Headphones and IEMs

Closed-back studio headphones, DJ cans and in-ear monitors for hearing the hum, plosive or clipped take before it reaches the edit.

278 products

Headphones and IEMs: Mackie DLZ Creator in use
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  • FP 5981 F OL6 On request

    Shure FP 5981 F OL6

    FP 5981 F OL6 5PK

    Price on request
  • FP 5981 F OL7 On request

    Shure FP 5981 F OL7

    FP 5981 F OL7 2PK

    Price on request
  • HA4700 On request

    Behringer HA4700 Headphones

    1/4"-20 · XLR, TRS 6.35 mm

    Price on request
  • HA4400 On request

    Behringer HA4400 Headphones

    1/4"-20 · XLR, TRS 6.35 mm

    Price on request
  • TH-06 On request

    Tascam TH-06 Monitoring Headphones

    Dynamic · 45Ω

    Price on request
  • HA4600 On request

    Behringer HA4600 Headphones

    1/4"-20 · TRS 6.35 mm, XLR

    Price on request
  • HC 2000BNC On request

    Behringer HC 2000BNC Headphones

    Bluetooth · Bluetooth

    Price on request
  • HA4000 On request

    Behringer HA4000 Headphones

    Price on request
  • HPH-MT120 On request

    Yamaha HPH-MT120 Headphones

    65 ohms · 20 Hz - 22,000 Hz

    Price on request
  • HPH-MT220 On request

    Yamaha HPH-MT220 Headphones

    37 ohms · 15 Hz - 28 kHz

    Price on request
  • RH5Ma Monitor Headphones On request

    Yamaha RH5Ma Monitor Headphones

    20 Hz - 20 kHz · 98 dB/mW

    Price on request
  • AONIC 5 True Wireless Earphone Bundle, Gen 2 On request

    Shure AONIC 5 True Wireless Earphone Bundle, Gen 2

    TRS 3.5 mm · 8 h

    Price on request
  • AONIC 4 True Wireless Earphone Bundle, Gen 2 On request

    Shure AONIC 4 True Wireless Earphone Bundle, Gen 2

    TRS 3.5 mm · 8 h

    Price on request
  • On request

    Audio-Technica DMQ-60 Monaural Earphone

    Price on request

How to choose studio headphones

Closed-back or in-ear. Closed-back cans (Rode NTH-100, NTH-50) isolate enough to track next to a live microphone and stay comfortable across a long session. In-ear monitors (Shure SE846 Gen 2, AONIC 215 Gen 2) isolate harder, disappear on camera and are what performers wear on stage.

Impedance. High-impedance headphones need real headphone-amp voltage. Straight out of a laptop or a phone they sound thin — check the output of the interface or console they will plug into.

Cable. A replaceable, detachable cable is the difference between a five-year purchase and a one-year one; headphone cables fail long before drivers do.

Bleed. Anything open-back leaks into the microphone. For recording, closed-back or IEM only.

Shure makes most of the range, including the SE and AONIC lines and personal-monitor systems such as the P9RA+ and P10R+. Rode covers studio cans, and Atomos adds the StudioSonic PRO and AIR. Wireless stage IEM systems need frequency coordination, so those are quoted: price, band and lead time confirmed on your quote.

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Questions we get asked

Closed-back or open-back for recording?

Closed-back. Open-back headphones leak audio into the microphone, which ends up printed on the take. Open-back is a mixing choice, not a tracking one.

What does headphone impedance change?

Higher-impedance headphones need more voltage to reach a usable level. On a weak output they sound quiet and thin; on a proper headphone amp they can sound tighter and cleaner.

Are in-ear monitors better than headphones for podcasting?

They isolate better and stay out of frame on video, which is why video podcasts use them. Over-ear headphones are usually more comfortable for long seated sessions.

Why do I hear myself late in my headphones?

That is software monitoring latency. Monitor from the headphone output on the microphone, interface or console instead of from the computer's playback.

Do stage IEM systems need frequency coordination?

Yes. Wireless personal monitor systems occupy the same UHF spectrum as wireless microphones and must be coordinated with them, which is why they are quoted: price, band and lead time confirmed on your quote.