Zoom LiveTrak L-20 Digital Mixer + Recorder
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Best for
- PodcastAudio-first shows recorded at a table — one to four mics, arms, an interface or console and closed-back headphones.
- Live streamingAnything going out live — switcher, encoder, capture card, PTZ and monitoring.
- Church and worshipHouse-of-worship AV: PTZ cameras, a switcher, wireless mics, intercom and a stream out.
- Event and conference captureStage and hall work — long-throw mics, wireless video, tripods and a switcher at the back.
- Music performanceCapturing a live room or a stage: instrument and drum mics, stereo pairs, multitrack recording.
Overview
Product description from Zoom
The LiveTrak™ L-20 is the new digital console offering everything creators need to mix, monitor, and record complex productions. With 20 discrete audio channels and six individual custom monitor mixes, it’s built for bigger, bolder arrangements.
Highlights
- LiveTrak L-20
- AD-19 AC Adapter
- USB 2.0 Cable
- Quick Guide
- RKL-12 Rack Mount Adapter
- BTA-1 Bluetooth Adapter
More about this product
20 Inputs for Bigger Sound
The LiveTrak L-20 is designed to mix bigger. It features 20 inputs(16 mono mic/line inputs and two stereo inputs), all with independent3-band mid-parametric EQ. The 16 mono inputs offer stand-alone compressor control.
22 Tracks of Recording
Record 20 discrete channels plus a stereo mix directly to an SD card. The LiveTrak L-20 captures pristine audio in resolutions up to 24-bit/96 kHz.* At -128 dBu EIN with +60 dB maximum input gain, the L-20 is equipped with our quietest and most advanced preamps ever. Mix down finished songs on the L-20 or transfer your discrete tracks to a DAW to perfect later.
*Effects, EQ, overdub, audio interface, and fader modes A-F are not available in 96 kHz.
Create Six Custom Monitor Mixes
With six independent monitor outputs for musicians, each output can have its own custom mix, complete with effects, that can easily be switched from a powerful headphone output, to a balanced line output for stage monitors.
And One for the House
The LiveTrak L-20 features a dedicated 7th output for the FOH engineer. The sound engineer can monitor the main mix and any of the sub mixes, thus adjusting them to the musicians’ satisfaction.
Big Beautiful Interface
Although the LiveTrak L-20 is designed to work as a stand-alone recording and mixing console, it can also be used as a 22-in/4-out USB audio interface. Audio Interface mode lets you route inputs to any DAW or streaming software, even while recording to an SD card. Additionally, audio can be routed from your computer into the L-20 to be mixed with your live performance. Class compliant mode, which enables connection with iOS devices, is supported as well.*
*Apple Lightning to USB Camera Adapter required.
Wireless Mixing
The LiveTrak L-20 offers wireless control* via a free iOS mobile app featuring most onboard functions, including Fader Levels and Modes, Scenes, EQ, EFX sends, returns, parameters, and more. You can even manage your Effects Library and Scene Library right from your device. Control it all on either large Monitor Out view with a mini transport, or a mini Monitor Out view with expanded Transport controls.
* Zoom Bluetooth adapter (ex. BTA-1) required. Communication at up to 10 meters is possible in an unobstructed indoor space with BTA-1 units.* Compatible with iPads running iPadOS 13 or later.
Add More To Your Mix
What's in the Box
Included with the L-20
Optional Accessories
In the box
- Included with the L-20
- Optional Accessories
- LiveTrak L-20
- AD-19 AC Adapter
- USB 2.0 Cable
- Quick Guide
- RKL-12 Rack Mount Adapter
- BTA-1 Bluetooth Adapter
- FS-01 Momentary Footswitch
- CBL-20 Carrying Bag
Key specs
- Analog inputs
- Mono (MIC/LINE): 16 Stereo (LINE): 2
- Connector
- USB 2.0
- Power
- 24 W maximum
- Master
- 1
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This product
Zoom LiveTrak L-20 Digital Mixer + RecorderPrice on request
| |||
|---|---|---|---|
| Analog inputs | Mono (MIC/LINE): 16 Stereo (LINE): 2 | Mono (MIC/LINE): 8 Stereo (LINE): 2 | MIC/LINE : 6 |
