Cinema cameras
Cinema cameras built around the picture file — raw codecs, dynamic range, audio inputs, timecode and a body designed to carry a rig.
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How to choose a cinema camera
Sensor size and mount. Super 35 and full-frame behave differently at the same focal length, and the mount decides which glass you can put in front. Blackmagic's URSA Mini Pro takes interchangeable PL, EF and B4 mounts; Sony's FX3, FX30 and FX6 are E-mount.
Dynamic range and codec. This is the specification that survives the grade. Blackmagic RAW and ProRes give a colourist room; a long-GOP consumer codec does not.
Media. CFexpress, SSD or SxS — each has a cost per hour and a workflow. Check the recording media before you budget the body.
Rigging. None of these ship ready to shoot. SmallRig supplies Sony FX9, FX6 and FX3/FX30 kits, and the URSA and Pocket bodies need cages, handles and power.
Blackmagic's range runs from the Pocket Cinema Camera 4K to the URSA Cine 17K 65. Where a body says Request price, we confirm price and lead time on your quote.
