{"product_id":"event-live-streaming-pro","title":"Event live streaming — Pro (three SDI PTZs, two manned SDI camcorders, multiview)","description":"\u003cp\u003eAn eight-input ATEM Television Studio HD8 ISO, three tracking SDI PTZs, two manned 1-inch SDI camcorders on fluid-head tripods, rack UHF handhelds plus clip-on mics, pro intercom and a multiview production monitor.\u003c\/p\u003e\u003ch3\u003eWhat is in this kit\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eswitcher\u003c\/strong\u003e — ATEM Television Studio HD8 ISO: eight SDI inputs, a built-in control panel, streaming over Ethernet and ISO recording of every input to an external drive\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePTZ cameras\u003c\/strong\u003e x3 — AI tracking, 5x optical plus 12x hybrid zoom (22–110 mm equivalent), HDMI, 3G-SDI and PoE+; SDI is what survives a ballroom-length cable run, and the 5x optical lens works within about 15 m of what it frames\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003emanned cameras\u003c\/strong\u003e x2 — 1-inch 4K camcorder with a 15x zoom and 3G-SDI out, so it shares the BNC runs the PTZs use; XLR handle and USB power adapter PD-E1 in the box\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ecamera tripods\u003c\/strong\u003e x2 — Fluid-head tripod per manned camera, 85–186 cm; rated for 8 kg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ewireless microphones\u003c\/strong\u003e — SLX-D+ dual half-rack UHF receiver with two Nexadyne 8\/C dynamic handhelds, both live at once; XLR into the venue mixer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eXLR cable\u003c\/strong\u003e x2 — 3 m leads, receiver to the venue mixer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003epresenter lav\u003c\/strong\u003e — Two clip-on mics on one 2.4 GHz receiver for presenters who need both hands, with on-board backup recording\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003elav receiver adapter\u003c\/strong\u003e — 3.5 mm receiver output to an XLR mic input on the venue mixer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ewireless intercom\u003c\/strong\u003e — Full-duplex wireless intercom for the two camera operators, stage manager and the control table\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003emultiview monitor\u003c\/strong\u003e — 21.5-inch 500-nit monitor with 3G-SDI and HDMI in and out: shows the switcher's multiview, every source on one screen at the control table\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eBring your own\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eoperators for the two manned cameras, and any further manned positions\u003c\/li\u003e\n\u003cli\u003ethe BNC cable pull and any venue rigging: run lengths and routes are quoted per site\u003c\/li\u003e\n\u003cli\u003ea PoE+ switch, tripods or truss for the PTZs, power distribution and a UPS at the control table\u003c\/li\u003e\n\u003cli\u003ethe venue PA, mixer and room DSP (room audio and installs go through the Pro Desk), and a mix from the venue mixer to the switcher's XLR or RCA input\u003c\/li\u003e\n\u003cli\u003enetwork with committed upstream bandwidth, and a bonded or backup connection for a paid stream\u003c\/li\u003e\n\u003cli\u003ea USB-C drive for the ISO recording\u003c\/li\u003e\n\u003cli\u003ea tablet for the OBSBOT Start app\u003c\/li\u003e\n\u003cli\u003eflight cases and the crew\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eWhy this kit\u003c\/h3\u003e\u003cp\u003eThree cameras across a ballroom is a cable-length problem before it is a production problem, and that is what moves this tier to SDI: HDMI is unreliable past roughly fifteen metres and BNC is not, so the Tail 2 is specified because it puts out 3G-SDI, HDMI and IP at the same time and takes PoE+ for power. Its 5x optical lens means the heads sit nearer the stage than a 20x PTZ would, and the long shots belong to the manned cameras. The ATEM Television Studio HD8 ISO takes eight SDI sources with the control panel built into the unit, streams by itself so a paid stream never depends on a computer staying awake, and records every input separately, so the edit after the event is not locked to the live cut. AI tracking and presets on a tablet let one operator hold three heads; a hardware joystick is an add-on. Wireless moves to SLX-D+ handhelds on UHF because a full hall with press, translation and a house system is a crowded RF environment; have the band checked at the venue, and coordinate with its own UHF mics. The two manned positions are Canon XA75 camcorders because they put out 3G-SDI and so sit on the same BNC runs, with a 1-inch sensor behind a 15x zoom for the operated close-up. Two manned cameras and a stage manager cannot run a paid show without comms, so the Solidcom C1 Pro stays in this kit. These two lines, the rack wireless and the intercom, get their price on your quote, because 2.4 GHz camera mics and shouting are what fail in a full hall.\u003c\/p\u003e","brand":"OneProGear","offers":[{"title":"Default Title","offer_id":49271331193087,"sku":"event-live-streaming-pro","price":0.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/9451\/7503\/files\/event-live-streaming-pro-1600x1200_32307fc6-a05c-4d31-9617-5472ef0a710b.png?v=1793636399","url":"https:\/\/oneprogear.com\/products\/event-live-streaming-pro","provider":"OneProGear","version":"1.0","type":"link"}