Tascam Sonicview 24XP / TASCAM Sonicview 24dp
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Best for
- PodcastAudio-first shows recorded at a table — one to four mics, arms, an interface or console and closed-back headphones.
- Live streamingAnything going out live — switcher, encoder, capture card, PTZ and monitoring.
- Church and worshipHouse-of-worship AV: PTZ cameras, a switcher, wireless mics, intercom and a stream out.
- Event and conference captureStage and hall work — long-throw mics, wireless video, tripods and a switcher at the back.
- Music performanceCapturing a live room or a stage: instrument and drum mics, stereo pairs, multitrack recording.
Overview
Product description from Tascam
Line up
What's Hot
Personal Monitor Control with Mixing Station App
Intuitive Operation at Your Fingertips
The Amazing VIEW
Channel Strip View
Module View
Individual View
High-end Audio Quality
Input Channels and Processing
Channel Control and Processing
Top-of-the Line Class 1 HDIA Mic Preamps
Built-in USB Audio Interface and Stereo Recording
Built-in 32-track SD Recording too!
Dante-enabled for Superior Networking
Remote Control and Offline Editing
Work Quickly with Function Keys
Expanded User Keys & Configurable Library (supported in V2.2.0)
Clear, Mistake-free Navigation
Auto Mixer (supported in V2.0.0)
An additional monitor bus system and OSC/talkback capability add more versatility for broadcast and monitoring applications (supported in V1.5.0)
Audio Follow Video Function to Link Video and Audio (supported in V1.6.1)
SMPTE ST2110 Compliant (supported in V2.0.0)
Remote Control With Ember+ (supported in 2.2.0)
Monitoring via Network Using SNMP (supported in V2.0.0)
TASCAM Sonicview 24XPSonicview with IFMTR32
Take the reins on stage and control your personal mix with Sonicview and the Mixing Station app. Performers can run up to 12 validated app instances - each with full control and real-time metering. Need more? Additional devices can still connect for control, though metering is limited to the first 12. Adjust EQ, levels, aux sends, and more - all from the palm of your hand.
Highlights
- DC power redundancy built in (TASCAM Sonicview 24dp only)
- TASCAM VIEW (Visual Interactive Ergonomic Workflow) interface supports intuitive operation with three different view system
- Multiple displays with three 7-inch touch panels
- 44 input channels (or 40 mono input channels and 2 stereo input channels) and 4FX return
- 22 flexible output buses and main L/R bus with 31-band graphic EQ
- 96 kHz, 54-bit float-point FPGA mixing engine
- Ultra-low latency: 2 x samples (20.8μS) in mixing engine, 0.51 ms analog-to-analog
- 32-bit/96 kHz AD/DA conversion
- TASCAM Class 1 HDIA microphone preamplifiers
- 32-in/32-out, 32-bit/96 kHz USB audio interface
- Built-in 32-track SDXC recorder (TASCAM Sonicview 24XP only)
- 64-in/64-out built-in Dante interface; supports redundancy and DDM, AES67 and SMPTE ST 2110 interoperability
More about this product
* Compatible with Sonicview V2.2.3 or later.
The Mixing Station app can be purchased and downloaded at:https://mixingstation.app/
TASCAM has a long history of high-quality digital mixers, culminating with the legendary DM-4800, a workhorse mixer that set a new standard. With TASCAM Sonicview, TASCAM has created an entirely new line of digital recording and mixing consoles that incorporate the latest technology and make it easy to see and control all of the parameters you want, when you want, with completely customizable touch screens and user-definable buttons, along with motorized faders and intuitive control software.
TASCAM Sonicview recording mixing consoles integrate beautifully with the rest of your system, thanks to built-in Dante networking, a 32-bit/96 kHz multi-channel USB audio interface, built-in multi-track SD recording*, and plenty of I/O. No-compromise audio quality, including 54-bit float-point FPGA mixing, combines with ample signal processing, an expansion slot for additional connectivity, and wireless remote control to make TASCAM Sonicview recording mixers a next-generation choice for touring, installed sound, recording studios, and broadcasting.
The TASCAM Sonicview 24XP offers motorized channel faders in three banks of eight, plus a motorized stereo fader for the main bus. Above each bank of channel faders is a color touch panel that allows you to view entire mixer channels, or get down to details, controlling each parameter with your fingertip.
Truly the next generation in mixer user interfaces, the powerful intuitive TASCAM Visual Interactive Ergonomic Workflow (VIEW) system lets you quickly and easily configure the TASCAM Sonicview 24XP's three touch screens.
