{"product_id":"dr-70d","title":"Tascam DR-70D Field Recorder","description":"\u003cp\u003eThe DR-70D from TASCAM is the ultimate audio recording solution for filmmakers. Four balanced XLR mic inputs meet the requirements of production sound, from professional users to indie DSLR shooters. The compact format can be mounted either above or below a camera, and a pair of built-in microphones can capture sound on-set. The interface is designed for quick adjustment, with additional features to keep recording levels under control.\u003c\/p\u003e\u003ch3\u003eAdditional Features\u003c\/h3\u003e\u003ch3\u003e4 XLR\/TRS combo jacks allow a variety of setups\u003c\/h3\u003e\u003ch3\u003eTwo built-in Omnidirectional Microphones\u003c\/h3\u003e\u003ch3\u003eBuilt-in 4-in\/2-out Mixer Enables 4-channel and Stereo Recording\u003c\/h3\u003e\u003ch3\u003eHDDA (High Definition Discrete Architecture) mic preamps\u003c\/h3\u003e\u003ch3\u003eCompact, Rugged Design Can Be Attached Above or Below the Camera\u003c\/h3\u003e\u003ch3\u003eCamera Out Jack for Audio Recording on Both The DR-70D and Camera\u003c\/h3\u003e\u003ch3\u003eSlate tone generator makes alignment with video files easy\u003c\/h3\u003e\u003ch3\u003e3.5mm Stereo Mini Jack Input Accepts Video Camera Mics\u003c\/h3\u003e\u003ch3\u003eCamera In Jack for Monitoring and Playback\u003c\/h3\u003e\u003cp\u003e4 XLR\/TRS inputs are built-into the DR-70D. The four-channel design enables combinations of shotgun microphones, lavaliere mics, and the built-in stereo mic to be recorded individually. Channels 1 and 2 can be set to stereo input and channels 3 and 4 can be set to the built-in mics, making a variety of mic configurations possible.\u003c\/p\u003e\u003cp\u003eMONO\/DUAL MONO：Best for recording the audio of a single performer.STEREO\/DUAL STEREO：Best for recording with the built-in microphones or a stereo mic.2MIX\/DUAL 2MIX：Creates stereo files of two or more mixed inputs.\u003c\/p\u003e\u003cp\u003eDual Recording mode can be used to create a backup file that is simultaneously recorded at a different level to prevent clipping when levels exceed the maximum input. The second track is recorded up to 12dB lower as a safety track to prevent distortion – if your input signal overloads, you have a backup that isn't distorted.\u003c\/p\u003e\u003cp\u003eTwo omnidirectional microphones allow easy recording of natural stereo sound without using external mics. Used in combination with one or two other mics, the DR-70D becomes a compact setup for recording interviews and ambient sound at the same time.\u003c\/p\u003e\u003cp\u003eEach fo the four inputs is sent to a stereo mixer. This allows each input to be recorded individually for post production while a stereo mix is sent to headphones and the camera guide track. In addition to being able to adjust pan parameter, each input includes a limiter, a low-cut filter, and a delay to adjust for distances between mics. In addition, a mid-side decoding function enables the use of a MS stereo mics.\u003c\/p\u003e\u003cp\u003eMicrophone preamps do a lot of work to convert your mic-level signals to recordable levels, so they have a big impact on the quality of the audio that is recorded. The DR-70D uses TASCAM HDDA microphone preamps - created through careful selection of parts. An NE5532 op-amp was selected for its outstanding effect on audio quality. Through a mix of discrete architecture and hand-picked components, TASCAM has achieved an equivalent input noise level of −120 dBu. The A\/D converter is made by CIRRUS LOGIC, similar to those used in the TASCAM DR series of linear PCM recorders. This high-quality converter – miles better than those included in DSLR cameras – ensures quiet, clean audio recording. Audio resolutions up to 96kHz\/24-bit are supported.\u003c\/p\u003e\u003cp\u003eThe DR-70Ds design is as compact as possible to stay out of the way while filming. The bottom of the unit has tripod screw threads for mounting under your camera or on a follow-focus cage. A removable camera attachment screw and hot shoe for the top of the unit are also included. The DR-70D can be attached in the way most convenient for the user by placing it between a tripod and the camera, or on top of the camera with a hot shoe mount.\u003c\/p\u003e\u003cp\u003e* Shoe mount adapter included in AK-DR70C (sold separately) is needed when mounting DR-70D on top of the camera.\u003c\/p\u003e\u003cp\u003eA stereo mix of your audio is sent to the camera output for later synchronization in your editing software. Simply drop your audio and video into the multi-camera feature of most editing software and audio will be automatically synced. Alternatively, software such as Red Giant Pluraleyes can be used to automatically sync audio and video.