h3\u003e\u003cp\u003eMT7 headphones feature a sleek, stylish design with a closed-back, circumaural configuration that provides a comfortable fit and excellent isolation.\u003c\/p\u003e\u003ch3\u003eEar pads\u003c\/h3\u003e\u003cp\u003eMT7 headphones are equipped with large ear pads for an extremely comfortable fit. Smooth synthetic leather and low-resistance cushions that absorb excess vibrations provide stress-free wearability and high levels of isolation—ideal for studio recording and live mix monitoring situations in particular, where sound leakage is a concern.\u003c\/p\u003e\u003ch3\u003eWearability\u003c\/h3\u003e\u003cp\u003eA three-dimensional arm pivot construction and highly adjustable slider length allows the angle of the ear pads to fit the shape of the wearer’s head perfectly, helping to alleviate fatigue when working for extended periods. MT7 headphones also feature moveable earcups, allowing single-ear monitoring when required.\u003c\/p\u003e\u003cp\u003eBuilt for professional use, HPH-MT7W headphones feature a sleek, simple construction with the durability to withstand the rigors of road travel. Whether you’re recording or mixing in the studio, doing live sound for an outdoor gig, or even checking tracks on the move, the MT7 headphones are a flexible monitoring solution for the professional user.\u003c\/p\u003e\u003ch3\u003eHousing, support-arms and headband\u003c\/h3\u003e\u003cp\u003eEach component in the MT7 headphones has been developed with durability in mind. The solid ABS housing, die-cast aluminum support-arms, and sweat-resistant headband ensure that these headphones are able to endure extended use in any working environment.\u003c\/p\u003e\u003ch3\u003eConnectivity\u003c\/h3\u003e\u003cp\u003eMT7 headphones have been designed to make users aware of the cable without being hindered by it, while providing enough length for monitoring applications where mobility is a consideration. For added versatility, the straight, lightweight 3 meter cable comes equipped with a corrosion-resistant gold-plated stereo mini-plug and a gold-plated 6.3 mm stereo adaptor, allowing MT7 headphones to be used with both professional audio gear and portable audio players.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Type\u003c\/td\u003e\n\u003ctd\u003eClosed-back, Circumaural (Over Ear)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency Response\u003c\/td\u003e\n\u003ctd\u003e15 Hz - 25 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sensitivity (SPL)\u003c\/td\u003e\n\u003ctd\u003e99 dB\/mW\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum Input Power\u003c\/td\u003e\n\u003ctd\u003e1600 mW (at 1kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Impedance\u003c\/td\u003e\n\u003ctd\u003e49 Ω (at 1kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Driver Unit\u003c\/td\u003e\n\u003ctd\u003e40 mm, Dynamic, CCAW Voice Coil\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Cable\u003c\/td\u003e\n\u003ctd\u003e3.0 m (9.8 ft), straight\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Connector\u003c\/td\u003e\n\u003ctd\u003e3.5 mm (1\/8”) stereo with 6.3 mm (1\/4”) stereo adaptor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e170 x 195 x 98 mm (6.7\" x 7.7\" x 3.9\") (Without cable\u0026amp;plug)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Weight\u003c\/td\u003e\n\u003ctd\u003e360 g (0.8 lbs) (With cable\u0026amp;plug)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eThreaded 6.3 mm (1\/4\") gold-plated adaptor, Padded carrying bag\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268733411583,"sku":"HPH-MT7W","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_1bc1b52c-2d4e-482e-8e93-43d39e742243.jpg?v=1790011484"},{"product_id":"mg16x","title":"Yamaha MG16X Mixing Console","description":"\u003cli\u003e16-Channel Mixing Console\u003c\/li\u003e\u003cli\u003eMax. 10 Mic \/ 16 Line Inputs (8 mono + 4 stereo)\u003c\/li\u003e\u003cli\u003e4 GROUP Buses + 1 Stereo Bus\u003c\/li\u003e\u003cli\u003e4 AUX (incl. FX)\u003c\/li\u003e\u003cli\u003e“D-PRE” mic preamps with an inverted Darlington circuit\u003c\/li\u003e\u003cli\u003e1-Knob compressors\u003c\/li\u003e\u003cli\u003eHigh-grade effects: SPX with 24 programs\u003c\/li\u003e\u003cli\u003ePAD switch on mono inputs\u003c\/li\u003e\u003cli\u003e+48V phantom power\u003c\/li\u003e\u003cli\u003eXLR balanced outputs\u003c\/li\u003e\u003cli\u003eInternal universal power supply for world-wide use\u003c\/li\u003e\u003cli\u003eRack Mount Kit Included\u003c\/li\u003e\u003cli\u003eMetal chassis\u003c\/li\u003e\u003cli\u003eDimensions(W×H×D): 444 mm x 130 mm x 500 mm (17.5\" x 5.1\" x 19.7\")\u003c\/li\u003e\u003cli\u003eNet Weight: 6.8 kg (15.0 lbs.)\u003c\/li\u003e\u003ch3\u003eRoad Tough. Studio Ready.\u003c\/h3\u003e\u003cp\u003eFor more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.\u003c\/p\u003e\u003cp\u003eWith an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.\u003c\/p\u003e\u003ch3\u003eFeatured models: MG16X \/ MG12X \/ MG10X\u003c\/h3\u003e\u003cp\u003eJust like the XU models, SPX digital effects are included on these three X models. Excellent for portable use, but also great when installed in conference rooms, banquet halls and weddings, where users can have wide choice of effects to enhance their sound. Stylish grey color improves visual identification.\u003c\/p\u003e\u003ch3\u003eHead of the class\u003c\/h3\u003e\u003cp\u003eYamaha has always strived to provide sound engineers with the purest possible signal instead of added processing or color to give it a \"signature\" sound, and the MG Series is no exception. Embracing this philosophy of transparent sound, these mixing consoles deliver a level of sonic purity and sound quality that is unmatched in their class.\u003c\/p\u003e\u003ch3\u003eD-PRE (Discrete Class-A Mic Preamps)\u003c\/h3\u003e\u003cp\u003eThis is where it all starts. Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound. Having such a pure sonic platform to build on will ultimately save you time and effort by eliminating the need for excessive EQing or additional effects processing in order to \"fix\" your mix.\u003c\/p\u003e\u003ch3\u003eHigh Quality Sound Op-amp\u003c\/h3\u003e\u003cp\u003eThe head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first. MG01 op-amps feature redesigned circuitry in which even the internal components and wiring have been optimized, and use materials such as high-quality silicon wafers and copper wire to achieve superb resolution.\u003c\/p\u003e\u003ch3\u003eSwitchable Phantom Power \u0026amp; PAD Switch\u003c\/h3\u003e\u003cp\u003eWith phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany mic'ed instruments during performance, avoiding the clipping that can seriously affect your mix.\u003c\/p\u003e\u003ch3\u003eOur mixer. Your sound.\u003c\/h3\u003e\u003cp\u003eWhen was the last time you heard guitar without EQ or a completely unprocessed vocal on one of your favorite songs? Probably never. Yamaha mixers are famous for their flat response and sonic purity, but it often takes more than a perfectly-captured instrumental performance or vocal to achieve a professional-sounding mix. Equipped with some of the same state-of-the-art functionality featured on Yamaha’s high-end consoles, the MG Series gives you the tools you need to produce high quality sound that is uniquely your own.\u003c\/p\u003e\u003ch3\u003e1-knob Compressors\u003c\/h3\u003e\u003cp\u003eCompression plays an essential role in just about any recording or sound reinforcement environment by altering the level of dynamics of an audio signal when you need livelier guitars, punchier bass lines, a tighter snare, or a cleaner vocal sound. However, it can take countless hours to master the complexities of even the most basic outboard compression units and use them effectively. Originally a Yamaha innovation, 1-knob compressors are now an industry standard that gives you instant access to optimized compression settings via a single rotary control.\u003c\/p\u003e\u003ch3\u003eEQ and High-pass Filters\u003c\/h3\u003e\u003cp\u003eThere's nothing more useful than reliable equalization when you need nuanced management of your tone. The MG Series benefits from Yamaha's unparalleled experience in designing pro audio gear, featuring 3-band equalizers on all mono channels for precise control of your sound. High-pass filters allows you to eliminate unwanted low-frequency noise, for a smoother, cleaner mix.\u003c\/p\u003e\u003ch3\u003eAUX \/ Effect Sends \/ Group\u003c\/h3\u003e\u003cp\u003eMG Series mixers feature AUX sends for expanding your sound reinforcement or recording setup, allowing you accommodate additional effects, output to external recording devices, or feed a monitoring system. (except for MG06 \/ 06X) Master send controls are also provided. The MG06 \/ 06X, MG10 \/ 10X \/ 10XU \/ 10XUF and MG12XUK have a single stereo bus. All other models additionally feature one or two stereo group buses and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.\u003c\/p\u003e\u003ch3\u003eA variety of input \/ output connectors\u003c\/h3\u003e\u003cp\u003eAll models feature high-quality Neutrik™ balanced XLR connectors on mono microphone\/line channels and XLR equipped stereo channels. Each of the mono inputs is equipped with combo jack and accepts both MIC and LINE level signals. Two of the stereo inputs are equipped with XLR and two phone connectors with XLR accepting MIC level signals while two phone connectors accepting LINE level signals and can be used either mono or stereo. (except for MG10 \/ 10X \/ 10XU \/ 10XUF \/ 12XUK) The function of the additional two stereo channels vary depending on model: With MG20 \/ 20XU, XLR accepts MIC level signal and two RCA connectors accepts LINE level signals and can be used either mono or stereo. With MG12 \/ 12X \/ 12XU and MG16 \/ 16X \/ 16XU, two phone connectors accept LINE level signals as stereo. Additionally, each of the stereo channel features 2TR in (RCA connectors) and can be used as independent input from external audio sources such as CDs. MG10 \/ 10X \/ 10XU \/ 10XUF and MG12XUK are equipped with an additional stereo channel with a pair of phone jacks that accepts LINE levels. With XU models, any incoming source that are sent via USB can be assigned to one of the stereo channel. In addition to the main stereo outputs (XLR L\/R, TRS phone L\/R), MG Series mixing consoles are equipped with a comprehensive suite of output connectors, including GROUP OUT (TRS phone), AUX\/FX OUT (TRS phone), MONITOR OUT (TRS phone L\/R), and HEADPHONE OUT (stereo phone) connectors, allowing master outputs to be chosen to suit specific applications such as monitoring or mastering.\u003c\/p\u003e\u003ch3\u003eLED level metering\u003c\/h3\u003e\u003cp\u003eEasy-to-read LED level metering allows output levels to be monitored with precision.\u003c\/p\u003e\u003ch3\u003eBuilt-in SPX Digital Effects\u003c\/h3\u003e\u003cp\u003eFor musical and non-musical applications alike, effects processing adds polish and professionalism to the mix. The MG X \/ XU models feature Yamaha’s acclaimed SPX digital multi-effect processor, offering a comprehensive suite of 24 editable digital effects perfect for enhancing your mix, whether adding depth to a speaking engagement or breathing new color and atmosphere into a live band performance. In particular, the high-quality reverb and delay expand the spatial quality of the sound with remarkable realism and naturalness. You can even connect an optional FC5 foot switch for effect on \/ off control. (MG10X \/ 10XU \/ 10XUF \/ 12X \/ 12XU \/ 12XUK \/ 16X \/ 16XU \/ 20XU)\u003c\/p\u003e\u003cp\u003e* MG06X features six SPX effects (REVERB HALL \/ ROOM \/ PLATE, DELAY SHORT \/ LONG \/ VO.ECHO), which are not editable.\u003c\/p\u003e\u003ch3\u003eBuilt to last\u003c\/h3\u003e\u003cp\u003eFor gigging, recording, and installed applications alike, your console can be subjected to a wide range of environmental conditions and hazards. Excessive humidity, unstable power supplies, and the rigors of road travel in general can take a serious toll on a mixing console, often causing expensive, time-consuming repairs, and reducing its lifespan. The MG Series has been redesigned with an emphasis on durability, incorporating practical features that offer greater flexibility while ensuring peak performance for many years to come.\u003c\/p\u003e\u003ch3\u003eMetal Chassis\u003c\/h3\u003e\u003cp\u003eBuilt to last, MG Series mixers feature a rugged, impact-resistant, powder-coated metal chassis, offering an unrivalled level of durability. With a sleek design contoured for optimal convection cooling, the internal layout separates the power supply from the analog circuitry for superior noise reduction, and further extends the life of the components inside. To further ensure reliable performance, knob control placement above the surface of the chassis diverts any impact or pressure on the knobs to the chassis itself and not the circuit board or components underneath.\u003c\/p\u003e\u003ch3\u003eInternal Universal Power Supply\u003c\/h3\u003e\u003cp\u003eThanks to a highly-efficient internal universal power supply, MG Series consoles offer worry-free operation in any region around the globe—even in environments prone to potentially damaging power fluctuations. An internal power supply also simplifies rack mounting of the console for installed applications, eliminating the need for a bulky adapter or additional connections.(* MG12 \/ 16 \/ 20 \/ 12X \/ 16X \/ 12XU \/ 16XU \/ 20XU)\u003c\/p\u003e\u003ch3\u003eRack Mount Kit Included\u003c\/h3\u003e\u003cp\u003eEasily adaptable to a diverse range of installed and portable applications, the 16- and 20- channel models of the MG Series included rack ears, giving you the option of a rack-mounted or desk-top configuration. Extremely durable, their sleek design makes safe, stable placement of your console hassle-free, keeping setup time and effort to a minimum. (MG16 \/ 20 \/ 16X \/ 16XU \/ 20XU)\u003c\/p\u003e\u003cp\u003e- Optional Rackmount kit \"RK-MG12\" available for MG12 \/ 12X \/ MG12XU.\u003c\/p\u003e\u003cp\u003e- Optional Mic stand Adapter \"BMS10-A\" available for MG06 \/ 06X \/ 10 \/ 10X \/ 10XU.\u003c\/p\u003e\u003ch3\u003eXLR connector\u003c\/h3\u003e\u003cp\u003eThe main stereo outputs feature XLR type connectors that lock to prevent accidental disconnection. Rugged and dependable, these professional connectors ensure providing stable signal transmission even in the most demanding environments.\u003c\/p\u003e\u003ch3\u003eCreate, record… listen\u003c\/h3\u003e\u003cp\u003eThe MG Series features the same digital connectivity that is used to streamline the recording process on Yamaha’s professional-level mixing consoles. Take advantage of state-of-the-art digital technology that makes it easier than ever to plug-in, play, record, and then listen to your creations.\u003c\/p\u003e\u003ch3\u003e24-bit \/192kHz 2-in\/2-out USB Audio Interface Function\u003c\/h3\u003e\u003cp\u003eMG Series mixing consoles feature flexible digital connectivity for quick and easy high resolution playback of digital content. Simply connect to your PC via USB, or to your iPhone \/ iPad (2 or later) using Apple's Camera Connection Kit \/ Lightning to USB Camera Adapter. The USB protocol uses asynchronous data transfer. Audio data is transferred based on highly precise audio clock signal from the MG, for high quality recording and playback.\u003c\/p\u003e\u003ch3\u003eCubase AI\u003c\/h3\u003e\u003cp\u003eMG XU models are bundled with downloadable Steinberg’s Cubase AI software. As one of the most advanced, comprehensive DAW suites available, Steinberg's Cubase has led the charge, providing users with a powerful and flexible platform for music production. Cubase AI offers these same core technologies and interface that have won Cubase worldwide acclaim.\u003c\/p\u003e\u003cp\u003e(* MG10XU MG12XU MG16XU MG20XU)\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › On-board processors\u003c\/td\u003e\n\u003ctd\u003eSPX algorithm: 24 programs, PARAMETER control:1, FOOT SW:1 (FX RTN CH on\/off)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Phantom power\u003c\/td\u003e\n\u003ctd\u003e+48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Mono[MIC\/LINE]\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Mono\/Stereo[MIC\/LINE]\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Stereo[LINE]\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › STEREO OUT\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › MONITOR OUT\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › PHONES\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › AUX SEND\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › GROUP OUT\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Bus\u003c\/td\u003e\n\u003ctd\u003eStereo: 1, GROUP: 4, AUX: 4 (incl. FX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › PAD\u003c\/td\u003e\n\u003ctd\u003e26 dB (Mono)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › HPF\u003c\/td\u003e\n\u003ctd\u003e80 Hz, 12 dB\/oct (Mono\/Stereo: MIC only)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › COMP\u003c\/td\u003e\n\u003ctd\u003e1-knob compressor (Gain\/Threshold\/Ratio) Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB Attack time: approx. 25 msec, Release time: approx. 300 msec\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ HIGH\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: 10 kHz shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ MID\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: Mono 250 Hz – 5 kHz peaking, Stereo 2.5 kHz peaking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ LOW\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: 100 Hz shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › PEAK LED\u003c\/td\u003e\n\u003ctd\u003eLED turns on when post EQ signal reaches 3 dB below clipping\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › Level Meter\u003c\/td\u003e\n\u003ctd\u003e2x12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003e0.03 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.005 % @ +24dBu (1kHz), GAIN knob: Min\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003e+0.5 dB\/-1.5 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e-128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e-102 dBu (STEREO OUT, STEREO master fader: Min)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-78 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003eAC 100 – 240 V, 50 \/ 60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e30 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e444 mm (17.5\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e130 mm (5.1\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e500 mm (19.7\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e6.8 kg (15.0 lbs.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eIncluded Accessory: Owner’s Manual, Technical Specifications, AC power cord, Rack-mount kit, Optional Accessory: Foot Switch FC5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eOperating Temperature: 0 to +40˚C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268733444351,"sku":"MG16X","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_220c8ab3-4643-4ea5-ac79-4a48553b5746.jpg?v=1790011484"},{"product_id":"rivage-pm10","title":"Yamaha RIVAGE PM10 Audio Mixer","description":"\u003cp\u003eIn terms of sound quality, operation, functionality, reliability, expandability, and more, the RIVAGE PM10 is a thoroughly refined flagship that defines the direction for future generations.\u003c\/p\u003e\u003ch3\u003ePerfecting the Art of Live Sound\u003c\/h3\u003e\u003cp\u003eAll art, including art that involves sound and music, is expression that has an impact on the viewer or listener. It often begins with the artist’s personal journey of self-discovery that sometimes grows and ripples outward in waves that resonate with people everywhere.\u003c\/p\u003e\u003cp\u003eYamaha supports the engineers who support artists and performers in their quest to make waves, carrying their vision to a wider audience.\u003c\/p\u003e\u003ch3\u003eAn All-embracing Ecosystem\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM series includes five consoles, two DSP engines, two I\/O rack units, and two network protocols. Any of these components can be combined to create systems that match a wide range of application scale and budget requirements.\u003c\/p\u003e\u003cp\u003eAll five consoles feature a similar interface with up to three bays of 12 faders each, touch-sensitive display panels, and the Yamaha Selected Channel Section. Engineers who are familiar with one RIVAGE PM console can easily switch to any other and be up and running in a matter of minutes.\u003c\/p\u003e\u003cp\u003eAll RIVAGE PM system components are compatible, and components from earlier systems will work in combination with later systems. That goes for I\/O racks as well as DSP engines, so in addition to operating them separately you can combine DSP engines in mirrored configurations for large applications, for example.\u003c\/p\u003e\u003cp\u003e* The RIVAGE PM7 (CSD-R7) features integrated DSP processing.\u003c\/p\u003e\u003cp\u003eTo fully support the sound engineers who support the artists and performers, Yamaha makes absolutely no compromises when it comes to quality. Sound, operability, and reliability must all be first class, and implemented in a way that allows engineers to concentrate fully on helping artists and performers deliver their message. The RIVAGE PM series embodies this ideal at the highest level, connecting technology, art, and audiences with waves that encircle the world.\u003c\/p\u003e\u003ch3\u003eFunctional Specifications\u003c\/h3\u003e\u003cli\u003eFor More Information\u003c\/li\u003e\u003cp\u003eThe ideal starting point for creative audio engineering is transparent, uncolored sound. All Yamaha mixers are built on that philosophy, with the goal of allowing engineers to capture the on-stage sound accurately, without coloration, and then adding creative touches as required. The merits of unwavering adherence to this concept by Yamaha are evident throughout the RIVAGE PM series.\u003c\/p\u003e\u003cp\u003eThe foundation is Hybrid Microphone Preamplifiers with analog input stages that take the Yamaha “natural sound” concept to new heights, as well as digital sections with immaculate VCM-technology models of Rupert Neve Designs transformer and SILK processing circuitry that offer outstanding musicality and atmosphere. Add the latest refinements in channel EQ and dynamics, and you have extraordinary creative scope.\u003c\/p\u003e\u003cp\u003eThe built-in plug-ins that support creative sound engineering have also evolved, many through close alliances with other manufacturers that are leaders in their respective fields. Collaboration with RND (Rupert Neve Designs) and the use of Yamaha VCM technology has resulted in flawless recreations of prized equalizers and compressors from the 70s and 80s. There are also impeccable models of Eventide harmonizer and reverb effects that could only have been created through cooperation with the original manufacturer.\u003c\/p\u003e\u003cp\u003eAll of this has been implemented in the RIVAGE PM series to give engineers the tools they need to deliver the highest quality, most musical sound possible.\u003c\/p\u003e\u003ch3\u003eTwo Types of I\/O\u003c\/h3\u003e\u003cp\u003eInput circuitry and processing are critical to achieving a high level of sonic quality. The output end of the signal chain plays an important role in maintaining that quality too. Yamaha offers two types of high-performance I\/O Rack units for RIVAGE PM system input and output, each providing compatibility with a different audio network.\u003c\/p\u003e\u003cp\u003eOne of those networks is TWINLANe, capable of carrying up to 400 audio channels via optical cable. The RPio622 and RPio222 I\/O racks are TWINLANe devices, as are the HY256-TL and HY256-TL-SMF audio interface cards. The RPio622 and RPio222 I\/O racks include Hybrid Microphone Preamplifiers with high-performance analog input stages, plus advanced digital sections that include accurate emulations of Rupert Neve Designs transformer and SILK processing circuitry.\u003c\/p\u003e\u003cp\u003eAudinate Dante network compatibility, a standard feature in many other Yamaha consoles and pro audio products, is also available. The Rio3224-D2 and Rio1608-D2 I\/O Racks and the HY144-D audio interface card are Dante ready, and can be combined to provide natural sound input with any RIVAGE PM series system. Either network solution is capable of capturing the sound being created on stage, without coloration and with every nuance intact, allowing the engineer to use the creative capabilities of the RIVAGE PM series to reach the audience with maximum impact.\u003c\/p\u003e\u003ch3\u003eChannel EQ and Compression Refined to Unprecedented Levels\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM channel EQ and dynamics have also been significantly updated and fine-tuned to match the innovations in the input section. The input channels feature 4-band full parametric EQ, while the output channels are equipped with 8-band full parametric EQ, with 4 algorithm types that include newly developed variations. The “Precise” algorithm makes it easy to target and control specific EQ points, the “Aggressive” algorithm is designed for the most musical response, and the “Smooth” algorithm offers smooth, natural control. There’s also a “Legacy” algorithm that provides the familiar feel and response of the equalizers provided in industry-standard Yamaha digital consoles such as the PM1D and PM5D. The “Precise” algorithm includes Q parameters on the low and high shelving filters that allow filter overshoot to be flexibly controlled for added musical impact. Two dynamics stages are provided, each functioning as a gate, two types of compressor, ducker, or de-esser as required. The two compressor types are “Legacy Comp,” inheriting the characteristics of the standard compressors in Yamaha digital consoles, and “Comp260,” which is a beautiful VCM model of a popular analog comp\/limiter from the mid 70s. The latter accurately models the characteristics of the VCA circuit and RMS level detector used in the original device, with the effect of each parameter fine-tuned for optimum effect in live-sound applications. Presets that recreate the original fixed settings of this classic comp\/limiter are also provided for convenience in situations that require the original sound.\u003c\/p\u003e\u003cp\u003eProcessing quality has always been a major strength of Yamaha digital consoles. The RIVAGE PM series offers a comprehensive selection of plug-ins, including models of in-demand classics. The RIVAGE PM series includes over 50 plug-ins, and ample processing power allows up to 256* instances of complex plug-ins such as the Portico 5033 or Portico 5043 to be used simultaneously. There are also the Eventide H3000 Ultra-Harmonizer and a new SP2016 reverb with a large selection of presets, Dan Dugan automatic microphone mixing, and more. These contributions from distinguished third parties complement a range of original Yamaha plug-ins, adding extraordinary versatility and processing power that give the engineer wide-ranging creative freedom.\u003c\/p\u003e\u003cp\u003e* With DSP-RX-EX\u003c\/p\u003e\u003ch3\u003eBricasti Reverb\u003c\/h3\u003e\u003cp\u003eBricasti Design is known as the world's premier manufacturer of hand crafted, hardware digital reverbs.\u003c\/p\u003e\u003cp\u003eThe Y7 is specifically designed for use in the Yamaha RIVAGE PM mixing systems, bringing to the live market a Bricasti product, one that is integrated in the console for simple, fast, and familiar operation, and to bring the renowned “Bricasti Sound” to users of Yamaha products.\u003c\/p\u003e\u003ch3\u003eRND Portico Plug-ins\u003c\/h3\u003e\u003cp\u003eAlthough the SILK processing simulation created in cooperation with RND is an important part of the RIVAGE PM system, it is by no means the only product of that fruitful relationship. In addition to the well-known and highly acclaimed Portico 5033 EQ and 5043 compressor, RIVAGE PM systems include the easy-operation Rupert Neve Designs Portico 5045 Primary Source Enhancer that effectively suppresses background noise at microphone inputs for enhanced clarity while significantly increasing the feedback margin, making it a valuable tool for live sound in houses of worship, stadiums, halls, and other environments where feedback can be problem.\u003c\/p\u003e\u003cp\u003eAdded with V5.0, Portico II Master Buss Processor is a creative tool that redefines the boundaries and limitations of traditional 2-channel compression and limiting. From mixing bass-heavy EDM to a delicate master of a chamber ensemble, it has something to offer everyone – no matter the use or genre.\u003c\/p\u003e\u003ch3\u003eDan Dugan Automatic Mixer\u003c\/h3\u003e\u003cp\u003eThrough in-depth collaboration with Dan Dugan Sound Design, renowned Dan Dugan automatic microphone mixing with its advanced algorithms is built into the RIVAGE PM series digital mixing systems. Setup is easy: just insert the processor into up to 64 channels for automatically optimized microphone gain distribution. Gain control is smooth and natural, as though experienced human operators were doing the mix. The system also effectively reduces feedback and comb filter issues. For speech applications, especially non-scripted situations, this allows the operator to concentrate on details other than fader operation for consistently high quality mixes.\u003c\/p\u003e\u003ch3\u003eEventide Effects\u003c\/h3\u003e\u003cp\u003eThe Eventide name is legendary in the effects field. The acclaimed H3000 Ultra-Harmonizer and a new SP2016 Reverb plugin added in version 4.0 are available throughout the RIVAGE PM series. In addition to a full range of parameters that can be edited to precisely tailor the effects for any need, the SP2016 features a large selection of presets that make it quick and easy to call up an ideal reverb sound.\u003c\/p\u003e\u003ch3\u003eYamaha DaNSe Noise Suppression\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM series includes a range of original Yamaha plug-ins that are extremely powerful too, including the DaNSe Noise Suppressor. The “DaNSe” plugin analyzes noise frequency characteristics and employs a learn function to automatically achieve the most effective noise suppression without the need for any complex setup or programming by the user. Effective noise suppression can be a huge advantage for plays and musicals, significantly enhancing audio clarity. DaNSe can suppress air conditioning noise and noise produced by cooling fans in on-stage moving lights. It can reduce monitor bleed to on-stage instrument mics, and suppress crowd noise during announcements and sports events. It is a highly effective and widely applicable noise suppression tool.\u003c\/p\u003e\u003cp\u003eYamaha has always focused on operability in digital live sound consoles, sparing no effort in providing an interface that engineers coming from analog consoles can operate intuitively, while at the same time maximizing the benefits of digital technology and features. RIVAGE PM systems take that concept to a new level, extending an already familiar and highly rated interface for even greater efficiency and ease in achieving the ultimate sound.\u003c\/p\u003e\u003ch3\u003eRefined Interface\u003c\/h3\u003e\u003cp\u003eA key element of the RIVAGE PM interface is the industry-standard Yamaha Selected Channel concept, providing direct access to parameters of any channel selected via its SEL key. The Selected Channel section provides direct, fast access to all channel parameters. Encoders, buttons, and indicators are provided in a comprehensive layout that makes maximum use of the available panel space, for comfortable operation in any environment or mixing situation. RIVAGE PM series control surfaces feature three groups of 12 faders to which channels can be assigned as required. Depending on the console, some or all of the fader groups work with large touch-sensitive displays in the top panel, providing an evolved version of the Centralogic operating environment. The channel strips extend vertically and virtually seamlessly into the touch panel displays, for lucid, logical control. In addition to allowing channels to be conveniently managed in 12 channel groups, this configuration also facilitates 2-man operation with different operators handling separate groups.\u003c\/p\u003e\u003ch3\u003eUpdated Send Operation (RIVAGE PM5\/3)\u003c\/h3\u003e\u003cp\u003eSetting up sends is an important part of just about any live mixing workflow. In addition to the familiar Sends on Fader function, send levels can be controlled from the Send \/ User Defined Knobs. Send levels shown on the display panels where they can also be adjusted via touch control. This expanded range of control choices greatly enhances convenience and versatility when setting up and tweaking sends.\u003c\/p\u003e\u003ch3\u003eEasy-reach Layout and Improved Sight Line\u003c\/h3\u003e\u003cp\u003eRIVAGE PM console are designed with touch panel displays and Selected Channel section on a prominently raised upper panel that offers optimum visibility from the engineer’s position as well as easy access to all controls. This evolved console design also provides a closer connection to the performers on stage with improved sight lines that give the engineer a broader, more comprehensive view of the action.\u003c\/p\u003e\u003ch3\u003eA Monitor Section to Match Any Job (RIVAGE PM10\/7)\u003c\/h3\u003e\u003cp\u003eMonitoring flexibility is an important criterion for live sound consoles that must be adaptable to a broad variety of applications. The RIVAGE PM10 and PM7 feature two monitor\/cue outputs, with up to eight combinations of monitor sources that can be memorized and selected as required. In addition to independent control of output levels, dedicated delays and 8-band parametric equalization are available specifically for monitor use. It is even possible to insert plug-ins immediately before the EQ stage. All of these features provide the flexibility needed to create optimum monitor setups for just about any situation.\u003c\/p\u003e\u003ch3\u003eHigh-visibility Fader Meters (RIVAGE PM5)\u003c\/h3\u003e\u003cp\u003eClear visual feedback is also provided by the meters associated with each fader. The fader meters can display mono or stereo levels, or gain reduction when you want to keep an eye on channel dynamics. The fader meters can contribute to smooth, accurate control by providing direct feedback of how fader operation is affecting the signal.\u003c\/p\u003e\u003ch3\u003eGenius.lab\u003c\/h3\u003e\u003cp\u003eAllowing users to create a wide variety of actions triggered by key presses, fader operations, MIDI messages and more, it gives audio engineers the power to programme events to suit their specific situation and workflow. A huge range of functions can be programmed, with combinations of actions enacted by one trigger.\u003c\/p\u003e\u003cp\u003eInnovate your workflow with Genius.lab.\u003c\/p\u003e\u003cp\u003eMacro Library, the range of macro presets, helps you start with Genius.lab.\u003c\/p\u003e\u003cli\u003eDownload Macro Library\u003c\/li\u003e\u003cp\u003eBecause evolving applications continually raise new challenges and needs, Yamaha provides continuing support in the form of firmware updates that keep our digital mixers, RIVAGE PM systems included, up to date and often ahead of the curve.\u003c\/p\u003e\u003ch3\u003eWireless receiver integration\u003c\/h3\u003e\u003cp\u003eWith V5.0 firmware or later, RIVAGE PM consoles support control and monitoring of the highly popular wireless receivers on the market, giving you even more freedom when operating sound systems built around a RIVAGE PM series product.\u003c\/p\u003e\u003cp\u003eSupported Device\u003c\/p\u003e\u003cp\u003e- Sennheiser: EM 6000\u003c\/p\u003e\u003cp\u003e- Shure: AD4D\/Q, AXT400, QLXD4, ULXD4\/D\/Q, SLXD4\/D\/Q+\/QDAN+\u003c\/p\u003e\u003cp\u003e- Sony: DWR-R03D\u003c\/p\u003e\u003ch3\u003eOverlay Filter for Rapid Response\u003c\/h3\u003e\u003cp\u003eThe Overlay filter can notably enhance the usefulness of the console’s scene memory. It can be “overlaid” on a current mix to apply offsets to the fader levels and mix\/matrix send levels independently from scene recall. This can be useful when an unplanned performer change occurs, for example, facilitating a temporary, relative level adjustment that can be instantly returned to the original level. The Overlay filter will prove its value in situations that require sudden changes plus the ability to easily revert to the original settings.\u003c\/p\u003e\u003ch3\u003eTheatre Mode\u003c\/h3\u003e\u003cp\u003eTheatre Mode facilitates scene and costume changes with four banks that can be used to store different EQ and dynamics settings for individual performers. In Theatre Mode, rather than storing EQ and dynamics settings in the console’s “scenes,” only the bank number is stored so that any adjustments made will apply to all scenes that use the same bank.\u003c\/p\u003e\u003cp\u003eThis can be used when multiple actors are cast in the same role or when a substitute must be used, allowing faster, more flexible mix changes to accommodate different casts, for example.\u003c\/p\u003e\u003ch3\u003eDSP Mirroring for Failsafe Redundancy\u003c\/h3\u003e\u003cp\u003eDSP Mirroring allows two DSP-RX or DSP-RX-EX engines to be used for failsafe redundancy with RIVAGE PM10, PM5, and PM3 systems.* If a problem occurs in the main DSP engine, the second DSP engine can take over without disrupting the program.\u003c\/p\u003e\u003cp\u003e* The RIVAGE PM7 features integrated DSP processing and does not support DSP mirroring.\u003c\/p\u003e\u003ch3\u003eLightweight for Easy Setup and Transportation (RIVAGE PM5\/3)\u003c\/h3\u003e\u003cp\u003eAlthough it offers heavy-duty performance and features, plus a comfortably spacious interface, the RIVAGE PM5\/3 weighs surprisingly little. The CS-R5 weighs 92.6 pounds\/ 42 kilograms and CS-R3 weighs 83.8 pounds\/ 38 kilograms and can be easily carried and positioned by just two people. This impressive weight reduction has been achieved through state-of-the-art mechanical design and the use of a lightweight but extremely durable material.\u003c\/p\u003e\u003ch3\u003eConsole File Converter Brings the Yamaha Family Together\u003c\/h3\u003e\u003cp\u003eThe Yamaha Console File Converter is an application that allows data to be shared between a number of Yamaha digital mixing consoles. User can share data between RIVAGE PM series, CL\/QL series, PM5D, M7CL, and LS9 consoles, so data from one show doesn’t have to be completely reprogrammed from scratch for the next, even if different consoles are used.\u003c\/p\u003e\u003ch3\u003eTwo Convenient Approaches to Live Recording\u003c\/h3\u003e\u003cp\u003eProfessional quality live recording capability is becoming an essential feature in live sound consoles. In addition to convenient 2-track recording to a USB flash drive, the RIVAGE PM series supports multitrack recording via a Dante audio network to meet the widest possible range of serious recording requirements.\u003c\/p\u003e\u003cp\u003eThe 2-track USB flash drive recorder function directly records the output of the STEREO or MIX bus to the flash drive. Background music or sound effects recorded on the flash drive can also be assigned to any input channel for playback. Sample rate conversion is provided for both input and output, so the recorder function can be used without having to think about the system sampling rate. Data can be recorded to or played back from WAV or MP3 files, as required.\u003c\/p\u003e\u003cp\u003eMultitrack recordings can be made to a computer based DAW via a Dante audio network. High-resolution recording of up to 128 channels (input and output) at 96 kHz is possible if the computer is equipped with a DANTE ACCELETATOR PCIe card (AIC128-D). With Dante Virtual Soundcard the maximum in\/out track count is 64.\u003c\/p\u003e\u003cp\u003eMultitrack recordings of rehearsals made in this way can be used for “virtual sound checks” when the performers aren’t available. Input patching for all required channels can be switched in one operation for both recording and virtual sound checks. Recorder playback and stage input can even be smoothly combined when needed.\u003c\/p\u003e\u003cp\u003eAdditionally, firmware versions V5.0 and later allow you to use the Yamaha Console Extension to copy Channel Name and Channel Color to Nuendo Live and to operate transport controls and markers from the console, providing seamless connection between RIVAGE PM Series consoles and Nuendo Live.\u003c\/p\u003e\u003ch3\u003eVarious control options\u003c\/h3\u003e\u003cp\u003eRIVAGE PM products provide a range of control options to meet your needs, allowing you to adjust sound from the stage or the audience area, and can also be integrated with a variety of external devices.\u003c\/p\u003e\u003cp\u003eRIVAGE PM Editor allows you to control your system from a computer via a GUI that replicates the RIVAGE control surface, while StageMix lets you move freely around the venue and mix from your preferred listening position.\u003c\/p\u003e\u003cp\u003eThe MonitorMix app gives performers an easy way to adjust their personal monitor mixes.\u003c\/p\u003e\u003cp\u003eOSC server allows external devices to control the RIVAGE PM system using the OSC protocol. With version 7.0 or later, the RIVAGE PM system can function as an OSC client for control of OSC-compatible devices, while OSC commands can be programmed to link with scenes for seamless operation.\u003c\/p\u003e\u003ch3\u003eYamaha Immersive Sound Control\u003c\/h3\u003e\u003cp\u003eSound xR Image is a proprietary immersive sound system from Yamaha that gives users full control over sound imaging within a given space. Sound xR Image provides broad content creation support for theater, opera, concert, installation, event, and other applications. Control with RIVAGE PM consoles allows the flexible design of immersive sound systems and the creation of streamlined, efficient workflows.\u003c\/p\u003e\u003cp\u003eWith V7.0 firmware or later, the control for Sound xR Image on DME is supported and gives the offline setting features for the immersive panning parameters on the consoles.\u003c\/p\u003e\u003cli\u003eSound xR\u003c\/li\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Input Mixing channels › DSP-RX\u003c\/td\u003e\n\u003ctd\u003e120\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Input Mixing channels › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e288\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Mix Buses › DSP-RX\u003c\/td\u003e\n\u003ctd\u003e48\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Mix Buses › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e72\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Matrices › DSP-RX\u003c\/td\u003e\n\u003ctd\u003e24 (Input to Matrix supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Matrices › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e36 (Input to Matrix supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Stereo buses\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › mono buses\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › cue bus\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Analog › in\u003c\/td\u003e\n\u003ctd\u003e8 (SILK)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Analog › out\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Digital › AES IN\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Digital › AES OUT\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Expansion Slot › HY\u003c\/td\u003e\n\u003ctd\u003e4 (DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Expansion Slot › MY\u003c\/td\u003e\n\u003ctd\u003e2+2(DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › GPI › IN\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › GPI › ONT\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Word clock\u003c\/td\u003e\n\u003ctd\u003eOUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › MIDI\u003c\/td\u003e\n\u003ctd\u003eIN\/OUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › USB › File\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › USB › rec\/play\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Redundant PSU\u003c\/td\u003e\n\u003ctd\u003eYes (Built in dual PSU)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Meter Bridge\u003c\/td\u003e\n\u003ctd\u003eOn screen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Lamp\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Talkback In\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Video Out\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › TC In\u003c\/td\u003e\n\u003ctd\u003eYes (DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Fault Output\u003c\/td\u003e\n\u003ctd\u003eYes (DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Phones\u003c\/td\u003e\n\u003ctd\u003e2 x 2 connectors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › AC Inlet\u003c\/td\u003e\n\u003ctd\u003e2 (V-Lock Type)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Number of Scenes\u003c\/td\u003e\n\u003ctd\u003e1000\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Recall Safe\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Focus Recall\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Fade Time\u003c\/td\u003e\n\u003ctd\u003eYes (0s ~ 60s)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Preview\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Selective Load \/ Save\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Global Paste\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Event List\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Overlay\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Isolate\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Tactile Control Keys\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Gain Compensation\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Silk\u003c\/td\u003e\n\u003ctd\u003eYes (with RPio)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Digital Gain\u003c\/td\u003e\n\u003ctd\u003eYes (-96dB ~ +24dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › ATT\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › HPF\u003c\/td\u003e\n\u003ctd\u003e20Hz~2000Hz, -6\/-12\/-18\/-24dB\/oct Selectable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › PEQ\u003c\/td\u003e\n\u003ctd\u003e4 Band Full PEQ (4 algorithms, RTA overlay support)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Dynamics 1\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Dynamics 2\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Input Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Pan\u003c\/td\u003e\n\u003ctd\u003eCenter Nominal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › DCA Group\u003c\/td\u003e\n\u003ctd\u003e24 (Output DCA support)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › DCA Rollout\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › MUTE Group\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Number of Inserts\u003c\/td\u003e\n\u003ctd\u003e4 slots on each 2 insert point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Direct Out\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › PEQ\u003c\/td\u003e\n\u003ctd\u003e8 Band Full PEQ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › GEQ\u003c\/td\u003e\n\u003ctd\u003ePlug-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Dynamics 1\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Output Channel Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › MUTE Group\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Number of Inserts\u003c\/td\u003e\n\u003ctd\u003e4 slots on each 2 insert point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePlug-in › Number of Slots › DSP-RX \/ Internal\u003c\/td\u003e\n\u003ctd\u003e384\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePlug-in › Number of Slots › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e512\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePlug-in › Number of Effect Programs\u003c\/td\u003e\n\u003ctd\u003eMore than 50\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGEQ Rack › Number of GEQ Racks\u003c\/td\u003e\n\u003ctd\u003e48\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGEQ Rack › Mountable Device\u003c\/td\u003e\n\u003ctd\u003e31BandGEQ \/ Flex15GEQ \/ 8Band PEQ (RTA overlay support) \/ Dugan Automixer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTWINLANe › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e256 in \/ 256 out (with HY256-TL)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e144 in \/ 144 out (with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices that can be discovered from the console *1\u003c\/td\u003e\n\u003ctd\u003e127 (with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices that can be mounted *2\u003c\/td\u003e\n\u003ctd\u003e48（with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices with HA remote control *2\u003c\/td\u003e\n\u003ctd\u003e48（with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMADI › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e64 in \/ 64 out @96kHz, 128 in \/ 128 out @48kHz (with HY128-MD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRecording › USB Memory Recording\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRecording › DVS Recording\u003c\/td\u003e\n\u003ctd\u003eYes (with HY144-D)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › 5.1 Surround Panning\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › Surround Monitor\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › Mix Minus\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › L-Mono \/ R-Mono \/ LR-Mono\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMonitor › Solo Mode\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMonitor › Oscillator\u003c\/td\u003e\n\u003ctd\u003eSine Wave 1ch \/ Sine Wave 2ch \/ Pink Noise \/ Burst Noise\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Port to Port\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Dual Console\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › DSP Mirroring\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Timecode Reader\/Display\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Timecode Chase (Event List)\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › GPI\/MIDI\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › RTA\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Output Port Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Mix\/Matrix to Input\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Sub In\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Theatre Mode\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Display\u003c\/td\u003e\n\u003ctd\u003e15 inch Touch Panel x 2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Centralogic Section\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Faders\u003c\/td\u003e\n\u003ctd\u003e12 + 12 + 12 + 2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Selected Channel Encoders\u003c\/td\u003e\n\u003ctd\u003eAll Parameters\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Channel Encoder\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Channel Name \/ Color Display\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Custom Fader Banks\u003c\/td\u003e\n\u003ctd\u003eYes (6 x 5 on each bay)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › User Defined Keys\u003c\/td\u003e\n\u003ctd\u003e12 (x 4 banks)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › User Defined Knobs\u003c\/td\u003e\n\u003ctd\u003e4 (x 4 banks)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Touch and Turn Knob\u003c\/td\u003e\n\u003ctd\u003eYes (2)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Monitor Level Knob\u003c\/td\u003e\n\u003ctd\u003eYes (2: A and B)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Wooden Arm Rest\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › Editor\u003c\/td\u003e\n\u003ctd\u003eRIVAGE PM Editor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › StageMix\u003c\/td\u003e\n\u003ctd\u003eRIVAGE PM StageMix\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › MonitorMix\u003c\/td\u003e\n\u003ctd\u003eYes (V4.0 or later)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › Console File Converter\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (WxHxD)\u003c\/td\u003e\n\u003ctd\u003eCS-R10: 1,549 x 417 x 848mm (61.0\" x 16.4\" x 33.4\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNet Weight\u003c\/td\u003e\n\u003ctd\u003eCS-R10: 85 kg (187 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eIncluded Accessories\u003c\/td\u003e\n\u003ctd\u003eCS-R10: Dust cover, Gooseneck Lamp LA1L x 4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268733608191,"sku":null,"price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_8f5b8eca-62c6-4266-9807-9101dc0e4107.jpg?v=1790011484"},{"product_id":"02r96vcm","title":"Yamaha 02R96VCM Digital Mixing Console","description":"\u003cp\u003eA complete redesign of the original 02R featuring DM2000 sound quality and a full complement of up-to-date control and performance features. Version 2 offers advanced production performance as well as Add-on Effects compatibility.