Headphones and IEMs

Closed-back studio headphones, DJ cans and in-ear monitors for hearing the hum, plosive or clipped take before it reaches the edit.

9 products

Headphones and IEMs: Mackie DLZ Creator in use

Showing 1–9 of 9

On request
Tascam TH-02 Studio Grade Headphones
32Ω · 18 Hz to 22 kHz

Price on request
On request
Tascam TH-200X Studio Headphones
32Ω · 15 Hz - 22 kHz

Price on request
On request
Tascam MH-8 8-channel Headphone Amplifier
36W

Price on request
On request
Tascam TH-05 Studio Grade Monitoring Headphones
Dynamic · 32Ω

Price on request
On request
Tascam TH-03 Studio Grade Headphones
32Ω · 18 Hz - 22 kHz

Price on request
On request
Tascam TH-300X Studio Headphones
40Ω · 10 Hz - 26 kHz

Price on request
Not sure which one?

Tell us what you shoot or record and your budget. We will shortlist two or three that fit.
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On request
Tascam TH-MX2 Studio Grade Headphones
32Ω · 95dB ± 3dB

Price on request
On request
Tascam TH-07 High Definition Monitor Headphones
1/4"-20 · TRS 3.5 mm, TRS 6.35 mm

Price on request
On request
Tascam TH-06 Monitoring Headphones
Dynamic · 45Ω

Price on request

How to choose studio headphones

Closed-back or in-ear. Closed-back cans (Rode NTH-100, NTH-50) isolate enough to track next to a live microphone and stay comfortable across a long session. In-ear monitors (Shure SE846 Gen 2, AONIC 215 Gen 2) isolate harder, disappear on camera and are what performers wear on stage.

Impedance. High-impedance headphones need real headphone-amp voltage. Straight out of a laptop or a phone they sound thin — check the output of the interface or console they will plug into.

Cable. A replaceable, detachable cable is the difference between a five-year purchase and a one-year one; headphone cables fail long before drivers do.

Bleed. Anything open-back leaks into the microphone. For recording, closed-back or IEM only.

Shure makes most of the range, including the SE and AONIC lines and personal-monitor systems such as the P9RA+ and P10R+. Rode covers studio cans, and Atomos adds the StudioSonic PRO and AIR. Wireless stage IEM systems need frequency coordination, so those are quoted: price, band and lead time confirmed on your quote.

Related categories

Setups that use these

Questions we get asked

Closed-back or open-back for recording?

Closed-back. Open-back headphones leak audio into the microphone, which ends up printed on the take. Open-back is a mixing choice, not a tracking one.

What does headphone impedance change?

Higher-impedance headphones need more voltage to reach a usable level. On a weak output they sound quiet and thin; on a proper headphone amp they can sound tighter and cleaner.

Are in-ear monitors better than headphones for podcasting?

They isolate better and stay out of frame on video, which is why video podcasts use them. Over-ear headphones are usually more comfortable for long seated sessions.

Why do I hear myself late in my headphones?

That is software monitoring latency. Monitor from the headphone output on the microphone, interface or console instead of from the computer's playback.

Do stage IEM systems need frequency coordination?

Yes. Wireless personal monitor systems occupy the same UHF spectrum as wireless microphones and must be coordinated with them, which is why they are quoted: price, band and lead time confirmed on your quote.