\u003c\/p\u003e\u003cp\u003eThe camera output jack can be attenuated down to mic level to prevent overloading the audio input of DSLR cameras.\u003c\/p\u003e\u003cp\u003eThe built-in generator can produce slate tones that can be used as references when aligning audio and video. Line up the waveforms when you need perfect sync between audio and video. In addition to being able to produce slate tones when recording starts or when it starts and stops, the SLATE button can be used to add slate tones at any desired point.\u003c\/p\u003e\u003cp\u003eAutomatic insertion:OFF\/HEAD (start of recording only)\/HEAD+TAIL (start and end of recording)Manual insertion: Press and hold the SLATE button to produce a slate tone.\u003c\/p\u003e\u003cp\u003eThe 3.5mm stereo 1-2 input mini jack allows the connection of consumer video camera mics. For example, connect a video camera mic for ambiance to jack 1-2, and shotgun mics to the XLR 3-4 jacks. This unit can supply plug-in power to the microphone and has a maximum input level of +10 dBV.\u003c\/p\u003e\u003cp\u003eThe Camera In jack allows playback from your camera to evaluate a take. Either the camer signal or DR-70D can be monitored through the headphones.\u003c\/p\u003e\u003cli\u003eMaximum number of tracks recorded simultaneously: (4)\u003c\/li\u003e\u003cli\u003eRecording formats: 16\/24-bit, 44.1k\/48k\/96k Hz (WAV\/BWF)\u003c\/li\u003e\u003cli\u003eXLR\/TRS inputs support +4dBu line level and phantom power (24V\/48V)\u003c\/li\u003e\u003cli\u003eCAMERA IN jack allows the DSLR camera audio to be monitored through the DR-70D\u003c\/li\u003e\u003cli\u003eTripod mounting threads (bottom), camera screw attachment and a shoe mount that can be attached and removed with a coin (top)\u003c\/li\u003e\u003cli\u003eOperates on (4) AA batteries, with an optional AC adapter (TASCAM PS-P520U) or USB cable provided with the unit (USB bus power).\u003c\/li\u003e\u003cli\u003eBP-6AA external battery pack (sold separately) makes operation for even longer times possible\u003c\/li\u003e\u003cli\u003eLow-cut filter with five settings (40\/80\/120\/180\/220 Hz) to be used to reduce unwanted air-conditioning noise and other low-frequency sounds\u003c\/li\u003e\u003cli\u003eLimiter function can automatically adjust excessive input levels (stereo-linking possible for 1\/L and 2\/R)\u003c\/li\u003e\u003cli\u003eMid-side decoding function enables the use of mid-side stereo mics\u003c\/li\u003e\u003cli\u003eSlate tone functions (automatic\/manual)\u003c\/li\u003e\u003cli\u003eDual recording function allows two files to be recorded simultaneously at different levels (second file at between −1 dB and −12 dB)\u003c\/li\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003eRecording media\u003c\/td\u003e\n\u003ctd\u003eSDHC card (4GB to 32GB), SDXC card(48GB to 128GB) High speed cards required. See the Tested Media List on the DR-70D DOWNLOADS page.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWAV\u003c\/td\u003e\n\u003ctd\u003e44.1k\/48k\/96k Hz, 16\/24-bit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBWF\u003c\/td\u003e\n\u003ctd\u003e44.1k\/48k\/96k Hz, 16\/24-bit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNumber of channels\u003c\/td\u003e\n\u003ctd\u003e4-channel (stereo × 2, mono × 4)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConnector\u003c\/td\u003e\n\u003ctd\u003eXLR-3-31 (1:GND, 2:HOT, 3:COLD) \/ 1\/4\" (6.3mm)TRS standard jack\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput impedance\u003c\/td\u003e\n\u003ctd\u003e2k ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhantom power\u003c\/td\u003e\n\u003ctd\u003e48V ±4V (10mA\/CH), 24V ±4V (10mA\/CH)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum input level\u003c\/td\u003e\n\u003ctd\u003e0dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum input level\u003c\/td\u003e\n\u003ctd\u003e–72dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMIC input gain\u003c\/td\u003e\n\u003ctd\u003eTRIM MAX\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLOW\u003c\/td\u003e\n\u003ctd\u003e+21dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMID\u003c\/td\u003e\n\u003ctd\u003e+36dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHIGH\u003c\/td\u003e\n\u003ctd\u003e+51dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHI + PLUS\u003c\/td\u003e\n\u003ctd\u003e+63dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSet to \"LINE\" — Input impedance\u003c\/td\u003e\n\u003ctd\u003e10k ohms or more\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eStandard input level\u003c\/td\u003e\n\u003ctd\u003e+4dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSet to \"LINE\" — Maximum input level\u003c\/td\u003e\n\u003ctd\u003e+20dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1\/2 connector — Connector\u003c\/td\u003e\n\u003ctd\u003e1\/8\" (3.5mm) stereo mini jack (this connector can be supplied plug-in power)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1\/2 connector — Input impedance\u003c\/td\u003e\n\u003ctd\u003e10k ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1\/2 connector — Maximum input level\u003c\/td\u003e\n\u003ctd\u003e+10dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1\/2 connector — Minimum input level\u003c\/td\u003e\n\u003ctd\u003e–50dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1\/2 connector — MIC input gain\u003c\/td\u003e\n\u003ctd\u003eTRIM MAX\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1\/2 connector — LOW\u003c\/td\u003e\n\u003ctd\u003e+3dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1\/2 connector — MID\u003c\/td\u003e\n\u003ctd\u003e+11dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1\/2 connector — HIGH\u003c\/td\u003e\n\u003ctd\u003e+26dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1\/2 connector — HI + PLUS\u003c\/td\u003e\n\u003ctd\u003e+38dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCAMERA IN connector — Connector\u003c\/td\u003e\n\u003ctd\u003e1\/8\" (3.5mm) stereo mini jack\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCAMERA IN connector — Input impedance\u003c\/td\u003e\n\u003ctd\u003e10k ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCAMERA IN connector — Standard input level\u003c\/td\u003e\n\u003ctd\u003e–10dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCAMERA IN connector — Maximum input level\u003c\/td\u003e\n\u003ctd\u003e+6dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLINE OUT connector — Connector\u003c\/td\u003e\n\u003ctd\u003e(1\/8\" (3.5mm) stereo mini jack\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOutput impedance\u003c\/td\u003e\n\u003ctd\u003e200 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eStandard output level\u003c\/td\u003e\n\u003ctd\u003e–10dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum output level\u003c\/td\u003e\n\u003ctd\u003e+6dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCAMERA OUT connector — Connector\u003c\/td\u003e\n\u003ctd\u003e1\/8\" (3.5mm) stereo mini jack\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCAMERA OUT connector — Output impedance\u003c\/td\u003e\n\u003ctd\u003e200 ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCAMERA OUT connector — Standard output level\u003c\/td\u003e\n\u003ctd\u003e–40dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCAMERA OUT connector — Maximum output level\u003c\/td\u003e\n\u003ctd\u003e–24dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePHONES connector — Connector\u003c\/td\u003e\n\u003ctd\u003e1\/8\" (3.5mm) stereo mini jack\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePHONES connector — Maximum output level\u003c\/td\u003e\n\u003ctd\u003e20mW + 20mW\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUSB — Connector\u003c\/td\u003e\n\u003ctd\u003eMicro-B type\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat\u003c\/td\u003e\n\u003ctd\u003eUSB2.0 HIGH SPEED mass storage class\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eREMOTE — Connector\u003c\/td\u003e\n\u003ctd\u003e2.5mm TRS jack\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower\u003c\/td\u003e\n\u003ctd\u003e4 AA batteries(Alkaline or NI-MH), USB bus power, Dedicated AC adapter (TASCAM PS-P520U, sold separately), Dedicated external battery pack (TASCAM BP-6AA, sold separately)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePower consumption\u003c\/td\u003e\n\u003ctd\u003e5.0W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eContinuous operation time\u003c\/td\u003e\n\u003ctd\u003e2ch WAV, 44.1kHz, 16-bit Rec, Phantom power not used. *All times are approximate.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAlkaline batteries (EVOLTA)\u003c\/td\u003e\n\u003ctd\u003e6 hours (XLR\/TRS input is selected. Phantom OFF)3-½ hours (XLR\/TRS input is selected. Phantom ON)11 hours (Built-in Mic (MIC 3\/4) is selected.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNI-MH batteries (eneloop)\u003c\/td\u003e\n\u003ctd\u003e6-¼ hours (XLR\/TRS input is selected. Phantom OFF)3-¼ hours (XLR\/TRS input is selected. Phantom ON)10-½ hours (Built-in Mic (MIC 3\/4) is selected.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNI-MH batteries(eneloop pro)\u003c\/td\u003e\n\u003ctd\u003e7-¾ hours (XLR\/TRS input is selected. Phantom OFF)4-¾ hours (XLR\/TRS input is selected. Phantom ON)14-¼ hours (Built-in Mic (MIC 3\/4) is selected.