\u003c\/p\u003e\u003ch3\u003eA New Revolution in Standards\u003c\/h3\u003e\u003cp\u003eThe 02R96VCM is a new revolution in a line of production consoles that has evolved over the years in response to user needs become the de facto standard for production consoles: the 02R, debuting in 1995 and a fundamental reason for Yamaha's 2007 Technical Grammy Award, 2002's 02R96, and the 02R96 Version 2 released in 2004.Featuring 56 input channels and 18 mixing busses, the 02R96VCM is backed by the impressive processing power of a custom Yamaha DSP7 LSI and offers the same array of robust channel functions as the DM2000 on its inputs and outputs. Its \"selected channel\" system fuses the controllability of a digital mixer with the feel of an analog desk for fast, intuitive operation when you need it. The analog input stages on the 02R96VCM feature head amps descended from those of the DM2000, developed with the input of engineers from around the world to provide transparent sound that's perfect for the professional domain.Want more? Take a look at the 5 new plug-in packages that give you both space and creativity in the production workplace. Or consider the digital domain where EQ, compressor, tape saturation and guitar effector VCM plug-ins offer the warmth and depth of analog circuitry. The 02R96VCM also boasts the outstanding REV-X reverb algorithm introduced in the SPX2000. What's more, it comes equipped with iSSP technology that makes creating realistic sound fields easy, giving you functionality within the console that would otherwise require outboard effects.The 02R96VCM also offers a high degree of integration with Digital Audio Workstations, and is compatible with both Windows and Macintosh versions of Studio Manager Version 2, allowing your PC and console to work together seamlessly. Certified to the global THX pm3 standard for surround equipment, it features four MY card slots, whose open architecture design provides compatibility with a slew of I\/O formats.The 02R96VCM:a new revolution in a line of trusted digital consoles created to support you in the production workplace.\u003c\/p\u003e\u003ch3\u003eA Complete Revamp of the Legendary 02R\u003c\/h3\u003e\u003cp\u003eAfter its release in August 1995, the 02R rapidly became the de-facto digital console standard for musicians and engineers around the globe. The 02R96 picks up where the 02R left off, implementing the most advanced digital audio technology developed and refined in parallel with development of the top-of-the-line DM2000 console. The result is that the 02R96 surpasses the 02R in every respect: audio quality, processing power, and DAW integration capability. Where the 02R had 21 motor faders, the 02R96 has 25. Other additions include recorder control keys, user defined keys, and dramatically improved operability overall. But since it has the same footprint as the 02R, it can be used as a direct replacement without requiring major infrastructure changes.\u003c\/p\u003e\u003ch3\u003ePrecise 24-bit\/96-kHz Audio and High-performance Head Amps\u003c\/h3\u003e\u003cp\u003eAdvanced custom DSP7 LSIs feature 32-bit internal processing (58-bit accumulator) at extremely high speed. Full functionality is provided when mixing all 56 channels at 96 kHz. All analog inputs and outputs – including the 16 microphone\/line inputs – employ precision 24-bit A\/D and D\/A converters for an outstanding 110-dB dynamic range. Top-performance head amplifiers provide precise, uncolored pre-amplification prior to A\/D conversion, and optimum circuit configurations and parts for all stages of the design were determined through repeated listening tests by some of the best \"ears\" in the industry.\u003c\/p\u003e\u003ch3\u003e56-input 18-bus Mix Capacity at 96 kHz\u003c\/h3\u003e\u003cp\u003eAlthough it maintains the same compact desk-top dimensions as the 02R, the 02R96 offers generous mixing capacity with up to 56 simultaneous inputs. All 56 input channels include four-band parametric EQ, gating, compression\/limiting, and up to 453 milliseconds of delay with variable feedback. What's more, all of this functionality is available at 96 kHz. The output section also offers plenty of versatility with 18 buses: 8 group buses, 8 auxiliary buses and a stereo bus. Group buses 1 through 6 also function as surround buses, and a Bus to Stereo function allows sound-reinforcement type sub-mixing as well as easy downmixing of 5.1 or 3-1 surround to stereo. Of the 8 auxiliary buses, 1 through 6 can be used as surround effect sends, and there's a \"Unity\" function that automatically sets the auxiliary buses to nominal (0 dB) level, so they can be used as additional group buses.\u003c\/p\u003e\u003ch3\u003ePowerful Channel Functions with Flexible Control and Patching\u003c\/h3\u003e\u003cp\u003eAll 56 input channels, 8 group buses, 8 auxiliary buses, and stereo bus feature powerful mixing functions including gate and compressor dynamics processing, input attenuation, four-band parametric EQ with a choice of Type I and Type II algorithms, channel inserts, delay, surround and stereo panning, and phase. Easy-access dedicated controllers are provided for routing, auxiliary send, dynamics, stereo and surround panning, and EQ. Control data is graphically displayed via the LCD screen, and can be saved in \"libraries\" for easy recall whenever needed. All inputs, outputs, insert patch points, direct outputs, and effect sends and returns can be freely patched to configure the system as required via graphical on-screen \"digital patching\" displays: for example, you could patch one input to multiple channels, or assign the signal from one bus to multiple outputs. The encoders associated with each fader can be used to make input patch and direct out settings, and you can save your patch settings as library data for recall when needed.\u003c\/p\u003e\u003ch3\u003eFour Advanced Multi-effect Processors Include Surround Effects\u003c\/h3\u003e\u003cp\u003eThe 02R96's four internal effect processors deliver full functionality and performance even when the console is running at 96 kHz. New effect programs such as multi-band compression and surround-compatible 5.1 reverb and 5.1 modulation* augment the console's processing capabilities, and can be used in a send\/return loop or as inserts effects.\u003c\/p\u003e\u003cp\u003e* Each surround processor may occupy up to four of the onboard effect processors.\u003c\/p\u003e\u003ch3\u003eVersatile Connectivity for a Wide Range of Applications\u003c\/h3\u003e\u003cp\u003eThe 02R96 rear panel provides 16 microphone\/line inputs with balanced XLR\/TRS jacks that feature top-performance head amplifiers for outstanding audio quality. These inputs also offer insert I\/O jacks with bypass switches, and individual phantom power switches. There are five 2-track inputs: two analog and three digital with built-in sample rate converters. All analog inputs and outputs employ precision 24-bit, 96-kHz converters. Eight versatile \"omni\" outputs can be used for stereo or surround monitoring. One AES\/EBU format digital stereo output and two coaxial digital stereo outputs provide a total of three digital outs for broad connectivity.\u003c\/p\u003e\u003ch3\u003eFour I\/O Expansion Slot for Easy Expansion in a Variety of Formats\u003c\/h3\u003e\u003cp\u003eEach of four Mini-YGDAI (Yamaha General Digital Audio Interface) expansion card slots support up to 16 additional channels of digital I\/O in AES\/EBU, ADAT or TASCAM format, as well as a range of other interface cards including double-speed 96 kHz (AES\/EBU) digital I\/O cards, 96-kHz compatible AD\/DA cards, and a range of analog I\/O cards. The 02R96 expansion slot also accepts various Mini-YGDAI compatible cards available from third parties.\u003c\/p\u003e\u003ch3\u003eComprehensive Interface with Touch-sensitive 100-mm Motor Faders\u003c\/h3\u003e\u003cp\u003e24 faders provide access to the console's 56 input channels in three layers: 1 through 24, 25 through 48, and 49 through 56 plus master. Add the stereo master and you have a total of 25 top-quality 100-millimeter motor faders with high 8-bit\/256-step resolution. The bus and auxiliary faders are provided in another layer, and a \"remote\" layer is provided for external device control. A Fader Mode key additionally allows the auxiliary send levels to be assigned to the faders. The rotary encoder and switch associated with each fader can be switched to any of four modes via the Encoder Mode key. The encoders can be used for panning or auxiliary send, as well any two functions you assign. You could assign input patching or direct out assignments to the encoders to allow fast, efficient setup in your specific work environment.\u003c\/p\u003e\u003ch3\u003eScene Memory and Automix Functions for Efficient Workflow\u003c\/h3\u003e\u003cp\u003eThe 02R96 features automix capability with 1\/4-frame resolution, allowing full automation of parameters right down to the internal effects. Automix functions can be assigned to the User Defined Keys for easy access. Scene memories allow fade times and recall safe settings to be specified independently for each channel, while recall safe can even be specified at the function level. The supplied 02R96 Editor that runs on the Studio Manager application can be used to manage scene and automix data on your personal computer.\u003c\/p\u003e\u003ch3\u003eVersatile Pairing and Grouping Functions Enhance Mixing Efficiency\u003c\/h3\u003e\u003cp\u003eIn addition to \"horizontal pairing\" of adjacent channels, the 02R96 allows \"vertical pairing\" of channels on different layers so that, for example, you can control up to 24 stereo sources from a single layer. Grouping functions include the familiar fader and mute grouping, as well as sophisticated EQ and dynamics grouping. The latter can be a great advantage when mixing surround sound.\u003c\/p\u003e\u003ch3\u003e02R96 Editor Software Supplied\u003c\/h3\u003e\u003cp\u003eThe 02R96 comes supplied with an advanced 02R96 Editor application for Windows or Mac computers. The 02R96 connects to your computer via the TO HOST interface (USB or RS232), creating a production environment that goes beyond simple parameter viewers. The Console Window, Selected Channel Module, Surround Editor, Patch Editor, Effect Editor, Timecode Counter Window, GEQ Editor, and Library Window can be accessed via the computer's expansive color display, and the main mixer functions can be edited offline. Memory management functions allow 02R96 data to be transferred to and from the computer where it can be managed and even shared via LAN or the Internet.\u003c\/p\u003e\u003ch3\u003eSophisticated DAW or Digital Recorder Integration\u003c\/h3\u003e\u003cp\u003eIn addition to its extensive stand-alone capabilities the 02R96 can integrate with your computer-based DAW (Digital Audio Workstation) or digital recorder to create an advanced digital production environment. The 02R96 can function as a physical controller for both recorder and mixer sections of your DAW. The standard library includes control compatibility with Digidesign Pro Tools® and Steinberg NUENDO® workstations, and the General DAW mode supports a range of other DAW systems. MIDI control tables can also be created to provide functionality with MIDI-compatible DAW systems.\u003c\/p\u003e\u003ch3\u003eAn Ideal Platform for Surround Production\u003c\/h3\u003e\u003cp\u003eSurround panning was originally provided on the 02R and 03D, but the 02R96 goes much further with a comprehensive range of features for surround production. The Bus to Stereo function makes it easy to downmix 5.1 or 3-1 surround sources to stereo, and the 3-1 output can be connected via Dolby Surround or DTS stereo encoders back to an 02R96 slot input to allow real-time comparison between the encoded and pre-encoded sound. A panning joystick is provided in the Selected Channel control section to facilitate complex panning moves and trace specified panning patterns. Surround panning features 127 x 127 resolution, and divergence control is possible in 0 ~ 100 steps. Surround-compatible effects in up to 8-in\/8-out configurations include 5.1 reverb, modulation, and dynamics.\u003c\/p\u003e\u003cp\u003e* EQ and dynamics grouping is another feature that can be a great advantage for surround production.\u003c\/p\u003e\u003cp\u003e* Each surround processor may occupy up to four of the onboard effect processors.\u003c\/p\u003e\u003ch3\u003eEnhanced Surround Monitoring Environment Includes Bass Management\u003c\/h3\u003e\u003cp\u003eThe 02R96 monitor section provides facilities for muting individual buses (speakers), centralized level control of all monitor outputs, stem mix monitoring, and real-time comparison between the encoded and pre-encoded Dolby Surround or DTS stereo sound. Downmix processing allows 5.1 to 3-1, 5.1 to stereo, or 3-1 to stereo monitoring without affecting the signal sent to the recorder. A Speaker Control function allows fine control of the monitoring environment to match the program material you are mixing as well as your working environment. All of the top-line DM2000 console's surround features have been implemented in the 02R96, including bass management, attenuators for precise speaker level control, and delay for \"virtual speaker repositioning\".\u003c\/p\u003e\u003ch3\u003eVersatile V2 features plus a formidable array of plug-in processors\u003c\/h3\u003e\u003cp\u003eThe new 02R96VCM is the 02R96 Version 2 plus a formidable array of state-of-the-art processing technologies that provide all-new production power. You now have extraordinary recreations of classic compression and EQ units from the 70's, simulations of several legendary analog open-reel tape decks, a complete suite of unmatched REV-X reverb effects, a surround post-production package that is second to none, and even a selection of vintage stomp boxes to spice up your mixes. And all of this is right at your fingertips, with no need to patch in external processors. The technology that has made all of this possible is some of the most advanced in the world, and the sound is simply superb. In short, one of the world's most popular digital production consoles just got a lot more powerful.\u003c\/p\u003e\u003ch3\u003eVCM Technology(02R96VCM)\u003c\/h3\u003e\u003cp\u003eVCM technology is responsible for the classic compressor, EQ, analog tape deck, and stompbox effect simulations in the 02R96VCM.\u003c\/p\u003e\u003cp\u003eVCM (Virtual Circuitry Modeling) technology actually models the characteristics of analog circuitry – right down to the last resistor and capacitor. VCM technology goes well beyond simply analyzing and modeling electronic components and emulating the sound of old equipment. It's capable of capturing subtleties that simple digital simulations cannot even approach, while actually creating ideal examples of sought-after vintage gear.\u003c\/p\u003e\u003ch3\u003eiSSP Technology(02R96VCM)\u003c\/h3\u003e\u003cp\u003eiSSP technology is the key to the 02R96VCM's incredible selection of surround post-production effects.\u003c\/p\u003e\u003cp\u003eiSSP stands for \"Interactive Spatial Sound Processing,\" and is Yamaha's original new spatial sound effect system. Designed through extensive research and exhaustive testing, this technology offers unparalleled reality, operability and originality for surround processing applications. It delivers unprecedented sound-field positioning precision and versatility, as well as realistic sound source movement effects with simple operation that allows simulations of an almost unlimited variety of spatial environments.\u003c\/p\u003e\u003ch3\u003eREV-X (02R96VCM)\u003c\/h3\u003e\u003cp\u003e\"REV-X\" is the advanced algorithm behind Yamaha's newest generation of reverb and ambience programs, offering unprecedented reverberation depth and realism with smooth decay. REV-X technology takes full advantage of the 24-bit 96-kHz processing capability of the 02R96 for reverb and ambience effects that have the reassuring warmth and reality of natural acoustic environments.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize\/Weight › Dimensions › Width\u003c\/td\u003e\n\u003ctd\u003e667mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize\/Weight › Dimensions › Height\u003c\/td\u003e\n\u003ctd\u003e239mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize\/Weight › Dimensions › Depth\u003c\/td\u003e\n\u003ctd\u003e697mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSize\/Weight › Weight › Weight\u003c\/td\u003e\n\u003ctd\u003e34kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower Supply › Power Requirements\u003c\/td\u003e\n\u003ctd\u003eAC100V, 120V or 220-240V; 50\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower Supply › Power Consumption\u003c\/td\u003e\n\u003ctd\u003e190W(with MB02R96)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268733640959,"sku":"02R96VCM","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_4560808f-5bc2-452a-8e8b-65c83521df4d.jpg?v=1790011484"},{"product_id":"swr2100p-10g","title":"Yamaha SWR2100P-10G L2 Switch","description":"\u003cp\u003eThe SWR2100P series network switch is equipped with ten RJ45 ports.\u003c\/p\u003e\u003cli\u003ePorts available for PoE power supply: 1-9 \/ Up link port 10\u003c\/li\u003e\u003cli\u003eMaximum 30W can be supplied from each PoE-compliant port (all ports 70W)\u003c\/li\u003e\u003ch3\u003eSimple L2 Network switch with PoE\u003c\/h3\u003e\u003cp\u003eYamaha has used its knowledge of both IT and pro audio to provide \"SWR2100P series\" simple L2 switch that has been optimized for networked audio installations. The switch can take advantage of \"Yamaha LAN Monitor\" a dedicated computer application that provides 'network visibility' for comprehensive monitoring and control.\u003c\/p\u003e\u003ch3\u003eSupplies power to PoE-enabled Dante devices on the network\u003c\/h3\u003e\u003cp\u003eThe \"SWR2100P series” which are simple L2 switches can supply power as well as audio and control signals to a PoE-compliant Dante device such as the paging station microphone “PGM1” through just one Ethernet cable. Since the power supply and the network wiring can be combined, the number of cables being used can be reduced, and the connection distance can be extended, so the degree of freedom of Dante device installation is increased and construction flexibility is further improved.\u003c\/p\u003e\u003ch3\u003eComprehensive Monitoring\u003c\/h3\u003e\u003cp\u003eSystems built around the SWR2100P-5G or SWR2100P-10G L2 switches allow comprehensive network monitoring from the dedicated Yamaha LAN Monitor software application, with PoE power status monitoring and ON\/OFF switching capability.\u003c\/p\u003e\u003ch3\u003eComplete Network Overview\u003c\/h3\u003e\u003cp\u003eUnderstanding how multiple switches installed in different locations are connected, plus how network devices are connected to those switches, can be a difficult, time-consuming task. The Yamaha LAN Monitor makes overall network topology clearly visible, giving the user a comprehensive overview of how multiple switches and Dante network devices are interconnected. Simply connect a computer to the nearest SWR2100P series switch and launch the Yamaha LAN Monitor software.\u003c\/p\u003e\u003ch3\u003eSnapshot Function Makes Troubleshooting Easy\u003c\/h3\u003e\u003cp\u003eYou can take a “snapshot” of the network status when set up as required. The software can then automatically keep track of the settings and alert you to any changes. You could take a snapshot of the network, and then you would be alerted if a cable is disconnected, if a device is turned off, or if a wrong connection is made prior to the performance, for example.\u003c\/p\u003e\u003ch3\u003eEnhanced Device ID with Icons, Labels and Comments\u003c\/h3\u003e\u003cp\u003eIdentifying devices connected to a switch by only their IP or MAC address is a difficult and error-prone approach. Connected Dante devices are identified by a Dante icon as well as a device ID previously set up via the Dante Controller software. You can also enter additional info, such as the location of the device, in the Label and Comment fields.\u003c\/p\u003e\u003ch3\u003eCollectively monitor and remotely restart devices distributed over a wide area\u003c\/h3\u003e\u003cp\u003eIf the monitoring device does not respond to a Ping, it judges that a fault has occurred and automatically stops the PoE power supply to that device and then resumes it. This restarts the monitoring equipment and attempts recovery. By collectively managing the status of the devices distributed over a wide area, it can ensure that equipment management can operate far more smoothly.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Standard\u003c\/td\u003e\n\u003ctd\u003eIEEE802.3 (10BASE-T\/100BASE-TX\/1000BASE-T)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Number of ports\u003c\/td\u003e\n\u003ctd\u003e10 ports\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Ports available for PoE power supply\u003c\/td\u003e\n\u003ctd\u003e9 ports (port 1–9)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › PoE standards\u003c\/td\u003e\n\u003ctd\u003eIEEE 802.3at\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power supply system\u003c\/td\u003e\n\u003ctd\u003eAlternative A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum power supply › Per port\u003c\/td\u003e\n\u003ctd\u003e30W (Varies depending on the power consumption class of each connected device.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum power supply › All ports\u003c\/td\u003e\n\u003ctd\u003e70W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Compatible PoE powered devices\u003c\/td\u003e\n\u003ctd\u003ePoE powered devices that comply IEEE 802.3af standards or IEEE 802.3at standards\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Switches\u003c\/td\u003e\n\u003ctd\u003eCONFIGURATION switches for modifying the settings (L2MS switch, Flow control switch, Auto MIDI\/MIDI-X switch, Loop detection switch, energy save mode switch)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Indicators\u003c\/td\u003e\n\u003ctd\u003ePOWER, PoE LIMIT, LINK\/ACT, SPEED, PoE STATE (x31)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Operating environment\u003c\/td\u003e\n\u003ctd\u003eAmbient temperature: 0 to 40 °C, Ambient humidity: 15 to 80% (no condensation)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Storage environment\u003c\/td\u003e\n\u003ctd\u003eAmbient temperature: -20 to 50 °C, Ambient humidity: 10 to 90% (no condensation)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power supply voltage, frequency\u003c\/td\u003e\n\u003ctd\u003eAC100 V to 240 V, 50 Hz\/60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e90 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e220 mm (8.66 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e40.5 mm (1.6 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e250 mm (9.8 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Weight\u003c\/td\u003e\n\u003ctd\u003e1.8 kg (4 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eOwner’s Manual; power cord; power cord clamp; feet Controls and\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268733673727,"sku":"SWR2100P-10G","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_39ee1639-8345-4915-b778-ff044a467fbd.jpg?v=1790011486"},{"product_id":"hph-mt8","title":"Yamaha HPH-MT8 Studio Monitor Headphones","description":"\u003cp\u003eHPH-MT8 headphones are designed to deliver accurate response and high-resolution sound with precise stereo imaging, and faithfully reproduce every nuance of the mid to high-end with tight bass. Yamaha has applied decades of accrued knowledge and expertise in professional and high-end studio equipment manufacturing to the design of each and every acoustic component in these headphones.\u003c\/p\u003e\u003cli\u003e45 mm custom drivers with CCAW voice coils deliver a broad frequency range and accurate response\u003c\/li\u003e\u003cli\u003eClosed-back, circumaural design for excellent isolation\u003c\/li\u003e\u003cli\u003eProtein-skin leather and large low-resistance cushions ensure stress-free wearability and high levels of isolation\u003c\/li\u003e\u003cli\u003eThree-dimensional arm pivot construction and adjustable slider length alleviate fatigue when working for extended periods\u003c\/li\u003e\u003cli\u003eMoveable earcups allow single-ear monitoring\u003c\/li\u003e\u003cli\u003eDurable ABS housing and rigid die-cast aluminum support-arms for use in the toughest working environments\u003c\/li\u003e\u003cli\u003eFolding arm structure and carrying case\u003c\/li\u003e\u003ch3\u003eA LEGEND TRANSFORMED\u003c\/h3\u003e\u003cp\u003eIt takes a true original to become an industry standard, and since their inception Yamaha’s NS-10M studio monitor speakers have become a mainstay of professional studios the world over, renowned for their legendary accuracy. From the NS-10M to the MSP and HS Series, Yamaha has remained faithful to a design philosophy focused on delivering the sonic accuracy that provides sound professionals with the perfect platform upon which to develop and establish their own signature sound. MT Series studio monitor headphones remain true to this fundamental concept, delivering precision sound reproduction that meets the demanding requirements of today’s professional studio and monitoring applications.\u003c\/p\u003e\u003cp\u003eWith unmatched fidelity in a sturdy yet stylish design, and the durability to hold up to the rigors of the road, Yamaha’s MT Series headphones offer a level of comfort you’ll be thankful for after long hours in a critical listening environment.\u003c\/p\u003e\u003cp\u003eHPH-MT8 headphones are designed to deliver accurate response and high-resolution sound with precise stereo imaging, and faithfully reproduce every nuance of the mid to high-end with tight bass. Yamaha has applied decades of accrued knowledge and expertise in professional and high-end studio equipment manufacturing to the design of each and every acoustic component in these headphones.\u003c\/p\u003e\u003ch3\u003eDrivers\u003c\/h3\u003e\u003cp\u003eMT8 headphones feature custom drivers equipped with 45mm CCAW voice coils and powerful neodymium magnets to achieve precise definition and control. Made from aluminium wire coated in highly conductive copper, these lightweight yet powerful drivers provide a broad frequency range of 15 Hz-28 kHz, and deliver flat, ultra high-resolution sound that meets the demands of strict professional monitoring.\u003c\/p\u003e\u003ch3\u003eOther acoustic components\u003c\/h3\u003e\u003cp\u003eFrom the arms to the ear cups, all acoustic components in MT8 headphones have been designed to deliver the most accurate sound possible by completely eliminating extraneous resonance.\u003c\/p\u003e\u003cp\u003eFor professional audio engineers who perform critical listening and studio recording, it is important that their headphones fit in a way that prevents fatigue during extended listening sessions, and isolation that allows concentration while working. HPH-MT8 headphones provide superb comfort and isolation, and are specifically designed to meet the high standards of professional users.\u003c\/p\u003e\u003ch3\u003eDesign\u003c\/h3\u003e\u003cp\u003eMT8 headphones feature a sleek, stylish design with a closed-back, circumaural configuration that provides a comfortable fit and excellent isolation.\u003c\/p\u003e\u003ch3\u003eEar pads\u003c\/h3\u003e\u003cp\u003eMT8 headphones are equipped with large ear pads for an extremely comfortable fit. Smooth protein-skin leather and low-resistance cushions that absorb excess vibrations provide stress-free wearability and high levels of isolation—ideal for serious studio recording and live mix monitoring situations in particular, where sound leakage is a concern.\u003c\/p\u003e\u003ch3\u003eWearability\u003c\/h3\u003e\u003cp\u003eA three-dimensional arm pivot construction and highly adjustable slider length allows the angle of the ear pads to fit the shape of the wearer’s head perfectly, helping to alleviate fatigue when working for extended periods. MT8 headphones also feature moveable earcups, allowing single-ear monitoring when required.\u003c\/p\u003e\u003cp\u003eBuilt for professional use, HPH-MT8 headphones feature a sleek, simple construction with the durability to withstand the rigors of road travel. Whether you’re recording or mixing in the studio, doing live sound for an outdoor gig, or even checking tracks on the move, the MT8 headphones are a flexible monitoring solution for the professional user.\u003c\/p\u003e\u003ch3\u003eHousing, support-arms and headband\u003c\/h3\u003e\u003cp\u003eEach component in the MT8 headphones has been developed with durability in mind with the portability of folding arm. The solid ABS housing, die-cast aluminium support-arms, and sweat-resistant headband ensure that these headphones are able to endure extended use in any working environment.\u003c\/p\u003e\u003ch3\u003eConnectivity\u003c\/h3\u003e\u003cp\u003eMT8 headphones have been designed to make users aware of the cable without being hindered by it, while providing enough length for monitoring applications where mobility is a consideration. For added versatile usability, the detachable straight 3 meter cable and 1.2 meter coil cable come equipped with a corrosion-resistant gold-plated stereo mini-plug and a gold-plated 6.3 mm stereo adaptor, allowing MT8 headphones to be used with professional audio gear.\u003c\/p\u003e\u003ch3\u003eDesign the tools that are trusted by professionals.\u003c\/h3\u003e\u003ch3\u003eDesigners Message\u003c\/h3\u003e\u003cp\u003eThe HPH-MT series continues the design philosophy of Yamaha’s studio monitor speakers, which is to deliver faithful reproduction of the source signal. The design of the MT7—the first product in the series to be released—features a tuning forks mark in the center of a circular housing, with the headphone arm offset in a configuration that is simple yet durable and stylish. The MT5 and MT8 follow the same basic design philosophy with the addition of a folding mechanism and a detachable cable, completing a new high-performance lineup. These additional capabilities brought with them a problem: the durability of the movable sections. By adding a rounded “waist” to the folding mechanism connecting the two arms to the broad headband, we were able to give it a rational strength without compromising on the flexibility of the mechanism. This “waist” also serves as somewhere for the fingers to grip when adjusting the slide.\u003c\/p\u003e\u003cp\u003eAlthough these headphones are intended for commercial use, we didn’t want to give them a rough, rugged feel, and I believe that the waist adds elegance to the overall form while giving it a shape that is typically Yamaha.\u003c\/p\u003e\u003cp\u003eOur goal was to create a tool that would serve as a partner for professional users. These headphones possess a silhouette that has been designed to create a circle extending from the housing through to the headband when worn, enhancing the unity between the headphones and the user. This series features a housing with a tranquil aspect, giving no hint of the complex internal construction required to deliver precision playback, in a sleek, ornamentation-free form that offers a superb fit. Yamaha’s design philosophy stresses that the user is always central to any product design, and we would be delighted to be able to craft “partners” that people can trust to assist them behind the scenes for extended periods.\u003c\/p\u003e\u003cli\u003eYamaha Design \"Synapses\"\u003c\/li\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Type\u003c\/td\u003e\n\u003ctd\u003eClosed-back, Circumaural (Over Ear)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency Response\u003c\/td\u003e\n\u003ctd\u003e15Hz - 28kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Sensitivity (SPL)\u003c\/td\u003e\n\u003ctd\u003e102dB\/mW\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum Input Power\u003c\/td\u003e\n\u003ctd\u003e1600 mW (at 1kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Impedance\u003c\/td\u003e\n\u003ctd\u003e37 Ω (at 1kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Driver Unit\u003c\/td\u003e\n\u003ctd\u003e45 mm, Dynamic, CCAW Voice Coil\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Cable\u003c\/td\u003e\n\u003ctd\u003e1.2 m (3.9ft), coiled cable; 3.0 m (9.8ft), straight cable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Connector\u003c\/td\u003e\n\u003ctd\u003e3.5 mm (1\/8”) stereo with 6.3 mm (1\/4”) stereo adaptor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e161 x 214 x 89 mm (6.3\" x 8.4\" x 3.5\") (Without cable\u0026amp;plug)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Weight\u003c\/td\u003e\n\u003ctd\u003e350g (0.8lbs) (Without cable\u0026amp;plug)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003e1.2m Coiled cable, 3.0m Straight cable, Threaded 6.3mm (1\/4\") gold-plated adaptor, Padded carrying bag\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268733706495,"sku":"HPH-MT8","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_b08efa3b-a2bc-4eed-9bb6-32f5d0b9c025.jpg?v=1790011486"},{"product_id":"mg16xu","title":"Yamaha MG16XU Audio Mixer","description":"\u003cli\u003e16-Channel Mixing Console\u003c\/li\u003e\u003cli\u003eMax. 10 Mic \/ 16 Line Inputs (8 mono + 4 stereo)\u003c\/li\u003e\u003cli\u003e4 GROUP Buses + 1 Stereo Bus\u003c\/li\u003e\u003cli\u003e4 AUX (incl. FX)\u003c\/li\u003e\u003cli\u003e“D-PRE” mic preamps with an inverted Darlington circuit\u003c\/li\u003e\u003cli\u003e1-Knob compressors\u003c\/li\u003e\u003cli\u003eHigh-grade effects: SPX with 24 programs\u003c\/li\u003e\u003cli\u003e24-bit\/192kHz 2in\/2out USB Audio functions\u003c\/li\u003e\u003cli\u003eWorks with the iPad (2 or later) through the Apple iPad Camera Connection Kit \/ Lightning to USB Camera Adapter\u003c\/li\u003e\u003cli\u003eIncludes Cubase Al DAW software download version\u003c\/li\u003e\u003cli\u003ePAD switch on mono inputs\u003c\/li\u003e\u003cli\u003e+48V phantom power\u003c\/li\u003e\u003cli\u003eXLR balanced outputs\u003c\/li\u003e\u003cli\u003eInternal universal power supply for world-wide use\u003c\/li\u003e\u003cli\u003eRack Mount Kit Included\u003c\/li\u003e\u003cli\u003eMetal chassis\u003c\/li\u003e\u003cli\u003eDimensions(W×H×D): 444 mm x 130 mm x 500 mm (17.5\" x 5.1\" x 19.7\")\u003c\/li\u003e\u003cli\u003eNet Weight: 6.8 kg (15.0 lbs.)\u003c\/li\u003e\u003ch3\u003eRoad Tough. Studio Ready.\u003c\/h3\u003e\u003cp\u003eFor more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.\u003c\/p\u003e\u003cp\u003eWith an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.\u003c\/p\u003e\u003ch3\u003eFeatured models: MG16X \/ MG12X \/ MG10X\u003c\/h3\u003e\u003cp\u003eJust like the XU models, SPX digital effects are included on these three X models. Excellent for portable use, but also great when installed in conference rooms, banquet halls and weddings, where users can have wide choice of effects to enhance their sound. Stylish grey color improves visual identification.\u003c\/p\u003e\u003ch3\u003eHead of the class\u003c\/h3\u003e\u003cp\u003eYamaha has always strived to provide sound engineers with the purest possible signal instead of added processing or color to give it a \"signature\" sound, and the MG Series is no exception. Embracing this philosophy of transparent sound, these mixing consoles deliver a level of sonic purity and sound quality that is unmatched in their class.\u003c\/p\u003e\u003ch3\u003eD-PRE (Discrete Class-A Mic Preamps)\u003c\/h3\u003e\u003cp\u003eThis is where it all starts. Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound. Having such a pure sonic platform to build on will ultimately save you time and effort by eliminating the need for excessive EQing or additional effects processing in order to \"fix\" your mix.\u003c\/p\u003e\u003ch3\u003eHigh Quality Sound Op-amp\u003c\/h3\u003e\u003cp\u003eThe head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first. MG01 op-amps feature redesigned circuitry in which even the internal components and wiring have been optimized, and use materials such as high-quality silicon wafers and copper wire to achieve superb resolution.\u003c\/p\u003e\u003ch3\u003eSwitchable Phantom Power \u0026amp; PAD Switch\u003c\/h3\u003e\u003cp\u003eWith phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany mic'ed instruments during performance, avoiding the clipping that can seriously affect your mix.\u003c\/p\u003e\u003ch3\u003eOur mixer. Your sound.\u003c\/h3\u003e\u003cp\u003eWhen was the last time you heard guitar without EQ or a completely unprocessed vocal on one of your favorite songs? Probably never. Yamaha mixers are famous for their flat response and sonic purity, but it often takes more than a perfectly-captured instrumental performance or vocal to achieve a professional-sounding mix. Equipped with some of the same state-of-the-art functionality featured on Yamaha’s high-end consoles, the MG Series gives you the tools you need to produce high quality sound that is uniquely your own.\u003c\/p\u003e\u003ch3\u003e1-knob Compressors\u003c\/h3\u003e\u003cp\u003eCompression plays an essential role in just about any recording or sound reinforcement environment by altering the level of dynamics of an audio signal when you need livelier guitars, punchier bass lines, a tighter snare, or a cleaner vocal sound. However, it can take countless hours to master the complexities of even the most basic outboard compression units and use them effectively. Originally a Yamaha innovation, 1-knob compressors are now an industry standard that gives you instant access to optimized compression settings via a single rotary control.\u003c\/p\u003e\u003ch3\u003eEQ and High-pass Filters\u003c\/h3\u003e\u003cp\u003eThere's nothing more useful than reliable equalization when you need nuanced management of your tone. The MG Series benefits from Yamaha's unparalleled experience in designing pro audio gear, featuring 3-band equalizers on all mono channels for precise control of your sound. High-pass filters allows you to eliminate unwanted low-frequency noise, for a smoother, cleaner mix.\u003c\/p\u003e\u003ch3\u003eAUX \/ Effect Sends \/ Group\u003c\/h3\u003e\u003cp\u003eMG Series mixers feature AUX sends for expanding your sound reinforcement or recording setup, allowing you accommodate additional effects, output to external recording devices, or feed a monitoring system. (except for MG06 \/ 06X) Master send controls are also provided. The MG06 \/ 06X, MG10 \/ 10X \/ 10XU \/ 10XUF and MG12XUK have a single stereo bus. All other models additionally feature one or two stereo group buses and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.\u003c\/p\u003e\u003ch3\u003eA variety of input \/ output connectors\u003c\/h3\u003e\u003cp\u003eAll models feature high-quality Neutrik™ balanced XLR connectors on mono microphone\/line channels and XLR equipped stereo channels. Each of the mono inputs is equipped with combo jack and accepts both MIC and LINE level signals. Two of the stereo inputs are equipped with XLR and two phone connectors with XLR accepting MIC level signals while two phone connectors accepting LINE level signals and can be used either mono or stereo. (except for MG10 \/ 10X \/ 10XU \/ 10XUF \/ 12XUK) The function of the additional two stereo channels vary depending on model: With MG20 \/ 20XU, XLR accepts MIC level signal and two RCA connectors accepts LINE level signals and can be used either mono or stereo. With MG12 \/ 12X \/ 12XU and MG16 \/ 16X \/ 16XU, two phone connectors accept LINE level signals as stereo. Additionally, each of the stereo channel features 2TR in (RCA connectors) and can be used as independent input from external audio sources such as CDs. MG10 \/ 10X \/ 10XU \/ 10XUF and MG12XUK are equipped with an additional stereo channel with a pair of phone jacks that accepts LINE levels. With XU models, any incoming source that are sent via USB can be assigned to one of the stereo channel. In addition to the main stereo outputs (XLR L\/R, TRS phone L\/R), MG Series mixing consoles are equipped with a comprehensive suite of output connectors, including GROUP OUT (TRS phone), AUX\/FX OUT (TRS phone), MONITOR OUT (TRS phone L\/R), and HEADPHONE OUT (stereo phone) connectors, allowing master outputs to be chosen to suit specific applications such as monitoring or mastering.\u003c\/p\u003e\u003ch3\u003eLED level metering\u003c\/h3\u003e\u003cp\u003eEasy-to-read LED level metering allows output levels to be monitored with precision.\u003c\/p\u003e\u003ch3\u003eBuilt-in SPX Digital Effects\u003c\/h3\u003e\u003cp\u003eFor musical and non-musical applications alike, effects processing adds polish and professionalism to the mix. The MG X \/ XU models feature Yamaha’s acclaimed SPX digital multi-effect processor, offering a comprehensive suite of 24 editable digital effects perfect for enhancing your mix, whether adding depth to a speaking engagement or breathing new color and atmosphere into a live band performance. In particular, the high-quality reverb and delay expand the spatial quality of the sound with remarkable realism and naturalness. You can even connect an optional FC5 foot switch for effect on \/ off control. (MG10X \/ 10XU \/ 10XUF \/ 12X \/ 12XU \/ 12XUK \/ 16X \/ 16XU \/ 20XU)\u003c\/p\u003e\u003cp\u003e* MG06X features six SPX effects (REVERB HALL \/ ROOM \/ PLATE, DELAY SHORT \/ LONG \/ VO.ECHO), which are not editable.\u003c\/p\u003e\u003ch3\u003eBuilt to last\u003c\/h3\u003e\u003cp\u003eFor gigging, recording, and installed applications alike, your console can be subjected to a wide range of environmental conditions and hazards. Excessive humidity, unstable power supplies, and the rigors of road travel in general can take a serious toll on a mixing console, often causing expensive, time-consuming repairs, and reducing its lifespan. The MG Series has been redesigned with an emphasis on durability, incorporating practical features that offer greater flexibility while ensuring peak performance for many years to come.\u003c\/p\u003e\u003ch3\u003eMetal Chassis\u003c\/h3\u003e\u003cp\u003eBuilt to last, MG Series mixers feature a rugged, impact-resistant, powder-coated metal chassis, offering an unrivalled level of durability. With a sleek design contoured for optimal convection cooling, the internal layout separates the power supply from the analog circuitry for superior noise reduction, and further extends the life of the components inside. To further ensure reliable performance, knob control placement above the surface of the chassis diverts any impact or pressure on the knobs to the chassis itself and not the circuit board or components underneath.\u003c\/p\u003e\u003ch3\u003eInternal Universal Power Supply\u003c\/h3\u003e\u003cp\u003eThanks to a highly-efficient internal universal power supply, MG Series consoles offer worry-free operation in any region around the globe—even in environments prone to potentially damaging power fluctuations. An internal power supply also simplifies rack mounting of the console for installed applications, eliminating the need for a bulky adapter or additional connections.(* MG12 \/ 16 \/ 20 \/ 12X \/ 16X \/ 12XU \/ 16XU \/ 20XU)\u003c\/p\u003e\u003ch3\u003eRack Mount Kit Included\u003c\/h3\u003e\u003cp\u003eEasily adaptable to a diverse range of installed and portable applications, the 16- and 20- channel models of the MG Series included rack ears, giving you the option of a rack-mounted or desk-top configuration. Extremely durable, their sleek design makes safe, stable placement of your console hassle-free, keeping setup time and effort to a minimum. (MG16 \/ 20 \/ 16X \/ 16XU \/ 20XU)\u003c\/p\u003e\u003cp\u003e- Optional Rackmount kit \"RK-MG12\" available for MG12 \/ 12X \/ MG12XU.\u003c\/p\u003e\u003cp\u003e- Optional Mic stand Adapter \"BMS10-A\" available for MG06 \/ 06X \/ 10 \/ 10X \/ 10XU.\u003c\/p\u003e\u003ch3\u003eXLR connector\u003c\/h3\u003e\u003cp\u003eThe main stereo outputs feature XLR type connectors that lock to prevent accidental disconnection. Rugged and dependable, these professional connectors ensure providing stable signal transmission even in the most demanding environments.\u003c\/p\u003e\u003ch3\u003eCreate, record… listen\u003c\/h3\u003e\u003cp\u003eThe MG Series features the same digital connectivity that is used to streamline the recording process on Yamaha’s professional-level mixing consoles. Take advantage of state-of-the-art digital technology that makes it easier than ever to plug-in, play, record, and then listen to your creations.\u003c\/p\u003e\u003ch3\u003e24-bit \/192kHz 2-in\/2-out USB Audio Interface Function\u003c\/h3\u003e\u003cp\u003eMG Series mixing consoles feature flexible digital connectivity for quick and easy high resolution playback of digital content. Simply connect to your PC via USB, or to your iPhone \/ iPad (2 or later) using Apple's Camera Connection Kit \/ Lightning to USB Camera Adapter. The USB protocol uses asynchronous data transfer. Audio data is transferred based on highly precise audio clock signal from the MG, for high quality recording and playback.\u003c\/p\u003e\u003ch3\u003eCubase AI\u003c\/h3\u003e\u003cp\u003eMG XU models are bundled with downloadable Steinberg’s Cubase AI software. As one of the most advanced, comprehensive DAW suites available, Steinberg's Cubase has led the charge, providing users with a powerful and flexible platform for music production. Cubase AI offers these same core technologies and interface that have won Cubase worldwide acclaim.\u003c\/p\u003e\u003cp\u003e(* MG10XU MG12XU MG16XU MG20XU)\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › On-board processors\u003c\/td\u003e\n\u003ctd\u003eSPX algorithm: 24 programs, PARAMETER control:1, FOOT SW:1 (FX RTN CH on\/off)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Phantom power\u003c\/td\u003e\n\u003ctd\u003e+48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Digital I\/O\u003c\/td\u003e\n\u003ctd\u003eUSB Audio Class 2.0 compliant, Sampling Frequency: Max 192 kHz, Bit Depth: 24-bit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Mono[MIC\/LINE]\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Mono\/Stereo[MIC\/LINE]\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Stereo[LINE]\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › STEREO OUT\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › MONITOR OUT\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › PHONES\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › AUX SEND\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › GROUP OUT\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Bus\u003c\/td\u003e\n\u003ctd\u003eStereo: 1, GROUP: 4, AUX: 4 (incl. FX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › PAD\u003c\/td\u003e\n\u003ctd\u003e26 dB (Mono)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › HPF\u003c\/td\u003e\n\u003ctd\u003e80 Hz, 12 dB\/oct (Mono\/Stereo: MIC only)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › COMP\u003c\/td\u003e\n\u003ctd\u003e1-knob compressor (Gain\/Threshold\/Ratio) Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB Attack time: approx. 25 msec, Release time: approx. 300 msec\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ HIGH\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: 10 kHz shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ MID\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: Mono 250 Hz – 5 kHz peaking, Stereo 2.5 kHz peaking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ LOW\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: 100 Hz shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › PEAK LED\u003c\/td\u003e\n\u003ctd\u003eLED turns on when post EQ signal reaches 3 dB below clipping\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › Level Meter\u003c\/td\u003e\n\u003ctd\u003e2x12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003e0.03 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.005 % @ +24dBu (1kHz), GAIN knob: Min\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003e+0.5 dB\/-1.5 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e-128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e-102 dBu (STEREO OUT, STEREO master fader: Min)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-78 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003eAC 100 – 240 V, 50 \/ 60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e30 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e444 mm (17.5\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e130 mm (5.1\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e500 mm (19.7\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e6.8 kg (15.0 lbs.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eIncluded Accessory: Owner’s Manual, Technical Specifications, AC power cord, Cubase AI Download Information, Rack-mount kit, Optional Accessory: Foot Switch FC5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eOperating Temperature: 0 to +40˚C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268733772031,"sku":"MG16XU","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_0696f46c-437f-4398-8147-4f35658da532.jpg?v=1790011485"},{"product_id":"rivage-pm3","title":"Yamaha RIVAGE PM3 Audio Mixer","description":"\u003cp\u003eThe RIVAGE PM3 has a simpler single-display interface with 24 User Defined Keys to facilitate access and speed up operation. You still get full RIVAGE PM sonic quality, a full set of features, and 38 physical faders for intuitive hands-on mixing.\u003c\/p\u003e\u003ch3\u003ePerfecting the Art of Live Sound\u003c\/h3\u003e\u003cp\u003eAll art, including art that involves sound and music, is expression that has an impact on the viewer or listener. It often begins with the artist’s personal journey of self-discovery that sometimes grows and ripples outward in waves that resonate with people everywhere.\u003c\/p\u003e\u003cp\u003eYamaha supports the engineers who support artists and performers in their quest to make waves, carrying their vision to a wider audience.\u003c\/p\u003e\u003ch3\u003eAn All-embracing Ecosystem\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM series includes five consoles, two DSP engines, two I\/O rack units, and two network protocols. Any of these components can be combined to create systems that match a wide range of application scale and budget requirements.\u003c\/p\u003e\u003cp\u003eAll five consoles feature a similar interface with up to three bays of 12 faders each, touch-sensitive display panels, and the Yamaha Selected Channel Section. Engineers who are familiar with one RIVAGE PM console can easily switch to any other and be up and running in a matter of minutes.\u003c\/p\u003e\u003cp\u003eAll RIVAGE PM system components are compatible, and components from earlier systems will work in combination with later systems. That goes for I\/O racks as well as DSP engines, so in addition to operating them separately you can combine DSP engines in mirrored configurations for large applications, for example.\u003c\/p\u003e\u003cp\u003e* The RIVAGE PM7 (CSD-R7) features integrated DSP processing.\u003c\/p\u003e\u003cp\u003eTo fully support the sound engineers who support the artists and performers, Yamaha makes absolutely no compromises when it comes to quality. Sound, operability, and reliability must all be first class, and implemented in a way that allows engineers to concentrate fully on helping artists and performers deliver their message. The RIVAGE PM series embodies this ideal at the highest level, connecting technology, art, and audiences with waves that encircle the world.\u003c\/p\u003e\u003ch3\u003eFunctional Specifications\u003c\/h3\u003e\u003cli\u003eFor More Information\u003c\/li\u003e\u003cp\u003eThe ideal starting point for creative audio engineering is transparent, uncolored sound. All Yamaha mixers are built on that philosophy, with the goal of allowing engineers to capture the on-stage sound accurately, without coloration, and then adding creative touches as required. The merits of unwavering adherence to this concept by Yamaha are evident throughout the RIVAGE PM series.\u003c\/p\u003e\u003cp\u003eThe foundation is Hybrid Microphone Preamplifiers with analog input stages that take the Yamaha “natural sound” concept to new heights, as well as digital sections with immaculate VCM-technology models of Rupert Neve Designs transformer and SILK processing circuitry that offer outstanding musicality and atmosphere. Add the latest refinements in channel EQ and dynamics, and you have extraordinary creative scope.\u003c\/p\u003e\u003cp\u003eThe built-in plug-ins that support creative sound engineering have also evolved, many through close alliances with other manufacturers that are leaders in their respective fields. Collaboration with RND (Rupert Neve Designs) and the use of Yamaha VCM technology has resulted in flawless recreations of prized equalizers and compressors from the 70s and 80s. There are also impeccable models of Eventide harmonizer and reverb effects that could only have been created through cooperation with the original manufacturer.\u003c\/p\u003e\u003cp\u003eAll of this has been implemented in the RIVAGE PM series to give engineers the tools they need to deliver the highest quality, most musical sound possible.\u003c\/p\u003e\u003ch3\u003eTwo Types of I\/O\u003c\/h3\u003e\u003cp\u003eInput circuitry and processing are critical to achieving a high level of sonic quality. The output end of the signal chain plays an important role in maintaining that quality too. Yamaha offers two types of high-performance I\/O Rack units for RIVAGE PM system input and output, each providing compatibility with a different audio network.\u003c\/p\u003e\u003cp\u003eOne of those networks is TWINLANe, capable of carrying up to 400 audio channels via optical cable. The RPio622 and RPio222 I\/O racks are TWINLANe devices, as are the HY256-TL and HY256-TL-SMF audio interface cards. The RPio622 and RPio222 I\/O racks include Hybrid Microphone Preamplifiers with high-performance analog input stages, plus advanced digital sections that include accurate emulations of Rupert Neve Designs transformer and SILK processing circuitry.