| Connector | USB 2.0 | USB 2.0 | USB 2.0 |
| Power | 24 W maximum | AD-19 AC adapter (DC12V/2A) | 5 W |
| Master | 1 | —Not listed | —Not listed |
Full specifications
NUMBER OF INPUT AND OUTPUT CHANNELS
| Inputs | Mono (MIC/LINE): 16 Stereo (LINE): 2 |
|---|---|
| Output | MASTER OUT: 1 MONITOR OUT: 6 PHONES : 1 |
Inputs
| Mono (MIC/LINE) | Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT) Input gain : PAD OFF: +16 – +60dB| PAD ON: − 10 – +34 dB |Hi-Z ON: +6 – +50 dB Input impedance: XLR: 3 k Ω | TRS: 10 k Ω /1 M Ω (when Hi-Z ON) Maximum input level: PAD OFF: 0 dBu (at 0 dBFS) | PAD ON: +26 dBu (at 0 dBFS) |Phantom power +48 V |
|---|---|
| Stereo (LINE) | Type: TS phone/RCA pin (unbalanced) jacks | Maximum input level : +10 dBu |
OUTPUTS
| MASTER OUT | Type: XLR jacks (balanced) | Maximum output level :+14.5 dBu | Output impedance: 100 Ω |
|---|---|
| MONITOR OUT A–F (with balanced output) connected to monitor speakers | Type: TRS phone jacks (balanced) | Maximum output level: +14.5 dBu | Output impedance: 100 Ω |
| MONITOR OUT A– F (with unbalanced output) connected to headphones | Type: Standard stereo phone jacks |Maximum output level: 42 mW + 42 mW at 60 Ω |Output impedance: 100 Ω |
| PHONES | Type: Standard stereo phone jacks|Maximum output level: 42 mW + 42 mW at 60 Ω |Output impedance: 100 Ω |
BUSES
| MASTER | 1 |
|---|---|
| MONITOR | 6 |
| SEND EFX | 2 |
Other specifications
| CHANNEL STRIP | COMP |
|---|---|
| SEND EFFECTS | EFX 2 Hall 3, Room 2, Spring Delay, Analog P-P Dly , Vocal 4, Chorus 1, Chorus 2 |
CHANNEL STRIP
| LOW CUT | 40–600 Hz, 12dB/OCT |
|---|---|
| EQ | HIGH: 10 kHz, ± 15 dB, shelving | MID: 100 Hz – 8 kHz, ± 15 dB, peaking | LOW: 100 Hz, ± 15 dB, shelving |
LEVEL METERS
| Level segments | 12 |
|---|
SEND EFFECTS
| Effects | 20 types | EFX 1 Hall 1, Hall 2, Room 1, Plate, Church , DrumAmb , GateRev, Vocal 1 , Vocal 2 , Vocal 3 |
|---|
RECORDER
| Maximum simultaneous recording tracks | 22 at 44.1/48/96 kHz |
|---|---|
| Maximum simultaneous playback tracks | 20 |
| Recording format | WAV 44.1/48/96 kHz, 16/24-bit, mono/stereo |
| Recording media | 4GB – 32GB SDHC cards (Class 10 or higher) , 64GB – 1TB SDXC cards (Class 10 or higher) |
AUDIO INTERFACE
| 44.1/48 kHz | Recording: 22 channels | Playback: 4 channels |
|---|---|
| Bit depth | 24-bit |
| Interface | USB 2.0 |
CARD READER
| CLASS | Mass storage : USB 2.0 High Speed |
|---|
SYSTEM REQUIREMENTS FOR AUDIO INTERFACE MODE
| Windows | OS: Windows® 8.1/10/11 (32bit/64bit) | CPU: Intel® Core i3 or faster* | USB: USB 3.0/USB 2.0** * Operation is not guaranteed with CPUs from Atom, Celeron or Pentium series or CPUs made by AMD.** Only USB host controllers with Intel Chipsets are supported. Operation is not guaranteed when used with USB hubs or expansion cards. |
|---|---|
| Mac | OS: macOS® 10.14 ~ 26 | CPU: Intel® Core i3 or faster | USB: USB 3.0/USB 2.0* * Operation is not guaranteed when used with USB hubs or expansion cards. |
| iPhone/iPad | OS: iOS 9 ~ 26, iPadOS 17 ~ 26 * Apple Lightning-to-USB Camera Adapter required. |
USB HOST
| CLASS | USB 2.0 High Speed |
|---|
Additional Specs
| Sampling frequency | 44.1/48/96 kHz |
|---|---|
| Frequency characteristics | 44.1 kHz: −1.0 dB, 20 Hz – 20 kHz | 96 kHz: −3.0 dB, 20 Hz – 40 kHz |
| Equivalent input noise | Actual measurements: −128dB EIN (IHF-A) at +60dB/150Ω input |
| Display | LCD with backlight (128×64 resolution) |
| Power | AD-19 AC adapter (DC12V 2A) |
| Power consumption | 24 W maximum |
| External dimensions | 445 mm (W) × 388.4 mm (D) × 82.6 mm (H) |
| Weight (main unit only) | 3.71 kg |
Manuals & downloads
- Manual L-20 Quick Guide 2 MB pdf PDF
- Manual L-20 Operation Manual (PDF) 28 MB pdf PDF
- Manual L-20 Control app - Operation Manual 5 MB pdf PDF
- Manual L-20 Driver V2.0 Supplementary Manual 511 KB pdf PDF
- Spec sheet Compatible SDHC/SDXC Cards — Specification sheet PDF
- Spec sheet Compatible Software — Specification sheet PDF
- Document Optimize Windows 10 for Music Production PDF
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