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDR-70D with BP-6AA\u003c\/td\u003e\n\u003ctd\u003e*BP-6AA is using the alkaline batteries (EVOLTA).\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDR-70D alone — Alkaline batteries (EVOLTA)\u003c\/td\u003e\n\u003ctd\u003e13 hours (XLR\/TRS input is selected. Phantom OFF)7-½ hours (XLR\/TRS input is selected. Phantom ON)25-½ hours (Built-in Mic (MIC 3\/4) is selected.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDR-70D alone — NI-MH batteries (eneloop)\u003c\/td\u003e\n\u003ctd\u003e12-¾ hours (XLR\/TRS input is selected. Phantom OFF)7-¾ hours (XLR\/TRS input is selected. Phantom ON)24-¾ hours (Built-in Mic (MIC 3\/4) is selected.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDR-70D alone — NI-MH batteries(eneloop pro)\u003c\/td\u003e\n\u003ctd\u003e14-½ hours (XLR\/TRS input is selected. Phantom OFF)8-¾ hours (XLR\/TRS input is selected. Phantom ON)27 hours (Built-in Mic (MIC 3\/4) is selected.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions (W×D×D)\u003c\/td\u003e\n\u003ctd\u003e6.65\" × 2.2\" × 4.2\" \/ 169 × 55.2 × 106.5 mm (with the top adapter attached)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e1.37 lbs. \/ 625 g (including batteries)1.16 lbs. \/ 530 g (excluding batteries;)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOperating temperature\u003c\/td\u003e\n\u003ctd\u003e32˚F to 104˚F \/ 0˚C to 40˚C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eStandard accessories\u003c\/td\u003e\n\u003ctd\u003eUSB cable, Camera attachment bracket screw hole covers × 6 Owner's Manual (including warranty)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFrequency response\u003c\/td\u003e\n\u003ctd\u003e20Hz to 20kHz +0.5\/–2dB (LINE IN or MIC IN to LINE OUT, Fs 44.1k\/48k Hz, JEITA)20Hz to 40kHz +0.5\/–3dB (LINE IN or MIC IN to LINE OUT, Fs 96kHz, JEITA)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDistortion\u003c\/td\u003e\n\u003ctd\u003e0.02% or less (LINE IN or MIC IN to LINE OUT Fs 44.1k\/48k\/96k Hz, JEITA)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eS\/N ratio\u003c\/td\u003e\n\u003ctd\u003e92dB or more (LINE IN or MIC IN to LINE OUT Fs 44.1k\/48k\/96k Hz, JEITA)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEquivalent input noise\u003c\/td\u003e\n\u003ctd\u003e–120dBu or less\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOS\u003c\/td\u003e\n\u003ctd\u003eWindows XP, Windows Vista, Windows 7, Windows 8, Windows 8.1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCPU\u003c\/td\u003e\n\u003ctd\u003ePentium 300MHz or more\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRAM\u003c\/td\u003e\n\u003ctd\u003e128MB or more\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUSB\u003c\/td\u003e\n\u003ctd\u003erecommended: USB2.0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMacintosh — OS\u003c\/td\u003e\n\u003ctd\u003eMac OS X Jaguar (V10.2), Mac OS X Panther (V10.3), Mac OS X Tiger (V10.4),Mac OS X Leopard (V10.5), Mac OS X Snow Leopard(V10.6.8), OS X Lion(V10.7),OS X Mountain Lion(V10.8), OS X Mavericks(10.9)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMacintosh — CPU\u003c\/td\u003e\n\u003ctd\u003ePower PC, iMac, G3, G4 266MHz or more\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMacintosh — RAM\u003c\/td\u003e\n\u003ctd\u003e64MB or more\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMacintosh — USB\u003c\/td\u003e\n\u003ctd\u003erecommended: USB2.0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFile format (recording setting)\u003c\/td\u003e\n\u003ctd\u003eSD\/SDHC card capacity (hours:mintes)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e1GB\u003c\/td\u003e\n\u003ctd\u003e2GB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWAV\/BWF 16-bit (STEREO)\u003c\/td\u003e\n\u003ctd\u003e44.1kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e48kHz\u003c\/td\u003e\n\u003ctd\u003e1:33\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e96kHz\u003c\/td\u003e\n\u003ctd\u003e0:46\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWAV\/BWF 24-bit (STEREO)\u003c\/td\u003e\n\u003ctd\u003e44.1kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMacintosh — 48kHz\u003c\/td\u003e\n\u003ctd\u003e1:02\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMacintosh — 96kHz\u003c\/td\u003e\n\u003ctd\u003e0:31\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Tascam","offers":[{"title":"Default Title","offer_id":49269017575679,"sku":"DR-70D","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/00_2f652dd0-8d03-430e-98cf-f85d2dbd68b0.jpg?v=1790012056","url":"https:\/\/oneprogear.com\/products\/dr-70d","provider":"OneProGear","version":"1.0","type":"link"}