\u003c\/p\u003e\u003cp\u003eAudinate Dante network compatibility, a standard feature in many other Yamaha consoles and pro audio products, is also available. The Rio3224-D2 and Rio1608-D2 I\/O Racks and the HY144-D audio interface card are Dante ready, and can be combined to provide natural sound input with any RIVAGE PM series system. Either network solution is capable of capturing the sound being created on stage, without coloration and with every nuance intact, allowing the engineer to use the creative capabilities of the RIVAGE PM series to reach the audience with maximum impact.\u003c\/p\u003e\u003ch3\u003eChannel EQ and Compression Refined to Unprecedented Levels\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM channel EQ and dynamics have also been significantly updated and fine-tuned to match the innovations in the input section. The input channels feature 4-band full parametric EQ, while the output channels are equipped with 8-band full parametric EQ, with 4 algorithm types that include newly developed variations. The “Precise” algorithm makes it easy to target and control specific EQ points, the “Aggressive” algorithm is designed for the most musical response, and the “Smooth” algorithm offers smooth, natural control. There’s also a “Legacy” algorithm that provides the familiar feel and response of the equalizers provided in industry-standard Yamaha digital consoles such as the PM1D and PM5D. The “Precise” algorithm includes Q parameters on the low and high shelving filters that allow filter overshoot to be flexibly controlled for added musical impact. Two dynamics stages are provided, each functioning as a gate, two types of compressor, ducker, or de-esser as required. The two compressor types are “Legacy Comp,” inheriting the characteristics of the standard compressors in Yamaha digital consoles, and “Comp260,” which is a beautiful VCM model of a popular analog comp\/limiter from the mid 70s. The latter accurately models the characteristics of the VCA circuit and RMS level detector used in the original device, with the effect of each parameter fine-tuned for optimum effect in live-sound applications. Presets that recreate the original fixed settings of this classic comp\/limiter are also provided for convenience in situations that require the original sound.\u003c\/p\u003e\u003cp\u003eProcessing quality has always been a major strength of Yamaha digital consoles. The RIVAGE PM series offers a comprehensive selection of plug-ins, including models of in-demand classics. The RIVAGE PM series includes over 50 plug-ins, and ample processing power allows up to 256* instances of complex plug-ins such as the Portico 5033 or Portico 5043 to be used simultaneously. There are also the Eventide H3000 Ultra-Harmonizer and a new SP2016 reverb with a large selection of presets, Dan Dugan automatic microphone mixing, and more. These contributions from distinguished third parties complement a range of original Yamaha plug-ins, adding extraordinary versatility and processing power that give the engineer wide-ranging creative freedom.\u003c\/p\u003e\u003cp\u003e* With DSP-RX-EX\u003c\/p\u003e\u003ch3\u003eBricasti Reverb\u003c\/h3\u003e\u003cp\u003eBricasti Design is known as the world's premier manufacturer of hand crafted, hardware digital reverbs.\u003c\/p\u003e\u003cp\u003eThe Y7 is specifically designed for use in the Yamaha RIVAGE PM mixing systems, bringing to the live market a Bricasti product, one that is integrated in the console for simple, fast, and familiar operation, and to bring the renowned “Bricasti Sound” to users of Yamaha products.\u003c\/p\u003e\u003ch3\u003eRND Portico Plug-ins\u003c\/h3\u003e\u003cp\u003eAlthough the SILK processing simulation created in cooperation with RND is an important part of the RIVAGE PM system, it is by no means the only product of that fruitful relationship. In addition to the well-known and highly acclaimed Portico 5033 EQ and 5043 compressor, RIVAGE PM systems include the easy-operation Rupert Neve Designs Portico 5045 Primary Source Enhancer that effectively suppresses background noise at microphone inputs for enhanced clarity while significantly increasing the feedback margin, making it a valuable tool for live sound in houses of worship, stadiums, halls, and other environments where feedback can be problem.\u003c\/p\u003e\u003cp\u003eAdded with V5.0, Portico II Master Buss Processor is a creative tool that redefines the boundaries and limitations of traditional 2-channel compression and limiting. From mixing bass-heavy EDM to a delicate master of a chamber ensemble, it has something to offer everyone – no matter the use or genre.\u003c\/p\u003e\u003ch3\u003eDan Dugan Automatic Mixer\u003c\/h3\u003e\u003cp\u003eThrough in-depth collaboration with Dan Dugan Sound Design, renowned Dan Dugan automatic microphone mixing with its advanced algorithms is built into the RIVAGE PM series digital mixing systems. Setup is easy: just insert the processor into up to 64 channels for automatically optimized microphone gain distribution. Gain control is smooth and natural, as though experienced human operators were doing the mix. The system also effectively reduces feedback and comb filter issues. For speech applications, especially non-scripted situations, this allows the operator to concentrate on details other than fader operation for consistently high quality mixes.\u003c\/p\u003e\u003ch3\u003eEventide Effects\u003c\/h3\u003e\u003cp\u003eThe Eventide name is legendary in the effects field. The acclaimed H3000 Ultra-Harmonizer and a new SP2016 Reverb plugin added in version 4.0 are available throughout the RIVAGE PM series. In addition to a full range of parameters that can be edited to precisely tailor the effects for any need, the SP2016 features a large selection of presets that make it quick and easy to call up an ideal reverb sound.\u003c\/p\u003e\u003ch3\u003eYamaha DaNSe Noise Suppression\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM series includes a range of original Yamaha plug-ins that are extremely powerful too, including the DaNSe Noise Suppressor. The “DaNSe” plugin analyzes noise frequency characteristics and employs a learn function to automatically achieve the most effective noise suppression without the need for any complex setup or programming by the user. Effective noise suppression can be a huge advantage for plays and musicals, significantly enhancing audio clarity. DaNSe can suppress air conditioning noise and noise produced by cooling fans in on-stage moving lights. It can reduce monitor bleed to on-stage instrument mics, and suppress crowd noise during announcements and sports events. It is a highly effective and widely applicable noise suppression tool.\u003c\/p\u003e\u003cp\u003eYamaha has always focused on operability in digital live sound consoles, sparing no effort in providing an interface that engineers coming from analog consoles can operate intuitively, while at the same time maximizing the benefits of digital technology and features. RIVAGE PM systems take that concept to a new level, extending an already familiar and highly rated interface for even greater efficiency and ease in achieving the ultimate sound.\u003c\/p\u003e\u003ch3\u003eRefined Interface\u003c\/h3\u003e\u003cp\u003eA key element of the RIVAGE PM interface is the industry-standard Yamaha Selected Channel concept, providing direct access to parameters of any channel selected via its SEL key. The Selected Channel section provides direct, fast access to all channel parameters. Encoders, buttons, and indicators are provided in a comprehensive layout that makes maximum use of the available panel space, for comfortable operation in any environment or mixing situation. RIVAGE PM series control surfaces feature three groups of 12 faders to which channels can be assigned as required. Depending on the console, some or all of the fader groups work with large touch-sensitive displays in the top panel, providing an evolved version of the Centralogic operating environment. The channel strips extend vertically and virtually seamlessly into the touch panel displays, for lucid, logical control. In addition to allowing channels to be conveniently managed in 12 channel groups, this configuration also facilitates 2-man operation with different operators handling separate groups.\u003c\/p\u003e\u003ch3\u003eUpdated Send Operation (RIVAGE PM5\/3)\u003c\/h3\u003e\u003cp\u003eSetting up sends is an important part of just about any live mixing workflow. In addition to the familiar Sends on Fader function, send levels can be controlled from the Send \/ User Defined Knobs. Send levels shown on the display panels where they can also be adjusted via touch control. This expanded range of control choices greatly enhances convenience and versatility when setting up and tweaking sends.\u003c\/p\u003e\u003ch3\u003eEasy-reach Layout and Improved Sight Line\u003c\/h3\u003e\u003cp\u003eRIVAGE PM console are designed with touch panel displays and Selected Channel section on a prominently raised upper panel that offers optimum visibility from the engineer’s position as well as easy access to all controls. This evolved console design also provides a closer connection to the performers on stage with improved sight lines that give the engineer a broader, more comprehensive view of the action.\u003c\/p\u003e\u003ch3\u003eA Monitor Section to Match Any Job (RIVAGE PM10\/7)\u003c\/h3\u003e\u003cp\u003eMonitoring flexibility is an important criterion for live sound consoles that must be adaptable to a broad variety of applications. The RIVAGE PM10 and PM7 feature two monitor\/cue outputs, with up to eight combinations of monitor sources that can be memorized and selected as required. In addition to independent control of output levels, dedicated delays and 8-band parametric equalization are available specifically for monitor use. It is even possible to insert plug-ins immediately before the EQ stage. All of these features provide the flexibility needed to create optimum monitor setups for just about any situation.\u003c\/p\u003e\u003ch3\u003eHigh-visibility Fader Meters (RIVAGE PM5)\u003c\/h3\u003e\u003cp\u003eClear visual feedback is also provided by the meters associated with each fader. The fader meters can display mono or stereo levels, or gain reduction when you want to keep an eye on channel dynamics. The fader meters can contribute to smooth, accurate control by providing direct feedback of how fader operation is affecting the signal.\u003c\/p\u003e\u003ch3\u003eGenius.lab\u003c\/h3\u003e\u003cp\u003eAllowing users to create a wide variety of actions triggered by key presses, fader operations, MIDI messages and more, it gives audio engineers the power to programme events to suit their specific situation and workflow. A huge range of functions can be programmed, with combinations of actions enacted by one trigger.\u003c\/p\u003e\u003cp\u003eInnovate your workflow with Genius.lab.\u003c\/p\u003e\u003cp\u003eMacro Library, the range of macro presets, helps you start with Genius.lab.\u003c\/p\u003e\u003cli\u003eDownload Macro Library\u003c\/li\u003e\u003cp\u003eBecause evolving applications continually raise new challenges and needs, Yamaha provides continuing support in the form of firmware updates that keep our digital mixers, RIVAGE PM systems included, up to date and often ahead of the curve.\u003c\/p\u003e\u003ch3\u003eWireless receiver integration\u003c\/h3\u003e\u003cp\u003eWith V5.0 firmware or later, RIVAGE PM consoles support control and monitoring of the highly popular wireless receivers on the market, giving you even more freedom when operating sound systems built around a RIVAGE PM series product.\u003c\/p\u003e\u003cp\u003eSupported Device\u003c\/p\u003e\u003cp\u003e- Sennheiser: EM 6000\u003c\/p\u003e\u003cp\u003e- Shure: AD4D\/Q, AXT400, QLXD4, ULXD4\/D\/Q, SLXD4\/D\/Q+\/QDAN+\u003c\/p\u003e\u003cp\u003e- Sony: DWR-R03D\u003c\/p\u003e\u003ch3\u003eOverlay Filter for Rapid Response\u003c\/h3\u003e\u003cp\u003eThe Overlay filter can notably enhance the usefulness of the console’s scene memory. It can be “overlaid” on a current mix to apply offsets to the fader levels and mix\/matrix send levels independently from scene recall. This can be useful when an unplanned performer change occurs, for example, facilitating a temporary, relative level adjustment that can be instantly returned to the original level. The Overlay filter will prove its value in situations that require sudden changes plus the ability to easily revert to the original settings.\u003c\/p\u003e\u003ch3\u003eTheatre Mode\u003c\/h3\u003e\u003cp\u003eTheatre Mode facilitates scene and costume changes with four banks that can be used to store different EQ and dynamics settings for individual performers. In Theatre Mode, rather than storing EQ and dynamics settings in the console’s “scenes,” only the bank number is stored so that any adjustments made will apply to all scenes that use the same bank.\u003c\/p\u003e\u003cp\u003eThis can be used when multiple actors are cast in the same role or when a substitute must be used, allowing faster, more flexible mix changes to accommodate different casts, for example.\u003c\/p\u003e\u003ch3\u003eDSP Mirroring for Failsafe Redundancy\u003c\/h3\u003e\u003cp\u003eDSP Mirroring allows two DSP-RX or DSP-RX-EX engines to be used for failsafe redundancy with RIVAGE PM10, PM5, and PM3 systems.* If a problem occurs in the main DSP engine, the second DSP engine can take over without disrupting the program.\u003c\/p\u003e\u003cp\u003e* The RIVAGE PM7 features integrated DSP processing and does not support DSP mirroring.\u003c\/p\u003e\u003ch3\u003eLightweight for Easy Setup and Transportation (RIVAGE PM5\/3)\u003c\/h3\u003e\u003cp\u003eAlthough it offers heavy-duty performance and features, plus a comfortably spacious interface, the RIVAGE PM5\/3 weighs surprisingly little. The CS-R5 weighs 92.6 pounds\/ 42 kilograms and CS-R3 weighs 83.8 pounds\/ 38 kilograms and can be easily carried and positioned by just two people. This impressive weight reduction has been achieved through state-of-the-art mechanical design and the use of a lightweight but extremely durable material.\u003c\/p\u003e\u003ch3\u003eConsole File Converter Brings the Yamaha Family Together\u003c\/h3\u003e\u003cp\u003eThe Yamaha Console File Converter is an application that allows data to be shared between a number of Yamaha digital mixing consoles. User can share data between RIVAGE PM series, CL\/QL series, PM5D, M7CL, and LS9 consoles, so data from one show doesn’t have to be completely reprogrammed from scratch for the next, even if different consoles are used.\u003c\/p\u003e\u003ch3\u003eTwo Convenient Approaches to Live Recording\u003c\/h3\u003e\u003cp\u003eProfessional quality live recording capability is becoming an essential feature in live sound consoles. In addition to convenient 2-track recording to a USB flash drive, the RIVAGE PM series supports multitrack recording via a Dante audio network to meet the widest possible range of serious recording requirements.\u003c\/p\u003e\u003cp\u003eThe 2-track USB flash drive recorder function directly records the output of the STEREO or MIX bus to the flash drive. Background music or sound effects recorded on the flash drive can also be assigned to any input channel for playback. Sample rate conversion is provided for both input and output, so the recorder function can be used without having to think about the system sampling rate. Data can be recorded to or played back from WAV or MP3 files, as required.\u003c\/p\u003e\u003cp\u003eMultitrack recordings can be made to a computer based DAW via a Dante audio network. High-resolution recording of up to 128 channels (input and output) at 96 kHz is possible if the computer is equipped with a DANTE ACCELETATOR PCIe card (AIC128-D). With Dante Virtual Soundcard the maximum in\/out track count is 64.\u003c\/p\u003e\u003cp\u003eMultitrack recordings of rehearsals made in this way can be used for “virtual sound checks” when the performers aren’t available. Input patching for all required channels can be switched in one operation for both recording and virtual sound checks. Recorder playback and stage input can even be smoothly combined when needed.\u003c\/p\u003e\u003cp\u003eAdditionally, firmware versions V5.0 and later allow you to use the Yamaha Console Extension to copy Channel Name and Channel Color to Nuendo Live and to operate transport controls and markers from the console, providing seamless connection between RIVAGE PM Series consoles and Nuendo Live.\u003c\/p\u003e\u003ch3\u003eVarious control options\u003c\/h3\u003e\u003cp\u003eRIVAGE PM products provide a range of control options to meet your needs, allowing you to adjust sound from the stage or the audience area, and can also be integrated with a variety of external devices.\u003c\/p\u003e\u003cp\u003eRIVAGE PM Editor allows you to control your system from a computer via a GUI that replicates the RIVAGE control surface, while StageMix lets you move freely around the venue and mix from your preferred listening position.\u003c\/p\u003e\u003cp\u003eThe MonitorMix app gives performers an easy way to adjust their personal monitor mixes.\u003c\/p\u003e\u003cp\u003eOSC server allows external devices to control the RIVAGE PM system using the OSC protocol. With version 7.0 or later, the RIVAGE PM system can function as an OSC client for control of OSC-compatible devices, while OSC commands can be programmed to link with scenes for seamless operation.\u003c\/p\u003e\u003ch3\u003eYamaha Immersive Sound Control\u003c\/h3\u003e\u003cp\u003eSound xR Image is a proprietary immersive sound system from Yamaha that gives users full control over sound imaging within a given space. Sound xR Image provides broad content creation support for theater, opera, concert, installation, event, and other applications. Control with RIVAGE PM consoles allows the flexible design of immersive sound systems and the creation of streamlined, efficient workflows.\u003c\/p\u003e\u003cp\u003eWith V7.0 firmware or later, the control for Sound xR Image on DME is supported and gives the offline setting features for the immersive panning parameters on the consoles.\u003c\/p\u003e\u003cli\u003eSound xR\u003c\/li\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Input Mixing channels › DSP-RX\u003c\/td\u003e\n\u003ctd\u003e120\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Input Mixing channels › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e288\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Mix Buses › DSP-RX\u003c\/td\u003e\n\u003ctd\u003e48\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Mix Buses › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e72\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Matrices › DSP-RX\u003c\/td\u003e\n\u003ctd\u003e24 (Input to Matrix supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Matrices › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e36 (Input to Matrix supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Stereo buses\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › mono buses\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › cue bus\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Analog › in\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Analog › out\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Digital › AES IN\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Digital › AES OUT\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Expansion Slot › HY\u003c\/td\u003e\n\u003ctd\u003e4 (DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Expansion Slot › MY\u003c\/td\u003e\n\u003ctd\u003e2+2(DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › GPI › IN\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › GPI › ONT\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › MIDI\u003c\/td\u003e\n\u003ctd\u003eIN\/OUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › USB › File\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › USB › rec\/play\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Redundant PSU\u003c\/td\u003e\n\u003ctd\u003eYes (Built in dual PSU)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Meter Bridge\u003c\/td\u003e\n\u003ctd\u003eOn screen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Lamp\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Talkback In\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Video Out\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › TC In\u003c\/td\u003e\n\u003ctd\u003eYes (DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Fault Output\u003c\/td\u003e\n\u003ctd\u003eYes (DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Phones\u003c\/td\u003e\n\u003ctd\u003e2 connectors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › AC Inlet\u003c\/td\u003e\n\u003ctd\u003e2 (V-Lock Type)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Number of Scenes\u003c\/td\u003e\n\u003ctd\u003e1000\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Recall Safe\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Focus Recall\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Fade Time\u003c\/td\u003e\n\u003ctd\u003eYes (0s ~ 60s)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Preview\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Selective Load \/ Save\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Global Paste\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Event List\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Overlay\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Isolate\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Tactile Control Keys\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Gain Compensation\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Silk\u003c\/td\u003e\n\u003ctd\u003eYes (with RPio)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Digital Gain\u003c\/td\u003e\n\u003ctd\u003eYes (-96dB ~ +24dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › ATT\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › HPF\u003c\/td\u003e\n\u003ctd\u003e20Hz~2000Hz, -6\/-12\/-18\/-24dB\/oct Selectable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › PEQ\u003c\/td\u003e\n\u003ctd\u003e4 Band Full PEQ (4 algorithms, RTA overlay support)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Dynamics 1\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Dynamics 2\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Input Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Pan\u003c\/td\u003e\n\u003ctd\u003eCenter Nominal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › DCA Group\u003c\/td\u003e\n\u003ctd\u003e24 (Output DCA support)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › DCA Rollout\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › MUTE Group\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Number of Inserts\u003c\/td\u003e\n\u003ctd\u003e4 slots on each 2 insert point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Direct Out\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › PEQ\u003c\/td\u003e\n\u003ctd\u003e8 Band Full PEQ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › GEQ\u003c\/td\u003e\n\u003ctd\u003ePlug-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Dynamics 1\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Output Channel Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › MUTE Group\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Number of Inserts\u003c\/td\u003e\n\u003ctd\u003e4 slots on each 2 insert point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePlug-in › Number of Slots › DSP-RX \/ Internal\u003c\/td\u003e\n\u003ctd\u003e384\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePlug-in › Number of Slots › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e512\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePlug-in › Number of Effect Programs\u003c\/td\u003e\n\u003ctd\u003eMore than 50\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGEQ Rack › Number of GEQ Racks\u003c\/td\u003e\n\u003ctd\u003e48\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGEQ Rack › Mountable Device\u003c\/td\u003e\n\u003ctd\u003e31BandGEQ \/ Flex15GEQ \/ 8Band PEQ (RTA overlay support) \/ Dugan Automixer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTWINLANe › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e256 in \/ 256 out (with HY256-TL)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e144 in \/ 144 out (with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices that can be discovered from the console *1\u003c\/td\u003e\n\u003ctd\u003e127 (with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices that can be mounted *2\u003c\/td\u003e\n\u003ctd\u003e48（with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices with HA remote control *2\u003c\/td\u003e\n\u003ctd\u003e48（with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMADI › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e64 in \/ 64 out @96kHz, 128 in \/ 128 out @48kHz (with HY128-MD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRecording › USB Memory Recording\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRecording › DVS Recording\u003c\/td\u003e\n\u003ctd\u003eYes (with HY144-D)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › 5.1 Surround Panning\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › Surround Monitor\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › Mix Minus\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › L-Mono \/ R-Mono \/ LR-Mono\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMonitor › Solo Mode\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMonitor › Oscillator\u003c\/td\u003e\n\u003ctd\u003eSine Wave 1ch \/ Sine Wave 2ch \/ Pink Noise \/ Burst Noise\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Port to Port\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Dual Console\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › DSP Mirroring\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Timecode Reader\/Display\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Timecode Chase (Event List)\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › GPI\/MIDI\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › RTA\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Output Port Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Mix\/Matrix to Input\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Sub In\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Theatre Mode\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Display\u003c\/td\u003e\n\u003ctd\u003e15 inch Touch Panel x 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Centralogic Section\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Faders\u003c\/td\u003e\n\u003ctd\u003e12 + 12 + 12 + 2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Selected Channel Encoders\u003c\/td\u003e\n\u003ctd\u003eDynamics, GAIN, HPF, EQ, PAN, Function Knob\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Channel Encoder\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Channel Name \/ Color Display\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Custom Fader Banks\u003c\/td\u003e\n\u003ctd\u003eYes (6 x 5 on each bay)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › User Defined Keys\u003c\/td\u003e\n\u003ctd\u003e12 (x 4 banks)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › User Defined Knobs\u003c\/td\u003e\n\u003ctd\u003e3 (4 x 4 banks can be assigned)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Touch and Turn Knob\u003c\/td\u003e\n\u003ctd\u003eYes (3)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Monitor Level Knob\u003c\/td\u003e\n\u003ctd\u003eYes (2: A and B)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Wooden Arm Rest\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › Editor\u003c\/td\u003e\n\u003ctd\u003eRIVAGE PM Editor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › StageMix\u003c\/td\u003e\n\u003ctd\u003eRIVAGE PM StageMix\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › MonitorMix\u003c\/td\u003e\n\u003ctd\u003eYes (V4.0 or later)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › Console File Converter\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (WxHxD)\u003c\/td\u003e\n\u003ctd\u003eCS-R5: 1,444 x 414 x 643mm (56.9\" x 16.2\" x 25.3\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNet Weight\u003c\/td\u003e\n\u003ctd\u003eCS-R5: 42 kg (92.6 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eIncluded Accessories\u003c\/td\u003e\n\u003ctd\u003eCS-R5: Dust cover, Nuendo Live\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268733804799,"sku":null,"price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_2575fb59-46ea-416c-ae5f-8b2171775080.jpg?v=1790011485"},{"product_id":"swr2100p-5g","title":"Yamaha SWR2100P-5G L2 Switch","description":"\u003cp\u003eThe SWR2100P series network switch equipped with five RJ45 ports.\u003c\/p\u003e\u003cli\u003ePorts available for PoE power supply: 1-4 \/ Up link port: 5 port\u003c\/li\u003e\u003cli\u003eMaximum 30W can be supplied from each PoE-compliant port (All ports 70W)\u003c\/li\u003e\u003ch3\u003eSimple L2 Network switch with PoE\u003c\/h3\u003e\u003cp\u003eYamaha has used its knowledge of both IT and pro audio to provide \"SWR2100P series\" simple L2 switch that has been optimized for networked audio installations. The switch can take advantage of \"Yamaha LAN Monitor\" a dedicated computer application that provides 'network visibility' for comprehensive monitoring and control.\u003c\/p\u003e\u003ch3\u003eSupplies power to PoE-enabled Dante devices on the network\u003c\/h3\u003e\u003cp\u003eThe \"SWR2100P series” which are simple L2 switches can supply power as well as audio and control signals to a PoE-compliant Dante device such as the paging station microphone “PGM1” through just one Ethernet cable. Since the power supply and the network wiring can be combined, the number of cables being used can be reduced, and the connection distance can be extended, so the degree of freedom of Dante device installation is increased and construction flexibility is further improved.\u003c\/p\u003e\u003ch3\u003eComprehensive Monitoring\u003c\/h3\u003e\u003cp\u003eSystems built around the SWR2100P-5G or SWR2100P-10G L2 switches allow comprehensive network monitoring from the dedicated Yamaha LAN Monitor software application, with PoE power status monitoring and ON\/OFF switching capability.\u003c\/p\u003e\u003ch3\u003eComplete Network Overview\u003c\/h3\u003e\u003cp\u003eUnderstanding how multiple switches installed in different locations are connected, plus how network devices are connected to those switches, can be a difficult, time-consuming task. The Yamaha LAN Monitor makes overall network topology clearly visible, giving the user a comprehensive overview of how multiple switches and Dante network devices are interconnected. Simply connect a computer to the nearest SWR2100P series switch and launch the Yamaha LAN Monitor software.\u003c\/p\u003e\u003ch3\u003eSnapshot Function Makes Troubleshooting Easy\u003c\/h3\u003e\u003cp\u003eYou can take a “snapshot” of the network status when set up as required. The software can then automatically keep track of the settings and alert you to any changes. You could take a snapshot of the network, and then you would be alerted if a cable is disconnected, if a device is turned off, or if a wrong connection is made prior to the performance, for example.\u003c\/p\u003e\u003ch3\u003eEnhanced Device ID with Icons, Labels and Comments\u003c\/h3\u003e\u003cp\u003eIdentifying devices connected to a switch by only their IP or MAC address is a difficult and error-prone approach. Connected Dante devices are identified by a Dante icon as well as a device ID previously set up via the Dante Controller software. You can also enter additional info, such as the location of the device, in the Label and Comment fields.\u003c\/p\u003e\u003ch3\u003eCollectively monitor and remotely restart devices distributed over a wide area\u003c\/h3\u003e\u003cp\u003eIf the monitoring device does not respond to a Ping, it judges that a fault has occurred and automatically stops the PoE power supply to that device and then resumes it. This restarts the monitoring equipment and attempts recovery. By collectively managing the status of the devices distributed over a wide area, it can ensure that equipment management can operate far more smoothly.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Standard\u003c\/td\u003e\n\u003ctd\u003eIEEE802.3 (10BASE-T\/100BASE-TX\/1000BASE-T)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Number of ports\u003c\/td\u003e\n\u003ctd\u003e5 ports\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Ports available for PoE power supply\u003c\/td\u003e\n\u003ctd\u003e4 ports (port 1–4)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › PoE standards\u003c\/td\u003e\n\u003ctd\u003eIEEE 802.3at\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power supply system\u003c\/td\u003e\n\u003ctd\u003eAlternative A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum power supply › Per port\u003c\/td\u003e\n\u003ctd\u003e30W (Varies depending on the power consumption class of each connected device.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum power supply › All ports\u003c\/td\u003e\n\u003ctd\u003e70W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Compatible PoE powered devices\u003c\/td\u003e\n\u003ctd\u003ePoE powered devices that comply IEEE 802.3af standards or IEEE 802.3at standards\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Switches\u003c\/td\u003e\n\u003ctd\u003eCONFIGURATION switches for modifying the settings (L2MS switch, Flow control switch, Auto MIDI\/MIDI-X switch, Loop detection switch, energy save mode switch)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Indicators\u003c\/td\u003e\n\u003ctd\u003ePOWER, PoE LIMIT, LINK\/ACT, SPEED, PoE STATE (x16)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Operating environment\u003c\/td\u003e\n\u003ctd\u003eAmbient temperature: 0 to 40 °C, Ambient humidity: 15 to 80% (no condensation)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Storage environment\u003c\/td\u003e\n\u003ctd\u003eAmbient temperature: -20 to 50 °C, Ambient humidity: 10 to 90% (no condensation)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power supply voltage, frequency\u003c\/td\u003e\n\u003ctd\u003eAC100 V to 240 V, 50 Hz\/60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e86 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e220 mm (8.66 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e40.5 mm (1.6 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e250 mm (9.8 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Weight\u003c\/td\u003e\n\u003ctd\u003e1.6 kg (3.5 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eOwner’s Manual; power cord; power cord clamp; feet Controls and\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268733837567,"sku":"SWR2100P-5G","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_f5693e81-448f-4aaa-ab19-6b7ebe0a12fd.jpg?v=1790011487"},{"product_id":"ag01","title":"Yamaha AG01 Streaming Loopback Audio USB Microphone","description":"\u003cp\u003eA live streaming USB microphone with integrated high-performance mixer.\u003c\/p\u003e\u003cli\u003eStudio-quality USB condenser microphone\u003c\/li\u003e\u003cli\u003eModern and retro design with two models in black and white\u003c\/li\u003e\u003cli\u003eHigh resolution (24-bit, 192 kHz) 2-track audio recording and playback\u003c\/li\u003e\u003cli\u003e4-pole mini input\/output (TRRS) to support new streaming applications\u003c\/li\u003e\u003cli\u003eFlexible LOOPBACK function ideal for live streaming or live recording\u003c\/li\u003e\u003cli\u003eMute button for convenience during Live Streaming\u003c\/li\u003e\u003cli\u003eEasy control and pro sound with COMP\/EQ and 1-TOUCH REVERB\u003c\/li\u003e\u003cli\u003eAG Controller (Windows\/Mac\/iOS) for precise parameter control\u003c\/li\u003e\u003cli\u003eWindows\/Mac support by USB-C connection\u003c\/li\u003e\u003cli\u003eiOS connectivity via Apple Camera Adapter (requires external USB power supply)\u003c\/li\u003e\u003cli\u003eAndroid supported by 4-pole mini input\/output (TRRS)\u003c\/li\u003e\u003cli\u003eUSB-C power input (5 V DC, 900 mA)\u003c\/li\u003e\u003cli\u003e3\/8″ screw hole for mic stand (with protective cap)\u003c\/li\u003e\u003cli\u003eCubase Al, WaveLab Cast, Cubasis LE and Rec'n'Share are available\u003c\/li\u003e\u003cli\u003e\"OBS Certified\" device. Provides seamless streaming experience with OBS Studio.\u003c\/li\u003e\u003ch3\u003eYour Audience Awaits.\u003c\/h3\u003e\u003cp\u003eConfiguring a streaming setup from scratch can be a daunting task, particularly for users with little production experience. The minimalist design of the AG01 takes this into account by combining a high-quality condenser microphone with DSP effects, a LOOPBACK function, flexible input connectivity, and a simple, intuitive mixer for stress-free streaming operation.\u003c\/p\u003e\u003cp\u003eSimply connect to your computer or iOS\/Android device along with the headphones of your choice, then set your levels, and you’ve got a fully operational streaming station. If you’re an aspiring live streamer that requires a compact yet comprehensive, high-quality, all-in-one solution, the AG01 is ready when you are.\u003c\/p\u003e\u003ch3\u003eModern retro design\u003c\/h3\u003e\u003cp\u003eIn most streaming applications, your microphone is likely to be featured prominently onscreen. For this reason, it’s crucial that your mic looks as good as it works. The AG01 offers a unique and iconic design that blends classic and contemporary aesthetics. You’ll find both black and white-based models to suit your preference.\u003c\/p\u003e\u003ch3\u003eFlexible connectivity and LOOPBACK function support various streaming applications\u003c\/h3\u003e\u003cp\u003eIn addition to the condenser microphone audio input, the AG01 is equipped with a mini stereo line input jack, and an upgraded 4-pole mini jack (TRRS) for smartphones that allows input and output. You can also add audio from devices connected via USB in LOOPBACK mode. Combined with these features, this microphone-type model can cover a wide variety of streaming styles that could not be achieved in the past without a separate mixing device.\u003c\/p\u003e\u003ch3\u003eStudio-quality cardioid condenser microphone\u003c\/h3\u003e\u003cp\u003eThe AG01's high-performance condenser microphone utilizes a cardioid polar pattern that captures your voice or musical instrument performance precisely, and converts it into high resolution audio (192kHz, 24bit) while blocking out unwanted ambient noise from the rear or sides.\u003c\/p\u003e\u003ch3\u003eZero-latency DSP effects for a polished professional sound\u003c\/h3\u003e\u003cp\u003eThe AG01 features the same high-quality DSP effects as other AG series models, allowing you to easily add COMP\/EQ and REVERB to color and hone your audio so you’ll get the best sound possible. In addition, because these tools are processed by the internal DSP chip, there's no delay, making it particularly valuable for live streaming, when real-time accuracy is required.\u003c\/p\u003e\u003cp\u003eAnd when you want to capture pure, raw recordings through the AG01 and edit them later, you have the option to turn these effects off completely.\u003c\/p\u003e\u003ch3\u003eSimple and intuitive audio control\u003c\/h3\u003e\u003cp\u003eThere are many situations in live streaming where you may need to make audio adjustments on the fly. The carefully configured physical controls of the AG01 respond to these needs providing a simple operating experience that won’t detract from your live content or performances.\u003c\/p\u003e\u003ch3\u003eAG Controller provides precise control\u003c\/h3\u003e\u003cp\u003eAG Controller offers two modes, \"Simple\" and \"Detail,\" which allow users with varying degrees of audio engineering experience to easily and precisely check and adjust the AG’s DSP processing from any Windows\/Mac or iOS device connected via USB.\u003c\/p\u003e\u003cli\u003eMore information for AG Controller\u003c\/li\u003e\u003ch3\u003eWherever and whenever you want\u003c\/h3\u003e\u003cp\u003eThe AG01 can be easily placed on a desk or any flat surface with its dedicated stand, or mounted on a desk arm, making it adaptable to almost any environment.\u003c\/p\u003e\u003cp\u003eIt can also be used in combination with a mobile battery allowing you to take your fully functioning streaming station anywhere you like.\u003c\/p\u003e\u003cp\u003e*For stable operation of the AG01, a power supply of DC 5V 900mA or more is required.\u003c\/p\u003e\u003ch3\u003ePowerful bundled software\u003c\/h3\u003e\u003cp\u003eAG01 comes bundled with Cubase AI music production software, as well as WaveLab Cast for audio production and editing. The AG01 is also compatible with Rec'n'Share and Cubasis LE applications for iOS devices which are available free of charge from Yamaha and Steinberg to support and inspire your audio content creation.\u003c\/p\u003e\u003cli\u003eCubase AI, WaveLab Cast\u003c\/li\u003e\u003cli\u003eCubasis LE\u003c\/li\u003e\u003cli\u003eRec'n'Share\u003c\/li\u003e\u003ch3\u003eCertified for OBS\u003c\/h3\u003e\u003cp\u003eOBS Studio: Free and open source software for video recording and live streaming.\u003c\/p\u003e\u003cp\u003eYamaha is an official sponsor of OBS. By sponsoring OBS, which aids the live streaming activities of creators around the world, Yamaha advocates for the activities of content creators who devote themselves to developing a wide range of content, including live music performances, as well as podcasts and game streaming.\u003c\/p\u003e\u003cli\u003ehttps:\/\/obsproject.com\/\u003c\/li\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eMicrophone › Microphone Unit\u003c\/td\u003e\n\u003ctd\u003eBack electret condenser type\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMicrophone › Polar Pattern\u003c\/td\u003e\n\u003ctd\u003eCardioid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMicrophone › Address Type\u003c\/td\u003e\n\u003ctd\u003eSide\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMicrophone › Frequency Response\u003c\/td\u003e\n\u003ctd\u003e30 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMicrophone › Max Input SPL\u003c\/td\u003e\n\u003ctd\u003e110 dB (THD ≦1.0% at 1 kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMicrophone › Sensitivity\u003c\/td\u003e\n\u003ctd\u003e-34 dB ± 3 dB (0 dB=1 V\/Pa, at 1 kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMicrophone › Connector\u003c\/td\u003e\n\u003ctd\u003eUSB Type-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Microphone\u003c\/td\u003e\n\u003ctd\u003e1 (Mono condenser microphone)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › AUX\u003c\/td\u003e\n\u003ctd\u003e1 - Stereo mini\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Smartphone\u003c\/td\u003e\n\u003ctd\u003e1 - 4-pole mini input\/output (TRRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › USB\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › PHONES\u003c\/td\u003e\n\u003ctd\u003e1 - Stereo mini\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › Smartphone\u003c\/td\u003e\n\u003ctd\u003e1 - 4-pole mini input\/output (TRRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › USB\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Bus\u003c\/td\u003e\n\u003ctd\u003e1 Stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Functions\u003c\/td\u003e\n\u003ctd\u003eMIC GAIN (HIGH \/ MID \/ LOW), MUTE button x 1, STREAMING OUT (MIC \/ INPUT MIX \/ LOOPBACK), MIX MINUS MIC (ON \/ OFF)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › On-board processors › DSP\u003c\/td\u003e\n\u003ctd\u003eCOMP\/EQ, REVERB (SPX Reverb) *Detail is Controlled on AG Controller\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › USB › USB Audio\u003c\/td\u003e\n\u003ctd\u003e2 IN \/ 2 OUT, USB Audio Class 2.0 Compliant, Sampling Frequency: Max. 192 kHz, Bit Depth: 24-bit, Type-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › USB › USB DC Power input\u003c\/td\u003e\n\u003ctd\u003e1 - Type-C, 5 V DC, 900 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003e5 V DC, 900 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003eMax. 4.5 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e116 mm (4.6\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e281 mm (11.1\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e118 mm (4.6\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e1.2 kg (2.6 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Included Accessories\u003c\/td\u003e\n\u003ctd\u003eUSB 2.0 Cable (1.5 m), Quick Guide, Safety Guide, Wavelab Cast Download Information, Cubase AI Download Information\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eOperating Temperature: 0 to + 40 ℃\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268733870335,"sku":"AG01","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_f7e1d672-7c53-4b8a-bde3-9478a27a01bc.jpg?v=1790011485"},{"product_id":"hs3","title":"Yamaha HS3 Powered Studio Monitors (Pair)","description":"\u003cp\u003eHigh-quality compact studio monitors for the uncompromising creator\u003c\/p\u003e\u003cli\u003e2-way bass-reflex powered speaker with 3.5\" cone woofer and 0.75\" dome tweeter\u003c\/li\u003e\u003cli\u003e70 Hz - 22 kHz frequency response (-10 dB)\u003c\/li\u003e\u003cli\u003e26 W + 26 W output power (Dynamic, RL=6 Ω)\u003c\/li\u003e\u003cli\u003eROOM CONTROL and HIGH TRIM response controls\u003c\/li\u003e\u003cli\u003eXLR\/TRS Phone (COMBO), RCA, and Stereo Mini inputs\u003c\/li\u003e\u003cli\u003eStereo mini - RCA cable, speaker cable, and anti-slip pad included\u003c\/li\u003e\u003cli\u003ePackaging: Pair\u003c\/li\u003e\u003ch3\u003eHigh-quality compact studio monitors for the uncompromising creator\u003c\/h3\u003e\u003cp\u003eHS Series speakers are the standard in studio monitors, trusted for many years by the world’s top audio engineers, producers, and artists. Now Yamaha has redefined their essence in a compact housing. The HS3 and HS4 are powerful tools to help create a wide range of audio content—from music production to video editing—that meets the expectations of creators who have limited space but do not want to compromise on monitoring quality.\u003c\/p\u003e\u003ch3\u003eSound that's always true to the original\u003c\/h3\u003e\u003cp\u003eThe HS3 and H34 studio monitors embody our legacy of design excellence. No detall has been overlooked. Inside are carefully selected parts such as a high-performance class-D amplifler, a highly resilient MDF cabinet, as well as woofers and soft-dome tweeters that deliver a pure sound faithful to the source - despite their small aize. Additionally, our proprietary \"Twisted Flare Port\" technology delivers crystal-clear beas with minimal turbulence noise, The result is outstanding resolation, sound image, and depth with a flat response across all bandwidths without any coloring of the original sound.\u003c\/p\u003e\u003ch3\u003eOptimal sound tailored to your environment\u003c\/h3\u003e\u003cp\u003eThe sound produced by speakers can sometimes be affected by the surrounding environment.\u003c\/p\u003e\u003cp\u003eThe rear panels of the HS3 and HS4 are equipped with ROOM CONTROL and HIGH TRIM functions that allow you to make adjustments to achieve the ideal sound for any environment, such as reducing the unneeded, exaggerated low-end that can often occur when speakers are placed next to walls.\u003c\/p\u003e\u003ch3\u003eInputs and controls to fit any use\u003c\/h3\u003e\u003cp\u003eThe rear panel of the HS3 and HS4 is equipped with combination XLR\/TRS phone, RCA, and stereo mini connectors, allowing you to connect to a wide range of equipment such as computers, audio interfaces, audio mixers, and electric instruments. The most commonly used features—power button, volume knob, and headphone connector—are located in the front for easy access.\u003c\/p\u003e\u003ch3\u003eCompact and portable\u003c\/h3\u003e\u003cp\u003eThe compact size of the HS3 and HS4 was made possible thanks to the highly efficient class-D amp. Using one amp for two speakers has enabled us to both reduce the weight of the speakers and simplify the cable connections. They take up little space even in a small bedroom studio, and are easy to take with you on the road.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Speaker type\u003c\/td\u003e\n\u003ctd\u003e2-way powered speaker, Bass-reflex type\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response (-10dB)\u003c\/td\u003e\n\u003ctd\u003e70 Hz - 22 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response (-3dB)\u003c\/td\u003e\n\u003ctd\u003e85 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crossover\u003c\/td\u003e\n\u003ctd\u003e3.2 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum Output Level (Measured peak, IEC noise@1m)\u003c\/td\u003e\n\u003ctd\u003e100 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Components › HF\u003c\/td\u003e\n\u003ctd\u003e0.75\" Dome\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Components › LF\u003c\/td\u003e\n\u003ctd\u003e3.5\" Cone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Nominal impedance\u003c\/td\u003e\n\u003ctd\u003e6 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O connectors\u003c\/td\u003e\n\u003ctd\u003e[Input Connector] L Side: COMBO (XLR\/TRS Phone) ×2, RCA ×2, Stereo Mini, R Side: Speaker Input; [Output Connector] L Side: Headphone, Speaker Output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Output power\u003c\/td\u003e\n\u003ctd\u003e26 W + 26 W (Dynamic, RL=6 Ω), 20 W + 20 W (THD 0.1%, 1kHz, RL=6 Ω)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input sensitivity\u003c\/td\u003e\n\u003ctd\u003eLINE 1 (COMBO): +4 dBu, LINE 2 (RCA, ST Mini): -10 dBu (Volume: Maximum)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input Level\u003c\/td\u003e\n\u003ctd\u003eLINE 1 (COMBO): +20 dBu, LINE 2 (RCA, ST Mini): +6 dBu (Maximum Input)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input impedance\u003c\/td\u003e\n\u003ctd\u003eLINE 1 (COMBO): 20 kΩ, LINE 2 (RCA, ST Mini): 10 kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Controls\u003c\/td\u003e\n\u003ctd\u003eFront: Volume, Rear: ROOM CONTROL SWITCH (0\/-2\/-4 dB under 500 Hz), HIGH TRIM SWITCH (+2\/0\/-2 dB above 2 kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Indicators\u003c\/td\u003e\n\u003ctd\u003ePower ON (White LED)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003eDepending on area of purchase; 100-240 V, 50\/60 Hz (*)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e15 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Cabinet material\u003c\/td\u003e\n\u003ctd\u003eMDF\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003eL Side: 132 mm (5.2\"), R Side: 132 mm (5.2\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003eL Side: 223 mm (8.8\"), R Side: 223 mm (8.8\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003eL Side: 189 mm (7.4\"), R Side: 177 mm (7.0\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003eL Side: 2.8 kg (6.2 lb), R Side: 2.1 kg (4.6 lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eStereo Mini - RCA Cable 1.5 m, Speaker Cable 2.5 m, Anti Slip Pad, Quick Start Guide, Safety Guide\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Packaging\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734034175,"sku":"HS3","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_9f1d0a77-835a-420d-94fb-e12502fd94e6.jpg?v=1790011488"},{"product_id":"mg20","title":"Yamaha MG20 Audio Mixer","description":"\u003cli\u003e20-Channel Mixing Console\u003c\/li\u003e\u003cli\u003eMax. 16 Mic \/ 20 Line Inputs (12 mono + 4 stereo)\u003c\/li\u003e\u003cli\u003e4 GROUP Buses + 1 Stereo Bus\u003c\/li\u003e\u003cli\u003e4 AUX\u003c\/li\u003e\u003cli\u003e“D-PRE” mic preamps with an inverted Darlington circuit\u003c\/li\u003e\u003cli\u003e1-Knob compressors\u003c\/li\u003e\u003cli\u003ePAD switch on mono inputs\u003c\/li\u003e\u003cli\u003e+48V phantom power\u003c\/li\u003e\u003cli\u003eXLR balanced outputs\u003c\/li\u003e\u003cli\u003eInternal universal power supply for world-wide use\u003c\/li\u003e\u003cli\u003eRack Mount Kit Included\u003c\/li\u003e\u003cli\u003eMetal chassis\u003c\/li\u003e\u003cli\u003eDimensions(W×H×D): 444 mm x 130 mm x 500 m (17.5\" x 5.1\" x 19.7\")\u003c\/li\u003e\u003cli\u003eNet Weight: 6.9kg (15.2 lbs.)\u003c\/li\u003e\u003ch3\u003eRoad Tough. Studio Ready.\u003c\/h3\u003e\u003cp\u003eFor more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.\u003c\/p\u003e\u003cp\u003eWith an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.\u003c\/p\u003e\u003ch3\u003eFeatured models: MG16X \/ MG12X \/ MG10X\u003c\/h3\u003e\u003cp\u003eJust like the XU models, SPX digital effects are included on these three X models. Excellent for portable use, but also great when installed in conference rooms, banquet halls and weddings, where users can have wide choice of effects to enhance their sound. Stylish grey color improves visual identification.\u003c\/p\u003e\u003ch3\u003eHead of the class\u003c\/h3\u003e\u003cp\u003eYamaha has always strived to provide sound engineers with the purest possible signal instead of added processing or color to give it a \"signature\" sound, and the MG Series is no exception. Embracing this philosophy of transparent sound, these mixing consoles deliver a level of sonic purity and sound quality that is unmatched in their class.\u003c\/p\u003e\u003ch3\u003eD-PRE (Discrete Class-A Mic Preamps)\u003c\/h3\u003e\u003cp\u003eThis is where it all starts. Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound. Having such a pure sonic platform to build on will ultimately save you time and effort by eliminating the need for excessive EQing or additional effects processing in order to \"fix\" your mix.\u003c\/p\u003e\u003ch3\u003eHigh Quality Sound Op-amp\u003c\/h3\u003e\u003cp\u003eThe head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first. MG01 op-amps feature redesigned circuitry in which even the internal components and wiring have been optimized, and use materials such as high-quality silicon wafers and copper wire to achieve superb resolution.\u003c\/p\u003e\u003ch3\u003eSwitchable Phantom Power \u0026amp; PAD Switch\u003c\/h3\u003e\u003cp\u003eWith phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany mic'ed instruments during performance, avoiding the clipping that can seriously affect your mix.\u003c\/p\u003e\u003ch3\u003eOur mixer. Your sound.\u003c\/h3\u003e\u003cp\u003eWhen was the last time you heard guitar without EQ or a completely unprocessed vocal on one of your favorite songs? Probably never. Yamaha mixers are famous for their flat response and sonic purity, but it often takes more than a perfectly-captured instrumental performance or vocal to achieve a professional-sounding mix. Equipped with some of the same state-of-the-art functionality featured on Yamaha’s high-end consoles, the MG Series gives you the tools you need to produce high quality sound that is uniquely your own.\u003c\/p\u003e\u003ch3\u003e1-knob Compressors\u003c\/h3\u003e\u003cp\u003eCompression plays an essential role in just about any recording or sound reinforcement environment by altering the level of dynamics of an audio signal when you need livelier guitars, punchier bass lines, a tighter snare, or a cleaner vocal sound. However, it can take countless hours to master the complexities of even the most basic outboard compression units and use them effectively. Originally a Yamaha innovation, 1-knob compressors are now an industry standard that gives you instant access to optimized compression settings via a single rotary control.\u003c\/p\u003e\u003ch3\u003eEQ and High-pass Filters\u003c\/h3\u003e\u003cp\u003eThere's nothing more useful than reliable equalization when you need nuanced management of your tone. The MG Series benefits from Yamaha's unparalleled experience in designing pro audio gear, featuring 3-band equalizers on all mono channels for precise control of your sound. High-pass filters allows you to eliminate unwanted low-frequency noise, for a smoother, cleaner mix.\u003c\/p\u003e\u003ch3\u003eAUX \/ Effect Sends \/ Group\u003c\/h3\u003e\u003cp\u003eMG Series mixers feature AUX sends for expanding your sound reinforcement or recording setup, allowing you accommodate additional effects, output to external recording devices, or feed a monitoring system. (except for MG06 \/ 06X) Master send controls are also provided. The MG06 \/ 06X, MG10 \/ 10X \/ 10XU \/ 10XUF and MG12XUK have a single stereo bus. All other models additionally feature one or two stereo group buses and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.\u003c\/p\u003e\u003ch3\u003eA variety of input \/ output connectors\u003c\/h3\u003e\u003cp\u003eAll models feature high-quality Neutrik™ balanced XLR connectors on mono microphone\/line channels and XLR equipped stereo channels. Each of the mono inputs is equipped with combo jack and accepts both MIC and LINE level signals. Two of the stereo inputs are equipped with XLR and two phone connectors with XLR accepting MIC level signals while two phone connectors accepting LINE level signals and can be used either mono or stereo. (except for MG10 \/ 10X \/ 10XU \/ 10XUF \/ 12XUK) The function of the additional two stereo channels vary depending on model: With MG20 \/ 20XU, XLR accepts MIC level signal and two RCA connectors accepts LINE level signals and can be used either mono or stereo. With MG12 \/ 12X \/ 12XU and MG16 \/ 16X \/ 16XU, two phone connectors accept LINE level signals as stereo. Additionally, each of the stereo channel features 2TR in (RCA connectors) and can be used as independent input from external audio sources such as CDs. MG10 \/ 10X \/ 10XU \/ 10XUF and MG12XUK are equipped with an additional stereo channel with a pair of phone jacks that accepts LINE levels. With XU models, any incoming source that are sent via USB can be assigned to one of the stereo channel. In addition to the main stereo outputs (XLR L\/R, TRS phone L\/R), MG Series mixing consoles are equipped with a comprehensive suite of output connectors, including GROUP OUT (TRS phone), AUX\/FX OUT (TRS phone), MONITOR OUT (TRS phone L\/R), and HEADPHONE OUT (stereo phone) connectors, allowing master outputs to be chosen to suit specific applications such as monitoring or mastering.\u003c\/p\u003e\u003ch3\u003eLED level metering\u003c\/h3\u003e\u003cp\u003eEasy-to-read LED level metering allows output levels to be monitored with precision.\u003c\/p\u003e\u003ch3\u003eBuilt-in SPX Digital Effects\u003c\/h3\u003e\u003cp\u003eFor musical and non-musical applications alike, effects processing adds polish and professionalism to the mix. The MG X \/ XU models feature Yamaha’s acclaimed SPX digital multi-effect processor, offering a comprehensive suite of 24 editable digital effects perfect for enhancing your mix, whether adding depth to a speaking engagement or breathing new color and atmosphere into a live band performance. In particular, the high-quality reverb and delay expand the spatial quality of the sound with remarkable realism and naturalness. You can even connect an optional FC5 foot switch for effect on \/ off control. (MG10X \/ 10XU \/ 10XUF \/ 12X \/ 12XU \/ 12XUK \/ 16X \/ 16XU \/ 20XU)\u003c\/p\u003e\u003cp\u003e* MG06X features six SPX effects (REVERB HALL \/ ROOM \/ PLATE, DELAY SHORT \/ LONG \/ VO.ECHO), which are not editable.\u003c\/p\u003e\u003ch3\u003eBuilt to last\u003c\/h3\u003e\u003cp\u003eFor gigging, recording, and installed applications alike, your console can be subjected to a wide range of environmental conditions and hazards. Excessive humidity, unstable power supplies, and the rigors of road travel in general can take a serious toll on a mixing console, often causing expensive, time-consuming repairs, and reducing its lifespan. The MG Series has been redesigned with an emphasis on durability, incorporating practical features that offer greater flexibility while ensuring peak performance for many years to come.\u003c\/p\u003e\u003ch3\u003eMetal Chassis\u003c\/h3\u003e\u003cp\u003eBuilt to last, MG Series mixers feature a rugged, impact-resistant, powder-coated metal chassis, offering an unrivalled level of durability. With a sleek design contoured for optimal convection cooling, the internal layout separates the power supply from the analog circuitry for superior noise reduction, and further extends the life of the components inside. To further ensure reliable performance, knob control placement above the surface of the chassis diverts any impact or pressure on the knobs to the chassis itself and not the circuit board or components underneath.\u003c\/p\u003e\u003ch3\u003eInternal Universal Power Supply\u003c\/h3\u003e\u003cp\u003eThanks to a highly-efficient internal universal power supply, MG Series consoles offer worry-free operation in any region around the globe—even in environments prone to potentially damaging power fluctuations. An internal power supply also simplifies rack mounting of the console for installed applications, eliminating the need for a bulky adapter or additional connections.(* MG12 \/ 16 \/ 20 \/ 12X \/ 16X \/ 12XU \/ 16XU \/ 20XU)\u003c\/p\u003e\u003ch3\u003eRack Mount Kit Included\u003c\/h3\u003e\u003cp\u003eEasily adaptable to a diverse range of installed and portable applications, the 16- and 20- channel models of the MG Series included rack ears, giving you the option of a rack-mounted or desk-top configuration. Extremely durable, their sleek design makes safe, stable placement of your console hassle-free, keeping setup time and effort to a minimum. (MG16 \/ 20 \/ 16X \/ 16XU \/ 20XU)\u003c\/p\u003e\u003cp\u003e- Optional Rackmount kit \"RK-MG12\" available for MG12 \/ 12X \/ MG12XU.\u003c\/p\u003e\u003cp\u003e- Optional Mic stand Adapter \"BMS10-A\" available for MG06 \/ 06X \/ 10 \/ 10X \/ 10XU.\u003c\/p\u003e\u003ch3\u003eXLR connector\u003c\/h3\u003e\u003cp\u003eThe main stereo outputs feature XLR type connectors that lock to prevent accidental disconnection. Rugged and dependable, these professional connectors ensure providing stable signal transmission even in the most demanding environments.\u003c\/p\u003e\u003ch3\u003eCreate, record… listen\u003c\/h3\u003e\u003cp\u003eThe MG Series features the same digital connectivity that is used to streamline the recording process on Yamaha’s professional-level mixing consoles. Take advantage of state-of-the-art digital technology that makes it easier than ever to plug-in, play, record, and then listen to your creations.\u003c\/p\u003e\u003ch3\u003e24-bit \/192kHz 2-in\/2-out USB Audio Interface Function\u003c\/h3\u003e\u003cp\u003eMG Series mixing consoles feature flexible digital connectivity for quick and easy high resolution playback of digital content. Simply connect to your PC via USB, or to your iPhone \/ iPad (2 or later) using Apple's Camera Connection Kit \/ Lightning to USB Camera Adapter. The USB protocol uses asynchronous data transfer. Audio data is transferred based on highly precise audio clock signal from the MG, for high quality recording and playback.\u003c\/p\u003e\u003ch3\u003eCubase AI\u003c\/h3\u003e\u003cp\u003eMG XU models are bundled with downloadable Steinberg’s Cubase AI software. As one of the most advanced, comprehensive DAW suites available, Steinberg's Cubase has led the charge, providing users with a powerful and flexible platform for music production. Cubase AI offers these same core technologies and interface that have won Cubase worldwide acclaim.\u003c\/p\u003e\u003cp\u003e(* MG10XU MG12XU MG16XU MG20XU)\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Phantom power\u003c\/td\u003e\n\u003ctd\u003e+48V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Mono[MIC\/LINE]\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Mono\/Stereo[MIC\/LINE]\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › STEREO OUT\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › MONITOR OUT\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › PHONES\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › AUX SEND\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › GROUP OUT\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Bus\u003c\/td\u003e\n\u003ctd\u003eStereo: 1, GROUP: 4, AUX: 4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › PAD\u003c\/td\u003e\n\u003ctd\u003e26 dB(Mono)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › HPF\u003c\/td\u003e\n\u003ctd\u003e80 Hz, 12 dB\/oct (Mono\/Stereo: MIC only)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › COMP\u003c\/td\u003e\n\u003ctd\u003e1-knob compressor (Gain\/Threshold\/Ratio) Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB Attack time: approx. 25 msec, Release time: approx. 300 msec\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ HIGH\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: 10 kHz shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ MID\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: Mono 250 Hz – 5 kHz peaking, Stereo 2.5 kHz peaking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ LOW\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: 100 Hz shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › PEAK LED\u003c\/td\u003e\n\u003ctd\u003eLED turns on when post EQ signal reaches 3 dB below clipping(Mono)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › Level Meter\u003c\/td\u003e\n\u003ctd\u003e2x12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003e0.03 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.005 % @ +24dBu (1kHz), GAIN knob: Min\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003e+0.5 dB\/-1.5 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e-128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e-102 dBu (STEREO OUT, STEREO master fader: Min)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-78 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003eAC 100 – 240 V, 50 \/ 60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e36 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e444 mm (17.5\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e130 mm (5.1\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e500 mm (19.7\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e6.9kg (15.2 lbs.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eIncluded Accessory: Owner’s Manual, Technical Specifications, AC power cord, Rack-mount kit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eOperating Temperature: 0 to +40˚C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734066943,"sku":"MG20","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_4f90ab55-f508-496e-a991-f8f61caa9ca5.jpg?v=1790011486"},{"product_id":"rivage-pm5","title":"Yamaha RIVAGE PM5 Audio Mixer","description":"\u003cp\u003eRIVAGE PM5 Mixing System packs undiluted RIVAGE PM power and performance into a lightweight, intuitive console that is surprisingly slim. The addition of a third display screen has made it possible to offer a more touch-centric interface in a compact, significantly lighter console that is easier to transport, setup, and operate in a wide range of venues.\u003c\/p\u003e\u003ch3\u003ePerfecting the Art of Live Sound\u003c\/h3\u003e\u003cp\u003eAll art, including art that involves sound and music, is expression that has an impact on the viewer or listener. It often begins with the artist’s personal journey of self-discovery that sometimes grows and ripples outward in waves that resonate with people everywhere.\u003c\/p\u003e\u003cp\u003eYamaha supports the engineers who support artists and performers in their quest to make waves, carrying their vision to a wider audience.\u003c\/p\u003e\u003ch3\u003eAn All-embracing Ecosystem\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM series includes five consoles, two DSP engines, two I\/O rack units, and two network protocols. Any of these components can be combined to create systems that match a wide range of application scale and budget requirements.\u003c\/p\u003e\u003cp\u003eAll five consoles feature a similar interface with up to three bays of 12 faders each, touch-sensitive display panels, and the Yamaha Selected Channel Section. Engineers who are familiar with one RIVAGE PM console can easily switch to any other and be up and running in a matter of minutes.\u003c\/p\u003e\u003cp\u003eAll RIVAGE PM system components are compatible, and components from earlier systems will work in combination with later systems. That goes for I\/O racks as well as DSP engines, so in addition to operating them separately you can combine DSP engines in mirrored configurations for large applications, for example.\u003c\/p\u003e\u003cp\u003e* The RIVAGE PM7 (CSD-R7) features integrated DSP processing.\u003c\/p\u003e\u003cp\u003eTo fully support the sound engineers who support the artists and performers, Yamaha makes absolutely no compromises when it comes to quality. Sound, operability, and reliability must all be first class, and implemented in a way that allows engineers to concentrate fully on helping artists and performers deliver their message. The RIVAGE PM series embodies this ideal at the highest level, connecting technology, art, and audiences with waves that encircle the world.\u003c\/p\u003e\u003ch3\u003eFunctional Specifications\u003c\/h3\u003e\u003cli\u003eFor More Information\u003c\/li\u003e\u003cp\u003eThe ideal starting point for creative audio engineering is transparent, uncolored sound. All Yamaha mixers are built on that philosophy, with the goal of allowing engineers to capture the on-stage sound accurately, without coloration, and then adding creative touches as required. The merits of unwavering adherence to this concept by Yamaha are evident throughout the RIVAGE PM series.\u003c\/p\u003e\u003cp\u003eThe foundation is Hybrid Microphone Preamplifiers with analog input stages that take the Yamaha “natural sound” concept to new heights, as well as digital sections with immaculate VCM-technology models of Rupert Neve Designs transformer and SILK processing circuitry that offer outstanding musicality and atmosphere. Add the latest refinements in channel EQ and dynamics, and you have extraordinary creative scope.\u003c\/p\u003e\u003cp\u003eThe built-in plug-ins that support creative sound engineering have also evolved, many through close alliances with other manufacturers that are leaders in their respective fields. Collaboration with RND (Rupert Neve Designs) and the use of Yamaha VCM technology has resulted in flawless recreations of prized equalizers and compressors from the 70s and 80s. There are also impeccable models of Eventide harmonizer and reverb effects that could only have been created through cooperation with the original manufacturer.\u003c\/p\u003e\u003cp\u003eAll of this has been implemented in the RIVAGE PM series to give engineers the tools they need to deliver the highest quality, most musical sound possible.\u003c\/p\u003e\u003ch3\u003eTwo Types of I\/O\u003c\/h3\u003e\u003cp\u003eInput circuitry and processing are critical to achieving a high level of sonic quality. The output end of the signal chain plays an important role in maintaining that quality too. Yamaha offers two types of high-performance I\/O Rack units for RIVAGE PM system input and output, each providing compatibility with a different audio network.\u003c\/p\u003e\u003cp\u003eOne of those networks is TWINLANe, capable of carrying up to 400 audio channels via optical cable. The RPio622 and RPio222 I\/O racks are TWINLANe devices, as are the HY256-TL and HY256-TL-SMF audio interface cards. The RPio622 and RPio222 I\/O racks include Hybrid Microphone Preamplifiers with high-performance analog input stages, plus advanced digital sections that include accurate emulations of Rupert Neve Designs transformer and SILK processing circuitry.\u003c\/p\u003e\u003cp\u003eAudinate Dante network compatibility, a standard feature in many other Yamaha consoles and pro audio products, is also available. The Rio3224-D2 and Rio1608-D2 I\/O Racks and the HY144-D audio interface card are Dante ready, and can be combined to provide natural sound input with any RIVAGE PM series system. Either network solution is capable of capturing the sound being created on stage, without coloration and with every nuance intact, allowing the engineer to use the creative capabilities of the RIVAGE PM series to reach the audience with maximum impact.\u003c\/p\u003e\u003ch3\u003eChannel EQ and Compression Refined to Unprecedented Levels\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM channel EQ and dynamics have also been significantly updated and fine-tuned to match the innovations in the input section. The input channels feature 4-band full parametric EQ, while the output channels are equipped with 8-band full parametric EQ, with 4 algorithm types that include newly developed variations. The “Precise” algorithm makes it easy to target and control specific EQ points, the “Aggressive” algorithm is designed for the most musical response, and the “Smooth” algorithm offers smooth, natural control. There’s also a “Legacy” algorithm that provides the familiar feel and response of the equalizers provided in industry-standard Yamaha digital consoles such as the PM1D and PM5D. The “Precise” algorithm includes Q parameters on the low and high shelving filters that allow filter overshoot to be flexibly controlled for added musical impact. Two dynamics stages are provided, each functioning as a gate, two types of compressor, ducker, or de-esser as required. The two compressor types are “Legacy Comp,” inheriting the characteristics of the standard compressors in Yamaha digital consoles, and “Comp260,” which is a beautiful VCM model of a popular analog comp\/limiter from the mid 70s. The latter accurately models the characteristics of the VCA circuit and RMS level detector used in the original device, with the effect of each parameter fine-tuned for optimum effect in live-sound applications. Presets that recreate the original fixed settings of this classic comp\/limiter are also provided for convenience in situations that require the original sound.\u003c\/p\u003e\u003cp\u003eProcessing quality has always been a major strength of Yamaha digital consoles. The RIVAGE PM series offers a comprehensive selection of plug-ins, including models of in-demand classics. The RIVAGE PM series includes over 50 plug-ins, and ample processing power allows up to 256* instances of complex plug-ins such as the Portico 5033 or Portico 5043 to be used simultaneously. There are also the Eventide H3000 Ultra-Harmonizer and a new SP2016 reverb with a large selection of presets, Dan Dugan automatic microphone mixing, and more. These contributions from distinguished third parties complement a range of original Yamaha plug-ins, adding extraordinary versatility and processing power that give the engineer wide-ranging creative freedom.\u003c\/p\u003e\u003cp\u003e* With DSP-RX-EX\u003c\/p\u003e\u003ch3\u003eBricasti Reverb\u003c\/h3\u003e\u003cp\u003eBricasti Design is known as the world's premier manufacturer of hand crafted, hardware digital reverbs.\u003c\/p\u003e\u003cp\u003eThe Y7 is specifically designed for use in the Yamaha RIVAGE PM mixing systems, bringing to the live market a Bricasti product, one that is integrated in the console for simple, fast, and familiar operation, and to bring the renowned “Bricasti Sound” to users of Yamaha products.\u003c\/p\u003e\u003ch3\u003eRND Portico Plug-ins\u003c\/h3\u003e\u003cp\u003eAlthough the SILK processing simulation created in cooperation with RND is an important part of the RIVAGE PM system, it is by no means the only product of that fruitful relationship. In addition to the well-known and highly acclaimed Portico 5033 EQ and 5043 compressor, RIVAGE PM systems include the easy-operation Rupert Neve Designs Portico 5045 Primary Source Enhancer that effectively suppresses background noise at microphone inputs for enhanced clarity while significantly increasing the feedback margin, making it a valuable tool for live sound in houses of worship, stadiums, halls, and other environments where feedback can be problem.\u003c\/p\u003e\u003cp\u003eAdded with V5.0, Portico II Master Buss Processor is a creative tool that redefines the boundaries and limitations of traditional 2-channel compression and limiting. From mixing bass-heavy EDM to a delicate master of a chamber ensemble, it has something to offer everyone – no matter the use or genre.\u003c\/p\u003e\u003ch3\u003eDan Dugan Automatic Mixer\u003c\/h3\u003e\u003cp\u003eThrough in-depth collaboration with Dan Dugan Sound Design, renowned Dan Dugan automatic microphone mixing with its advanced algorithms is built into the RIVAGE PM series digital mixing systems. Setup is easy: just insert the processor into up to 64 channels for automatically optimized microphone gain distribution. Gain control is smooth and natural, as though experienced human operators were doing the mix. The system also effectively reduces feedback and comb filter issues. For speech applications, especially non-scripted situations, this allows the operator to concentrate on details other than fader operation for consistently high quality mixes.\u003c\/p\u003e\u003ch3\u003eEventide Effects\u003c\/h3\u003e\u003cp\u003eThe Eventide name is legendary in the effects field. The acclaimed H3000 Ultra-Harmonizer and a new SP2016 Reverb plugin added in version 4.0 are available throughout the RIVAGE PM series. In addition to a full range of parameters that can be edited to precisely tailor the effects for any need, the SP2016 features a large selection of presets that make it quick and easy to call up an ideal reverb sound.\u003c\/p\u003e\u003ch3\u003eYamaha DaNSe Noise Suppression\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM series includes a range of original Yamaha plug-ins that are extremely powerful too, including the DaNSe Noise Suppressor. The “DaNSe” plugin analyzes noise frequency characteristics and employs a learn function to automatically achieve the most effective noise suppression without the need for any complex setup or programming by the user. Effective noise suppression can be a huge advantage for plays and musicals, significantly enhancing audio clarity. DaNSe can suppress air conditioning noise and noise produced by cooling fans in on-stage moving lights. It can reduce monitor bleed to on-stage instrument mics, and suppress crowd noise during announcements and sports events. It is a highly effective and widely applicable noise suppression tool.\u003c\/p\u003e\u003cp\u003eYamaha has always focused on operability in digital live sound consoles, sparing no effort in providing an interface that engineers coming from analog consoles can operate intuitively, while at the same time maximizing the benefits of digital technology and features. RIVAGE PM systems take that concept to a new level, extending an already familiar and highly rated interface for even greater efficiency and ease in achieving the ultimate sound.\u003c\/p\u003e\u003ch3\u003eRefined Interface\u003c\/h3\u003e\u003cp\u003eA key element of the RIVAGE PM interface is the industry-standard Yamaha Selected Channel concept, providing direct access to parameters of any channel selected via its SEL key. The Selected Channel section provides direct, fast access to all channel parameters. Encoders, buttons, and indicators are provided in a comprehensive layout that makes maximum use of the available panel space, for comfortable operation in any environment or mixing situation. RIVAGE PM series control surfaces feature three groups of 12 faders to which channels can be assigned as required. Depending on the console, some or all of the fader groups work with large touch-sensitive displays in the top panel, providing an evolved version of the Centralogic operating environment. The channel strips extend vertically and virtually seamlessly into the touch panel displays, for lucid, logical control. In addition to allowing channels to be conveniently managed in 12 channel groups, this configuration also facilitates 2-man operation with different operators handling separate groups.\u003c\/p\u003e\u003ch3\u003eUpdated Send Operation (RIVAGE PM5\/3)\u003c\/h3\u003e\u003cp\u003eSetting up sends is an important part of just about any live mixing workflow. In addition to the familiar Sends on Fader function, send levels can be controlled from the Send \/ User Defined Knobs. Send levels shown on the display panels where they can also be adjusted via touch control. This expanded range of control choices greatly enhances convenience and versatility when setting up and tweaking sends.\u003c\/p\u003e\u003ch3\u003eEasy-reach Layout and Improved Sight Line\u003c\/h3\u003e\u003cp\u003eRIVAGE PM console are designed with touch panel displays and Selected Channel section on a prominently raised upper panel that offers optimum visibility from the engineer’s position as well as easy access to all controls. This evolved console design also provides a closer connection to the performers on stage with improved sight lines that give the engineer a broader, more comprehensive view of the action.\u003c\/p\u003e\u003ch3\u003eA Monitor Section to Match Any Job (RIVAGE PM10\/7)\u003c\/h3\u003e\u003cp\u003eMonitoring flexibility is an important criterion for live sound consoles that must be adaptable to a broad variety of applications. The RIVAGE PM10 and PM7 feature two monitor\/cue outputs, with up to eight combinations of monitor sources that can be memorized and selected as required. In addition to independent control of output levels, dedicated delays and 8-band parametric equalization are available specifically for monitor use. It is even possible to insert plug-ins immediately before the EQ stage. All of these features provide the flexibility needed to create optimum monitor setups for just about any situation.\u003c\/p\u003e\u003ch3\u003eHigh-visibility Fader Meters (RIVAGE PM5)\u003c\/h3\u003e\u003cp\u003eClear visual feedback is also provided by the meters associated with each fader. The fader meters can display mono or stereo levels, or gain reduction when you want to keep an eye on channel dynamics. The fader meters can contribute to smooth, accurate control by providing direct feedback of how fader operation is affecting the signal.\u003c\/p\u003e\u003ch3\u003eGenius.lab\u003c\/h3\u003e\u003cp\u003eAllowing users to create a wide variety of actions triggered by key presses, fader operations, MIDI messages and more, it gives audio engineers the power to programme events to suit their specific situation and workflow. A huge range of functions can be programmed, with combinations of actions enacted by one trigger.\u003c\/p\u003e\u003cp\u003eInnovate your workflow with Genius.lab.\u003c\/p\u003e\u003cp\u003eMacro Library, the range of macro presets, helps you start with Genius.lab.\u003c\/p\u003e\u003cli\u003eDownload Macro Library\u003c\/li\u003e\u003cp\u003eBecause evolving applications continually raise new challenges and needs, Yamaha provides continuing support in the form of firmware updates that keep our digital mixers, RIVAGE PM systems included, up to date and often ahead of the curve.\u003c\/p\u003e\u003ch3\u003eWireless receiver integration\u003c\/h3\u003e\u003cp\u003eWith V5.0 firmware or later, RIVAGE PM consoles support control and monitoring of the highly popular wireless receivers on the market, giving you even more freedom when operating sound systems built around a RIVAGE PM series product.\u003c\/p\u003e\u003cp\u003eSupported Device\u003c\/p\u003e\u003cp\u003e- Sennheiser: EM 6000\u003c\/p\u003e\u003cp\u003e- Shure: AD4D\/Q, AXT400, QLXD4, ULXD4\/D\/Q, SLXD4\/D\/Q+\/QDAN+\u003c\/p\u003e\u003cp\u003e- Sony: DWR-R03D\u003c\/p\u003e\u003ch3\u003eOverlay Filter for Rapid Response\u003c\/h3\u003e\u003cp\u003eThe Overlay filter can notably enhance the usefulness of the console’s scene memory. It can be “overlaid” on a current mix to apply offsets to the fader levels and mix\/matrix send levels independently from scene recall. This can be useful when an unplanned performer change occurs, for example, facilitating a temporary, relative level adjustment that can be instantly returned to the original level. The Overlay filter will prove its value in situations that require sudden changes plus the ability to easily revert to the original settings.\u003c\/p\u003e\u003ch3\u003eTheatre Mode\u003c\/h3\u003e\u003cp\u003eTheatre Mode facilitates scene and costume changes with four banks that can be used to store different EQ and dynamics settings for individual performers. In Theatre Mode, rather than storing EQ and dynamics settings in the console’s “scenes,” only the bank number is stored so that any adjustments made will apply to all scenes that use the same bank.\u003c\/p\u003e\u003cp\u003eThis can be used when multiple actors are cast in the same role or when a substitute must be used, allowing faster, more flexible mix changes to accommodate different casts, for example.\u003c\/p\u003e\u003ch3\u003eDSP Mirroring for Failsafe Redundancy\u003c\/h3\u003e\u003cp\u003eDSP Mirroring allows two DSP-RX or DSP-RX-EX engines to be used for failsafe redundancy with RIVAGE PM10, PM5, and PM3 systems.* If a problem occurs in the main DSP engine, the second DSP engine can take over without disrupting the program.\u003c\/p\u003e\u003cp\u003e* The RIVAGE PM7 features integrated DSP processing and does not support DSP mirroring.\u003c\/p\u003e\u003ch3\u003eLightweight for Easy Setup and Transportation (RIVAGE PM5\/3)\u003c\/h3\u003e\u003cp\u003eAlthough it offers heavy-duty performance and features, plus a comfortably spacious interface, the RIVAGE PM5\/3 weighs surprisingly little. The CS-R5 weighs 92.6 pounds\/ 42 kilograms and CS-R3 weighs 83.8 pounds\/ 38 kilograms and can be easily carried and positioned by just two people. This impressive weight reduction has been achieved through state-of-the-art mechanical design and the use of a lightweight but extremely durable material.\u003c\/p\u003e\u003ch3\u003eConsole File Converter Brings the Yamaha Family Together\u003c\/h3\u003e\u003cp\u003eThe Yamaha Console File Converter is an application that allows data to be shared between a number of Yamaha digital mixing consoles. User can share data between RIVAGE PM series, CL\/QL series, PM5D, M7CL, and LS9 consoles, so data from one show doesn’t have to be completely reprogrammed from scratch for the next, even if different consoles are used.\u003c\/p\u003e\u003ch3\u003eTwo Convenient Approaches to Live Recording\u003c\/h3\u003e\u003cp\u003eProfessional quality live recording capability is becoming an essential feature in live sound consoles. In addition to convenient 2-track recording to a USB flash drive, the RIVAGE PM series supports multitrack recording via a Dante audio network to meet the widest possible range of serious recording requirements.\u003c\/p\u003e\u003cp\u003eThe 2-track USB flash drive recorder function directly records the output of the STEREO or MIX bus to the flash drive. Background music or sound effects recorded on the flash drive can also be assigned to any input channel for playback. Sample rate conversion is provided for both input and output, so the recorder function can be used without having to think about the system sampling rate. Data can be recorded to or played back from WAV or MP3 files, as required.\u003c\/p\u003e\u003cp\u003eMultitrack recordings can be made to a computer based DAW via a Dante audio network. High-resolution recording of up to 128 channels (input and output) at 96 kHz is possible if the computer is equipped with a DANTE ACCELETATOR PCIe card (AIC128-D). With Dante Virtual Soundcard the maximum in\/out track count is 64.\u003c\/p\u003e\u003cp\u003eMultitrack recordings of rehearsals made in this way can be used for “virtual sound checks” when the performers aren’t available. Input patching for all required channels can be switched in one operation for both recording and virtual sound checks. Recorder playback and stage input can even be smoothly combined when needed.\u003c\/p\u003e\u003cp\u003eAdditionally, firmware versions V5.0 and later allow you to use the Yamaha Console Extension to copy Channel Name and Channel Color to Nuendo Live and to operate transport controls and markers from the console, providing seamless connection between RIVAGE PM Series consoles and Nuendo Live.\u003c\/p\u003e\u003ch3\u003eVarious control options\u003c\/h3\u003e\u003cp\u003eRIVAGE PM products provide a range of control options to meet your needs, allowing you to adjust sound from the stage or the audience area, and can also be integrated with a variety of external devices.\u003c\/p\u003e\u003cp\u003eRIVAGE PM Editor allows you to control your system from a computer via a GUI that replicates the RIVAGE control surface, while StageMix lets you move freely around the venue and mix from your preferred listening position.\u003c\/p\u003e\u003cp\u003eThe MonitorMix app gives performers an easy way to adjust their personal monitor mixes.\u003c\/p\u003e\u003cp\u003eOSC server allows external devices to control the RIVAGE PM system using the OSC protocol. With version 7.0 or later, the RIVAGE PM system can function as an OSC client for control of OSC-compatible devices, while OSC commands can be programmed to link with scenes for seamless operation.\u003c\/p\u003e\u003ch3\u003eYamaha Immersive Sound Control\u003c\/h3\u003e\u003cp\u003eSound xR Image is a proprietary immersive sound system from Yamaha that gives users full control over sound imaging within a given space. Sound xR Image provides broad content creation support for theater, opera, concert, installation, event, and other applications. Control with RIVAGE PM consoles allows the flexible design of immersive sound systems and the creation of streamlined, efficient workflows.\u003c\/p\u003e\u003cp\u003eWith V7.0 firmware or later, the control for Sound xR Image on DME is supported and gives the offline setting features for the immersive panning parameters on the consoles.\u003c\/p\u003e\u003cli\u003eSound xR\u003c\/li\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Input Mixing channels › Internal\u003c\/td\u003e\n\u003ctd\u003e144\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Mix Buses › Internal\u003c\/td\u003e\n\u003ctd\u003e60\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Matrices › Internal\u003c\/td\u003e\n\u003ctd\u003e36 (Input to Matrix supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Stereo buses\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › mono buses\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › cue bus\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Analog › in\u003c\/td\u003e\n\u003ctd\u003e8 (SILK)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Analog › out\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Digital › AES IN\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Digital › AES OUT\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Expansion Slot › HY\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Expansion Slot › MY\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › GPI › IN\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › GPI › ONT\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Word clock\u003c\/td\u003e\n\u003ctd\u003eOUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › MIDI\u003c\/td\u003e\n\u003ctd\u003eIN\/OUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › USB › File\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › USB › rec\/play\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Redundant PSU\u003c\/td\u003e\n\u003ctd\u003eYes (Built in dual PSU)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Meter Bridge\u003c\/td\u003e\n\u003ctd\u003eOn screen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Lamp\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Talkback In\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Video Out\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › TC In\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Fault Output\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Phones\u003c\/td\u003e\n\u003ctd\u003e2 connectors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › AC Inlet\u003c\/td\u003e\n\u003ctd\u003e2 (V-Lock Type)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Number of Scenes\u003c\/td\u003e\n\u003ctd\u003e1000\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Recall Safe\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Focus Recall\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Fade Time\u003c\/td\u003e\n\u003ctd\u003eYes (0s ~ 60s)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Preview\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Selective Load \/ Save\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Global Paste\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Event List\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Overlay\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Isolate\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Tactile Control Keys\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Gain Compensation\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Silk\u003c\/td\u003e\n\u003ctd\u003eYes (with RPio)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Digital Gain\u003c\/td\u003e\n\u003ctd\u003eYes (-96dB ~ +24dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › ATT\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › HPF\u003c\/td\u003e\n\u003ctd\u003e20Hz~2000Hz, -6\/-12\/-18\/-24dB\/oct Selectable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › PEQ\u003c\/td\u003e\n\u003ctd\u003e4 Band Full PEQ (4 algorithms, RTA overlay support)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Dynamics 1\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Dynamics 2\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Input Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Pan\u003c\/td\u003e\n\u003ctd\u003eCenter Nominal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › DCA Group\u003c\/td\u003e\n\u003ctd\u003e24 (Output DCA support)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › DCA Rollout\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › MUTE Group\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Number of Inserts\u003c\/td\u003e\n\u003ctd\u003e4 slots on each 2 insert point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Direct Out\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › PEQ\u003c\/td\u003e\n\u003ctd\u003e8 Band Full PEQ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › GEQ\u003c\/td\u003e\n\u003ctd\u003ePlug-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Dynamics 1\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Output Channel Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › MUTE Group\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Number of Inserts\u003c\/td\u003e\n\u003ctd\u003e4 slots on each 2 insert point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePlug-in › Number of Slots › DSP-RX \/ Internal\u003c\/td\u003e\n\u003ctd\u003e384 (CSD-R7)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePlug-in › Number of Effect Programs\u003c\/td\u003e\n\u003ctd\u003eMore than 50\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGEQ Rack › Number of GEQ Racks\u003c\/td\u003e\n\u003ctd\u003e48\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGEQ Rack › Mountable Device\u003c\/td\u003e\n\u003ctd\u003e31BandGEQ \/ Flex15GEQ \/ 8Band PEQ (RTA overlay support) \/ Dugan Automixer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTWINLANe › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e256 in \/ 256 out (with HY256-TL)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e144 in \/ 144 out (with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices that can be discovered from the console *1\u003c\/td\u003e\n\u003ctd\u003e127 (with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices that can be mounted *2\u003c\/td\u003e\n\u003ctd\u003e48（with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices with HA remote control *2\u003c\/td\u003e\n\u003ctd\u003e48（with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMADI › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e64 in \/ 64 out @96kHz, 128 in \/ 128 out @48kHz (with HY128-MD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRecording › USB Memory Recording\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRecording › DVS Recording\u003c\/td\u003e\n\u003ctd\u003eYes (with HY144-D)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › 5.1 Surround Panning\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › Surround Monitor\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › Mix Minus\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › L-Mono \/ R-Mono \/ LR-Mono\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMonitor › Solo Mode\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMonitor › Oscillator\u003c\/td\u003e\n\u003ctd\u003eSine Wave 1ch \/ Sine Wave 2ch \/ Pink Noise \/ Burst Noise\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Port to Port\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Dual Console\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › DSP Mirroring\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Timecode Reader\/Display\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Timecode Chase (Event List)\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › GPI\/MIDI\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › RTA\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Output Port Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Mix\/Matrix to Input\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Sub In\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Theatre Mode\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Display\u003c\/td\u003e\n\u003ctd\u003e15 inch Touch Panel x 2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Centralogic Section\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Faders\u003c\/td\u003e\n\u003ctd\u003e12 + 12 + 12 + 2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Selected Channel Encoders\u003c\/td\u003e\n\u003ctd\u003eAll Parameters\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Channel Encoder\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Channel Name \/ Color Display\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Custom Fader Banks\u003c\/td\u003e\n\u003ctd\u003eYes (6 x 5 on each bay)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › User Defined Keys\u003c\/td\u003e\n\u003ctd\u003e12 (x 4 banks)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › User Defined Knobs\u003c\/td\u003e\n\u003ctd\u003e4 (x 4 banks)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Touch and Turn Knob\u003c\/td\u003e\n\u003ctd\u003eYes (2)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Monitor Level Knob\u003c\/td\u003e\n\u003ctd\u003eYes (2: A and B)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Wooden Arm Rest\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › Editor\u003c\/td\u003e\n\u003ctd\u003eRIVAGE PM Editor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › StageMix\u003c\/td\u003e\n\u003ctd\u003eRIVAGE PM StageMix\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › MonitorMix\u003c\/td\u003e\n\u003ctd\u003eYes (V4.0 or later)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › Console File Converter\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (WxHxD)\u003c\/td\u003e\n\u003ctd\u003eCSD-R7: 1,549 x 417 x 848mm (61.0\" x 16.4\" x 33.4\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNet Weight\u003c\/td\u003e\n\u003ctd\u003eCSD-R7: 94 kg (207 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eIncluded Accessories\u003c\/td\u003e\n\u003ctd\u003eCSD-R7: Dust cover, Gooseneck Lamp LA1L x 4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734099711,"sku":null,"price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_ecc32429-6da6-44d4-a46e-f61fc91cdafd.jpg?v=1790011486"},{"product_id":"swr2310-10g","title":"Yamaha SWR2310-10G L2 Switch","description":"\u003cp\u003eL2 intelligent RJ45 switch with 10 ports\u003c\/p\u003e\u003cli\u003eAvailable ports: 8 LAN ports and 2 SFP slots\u003c\/li\u003e\u003cli\u003eIn-build RADIUS server for advanced security management\u003c\/li\u003e\u003cli\u003eYamaha LAN Monitor supported\u003c\/li\u003e\u003ch3\u003eSmart, Safe Dante System Operation for Large Installations\u003c\/h3\u003e\u003cp\u003eThe Yamaha SWR switch lineup, featuring high-performance L2 switches for fixed installations, has been expanded to provide a wider range of models for a wider range of applications. In addition to VLAN functionality, the new SWR2310-28GT and SWR2310-18GT offer high port counts and features such as 10G uplink ports for long-distance transmission of multichannel 96 kHz data, making them ideal choices for safe, stable backbone operation in large-scale systems. As with other SWR\/SWP switches, Yamaha LAN Monitor software provides clear visual system status monitoring that makes Dante system setup easy.\u003c\/p\u003e\u003ch3\u003eOptions for Flexible System Design and Installation\u003c\/h3\u003e\u003cp\u003eA number of options are available for the SWR series, including rack-mount and wall-mount brackets that facilitate mounting in a variety of locations, and SFP modules that allow long-distance communication for flexible overall system setup and installation. The chart below lists the options that are available for each SWR switch model.\u003c\/p\u003e\u003cp\u003e* Rack-mount brackets are included in SWR2310-18GT \/ SWR2310-28GT\u003c\/p\u003e\u003ch3\u003e10Gbps Supported Multi-port Models for Solid Backbone Performance\u003c\/h3\u003e\u003cp\u003eWith high port counts and 10G uplink ports that can be used to transfer multichannel 96 kHz data over extended distances, the SWR2310-28GT and SWR2310-18GT switches have been designed to support safe, stable network operation in system backbone applications. Optional SFP-SWRT-SR and SFP-SWRT-LR small form-factor pluggable modules allow reliable long-distance communication of multiple channels of 96kHz audio data, up to a maximum of 10 kilometers with the SFP-SWRT-LR, significantly enhancing performance, dependability, and flexibility for commercial installations, theaters, stadiums, and other large-scale installations.\u003c\/p\u003e\u003ch3\u003eOne-click Dante Optimization\u003c\/h3\u003e\u003cp\u003eIGMP and QoS settings for SWR series switches can be automatically optimized for Dante network operation by simply clicking the “Dante optimization” button in the web-based GUI. These network settings are not critical in simple systems, but proper configuration is essential to ensure maximum stability in larger Dante networks.\u003c\/p\u003e\u003cli\u003eWeb GUI (SWR2310 Technical Data)\u003c\/li\u003e\u003ch3\u003eIntelligent Security Management\u003c\/h3\u003e\u003cp\u003eAugmenting the VLAN functionality included in the SWR2310 series is built-in RADIUS server function. By setting up one switch as a RADIUS server and linking other switches to it, unauthorized network access can be effectively blocked for enhanced security, even in complex large-scale installations. Device authentication can be set up quickly and easily via a web-based GUI.\u003c\/p\u003e\u003cli\u003eWeb GUI (SWR2310 Technical Data)\u003c\/li\u003e\u003ch3\u003eNetwork Visibility and Smart Management (Yamaha LAN Monitor)\u003c\/h3\u003e\u003cp\u003eEffective Dante network management hinges on a range of parameters such as network traffic, switch status, and individual Dante device information. The dedicated Yamaha LAN Monitor computer application provides a comprehensive single-screen view of all necessary parameters when used with SWP\/SWR\/SWX series switches. We refer to this type of graphical overview as “network visibility.” You can even take a snapshot of the normal network status and set an alarm to warn you if any of the parameters changes, so that problems can be identified and resolved quickly and easily. The Dante Controller application can also be launched from the Yamaha LAN Monitor with a single click, providing a total Dante network solution on a single computer.\u003c\/p\u003e\u003cli\u003eClick here for more Yamaha LAN Monitor information.\u003c\/li\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Standard\u003c\/td\u003e\n\u003ctd\u003eIEEE 802.3 (10BASE-T\/100BASE-TX\/1000BASE-T)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Number of ports\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Communication mode\u003c\/td\u003e\n\u003ctd\u003eAuto negotiation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Connector type\u003c\/td\u003e\n\u003ctd\u003eRJ-45\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Polarity\u003c\/td\u003e\n\u003ctd\u003eAutomatic detection of straight\/cross, or fixed at straight\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › SFP ports › Standard\u003c\/td\u003e\n\u003ctd\u003eIEEE 802.3z (1000BASE-SX\/ 1000BASE-LX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › SFP ports › Number of ports\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Console ports › Standard\u003c\/td\u003e\n\u003ctd\u003eRS-232C, USB 2.0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Console ports › Connector type\u003c\/td\u003e\n\u003ctd\u003eRJ-45, USB mini-B (5-pin)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Console ports › Data transmission speed\u003c\/td\u003e\n\u003ctd\u003e9600 bit\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › microSD slot › Standard\u003c\/td\u003e\n\u003ctd\u003emicroSD\/microSDHC (microSDXC is not supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › microSD slot › File System\u003c\/td\u003e\n\u003ctd\u003eFAT\/FAT32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Indicators\u003c\/td\u003e\n\u003ctd\u003ePOWER, microSD, LAN port (LINK\/ACT, SPEED), SFP port (LINK\/ACT, SPEED)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › MAC address\u003c\/td\u003e\n\u003ctd\u003eIndicated in product label on top panel of unit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Operating environment\u003c\/td\u003e\n\u003ctd\u003eAmbient temperature: 0–50 °C, Ambient humidity 15–80% (non-condensing)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Storage environment\u003c\/td\u003e\n\u003ctd\u003eAmbient temperature: -20–60 °C, Ambient humidity 10–90% (non-condensing)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power supply voltage, frequency\u003c\/td\u003e\n\u003ctd\u003eAC100 – 240V, 50\/60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum power consumption\u003c\/td\u003e\n\u003ctd\u003e11.7 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e220 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e40.5 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e250 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Weight\u003c\/td\u003e\n\u003ctd\u003e1.7 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eOwner’s manual, power cord (3-prong), power cord clamp, legs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734132479,"sku":"SWR2310-10G","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_baf39003-5681-43e7-a6b7-8c7f19aa7563.jpg?v=1790011488"},{"product_id":"ag03mk2","title":"Yamaha AG03MK2 3-Channel Live Streaming Loopback Audio USB Mixer","description":"\u003cp\u003eA 3-channel live streaming mixer with USB audio interface.