Thanks to the VIEW user interface, there are three different ways to view your settings, and each touch screen can be configured independently, so you can monitor and control any combination of settings you want, in whichever screens you want, whenever you want. For instance, you could monitor levels for eight channels of vocals on screen 1, while tweaking the parametric EQ on a drum submix in screen 2 and keeping an eye on the output-bus level and compression curve on screen 3.
Channel Strip View lets you monitor and control eight adjacent channels, and view them as virtual channel strips like an analog mixer layout.
Module View lets you monitor and control any three sets of parameters simultaneously for one single channel.
Individual View lets you monitor and control a custom selection of functions for any channel or group of channels.
TASCAM Sonicview delivers the finest audio performance in its class, thanks to a 54-bit float-point FPGA mixing engine; continuous, high-definition 32-bit/96 kHz sampling; and 32-bit analog-to-digital converters. The mixing engine's float-point processing makes it possible to flexibly change levels without compromising resolution and FPGA mixing engine make it possible to ensures ultra-low latency, even in analog-to-analog connections. The result is no-compromises performance, including with Dante networks and in-line monitoring systems.
Click for more on FPGA mixing engine, 54-bit float-point processing and 96kHz processing
The TASCAM Sonicview 24XP offers 24 channels with XLR mic/line inputs and 8 channels with both XLR mic inputs and balanced TRS line inputs. You also get TRS insert points on two channels, two stereo pairs of RCA aux inputs, and an XLR input for a talkback mic.
There's much more to TASCAM Sonicview than meets the eye. Internally, TASCAM Sonicview recording mixers have a generous 40 mono channels, 2 stereo channels and 4 stereo FX return channels so you can fly in backing tracks to make a small praise band sound huge, accommodate additional physical audio inputs via the expansion slots for larger ensembles, manage sources from every part of a venue via the Dante network, and mix dozens of DAW tracks. Eight DCAs enable you to easily control groups of channels. The programmable layer keys select which custom combination of channels and output buses are controlled by the motorized faders.
Each input channel can use any or all of 11 processing functions, which can be independently set:
Each TASCAM Sonicview microphone input feeds a TASCAM Class 1 HDIA (High Definition Instrumentation Architecture) preamp—the finest mic preamp we've ever made. Thanks to an instrumentation amplifier with extremely good noise characteristics in the first stage, Class 1 HDIA microphone preamps exhibit excellent EIN, signal-to-noise ratio, distortion ratio, and frequency response. TASCAM Sonicview ultra definition mic preamps will pick up the slightest nuance from rosin on a violin bow to the subtle dynamic changes of a voice or saxophone. The mic inputs can accept up to +32 dBu signals, providing plenty of headroom for sudden level increases.
The combination of Class 1 HDIA preamps, 32-bit/96 kHz ADCs, and our 54-bit FPGA mixing engine is impressive but we didn't stop there: We conducted extensive internal and external evaluations to tune TASCAM Sonicview recording mixers for optimal performance. The result is best-in-class sound that will never disappoint.
Click for more on Class 1 HDIA mic-preamps
TASCAM Sonicview's integrated 32-in/32-out USB audio interface makes it a first-rate front end for recording and broadcast studios, as well as for capturing live events. Record your choice of channel direct outs, flex buses, and the L/R main bus to your favorite DAW at up to 96 kHz with the same 32-bit precision used throughout the TASCAM Sonicview.
You can simultaneously capture the main mix directly to the onboard stereo SD/USB recorder — handy when the band wants to listen to their performance at the hotel or on the bus. A top-panel port also lets you record in stereo to a USB flash drive.
Click for more on 32-bit quality internally and via USB
TASCAM Sonicview 24XP offers multiple ways to record. In addition to its integrated audio interface, the TASCAM Sonicview 24XP comes with a integrated IF-MTR32 multi-track recording card, enabling you to capture 32 channels directly to an SDXC card. The SD recorder supports simultaneous 32-channel punch-in/punch-out, pre-record, auto-record, and markers. Best of all, it automatically saves and closes the file every 60 seconds during recording to safeguard against data loss so you can let the recorder do it's job worry-free while you focus on mixing.
Dante® audio-over-IP networks integrate thousands of concert touring systems, as well as installed systems in recording studios, radio stations, corporate boardrooms, houses of worship, and much more. TASCAM Sonicview consoles can serve as the audio center of these systems, thanks to a built-in 64-in/64-out Dante interface that supports Dante Domain Manager and have AES67 and SMPTE ST 2110 interoperability. Two Dante ports enable redundant streams.
