{"product_id":"corporate-interview-pro","title":"Corporate interview and testimonial — Pro (two chairs, live cut, prompter)","description":"\u003cp\u003eTwo full-frame Canon R6 Mark III cameras with 24–105 mm zooms on USB-C power, a two-channel wireless lavalier system, a 300 W Bowens key in a 90 cm octagon on a C-stand, a shotgun as the room backup, a prompter for scripted pieces, two camera tripods, closed-back headphones and an ATEM Mini Pro ISO for a live two-camera cut.\u003c\/p\u003e\u003ch3\u003eWhat is in this kit\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ewireless lavaliers\u003c\/strong\u003e — Wireless PRO: two transmitters, two Lavalier II mics and one receiver, each person on a separate channel with 32-bit float recorded on board\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ekey light\u003c\/strong\u003e — amaran 300c, 300 W full colour on mains, Bowens mount, set from the Sidus Link app on a phone rather than from a ladder\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003esoftbox\u003c\/strong\u003e — LA-O90, 90 cm Bowens octagon with a 45° grid: a direct fit to the 300c and big enough to cover two chairs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eC-stand and boom\u003c\/strong\u003e — RA-C330: the boom arm (rated 10 kg) hangs the 90 cm octagon over both subjects with the base well outside the wide; a sandbag is in the box\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eshotgun microphone\u003c\/strong\u003e — VideoMic NTG on the A-cam, 3.5 mm into its mic input: the room track that saves the edit when a lav rustles\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eteleprompter\u003c\/strong\u003e — SmallRig multifunctional teleprompter with a wireless controller and tablet stand: for scripted founder and CEO pieces only; testimonials read worse on a prompter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ecameras\u003c\/strong\u003e x2 — Full-frame, A-cam wide and B-cam tight: the 24–105 mm zoom covers both, with full-size HDMI to the switcher and up to 6 hr per clip\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ememory cards\u003c\/strong\u003e x2 — 64 GB SDXC UHS-II V90, one per camera, for the SD slot\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ecamera power\u003c\/strong\u003e x2 — 100 W USB-C PD charger for each camera, so a long take does not depend on the battery (Canon lists USB power for the R6 Mark III)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB-C cable\u003c\/strong\u003e x2 — 2 m USB-C to USB-C rated for 60 W, long enough to reach the camera from a floor-level socket; the charger has no cable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ecamera tripods\u003c\/strong\u003e x2 — One per camera: carbon, 8 kg head load, 54–133 cm for a seated eye line\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eswitcher and recorder\u003c\/strong\u003e — ATEM Mini Pro ISO: cuts two clean-HDMI cameras live, records the programme and each camera as its own file, so an internal-comms piece can be delivered the same day; the wireless receiver can go into one of its 3.5 mm audio inputs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI cables\u003c\/strong\u003e x2 — 2 m full-size HDMI, one from each camera to the switcher; run longer cables if the cameras sit further away\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eheadphones\u003c\/strong\u003e — Closed-back pair in the A-cam's headphone socket, so a bad lav is caught on take one\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eBring your own\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003ea laptop or a USB drive for the switcher's recording\u003c\/li\u003e\n\u003cli\u003ea tablet for the prompter\u003c\/li\u003e\n\u003cli\u003ea second light for the background if the room has none\u003c\/li\u003e\n\u003cli\u003ea 3-pin universal socket or travel plug adapter for the USB-C charger\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eWhy this kit\u003c\/h3\u003e\u003cp\u003eTwo chairs changes three things: the microphone count, the size of the key, and whether there is a second camera. The Wireless PRO is specified because two transmitters on one receiver keep both subjects on separate channels without stacking two systems on a camera, and each transmitter records its own 32-bit float backup. The VideoMic NTG on top of the A-cam is the room track that covers the failure a lav cannot: a collar rustle on the answer that mattered. The key has to change size, not just power: a 90 cm octagon on a boom arm covers two people evenly and puts the stand base outside the wide, which a 60 cm box on a standard stand cannot do. The ATEM Mini Pro ISO is the difference between a shoot and a deliverable: with two clean-HDMI cameras it cuts and records the programme in the room and keeps each camera as its own file for a later re-cut, so an internal-comms piece can leave the site edited. The prompter is included for scripted founder pieces and should be left in the case for testimonials. The two cameras are Canon R6 Mark III bodies with 24–105 mm zooms, so one lens covers both the wide and the tight; full-size HDMI is the sturdier connection into the switcher, a 6 hr clip limit outlasts any interview, and USB power (Canon lists PD-E1\/PD-E2) keeps both running off the wall.\u003c\/p\u003e","brand":"OneProGear","offers":[{"title":"Default Title","offer_id":49271330865407,"sku":"corporate-interview-pro","price":886683.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/corporate-interview-pro-1600x1200_64fe77d5-a9c3-4d5e-8be1-f539afc79095.png?v=1793636264","url":"https:\/\/oneprogear.com\/products\/corporate-interview-pro","provider":"OneProGear","version":"1.0","type":"link"}