\u003c\/p\u003e\u003cli\u003e60 mm faders for mic CH1\u003c\/li\u003e\u003cli\u003e+48 V phantom power on CH1 input for condenser mics or Dl boxes\u003c\/li\u003e\u003cli\u003eHi-Z input for guitars on CH2\u003c\/li\u003e\u003cli\u003eHigh resolution (24-bit, 192 kHz) 2-track audio recording and playback\u003c\/li\u003e\u003cli\u003e4-pole mini input\/output (TRRS) to support a wider range of streaming applications\u003c\/li\u003e\u003cli\u003eFlexible inputs and LOOPBACK function ideal for live streaming or recording\u003c\/li\u003e\u003cli\u003eMute button for convenient live streaming\u003c\/li\u003e\u003cli\u003eEasy control and pro sound with Amp Simulator and 1-TOUCH COMP\/EQ, REVERB\u003c\/li\u003e\u003cli\u003eAG Controller (Windows\/Mac\/iOS) for precise parameter control\u003c\/li\u003e\u003cli\u003eWindows\/Mac support by USB-C connection\u003c\/li\u003e\u003cli\u003eiOS connectivity via Apple Camera Adapter (requires external USB power supply)\u003c\/li\u003e\u003cli\u003eAndroid supported by 4-pole mini input\/output (TRRS)\u003c\/li\u003e\u003cli\u003eUSB-C power input (5 V DC, 900 mA)\u003c\/li\u003e\u003cli\u003eCubase Al, WaveLab Cast, Cubasis LE and Rec'n'Share are available\u003c\/li\u003e\u003cli\u003e\"OBS Certified\" device. Provides seamless streaming experience with OBS Studio.\u003c\/li\u003e\u003ch3\u003eYour Audience Awaits.\u003c\/h3\u003e\u003cp\u003eWith its variety of inputs and outputs, DSP effects, and LOOPBACK function, the original AG03 quickly established itself as a staple amongst live streamers looking to configure a simple yet comprehensive setup without compromising on sound quality. The next-generation AG03MK2 adds more flexible connectivity including 4-pole mini I\/O expanding the range of streaming styles, as well as a new mute button crucial for various live streaming applications. Along with improvements in build, design, internal circuitry, and overall sound, the MK2 will further solidify the AG series as an industry standard by which all others will be compared.\u003c\/p\u003e\u003ch3\u003eFast, intuitive sonic control\u003c\/h3\u003e\u003cp\u003eThe AG03MK2 is equipped with a variety of physical controls including a large 60mm fader that helps you shape and manage the audio intuitively and quickly. The newly added mute button allows you to cut your mic input at a moment's notice if your situation demands it. Reverb and Mute can even be controlled by the optional FC5 foot switch, freeing up your hands for other tasks.\u003c\/p\u003e\u003ch3\u003eFlexible connectivity and LOOPBACK function expand your streaming capabilities\u003c\/h3\u003e\u003cp\u003eIn addition to a microphone input for the condenser microphone of your choice, the AG03MK2 also features a 1\/4 inch jack input for connecting a guitar or line instrument, and an upgraded 4-pole mini jack (TRRS) for smartphone input and output capabilities.\u003c\/p\u003e\u003cp\u003eYou can also use LOOPBACK function to play back the audio signal from a connected USB device to USB streaming output as with previous AG series mixers.\u003c\/p\u003e\u003ch3\u003eMore professional-sounding audio\u003c\/h3\u003e\u003cp\u003eAs a result of adopting USB-C connectivity and enhanced internal circuitry, the AG03MK2 enjoys a marked improvement in sound quality that will elevate your streaming audio to a more professional level.\u003c\/p\u003e\u003ch3\u003eShape your sound like a pro with zero-latency DSP effects\u003c\/h3\u003e\u003cp\u003eRegardless of your particular streaming application, you’ll want to give it some depth and dimension, which adds a level of professionalism. The AG03MK2 comes equipped with optimized 1-TOUCH COMP\/EQ and REVERB controls to dial in the sound that best suits your style, and a 1-TOUCH amp simulator to add authenticity and punch to your guitar input.\u003c\/p\u003e\u003cp\u003eAll these tools are processed by the internal DSP chip so there’s no delay, making it particularly valuable for live streaming when real-time accuracy is crucial.\u003c\/p\u003e\u003cp\u003eAnd when you want to capture pure, raw recordings through your preferred microphone and edit them later, you have the option to turn these effects off completely.\u003c\/p\u003e\u003ch3\u003eAG Controller provides precise control\u003c\/h3\u003e\u003cp\u003eAG Controller software allows users to easily and precisely check and configure the DSP audio processing inside the AG. Offering two modes of operation, \"Simple\" and \"Detail,\" AG Controller gives users of varying music production experience detailed management of their audio from any Windows\/Mac or iOS device connected to the AG03MK2 via USB.\u003c\/p\u003e\u003cli\u003eMore information for AG Controller\u003c\/li\u003e\u003ch3\u003ePowerful bundled software\u003c\/h3\u003e\u003cp\u003eThe AG03MK2 comes bundled with Cubase AI music production software, as well as WaveLab Cast for audio production and editing. The AG03MK2 is also compatible with Rec'n'Share and Cubasis LE applications for iOS devices which are available free of charge from Yamaha and Steinberg to support and inspire your audio content creation.\u003c\/p\u003e\u003cli\u003eCubase AI, WaveLab Cast\u003c\/li\u003e\u003cli\u003eCubasis LE\u003c\/li\u003e\u003cli\u003eRec'n'Share\u003c\/li\u003e\u003ch3\u003eCertified for OBS\u003c\/h3\u003e\u003cp\u003eOBS Studio: Free and open source software for video recording and live streaming.\u003c\/p\u003e\u003cp\u003eYamaha is an official sponsor of OBS. By sponsoring OBS, which aids the live streaming activities of creators around the world, Yamaha advocates for the activities of content creators who devote themselves to developing a wide range of content, including live music performances, as well as podcasts and game streaming.\u003c\/p\u003e\u003cli\u003ehttps:\/\/obsproject.com\/\u003c\/li\u003e\u003ch3\u003eAdapt to your surroundings\u003c\/h3\u003e\u003cp\u003eThe sleek, slim, and compact body of the AG03MK2 can be placed on virtually any flat surface.\u003c\/p\u003e\u003cp\u003eBy combining it with to a mobile battery, a minimalistic, mobile streaming station can be configured anywhere.\u003c\/p\u003e\u003cp\u003e*For stable operation of the AG03MK2, a power supply of DC 5V 900mA or more is required.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Mono[MIC\/LINE]\u003c\/td\u003e\n\u003ctd\u003e1 - Combo (Mic, +48 V phantom power \/ Line), 3.5 mm (1\/8\") stereo mini (Headset mic, Plug-in power) *CH1 input and Headset mic cannot be used simultaneously\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Stereo[LINE]\u003c\/td\u003e\n\u003ctd\u003e1 - Stereo Line \/ Guitar Input (Mono)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Smartphone\u003c\/td\u003e\n\u003ctd\u003e1 - 4-pole mini input\/output (TRRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › USB\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › PHONES\u003c\/td\u003e\n\u003ctd\u003e1 - PHONES \/ HEADSET PHONES *Cannot be used simultaneously\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › Smartphone\u003c\/td\u003e\n\u003ctd\u003e1 - 4-pole mini input\/output (TRRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › MONITOR OUT\u003c\/td\u003e\n\u003ctd\u003e2 - L\/R Stereo: Phone, RCA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › USB\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Bus\u003c\/td\u003e\n\u003ctd\u003e1 Stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Functions\u003c\/td\u003e\n\u003ctd\u003eMUTE button x 1, PAD button x 2, HI-Z button x 1, STREAMING OUT (DRY CH 1-2G \/ INPUT MIX \/ LOOPBACK), MIX MINUS MIC (ON \/ OFF)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › On-board processors › DSP\u003c\/td\u003e\n\u003ctd\u003eCOMP\/EQ, REVERB (SPX Reverb), AMP SIM *Detail is operated on AG Controller\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › USB › USB Audio\u003c\/td\u003e\n\u003ctd\u003e2 IN \/ 2 OUT, USB Audio Class 2.0 Compliant, Sampling Frequency: Max. 192 kHz, Bit Depth: 24-bit, Type-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › USB › USB DC Power input\u003c\/td\u003e\n\u003ctd\u003e1 - Type-C, 5 V DC, 900 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003e5 V DC, 900 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003eMax. 4.5 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e126 mm (5.0\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e63 mm (2.5\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e201 mm (7.9\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e0.8 kg (1.8 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Included Accessories\u003c\/td\u003e\n\u003ctd\u003eUSB 2.0 Cable (1.5 m), Quick Guide, Safety Guide, Wavelab Cast Download Information, Cubase AI Download Information\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eOperating Temperature: 0 to + 40 ℃\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734198015,"sku":"AG03MK2","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_51d0bb7e-6a60-439b-833d-9b1231bf7e62.jpg?v=1790011487"},{"product_id":"rivage-pm7","title":"Yamaha RIVAGE PM7 Audio Mixer","description":"\u003cp\u003eThe RIVAGE PM7 is a digital mixing system consisting of the CSD-R7 Digital Mixing Console, one or more I\/O racks for input and output, and dedicated interface cards for network connectivity. The CSD-R7 is the same size as the our flagship RIVAGE PM10 system CS-R10 Control Surface and has the same control layout. With built-in DSP it offers similarly high standards of operation and workflow efficiency in a relatively compact, portable system.\u003c\/p\u003e\u003ch3\u003ePerfecting the Art of Live Sound\u003c\/h3\u003e\u003cp\u003eAll art, including art that involves sound and music, is expression that has an impact on the viewer or listener. It often begins with the artist’s personal journey of self-discovery that sometimes grows and ripples outward in waves that resonate with people everywhere.\u003c\/p\u003e\u003cp\u003eYamaha supports the engineers who support artists and performers in their quest to make waves, carrying their vision to a wider audience.\u003c\/p\u003e\u003ch3\u003eAn All-embracing Ecosystem\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM series includes five consoles, two DSP engines, two I\/O rack units, and two network protocols. Any of these components can be combined to create systems that match a wide range of application scale and budget requirements.\u003c\/p\u003e\u003cp\u003eAll five consoles feature a similar interface with up to three bays of 12 faders each, touch-sensitive display panels, and the Yamaha Selected Channel Section. Engineers who are familiar with one RIVAGE PM console can easily switch to any other and be up and running in a matter of minutes.\u003c\/p\u003e\u003cp\u003eAll RIVAGE PM system components are compatible, and components from earlier systems will work in combination with later systems. That goes for I\/O racks as well as DSP engines, so in addition to operating them separately you can combine DSP engines in mirrored configurations for large applications, for example.\u003c\/p\u003e\u003cp\u003e* The RIVAGE PM7 (CSD-R7) features integrated DSP processing.\u003c\/p\u003e\u003cp\u003eTo fully support the sound engineers who support the artists and performers, Yamaha makes absolutely no compromises when it comes to quality. Sound, operability, and reliability must all be first class, and implemented in a way that allows engineers to concentrate fully on helping artists and performers deliver their message. The RIVAGE PM series embodies this ideal at the highest level, connecting technology, art, and audiences with waves that encircle the world.\u003c\/p\u003e\u003ch3\u003eFunctional Specifications\u003c\/h3\u003e\u003cli\u003eFor More Information\u003c\/li\u003e\u003cp\u003eThe ideal starting point for creative audio engineering is transparent, uncolored sound. All Yamaha mixers are built on that philosophy, with the goal of allowing engineers to capture the on-stage sound accurately, without coloration, and then adding creative touches as required. The merits of unwavering adherence to this concept by Yamaha are evident throughout the RIVAGE PM series.\u003c\/p\u003e\u003cp\u003eThe foundation is Hybrid Microphone Preamplifiers with analog input stages that take the Yamaha “natural sound” concept to new heights, as well as digital sections with immaculate VCM-technology models of Rupert Neve Designs transformer and SILK processing circuitry that offer outstanding musicality and atmosphere. Add the latest refinements in channel EQ and dynamics, and you have extraordinary creative scope.\u003c\/p\u003e\u003cp\u003eThe built-in plug-ins that support creative sound engineering have also evolved, many through close alliances with other manufacturers that are leaders in their respective fields. Collaboration with RND (Rupert Neve Designs) and the use of Yamaha VCM technology has resulted in flawless recreations of prized equalizers and compressors from the 70s and 80s. There are also impeccable models of Eventide harmonizer and reverb effects that could only have been created through cooperation with the original manufacturer.\u003c\/p\u003e\u003cp\u003eAll of this has been implemented in the RIVAGE PM series to give engineers the tools they need to deliver the highest quality, most musical sound possible.\u003c\/p\u003e\u003ch3\u003eTwo Types of I\/O\u003c\/h3\u003e\u003cp\u003eInput circuitry and processing are critical to achieving a high level of sonic quality. The output end of the signal chain plays an important role in maintaining that quality too. Yamaha offers two types of high-performance I\/O Rack units for RIVAGE PM system input and output, each providing compatibility with a different audio network.\u003c\/p\u003e\u003cp\u003eOne of those networks is TWINLANe, capable of carrying up to 400 audio channels via optical cable. The RPio622 and RPio222 I\/O racks are TWINLANe devices, as are the HY256-TL and HY256-TL-SMF audio interface cards. The RPio622 and RPio222 I\/O racks include Hybrid Microphone Preamplifiers with high-performance analog input stages, plus advanced digital sections that include accurate emulations of Rupert Neve Designs transformer and SILK processing circuitry.\u003c\/p\u003e\u003cp\u003eAudinate Dante network compatibility, a standard feature in many other Yamaha consoles and pro audio products, is also available. The Rio3224-D2 and Rio1608-D2 I\/O Racks and the HY144-D audio interface card are Dante ready, and can be combined to provide natural sound input with any RIVAGE PM series system. Either network solution is capable of capturing the sound being created on stage, without coloration and with every nuance intact, allowing the engineer to use the creative capabilities of the RIVAGE PM series to reach the audience with maximum impact.\u003c\/p\u003e\u003ch3\u003eChannel EQ and Compression Refined to Unprecedented Levels\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM channel EQ and dynamics have also been significantly updated and fine-tuned to match the innovations in the input section. The input channels feature 4-band full parametric EQ, while the output channels are equipped with 8-band full parametric EQ, with 4 algorithm types that include newly developed variations. The “Precise” algorithm makes it easy to target and control specific EQ points, the “Aggressive” algorithm is designed for the most musical response, and the “Smooth” algorithm offers smooth, natural control. There’s also a “Legacy” algorithm that provides the familiar feel and response of the equalizers provided in industry-standard Yamaha digital consoles such as the PM1D and PM5D. The “Precise” algorithm includes Q parameters on the low and high shelving filters that allow filter overshoot to be flexibly controlled for added musical impact. Two dynamics stages are provided, each functioning as a gate, two types of compressor, ducker, or de-esser as required. The two compressor types are “Legacy Comp,” inheriting the characteristics of the standard compressors in Yamaha digital consoles, and “Comp260,” which is a beautiful VCM model of a popular analog comp\/limiter from the mid 70s. The latter accurately models the characteristics of the VCA circuit and RMS level detector used in the original device, with the effect of each parameter fine-tuned for optimum effect in live-sound applications. Presets that recreate the original fixed settings of this classic comp\/limiter are also provided for convenience in situations that require the original sound.\u003c\/p\u003e\u003cp\u003eProcessing quality has always been a major strength of Yamaha digital consoles. The RIVAGE PM series offers a comprehensive selection of plug-ins, including models of in-demand classics. The RIVAGE PM series includes over 50 plug-ins, and ample processing power allows up to 256* instances of complex plug-ins such as the Portico 5033 or Portico 5043 to be used simultaneously. There are also the Eventide H3000 Ultra-Harmonizer and a new SP2016 reverb with a large selection of presets, Dan Dugan automatic microphone mixing, and more. These contributions from distinguished third parties complement a range of original Yamaha plug-ins, adding extraordinary versatility and processing power that give the engineer wide-ranging creative freedom.\u003c\/p\u003e\u003cp\u003e* With DSP-RX-EX\u003c\/p\u003e\u003ch3\u003eBricasti Reverb\u003c\/h3\u003e\u003cp\u003eBricasti Design is known as the world's premier manufacturer of hand crafted, hardware digital reverbs.\u003c\/p\u003e\u003cp\u003eThe Y7 is specifically designed for use in the Yamaha RIVAGE PM mixing systems, bringing to the live market a Bricasti product, one that is integrated in the console for simple, fast, and familiar operation, and to bring the renowned “Bricasti Sound” to users of Yamaha products.\u003c\/p\u003e\u003ch3\u003eRND Portico Plug-ins\u003c\/h3\u003e\u003cp\u003eAlthough the SILK processing simulation created in cooperation with RND is an important part of the RIVAGE PM system, it is by no means the only product of that fruitful relationship. In addition to the well-known and highly acclaimed Portico 5033 EQ and 5043 compressor, RIVAGE PM systems include the easy-operation Rupert Neve Designs Portico 5045 Primary Source Enhancer that effectively suppresses background noise at microphone inputs for enhanced clarity while significantly increasing the feedback margin, making it a valuable tool for live sound in houses of worship, stadiums, halls, and other environments where feedback can be problem.\u003c\/p\u003e\u003cp\u003eAdded with V5.0, Portico II Master Buss Processor is a creative tool that redefines the boundaries and limitations of traditional 2-channel compression and limiting. From mixing bass-heavy EDM to a delicate master of a chamber ensemble, it has something to offer everyone – no matter the use or genre.\u003c\/p\u003e\u003ch3\u003eDan Dugan Automatic Mixer\u003c\/h3\u003e\u003cp\u003eThrough in-depth collaboration with Dan Dugan Sound Design, renowned Dan Dugan automatic microphone mixing with its advanced algorithms is built into the RIVAGE PM series digital mixing systems. Setup is easy: just insert the processor into up to 64 channels for automatically optimized microphone gain distribution. Gain control is smooth and natural, as though experienced human operators were doing the mix. The system also effectively reduces feedback and comb filter issues. For speech applications, especially non-scripted situations, this allows the operator to concentrate on details other than fader operation for consistently high quality mixes.\u003c\/p\u003e\u003ch3\u003eEventide Effects\u003c\/h3\u003e\u003cp\u003eThe Eventide name is legendary in the effects field. The acclaimed H3000 Ultra-Harmonizer and a new SP2016 Reverb plugin added in version 4.0 are available throughout the RIVAGE PM series. In addition to a full range of parameters that can be edited to precisely tailor the effects for any need, the SP2016 features a large selection of presets that make it quick and easy to call up an ideal reverb sound.\u003c\/p\u003e\u003ch3\u003eYamaha DaNSe Noise Suppression\u003c\/h3\u003e\u003cp\u003eThe RIVAGE PM series includes a range of original Yamaha plug-ins that are extremely powerful too, including the DaNSe Noise Suppressor. The “DaNSe” plugin analyzes noise frequency characteristics and employs a learn function to automatically achieve the most effective noise suppression without the need for any complex setup or programming by the user. Effective noise suppression can be a huge advantage for plays and musicals, significantly enhancing audio clarity. DaNSe can suppress air conditioning noise and noise produced by cooling fans in on-stage moving lights. It can reduce monitor bleed to on-stage instrument mics, and suppress crowd noise during announcements and sports events. It is a highly effective and widely applicable noise suppression tool.\u003c\/p\u003e\u003cp\u003eYamaha has always focused on operability in digital live sound consoles, sparing no effort in providing an interface that engineers coming from analog consoles can operate intuitively, while at the same time maximizing the benefits of digital technology and features. RIVAGE PM systems take that concept to a new level, extending an already familiar and highly rated interface for even greater efficiency and ease in achieving the ultimate sound.\u003c\/p\u003e\u003ch3\u003eRefined Interface\u003c\/h3\u003e\u003cp\u003eA key element of the RIVAGE PM interface is the industry-standard Yamaha Selected Channel concept, providing direct access to parameters of any channel selected via its SEL key. The Selected Channel section provides direct, fast access to all channel parameters. Encoders, buttons, and indicators are provided in a comprehensive layout that makes maximum use of the available panel space, for comfortable operation in any environment or mixing situation. RIVAGE PM series control surfaces feature three groups of 12 faders to which channels can be assigned as required. Depending on the console, some or all of the fader groups work with large touch-sensitive displays in the top panel, providing an evolved version of the Centralogic operating environment. The channel strips extend vertically and virtually seamlessly into the touch panel displays, for lucid, logical control. In addition to allowing channels to be conveniently managed in 12 channel groups, this configuration also facilitates 2-man operation with different operators handling separate groups.\u003c\/p\u003e\u003ch3\u003eUpdated Send Operation (RIVAGE PM5\/3)\u003c\/h3\u003e\u003cp\u003eSetting up sends is an important part of just about any live mixing workflow. In addition to the familiar Sends on Fader function, send levels can be controlled from the Send \/ User Defined Knobs. Send levels shown on the display panels where they can also be adjusted via touch control. This expanded range of control choices greatly enhances convenience and versatility when setting up and tweaking sends.\u003c\/p\u003e\u003ch3\u003eEasy-reach Layout and Improved Sight Line\u003c\/h3\u003e\u003cp\u003eRIVAGE PM console are designed with touch panel displays and Selected Channel section on a prominently raised upper panel that offers optimum visibility from the engineer’s position as well as easy access to all controls. This evolved console design also provides a closer connection to the performers on stage with improved sight lines that give the engineer a broader, more comprehensive view of the action.\u003c\/p\u003e\u003ch3\u003eA Monitor Section to Match Any Job (RIVAGE PM10\/7)\u003c\/h3\u003e\u003cp\u003eMonitoring flexibility is an important criterion for live sound consoles that must be adaptable to a broad variety of applications. The RIVAGE PM10 and PM7 feature two monitor\/cue outputs, with up to eight combinations of monitor sources that can be memorized and selected as required. In addition to independent control of output levels, dedicated delays and 8-band parametric equalization are available specifically for monitor use. It is even possible to insert plug-ins immediately before the EQ stage. All of these features provide the flexibility needed to create optimum monitor setups for just about any situation.\u003c\/p\u003e\u003ch3\u003eHigh-visibility Fader Meters (RIVAGE PM5)\u003c\/h3\u003e\u003cp\u003eClear visual feedback is also provided by the meters associated with each fader. The fader meters can display mono or stereo levels, or gain reduction when you want to keep an eye on channel dynamics. The fader meters can contribute to smooth, accurate control by providing direct feedback of how fader operation is affecting the signal.\u003c\/p\u003e\u003ch3\u003eGenius.lab\u003c\/h3\u003e\u003cp\u003eAllowing users to create a wide variety of actions triggered by key presses, fader operations, MIDI messages and more, it gives audio engineers the power to programme events to suit their specific situation and workflow. A huge range of functions can be programmed, with combinations of actions enacted by one trigger.\u003c\/p\u003e\u003cp\u003eInnovate your workflow with Genius.lab.\u003c\/p\u003e\u003cp\u003eMacro Library, the range of macro presets, helps you start with Genius.lab.\u003c\/p\u003e\u003cli\u003eDownload Macro Library\u003c\/li\u003e\u003cp\u003eBecause evolving applications continually raise new challenges and needs, Yamaha provides continuing support in the form of firmware updates that keep our digital mixers, RIVAGE PM systems included, up to date and often ahead of the curve.\u003c\/p\u003e\u003ch3\u003eWireless receiver integration\u003c\/h3\u003e\u003cp\u003eWith V5.0 firmware or later, RIVAGE PM consoles support control and monitoring of the highly popular wireless receivers on the market, giving you even more freedom when operating sound systems built around a RIVAGE PM series product.\u003c\/p\u003e\u003cp\u003eSupported Device\u003c\/p\u003e\u003cp\u003e- Sennheiser: EM 6000\u003c\/p\u003e\u003cp\u003e- Shure: AD4D\/Q, AXT400, QLXD4, ULXD4\/D\/Q, SLXD4\/D\/Q+\/QDAN+\u003c\/p\u003e\u003cp\u003e- Sony: DWR-R03D\u003c\/p\u003e\u003ch3\u003eOverlay Filter for Rapid Response\u003c\/h3\u003e\u003cp\u003eThe Overlay filter can notably enhance the usefulness of the console’s scene memory. It can be “overlaid” on a current mix to apply offsets to the fader levels and mix\/matrix send levels independently from scene recall. This can be useful when an unplanned performer change occurs, for example, facilitating a temporary, relative level adjustment that can be instantly returned to the original level. The Overlay filter will prove its value in situations that require sudden changes plus the ability to easily revert to the original settings.\u003c\/p\u003e\u003ch3\u003eTheatre Mode\u003c\/h3\u003e\u003cp\u003eTheatre Mode facilitates scene and costume changes with four banks that can be used to store different EQ and dynamics settings for individual performers. In Theatre Mode, rather than storing EQ and dynamics settings in the console’s “scenes,” only the bank number is stored so that any adjustments made will apply to all scenes that use the same bank.\u003c\/p\u003e\u003cp\u003eThis can be used when multiple actors are cast in the same role or when a substitute must be used, allowing faster, more flexible mix changes to accommodate different casts, for example.\u003c\/p\u003e\u003ch3\u003eDSP Mirroring for Failsafe Redundancy\u003c\/h3\u003e\u003cp\u003eDSP Mirroring allows two DSP-RX or DSP-RX-EX engines to be used for failsafe redundancy with RIVAGE PM10, PM5, and PM3 systems.* If a problem occurs in the main DSP engine, the second DSP engine can take over without disrupting the program.\u003c\/p\u003e\u003cp\u003e* The RIVAGE PM7 features integrated DSP processing and does not support DSP mirroring.\u003c\/p\u003e\u003ch3\u003eLightweight for Easy Setup and Transportation (RIVAGE PM5\/3)\u003c\/h3\u003e\u003cp\u003eAlthough it offers heavy-duty performance and features, plus a comfortably spacious interface, the RIVAGE PM5\/3 weighs surprisingly little. The CS-R5 weighs 92.6 pounds\/ 42 kilograms and CS-R3 weighs 83.8 pounds\/ 38 kilograms and can be easily carried and positioned by just two people. This impressive weight reduction has been achieved through state-of-the-art mechanical design and the use of a lightweight but extremely durable material.\u003c\/p\u003e\u003ch3\u003eConsole File Converter Brings the Yamaha Family Together\u003c\/h3\u003e\u003cp\u003eThe Yamaha Console File Converter is an application that allows data to be shared between a number of Yamaha digital mixing consoles. User can share data between RIVAGE PM series, CL\/QL series, PM5D, M7CL, and LS9 consoles, so data from one show doesn’t have to be completely reprogrammed from scratch for the next, even if different consoles are used.\u003c\/p\u003e\u003ch3\u003eTwo Convenient Approaches to Live Recording\u003c\/h3\u003e\u003cp\u003eProfessional quality live recording capability is becoming an essential feature in live sound consoles. In addition to convenient 2-track recording to a USB flash drive, the RIVAGE PM series supports multitrack recording via a Dante audio network to meet the widest possible range of serious recording requirements.\u003c\/p\u003e\u003cp\u003eThe 2-track USB flash drive recorder function directly records the output of the STEREO or MIX bus to the flash drive. Background music or sound effects recorded on the flash drive can also be assigned to any input channel for playback. Sample rate conversion is provided for both input and output, so the recorder function can be used without having to think about the system sampling rate. Data can be recorded to or played back from WAV or MP3 files, as required.\u003c\/p\u003e\u003cp\u003eMultitrack recordings can be made to a computer based DAW via a Dante audio network. High-resolution recording of up to 128 channels (input and output) at 96 kHz is possible if the computer is equipped with a DANTE ACCELETATOR PCIe card (AIC128-D). With Dante Virtual Soundcard the maximum in\/out track count is 64.\u003c\/p\u003e\u003cp\u003eMultitrack recordings of rehearsals made in this way can be used for “virtual sound checks” when the performers aren’t available. Input patching for all required channels can be switched in one operation for both recording and virtual sound checks. Recorder playback and stage input can even be smoothly combined when needed.\u003c\/p\u003e\u003cp\u003eAdditionally, firmware versions V5.0 and later allow you to use the Yamaha Console Extension to copy Channel Name and Channel Color to Nuendo Live and to operate transport controls and markers from the console, providing seamless connection between RIVAGE PM Series consoles and Nuendo Live.\u003c\/p\u003e\u003ch3\u003eVarious control options\u003c\/h3\u003e\u003cp\u003eRIVAGE PM products provide a range of control options to meet your needs, allowing you to adjust sound from the stage or the audience area, and can also be integrated with a variety of external devices.\u003c\/p\u003e\u003cp\u003eRIVAGE PM Editor allows you to control your system from a computer via a GUI that replicates the RIVAGE control surface, while StageMix lets you move freely around the venue and mix from your preferred listening position.\u003c\/p\u003e\u003cp\u003eThe MonitorMix app gives performers an easy way to adjust their personal monitor mixes.\u003c\/p\u003e\u003cp\u003eOSC server allows external devices to control the RIVAGE PM system using the OSC protocol. With version 7.0 or later, the RIVAGE PM system can function as an OSC client for control of OSC-compatible devices, while OSC commands can be programmed to link with scenes for seamless operation.\u003c\/p\u003e\u003ch3\u003eYamaha Immersive Sound Control\u003c\/h3\u003e\u003cp\u003eSound xR Image is a proprietary immersive sound system from Yamaha that gives users full control over sound imaging within a given space. Sound xR Image provides broad content creation support for theater, opera, concert, installation, event, and other applications. Control with RIVAGE PM consoles allows the flexible design of immersive sound systems and the creation of streamlined, efficient workflows.\u003c\/p\u003e\u003cp\u003eWith V7.0 firmware or later, the control for Sound xR Image on DME is supported and gives the offline setting features for the immersive panning parameters on the consoles.\u003c\/p\u003e\u003cli\u003eSound xR\u003c\/li\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Input Mixing channels › DSP-RX\u003c\/td\u003e\n\u003ctd\u003e120\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Input Mixing channels › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e288\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Mix Buses › DSP-RX\u003c\/td\u003e\n\u003ctd\u003e48\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Mix Buses › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e72\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Matrices › DSP-RX\u003c\/td\u003e\n\u003ctd\u003e24 (Input to Matrix supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Matrices › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e36 (Input to Matrix supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › Stereo buses\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › mono buses\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMixing Capacity › cue bus\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Analog › in\u003c\/td\u003e\n\u003ctd\u003e8 (SILK)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Analog › out\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Digital › AES IN\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Digital › AES OUT\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Expansion Slot › HY\u003c\/td\u003e\n\u003ctd\u003e4 (DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Expansion Slot › MY\u003c\/td\u003e\n\u003ctd\u003e2+2(DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › GPI › IN\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › GPI › ONT\u003c\/td\u003e\n\u003ctd\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Word clock\u003c\/td\u003e\n\u003ctd\u003eOUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › MIDI\u003c\/td\u003e\n\u003ctd\u003eIN\/OUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › USB › File\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › USB › rec\/play\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Redundant PSU\u003c\/td\u003e\n\u003ctd\u003eYes (Built in dual PSU)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Meter Bridge\u003c\/td\u003e\n\u003ctd\u003eOn screen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Lamp\u003c\/td\u003e\n\u003ctd\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Talkback In\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Video Out\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › TC In\u003c\/td\u003e\n\u003ctd\u003eYes (DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Fault Output\u003c\/td\u003e\n\u003ctd\u003eYes (DSP-RX\/-EX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › Phones\u003c\/td\u003e\n\u003ctd\u003e2 connectors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLocal Connectors › AC Inlet\u003c\/td\u003e\n\u003ctd\u003e2 (V-Lock Type)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Number of Scenes\u003c\/td\u003e\n\u003ctd\u003e1000\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Recall Safe\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Focus Recall\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Fade Time\u003c\/td\u003e\n\u003ctd\u003eYes (0s ~ 60s)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Preview\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Selective Load \/ Save\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Global Paste\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Event List\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Overlay\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Isolate\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eScene Memory › Tactile Control Keys\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Gain Compensation\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Silk\u003c\/td\u003e\n\u003ctd\u003eYes (with RPio)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Digital Gain\u003c\/td\u003e\n\u003ctd\u003eYes (-96dB ~ +24dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › ATT\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › HPF\u003c\/td\u003e\n\u003ctd\u003e20Hz~2000Hz, -6\/-12\/-18\/-24dB\/oct Selectable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › PEQ\u003c\/td\u003e\n\u003ctd\u003e4 Band Full PEQ (4 algorithms, RTA overlay support)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Dynamics 1\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Dynamics 2\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Input Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Pan\u003c\/td\u003e\n\u003ctd\u003eCenter Nominal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › DCA Group\u003c\/td\u003e\n\u003ctd\u003e24 (Output DCA support)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › DCA Rollout\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › MUTE Group\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Number of Inserts\u003c\/td\u003e\n\u003ctd\u003e4 slots on each 2 insert point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Channel Functions › Direct Out\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › PEQ\u003c\/td\u003e\n\u003ctd\u003e8 Band Full PEQ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › GEQ\u003c\/td\u003e\n\u003ctd\u003ePlug-in\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Dynamics 1\u003c\/td\u003e\n\u003ctd\u003eLegacy Comp \/ Comp260 \/ Gate \/ De-Esser \/ Expander \/ Ducking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Output Channel Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › MUTE Group\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput Channel Functions › Number of Inserts\u003c\/td\u003e\n\u003ctd\u003e4 slots on each 2 insert point\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePlug-in › Number of Slots › DSP-RX \/ Internal\u003c\/td\u003e\n\u003ctd\u003e384\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePlug-in › Number of Slots › DSP-RX-EX\u003c\/td\u003e\n\u003ctd\u003e512\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePlug-in › Number of Effect Programs\u003c\/td\u003e\n\u003ctd\u003eMore than 50\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGEQ Rack › Number of GEQ Racks\u003c\/td\u003e\n\u003ctd\u003e48\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGEQ Rack › Mountable Device\u003c\/td\u003e\n\u003ctd\u003e31BandGEQ \/ Flex15GEQ \/ 8Band PEQ (RTA overlay support) \/ Dugan Automixer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTWINLANe › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e256 in \/ 256 out (with HY256-TL)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e144 in \/ 144 out (with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices that can be discovered from the console *1\u003c\/td\u003e\n\u003ctd\u003e127 (with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices that can be mounted *2\u003c\/td\u003e\n\u003ctd\u003e48（with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDante › Number of I\/O devices with HA remote control *2\u003c\/td\u003e\n\u003ctd\u003e48（with HY144-D\/HY144-D-SRC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMADI › Number of I\/O Channels (per card)\u003c\/td\u003e\n\u003ctd\u003e64 in \/ 64 out @96kHz, 128 in \/ 128 out @48kHz (with HY128-MD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRecording › USB Memory Recording\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRecording › DVS Recording\u003c\/td\u003e\n\u003ctd\u003eYes (with HY144-D)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › 5.1 Surround Panning\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › Surround Monitor\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › Mix Minus\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBroadcast Functions › L-Mono \/ R-Mono \/ LR-Mono\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMonitor › Solo Mode\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMonitor › Oscillator\u003c\/td\u003e\n\u003ctd\u003eSine Wave 1ch \/ Sine Wave 2ch \/ Pink Noise \/ Burst Noise\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Port to Port\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Dual Console\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › DSP Mirroring\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Timecode Reader\/Display\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Timecode Chase (Event List)\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › GPI\/MIDI\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › RTA\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Output Port Delay\u003c\/td\u003e\n\u003ctd\u003eYes (0ms ~ 1000ms)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Mix\/Matrix to Input\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Sub In\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOther Functions › Theatre Mode\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Display\u003c\/td\u003e\n\u003ctd\u003e15 inch Touch Panel x 1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Centralogic Section\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Faders\u003c\/td\u003e\n\u003ctd\u003e12 + 12+ 2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Selected Channel Encoders\u003c\/td\u003e\n\u003ctd\u003eAll Parameters\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Channel Encoder\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Channel Name \/ Color Display\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Custom Fader Banks\u003c\/td\u003e\n\u003ctd\u003eYes (6 x 5 on each bay)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › User Defined Keys\u003c\/td\u003e\n\u003ctd\u003e12 (x 4 banks)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › User Defined Knobs\u003c\/td\u003e\n\u003ctd\u003e4 (x 4 banks)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Touch and Turn Knob\u003c\/td\u003e\n\u003ctd\u003eYes (1)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Monitor Level Knob\u003c\/td\u003e\n\u003ctd\u003eYes (2: A and B)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUser Interface › Wooden Arm Rest\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › Editor\u003c\/td\u003e\n\u003ctd\u003eRIVAGE PM Editor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › StageMix\u003c\/td\u003e\n\u003ctd\u003eRIVAGE PM StageMix\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › MonitorMix\u003c\/td\u003e\n\u003ctd\u003eYes (V4.0 or later)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSoftware › Console File Converter\u003c\/td\u003e\n\u003ctd\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (WxHxD)\u003c\/td\u003e\n\u003ctd\u003eCS-R10-S: 1,128 x 417 x 848mm (44.4\" x 16.4\" x 33.4\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNet Weight\u003c\/td\u003e\n\u003ctd\u003eCS-R10-S: 67 kg (147.7 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eIncluded Accessories\u003c\/td\u003e\n\u003ctd\u003eCS-R10-S: Dust cover, Gooseneck Lamp LA1L x 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734230783,"sku":null,"price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_f2cde4dc-00bb-4b78-8d7e-84450f4a8fa3.jpg?v=1790011490"},{"product_id":"hs4","title":"Yamaha HS4 Powered Studio Monitors (Pair)","description":"\u003cp\u003eHigh-quality compact studio monitors for the uncompromising creator\u003c\/p\u003e\u003cli\u003e2-way bass-reflex powered speaker with 4.5\" cone woofer and 1\" dome tweeter\u003c\/li\u003e\u003cli\u003e60 Hz - 22 kHz frequency response (-10 dB)\u003c\/li\u003e\u003cli\u003e26 W + 26 W output power (Dynamic, RL=6 Ω)\u003c\/li\u003e\u003cli\u003eROOM CONTROL and HIGH TRIM response controls\u003c\/li\u003e\u003cli\u003eXLR\/TRS Phone (COMBO), RCA, and Stereo Mini inputs\u003c\/li\u003e\u003cli\u003eStereo mini - RCA cable, speaker cable, and anti-slip pad included\u003c\/li\u003e\u003cli\u003ePackaging: Pair\u003c\/li\u003e\u003ch3\u003eHigh-quality compact studio monitors for the uncompromising creator\u003c\/h3\u003e\u003cp\u003eHS Series speakers are the standard in studio monitors, trusted for many years by the world’s top audio engineers, producers, and artists. Now Yamaha has redefined their essence in a compact housing. The HS3 and HS4 are powerful tools to help create a wide range of audio content—from music production to video editing—that meets the expectations of creators who have limited space but do not want to compromise on monitoring quality.\u003c\/p\u003e\u003ch3\u003eSound that's always true to the original\u003c\/h3\u003e\u003cp\u003eThe HS3 and H34 studio monitors embody our legacy of design excellence. No detall has been overlooked. Inside are carefully selected parts such as a high-performance class-D amplifler, a highly resilient MDF cabinet, as well as woofers and soft-dome tweeters that deliver a pure sound faithful to the source - despite their small aize. Additionally, our proprietary \"Twisted Flare Port\" technology delivers crystal-clear beas with minimal turbulence noise, The result is outstanding resolation, sound image, and depth with a flat response across all bandwidths without any coloring of the original sound.\u003c\/p\u003e\u003ch3\u003eOptimal sound tailored to your environment\u003c\/h3\u003e\u003cp\u003eThe sound produced by speakers can sometimes be affected by the surrounding environment.\u003c\/p\u003e\u003cp\u003eThe rear panels of the HS3 and HS4 are equipped with ROOM CONTROL and HIGH TRIM functions that allow you to make adjustments to achieve the ideal sound for any environment, such as reducing the unneeded, exaggerated low-end that can often occur when speakers are placed next to walls.\u003c\/p\u003e\u003ch3\u003eInputs and controls to fit any use\u003c\/h3\u003e\u003cp\u003eThe rear panel of the HS3 and HS4 is equipped with combination XLR\/TRS phone, RCA, and stereo mini connectors, allowing you to connect to a wide range of equipment such as computers, audio interfaces, audio mixers, and electric instruments. The most commonly used features—power button, volume knob, and headphone connector—are located in the front for easy access.\u003c\/p\u003e\u003ch3\u003eCompact and portable\u003c\/h3\u003e\u003cp\u003eThe compact size of the HS3 and HS4 was made possible thanks to the highly efficient class-D amp. Using one amp for two speakers has enabled us to both reduce the weight of the speakers and simplify the cable connections. They take up little space even in a small bedroom studio, and are easy to take with you on the road.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Speaker type\u003c\/td\u003e\n\u003ctd\u003e2-way powered speaker, Bass-reflex type\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response (-10dB)\u003c\/td\u003e\n\u003ctd\u003e60 Hz - 22 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response (-3dB)\u003c\/td\u003e\n\u003ctd\u003e83 Hz - 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crossover\u003c\/td\u003e\n\u003ctd\u003e2.3 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum Output Level (Measured peak, IEC noise@1m)\u003c\/td\u003e\n\u003ctd\u003e102 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Components › HF\u003c\/td\u003e\n\u003ctd\u003e1\" Dome\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Components › LF\u003c\/td\u003e\n\u003ctd\u003e4.5\" Cone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Nominal impedance\u003c\/td\u003e\n\u003ctd\u003e6 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O connectors\u003c\/td\u003e\n\u003ctd\u003e[Input Connector] L Side: COMBO (XLR\/TRS Phone) ×2, RCA ×2, Stereo Mini, R Side: Speaker Input; [Output Connector] L Side: Headphone, Speaker Output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Output power\u003c\/td\u003e\n\u003ctd\u003e26 W + 26 W (Dynamic, RL=6 Ω), 20 W + 20 W (THD 0.1%, 1kHz, RL=6 Ω)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input sensitivity\u003c\/td\u003e\n\u003ctd\u003eLINE 1 (COMBO): +4 dBu, LINE 2 (RCA, ST Mini): -10 dBu (Volume: Maximum)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input Level\u003c\/td\u003e\n\u003ctd\u003eLINE 1 (COMBO): +20 dBu, LINE 2 (RCA, ST Mini): +6 dBu (Maximum Input)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input impedance\u003c\/td\u003e\n\u003ctd\u003eLINE 1 (COMBO): 20 kΩ, LINE 2 (RCA, ST Mini): 10 kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Controls\u003c\/td\u003e\n\u003ctd\u003eFront: Volume, Rear: ROOM CONTROL SWITCH (0\/-2\/-4 dB under 500 Hz), HIGH TRIM SWITCH (+2\/0\/-2 dB above 2 kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Indicators\u003c\/td\u003e\n\u003ctd\u003ePower ON (White LED)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003eDepending on area of purchase; 100-240 V, 50\/60 Hz (*)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e15 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Cabinet material\u003c\/td\u003e\n\u003ctd\u003eMDF\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003eL Side: 150 mm (5.9\"), R Side: 150 mm (5.9\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003eL Side: 240 mm (9.4\"), R Side: 240 mm (9.4\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003eL Side: 213 mm (8.4\"), R Side: 203 mm (8.0\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003eL Side: 3.7 kg (8.2 lb), R Side: 3.1 kg (6.8 lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eStereo Mini - RCA Cable 1.5 m, Speaker Cable 2.5 m, Anti Slip Pad, Quick Start Guide, Safety Guide\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Packaging\u003c\/td\u003e\n\u003ctd\u003ePair\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734263551,"sku":"HS4","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_c7909f71-22d1-44a0-b6b4-cc5818171a59.jpg?v=1790011490"},{"product_id":"swr2310-18gt","title":"Yamaha SWR2310-18GT L2 Switch","description":"\u003cp\u003eL2 intelligent RJ45 switch with 18 ports\u003c\/p\u003e\u003cli\u003eAvailable ports: 16 LAN ports and 2 SFP+ slots\u003c\/li\u003e\u003cli\u003eIn-build RADIUS server for advanced security management\u003c\/li\u003e\u003cli\u003eYamaha LAN Monitor supported\u003c\/li\u003e\u003ch3\u003eSmart, Safe Dante System Operation for Large Installations\u003c\/h3\u003e\u003cp\u003eThe Yamaha SWR switch lineup, featuring high-performance L2 switches for fixed installations, has been expanded to provide a wider range of models for a wider range of applications. In addition to VLAN functionality, the new SWR2310-28GT and SWR2310-18GT offer high port counts and features such as 10G uplink ports for long-distance transmission of multichannel 96 kHz data, making them ideal choices for safe, stable backbone operation in large-scale systems. As with other SWR\/SWP switches, Yamaha LAN Monitor software provides clear visual system status monitoring that makes Dante system setup easy.\u003c\/p\u003e\u003ch3\u003eOptions for Flexible System Design and Installation\u003c\/h3\u003e\u003cp\u003eA number of options are available for the SWR series, including rack-mount and wall-mount brackets that facilitate mounting in a variety of locations, and SFP modules that allow long-distance communication for flexible overall system setup and installation. The chart below lists the options that are available for each SWR switch model.\u003c\/p\u003e\u003cp\u003e* Rack-mount brackets are included in SWR2310-18GT \/ SWR2310-28GT\u003c\/p\u003e\u003ch3\u003e10Gbps Supported Multi-port Models for Solid Backbone Performance\u003c\/h3\u003e\u003cp\u003eWith high port counts and 10G uplink ports that can be used to transfer multichannel 96 kHz data over extended distances, the SWR2310-28GT and SWR2310-18GT switches have been designed to support safe, stable network operation in system backbone applications. Optional SFP-SWRT-SR and SFP-SWRT-LR small form-factor pluggable modules allow reliable long-distance communication of multiple channels of 96kHz audio data, up to a maximum of 10 kilometers with the SFP-SWRT-LR, significantly enhancing performance, dependability, and flexibility for commercial installations, theaters, stadiums, and other large-scale installations.\u003c\/p\u003e\u003ch3\u003eOne-click Dante Optimization\u003c\/h3\u003e\u003cp\u003eIGMP and QoS settings for SWR series switches can be automatically optimized for Dante network operation by simply clicking the “Dante optimization” button in the web-based GUI. These network settings are not critical in simple systems, but proper configuration is essential to ensure maximum stability in larger Dante networks.\u003c\/p\u003e\u003cli\u003eWeb GUI (SWR2310 Technical Data)\u003c\/li\u003e\u003ch3\u003eIntelligent Security Management\u003c\/h3\u003e\u003cp\u003eAugmenting the VLAN functionality included in the SWR2310 series is built-in RADIUS server function. By setting up one switch as a RADIUS server and linking other switches to it, unauthorized network access can be effectively blocked for enhanced security, even in complex large-scale installations. Device authentication can be set up quickly and easily via a web-based GUI.