Click here for more on Dante capability
Whether onstage, backstage, in a control room, or at the rear of a concert hall, you're always in full control of your TASCAM Sonicview 24XP recording mixer. Just connect a Wi-Fi router to the TASCAM Sonicview's Ethernet port and use free TASCAM Sonicview Control software for macOS, Windows, and iPadOS to manage your TASCAM Sonicview 24XP from virtually anywhere in the venue. Edit settings offline in advance so you’re ready to go when a session or show begins, then make adjustments from the console or from the software.
TASCAM Sonicview offers intuitive, analog-like operation, while providing a variety of convenient digital functions that can be customized as needed. Eighteen user-defined function keys can be assigned to recording with the internal recorder, playback, and more. Several keys are conveniently preassigned to functions such as Sends On Fader and Snapshot Recall but you can reassign them as desired. A footswitch (not included) can be used to tap in delay-time settings.
Click for more on User Keys
TASCAM Sonicview’s User Keys now offer expanded functionality, with up to 64 additional keys accessible via the LCD screen. This enhancement delivers greater flexibility and more customization options for frequently used functions. The new User Defined Control Library makes it easy to store and recall multiple User key layouts, GPIO and Foot switch—ideal for switching between different workflows, users, or production scenarios.
When you're mixing a show, broadcast, or crucial recording session, you can't afford to hit the wrong button or grab the wrong control. TASCAM Sonicview's mixing surface makes it easy to see at a glance what you're controlling, even in a dark concert hall. Each channel strip includes a channel-name LCD with a full-color LED. The User keys feature full-color LEDs, so you can group each input source and function by color and view them easily. The Solo and Channel Select keys have distinctive shapes, and the Mute key is guarded with a cap. With these features and the customizable touch panels, you always know where you are and what you're controlling.
The TASCAM Sonicview features a gain-sharing Auto Mixer function that automatically controls gain in real time, ensuring optimal conditions at all times during panel discussions, events, and talk shows where multiple participants are speaking.Four groups allow up to four different mixes to be created independently for each group. A PRIORITY function that enables only the chairperson or moderator to speak, and a WEIGHT function allows the level of a particular channel to be mixed higher or lower for each group.The PRIORITY function can also be externally controlled via GPIO IN.
Two monitor buses are now available with V1.5.0, Monitor 1 and Monitor 2. Each monitor section comes with 6 switchable monitor source presets with essential functions such as MUTE/DIMMER. In addition, a location setting has been added to automatically mute the monitor speakers when in the same enclosed space as a live microphone. Input sources can be freely assigned in the talkback section. Also, outputs can now be directly assigned into each bus or monitor, or to output routers. All of these settings and OSC on/off settings can be assigned to, and controlled by USER keys for quick control a variety of broadcast system and monitoring environments.
The corresponding audio fader level can be operated in conjunction with the video material tally from the video switcher. Tally events can be input via GPIO, with 8 inputs on the TASCAM Sonicview and up to 40 inputs when a SB-16D is connected.
Various parameters (ON LEVEL, OFF LEVEL, WAIT TIME, RISE TIME, HOLD TIME, FALL TIME) can be set on the channel selected as the control target. It enables simple sound and video interlocking operation in broadcast studio systems as well as in various outside broadcasting such as sports.
By installing the optional IF-ST2110 card (sold separately), IP connection compliant with SMPTE ST 2110 is possible, making TASCAM Sonicview a mixer that is compatible with a ST2110 system.
Main Features – IF-ST2110 Expansion Card
Integrate your TASCAM Sonicview console into your Ember+ network and unlock powerful remote control capabilities. With expanded protocol support, a wide range of TASCAM Sonicview parameters are now accessible remotely - bringing deeper connectivity and control to your workflow.
* Use the Ethernet port on the TASCAM Sonicview main unit for Ember+.
External control protocols with Ember+
The TASCAM Sonicview supports SNMPv1 and SNMPv2c, allowing monitoring of the unit over the network.
