Headphones and IEMs
Closed-back studio headphones, DJ cans and in-ear monitors for hearing the hum, plosive or clipped take before it reaches the edit.
How to choose studio headphones
Closed-back or in-ear. Closed-back cans (Rode NTH-100, NTH-50) isolate enough to track next to a live microphone and stay comfortable across a long session. In-ear monitors (Shure SE846 Gen 2, AONIC 215 Gen 2) isolate harder, disappear on camera and are what performers wear on stage.
Impedance. High-impedance headphones need real headphone-amp voltage. Straight out of a laptop or a phone they sound thin — check the output of the interface or console they will plug into.
Cable. A replaceable, detachable cable is the difference between a five-year purchase and a one-year one; headphone cables fail long before drivers do.
Bleed. Anything open-back leaks into the microphone. For recording, closed-back or IEM only.
Shure supplies 52 of the 60, including the SE and AONIC lines and personal-monitor systems such as the P9RA+ and P10R+. Rode covers studio cans, and Atomos adds the StudioSonic PRO and AIR. Wireless stage IEM systems need frequency coordination, so those are enquire.