\u003c\/p\u003e\u003cli\u003eWeb GUI (SWR2310 Technical Data)\u003c\/li\u003e\u003ch3\u003eNetwork Visibility and Smart Management (Yamaha LAN Monitor)\u003c\/h3\u003e\u003cp\u003eEffective Dante network management hinges on a range of parameters such as network traffic, switch status, and individual Dante device information. The dedicated Yamaha LAN Monitor computer application provides a comprehensive single-screen view of all necessary parameters when used with SWP\/SWR\/SWX series switches. We refer to this type of graphical overview as “network visibility.” You can even take a snapshot of the normal network status and set an alarm to warn you if any of the parameters changes, so that problems can be identified and resolved quickly and easily. The Dante Controller application can also be launched from the Yamaha LAN Monitor with a single click, providing a total Dante network solution on a single computer.\u003c\/p\u003e\u003cli\u003eClick here for more Yamaha LAN Monitor information.\u003c\/li\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Standard\u003c\/td\u003e\n\u003ctd\u003eIEEE 802.3 (10BASE-T\/100BASE-TX\/1000BASE-T)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Number of ports\u003c\/td\u003e\n\u003ctd\u003e16\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Communication mode\u003c\/td\u003e\n\u003ctd\u003eAuto negotiation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Connector type\u003c\/td\u003e\n\u003ctd\u003eRJ-45\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Polarity\u003c\/td\u003e\n\u003ctd\u003eAutomatic detection of straight\/cross, or fixed at straight\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › SFP+ ports › Standard\u003c\/td\u003e\n\u003ctd\u003eIEEE 802.3z (1000BASE-SX\/ 1000BASE-LX), IEEE 802.3ae (10GBASE-SR\/ 10GBASE-LR)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › SFP+ ports › Number of ports\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Console ports › Standard\u003c\/td\u003e\n\u003ctd\u003eRS-232C, USB 2.0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Console ports › Connector type\u003c\/td\u003e\n\u003ctd\u003eRJ-45, USB mini-B (5-pin)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Console ports › Data transmission speed\u003c\/td\u003e\n\u003ctd\u003e9600 bit\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › microSD slot › Standard\u003c\/td\u003e\n\u003ctd\u003emicroSD\/microSDHC (microSDXC is not supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › microSD slot › File System\u003c\/td\u003e\n\u003ctd\u003eFAT\/FAT32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Indicators\u003c\/td\u003e\n\u003ctd\u003ePOWER, microSD, LAN port (LINK\/ACT, SPEED), SFP+ port (LINK\/ACT, SPEED)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › MAC address\u003c\/td\u003e\n\u003ctd\u003eIndicated in product label on top panel of unit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Operating environment\u003c\/td\u003e\n\u003ctd\u003eAmbient temperature: 0–50 °C, Ambient humidity 15–80% (non-condensing)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Storage environment\u003c\/td\u003e\n\u003ctd\u003eAmbient temperature: -20–60 °C, Ambient humidity 10–90% (non-condensing)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power supply voltage, frequency\u003c\/td\u003e\n\u003ctd\u003eAC100 – 240V, 50\/60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum power consumption\u003c\/td\u003e\n\u003ctd\u003e19.0 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e330 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e43.5 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e200 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Weight\u003c\/td\u003e\n\u003ctd\u003e2.1 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eOwner’s manual, power cord (3-prong), power cord clamp, legs, 19-inch rack mount hardware and screws\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734394623,"sku":"SWR2310-18GT","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_ed4c7fc9-0594-4dad-99ae-18f73f3033d7.jpg?v=1790011490"},{"product_id":"mg206c-usb","title":"Yamaha MG206C-USB 20-Input USB Mixing Console","description":"\u003cp\u003eDirect digital recording capability with the supplied Cubase AI4 software\u003c\/p\u003e\u003ch3\u003eUSB models for live recording\u003c\/h3\u003e\u003cp\u003eWhether you have a mixing applications that involves only a few channels, or up to 32 inputs with substantial signal routing versatility, Yamaha's MG-series offers a console that will give you the capacity, control, and performance you deserve. All models are remarkably compact and lightweight for superior handling and portability, but absolutely no compromises have been made in terms of features, performance, or durability. The MG mixers offer an extraordinary blend of technology: some inherited from professional Yamaha mixing consoles you're likely to see in distinguished halls throughout the world, and some developed specifically to deliver optimum performance in the MG-console format. In either case these performance-packed mixers are founded on a world-spanning network of human and technological resources that crystallize to deliver features that really matter, and sound that is undeniably superior.\u003c\/p\u003e\u003ch3\u003eEasy live recording with bundled Cubase AI\u003c\/h3\u003e\u003cp\u003eCubase AI4 harnesses the power of the Steinberg Cubase 4 digital audio workstation for use with Yamaha MG \"USB\" mixers, providing a powerful set of advanced software tools that are easy to use while significantly expanding the mixers' recording and production capabilities. Cubase AI4 offers direct digital connectivity to the stereo buses of MG \"USB\" models for audio recording and editing. It also features a range of MIDI sequencing capabilities, an entire suite of VST effect plug-ins, and a HALion One sample player featuring selected waves from the famed Yamaha Motif synthesizers.\u003c\/p\u003e\u003ch3\u003eCubase AI4 Features\u003c\/h3\u003e\u003cp\u003eCubase 4 audio engine.\u003c\/p\u003e\u003cp\u003e48 audio tracks and up to 64 MIDI tracks.\u003c\/p\u003e\u003cp\u003e25 VST effect plug-ins, including 15 new VST3 plug-in effects.\u003c\/p\u003e\u003cp\u003eHALion One software sample player with selected Motif waves.\u003c\/p\u003e\u003cp\u003ePlug and Play VST\/MIDI setup.\u003c\/p\u003e\u003cp\u003eStudio Connections Integration.\u003c\/p\u003e\u003cp\u003eFile Interchange between Steinberg software and Yamaha hardware.\u003c\/p\u003e\u003cp\u003e20 MIDI music styles and 480 audio drum loops included.\u003c\/p\u003e\u003ch3\u003eBuilt-in SPX Digital Effects (MG166CX-USB only)\u003c\/h3\u003e\u003cp\u003eThere's an astonishing amount of signal processing power packed into the compact chassis of the MG \"CX\" mixers. They incorporate a versatile digital multi-effect processor that provides a range of reverb, delay, modulation, and distortion programs you can use to refine and define your sound. Each of the 16 effect programs has a number of editable parameters as well as effect on\/off switching capability and return level control. You can even blend the effects into the aux sends for \"wet\" monitoring, so the performers can hear the effects too. If you need to keep both hands free to play an instrument or perform other operations, an optional footswitch can be connected to the mixer's effect footswitch jack for convenient on\/off switching.\u003c\/p\u003e\u003ch3\u003eLightweight, Portable Designs\u003c\/h3\u003e\u003cp\u003eDesigning a lightweight mixer is not too difficult, but designing a lightweight, compact mixer that delivers serious performance is another matter. The Yamaha design team went to extraordinary lengths in the MG series, including in-depth material and structural analysis, to bring you maximum manageability and maximum performance in the same packages. The result is that you can easily pop the smallest models into your briefcase or shoulder bag and take with you anywhere. Even the larger models can be tucked under an arm and carried around quite easily. But the performance you'll get at the studio, club, hall, or anywhere you choose to use these fine mixers is far from lightweight. Every one of the MG series mixers provides significant space savings along with huge performance benefits.\u003c\/p\u003e\u003ch3\u003eVersatile Connectivity and Pro-class Connectors\u003c\/h3\u003e\u003cp\u003eTop-mounted input and output connectors make setting up and re-patching your system quick and easy. All models feature high-quality Neutrik™ balanced XLR connectors on mono microphone\/line channels and XLR-equipped stereo channels. These professional-class connectors were subjected to extensive testing by the Yamaha design team, and were chosen for the MG mixers for their superior reliability and sonic qualities. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels provide phone jack and pin jack connectors for compatibility with a wide range of sources. Mono input channels also feature insert I\/O connectors that let you patch external signal processing gear into those channels as required. Separate pinjack 2TR inputs are provided to accept the output from a CD player or similar stereo source.\u003c\/p\u003e\u003ch3\u003eBuilt-in Channel Compressors\u003c\/h3\u003e\u003cp\u003eThis advanced feature can be a tremendous advantage in achieving great vocal sound, as well as to refine the sound of bass, guitar, and other sources. You won't find built-in channel compression on too many other mixers in this class, but in the new MG mixers you have Yamaha's innovative one-knob compression feature on several of the mono input channels. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and timeconsuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.\u003c\/p\u003e\u003ch3\u003eHigh-performance Microphone Preamplifiers with Switchable Phantom Power\u003c\/h3\u003e\u003cp\u003eMicrophone preamplifiers are critical in any mixer, and a performance bottleneck in many. That's why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. Gain trim covers a wide -60dB ~ -16dB range for microphones (-34dB ~ +10dB for line input), so you'll be able to achieve optimum level matching with just about any source. All microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones.\u003c\/p\u003e\u003ch3\u003e3-band Channel EQ and High-pass Filters\u003c\/h3\u003e\u003cp\u003eBuilding a truly useful, musical-sounding channel equalizer is no easy task, but Yamaha has decades of experience in building pro consoles to draw on. You reap the benefits in the MG series mixers: all mono channels feature 3-band equalizers with LOW, MID, and HIGH controls. Depending on the model some of all of the stereo channels have 2-band EQ for smooth equalization of stereo sources. Although not directly related to the equalizer circuitry, all inputs also feature 80 Hz low-pass filters that can be used to eliminate subsonic noise that is outside the equalizers' range.\u003c\/p\u003e\u003ch3\u003eAux\/Effect Sends\u003c\/h3\u003e\u003cp\u003eAll models except the MG82CX have from one to three AUX sends for convenient to processing and monitor systems. Master send controls are also provided, as are RETURN level controls for the AUX and STEREO busses. \"CX\" models have EFFECT send controls on all channels that adjust the level of the signal sent from the corresponding channel to the mixer's internal multi-effect system. The same signal can also be sent to external effect processors via the mixer's EFFECT SEND jack.\u003c\/p\u003e\u003ch3\u003eTwo, Four or Six Buses (Stereo and Group)\u003c\/h3\u003e\u003cp\u003eThe smallest models in the lineup - the MG82CX and MG102C - have a single stereo bus (i.e. two mono buses). All other models additionally feature one or two stereo group buses and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.\u003c\/p\u003e\u003ch3\u003eSmooth 60-millimeter Faders \u0026amp; Illuminated Channel ON Switches\u003c\/h3\u003e\u003cp\u003eWhile the MG82CX and MG102C feature rotary faders, channel and master level control on all other models is accomplished via reliable, highperformance 60-millimeter linear faders that provide smooth, noise-free operation. When you have more than a few channels the direct visual indication of relative level settings can be an important advantage. Models with linear faders also feature illuminated channel ON switches that can be used to individually add or remove channels from the mix without having to change the positions of the channel faders.\u003c\/p\u003e\u003ch3\u003eBright Meters for Visual Level Monitoring\u003c\/h3\u003e\u003cp\u003eAccurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read multi-segment LED meters make it easy to control system levels for optimum overall performance.\u003c\/p\u003e\u003ch3\u003eEasy Operation\u003c\/h3\u003e\u003cp\u003eAll switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback.\u003c\/p\u003e\u003ch3\u003eP.T. Yamaha Music manufacturing Asia — Manufacturing the electronic instruments and PA products\u003c\/h3\u003e\u003cp\u003eFrom the initial design to final manufacturing, all production processes for the Yamaha MG series mixing console are performed entirely inside the company. Moreover, every product that comes off our production line must pass strict quality controls using the sophisticated test instruments. Thus, all of this enables us to deliver the highest quality products to you.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Total Harmonic Distortion\u003c\/td\u003e\n\u003ctd\u003eLess than 0.1 % (THD+N) 20 Hz - 20 kHz @ +14 dBu (ST OUT)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Frequency Response\u003c\/td\u003e\n\u003ctd\u003e0, +1, -3 dB 20 Hz - 20 kHz @ +4 dBu (ST OUT)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Hum \u0026amp; Noise\u003c\/td\u003e\n\u003ctd\u003e-128 dBu Equivalent Input Noise\/ -98 dBu Residual Output Noise 20 Hz - 20 kHz, Rs = 150 Ω, Input Gain = Maximum\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input Connectors\u003c\/td\u003e\n\u003ctd\u003eMIC: 16, LINE: 12 mono + 4 stereo, CH INSERT: 12, AUX RTN: 2 stereo, 2TR IN: 1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Output Connectors\u003c\/td\u003e\n\u003ctd\u003eST: 2, AUX SEND: 4, CH INSERT: 12, REC: 1 stereo, MONITOR: 1 stereo, GROUP: 4 Phone: 1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-70 dB @ 1 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Phantom Power\u003c\/td\u003e\n\u003ctd\u003e+ 48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input HPF\u003c\/td\u003e\n\u003ctd\u003eCH 1-12, CH 13\/14-19\/20, 80Hz, 12dB\/oct\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › High\u003c\/td\u003e\n\u003ctd\u003e10 k Hz: shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › Mid\u003c\/td\u003e\n\u003ctd\u003e2.5 k Hz: peaking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › Low\u003c\/td\u003e\n\u003ctd\u003e100 Hz: shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › High\u003c\/td\u003e\n\u003ctd\u003e10 k Hz: shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Mid\u003c\/td\u003e\n\u003ctd\u003e2.5 k Hz: peaking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Low\u003c\/td\u003e\n\u003ctd\u003e100 Hz: shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Compressor (COMP)\u003c\/td\u003e\n\u003ctd\u003econtrol x 1 (Gain\/Threshold\/Ratio), CH 1-8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › LED Level Meter \/ Pre Monitor Level\u003c\/td\u003e\n\u003ctd\u003e2 x 12 points LED meter (PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB) PEAK lights if the signal comes within 3 dB of the clipping level.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Peak Indicator\u003c\/td\u003e\n\u003ctd\u003eRed LED turns on when post EQ (ST CH: or post Mic HA) signal reaches -3dB below clipping (17dBu).\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › USB Audio \/ USB IN\/OUT\u003c\/td\u003e\n\u003ctd\u003eSampling Frequency = 44.1kHz or 48kHz (depend on the application of PC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Power Supply Adapter\u003c\/td\u003e\n\u003ctd\u003ePA-30: AC 35VCT, 1.4A, Cable Length = 3.6m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e40 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Dimensions (W x H x D)\u003c\/td\u003e\n\u003ctd\u003e478 mm x 105 mm x 496 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Net Weight\u003c\/td\u003e\n\u003ctd\u003e6.0 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734427391,"sku":"MG206C-USB","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_75253ffe-e1ea-447e-8f04-433b246d2474.jpg?v=1790011487"},{"product_id":"ag03mk2-lspk","title":"Yamaha AG03MK2 LSPK USB Loopback Live Streaming Kit","description":"\u003cp\u003eA comprehensive package of the AG03MK2 that includes all the products you need to get started with live streaming right away.\u003c\/p\u003e\u003cli\u003eNew design with two models in black and white\u003c\/li\u003e\u003cli\u003eAG03MK2: 3-channel Live Streaming mixer with USB audio interface\u003c\/li\u003e\u003cli\u003eYCM01: Studio-quality condenser microphone (XLR, Cardioid type)\u003c\/li\u003e\u003cli\u003eYH-MT1: Studio-quality headphones\u003c\/li\u003e\u003cli\u003eXLR microphone cable (3 m, Black)\u003c\/li\u003e\u003ch3\u003eYour Audience Awaits.\u003c\/h3\u003e\u003cp\u003eThe AG03MK2 LSPK (Live Streaming Package) is a full-streaming setup that includes, and centers around, an AG03MK2 3-channel mixer— the successor to the AG03 console that has become a mainstay of the personal live streaming market. The package also includes a YCM01 cardioid condenser microphone ideal for live vocal or instrument performances, as well as YH-MT1 high-fidelity headphones, and an XLR mic cable to complete this simple yet powerful streaming station.\u003c\/p\u003e\u003cp\u003eIdeal for beginners or users building a new system from scratch, LSPK packages and their respective products come in either black or white, for a unifying aesthetic that makes it easier to adapt your new system to your particular streaming environment.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Mono[MIC\/LINE]\u003c\/td\u003e\n\u003ctd\u003e1 - Combo (Mic, +48 V phantom power \/ Line), 3.5 mm (1\/8\") stereo mini (Headset mic, Plug-in power) *CH1 input and Headset mic cannot be used simultaneously\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Stereo[LINE]\u003c\/td\u003e\n\u003ctd\u003e1 - Stereo Line \/ Guitar Input (Mono)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Smartphone\u003c\/td\u003e\n\u003ctd\u003e1 - 4-pole mini input\/output (TRRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › USB\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › PHONES\u003c\/td\u003e\n\u003ctd\u003e1 - PHONES \/ HEADSET PHONES *Cannot be used simultaneously\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › Smartphone\u003c\/td\u003e\n\u003ctd\u003e1 - 4-pole mini input\/output (TRRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › MONITOR OUT\u003c\/td\u003e\n\u003ctd\u003e2 - L\/R Stereo: Phone, RCA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › USB\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Bus\u003c\/td\u003e\n\u003ctd\u003e1 Stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Functions\u003c\/td\u003e\n\u003ctd\u003eMUTE button x 1, PAD button x 2, HI-Z button x 1, STREAMING OUT (DRY CH 1-2G \/ INPUT MIX \/ LOOPBACK), MIX MINUS MIC (ON \/ OFF)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › On-board processors › DSP\u003c\/td\u003e\n\u003ctd\u003eCOMP\/EQ, REVERB (SPX Reverb), AMP SIM *Detail is operated on AG Controller\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › USB › USB Audio\u003c\/td\u003e\n\u003ctd\u003e2 IN \/ 2 OUT, USB Audio Class 2.0 Compliant, Sampling Frequency: Max. 192 kHz, Bit Depth: 24-bit, Type-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › USB › USB DC Power input\u003c\/td\u003e\n\u003ctd\u003e1 - Type-C, 5 V DC, 900 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003e5 V DC, 900 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003eMax. 4.5 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e126 mm (5.0\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e63 mm (2.5\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e201 mm (7.9\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e0.8 kg (1.8 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Included Accessories\u003c\/td\u003e\n\u003ctd\u003eUSB 2.0 Cable (1.5 m), Quick Guide, Safety Guide, Wavelab Cast Download Information, Cubase AI Download Information\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eOperating Temperature: 0 to + 40 ℃\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734492927,"sku":null,"price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_3a8b54a7-0fac-47c9-ab24-4d580f1d9ff6.jpg?v=1790011488"},{"product_id":"rk-dm3","title":"Yamaha RK-DM3 Rack mount kit","description":"\u003cp\u003eRack mount kit for DM3 and DM3 Standard\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734525695,"sku":"RK-DM3","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_e03a59ab-9b11-4bbf-a914-7dd5d84621cb.jpg?v=1790011488"},{"product_id":"swr2310-28gt","title":"Yamaha SWR2310-28GT L2 Switch","description":"\u003cp\u003eL2 intelligent RJ45 switch with 28 ports\u003c\/p\u003e\u003cli\u003eAvailable ports: 24 LAN ports and 4 SFP+ slots\u003c\/li\u003e\u003cli\u003eIn-build RADIUS server for advanced security management\u003c\/li\u003e\u003cli\u003eYamaha LAN Monitor supported\u003c\/li\u003e\u003ch3\u003eSmart, Safe Dante System Operation for Large Installations\u003c\/h3\u003e\u003cp\u003eThe Yamaha SWR switch lineup, featuring high-performance L2 switches for fixed installations, has been expanded to provide a wider range of models for a wider range of applications. In addition to VLAN functionality, the new SWR2310-28GT and SWR2310-18GT offer high port counts and features such as 10G uplink ports for long-distance transmission of multichannel 96 kHz data, making them ideal choices for safe, stable backbone operation in large-scale systems. As with other SWR\/SWP switches, Yamaha LAN Monitor software provides clear visual system status monitoring that makes Dante system setup easy.\u003c\/p\u003e\u003ch3\u003eOptions for Flexible System Design and Installation\u003c\/h3\u003e\u003cp\u003eA number of options are available for the SWR series, including rack-mount and wall-mount brackets that facilitate mounting in a variety of locations, and SFP modules that allow long-distance communication for flexible overall system setup and installation. The chart below lists the options that are available for each SWR switch model.\u003c\/p\u003e\u003cp\u003e* Rack-mount brackets are included in SWR2310-18GT \/ SWR2310-28GT\u003c\/p\u003e\u003ch3\u003e10Gbps Supported Multi-port Models for Solid Backbone Performance\u003c\/h3\u003e\u003cp\u003eWith high port counts and 10G uplink ports that can be used to transfer multichannel 96 kHz data over extended distances, the SWR2310-28GT and SWR2310-18GT switches have been designed to support safe, stable network operation in system backbone applications. Optional SFP-SWRT-SR and SFP-SWRT-LR small form-factor pluggable modules allow reliable long-distance communication of multiple channels of 96kHz audio data, up to a maximum of 10 kilometers with the SFP-SWRT-LR, significantly enhancing performance, dependability, and flexibility for commercial installations, theaters, stadiums, and other large-scale installations.\u003c\/p\u003e\u003ch3\u003eOne-click Dante Optimization\u003c\/h3\u003e\u003cp\u003eIGMP and QoS settings for SWR series switches can be automatically optimized for Dante network operation by simply clicking the “Dante optimization” button in the web-based GUI. These network settings are not critical in simple systems, but proper configuration is essential to ensure maximum stability in larger Dante networks.\u003c\/p\u003e\u003cli\u003eWeb GUI (SWR2310 Technical Data)\u003c\/li\u003e\u003ch3\u003eIntelligent Security Management\u003c\/h3\u003e\u003cp\u003eAugmenting the VLAN functionality included in the SWR2310 series is built-in RADIUS server function. By setting up one switch as a RADIUS server and linking other switches to it, unauthorized network access can be effectively blocked for enhanced security, even in complex large-scale installations. Device authentication can be set up quickly and easily via a web-based GUI.\u003c\/p\u003e\u003cli\u003eWeb GUI (SWR2310 Technical Data)\u003c\/li\u003e\u003ch3\u003eNetwork Visibility and Smart Management (Yamaha LAN Monitor)\u003c\/h3\u003e\u003cp\u003eEffective Dante network management hinges on a range of parameters such as network traffic, switch status, and individual Dante device information. The dedicated Yamaha LAN Monitor computer application provides a comprehensive single-screen view of all necessary parameters when used with SWP\/SWR\/SWX series switches. We refer to this type of graphical overview as “network visibility.” You can even take a snapshot of the normal network status and set an alarm to warn you if any of the parameters changes, so that problems can be identified and resolved quickly and easily. The Dante Controller application can also be launched from the Yamaha LAN Monitor with a single click, providing a total Dante network solution on a single computer.\u003c\/p\u003e\u003cli\u003eClick here for more Yamaha LAN Monitor information.\u003c\/li\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Standard\u003c\/td\u003e\n\u003ctd\u003eIEEE 802.3 (10BASE-T\/100BASE-TX\/1000BASE-T)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Number of ports\u003c\/td\u003e\n\u003ctd\u003e24\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Communication mode\u003c\/td\u003e\n\u003ctd\u003eAuto negotiation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Connector type\u003c\/td\u003e\n\u003ctd\u003eRJ-45\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Polarity\u003c\/td\u003e\n\u003ctd\u003eAutomatic detection of straight\/cross, or fixed at straight\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › SFP+ ports › Standard\u003c\/td\u003e\n\u003ctd\u003eIEEE 802.3z (1000BASE-SX\/ 1000BASE-LX), IEEE 802.3ae (10GBASE-SR\/ 10GBASE-LR)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › SFP+ ports › Number of ports\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Console ports › Standard\u003c\/td\u003e\n\u003ctd\u003eRS-232C, USB 2.0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Console ports › Connector type\u003c\/td\u003e\n\u003ctd\u003eRJ-45, USB mini-B (5-pin)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Console ports › Data transmission speed\u003c\/td\u003e\n\u003ctd\u003e9600 bit\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › microSD slot › Standard\u003c\/td\u003e\n\u003ctd\u003emicroSD\/microSDHC (microSDXC is not supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › microSD slot › File System\u003c\/td\u003e\n\u003ctd\u003eFAT\/FAT32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Indicators\u003c\/td\u003e\n\u003ctd\u003ePOWER, microSD, STACK ID, LAN port (LINK\/ACT, SPEED), SFP+ port (LINK\/ACT, SPEED)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › MAC address\u003c\/td\u003e\n\u003ctd\u003eIndicated in product label on top panel of unit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Operating environment\u003c\/td\u003e\n\u003ctd\u003eAmbient temperature: 0–50 °C, Ambient humidity 15–80% (non-condensing)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Storage environment\u003c\/td\u003e\n\u003ctd\u003eAmbient temperature: -20–60 °C, Ambient humidity 10–90% (non-condensing)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power supply voltage, frequency\u003c\/td\u003e\n\u003ctd\u003eAC100 – 240V, 50\/60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum power consumption\u003c\/td\u003e\n\u003ctd\u003e25.2 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e440 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e44 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e300 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Weight\u003c\/td\u003e\n\u003ctd\u003e3.9 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eOwner’s manual, power cord (3-prong), power cord clamp, legs, 19-inch rack mount hardware and screws\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734591231,"sku":"SWR2310-28GT","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_81dbb6ff-3e4c-4928-8522-b8a579e9899e.jpg?v=1790011491"},{"product_id":"hs5","title":"Yamaha HS5 Powered Studio Monitor","description":"\u003cp\u003e2-way bass-reflex bi-amplified nearfield studio monitor with 5\" cone woofer and 1\" dome tweeter.\u003c\/p\u003e\u003cli\u003e2-way bass-reflex bi-amplified nearfield studio monitor with 5\" cone woofer and 1\" dome tweeter\u003c\/li\u003e\u003cli\u003e54Hz - 30kHz frequency response\u003c\/li\u003e\u003cli\u003e45W LF plus 25W HF bi-amp system for high-performance 70W power amplification\u003c\/li\u003e\u003cli\u003eROOM CONTROL and HIGH TRIM response controls\u003c\/li\u003e\u003cli\u003eXLR and TRS phone jack inputs accept balanced or unbalanced signals\u003c\/li\u003e\u003ch3\u003eTIME FOR A REALITY CHECK\u003c\/h3\u003e\u003cp\u003eEver since the 1970's the iconic white woofer and signature sound of Yamaha's nearfield reference monitors have become a genuine industry standard for a reason - their accuracy. Unlike studio monitors with added bass or treble frequencies which may sound more flattering at first, HS Series speakers were designed to give you the most honest, precise reference possible, providing an ideal sonic platform to build on throughout the mixing process. By combining acquired knowledge and expertise with state-of-the-art sound technologies, Yamaha's speaker engineering team have examined, then optimized, every aspect that has contributed to making these monitors the most trusted in the business. The second generation HS Series also adds a new 6.5\" model to the lineup, bringing its exceptional accuracy to an even greater variety of recording environments.\u003c\/p\u003e\u003ch3\u003eSound Philosophy of HS Series Studio Monitors\u003c\/h3\u003e\u003cp\u003eWhen selecting studio reference monitors for mixing and music production, one consideration takes precedence above all others - accuracy.\u003c\/p\u003e\u003cp\u003eBeginning with the legendary NS-10M, and continuing with the MSP and previous HS Series, this new lineup shares a design philosophy that emphasizes sonic purity without any coloring or alternation of the original sound. While many manufacturers seek to enhance the sound of their monitors to make them sound impressive, Yamaha studio monitors are designed to achieve the best possible mix by ensuring that the sound from your speakers is true to the original. HS Series nearfield reference monitors are the embodiment of this philosophy, delivering a concise sound image, high resolution, and flat response.\u003c\/p\u003e\u003ch3\u003eNewly Developed Transducers\u003c\/h3\u003e\u003cp\u003eThe HS Series features newly developed transducers that achieve astonishingly smooth response over a wide range of bandwidth. These transducers utilize an advanced magnetic field design that regulates the flow of magnetic response to provide seamless, natural sonic transitions. Each component's materials and design were carefully re-examined, then optimized, to drastically improve the accuracy of signal reproduction throughout the audio spectrum.\u003c\/p\u003e\u003cp\u003e- Tweeter\u003c\/p\u003e\u003cp\u003eThe HS Series features a newly designed, highly efficient 1\" dome tweeter that extends the usable frequency range considerably and delivers superb high-resolution sound. Utilizing a thick wave guide designed to minimize vibration the new tweeter is able to deliver smooth, distortion-free high end up to 30 kHz.\u003c\/p\u003e\u003cp\u003e- Woofer\u003c\/p\u003e\u003cp\u003eWith newly designed, ultra-responsive woofers that utilize large, carefully selected magnets, HS Series monitors produce low distortion sound with a well-defined bottom end at any output level. All of the components in these high-power woofers, including the woofer ring and the basket further contribute to the HS Series' stunning bass while providing clear, accurate mids.\u003c\/p\u003e\u003ch3\u003eHigh Performance Amp Unit\u003c\/h3\u003e\u003cp\u003eHS Series speakers employ an amplifier unit perfectly matched to the transducers utilized in each model of the series. Featuring a bi-amp design with a separate dedicated amp for both the woofer and the tweeter, this amplifier unit ensures that each HS Series speaker consistently delivers high-resolution sound with exceptionally flat response across the sound spectrum.\u003c\/p\u003e\u003ch3\u003eLow Resonance Enclosure Design\u003c\/h3\u003e\u003cp\u003eHS Series cabinets are designed to eliminate unwanted resonance and increase the accuracy of sound reproduction to their extreme limit. The enclosures are constructed from a very dense and resilient MDF with a damped acoustic response that is perfectly suited for reference monitors. Drawing from Yamaha's over 100 years of piano design experience, HS Series engineers also employed a traditional three-way mitered-joint technique. Common to architectural design this construction firmly anchors the corners of the enclosure to dramatically improve durability and eliminate unwanted resonance that can influence overall sound.\u003c\/p\u003e\u003ch3\u003eCutting Edge Noise Reduction Technology\u003c\/h3\u003e\u003cp\u003eSpeaker port design can greatly influence the clarity of overall sound. Often a vortex at the either end of the port can generate air vibrations inside of the port, causing unwanted noise. By adopting an advanced noise reduction technology that incorporates a thorough analysis of a visual representation of the sound, Yamaha's engineers are able to control and reduce the vortex. Through this in-depth analysis we have arrived at the ideal port design, resulting in a reduction of audible noise up to 6dB. The utilization of this state-of-the-art technology allows HS Series studio monitors to meet the demands of more strict professional production environments.\u003c\/p\u003e\u003ch3\u003eControls and Connectivity\u003c\/h3\u003e\u003cp\u003eHS Series full-range models feature two response controls with detailed settings that allow them to adapt to the surface acoustics of rooms of varying shape and size. ROOM CONTROL allows you to attenuate the unnatural, exaggerated low-end that can often occur when speakers are placed next to walls, while HIGH TRIM allows for more flexible control of high frequency response. For inputs, HS full-range speakers can accommodate a wide range of balanced and unbalanced sources such as mixers, keyboards and audio interfaces with XLR and TRS phone jacks. With the HS8S subwoofer, HIGH CUT control sets the cutoff frequency of subwoofer output high-frequency attenuation from 80Hz to 120Hz, while PHASE switch adjusts the phase of the subwoofer output. The LOW CUT switch and LOW CUT controls enables attenuation of low frequencies for output between 80Hz and 120Hz. The HS8S subwoofer is equipped with XLR and TRS phone jack inputs and for outputs XLR for L and R and EXT SUB out.\u003c\/p\u003e\u003ch3\u003eFlexible Set up (HS-I only)\u003c\/h3\u003e\u003cp\u003eBy adding mounting points and to the HS, HS-I models are compatible with three optional bracket types—wall, ceiling, and baton—adding the flexibility needed to meet the demands of a broad range of sonic environments.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Speaker type\u003c\/td\u003e\n\u003ctd\u003e2-way bi-amp powered studio monitor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency range (-10dB)\u003c\/td\u003e\n\u003ctd\u003e54Hz - 30kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Components › LF\u003c\/td\u003e\n\u003ctd\u003e5\" cone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Components › HF\u003c\/td\u003e\n\u003ctd\u003e1\" dome\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crossover\u003c\/td\u003e\n\u003ctd\u003e2kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Output power\u003c\/td\u003e\n\u003ctd\u003e70W (LF:45W, HF:25W)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O connectors\u003c\/td\u003e\n\u003ctd\u003eXLR3-31 type (balanced), PHONE (balanced)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e45W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Shape\u003c\/td\u003e\n\u003ctd\u003eBass-reflex type\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Cabinet material\u003c\/td\u003e\n\u003ctd\u003eMDF\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e170mm (6.7\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e285mm (11.2\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e222mm (8.7\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e5.3kg (11.7 lbs.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eLEVEL control (+4dB\/center click) , EQ: HIGH TRIM switch (+\/- 2dB at HF) \/ ROOM CONTROL switch (0\/-2\/-4 dB under 500Hz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734623999,"sku":"HS5","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_c981b04d-2c1d-4c00-a600-0524a0deb2ef.jpg?v=1790011491"},{"product_id":"mg20xu","title":"Yamaha MG20XU Audio Mixer","description":"\u003cli\u003e20-Channel Mixing Console\u003c\/li\u003e\u003cli\u003eMax. 16 Mic \/ 20 Line Inputs (12 mono + 4 stereo)\u003c\/li\u003e\u003cli\u003e4 GROUP Buses + 1 Stereo Bus\u003c\/li\u003e\u003cli\u003e4 AUX (incl. FX)\u003c\/li\u003e\u003cli\u003e“D-PRE” mic preamps with an inverted Darlington circuit\u003c\/li\u003e\u003cli\u003e1-Knob compressors\u003c\/li\u003e\u003cli\u003eHigh-grade effects: SPX with 24 programs\u003c\/li\u003e\u003cli\u003e24-bit\/192kHz 2in\/2out USB Audio functions\u003c\/li\u003e\u003cli\u003eWorks with the iPad (2 or later) through the Apple iPad Camera Connection Kit \/ Lightning to USB Camera Adapter\u003c\/li\u003e\u003cli\u003eIncludes Cubase AI DAW software download version\u003c\/li\u003e\u003cli\u003ePAD switch on mono inputs\u003c\/li\u003e\u003cli\u003e+48V phantom power\u003c\/li\u003e\u003cli\u003eXLR balanced outputs\u003c\/li\u003e\u003cli\u003eInternal universal power supply for world-wide use\u003c\/li\u003e\u003cli\u003eRack Mount Kit Included\u003c\/li\u003e\u003cli\u003eMetal chassis\u003c\/li\u003e\u003cli\u003eDimensions(W×H×D): 444 mm x 130 mm x 500 m (17.5\" x 5.1\" x 19.7\")\u003c\/li\u003e\u003cli\u003eNet Weight: 7.1kg (15.7 lbs.)\u003c\/li\u003e\u003ch3\u003eRoad Tough. Studio Ready.\u003c\/h3\u003e\u003cp\u003eFor more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.\u003c\/p\u003e\u003cp\u003eWith an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.\u003c\/p\u003e\u003ch3\u003eFeatured models: MG16X \/ MG12X \/ MG10X\u003c\/h3\u003e\u003cp\u003eJust like the XU models, SPX digital effects are included on these three X models. Excellent for portable use, but also great when installed in conference rooms, banquet halls and weddings, where users can have wide choice of effects to enhance their sound. Stylish grey color improves visual identification.\u003c\/p\u003e\u003ch3\u003eHead of the class\u003c\/h3\u003e\u003cp\u003eYamaha has always strived to provide sound engineers with the purest possible signal instead of added processing or color to give it a \"signature\" sound, and the MG Series is no exception. Embracing this philosophy of transparent sound, these mixing consoles deliver a level of sonic purity and sound quality that is unmatched in their class.\u003c\/p\u003e\u003ch3\u003eD-PRE (Discrete Class-A Mic Preamps)\u003c\/h3\u003e\u003cp\u003eThis is where it all starts. Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound. Having such a pure sonic platform to build on will ultimately save you time and effort by eliminating the need for excessive EQing or additional effects processing in order to \"fix\" your mix.\u003c\/p\u003e\u003ch3\u003eHigh Quality Sound Op-amp\u003c\/h3\u003e\u003cp\u003eThe head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first. MG01 op-amps feature redesigned circuitry in which even the internal components and wiring have been optimized, and use materials such as high-quality silicon wafers and copper wire to achieve superb resolution.\u003c\/p\u003e\u003ch3\u003eSwitchable Phantom Power \u0026amp; PAD Switch\u003c\/h3\u003e\u003cp\u003eWith phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany mic'ed instruments during performance, avoiding the clipping that can seriously affect your mix.\u003c\/p\u003e\u003ch3\u003eOur mixer. Your sound.\u003c\/h3\u003e\u003cp\u003eWhen was the last time you heard guitar without EQ or a completely unprocessed vocal on one of your favorite songs? Probably never. Yamaha mixers are famous for their flat response and sonic purity, but it often takes more than a perfectly-captured instrumental performance or vocal to achieve a professional-sounding mix. Equipped with some of the same state-of-the-art functionality featured on Yamaha’s high-end consoles, the MG Series gives you the tools you need to produce high quality sound that is uniquely your own.\u003c\/p\u003e\u003ch3\u003e1-knob Compressors\u003c\/h3\u003e\u003cp\u003eCompression plays an essential role in just about any recording or sound reinforcement environment by altering the level of dynamics of an audio signal when you need livelier guitars, punchier bass lines, a tighter snare, or a cleaner vocal sound. However, it can take countless hours to master the complexities of even the most basic outboard compression units and use them effectively. Originally a Yamaha innovation, 1-knob compressors are now an industry standard that gives you instant access to optimized compression settings via a single rotary control.\u003c\/p\u003e\u003ch3\u003eEQ and High-pass Filters\u003c\/h3\u003e\u003cp\u003eThere's nothing more useful than reliable equalization when you need nuanced management of your tone. The MG Series benefits from Yamaha's unparalleled experience in designing pro audio gear, featuring 3-band equalizers on all mono channels for precise control of your sound. High-pass filters allows you to eliminate unwanted low-frequency noise, for a smoother, cleaner mix.\u003c\/p\u003e\u003ch3\u003eAUX \/ Effect Sends \/ Group\u003c\/h3\u003e\u003cp\u003eMG Series mixers feature AUX sends for expanding your sound reinforcement or recording setup, allowing you accommodate additional effects, output to external recording devices, or feed a monitoring system. (except for MG06 \/ 06X) Master send controls are also provided. The MG06 \/ 06X, MG10 \/ 10X \/ 10XU \/ 10XUF and MG12XUK have a single stereo bus. All other models additionally feature one or two stereo group buses and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.\u003c\/p\u003e\u003ch3\u003eA variety of input \/ output connectors\u003c\/h3\u003e\u003cp\u003eAll models feature high-quality Neutrik™ balanced XLR connectors on mono microphone\/line channels and XLR equipped stereo channels. Each of the mono inputs is equipped with combo jack and accepts both MIC and LINE level signals. Two of the stereo inputs are equipped with XLR and two phone connectors with XLR accepting MIC level signals while two phone connectors accepting LINE level signals and can be used either mono or stereo. (except for MG10 \/ 10X \/ 10XU \/ 10XUF \/ 12XUK) The function of the additional two stereo channels vary depending on model: With MG20 \/ 20XU, XLR accepts MIC level signal and two RCA connectors accepts LINE level signals and can be used either mono or stereo. With MG12 \/ 12X \/ 12XU and MG16 \/ 16X \/ 16XU, two phone connectors accept LINE level signals as stereo. Additionally, each of the stereo channel features 2TR in (RCA connectors) and can be used as independent input from external audio sources such as CDs. MG10 \/ 10X \/ 10XU \/ 10XUF and MG12XUK are equipped with an additional stereo channel with a pair of phone jacks that accepts LINE levels. With XU models, any incoming source that are sent via USB can be assigned to one of the stereo channel. In addition to the main stereo outputs (XLR L\/R, TRS phone L\/R), MG Series mixing consoles are equipped with a comprehensive suite of output connectors, including GROUP OUT (TRS phone), AUX\/FX OUT (TRS phone), MONITOR OUT (TRS phone L\/R), and HEADPHONE OUT (stereo phone) connectors, allowing master outputs to be chosen to suit specific applications such as monitoring or mastering.\u003c\/p\u003e\u003ch3\u003eLED level metering\u003c\/h3\u003e\u003cp\u003eEasy-to-read LED level metering allows output levels to be monitored with precision.\u003c\/p\u003e\u003ch3\u003eBuilt-in SPX Digital Effects\u003c\/h3\u003e\u003cp\u003eFor musical and non-musical applications alike, effects processing adds polish and professionalism to the mix. The MG X \/ XU models feature Yamaha’s acclaimed SPX digital multi-effect processor, offering a comprehensive suite of 24 editable digital effects perfect for enhancing your mix, whether adding depth to a speaking engagement or breathing new color and atmosphere into a live band performance. In particular, the high-quality reverb and delay expand the spatial quality of the sound with remarkable realism and naturalness. You can even connect an optional FC5 foot switch for effect on \/ off control. (MG10X \/ 10XU \/ 10XUF \/ 12X \/ 12XU \/ 12XUK \/ 16X \/ 16XU \/ 20XU)\u003c\/p\u003e\u003cp\u003e* MG06X features six SPX effects (REVERB HALL \/ ROOM \/ PLATE, DELAY SHORT \/ LONG \/ VO.ECHO), which are not editable.\u003c\/p\u003e\u003ch3\u003eBuilt to last\u003c\/h3\u003e\u003cp\u003eFor gigging, recording, and installed applications alike, your console can be subjected to a wide range of environmental conditions and hazards. Excessive humidity, unstable power supplies, and the rigors of road travel in general can take a serious toll on a mixing console, often causing expensive, time-consuming repairs, and reducing its lifespan. The MG Series has been redesigned with an emphasis on durability, incorporating practical features that offer greater flexibility while ensuring peak performance for many years to come.\u003c\/p\u003e\u003ch3\u003eMetal Chassis\u003c\/h3\u003e\u003cp\u003eBuilt to last, MG Series mixers feature a rugged, impact-resistant, powder-coated metal chassis, offering an unrivalled level of durability. With a sleek design contoured for optimal convection cooling, the internal layout separates the power supply from the analog circuitry for superior noise reduction, and further extends the life of the components inside. To further ensure reliable performance, knob control placement above the surface of the chassis diverts any impact or pressure on the knobs to the chassis itself and not the circuit board or components underneath.\u003c\/p\u003e\u003ch3\u003eInternal Universal Power Supply\u003c\/h3\u003e\u003cp\u003eThanks to a highly-efficient internal universal power supply, MG Series consoles offer worry-free operation in any region around the globe—even in environments prone to potentially damaging power fluctuations. An internal power supply also simplifies rack mounting of the console for installed applications, eliminating the need for a bulky adapter or additional connections.(* MG12 \/ 16 \/ 20 \/ 12X \/ 16X \/ 12XU \/ 16XU \/ 20XU)\u003c\/p\u003e\u003ch3\u003eRack Mount Kit Included\u003c\/h3\u003e\u003cp\u003eEasily adaptable to a diverse range of installed and portable applications, the 16- and 20- channel models of the MG Series included rack ears, giving you the option of a rack-mounted or desk-top configuration. Extremely durable, their sleek design makes safe, stable placement of your console hassle-free, keeping setup time and effort to a minimum. (MG16 \/ 20 \/ 16X \/ 16XU \/ 20XU)\u003c\/p\u003e\u003cp\u003e- Optional Rackmount kit \"RK-MG12\" available for MG12 \/ 12X \/ MG12XU.\u003c\/p\u003e\u003cp\u003e- Optional Mic stand Adapter \"BMS10-A\" available for MG06 \/ 06X \/ 10 \/ 10X \/ 10XU.\u003c\/p\u003e\u003ch3\u003eXLR connector\u003c\/h3\u003e\u003cp\u003eThe main stereo outputs feature XLR type connectors that lock to prevent accidental disconnection. Rugged and dependable, these professional connectors ensure providing stable signal transmission even in the most demanding environments.\u003c\/p\u003e\u003ch3\u003eCreate, record… listen\u003c\/h3\u003e\u003cp\u003eThe MG Series features the same digital connectivity that is used to streamline the recording process on Yamaha’s professional-level mixing consoles. Take advantage of state-of-the-art digital technology that makes it easier than ever to plug-in, play, record, and then listen to your creations.\u003c\/p\u003e\u003ch3\u003e24-bit \/192kHz 2-in\/2-out USB Audio Interface Function\u003c\/h3\u003e\u003cp\u003eMG Series mixing consoles feature flexible digital connectivity for quick and easy high resolution playback of digital content. Simply connect to your PC via USB, or to your iPhone \/ iPad (2 or later) using Apple's Camera Connection Kit \/ Lightning to USB Camera Adapter. The USB protocol uses asynchronous data transfer. Audio data is transferred based on highly precise audio clock signal from the MG, for high quality recording and playback.\u003c\/p\u003e\u003ch3\u003eCubase AI\u003c\/h3\u003e\u003cp\u003eMG XU models are bundled with downloadable Steinberg’s Cubase AI software. As one of the most advanced, comprehensive DAW suites available, Steinberg's Cubase has led the charge, providing users with a powerful and flexible platform for music production. Cubase AI offers these same core technologies and interface that have won Cubase worldwide acclaim.\u003c\/p\u003e\u003cp\u003e(* MG10XU MG12XU MG16XU MG20XU)\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Mixing capability › On-board processors\u003c\/td\u003e\n\u003ctd\u003eSPX algorithm: 24 programs, PARAMETER control:1, FOOT SW:1 (FX RTN CH on\/off)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Phantom power\u003c\/td\u003e\n\u003ctd\u003e+48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › I\/O › Digital I\/O\u003c\/td\u003e\n\u003ctd\u003eUSB Audio Class 2.0 compliant Sampling Frequency: Max 192 kHz, Bit Depth: 24-bit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Mono[MIC\/LINE]\u003c\/td\u003e\n\u003ctd\u003e12\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Mono\/Stereo[MIC\/LINE]\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › STEREO OUT\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › MONITOR OUT\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › PHONES\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › AUX SEND\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › GROUP OUT\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Bus\u003c\/td\u003e\n\u003ctd\u003eStereo: 1, GROUP: 4, AUX: 4 (incl. FX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › PAD\u003c\/td\u003e\n\u003ctd\u003e26 dB (Mono)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › HPF\u003c\/td\u003e\n\u003ctd\u003e80 Hz, 12 dB\/oct (Mono\/Stereo: MIC only)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › COMP\u003c\/td\u003e\n\u003ctd\u003e1-knob compressor (Gain\/Threshold\/Ratio) Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB Attack time: approx. 25 msec, Release time: approx. 300 msec\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ HIGH\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: 10 kHz shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ MID\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: Mono 250 Hz – 5 kHz peaking, Stereo 2.5 kHz peaking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › EQ LOW\u003c\/td\u003e\n\u003ctd\u003eGain: +15 dB\/-15 dB, Frequency: 100 Hz shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › PEAK LED\u003c\/td\u003e\n\u003ctd\u003eLED turns on when post EQ signal reaches 3 dB below clipping\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channel Function › Level Meter\u003c\/td\u003e\n\u003ctd\u003e2x12 -segment LED meter [PEAK, +10, +6, +3, 0, -3, -6, -10, -15, -20, -25, -30 dB]\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Total harmonic distortion\u003c\/td\u003e\n\u003ctd\u003e0.03 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.005 % @ +24dBu (1kHz), GAIN knob: Min\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response\u003c\/td\u003e\n\u003ctd\u003e+0.5 dB\/-1.5 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Equivalent input noise\u003c\/td\u003e\n\u003ctd\u003e-128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Hum \u0026amp; noise level › Residual output noise\u003c\/td\u003e\n\u003ctd\u003e-102 dBu (STEREO OUT, STEREO master fader: Min)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-78 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003eAC 100 – 240 V, 50 \/ 60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e36 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e444 mm (17.5\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e130 mm (5.1\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e500mm (19.7\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e7.1kg (15.7 lbs.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eIncluded Accessory: Owner’s Manual, Technical Specifications, AC power cord, Cubase AI Download Information, Rack-mount kit, Optional Accessory: Foot Switch FC5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eOperating Temperature: 0 to +40˚C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734656767,"sku":"MG20XU","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_06cc3abc-1bfd-4106-9255-19f7fcd0489f.jpg?v=1790011488"},{"product_id":"rk-mg102","title":"Yamaha RK-MG102 Rack Mount Kit","description":"\u003cp\u003eRack mount kit for MG102C and MG82CX\u003c\/p\u003e\u003cli\u003eAllows 19\" rack mounting of the MG102C and MG82CX\u003c\/li\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734755071,"sku":"RK-MG102","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_28f78865-4c13-44db-9c50-f1ff6638a721.jpg?v=1790011488"},{"product_id":"ag06mk2","title":"Yamaha AG06MK2 6-Channel Live Streaming Loopback Audio USB Mixer","description":"\u003cp\u003eA 6-channel live streaming mixer with USB audio interface.