Not included
- Footswitch (not included)
Key specs
- Network audio
- 32
- Connector
- XLR-3-31 equivalent (1:GND,2:HOT,3:COLD)
- Power
- 85W
- Weight
- 18 kg
Manuals & downloads
Full specifications
| Input | 52 [Monaural: 40, Stereo: 2 (Stereo),FX Return: 4 (Stereo)] |
|---|---|
| Bus | 32 [AUX/GROUP Switchable MIX bus: 22, MAIN L/R bus: 1 (Stereo), FX Send bus: 4 (Stereo)] |
| Built in FX | 4 |
| 96 kHz | Max 160 ports |
| 48 kHz | Max 256 ports |
| MIC/LINE | 24 |
| Stereo (RCA) | 4 (2xStereo) |
| Dante | 32 (96 kHz), 64 (48 kHz) |
| SLOT | 32x2 (96 kHz), 64x2 (48 kHz) |
| USB Audio | 32 |
| Built in Player | 2 (1xStereo) |
| OSC | 1 |
| TALKBACK | 1 |
| Output Ports — 96 kHz | Max 148 ports |
| Output Ports — 48 kHz | Max 244 ports |
| LINE | 16 |
| Output Ports — Dante | 32 (96 kHz), 64 (48 kHz) |
| Output Ports — SLOT | 32x2 (96 kHz), 64x2 (48 kHz) |
| Output Ports — USB Audio | 32 |
| MONITOR OUT (Analog) | 2 (1xStereo) |
| Built in Recorder | 2 (1xStereo) |
| Analog Insert I/O | 2 I/O (MIC/LINE Input 15/16) |
| Mixer Engine | 96 kHz/54 bit floating point |
| ADC | 96 kHz, 32 bit |
| DAC | 96 kHz, 24 bit |
| Digital I/O sampling rate | 96 kHz, 48 kHz |
| Connector | XLR-3-31 equivalent (1:GND,2:HOT,3:COLD) |
| Max input level | +12dBu (PAD=OFF, TRIM MIN), +32dBu (PAD=ON, TRIM MIN) |
| Min input level | -62dBu (PAD=OFF, TRIM MAX), -42dBu (PAD=ON, TRIM MAX) |
| Input impedance | 5.0kΩ or more |
| Phantom power | +48V available |
| LINE inputs (17-24 channels) — Connector | Connector: Φ6.3mm(1/4")TRS phone jack, Balanced (TIP: HOT, RING: COLD, SLEEVE: GND) |
| LINE inputs (17-24 channels) — Max input level | +12dBu (PAD=OFF, TRIM MIN), +32dBu (PAD=ON, TRIM MIN) |
| LINE inputs (17-24 channels) — Min input level | -62dBu (PAD=OFF, TRIM MAX), -42dBu (PAD=ON, TRIM MAX) |
| LINE inputs (17-24 channels) — Input impedance | 5.0kΩ or more |
| INSERT (15-16 channels) — Connector | Φ6.3mm(1/4")TRS phone jack (TIP: SEND, RING: RETURN, SLEEVE: GND) |
| RETURN (RING) — Max input level | +18dBu |
| Nominal Input level | -2dBu |
| RETURN (RING) — Input impedance | 5.0kΩ or more |
| SEND (TIP) — Max input level | +18dBu |
| SEND (TIP) — Nominal Input level | -2dBu |
| SEND (TIP) — Input impedance | 100kΩ or less |
| TALKBACK inputs — Connector | XLR-3-31 equivalent (1: GND,2: HOT,3: COLD) |
| TALKBACK inputs — Max input level | +10dBu |
| TALKBACK inputs — Min input level | -65dBu |
| Gain range | 0 - 55dB |
| TALKBACK inputs — Input impedance | 5.0kΩ or more |
| TALKBACK inputs — Phantom power | +48V available |
| Stereo (RCA) inputs (1-2) — Connector | RCA pin jack, Unbalanced |
| Stereo (RCA) inputs (1-2) — Max input level | +6dBV (1.995Vrms) |
| Stereo (RCA) inputs (1-2) — Nominal Input level | -10dBV (0.316Vrms) |
| Head room | 16dB |
| Stereo (RCA) inputs (1-2) — Input impedance | 10kΩ or more |
| LINE Outputs (1-16 channels) — Connector | XLR-3-32 equivalent (1: GND, 2: HOT, 3: COLD) |
| Nominal output level | +6dBu (D.ref: -9dBFS, A.Ref: +6dBu)+4dBu (D.Ref: −14 / −16 / −18 / −20dBFS, A.Ref: +4dBu)0dBu (D.Ref: −18 / −20dBFS, A.Ref: 0dBu) |
| Max output level | +15dBu (D.ref.: -9dBFS, A.ref.: +6dBu)+18dBu (D.ref.: -18dBFS, A.ref.: 0dBu)+20dBu (D.ref.: -20dBFS, A.ref.: 0dBu)+18dBu (D.ref.: -14dBFS, A.ref.: +4dBu)+20dBu (D.ref.: -16dBFS, A.ref.: +4dBu)+22dBu (D.ref.: -18dBFS, A.ref.: +4dBu)+24dBu (D.ref.: -20dBFS, A.ref.: +4dBu) |
| Output impedance | 100Ω or less |
