{"product_id":"ecommerce-product-video-pro","title":"E-commerce product video — Pro (motion rig, Bowens key, monitored)","description":"\u003cp\u003eA full-frame camera with a 1.4x macro lens on USB-C power, a 360° turntable and a tracking POV rig, a Bowens point source in a parabolic, a 2 ft tube for edge highlights, two arm stands, a 2000 nit monitor and three backdrops.\u003c\/p\u003e\u003ch3\u003eWhat is in this kit\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ecamera\u003c\/strong\u003e — 24.2 MP full-frame body with in-body stabilisation, two SD slots and micro HDMI out to the monitor; body only\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003emacro lens\u003c\/strong\u003e — RF100mm f\/2.8L Macro IS USM: up to 1.4x from 26 cm, so a watch face or a lipstick fills the frame\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ecamera power\u003c\/strong\u003e — 100 W USB-C PD charger, so the camera stays on the rig all day\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB-C cable\u003c\/strong\u003e — 2 m USB-C to USB-C rated for 60 W, long enough to reach the camera from a floor-level socket; the charger has no cable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ememory card\u003c\/strong\u003e — 64 GB SDXC, UHS-I V30, rated for 4K video\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003emotion rig\u003c\/strong\u003e — Tracking POV kit: 49–70 cm extension with two 11 in arms holds camera and product at a fixed distance while the background moves\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eturntable\u003c\/strong\u003e — 12 in 360° turntable on silent bearings: the hero spin, identical on every product\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003etripod\u003c\/strong\u003e — Aluminium legs and head rated 15 kg, 76–179.5 cm: holds the camera and macro lens for the turntable shots\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ekey light\u003c\/strong\u003e — amaran 200x S, 200 W bi-colour Bowens point source with SSI 89 daylight and 90 tungsten: the output to light a whole table, not just one product\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003esoftbox\u003c\/strong\u003e — RA-D55 parabolic with diffusion and a grid, Bowens mount: controllable falloff on a small set\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003etube light\u003c\/strong\u003e — T2c, 2 ft full-colour tube, 20 W, CRI ≥95, on mains or battery: the long thin source that draws an edge highlight down a bottle or a glass\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003elight stands with arm\u003c\/strong\u003e x2 — RA-S280A: the arms get the key directly over the table with no leg in the reflection\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003emonitor\u003c\/strong\u003e — Lilliput HT5S, 5.5 in 2000 nit touchscreen with an HDMI to micro-HDMI cable in the box: critical focus on a 30 mm product is not something you judge on a camera screen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003emonitor battery\u003c\/strong\u003e — NP-F970-type, 12000 mAh, charges over USB-C; fits the monitor's L-series plate\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ebackdrops\u003c\/strong\u003e x3 — Three Godox CBA-series backdrops: one price each, so build a small surface library for different categories\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eBring your own\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003ea full-size HDMI cable if you choose the R6 Mark III\u003c\/li\u003e\n\u003cli\u003esandbags for the arm stands\u003c\/li\u003e\n\u003cli\u003ea tethering or file-handover workflow for a high-volume day\u003c\/li\u003e\n\u003cli\u003ea 3-pin universal socket or travel plug adapter for the USB-C charger\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eWhy this kit\u003c\/h3\u003e\u003cp\u003eAt volume the cost is not the light, it is the minutes per product, so this tier buys motion, control and certainty. The turntable and the tracking POV arm sit side by side: the first gives a repeatable 360° spin, the second holds camera and product at a fixed distance while the background moves, so both shots come out the same on every product. The amaran 200x S is Bowens so it takes the parabolic directly, and a parabolic lets you place a soft source close without the spill wrapping onto the backdrop. The T2c is doing a job no softbox can: a 2 ft tube you lay along a bottle to draw a vertical highlight, which is how glassware and cosmetics are shot. The HT5S is there because on a 30 mm subject the focus tolerance is smaller than a camera's own display can resolve, and re-shooting a day's SKUs for soft focus is the expensive mistake this tier exists to avoid. The camera is a full-frame Canon R6 Mark II with the RF100mm f\/2.8L Macro: 1.4x at the close end means a 30 mm product fills the frame without a crop, on USB-C power (Canon lists USB power for it), so the body stays on the rig through a high-SKU day.\u003c\/p\u003e","brand":"OneProGear","offers":[{"title":"Default Title","offer_id":49271330996479,"sku":"ecommerce-product-video-pro","price":609955.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/ecommerce-product-video-pro-1600x1200_8a9c04ea-9eeb-4183-bb72-2021118dcc80.png?v=1793636319","url":"https:\/\/oneprogear.com\/products\/ecommerce-product-video-pro","provider":"OneProGear","version":"1.0","type":"link"}