Behringer C112 Microphone
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Best for
- Music performanceCapturing a live room or a stage: instrument and drum mics, stereo pairs, multitrack recording.
- Studio recordingMusic and voice tracking in a treated room: condensers, interface, monitors and headphones.
- PodcastAudio-first shows recorded at a table — one to four mics, arms, an interface or console and closed-back headphones.
- Broadcast and newsStation and OB workflows: SDI infrastructure, intercom, encoders, reference and timecode.
Overview
Product description from Behringer
C112 — THE BASS-FREQUENCY HEAVY HITTER
The kick drum doesn't ask politely — it punches the mic in the face at 140 dB and expects detail in return. The C112 answers. A large-diaphragm dynamic with a supercardioid pattern, tuned from 50 Hz–14 kHz to capture the click of the beater and the chest-thump of the body in the same breath.
Beyond the kick, the C112 is the secret weapon for bass cabs, floor toms, trombones, and anything else where low frequencies need to land hard and clean. 150 dB max SPL keeps it composed near loud sources. Die-cast metal body, gold-plated XLR, and an integrated stand mount with 5/8" adapter make it stage-ready on day one. No phantom power needed.
More about this product
- Large-diaphragm dynamic, supercardioid polar pattern
- 50 Hz–14 kHz, 250 Ω, 150 dB max SPL
- Optimised for kick, bass cab, brass, low toms
- Die-cast metal body, gold-plated XLR, integrated mount
Key specs
- Connector
- XLR
- Polar pattern
- Supercardioid
- Max SPL
- 150 dB SPL
- Frequency response
- 50 Hz - 14 kHz
Manuals & downloads
Compare with similar
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This product
Behringer C112 MicrophonePrice on request
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|---|---|---|---|---|
| Connector | XLR | 3 Pin XLR | 3 Pin XLR | 3 Pin XLR |
| Polar pattern | Supercardioid | Cardioid | Cardioid | Cardioid |
| Max SPL | 150 dB SPL | 155 dB (@ 1 kΩ), 163 dB (@ 2,5 kΩ) | 157,5 dB(A) | —Not listed |
| Frequency response | 50 Hz - 14 kHz | 20 Hz-20 kHz | 20 Hz-20 kHz | 50 Hz-15 kHz |
Manuals & downloads
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Flat ₹379 shipping anywhere in India.
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