\u003c\/p\u003e\u003cli\u003eTwo condenser microphones can be used simultaneously\u003c\/li\u003e\u003cli\u003e+48 V phantom power on CH1-2 input for condenser mics or Dl boxes\u003c\/li\u003e\u003cli\u003eHi-Z input for guitars on CH2\u003c\/li\u003e\u003cli\u003eHigh resolution (24-bit, 192 kHz) 2-track audio recording and playback\u003c\/li\u003e\u003cli\u003e4-pole mini input\/output (TRRS) to support a wider range of streaming applications\u003c\/li\u003e\u003cli\u003eFlexible inputs and LOOPBACK function ideal for live streaming or recording\u003c\/li\u003e\u003cli\u003eMute button for convenient live streaming\u003c\/li\u003e\u003cli\u003eEasy control and pro sound with 1-TOUCH effects (COMP\/EQ, REVERB and Amp Simulator)\u003c\/li\u003e\u003cli\u003eAG Controller (Windows\/Mac\/iOS ) for precise parameter control\u003c\/li\u003e\u003cli\u003eWindows\/Mac support by USB-C connection\u003c\/li\u003e\u003cli\u003eiOS connectivity via Apple camera adaptor (requires external USB power supply)\u003c\/li\u003e\u003cli\u003eAndroid supported by 4-pole mini input\/output (TRRS)\u003c\/li\u003e\u003cli\u003eUSB-C power input (5 V DC, 900 mA)\u003c\/li\u003e\u003cli\u003eCubase Al, WaveLab Cast, Cubasis LE and Rec'n'Share are available\u003c\/li\u003e\u003cli\u003eOBS Certified device. Provides seamless streaming experience with OBS Studio.\u003c\/li\u003e\u003ch3\u003eYour Audience Awaits.\u003c\/h3\u003e\u003cp\u003eTwo heads are better than one. The same can be said for microphone inputs, especially when it comes to live streaming. The AG06MK2 offers the same user-friendly configuration and operation that has become synonymous with the AG series, but also comes equipped with two phantom-powered mic inputs for condenser microphones. Combined with flexible connectivity, including an upgraded 4-pole mini I\/O, the AG06MK2 opens a broader range of dialogue, interview, musical ensemble performance, or other streaming applications that the AG01 or AG03MK2 setups can’t cover.\u003c\/p\u003e\u003ch3\u003eExpand your Streaming Capabilities\u003c\/h3\u003e\u003cp\u003eThe AG06MK2 allows you to connect two condenser microphones of your choice, as well as two stereo line inputs for instruments, and an upgraded 4-pole mini jack (TRRS) for smartphone input\/output capability. Of course, it’s also possible to add audio from devices connected via USB in LOOPBACK mode as with previous AG models. This diverse range of connectivity makes it possible to use high-sensitivity microphones, along with each of the audio sources, for a variety of streaming applications such as podcasts with dialogue, interviews, vocal performances with an acoustic instrument, or even a live band.\u003c\/p\u003e\u003ch3\u003eFast, intuitive sonic control\u003c\/h3\u003e\u003cp\u003eWith a design similar to a mixing console, the AG06MK2 is equipped with a variety of physical controls that help you shape and manage the audio you stream to your audience. The newly added mute button allows you to cut your mic input at a moment's notice if your situation demands it, and can even be controlled using Yamaha’s FC5 dedicated foot switch (sold separately) which can also add reverb to your signal while keeping your hands free for other tasks.\u003c\/p\u003e\u003ch3\u003eImproved internal circuitry for more professional-sounding audio\u003c\/h3\u003e\u003cp\u003eSound quality can often be a deciding factor for whether someone will tune in to your live streaming content. With the adoption of USB-C, and the requisite improved internal circuitry, the AG06MK2 significantly elevates sound quality, giving your streaming a more professional edge.\u003c\/p\u003e\u003ch3\u003eShape your sound like a pro with zero-latency DSP effects\u003c\/h3\u003e\u003cp\u003eRegardless of your particular streaming application, you’ll want to give it some depth and dimension, which adds a level of professionalism. The AG06MK2 comes equipped with optimized 1-TOUCH COMP\/EQ and REVERB controls to dial in the sound that best suits your style, and a 1-TOUCH amp simulator to add authenticity and punch to your guitar input.\u003c\/p\u003e\u003cp\u003eAll these tools are processed by the internal DSP chip so there’s no delay, making it particularly valuable for live streaming when real-time accuracy is crucial.\u003c\/p\u003e\u003cp\u003eAnd when you want to capture pure, raw recordings through your preferred microphone and edit them later, you have the option to turn these effects off completely.\u003c\/p\u003e\u003ch3\u003eAG Controller provides precise control\u003c\/h3\u003e\u003cp\u003eAG Controller software allows users to easily and precisely check and configure the DSP audio processing inside the AG. Offering two modes of operation, \"Simple\" and \"Detail,\" AG Controller gives users of varying music production experience detailed management of their audio from any Windows\/Mac or iOS device connected to the AG06MK2 via USB.\u003c\/p\u003e\u003cli\u003eMore information for AG Controller\u003c\/li\u003e\u003ch3\u003eAdapt to your surroundings\u003c\/h3\u003e\u003cp\u003eThe sleek, slim, and compact body of the AG06MK2 can be placed on virtually any flat surface.\u003c\/p\u003e\u003cp\u003eBy combining it with to a mobile battery, a minimalistic, mobile streaming station can be configured anywhere.\u003c\/p\u003e\u003cp\u003e*For stable operation of the AG06MK2, a power supply of DC 5V 900mA or more is required.\u003c\/p\u003e\u003ch3\u003ePowerful bundled software\u003c\/h3\u003e\u003cp\u003eThe AG06MK2 comes bundled with Cubase AI music production software, as well as WaveLab Cast for audio production and editing. The AG06MK2 is also compatible with Rec'n'Share and Cubasis LE applications for iOS devices which are available free of charge from Yamaha and Steinberg to support and inspire your audio content creation.\u003c\/p\u003e\u003cli\u003eCubase AI, WaveLab Cast\u003c\/li\u003e\u003cli\u003eCubasis LE\u003c\/li\u003e\u003cli\u003eRec'n'Share\u003c\/li\u003e\u003ch3\u003eCertified for OBS\u003c\/h3\u003e\u003cp\u003eOBS Studio: Free and open source software for video recording and live streaming.\u003c\/p\u003e\u003cp\u003eYamaha is an official sponsor of OBS. By sponsoring OBS, which aids the live streaming activities of creators around the world, Yamaha advocates for the activities of content creators who devote themselves to developing a wide range of content, including live music performances, as well as podcasts and game streaming.\u003c\/p\u003e\u003cli\u003ehttps:\/\/obsproject.com\/\u003c\/li\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Mono[MIC\/LINE]\u003c\/td\u003e\n\u003ctd\u003e2 - CH1: Combo (Mic, +48 V phantom power \/ Line), 3.5 mm (1\/8\") stereo mini (Headset mic, Plug-in power), CH2: Combo (Mic, +48 V phantom power \/ Guitar input \/ Line) *CH1 input and Headset mic cannot be used simultaneously\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Stereo[LINE]\u003c\/td\u003e\n\u003ctd\u003e2 - L\/R Stereo: Phone, RCA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Smartphone\u003c\/td\u003e\n\u003ctd\u003e1 - PHONES \/ HEADSET PHONES *Cannot be used simultaneously\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › USB\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › PHONES\u003c\/td\u003e\n\u003ctd\u003e2 - PHONES \/ HEADSET PHONES *Cannot be used simultaneously\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › Smartphone\u003c\/td\u003e\n\u003ctd\u003e1 - 4-pole mini input\/output (TRRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › MONITOR OUT\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › STEREO OUT\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › USB\u003c\/td\u003e\n\u003ctd\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Bus\u003c\/td\u003e\n\u003ctd\u003e1 Stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Functions\u003c\/td\u003e\n\u003ctd\u003eMUTE button x 1, PAD button x 2, HI-Z button x 1, STREAMING OUT (DRY CH 1-2G \/ INPUT MIX \/ LOOPBACK), MIX MINUS MIC (ON \/ OFF)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › On-board processors › DSP\u003c\/td\u003e\n\u003ctd\u003eCOMP\/EQ, REVERB (SPX Reverb), AMP SIM *Detail is operated on AG Controller\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › USB › USB Audio\u003c\/td\u003e\n\u003ctd\u003e2 IN \/ 2 OUT, USB Audio Class 2.0 Compliant, Sampling Frequency: Max. 192 kHz, Bit Depth: 24-bit, Type-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › USB › USB DC Power input\u003c\/td\u003e\n\u003ctd\u003e1 - Type-C, 5 V DC, 900 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003e5 V DC, 900 mA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003eMax. 4.5 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e152 mm (6.0\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e63 mm (2.5\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e201 mm (7.9\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e0.9 kg (2.0 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Included Accessories\u003c\/td\u003e\n\u003ctd\u003eUSB 2.0 Cable (1.5 m), Quick Guide, Safety Guide, Wavelab Cast Download Information, Cubase AI Download Information\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eOperating Temperature: 0 to + 40 ℃\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734787839,"sku":"AG06MK2","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_9a2042a1-e173-45b7-bb8c-ac6f42dfb291.jpg?v=1790011489"},{"product_id":"swr2311p-10g","title":"Yamaha SWR2311P-10G L2 Switch","description":"\u003cp\u003eRecommended settings for stable operation of a Dante network (such as QoS, EEE, and IGMP Snooping) can be made easily\u003c\/p\u003e\u003cli\u003eLAN ports equipped with PoE supply: 8(1-8)\u003c\/li\u003e\u003cli\u003eLAN\/SFP combo ports: 2(9, 10) (The LAN port and SFP slot are exclusively used)\u003c\/li\u003e\u003cli\u003ePoE supply is compliant with IEEE 802.3at, and can supply up to 30W to all PoE ports\u003c\/li\u003e\u003cli\u003eIn-build RADIUS server for advanced security management\u003c\/li\u003e\u003ch3\u003eIntelligent L2 Network switch with PoE\u003c\/h3\u003e\u003cp\u003eSWR2311P-10G is an intelligent L2 switch that can supply power to PoE powered devices connected to the switch. Yamaha has integrated its own expertise in networking and professional audio fields and developed it as an L2 switch optimized for Dante® audio networks.\u003c\/p\u003e\u003ch3\u003eIntelligent L2 switch with Dante® optimization function and PoE power supply\u003c\/h3\u003e\u003cp\u003eThe \"SWR2311P-10G\" is an intelligent L2 switch that provides the ideal functionality for the Dante digital audio network that was developed by the Audinate Corporation and is now used world-wide, allowing construction of a stable network that simplifies settings, monitoring, management, and operation. When you connect the VXL1-16P to the SWR2311P-10G, optimal settings for Dante are made automatically via LLDP that is a protocol for passing system management data between a device and its neighboring device. PoE compliant ports can supply a maximum of 30W for all ports simultaneously. It can power not only PoE compliant devices such as the \"MCP1\" wall-mount controller used for controlling the volume of sound equipment used in conference rooms, or wireless access points, and can also provide ample power for driving even devices that require higher-output PoE such as the VXL1B-16P or VXL1W-16P.\u003c\/p\u003e\u003ch3\u003eComplete Network Overview\u003c\/h3\u003e\u003cp\u003eUsing the dedicated \"Yamaha LAN Monitor\" software allows quick troubleshooting; you can check the PoE power supply status, turn the PoE power supply, and use the snapshot function to inform you whether a fault has occurred by detecting any difference in the state of the network since it was set up. The web GUI provides a full range of monitoring functionality, including dead\/alive monitoring settings for PoE devices, allowing you to restart the PoE device if a fault occurs, or informing you via email of a fault.\u003c\/p\u003e\u003ch3\u003eSnapshot Function Makes Troubleshooting Easy\u003c\/h3\u003e\u003cp\u003eYou can take a “snapshot” of the network status when set up as required. The software can then automatically keep track of the settings and alert you to any changes. You could take a snapshot of the network, and then you would be alerted if a cable is disconnected, if a device is turned off, or if a wrong connection is made prior to the performance, for example.\u003c\/p\u003e\u003ch3\u003eEnhanced Device ID with Icons, Labels and Comments\u003c\/h3\u003e\u003cp\u003eIdentifying devices connected to a switch by only their IP or MAC address is a difficult and error-prone approach. Connected Dante devices are identified by a Dante icon as well as a device ID previously set up via the Dante Controller software. You can also enter additional info, such as the location of the device, in the Label and Comment fields.\u003c\/p\u003e\u003ch3\u003eIntelligent Security Management\u003c\/h3\u003e\u003cp\u003eAugmenting the VLAN functionality included in the SWR2311P-10G is built-in RADIUS server function. By setting up one switch as a RADIUS server and linking other switches to it, unauthorized network access can be effectively blocked for enhanced security, even in complex large-scale installations. Device authentication can be set up quickly and easily via a web-based GUI.\u003c\/p\u003e\u003cli\u003eSWR2311P-10G Technical Data\u003c\/li\u003e\u003ch3\u003eVisualization of network by \"LAN map light\"\u003c\/h3\u003e\u003cp\u003eSWR2311P-10G supports the \"LAN Map Light\" visualization function by WebGUI*. Switch settings can be made on graphical screens, not by command entry. By utilizing WebGUI, it has an extensive monitoring functions such as POE device monitoring setting, restart of PoE device in case of device trouble, setting of mail to notify errors etc. With Yamaha's proprietary communication protocol \"L2MS\", you can check the IP addresses of the Yamaha network devices such as the SWR2311P-10G, SWR2100P series, and SWP1 and the network devices connected to them. It can be used widely from system design to maintenance.\u003c\/p\u003e\u003cp\u003e* Log in to the web GUI from Yamaha LAN Monitor. Please install Yamaha LAN Monitor in advance.\u003c\/p\u003e\u003ch3\u003emicroSD card slot\u003c\/h3\u003e\u003cp\u003eA microSD card can be used as a means for backing up the data accumulated inside, activating and updating the firmware.\u003c\/p\u003e\u003ch3\u003eConnectivity with optical cable\u003c\/h3\u003e\u003cp\u003eIn situations that require Dante devices to be connected across distances greater than 100 meters, you can use the \"SFP-SWRG-SX\" or \"SFP-SWRG-LX\" long-distance communication SFP modules to ensure reliable communication with minimal transmission loss and strong resistance to electromagnetic noise even across long distances.\u003c\/p\u003e\u003ch3\u003eOptional accessories increase installation flexibility\u003c\/h3\u003e\u003cp\u003eThe separately sold \"RK-SWR\" rack mount accessory can be used to install the unit in a 19-inch rack, and you can use the \"WK-SWR\" wall mount accessory to mount the unit on the wall (Do not install with the LAN ports facing upward or downward) or ceiling with a height of 2m or less, further expanding your choice of installation locations.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Standard\u003c\/td\u003e\n\u003ctd\u003eIEEE 802.3 (10BASE-T\/100BASE-TX\/1000BASE-T)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Number of ports\u003c\/td\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Communication mode\u003c\/td\u003e\n\u003ctd\u003eAuto negotiation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Connector type\u003c\/td\u003e\n\u003ctd\u003eRJ-45\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › MAC address\u003c\/td\u003e\n\u003ctd\u003ePrinted on top surface label\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Polarity\u003c\/td\u003e\n\u003ctd\u003eAutomatic detection of straight\/cross, or fixed at straight\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Combo ports › LAN ports\u003c\/td\u003e\n\u003ctd\u003eIEEE 802.3 (1000BASE-T) 2 ports (use is mutually exclusive with SPF ports)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Combo ports › SFP ports\u003c\/td\u003e\n\u003ctd\u003eSFP (Small Form-factor Pluggable) 2 ports (use is mutually exclusive with LAN ports)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › SFP ports › Standard\u003c\/td\u003e\n\u003ctd\u003eIEEE 802.3z (1000BASE-SX\/ 1000BASE-LX)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › SFP ports › Number of ports\u003c\/td\u003e\n\u003ctd\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Console ports › Standard\u003c\/td\u003e\n\u003ctd\u003eRS-232C, USB 2.0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Console ports › Connector type\u003c\/td\u003e\n\u003ctd\u003eRJ-45, USB mini-B (5-pin)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Console ports › Data transmission speed\u003c\/td\u003e\n\u003ctd\u003e9600 bit\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Console port\u003c\/td\u003e\n\u003ctd\u003eRJ-45(RS-232C), USB mini-B(5pin)(USB2.0): 9600 bit\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Ports available for PoE power supply\u003c\/td\u003e\n\u003ctd\u003e8 ports (1-8)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › PoE standards\u003c\/td\u003e\n\u003ctd\u003eIEEE 802.3at\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power supply system\u003c\/td\u003e\n\u003ctd\u003eAlternative A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum power supply › Per port\u003c\/td\u003e\n\u003ctd\u003e30 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum power supply › All ports\u003c\/td\u003e\n\u003ctd\u003e240 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › microSD slot › Standard\u003c\/td\u003e\n\u003ctd\u003emicroSD\/microSDHC (microSDXC is not supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › microSD slot › File System\u003c\/td\u003e\n\u003ctd\u003eFAT\/FAT32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › microSD slot › Number of slots\u003c\/td\u003e\n\u003ctd\u003e1 slot\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Indicators\u003c\/td\u003e\n\u003ctd\u003ePOWER, microSD, LAN port (LINK\/ACT, SPEED), SFP port (LINK\/ACT, SPEED)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › MAC address\u003c\/td\u003e\n\u003ctd\u003eIndicated in product label on top panel of unit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Operating environment\u003c\/td\u003e\n\u003ctd\u003eAmbient temperature: 0–40 °C, Ambient humidity: 15–80%, non-condensing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Storage environment\u003c\/td\u003e\n\u003ctd\u003eAmbient temperature: -20–50 °C, Ambient humidity: 10–90%, non-condensing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power supply voltage, frequency\u003c\/td\u003e\n\u003ctd\u003eAC100 ～ 240V, 50\/60Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum power consumption\u003c\/td\u003e\n\u003ctd\u003e280 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e220 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e294 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e42.4 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Weight\u003c\/td\u003e\n\u003ctd\u003e2.3 kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eOwner’s manual, power cord, power cord clamp, rubber feet\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734853375,"sku":"SWR2311P-10G","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_e3b117a5-72ae-49e3-9e2d-c42b588b58f3.jpg?v=1790011492"},{"product_id":"hs5-white","title":"Yamaha HS5 (White) Powered Studio Monitor","description":"\u003cp\u003e2-way bass-reflex bi-amplified nearfield studio monitor with 5\" cone woofer and 1\" dome tweeter.\u003c\/p\u003e\u003cli\u003e2-way bass-reflex bi-amplified nearfield studio monitor with 5\" cone woofer and 1\" dome tweeter\u003c\/li\u003e\u003cli\u003e54Hz - 30kHz frequency response\u003c\/li\u003e\u003cli\u003e45W LF plus 25W HF bi-amp system for high-performance 70W power amplification\u003c\/li\u003e\u003cli\u003eROOM CONTROL and HIGH TRIM response controls\u003c\/li\u003e\u003cli\u003eXLR and TRS phone jack inputs accept balanced or unbalanced signals\u003c\/li\u003e\u003ch3\u003eTIME FOR A REALITY CHECK\u003c\/h3\u003e\u003cp\u003eEver since the 1970's the iconic white woofer and signature sound of Yamaha's nearfield reference monitors have become a genuine industry standard for a reason - their accuracy. Unlike studio monitors with added bass or treble frequencies which may sound more flattering at first, HS Series speakers were designed to give you the most honest, precise reference possible, providing an ideal sonic platform to build on throughout the mixing process. By combining acquired knowledge and expertise with state-of-the-art sound technologies, Yamaha's speaker engineering team have examined, then optimized, every aspect that has contributed to making these monitors the most trusted in the business. The second generation HS Series also adds a new 6.5\" model to the lineup, bringing its exceptional accuracy to an even greater variety of recording environments.\u003c\/p\u003e\u003ch3\u003eSound Philosophy of HS Series Studio Monitors\u003c\/h3\u003e\u003cp\u003eWhen selecting studio reference monitors for mixing and music production, one consideration takes precedence above all others - accuracy.\u003c\/p\u003e\u003cp\u003eBeginning with the legendary NS-10M, and continuing with the MSP and previous HS Series, this new lineup shares a design philosophy that emphasizes sonic purity without any coloring or alternation of the original sound. While many manufacturers seek to enhance the sound of their monitors to make them sound impressive, Yamaha studio monitors are designed to achieve the best possible mix by ensuring that the sound from your speakers is true to the original. HS Series nearfield reference monitors are the embodiment of this philosophy, delivering a concise sound image, high resolution, and flat response.\u003c\/p\u003e\u003ch3\u003eNewly Developed Transducers\u003c\/h3\u003e\u003cp\u003eThe HS Series features newly developed transducers that achieve astonishingly smooth response over a wide range of bandwidth. These transducers utilize an advanced magnetic field design that regulates the flow of magnetic response to provide seamless, natural sonic transitions. Each component's materials and design were carefully re-examined, then optimized, to drastically improve the accuracy of signal reproduction throughout the audio spectrum.\u003c\/p\u003e\u003cp\u003e- Tweeter\u003c\/p\u003e\u003cp\u003eThe HS Series features a newly designed, highly efficient 1\" dome tweeter that extends the usable frequency range considerably and delivers superb high-resolution sound. Utilizing a thick wave guide designed to minimize vibration the new tweeter is able to deliver smooth, distortion-free high end up to 30 kHz.\u003c\/p\u003e\u003cp\u003e- Woofer\u003c\/p\u003e\u003cp\u003eWith newly designed, ultra-responsive woofers that utilize large, carefully selected magnets, HS Series monitors produce low distortion sound with a well-defined bottom end at any output level. All of the components in these high-power woofers, including the woofer ring and the basket further contribute to the HS Series' stunning bass while providing clear, accurate mids.\u003c\/p\u003e\u003ch3\u003eHigh Performance Amp Unit\u003c\/h3\u003e\u003cp\u003eHS Series speakers employ an amplifier unit perfectly matched to the transducers utilized in each model of the series. Featuring a bi-amp design with a separate dedicated amp for both the woofer and the tweeter, this amplifier unit ensures that each HS Series speaker consistently delivers high-resolution sound with exceptionally flat response across the sound spectrum.\u003c\/p\u003e\u003ch3\u003eLow Resonance Enclosure Design\u003c\/h3\u003e\u003cp\u003eHS Series cabinets are designed to eliminate unwanted resonance and increase the accuracy of sound reproduction to their extreme limit. The enclosures are constructed from a very dense and resilient MDF with a damped acoustic response that is perfectly suited for reference monitors. Drawing from Yamaha's over 100 years of piano design experience, HS Series engineers also employed a traditional three-way mitered-joint technique. Common to architectural design this construction firmly anchors the corners of the enclosure to dramatically improve durability and eliminate unwanted resonance that can influence overall sound.\u003c\/p\u003e\u003ch3\u003eCutting Edge Noise Reduction Technology\u003c\/h3\u003e\u003cp\u003eSpeaker port design can greatly influence the clarity of overall sound. Often a vortex at the either end of the port can generate air vibrations inside of the port, causing unwanted noise. By adopting an advanced noise reduction technology that incorporates a thorough analysis of a visual representation of the sound, Yamaha's engineers are able to control and reduce the vortex. Through this in-depth analysis we have arrived at the ideal port design, resulting in a reduction of audible noise up to 6dB. The utilization of this state-of-the-art technology allows HS Series studio monitors to meet the demands of more strict professional production environments.\u003c\/p\u003e\u003ch3\u003eControls and Connectivity\u003c\/h3\u003e\u003cp\u003eHS Series full-range models feature two response controls with detailed settings that allow them to adapt to the surface acoustics of rooms of varying shape and size. ROOM CONTROL allows you to attenuate the unnatural, exaggerated low-end that can often occur when speakers are placed next to walls, while HIGH TRIM allows for more flexible control of high frequency response. For inputs, HS full-range speakers can accommodate a wide range of balanced and unbalanced sources such as mixers, keyboards and audio interfaces with XLR and TRS phone jacks. With the HS8S subwoofer, HIGH CUT control sets the cutoff frequency of subwoofer output high-frequency attenuation from 80Hz to 120Hz, while PHASE switch adjusts the phase of the subwoofer output. The LOW CUT switch and LOW CUT controls enables attenuation of low frequencies for output between 80Hz and 120Hz. The HS8S subwoofer is equipped with XLR and TRS phone jack inputs and for outputs XLR for L and R and EXT SUB out.\u003c\/p\u003e\u003ch3\u003eFlexible Set up (HS-I only)\u003c\/h3\u003e\u003cp\u003eBy adding mounting points and to the HS, HS-I models are compatible with three optional bracket types—wall, ceiling, and baton—adding the flexibility needed to meet the demands of a broad range of sonic environments.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Speaker type\u003c\/td\u003e\n\u003ctd\u003e2-way bi-amp powered studio monitor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency range (-10dB)\u003c\/td\u003e\n\u003ctd\u003e54Hz - 30kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Components › LF\u003c\/td\u003e\n\u003ctd\u003e5\" cone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Components › HF\u003c\/td\u003e\n\u003ctd\u003e1\" dome\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crossover\u003c\/td\u003e\n\u003ctd\u003e2kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Output power\u003c\/td\u003e\n\u003ctd\u003e70W (LF:45W, HF:25W)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O connectors\u003c\/td\u003e\n\u003ctd\u003eXLR3-31 type (balanced), PHONE (balanced)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e45W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Shape\u003c\/td\u003e\n\u003ctd\u003eBass-reflex type\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Cabinet material\u003c\/td\u003e\n\u003ctd\u003eMDF\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e170mm (6.7\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e285mm (11.2\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e222mm (8.7\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e5.3kg (11.7 lbs.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eLEVEL control (+4dB\/center click) , EQ: HIGH TRIM switch (+\/- 2dB at HF) \/ ROOM CONTROL switch (0\/-2\/-4 dB under 500Hz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734886143,"sku":null,"price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_4383eb3b-82b5-4624-9fd9-a657e24558d2.jpg?v=1790011492"},{"product_id":"mg24-14fx","title":"Yamaha MG24\/14FX Audio Mixer","description":"\u003cp\u003eSerious Capacity for Live Sound and Installations\u003c\/p\u003e\u003ch3\u003eSerious live sound mixer with dual SPX built-in\u003c\/h3\u003e\u003cp\u003eThese 32-input and 24-input models are suitable for serious live sound applications in which a substantial number of sources must be handled efficiently. The MG32\/14FX and MG24\/14FX also feature dual Yamaha SPX effect processors built in, so you have everything you need for great sound right in the console. A comprehensive complement of auxiliary and group buses provides extensive mixing and signal routing versatility.\u003c\/p\u003e\u003ch3\u003eSerious Consoles for Live Sound or Installations\u003c\/h3\u003e\u003cp\u003eThe MG24\/14FX and MG32\/14FX are full-featured sound reinforcement consoles with capacity and capabilities that can handle demanding live sound applications. Choose the 24-input MG24\/14FX or 32-input MG32\/14FX according to the number of sources you need to handle. All other features are the same, including two renowned Yamaha SPX effect processors built in. Extensive routing capability is also provided for monitoring and external signal processing, as required by your application.\u003c\/p\u003e\u003ch3\u003eHigh Input Capacity for Live Sound\u003c\/h3\u003e\u003cp\u003eThe MG24\/14FX has 16 mono inputs and 4 stereo inputs, while the MG32\/14FX has 24 mono inputs and 4 stereo inputs. Input gain controls and pad switches allow optimum matching with the widest possible range of sources: microphone levels can be adjusted from -60 dB to +10 dB, while line levels can be adjusted from -34 dB to +10 dB. Channel peak indicators are provided to facilitate optimum level matching.\u003c\/p\u003e\u003ch3\u003eVersatile Inputs\u003c\/h3\u003e\u003cp\u003eThe monaural inputs provide both balanced XLR and phone jacks - that's channels 1 through 16 on the MG24\/14FX, and channels 1 through 24 on the MG32\/14FX. Two of the stereo inputs offer phone jacks as well as RCA pin jacks. Independent 2-track RCA pin jack inputs are also provided for input from CD players or other stereo line-level sources.\u003c\/p\u003e\u003ch3\u003eTop-quality Microphone Preamps\u003c\/h3\u003e\u003cp\u003eMicrophone preamplifiers play a vital role in determining the final sound of your mixes. The MG-series mixers feature low-noise, high-performance microphone preamplifiers that will bring out the best in dynamic and condenser type microphones. Microphone preamplifiers are provided on channels 1 through 16 of the MG24\/14FX, and on channels 1 through 24 of the MG32\/14FX.\u003c\/p\u003e\u003ch3\u003eSwitchable Phantom Power\u003c\/h3\u003e\u003cp\u003eThe MG mixer microphone preamplifiers provide 48-volt phantom power for studio-quality condenser microphones. Phantom power can be switched on or off for in 8-channel groups.\u003c\/p\u003e\u003ch3\u003eInsert I\/O\u003c\/h3\u003e\u003cp\u003eMono input channels feature insert patch points that can be used to insert external signal-processing devices into the channel's signal path. Insert I\/O points are also provided on the stereo bus (L and R) and on the four group buses.\u003c\/p\u003e\u003ch3\u003eMid-sweep 3-band Mono Channel EQ, 4-band Stereo Channel EQ\u003c\/h3\u003e\u003cp\u003eThe mono channels on both the MG24\/14FX and MG32\/14FX offer advanced EQ facilities: 3-band EQ with a 10 kHz shelving HIGH control, a 250 Hz ~ 5 kHz sweepable MID control, and a 100 Hz shelving LOW control. The microphone inputs also have switchable 80 Hz high-pass filters for low-frequency noise reduction. The stereo channels feature 4-band EQ with 10 kHz HIGH, 3 kHz HI MID, 800 Hz LO MID, and 100 HZ LOW controls.\u003c\/p\u003e\u003ch3\u003eMulti-bus Configuration with a Total of 14 Buses\u003c\/h3\u003e\u003cp\u003eIn addition to the main stereo bus that feeds the console's main outputs, the MG24\/14FX and MG32\/14FX feature four group buses for convenient sub-mix grouping, six auxiliary buses for monitoring and external effect send, and send buses for the two internal effect processors. That's a total of 14 buses in all for exceptionally flexible signal routing. The channel send knobs and bus assign switches make it easy to send the signal from each channel to the stereo, group, internal effect, and auxiliary buses as required.\u003c\/p\u003e\u003ch3\u003eAmple Sends and Returns\u003c\/h3\u003e\u003cp\u003eAll input channels have a total of six auxiliary sends: AUX send 1 through 4 can be switched for pre- or post-fader operation, while AUX sends 5 and 6 are post-fader. Two EFFECT sends are provided in addition to the six AUX sends. That's more than sufficient send capability to handle monitoring and effects for all but the most complex applications. Two stereo AUX returns are provided in addition to the internal effect returns, providing an extra margin of return versatility for wet monitoring, for example.\u003c\/p\u003e\u003ch3\u003eComprehensive Output Connectors\u003c\/h3\u003e\u003cp\u003eThe mixer's main stereo program signal is simultaneously delivered to the main stereo outputs (XLR jacks), the sub-stereo outputs (phone jacks), the REC OUT connectors (RCA pin jacks), the mono out (XLR jack), and the headphones output (stereo phone jack). Independent phone-jack outputs are also provided for group buses 1 through 4. So even if you need to feed a front-of-house system, monitors, a subwoofer, a master recorder, and other output lines simultaneously, the MG24\/14FX or MG32\/14FX will handle it.\u003c\/p\u003e\u003ch3\u003eReliable XLR Output Connectors\u003c\/h3\u003e\u003cp\u003eThe main stereo outputs and mono output feature rugged, reliable XLR type connectors. Not only do these connectors lock to minimize the chance of accidental disconnection, but they provide superior electrical contact for long-term dependability as well.\u003c\/p\u003e\u003ch3\u003eVariable LPF on the Mono Output\u003c\/h3\u003e\u003cp\u003eA low-pass filter with a roll-off frequency that can be varied from 80 to 120Hz is provided on the mono output for convenient connection and optimum matching with a subwoofer.\u003c\/p\u003e\u003ch3\u003e12-segment Level Meters\u003c\/h3\u003e\u003cp\u003eFour high-visibility 12-segment meters are switchable to allow precise visual monitoring of levels on the main stereo bus, the four group buses, the stereo 2-track input, the PFL (Pre-Fader Listen) bus, or the AFL (After-Fader Listen) bus.\u003c\/p\u003e\u003ch3\u003eHigh-performance Digital Effect Processors Built In\u003c\/h3\u003e\u003cp\u003eBoth the MG24\/14FX and MG32\/14FX contain a powerful pair of Yamaha digital signal processors that provide a useful selection of 16 advanced digital effects. Effect programs include reverb, delay, pitch change chorus, phaser, voice doubler, and distortion. The effects include editable parameters so they can be customized as required, and processor \"B\" even has a TAP switch for real-time tap-tempo entry. With these top-performance effect processors built in, you wont have to transport and set up racks of external effects to create your sound.\u003c\/p\u003e\u003ch3\u003eIlluminated Switches for High Visibility\u003c\/h3\u003e\u003cp\u003eThe channel ON switches, PFL (Pre-Fader Listen) switches and phantom power switches are original Yamaha illuminated types, so it's easy to visually check vital console settings.\u003c\/p\u003e\u003ch3\u003eTalkback for Convenient Communication\u003c\/h3\u003e\u003cp\u003eA talkback microphone input is provided for easy, efficient communication between the sound engineer and musicians and staff in live-sound applications, during setup, rehearsal, and the actual performance.\u003c\/p\u003e\u003ch3\u003eIntuitive Controls and High Reliability\u003c\/h3\u003e\u003cp\u003eThe design of the faders, rotary controls and switches used on the MG mixers, as well as the way they are laid out, allow easy operation and visual confirmation of settings.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Total Harmonic Distortion\u003c\/td\u003e\n\u003ctd\u003eLess than 0.1 % (THD+N) 20 Hz - 20 kHz @ +14 dB 600 Ω (ST OUT)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Frequency Response\u003c\/td\u003e\n\u003ctd\u003e0 +1, -3 dB 20 Hz - 20 kHz @ +4 dB 600 Ω (ST OUT)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input Hum \u0026amp; Noise\u003c\/td\u003e\n\u003ctd\u003e-128dB 20 Hz - 20 kHz, Rs=150 Ω, Input Gain=Maximum, Input Pad =OFF, Input sensitivity=-60 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-70dB @ 1kHz, Mic: 16+1 (Input A 1 - 16, Talk Back: XLR), Line: 16 (Input B 1 - 16: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH Input\u003c\/td\u003e\n\u003ctd\u003eStereo: 2 (Ch 17 18, 19 - 20:TRS) * Ch17, 19:L (MONO) 2 (Ch 21 22, 23 - 24: TRS\/RCA), Insert I\/O: 16 (Ch 1 - 16: TRS T: Out, R: In, S: Gnd)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › AUX\u003c\/td\u003e\n\u003ctd\u003eSend: 6 (1 - 2\/Post-Pre selectable, 3 - 4\/Post-Pre selectable, 5 - 6\/Post: TRS), Return: 2 Stereo Sub In (L\/MONO, R: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Effects\u003c\/td\u003e\n\u003ctd\u003eSend: 2 (1, 2: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › 2TR\u003c\/td\u003e\n\u003ctd\u003eIn: 1 Stereo (L, R: RCA)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › STEREO IN\u003c\/td\u003e\n\u003ctd\u003e1 Stereo (L, R: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Group IN\u003c\/td\u003e\n\u003ctd\u003e4 (1 - 4: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › REC Out\u003c\/td\u003e\n\u003ctd\u003e1 Stereo (L, R: RCA)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › ST OUT\u003c\/td\u003e\n\u003ctd\u003e1 Stereo (L, R: XLR)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Mono\u003c\/td\u003e\n\u003ctd\u003eOut: 1 (XLR)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › ST SUB\u003c\/td\u003e\n\u003ctd\u003e1 Stereo (L, R: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Group Out\u003c\/td\u003e\n\u003ctd\u003e4 (1 - 4: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Phones\u003c\/td\u003e\n\u003ctd\u003e1 (TRS Stereo)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Phantom Power\u003c\/td\u003e\n\u003ctd\u003e+ 48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH \u0026amp; ST Ch Input Gain Control\u003c\/td\u003e\n\u003ctd\u003e44 dB valiable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH \u0026amp; ST High pass filter\u003c\/td\u003e\n\u003ctd\u003e80 Hz 12 dB\/Octave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › High\u003c\/td\u003e\n\u003ctd\u003e10 kHz (Shelving)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › Mid\u003c\/td\u003e\n\u003ctd\u003e0.25-5 kHz (Peaking)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › Low\u003c\/td\u003e\n\u003ctd\u003e100 Hz (Shelving)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › High\u003c\/td\u003e\n\u003ctd\u003e10 kHz (Shelving)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Hi-Mid\u003c\/td\u003e\n\u003ctd\u003e3 kHz (Peaking)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Low-Mid\u003c\/td\u003e\n\u003ctd\u003e800 Hz (Peaking)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Low\u003c\/td\u003e\n\u003ctd\u003e100 Hz (Shelving)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › MONO Out Low Pass Filter\u003c\/td\u003e\n\u003ctd\u003e80 - 120 Hz 12dB\/octave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Internal Digital Effect\u003c\/td\u003e\n\u003ctd\u003eSPX x 2 (Effect 1: 16 Programs, Effect 2: 16 Programs :Parameter Control)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Product Dimension (W x H x D) \/ Weight (lbs.)\u003c\/td\u003e\n\u003ctd\u003e33.54\" x 5.90\" x 21.25\" \/ 46.29 lbs.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Power Requirements\u003c\/td\u003e\n\u003ctd\u003eUL\/CSA: 60 W 120 V\/60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734918911,"sku":null,"price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_00620483-06e2-47ef-9af7-653e7d7a795a.jpg?v=1790226525"},{"product_id":"rk-mg12","title":"Yamaha RK-MG12 Rack mount kit","description":"\u003cli\u003eRack mount kit for MG12XU and MG12\u003c\/li\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268734951679,"sku":"RK-MG12","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_abf0f241-b4f8-414f-abf9-eb57e5f40b6f.jpg?v=1790011489"},{"product_id":"swx2210p-10g","title":"Yamaha SWX2210P-10G L2 Switch","description":"\u003cp\u003eSmart L2 switch optimized for Dante and PoE+ for Medium\/Small ADECIA systems.\u003c\/p\u003e\u003cli\u003eAuto-apply Dante settings upon connection to ADECIA devices\u003c\/li\u003e\u003cli\u003ePorts 1-8 support PoE+\u003c\/li\u003e\u003cli\u003eSupports PoE+ up to 30W per port (Total: 124W)\u003c\/li\u003e\u003ch3\u003eYamaha Network Products and Services\u003c\/h3\u003e\u003cp\u003eAt Yamaha, we’ve not only pioneered connections between musical instruments and digital technologies, but also the connections that enrich people’s lives through network infrastructure.\u003c\/p\u003e\u003cp\u003eDrawing on Yamaha expertise in signal processing as innovators in electronic instruments, we swiftly transitioned those skills towards network technologies. For over 20 years, we've played a vital role in the development of the internet, which has become a lifeline for modern society.\u003c\/p\u003e\u003cp\u003eMoving forward, we remain committed to providing even better services and support to make your connections smoother and more convenient than ever before. We continue to innovate and enhance the way you connect.\u003c\/p\u003e\u003ch3\u003eSmart L2 Network switch with PoE+\u003c\/h3\u003e\u003cp\u003eSWX2210P-10G is a smart L2 switch that can supply power to PoE powered devices on the network. Yamaha has integrated its own expertise in networking and professional audio fields and developed it as an L2 switch optimized for Dante audio networks.\u003c\/p\u003e\u003cp\u003eRecommended settings for stable operation of a Dante network (such as QoS, EEE, and IGMP Snooping) can be made easily.\u003c\/p\u003e\u003ch3\u003eOne-click Optimization\u003c\/h3\u003e\u003cp\u003eIGMP and QoS settings can be automatically optimized for Dante network operation by simply selecting the Dante profile in the web-based GUI. These network settings are not critical in simple systems, but proper configuration is essential to ensure maximum stability in larger Dante networks.\u003c\/p\u003e\u003cp\u003eIn the Web GUI's ProAV Settings enables to assign settings for major ProAV profiles like Dante, NDI, and so on to ports with just a click. This makes it easy to use both NDI and Dante on the same switch.\u003c\/p\u003e\u003cp\u003eAdditionally, the ProAV Settings screen in the Web GUI allows you to easily check multicast settings and operations. It clearly shows multicast activity, which helps quickly resolve issues that often cause problems in ProAV networks.\u003c\/p\u003e\u003cli\u003eWhat's Dante, NDI\u003c\/li\u003e\u003ch3\u003eSmart L2 switch with Dante optimization function and PoE+\u003c\/h3\u003e\u003cp\u003eThe SWX2210P-10G is a smart L2 switch optimized for Dante networks, known worldwide for AoIP, allowing integrators to quickly establish stable networks by simplifying settings, monitoring, management, and operation. When Dante PoE devices, like the VXL1-16P, are connected to the SWX2210P-10G, settings optimized for Dante are automatically applied via LLDP, a protocol for exchanging system management data between neighboring devices. PoE+ compliant ports can supply up to 30W to each port simultaneously, powering not only PoE compliant devices like wireless access points, but also higher-output PoE+ devices such as the VXL1B-16P, VXL1W-16P, VXC2P, and RM-CR.\u003c\/p\u003e\u003ch3\u003eComplete Network Monitoring\u003c\/h3\u003e\u003ch3\u003eComprehensive Monitoring\u003c\/h3\u003e\u003cp\u003eYamaha LAN Monitor is a dedicated software that allows for quick troubleshooting. Easily check PoE status, turn PoE on\/off, and use the snapshot function to detect any differences or faults in the network state since setup. The web GUI provides a full range of monitoring functionality, including dead\/alive monitoring for PoE devices, allowing you to restart a PoE device if a fault occurs and receive email notifications of faults.\u003c\/p\u003e\u003ch3\u003eSnapshot Function Makes Troubleshooting Easy\u003c\/h3\u003e\u003cp\u003eTake a “snapshot” when the network is initially set up to automatically keep track of any alerts or setting changes that could cause trouble like cable disconnections, devices turning off, or incorrect connections made prior to performances.\u003c\/p\u003e\u003ch3\u003eEnhanced Device ID with Icons, Labels and Comments\u003c\/h3\u003e\u003cp\u003eIdentifying devices connected to a switch with only IP or MAC addresses is a difficult and error-prone approach. Dante devices can use icons and device IDs when set up via the Dante Controller software. Label and Comment fields also let users add useful info, like the location of the device.\u003c\/p\u003e\u003ch3\u003eOptional accessories for installation ease\u003c\/h3\u003e\u003cp\u003eMounting accessories (sold separately) can be used to mount units in a 19-inch rack (RK-SWR) or on a wall (WK-SWR), further expanding your choice of installation locations. (Do not install units with the LAN ports facing upward\/downward or from ceilings with a height of 2m or less.)\u003c\/p\u003e\u003ch3\u003eWhat is ADECIA\u003c\/h3\u003e\u003cp\u003eA one-stop sound solution for remote conferencing that improves the quality of voice communications.\u003c\/p\u003e\u003cli\u003eRead more\u003c\/li\u003e\u003ch3\u003eWhat is DANTE\u003c\/h3\u003e\u003cp\u003eDante replaces heavy, expensive analog or multicore cabling with LAN cables such as CAT5e and CAT6.\u003c\/p\u003e\u003cp\u003eBecause Dante uses logical routing instead of physical point-to-point connections, the network can be configured using available ports with just a few clicks.\u003c\/p\u003e\u003cp\u003eSystems with Dante can also be easily expanded.\u003c\/p\u003e\u003cp\u003eAdditionally, Dante supports redundancy configuration, ensuring reliability even in emergency situations.\u003c\/p\u003e\u003cli\u003eRead more\u003c\/li\u003e\u003ch3\u003eWhat is NDI Certified\u003c\/h3\u003e\u003cp\u003eThese new Yamaha SWR and SWX series switches are one of the first hardware products globally to become NDI Certified in the network switch category.\u003c\/p\u003e\u003cp\u003eThis certification guarantees full compatibility with products from the NDI Certified ecosystem, even without requiring native NDI integration. Yamaha switches provide an effortless experience and high-quality connection within any NDI network and workflow.\u003c\/p\u003e\u003cp\u003eNDI (Network Device Interface) is a groundbreaking video connectivity standard that enables seamless transmission of high-quality video, audio, and metadata over standard IP networks. By leveraging NDI technology, devices such as cameras, switchers, and media servers on the same network can automatically discover and connect with one another, eliminating the need for complex configurations or dedicated cabling.\u003c\/p\u003e\u003cp\u003eThis connectivity standard empowers producers to access and utilize a virtually unlimited number of video sources within their network, significantly enhancing the flexibility and scalability of live production workflows. Whether for live events, broadcasts, or post-production, NDI transforms traditional video production by seamlessly integrating all sources on the network.\u003c\/p\u003e\u003cp\u003eNDI® is a registered trademark of Vizrt NDI AB.\u003c\/p\u003e\u003cli\u003eNDI Certified ecosystem\u003c\/li\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Standard\u003c\/td\u003e\n\u003ctd\u003eIEEE 802.3 (10BASE-T\/100BASE-TX\/1000BASE-T)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Number of ports\u003c\/td\u003e\n\u003ctd\u003e10\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Communication mode\u003c\/td\u003e\n\u003ctd\u003eAuto negotiation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Connector type\u003c\/td\u003e\n\u003ctd\u003eRJ-45\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › MAC address\u003c\/td\u003e\n\u003ctd\u003ePrinted on top surface label\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Polarity\u003c\/td\u003e\n\u003ctd\u003eAutomatic detection of straight\/cross, or fixed at straight\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Ports available for PoE power supply\u003c\/td\u003e\n\u003ctd\u003e8 ports (1-8)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › PoE standards\u003c\/td\u003e\n\u003ctd\u003eIEEE 802.3at\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power supply system\u003c\/td\u003e\n\u003ctd\u003eAlternative A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum power supply › Per port\u003c\/td\u003e\n\u003ctd\u003e30 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum power supply › All ports\u003c\/td\u003e\n\u003ctd\u003e124 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Indicators\u003c\/td\u003e\n\u003ctd\u003ePOWER, LAN port (LINK\/ACT, SPEED), PoE STATE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › MAC address\u003c\/td\u003e\n\u003ctd\u003eIndicated in product label on top panel of unit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Operating environment\u003c\/td\u003e\n\u003ctd\u003eAmbient temperature: 0–50 °C, Ambient humidity: 15–80%, non-condensing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Storage environment\u003c\/td\u003e\n\u003ctd\u003eAmbient temperature: -20–60 °C, Ambient humidity: 10–90%, non-condensing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power supply voltage, frequency\u003c\/td\u003e\n\u003ctd\u003eAC100 – 240V, 50\/60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum power consumption\u003c\/td\u003e\n\u003ctd\u003e169W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e220 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e42 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e294 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Weight\u003c\/td\u003e\n\u003ctd\u003e1.9kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eRead this first, power cords, power cord clamp, rubber feet\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268735017215,"sku":"SWX2210P-10G","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_8ce7f9a9-e859-4ff9-b5ec-b5230a6dfd4e.jpg?v=1790011494"},{"product_id":"ag08","title":"Yamaha AG08 Live Streaming Mixer","description":"\u003cp\u003eAn 8-channel live streaming mixer featuring two phantom power inputs for condenser mics, an integrated USB audio interface, voice changer and sampler.\u003c\/p\u003e\u003cli\u003eTwo mic\/line inputs and two headphone outputs can be used simultaneously\u003c\/li\u003e\u003cli\u003e+48 V phantom power on CH1 and 2 for condenser mics or Dl boxes\u003c\/li\u003e\u003cli\u003eFour FX preset buttons for CH1, Hi-Z input for guitars on CH2\u003c\/li\u003e\u003cli\u003eThree stereo inputs with assignable faders, switchable input source for LINE\/USB\u003c\/li\u003e\u003cli\u003e4-pole mini input\/output (TRRS) on CH7\/8\u003c\/li\u003e\u003cli\u003eMONITOR outputs (XLR + TRS) and MIX outputs (TRS)\u003c\/li\u003e\u003cli\u003eSix sound pads trigger audio samples in real time to add color to live streams\u003c\/li\u003e\u003cli\u003eInternal circuitry delivers highest sound-quality in the AG series\u003c\/li\u003e\u003cli\u003e24-bit, 48 kHz Multi-channel audio recording and playback (Coexistence of ASIO and WDM)\u003c\/li\u003e\u003cli\u003eFlexible inputs and outputs ideal for live streaming\u003c\/li\u003e\u003cli\u003eDSP effects (Voice Changer, Amp Simulator, Comp, EQ, Reverb, Delay, Ducker, Maximizer)\u003c\/li\u003e\u003cli\u003eAG08 Controller (Windows \/ Mac \/ iOS) for precise parameter control and detailed audio management\u003c\/li\u003e\u003cli\u003e60 mm faders and Mute buttons for each input\u003c\/li\u003e\u003cli\u003eFoot switch functionality for more versatile system control\u003c\/li\u003e\u003cli\u003eWindows \/ Mac support via USB-C connection\u003c\/li\u003e\u003cli\u003eiOS connectivity via Apple Camera Adapter (requires external USB power supply)\u003c\/li\u003e\u003cli\u003eAndroid supported by 4-pole mini input\/output (TRRS)\u003c\/li\u003e\u003cli\u003eUSB-C power input (5 V DC, 1.5 A)\u003c\/li\u003e\u003cli\u003eCubase Al, WaveLab Cast, Cubasis LE are available\u003c\/li\u003e\u003ch3\u003eYour Audience Awaits.\u003c\/h3\u003e\u003cp\u003eAs the flagship model of the second-generation AG series, the AG08 combines all the essential functions of its predecessors with a versatile selection of practical new features, giving you a powerful, all-in-one streaming station. By integrating more flexible I\/O and USB routing options, expanding foot switch functionality, as well as adding DSP effects and improved internal circuitry for class-leading sound, the AG08 is able to support an impressive depth of live streaming applications, as well as offline audio content creation. From single-user talking, gaming, ASMR, voice acting, or vocal\/instrument performances, to multiple personnel applications on the scale of a full-blown variety show. With the extremely practical, endlessly versatile AG08 as your streaming system, you'll be sure to leave your audience wanting more.