| MONITOR Outputs (L,R) — Connector | XLR-3-32 equivalent (1: GND, 2: HOT, 3: COLD) |
| MONITOR Outputs (L,R) — Max output level | +24dBu |
| MONITOR Outputs (L,R) — Nominal output level | +4dBu |
| MONITOR Outputs (L,R) — Output impedance | 100Ω or less |
| Headphone Output — Connector | Φ6.3mm(1/4") stereo phone jack and 3.5mm stereo mini phone jack |
| Max output power | 100mW + 100mW (32Ω load, when connected to only one jack) |
| USB Audio — Connector | Type-B |
| USB Audio — Input | 32ch *USB to Sonicview |
|---|---|
| Output | 32ch *Sonicview to USB |
| Sampling rate | 48 kHz, 96 kHz |
| Bit depth | 32-bit |
| Dante (Primary/Secondary) — Connector | etherCON Cat5e compatible |
| Number of channels | 64 channels (48 kHz), 32 channels (96 kHz) |
| Ethernet | 1000BASE-T (IEEE802.3ab) |
| Cable | CAT5e STP |
| GPIO | DSUB25pin female, inch type |
| Input circuit | pull up (5V) |
| Output circuit | Open corrector |
| Control Inputs/Outputs — Output impedance | 10Ω |
| Voltage Resistance | 20V |
| Max Current | 35mA |
| Max supply current (+5V) | 50mA |
| FOOT SWITCH — Connector | Φ6.3mm(1/4")TS phone jack (TIP:SIG, SLEEVE: GND) |
| ETHERNET (for control) — Connector | RJ-45 |
| ETHERNET (for control) — Ethernet | 100BASE-TX, 1000BASE-T |
| Protocol | TCP/IP |
| WORD IN — Connector | BNC (Unbalanced) |
| Input level | 0.5Vpp - 5Vpp |
| Impedance | 75Ω +/-10% |
| Input frequency | 48 kHz, 96 kHz |
| Allowable frequency deviation | +/-100ppm |
| WORD THRU/OUT — Connector | BNC (Unbalanced) |
| Output level | equivalent to 5V TTL |
| Output frequency | 48kHz, 96kHz |
| WORD THRU/OUT — Impedance | 75Ω +/-10% |
| USB (Top panel) | For Keyboard, and Mass Storage |
| Standard | USB2.0 HIGH SPEED (480Mbps) |
| Bus power | 5V-0.5A |
| Class | HID, Mass storage |
| USB (Rear panel) | For Audio Interface (Dedicated driver required) |
| WORD THRU/OUT — Standard | USB2.0 HIGH SPEED (480Mbps) |
| Lamp — Connector | XLR 4pin female (1:N.A., 2:N.A., 3:GND, 4:+12V) |
| Supply voltage | 0V-12V (Adjustable brightness) |
| Max power | 5W |
| EXT DC IN | * TASCAM Sonicview 24dp only |
| SD Card | SDHC (8GB-32GB Class10 or more), SDXC (64GB-128GB Class10 or more) |
| USB memory | Size: 8GB-128GB (Play Only) |
| Supported File System: | FAT32 (SDHC, USB memory)exFAT (SDXC, USB memory) |
| Recording | 48 kHz/96 kHz, 24 bit, 2ch |
| Playback | 48 kHz/96 kHz, 16/24bit、2ch |
| MP3 — Playback | 44.1 kHz/48 kHz, 32kbps~320kbps |
| AAC — Playback | 44.1 kHz/48 kHz, 64kbps~320kbps |
| Media — SD Card | SDHC, SDXC (512GB or less, UHS-I or over) |
| Recording/Playback Formats | WAV/BWF (recording is always BWF, monophonic) |
| Media — Sampling rate | 48 kHz, 96 kHz |
| Bit depth (Recording) | 24bit, 32bit |
| Bit depth (Playback) | 16bit, 24bit, 32bit |
| Number of tracks | 32(48 kHz), 16(96 kHz) |
| Max simultaneous recording tracks | 32(48 kHz), 16(96 kHz) |
| Max simultaneous recording tracks (punch in) | 32(48 kHz), 16(96 kHz) |
| Main display | 7 inch, Colored touch panel display x3 |
| Resolution | 800x480 |
| Channel display | Monochrome x3 |
| General — Resolution | 384x68 |
| Fader | 100mm stroke, Motor driven |
| Overall dimensions | 690.8(W) x 228.1(H) x 554.4(D) mm27.20 (W) x 8.99(H) x 21.83 (D) inch |
| Weight | 18kg / 39.69lb |
| TASCAM Sonicview 24XP | AC100V-240V 50/60Hz |
| TASCAM Sonicview 24dp | AC100V-240V 50/60HzDC14 - 27V, 6 - 3A |
| Power consumption | 85W |
| Operating Temperatures | 0 - 40 ℃ |
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