Wireless microphones

Clip-on kits, camera-mount receivers, handheld and bodypack stage systems, and rack UHF, for talent that has to move in a shared room.

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Wireless microphones: Shure BETA® 58A in use
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How to choose a wireless microphone system

Band. 2.4 GHz kits (Hollyland Lark M2, Lark A2, Lark Max) are licence-light, pocket-sized and fine for one or two speakers. UHF systems (Shure ULX-D, ULXD4D, ULXD4Q) give you coordinated frequencies, real antenna distribution and the channel counts a stage or a conference floor needs.

Channel count. Count the people, then count the spares. Dual and quad receivers exist because adding a fifth mic to a four-channel plan usually means re-coordinating everything.

Battery runtime and charging. A clip-on with a charging case suits run-and-gun; rechargeable bodypacks with a docking charger suit a venue that turns over daily.

Encryption and reliability. AES-256 encryption on the ULX-D line matters for corporate, legal and government work.

Creator kits show prices and go straight to the cart. Rack UHF systems and anything needing frequency coordination are quoted, because the legal band depends on where you use it.

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Questions we get asked

Is 2.4 GHz or UHF better for a wireless microphone?

2.4 GHz is smaller, licence-light and simple for one or two speakers. UHF gives longer range, coordinated multi-channel operation and antenna distribution, which is what venues and multi-presenter events need.

How many wireless channels can run in one room?

It depends on the band plan and the system. Digital UHF systems publish a maximum channel count per frequency band; plan spare frequencies rather than filling the band to its limit.

Are wireless microphone frequencies legal everywhere?

No. Permitted UHF bands differ by country and some require a licence. Tell us your city when you ask for a price and we will confirm the correct band variant before shipping.

What is the difference between a bodypack and a clip-on transmitter?

A bodypack clips to a belt and takes a separate lavalier or headset on a locking connector. A clip-on transmitter has the capsule built in and attaches directly to clothing.

Do I need a separate receiver for my camera?

Camera-mount receivers slot into a cold shoe and feed the camera directly. Rack receivers are for stage and install, and need a cable run to the mixer.