\u003c\/p\u003e\u003ch3\u003eTwo Condenser Mic IN with Two Headphone OUT\u003c\/h3\u003e\u003cp\u003eLike the AG06MK2, both Channel 1 and 2 of the AG08 come equipped with phantom power to support condenser microphones, favored amongst musicians and dialogue-driven content creators for their exceptional sensitivity and fidelity. With the AG08 Controller app, you can pan left and right with any stereo microphones, including those for ASMR.\u003c\/p\u003e\u003cp\u003eIn addition, there are two independent headphone monitor channels for applications where two people are broadcasting simultaneously, or where someone other than the performer is managing the audio.\u003c\/p\u003e\u003ch3\u003eThree Assignable Faders for Flexible USB IN\/OUT\u003c\/h3\u003e\u003cp\u003eThe signal from multiple apps on a USB-connected PC or analog line inputs can be individually assigned, allowing you to intuitively mix the LINE\/USB audio signals with the faders. Conversely, three USB mixed outputs from the AG08 can be individually assigned to various apps on the PC via USB connection.\u003c\/p\u003e\u003cp\u003eCombining these functions makes it easy to respond in real time, i.e., sharing previously mixed audio with chat partners or listeners during live chats and streaming.\u003c\/p\u003e\u003cp\u003eWhat’s more, for ASIO-supported apps such as DAW software, the direct out from each input channel (Channels 1, 2, 3\/4, 5\/6, and 7\/8) and three mixed channels can be used in parallel, enabling multi-channel recording, even during live streams.\u003c\/p\u003e\u003cli\u003eFor more detail - [Systems]\u003c\/li\u003e\u003ch3\u003eFour Effect Preset Buttons for CH1\u003c\/h3\u003e\u003cp\u003eThe four effect preset buttons on the bottom left of the AG08 console allow you to seamlessly switch between customized effect presets for Channel 1 on the fly. This gives users versatile, real-time control to add just the right amount of effect—including the new Voice Changer. Ideal for dramatic and live music performances.\u003c\/p\u003e\u003ch3\u003eFive DSP Effects\u003c\/h3\u003e\u003cp\u003eThe AG08 comes equipped with high-quality effects to color, correct, or enhance your vocal and musical instrument signals. Grouped into the five categories detailed below, all effects are processed by the onboard DSP, so there is no latency and no impact on PC processing. *Details of each DSP effect can be set in the AG08 Controller app.\u003c\/p\u003e\u003cp\u003eChannel 1 features a new voice changer effect that can transform your voice into that of a different gender, a robot, and more, while Channel 2 offers an amp simulator for a more authentic guitar or bass amp sound. These, along with Gate, Comp (Compressor \/ Compander), EQ, Reverb, and the newly added Delay, can be set independently on each channel, allowing you to dial in the optimal settings for specific applications.\u003c\/p\u003e\u003ch3\u003eDucker\u003c\/h3\u003e\u003cp\u003eThe Ducker function can be used to automatically attenuate the playback sound of Channels 3\/4, 5\/6, and 7\/8 relative to Channels 1 and 2, so you can easily set up a streaming system where signals from Channels 1 and 2 are always heard clearly.\u003c\/p\u003e\u003ch3\u003eMaximizer\u003c\/h3\u003e\u003cp\u003eMaximizer is a simple yet powerful mastering function that adds a level boost to your mix for extra polish and professionalism while attenuating peaking signals to give your listeners and viewers a more comfortable and pleasant audio experience.\u003c\/p\u003e\u003cp\u003eThe AG08's Maximizer is in the form of a 3-band compressor which allows for powerful correction of the balance of each band while equalizing the overall volume.\u003c\/p\u003e\u003ch3\u003eSix Sound Pads\u003c\/h3\u003e\u003cp\u003eThe AG08 comes equipped with six customizable sound pads that allow you to easily add sound effects in real time to liven up your broadcasts. Using the AG08 Controller dedicated app, you can simply drag-and-drop existing sound files and assign them to the pad of your choice, or record your own samples and trim them to their desired length within the app.\u003c\/p\u003e\u003ch3\u003e\"AG08 Controller\" provides precise control\u003c\/h3\u003e\u003cp\u003eAG08 Controller software allows users to easily and precisely check and configure the DSP audio processing, Sound pads and flexible routing option. Offering two modes of operation, \"Simple\" and \"Detail\", AG08 Controller gives users of varying music production experience detailed management of their audio from Windows\/Mac or iPadOS device connected to the AG08 via USB.\u003c\/p\u003e\u003cli\u003eMore Detail\u003c\/li\u003e\u003ch3\u003eConvenient Power Supply\u003c\/h3\u003e\u003cp\u003eThe new console comes equipped with a new PA-150B power adapter for more stable operation, accommodating a wider range of application setups.\u003c\/p\u003e\u003ch3\u003ePowerful bundled software\u003c\/h3\u003e\u003cp\u003eThe AG08 comes bundled with Cubase AI music production software, as well as WaveLab Cast for audio production and editing. The AG08 is also compatible with Cubasis LE applications for iOS devices which are available free of charge from Steinberg to support and inspire your audio content creation.\u003c\/p\u003e\u003cli\u003eCubase AI, WaveLab Cast\u003c\/li\u003e\u003cli\u003eCubasis LE\u003c\/li\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Mono[MIC\/LINE]\u003c\/td\u003e\n\u003ctd\u003e2 - CH1: Combo (Mic, +48 V phantom power \/ Line), 3.5 mm (1\/8”) stereo mini (Headset mic, Plug-in power), CH2: Combo (Mic, +48 V phantom power \/ Guitar input \/ Line) *CH1 input and Headset mic cannot be used simultaneously\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Stereo[LINE]\u003c\/td\u003e\n\u003ctd\u003e3 - CH3\/4: LR Stereo Phone, CH5\/6: LR Stereo RCA\/3.5 mm stereo mini (AUX), CH7\/8: 4-pole mini in\/out (TRRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › AUX\u003c\/td\u003e\n\u003ctd\u003e1 - Stereo mini\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › Smartphone\u003c\/td\u003e\n\u003ctd\u003e1 - 4-pole mini input\/output (TRRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Input Channels › USB\u003c\/td\u003e\n\u003ctd\u003e1 - USB: 4 Stereo Audio Channels (Streaming, Voice, AUX, FROM DAW)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › PHONES\u003c\/td\u003e\n\u003ctd\u003e2 - CH1: 6.3 mm (1\/4\") Stereo \/ HEADSET mini PHONES *Cannot be used simultaneously, CH2: PHONES\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › Smartphone\u003c\/td\u003e\n\u003ctd\u003e1 - 4-pole mini input\/output (TRRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › MONITOR OUT\u003c\/td\u003e\n\u003ctd\u003e2 - LR Stereo: XLR, 1\/4 TRS Phone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › STEREO OUT\u003c\/td\u003e\n\u003ctd\u003e1 - MIX: LR Stereo TRS Phone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Output Channels › USB\u003c\/td\u003e\n\u003ctd\u003e1 - USB: 4 Stereo Audio Channels (Streaming, Voice, AUX, TO DAW), 8 Channels Direct Out *In Windows environment, ASIO channel and USB 2.0 exist independently. Please check the block diagram for details.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Bus\u003c\/td\u003e\n\u003ctd\u003e4 Stereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › Functions\u003c\/td\u003e\n\u003ctd\u003eMUTE button x 5, CH1 FX preset button x 4, Sound pad x 6, +48 V phantom power x 2, GUITAR(HI-Z) x 1, PAD x 2, GAIN HIGH\/LOW x 1, LINE\/USB x 3, STREAMING ON\/OFF x 3, CUE x 1, MIX MINUS (CH1, 2)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › On-board processors › DSP\u003c\/td\u003e\n\u003ctd\u003eVoice Changer, Amp Simulator, COMP, EQ, REVERB (SPX Reverb), Delay, Ducker, Maximizer *Detail is operated on AG Controller\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › USB › USB Audio\u003c\/td\u003e\n\u003ctd\u003e8 IN \/ 14 OUT, USB Audio Class 2.0 Compliant, Sampling Frequency: Max. 48 kHz, Bit Depth: 24-bit, Type-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutline › USB › USB DC Power input\u003c\/td\u003e\n\u003ctd\u003e1 - Type-C, 5 V DC, 1.5 A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power requirements\u003c\/td\u003e\n\u003ctd\u003eDC 12 V, 1.5 A \/ USB-C 5 V, 1.5 A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003eMax. 7.5 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e290 mm (11.5\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e88 mm (3.5\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e222 mm (8.8\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e2.2 kg (4.9 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Included Accessories\u003c\/td\u003e\n\u003ctd\u003eAC adapter PA-150B, USB 2.0 Cable (1.5 m), Quick Guide, Safety Guide, Wavelab Cast Download Information, Cubase AI Download Information\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eOperating Temperature: 0 to + 40 ℃\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268736917759,"sku":"AG08","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_3eaf415d-0264-420d-aef3-fc42af3db41d.jpg?v=1790011491"},{"product_id":"rk-mg124","title":"Yamaha RK-MG124 Rack Mount Kit","description":"\u003cp\u003eRack mount kit for MG124C and MG124CX\u003c\/p\u003e\u003cli\u003eAllows 19\" rack mounting of the MG102C and MG82CX\u003c\/li\u003e\u003cp\u003eThe MG124C and MG124CX can be rack-mounted using an optional rack-mounting kit for optimum integration with any system or installation.\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268736950527,"sku":"RK-MG124","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_03a43f74-f808-4d62-8a35-fbc5797b34d4.jpg?v=1790011490"},{"product_id":"hs5i","title":"Yamaha HS5I Powered Studio Monitor","description":"\u003cp\u003e2-way bass-reflex bi-amplified nearfield studio monitor with 5\" cone woofer and 1\" dome tweeter. Mounting points on 4 surfaces are available.\u003c\/p\u003e\u003cli\u003e2-way bass-reflex bi-amplified nearfield studio monitor with 5\" cone woofer and 1\" dome tweeter\u003c\/li\u003e\u003cli\u003e54Hz - 30kHz (-10dB), 74Hz - 24kHz (-3dB) frequency response\u003c\/li\u003e\u003cli\u003e45W LF plus 25W HF bi-amp system for high-performance 70W power amplification\u003c\/li\u003e\u003cli\u003eROOM CONTROL and HIGH TRIM response controls\u003c\/li\u003e\u003cli\u003eXLR and TRS phone jack inputs accept balanced or unbalanced signals\u003c\/li\u003e\u003cli\u003eMounting points on 4 surfaces\u003c\/li\u003e\u003cli\u003ePackaging single\u003c\/li\u003e\u003ch3\u003eTIME FOR A REALITY CHECK\u003c\/h3\u003e\u003cp\u003eEver since the 1970's the iconic white woofer and signature sound of Yamaha's nearfield reference monitors have become a genuine industry standard for a reason - their accuracy. Unlike studio monitors with added bass or treble frequencies which may sound more flattering at first, HS Series speakers were designed to give you the most honest, precise reference possible, providing an ideal sonic platform to build on throughout the mixing process. By combining acquired knowledge and expertise with state-of-the-art sound technologies, Yamaha's speaker engineering team have examined, then optimized, every aspect that has contributed to making these monitors the most trusted in the business. The second generation HS Series also adds a new 6.5\" model to the lineup, bringing its exceptional accuracy to an even greater variety of recording environments.\u003c\/p\u003e\u003ch3\u003eSound Philosophy of HS Series Studio Monitors\u003c\/h3\u003e\u003cp\u003eWhen selecting studio reference monitors for mixing and music production, one consideration takes precedence above all others - accuracy.\u003c\/p\u003e\u003cp\u003eBeginning with the legendary NS-10M, and continuing with the MSP and previous HS Series, this new lineup shares a design philosophy that emphasizes sonic purity without any coloring or alternation of the original sound. While many manufacturers seek to enhance the sound of their monitors to make them sound impressive, Yamaha studio monitors are designed to achieve the best possible mix by ensuring that the sound from your speakers is true to the original. HS Series nearfield reference monitors are the embodiment of this philosophy, delivering a concise sound image, high resolution, and flat response.\u003c\/p\u003e\u003ch3\u003eNewly Developed Transducers\u003c\/h3\u003e\u003cp\u003eThe HS Series features newly developed transducers that achieve astonishingly smooth response over a wide range of bandwidth. These transducers utilize an advanced magnetic field design that regulates the flow of magnetic response to provide seamless, natural sonic transitions. Each component's materials and design were carefully re-examined, then optimized, to drastically improve the accuracy of signal reproduction throughout the audio spectrum.\u003c\/p\u003e\u003cp\u003e- Tweeter\u003c\/p\u003e\u003cp\u003eThe HS Series features a newly designed, highly efficient 1\" dome tweeter that extends the usable frequency range considerably and delivers superb high-resolution sound. Utilizing a thick wave guide designed to minimize vibration the new tweeter is able to deliver smooth, distortion-free high end up to 30 kHz.\u003c\/p\u003e\u003cp\u003e- Woofer\u003c\/p\u003e\u003cp\u003eWith newly designed, ultra-responsive woofers that utilize large, carefully selected magnets, HS Series monitors produce low distortion sound with a well-defined bottom end at any output level. All of the components in these high-power woofers, including the woofer ring and the basket further contribute to the HS Series' stunning bass while providing clear, accurate mids.\u003c\/p\u003e\u003ch3\u003eHigh Performance Amp Unit\u003c\/h3\u003e\u003cp\u003eHS Series speakers employ an amplifier unit perfectly matched to the transducers utilized in each model of the series. Featuring a bi-amp design with a separate dedicated amp for both the woofer and the tweeter, this amplifier unit ensures that each HS Series speaker consistently delivers high-resolution sound with exceptionally flat response across the sound spectrum.\u003c\/p\u003e\u003ch3\u003eLow Resonance Enclosure Design\u003c\/h3\u003e\u003cp\u003eHS Series cabinets are designed to eliminate unwanted resonance and increase the accuracy of sound reproduction to their extreme limit. The enclosures are constructed from a very dense and resilient MDF with a damped acoustic response that is perfectly suited for reference monitors. Drawing from Yamaha's over 100 years of piano design experience, HS Series engineers also employed a traditional three-way mitered-joint technique. Common to architectural design this construction firmly anchors the corners of the enclosure to dramatically improve durability and eliminate unwanted resonance that can influence overall sound.\u003c\/p\u003e\u003ch3\u003eCutting Edge Noise Reduction Technology\u003c\/h3\u003e\u003cp\u003eSpeaker port design can greatly influence the clarity of overall sound. Often a vortex at the either end of the port can generate air vibrations inside of the port, causing unwanted noise. By adopting an advanced noise reduction technology that incorporates a thorough analysis of a visual representation of the sound, Yamaha's engineers are able to control and reduce the vortex. Through this in-depth analysis we have arrived at the ideal port design, resulting in a reduction of audible noise up to 6dB. The utilization of this state-of-the-art technology allows HS Series studio monitors to meet the demands of more strict professional production environments.\u003c\/p\u003e\u003ch3\u003eControls and Connectivity\u003c\/h3\u003e\u003cp\u003eHS Series full-range models feature two response controls with detailed settings that allow them to adapt to the surface acoustics of rooms of varying shape and size. ROOM CONTROL allows you to attenuate the unnatural, exaggerated low-end that can often occur when speakers are placed next to walls, while HIGH TRIM allows for more flexible control of high frequency response. For inputs, HS full-range speakers can accommodate a wide range of balanced and unbalanced sources such as mixers, keyboards and audio interfaces with XLR and TRS phone jacks. With the HS8S subwoofer, HIGH CUT control sets the cutoff frequency of subwoofer output high-frequency attenuation from 80Hz to 120Hz, while PHASE switch adjusts the phase of the subwoofer output. The LOW CUT switch and LOW CUT controls enables attenuation of low frequencies for output between 80Hz and 120Hz. The HS8S subwoofer is equipped with XLR and TRS phone jack inputs and for outputs XLR for L and R and EXT SUB out.\u003c\/p\u003e\u003ch3\u003eFlexible Set up (HS-I only)\u003c\/h3\u003e\u003cp\u003eBy adding mounting points and to the HS, HS-I models are compatible with three optional bracket types—wall, ceiling, and baton—adding the flexibility needed to meet the demands of a broad range of sonic environments.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Speaker type\u003c\/td\u003e\n\u003ctd\u003e2-way bi-amp powered studio monitor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Components › LF\u003c\/td\u003e\n\u003ctd\u003e5\" cone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Components › HF\u003c\/td\u003e\n\u003ctd\u003e1\" dome\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crossover\u003c\/td\u003e\n\u003ctd\u003e2kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Output power\u003c\/td\u003e\n\u003ctd\u003e70W (LF:45W, HF:25W)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O connectors\u003c\/td\u003e\n\u003ctd\u003eXLR3-31 type (balanced), PHONE (balanced)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e45W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Shape\u003c\/td\u003e\n\u003ctd\u003eBass-reflex type\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Cabinet material\u003c\/td\u003e\n\u003ctd\u003eMDF\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e170mm (6-11\/16\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e285mm (11-1\/4\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e222mm (8-3\/4\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e5.5 kg (12.1 lbs.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eLEVEL control (+4dB\/center click) , EQ: HIGH TRIM switch (+\/- 2dB at HF) \/ ROOM CONTROL switch (0\/-2\/-4 dB under 500Hz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response (-10dB)\u003c\/td\u003e\n\u003ctd\u003e54Hz - 30kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response (-3dB)\u003c\/td\u003e\n\u003ctd\u003e74Hz - 24kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input sensitivity\u003c\/td\u003e\n\u003ctd\u003e-10 dBu\/10k ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Indicators\u003c\/td\u003e\n\u003ctd\u003ePower ON (White LED)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Flying and mounting hardware\u003c\/td\u003e\n\u003ctd\u003eFour surfaces x 2 x M5 (60 mm pitch)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eOwner's Manual, Power cord, Screws for installing brackets x 2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Options\u003c\/td\u003e\n\u003ctd\u003eWall \/ Ceiling bracket K\u0026amp;M 19440\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Packaging\u003c\/td\u003e\n\u003ctd\u003eSingle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268736983295,"sku":"HS5I","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_4ef205e6-bd5d-4d96-8287-831aa91c7976.jpg?v=1790011493"},{"product_id":"mg32-14fx","title":"Yamaha MG32\/14FX 32-Input Mixing Console","description":"\u003cp\u003eSerious Capacity for Live Sound and Installations\u003c\/p\u003e\u003ch3\u003eSerious live sound mixer with dual SPX built-in\u003c\/h3\u003e\u003cp\u003eThese 32-input and 24-input models are suitable for serious live sound applications in which a substantial number of sources must be handled efficiently. The MG32\/14FX and MG24\/14FX also feature dual Yamaha SPX effect processors built in, so you have everything you need for great sound right in the console. A comprehensive complement of auxiliary and group buses provides extensive mixing and signal routing versatility.\u003c\/p\u003e\u003ch3\u003eSerious Consoles for Live Sound or Installations\u003c\/h3\u003e\u003cp\u003eThe MG24\/14FX and MG32\/14FX are full-featured sound reinforcement consoles with capacity and capabilities that can handle demanding live sound applications. Choose the 24-input MG24\/14FX or 32-input MG32\/14FX according to the number of sources you need to handle. All other features are the same, including two renowned Yamaha SPX effect processors built in. Extensive routing capability is also provided for monitoring and external signal processing, as required by your application.\u003c\/p\u003e\u003ch3\u003eHigh Input Capacity for Live Sound\u003c\/h3\u003e\u003cp\u003eThe MG24\/14FX has 16 mono inputs and 4 stereo inputs, while the MG32\/14FX has 24 mono inputs and 4 stereo inputs. Input gain controls and pad switches allow optimum matching with the widest possible range of sources: microphone levels can be adjusted from -60 dB to +10 dB, while line levels can be adjusted from -34 dB to +10 dB. Channel peak indicators are provided to facilitate optimum level matching.\u003c\/p\u003e\u003ch3\u003eVersatile Inputs\u003c\/h3\u003e\u003cp\u003eThe monaural inputs provide both balanced XLR and phone jacks - that's channels 1 through 16 on the MG24\/14FX, and channels 1 through 24 on the MG32\/14FX. Two of the stereo inputs offer phone jacks as well as RCA pin jacks. Independent 2-track RCA pin jack inputs are also provided for input from CD players or other stereo line-level sources.\u003c\/p\u003e\u003ch3\u003eTop-quality Microphone Preamps\u003c\/h3\u003e\u003cp\u003eMicrophone preamplifiers play a vital role in determining the final sound of your mixes. The MG-series mixers feature low-noise, high-performance microphone preamplifiers that will bring out the best in dynamic and condenser type microphones. Microphone preamplifiers are provided on channels 1 through 16 of the MG24\/14FX, and on channels 1 through 24 of the MG32\/14FX.\u003c\/p\u003e\u003ch3\u003eSwitchable Phantom Power\u003c\/h3\u003e\u003cp\u003eThe MG mixer microphone preamplifiers provide 48-volt phantom power for studio-quality condenser microphones. Phantom power can be switched on or off for in 8-channel groups.\u003c\/p\u003e\u003ch3\u003eInsert I\/O\u003c\/h3\u003e\u003cp\u003eMono input channels feature insert patch points that can be used to insert external signal-processing devices into the channel's signal path. Insert I\/O points are also provided on the stereo bus (L and R) and on the four group buses.\u003c\/p\u003e\u003ch3\u003eMid-sweep 3-band Mono Channel EQ, 4-band Stereo Channel EQ\u003c\/h3\u003e\u003cp\u003eThe mono channels on both the MG24\/14FX and MG32\/14FX offer advanced EQ facilities: 3-band EQ with a 10 kHz shelving HIGH control, a 250 Hz ~ 5 kHz sweepable MID control, and a 100 Hz shelving LOW control. The microphone inputs also have switchable 80 Hz high-pass filters for low-frequency noise reduction. The stereo channels feature 4-band EQ with 10 kHz HIGH, 3 kHz HI MID, 800 Hz LO MID, and 100 HZ LOW controls.\u003c\/p\u003e\u003ch3\u003eMulti-bus Configuration with a Total of 14 Buses\u003c\/h3\u003e\u003cp\u003eIn addition to the main stereo bus that feeds the console's main outputs, the MG24\/14FX and MG32\/14FX feature four group buses for convenient sub-mix grouping, six auxiliary buses for monitoring and external effect send, and send buses for the two internal effect processors. That's a total of 14 buses in all for exceptionally flexible signal routing. The channel send knobs and bus assign switches make it easy to send the signal from each channel to the stereo, group, internal effect, and auxiliary buses as required.\u003c\/p\u003e\u003ch3\u003eAmple Sends and Returns\u003c\/h3\u003e\u003cp\u003eAll input channels have a total of six auxiliary sends: AUX send 1 through 4 can be switched for pre- or post-fader operation, while AUX sends 5 and 6 are post-fader. Two EFFECT sends are provided in addition to the six AUX sends. That's more than sufficient send capability to handle monitoring and effects for all but the most complex applications. Two stereo AUX returns are provided in addition to the internal effect returns, providing an extra margin of return versatility for wet monitoring, for example.\u003c\/p\u003e\u003ch3\u003eComprehensive Output Connectors\u003c\/h3\u003e\u003cp\u003eThe mixer's main stereo program signal is simultaneously delivered to the main stereo outputs (XLR jacks), the sub-stereo outputs (phone jacks), the REC OUT connectors (RCA pin jacks), the mono out (XLR jack), and the headphones output (stereo phone jack). Independent phone-jack outputs are also provided for group buses 1 through 4. So even if you need to feed a front-of-house system, monitors, a subwoofer, a master recorder, and other output lines simultaneously, the MG24\/14FX or MG32\/14FX will handle it.\u003c\/p\u003e\u003ch3\u003eReliable XLR Output Connectors\u003c\/h3\u003e\u003cp\u003eThe main stereo outputs and mono output feature rugged, reliable XLR type connectors. Not only do these connectors lock to minimize the chance of accidental disconnection, but they provide superior electrical contact for long-term dependability as well.\u003c\/p\u003e\u003ch3\u003eVariable LPF on the Mono Output\u003c\/h3\u003e\u003cp\u003eA low-pass filter with a roll-off frequency that can be varied from 80 to 120Hz is provided on the mono output for convenient connection and optimum matching with a subwoofer.\u003c\/p\u003e\u003ch3\u003e12-segment Level Meters\u003c\/h3\u003e\u003cp\u003eFour high-visibility 12-segment meters are switchable to allow precise visual monitoring of levels on the main stereo bus, the four group buses, the stereo 2-track input, the PFL (Pre-Fader Listen) bus, or the AFL (After-Fader Listen) bus.\u003c\/p\u003e\u003ch3\u003eHigh-performance Digital Effect Processors Built In\u003c\/h3\u003e\u003cp\u003eBoth the MG24\/14FX and MG32\/14FX contain a powerful pair of Yamaha digital signal processors that provide a useful selection of 16 advanced digital effects. Effect programs include reverb, delay, pitch change chorus, phaser, voice doubler, and distortion. The effects include editable parameters so they can be customized as required, and processor \"B\" even has a TAP switch for real-time tap-tempo entry. With these top-performance effect processors built in, you wont have to transport and set up racks of external effects to create your sound.\u003c\/p\u003e\u003ch3\u003eIlluminated Switches for High Visibility\u003c\/h3\u003e\u003cp\u003eThe channel ON switches, PFL (Pre-Fader Listen) switches and phantom power switches are original Yamaha illuminated types, so it's easy to visually check vital console settings.\u003c\/p\u003e\u003ch3\u003eTalkback for Convenient Communication\u003c\/h3\u003e\u003cp\u003eA talkback microphone input is provided for easy, efficient communication between the sound engineer and musicians and staff in live-sound applications, during setup, rehearsal, and the actual performance.\u003c\/p\u003e\u003ch3\u003eIntuitive Controls and High Reliability\u003c\/h3\u003e\u003cp\u003eThe design of the faders, rotary controls and switches used on the MG mixers, as well as the way they are laid out, allow easy operation and visual confirmation of settings.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Total Harmonic Distortion\u003c\/td\u003e\n\u003ctd\u003eLess than 0.1 % (THD+N) 20 Hz - 20 kHz @ +14 dB 600 Ω (ST OUT)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Frequency Response\u003c\/td\u003e\n\u003ctd\u003e0 +1, -3 dB 20 Hz - 20 kHz @ +4 dB 600 Ω (ST OUT)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Input Hum \u0026amp; Noise\u003c\/td\u003e\n\u003ctd\u003e-128dB 20 Hz - 20 kHz, Rs=150 Ω, Input Gain=Maximum, Input Pad =OFF, Input sensitivity=-60 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Crosstalk\u003c\/td\u003e\n\u003ctd\u003e-70dB @ 1kHz, Mic: 24+1 (Input A 1 - 24, Talk Back: XLR), Line: 24 (Input B 1 - 24: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH Input\u003c\/td\u003e\n\u003ctd\u003eLine: 24 (Input B 1 - 24: TRS), Stereo: 2 (Ch 25 - 26, 27 - 28:TRS) * Ch25, 27:L (MONO) 2 (Ch 29 - 30, 31 - 32: TRS\/RCA), Insert I\/O: 24 (Ch 1 - 24: TRS T: Out, R: In, S: Gnd)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › AUX\u003c\/td\u003e\n\u003ctd\u003eSend: 6 (1 - 2\/Post-Pre selectable, 3 - 4\/Post-Pre selectable, 5 - 6\/Post: TRS), Return: 2 Stereo Sub In (L\/MONO, R: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Effects\u003c\/td\u003e\n\u003ctd\u003eSend: 2 (1, 2: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › 2TR\u003c\/td\u003e\n\u003ctd\u003eIn: 1 Stereo (L, R: RCA)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › STEREO IN\u003c\/td\u003e\n\u003ctd\u003e1 Stereo (L, R: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Group IN\u003c\/td\u003e\n\u003ctd\u003e4 (1 - 4: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › REC Out\u003c\/td\u003e\n\u003ctd\u003e1 Stereo (L, R: RCA)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › ST OUT\u003c\/td\u003e\n\u003ctd\u003e1 Stereo (L, R: XLR)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Mono\u003c\/td\u003e\n\u003ctd\u003eOut: 1 (XLR)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › ST SUB\u003c\/td\u003e\n\u003ctd\u003eOut: 1 Stereo (L, R: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Group Out\u003c\/td\u003e\n\u003ctd\u003e4 (1 - 4: TRS)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Phones\u003c\/td\u003e\n\u003ctd\u003e1 (TRS Stereo)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Phantom Power\u003c\/td\u003e\n\u003ctd\u003e+ 48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH \u0026amp; ST Ch Input Gain Control\u003c\/td\u003e\n\u003ctd\u003e44 dB valiable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH \u0026amp; ST High pass filter\u003c\/td\u003e\n\u003ctd\u003e80 Hz 12 dB\/Octave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › High\u003c\/td\u003e\n\u003ctd\u003e10 kHz (Shelving)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › Mid\u003c\/td\u003e\n\u003ctd\u003e0.25-5 kHz (Peaking)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (MONO) ±15 dB (Max.) › Low\u003c\/td\u003e\n\u003ctd\u003e100 Hz (Shelving)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › High\u003c\/td\u003e\n\u003ctd\u003e10 kHz (Shelving)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Hi-Mid\u003c\/td\u003e\n\u003ctd\u003e3 kHz (Peaking)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Low-Mid\u003c\/td\u003e\n\u003ctd\u003e800 Hz (Peaking)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › CH EQ (STEREO) ±15 dB (Max.) › Low\u003c\/td\u003e\n\u003ctd\u003e100 Hz (Shelving)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › MONO Out Low Pass Filter\u003c\/td\u003e\n\u003ctd\u003e80 - 120 Hz 12dB\/octave\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Internal Digital Effect\u003c\/td\u003e\n\u003ctd\u003eSPX x 2 (Effect 1: 16 Programs, Effect 2: 16 Programs :Parameter Control)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Product Dimension (W x H x D) \/ Weight (lbs.)\u003c\/td\u003e\n\u003ctd\u003e41.73\" x 5.90\" x 21.25\" \/ 52.91 lbs.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSpecifications › Power Requirements\u003c\/td\u003e\n\u003ctd\u003eUL\/CSA: 75 W 120 V\/60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268737016063,"sku":null,"price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_c1fe91b7-9016-4808-821f-a0e475e8d552.jpg?v=1790011490"},{"product_id":"swx2310p-28gt","title":"Yamaha SWX2310P-28GT L2 Switch","description":"\u003cp\u003eIntelligent L2 switch optimized for Dante and PoE+ for Large\/Medium ADECIA systems.\u003c\/p\u003e\u003cli\u003eAuto-apply Dante settings upon connection to ADECIA devices\u003c\/li\u003e\u003cli\u003ePorts 1-24 support PoE+\u003c\/li\u003e\u003cli\u003eSupports PoE+ up to 30W per port (Total: 370W)\u003c\/li\u003e\u003cli\u003eSFP+ supports scalable cascading of multiple switches\u003c\/li\u003e\u003ch3\u003eYamaha Network Products and Services\u003c\/h3\u003e\u003cp\u003eAt Yamaha, we’ve not only pioneered connections between musical instruments and digital technologies, but also the connections that enrich people’s lives through network infrastructure.\u003c\/p\u003e\u003cp\u003eDrawing on Yamaha expertise in signal processing as innovators in electronic instruments, we swiftly transitioned those skills towards network technologies. For over 20 years, we've played a vital role in the development of the internet, which has become a lifeline for modern society.\u003c\/p\u003e\u003cp\u003eMoving forward, we remain committed to providing even better services and support to make your connections smoother and more convenient than ever before. We continue to innovate and enhance the way you connect.\u003c\/p\u003e\u003ch3\u003eIntelligent L2 Network switch with PoE+\u003c\/h3\u003e\u003cp\u003eThe SWX2310P-28GT is an intelligent L2 switch capable of powering PoE devices across your network. Leveraging our expertise in networking and professional audio, this switch has been optimized to accommodate Dante audio networks.\u003c\/p\u003e\u003ch3\u003eOne-click Optimization\u003c\/h3\u003e\u003cp\u003eIGMP and QoS settings can be automatically optimized for Dante network operation by simply selecting the Dante profile in the web-based GUI. These network settings are not critical in simple systems, but proper configuration is essential to ensure maximum stability in larger Dante networks.\u003c\/p\u003e\u003cp\u003eIn the Web GUI's ProAV Settings enables to assign settings for major ProAV profiles like Dante, NDI, and so on to ports with just a click. This makes it easy to use both NDI and Dante on the same switch.\u003c\/p\u003e\u003cp\u003eAdditionally, the ProAV Settings screen in the Web GUI allows you to easily check multicast settings and operations. It clearly shows multicast activity, which helps quickly resolve issues that often cause problems in ProAV networks.\u003c\/p\u003e\u003cli\u003eWhat's Dante, NDI\u003c\/li\u003e\u003ch3\u003eIntelligent L2 switch with Dante optimization function and PoE+\u003c\/h3\u003e\u003cp\u003eThe SWX2310P-28GT is an intelligent L2 switch optimized for Dante networks, known worldwide for AoIP, allowing integrators to quickly establish stable networks by simplifying settings, monitoring, management, and operation. When Dante PoE devices, like the VXC2P, are connected to the SWX2310P-28GT, settings optimized for Dante are automatically applied via LLDP, a protocol for exchanging system management data between neighboring devices. PoE+ compliant ports can supply up to 30W to each port simultaneously, powering not only PoE compliant devices like wireless access points, but also higher-output PoE+ devices such as the VXC2P and RM-CR.\u003c\/p\u003e\u003ch3\u003eComplete Network Monitoring\u003c\/h3\u003e\u003ch3\u003eComprehensive Monitoring\u003c\/h3\u003e\u003cp\u003eYamaha LAN Monitor is a dedicated software that allows for quick troubleshooting. Easily check PoE status, turn PoE on\/off, and use the snapshot function to detect any differences or faults in the network state since setup. The web GUI provides a full range of monitoring functionality, including dead\/alive monitoring for PoE devices, allowing you to restart a PoE device if a fault occurs and receive email notifications of faults.\u003c\/p\u003e\u003ch3\u003eSnapshot Function Makes Troubleshooting Easy\u003c\/h3\u003e\u003cp\u003eTake a “snapshot” when the network is initially set up to automatically keep track of any alerts or setting changes that could cause trouble like cable disconnections, devices turning off, or incorrect connections made prior to performances.\u003c\/p\u003e\u003ch3\u003eEnhanced Device ID with Icons, Labels and Comments\u003c\/h3\u003e\u003cp\u003eIdentifying devices connected to a switch with only IP or MAC addresses is a difficult and error-prone approach. Dante devices can use icons and device IDs when set up via the Dante Controller software. Label and Comment fields also let users add useful info, like the location of the device.\u003c\/p\u003e\u003ch3\u003eIntelligent Security Management\u003c\/h3\u003e\u003cp\u003eThe SWX2310P-28GT includes built-in RADIUS server functionality to augment VLAN capabilities. By setting up one switch as a RADIUS server and linking other switches to it, unauthorized network access can be effectively blocked, ensuring enhanced security even in complex large-scale installations. Device authentication can be quickly and easily configured via a web-based GUI.\u003c\/p\u003e\u003ch3\u003eIncluded accessories for installation ease\u003c\/h3\u003e\u003cp\u003eRack-mount brackets are included with the SWX2310P-28GT. These accessories allow units to be installed in 19-inch racks, further increasing installation flexibility.\u003c\/p\u003e\u003ch3\u003eWhat is ADECIA\u003c\/h3\u003e\u003cp\u003eA one-stop sound solution for remote conferencing that improves the quality of voice communications.\u003c\/p\u003e\u003cli\u003eRead more\u003c\/li\u003e\u003ch3\u003eWhat is DANTE\u003c\/h3\u003e\u003cp\u003eDante replaces heavy, expensive analog or multicore cabling with LAN cables such as CAT5e and CAT6.\u003c\/p\u003e\u003cp\u003eBecause Dante uses logical routing instead of physical point-to-point connections, the network can be configured using available ports with just a few clicks.\u003c\/p\u003e\u003cp\u003eSystems with Dante can also be easily expanded.\u003c\/p\u003e\u003cp\u003eAdditionally, Dante supports redundancy configuration, ensuring reliability even in emergency situations.\u003c\/p\u003e\u003cli\u003eRead more\u003c\/li\u003e\u003ch3\u003eWhat is NDI Certified\u003c\/h3\u003e\u003cp\u003eThese new Yamaha SWR and SWX series switches are one of the first hardware products globally to become NDI Certified in the network switch category.\u003c\/p\u003e\u003cp\u003eThis certification guarantees full compatibility with products from the NDI Certified ecosystem, even without requiring native NDI integration. Yamaha switches provide an effortless experience and high-quality connection within any NDI network and workflow.\u003c\/p\u003e\u003cp\u003eNDI (Network Device Interface) is a groundbreaking video connectivity standard that enables seamless transmission of high-quality video, audio, and metadata over standard IP networks. By leveraging NDI technology, devices such as cameras, switchers, and media servers on the same network can automatically discover and connect with one another, eliminating the need for complex configurations or dedicated cabling.\u003c\/p\u003e\u003cp\u003eThis connectivity standard empowers producers to access and utilize a virtually unlimited number of video sources within their network, significantly enhancing the flexibility and scalability of live production workflows. Whether for live events, broadcasts, or post-production, NDI transforms traditional video production by seamlessly integrating all sources on the network.\u003c\/p\u003e\u003cp\u003eNDI® is a registered trademark of Vizrt NDI AB.\u003c\/p\u003e\u003cli\u003eNDI Certified ecosystem\u003c\/li\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Standard\u003c\/td\u003e\n\u003ctd\u003eIEEE 802.3 (10BASE-T\/100BASE-TX\/1000BASE-T)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Number of ports\u003c\/td\u003e\n\u003ctd\u003e24\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Communication mode\u003c\/td\u003e\n\u003ctd\u003eAuto negotiation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Connector type\u003c\/td\u003e\n\u003ctd\u003eRJ-45\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › MAC address\u003c\/td\u003e\n\u003ctd\u003ePrinted on top surface label\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › LAN ports › Polarity\u003c\/td\u003e\n\u003ctd\u003eAutomatic detection of straight\/cross, or fixed at straight\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › SFP+ ports › Standard\u003c\/td\u003e\n\u003ctd\u003eIEEE 802.3z (1000BASE-SX\/ 1000BASE-LX), IEEE 802.3ae (10GBASE-SR\/ 10GBASE-LR)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › SFP+ ports › Number of ports\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Console ports › Standard\u003c\/td\u003e\n\u003ctd\u003eRS-232C, USB 2.0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Console ports › Connector type\u003c\/td\u003e\n\u003ctd\u003eRJ-45, USB mini-B (5-pin)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Console ports › Data transmission speed\u003c\/td\u003e\n\u003ctd\u003e9600 bit\/s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Ports available for PoE power supply\u003c\/td\u003e\n\u003ctd\u003e24 ports (1-24)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › PoE standards\u003c\/td\u003e\n\u003ctd\u003eIEEE 802.3at\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power supply system\u003c\/td\u003e\n\u003ctd\u003eAlternative A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum power supply › Per port\u003c\/td\u003e\n\u003ctd\u003e30 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum power supply › All ports\u003c\/td\u003e\n\u003ctd\u003e370 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › microSD slot › Standard\u003c\/td\u003e\n\u003ctd\u003emicroSD\/microSDHC (microSDXC is not supported)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › microSD slot › File System\u003c\/td\u003e\n\u003ctd\u003eFAT\/FAT32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Indicators\u003c\/td\u003e\n\u003ctd\u003ePOWER, microSD, STACK ID, LAN port (LINK\/ACT, SPEED), SFP+ port (LINK\/ACT, SPEED)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › MAC address\u003c\/td\u003e\n\u003ctd\u003eIndicated in product label on top panel of unit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Operating environment\u003c\/td\u003e\n\u003ctd\u003eAmbient temperature: 0–50 °C, Ambient humidity 15–80% (non-condensing)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Storage environment\u003c\/td\u003e\n\u003ctd\u003eAmbient temperature: -20–60 °C, Ambient humidity 10–90% (non-condensing)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power supply voltage, frequency\u003c\/td\u003e\n\u003ctd\u003eAC100 – 240V, 50\/60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Maximum power consumption\u003c\/td\u003e\n\u003ctd\u003e459W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e440 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e44 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e294 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Weight\u003c\/td\u003e\n\u003ctd\u003e3.9kg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eRead this first, power cords, power cord clamp, 19-inch rack mount hardware and screws\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268737114367,"sku":"SWX2310P-28GT","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_6d5a21f0-5713-4da3-8185-43bcf012e05e.jpg?v=1790011495"},{"product_id":"rk-ruio1608sb","title":"Yamaha RK-RUio1608SB Rack Mount Kit","description":"\u003cp\u003eRack mount kit for RUio1608SB-D\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268737081599,"sku":"RK-RUio1608SB","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_77c12159-41fb-47cd-91dc-c2678d60a6cf.jpg?v=1790011491"},{"product_id":"hs5i-white","title":"Yamaha HS5I (White) Powered Studio Monitor","description":"\u003cp\u003e2-way bass-reflex bi-amplified nearfield studio monitor with 5\" cone woofer and 1\" dome tweeter. Mounting points on 4 surfaces are available.\u003c\/p\u003e\u003cli\u003e2-way bass-reflex bi-amplified nearfield studio monitor with 5\" cone woofer and 1\" dome tweeter\u003c\/li\u003e\u003cli\u003e54Hz - 30kHz (-10dB), 74Hz - 24kHz (-3dB) frequency response\u003c\/li\u003e\u003cli\u003e45W LF plus 25W HF bi-amp system for high-performance 70W power amplification\u003c\/li\u003e\u003cli\u003eROOM CONTROL and HIGH TRIM response controls\u003c\/li\u003e\u003cli\u003eXLR and TRS phone jack inputs accept balanced or unbalanced signals\u003c\/li\u003e\u003cli\u003eMounting points on 4 surfaces\u003c\/li\u003e\u003cli\u003ePackaging single\u003c\/li\u003e\u003ch3\u003eTIME FOR A REALITY CHECK\u003c\/h3\u003e\u003cp\u003eEver since the 1970's the iconic white woofer and signature sound of Yamaha's nearfield reference monitors have become a genuine industry standard for a reason - their accuracy. Unlike studio monitors with added bass or treble frequencies which may sound more flattering at first, HS Series speakers were designed to give you the most honest, precise reference possible, providing an ideal sonic platform to build on throughout the mixing process. By combining acquired knowledge and expertise with state-of-the-art sound technologies, Yamaha's speaker engineering team have examined, then optimized, every aspect that has contributed to making these monitors the most trusted in the business. The second generation HS Series also adds a new 6.5\" model to the lineup, bringing its exceptional accuracy to an even greater variety of recording environments.\u003c\/p\u003e\u003ch3\u003eSound Philosophy of HS Series Studio Monitors\u003c\/h3\u003e\u003cp\u003eWhen selecting studio reference monitors for mixing and music production, one consideration takes precedence above all others - accuracy.\u003c\/p\u003e\u003cp\u003eBeginning with the legendary NS-10M, and continuing with the MSP and previous HS Series, this new lineup shares a design philosophy that emphasizes sonic purity without any coloring or alternation of the original sound. While many manufacturers seek to enhance the sound of their monitors to make them sound impressive, Yamaha studio monitors are designed to achieve the best possible mix by ensuring that the sound from your speakers is true to the original. HS Series nearfield reference monitors are the embodiment of this philosophy, delivering a concise sound image, high resolution, and flat response.\u003c\/p\u003e\u003ch3\u003eNewly Developed Transducers\u003c\/h3\u003e\u003cp\u003eThe HS Series features newly developed transducers that achieve astonishingly smooth response over a wide range of bandwidth. These transducers utilize an advanced magnetic field design that regulates the flow of magnetic response to provide seamless, natural sonic transitions. Each component's materials and design were carefully re-examined, then optimized, to drastically improve the accuracy of signal reproduction throughout the audio spectrum.\u003c\/p\u003e\u003cp\u003e- Tweeter\u003c\/p\u003e\u003cp\u003eThe HS Series features a newly designed, highly efficient 1\" dome tweeter that extends the usable frequency range considerably and delivers superb high-resolution sound. Utilizing a thick wave guide designed to minimize vibration the new tweeter is able to deliver smooth, distortion-free high end up to 30 kHz.\u003c\/p\u003e\u003cp\u003e- Woofer\u003c\/p\u003e\u003cp\u003eWith newly designed, ultra-responsive woofers that utilize large, carefully selected magnets, HS Series monitors produce low distortion sound with a well-defined bottom end at any output level. All of the components in these high-power woofers, including the woofer ring and the basket further contribute to the HS Series' stunning bass while providing clear, accurate mids.\u003c\/p\u003e\u003ch3\u003eHigh Performance Amp Unit\u003c\/h3\u003e\u003cp\u003eHS Series speakers employ an amplifier unit perfectly matched to the transducers utilized in each model of the series. Featuring a bi-amp design with a separate dedicated amp for both the woofer and the tweeter, this amplifier unit ensures that each HS Series speaker consistently delivers high-resolution sound with exceptionally flat response across the sound spectrum.\u003c\/p\u003e\u003ch3\u003eLow Resonance Enclosure Design\u003c\/h3\u003e\u003cp\u003eHS Series cabinets are designed to eliminate unwanted resonance and increase the accuracy of sound reproduction to their extreme limit. The enclosures are constructed from a very dense and resilient MDF with a damped acoustic response that is perfectly suited for reference monitors. Drawing from Yamaha's over 100 years of piano design experience, HS Series engineers also employed a traditional three-way mitered-joint technique. Common to architectural design this construction firmly anchors the corners of the enclosure to dramatically improve durability and eliminate unwanted resonance that can influence overall sound.\u003c\/p\u003e\u003ch3\u003eCutting Edge Noise Reduction Technology\u003c\/h3\u003e\u003cp\u003eSpeaker port design can greatly influence the clarity of overall sound. Often a vortex at the either end of the port can generate air vibrations inside of the port, causing unwanted noise. By adopting an advanced noise reduction technology that incorporates a thorough analysis of a visual representation of the sound, Yamaha's engineers are able to control and reduce the vortex. Through this in-depth analysis we have arrived at the ideal port design, resulting in a reduction of audible noise up to 6dB. The utilization of this state-of-the-art technology allows HS Series studio monitors to meet the demands of more strict professional production environments.\u003c\/p\u003e\u003ch3\u003eControls and Connectivity\u003c\/h3\u003e\u003cp\u003eHS Series full-range models feature two response controls with detailed settings that allow them to adapt to the surface acoustics of rooms of varying shape and size. ROOM CONTROL allows you to attenuate the unnatural, exaggerated low-end that can often occur when speakers are placed next to walls, while HIGH TRIM allows for more flexible control of high frequency response. For inputs, HS full-range speakers can accommodate a wide range of balanced and unbalanced sources such as mixers, keyboards and audio interfaces with XLR and TRS phone jacks. With the HS8S subwoofer, HIGH CUT control sets the cutoff frequency of subwoofer output high-frequency attenuation from 80Hz to 120Hz, while PHASE switch adjusts the phase of the subwoofer output. The LOW CUT switch and LOW CUT controls enables attenuation of low frequencies for output between 80Hz and 120Hz. The HS8S subwoofer is equipped with XLR and TRS phone jack inputs and for outputs XLR for L and R and EXT SUB out.\u003c\/p\u003e\u003ch3\u003eFlexible Set up (HS-I only)\u003c\/h3\u003e\u003cp\u003eBy adding mounting points and to the HS, HS-I models are compatible with three optional bracket types—wall, ceiling, and baton—adding the flexibility needed to meet the demands of a broad range of sonic environments.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Speaker type\u003c\/td\u003e\n\u003ctd\u003e2-way bi-amp powered studio monitor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Components › LF\u003c\/td\u003e\n\u003ctd\u003e5\" cone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Components › HF\u003c\/td\u003e\n\u003ctd\u003e1\" dome\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Crossover\u003c\/td\u003e\n\u003ctd\u003e2kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Output power\u003c\/td\u003e\n\u003ctd\u003e70W (LF:45W, HF:25W)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › I\/O connectors\u003c\/td\u003e\n\u003ctd\u003eXLR3-31 type (balanced), PHONE (balanced)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Power consumption\u003c\/td\u003e\n\u003ctd\u003e45W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Shape\u003c\/td\u003e\n\u003ctd\u003eBass-reflex type\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Cabinet material\u003c\/td\u003e\n\u003ctd\u003eMDF\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › W\u003c\/td\u003e\n\u003ctd\u003e170mm (6-11\/16\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › H\u003c\/td\u003e\n\u003ctd\u003e285mm (11-1\/4\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Dimensions › D\u003c\/td\u003e\n\u003ctd\u003e222mm (8-3\/4\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Net weight\u003c\/td\u003e\n\u003ctd\u003e5.5 kg (12.1 lbs.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Others\u003c\/td\u003e\n\u003ctd\u003eLEVEL control (+4dB\/center click) , EQ: HIGH TRIM switch (+\/- 2dB at HF) \/ ROOM CONTROL switch (0\/-2\/-4 dB under 500Hz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response (-10dB)\u003c\/td\u003e\n\u003ctd\u003e54Hz - 30kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Frequency response (-3dB)\u003c\/td\u003e\n\u003ctd\u003e74Hz - 24kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Input sensitivity\u003c\/td\u003e\n\u003ctd\u003e-10 dBu\/10k ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Indicators\u003c\/td\u003e\n\u003ctd\u003ePower ON (White LED)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Flying and mounting hardware\u003c\/td\u003e\n\u003ctd\u003eFour surfaces x 2 x M5 (60 mm pitch)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Accessories\u003c\/td\u003e\n\u003ctd\u003eOwner's Manual, Power cord, Screws for installing brackets x 2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Options\u003c\/td\u003e\n\u003ctd\u003eWall \/ Ceiling bracket K\u0026amp;M 19440\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eGeneral specifications › Packaging\u003c\/td\u003e\n\u003ctd\u003eSingle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":49268737147135,"sku":null,"price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_c7b7fecf-136d-470f-ae79-d4fc98a87089.jpg?v=1790011494"}],"url":"https:\/\/oneprogear.com\/collections\/yamaha.oembed?page=9","provider":"OneProGear","version":"1.0","type":"link"}